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On an instrument built in Paris in 1741.
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Un immense merci pour cette merveilleuse représentation du Virgile (travesti) de Paul Scarron hier soir dans le somptueux salon des boiseries du @lechateaudebeynac et à guichet fermé! Didon en est tellement émue qu’elle en pleure un peu plus. À demain à La Bachellerie pour la suite de notre tournée des Châteaux en Fête! . . . #theatre #baroque #music #dido #didoandaeneas #eneide #virgil #virgile #scarron #chateauxenfete #dordogne #perigordnoir #violedegambe #violadagamba #purcell #parodie #butlesque #xviithcentury #patrimoine (at Château de Beynac) https://www.instagram.com/p/Cc7apv-KZ4U/?igshid=NGJjMDIxMWI=
#theatre#baroque#music#dido#didoandaeneas#eneide#virgil#virgile#scarron#chateauxenfete#dordogne#perigordnoir#violedegambe#violadagamba#purcell#parodie#butlesque#xviithcentury#patrimoine
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Vacaciones. #violadagamba #violedegambe (en Meudon, France)
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« Musique française des XVII & XVIII siècles » ● Y (élève de Cecilia Knudsten), viole de gambe | Pierre-Louis Retatet, clavecin | Takuma, flûte | Bénédict, violon | X, flûte ● œuvres de Marin Marais ● mardi 2 mai 2017, 12:30 ● Concert à l'Espace Fusterie de Genève
#genf#geneve#violedegambe#genevecentreville#geneva#genève#fusterie#clavecin#piano#harpsichord#MarinMarais#Violon#Violin
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Francisco Mañalich, Paris, théâtre des Bouffes du Nord, juillet 2015. Viole de gambe sur le Bourgeois Gentilhomme, mis en scène par Denis Podalydès au théâtre des Bouffes du Nord.
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#Latergram #SaturdayNight #Friends #ConcertPrivé #LorryLesMetz #BeautifulFriendHouse #Récital #Musique #Baroque #MarinMarais #VioleDeGambe #Clavecin #Luth #Théorbe
#saturdaynight#violedegambe#marinmarais#clavecin#théorbe#concertprivé#luth#musique#beautifulfriendhouse#lorrylesmetz#récital#baroque#friends#latergram
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Recorded on an instrument built in 1741, the same period as when Bach composed these sonatas.
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Want to listen to music recorded in Paris on an 18th century French instrument, Click it is 100% free.
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In Paris in the 1740s, M. Villeneuve tried to make Marin Marais' music more "modern". He added intricate performance instructions to often each and every note. Recorded in Paris on an instrument built in 1741 in the same city, perfect for this music.
Premier Mondial.
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As a young man, Marais copied out his Folia variations for another student of Sainte-Colombe's. This version without bass includes many "new" variations compared to Marais' publication in 1701.
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The very last French music for unaccompanied viol.
Performed in Paris on an instrument built in that city in 1741.
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