#vintage story drifter
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i love drifters theyre so silly from a reasonable distance, i do not want them near me please </3
#they just are so fucked up looking#but can be scringled up so good <3#i really love their one pose thats them on the ground i think praying? but they just look like they're havin a lil crisis#vintage story#drifter#vintage story drifter#fanart#art#sketch#sketchy
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This is my horrible son Jackson. He cannot die and he cannot despawn, he only moonwalks a few paces from my beautiful dirt hole.
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Sculpted a Drifter from Vintage Story. These things are cute.
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Vintage Story Drifters stimboard
x x x ⚙️ x 🪨 x ⚙️ x x x
#Vintage Story#drifters#vintage story drifters#stimboard#brown stimboard#vintage story stimboard#hands#slime#gears#sand#caves#water#moles#moving gifs#idk I saw the middle bottom gif and I just had to
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i knew vintage story has lore but in the months ive been playing ive never gone out of my way to collect the story items in-game... so i did read a lot of lore the other night and lol lmfao i am weak-willed with horror and the writing of the rot and humanity's decline chilled me to the bone and was deeply upsetting! which means it did its job! yay!
i'd thought it was an interesting quirk that spoiled food was called 'rot' and didn't pay it any mind, but i guess i know why now. im using that shit as FERTILIZER?
my stupid kobold seraph holds out a blob of that shit to the merchants like
'why did my rotten bread become Goo' and they have a conniption
#IT DOES EXPLAIN THE VARIOUS CLASS DESCRIPTIONS#i thought this whole time the drifters were like weird fucked up reanimated humans#nope. PLAYER CHARACTER is the weird fucked up reanimated human.#hello my name is basil the kobold i have memories of starving in the underground but lets not dwell upon that its time to make a clay pot#drifters are just. little automaton guys. ok.#fucked up automaton guys but.#yknow.#vintage story
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Drifter from Vintage Story! i love these guys hehe
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[ID: a screenshot from vintage story of a drifter spawn item being held in the player’s hand. it is a light and dark grey humanoid-like creature with no eyes, ‘standing’ stiffly at a slight angle. end ID.]
[ID: a screenshot of a youtube comment by user bingo bongo. it reads, ‘my son crump he has every disease.’ end ID.]
#screech#vintage story#I FUCKIGN FORGOT ABOUT THIS PIC I TOO KWHEN I WAS TESTING 1.18 MODS#you can just hold them if you want. it's fine
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Vintage dialogue prompts
1940s Noir Detective:
Detective: "Listen, sweetheart, the city’s got a thousand stories, but yours? It don’t sit right. Start from the beginning, and this time, leave out the fairy tales."
Mysterious Woman: "You think you can handle the truth, detective? Most men crumble just from the weight of it."
Victorian Gothic Romance:
Lady Victoria: "Do you not feel it, Alexander? The air is thick with secrets, and this house… it whispers at night."
Lord Alexander: "I hear no whispers, only the ticking of the clock and your endless doubts, Victoria."
1920s Prohibition Era:
Flapper Girl: "Honey, the only thing flowing faster than the gin around here is trouble. You best keep your wits if you’re planning to stick around."
Bootlegger: "I’m not here for the gin, darling. I’m here to see how deep the rabbit hole goes."
1950s Small Town Mystery:
Local Sheriff: "Folks say it was the wind that knocked down the barn. But I’ve lived here too long to believe in coincidences."
Outsider: "Maybe it's not the wind you should be worried about, sheriff."
1930s Great Depression:
Drifter: "I don’t stay long anywhere, but this town… it feels like it's holding its breath, waiting for something to happen."
Local Shopkeeper: "A lot has happened already, stranger. We’re just hoping it don’t happen again."
Edwardian High Society:
Countess: "Scandal is merely gossip's older, uglier sister. And I daresay, the two are waltzing through our parlor as we speak."
Lord Henry: "I suppose you’d be the belle of that particular ball, wouldn't you?"
1960s Mod London:
Photographer: "You're a vision, love, a walking dream. Let me capture this moment—it's a revolution, and you're right in the middle of it."
Model: "A moment is all it is. Tomorrow, someone else will be the face of the revolution."
1930s Silent Film Star:
Silent Starlet: "They loved me once, when I was the face on every screen. Now? I'm just a flicker in their memories."
Cynical Producer: "Fame’s a funny thing. One day you’re a star, the next, you’re just another name on a marquee."
1920s Speakeasy Drama "Sweetheart, in this town, your name is either on the guest list or the hit list. You better hope you're on the right one tonight."
Victorian Era Mystery "It's no coincidence the fog rolled in just as Lady Pembroke vanished. I dare say there's something far darker at play here."
1940s Noir Detective "She walked in like trouble wearing heels too high for an honest woman. I knew right then the case was going to get dirty."
Edwardian Romance "You must understand, my dear. A single misstep in this dance, and our entire reputation crumbles. We simply cannot afford scandal."
1950s Americana "You know, doll, when a guy hands you the keys to a Cadillac, he's either in love with you or running from something. In my case, it's both."
Wild West Showdown "The sun ain't even set yet, and already you got your hand on your gun. You sure you want this dance, partner?"
Gothic Horror Mansion "I’ve seen ghosts in this house before, but none so cold as the spirit that haunts your eyes."
Prohibition Era Crime Boss "Kid, in this game, you either keep your mouth shut or you learn how to talk your way out of cement shoes. There ain't no in-between."
World War II Spy Thriller "One more whisper of your name on the wrong side of this war, and they won't need a bullet to silence you. The shadows will do the job."
1920s Flapper Rebellion "The only rule around here is that there are no rules, darling. Except, maybe, don't get caught."
#vintage#creative writing#writing#writerscommunity#writer#dialouge#dialogue prompt#writing dialogue#character dialogue
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in minecraft the idea of tracking down a bunch of resources to build a house just like. never appealed to me. id live in a shack until i gave up and went in creative mode to build a place. most of the time i was building little stuff or getting annoyed
but somehow. despite it being MORE intensive and annoying. i like actually building in vintage story. i like my small little houses. i like my lil dirt hut i made nice. finding new trees is exciting. finding new rocks super fun. i love going out and exploring to find some stuff and bringing it back. i like how there is always smth to do. my anvil mold is in the pit kiln so im making my farm and building fences and then going out to look for oak logs. i need to crush up limestone to make lime and then quicklime for plaster. most of my stone bricks were harvested from ruins but i kinda like that still. i found some HUGE ruins and a dungeon under it from a mod i keep going back to (on explorer with passive mobs so drifters dont kill me)
idk it just. feels nicer? in minecraft im like "ugh great no dark oak forests near by this sucks ass and now i have to try to make this building look nice :/ whatever im just going creative" in this one tho i. like taking it slow. unless its moving my stuff between old bases one time that time i just cheated with creative
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Eivu's Travels [Vintage Story; 5]
Spawning into the new world, Immediately spotted a structure on the other side of a lake and decided to make my way to it.
The structure turned out to be an a wagon and to my surprise I was greeted by a seemingly friendly face by the name of Horace, a trader.
He was a weird man indeed. He wanted me to use gears as money despite them obviously having better uses, although he seemingly denied this. Also he spoke of something called Drifters that had been supposedly "punished by God". Either way, I have no time for mad men and left. He had nothing good to steal anyway.
But if what Horace was talking about held any sort of truth, it seems that this mode features monsters that roam the surface. As a result, I figured that high ground would be even more important than in my previous world and I built myself a wood-dirt shack on a mountain right next to Horace's wagon so I could keep an eye on the crazy bastard.
Not wanting to repeat last worlds mistakes, I also took the time to do some hunting before the night came. Unfortunately for me the only creatures around me were goats and raccoons. And I don't feel comfortable enough to tackle goats so raccoon it is.
On the Brighter side, I did find four pieces of copper. But I have no idea how to use them yet.
Since low space is kind of an issue on my mountain house, I decided to convert my roof to an improvised cattail farm, the only problem is that I am not entirely sure if cattails can grow without water. Also the soil on my roof is very infertile.
Turns out Horace hadn't been pulling my leg, as in the morning I found the area around my home sprawling with weird goblin creatures. Unfortunately they didn't seem to drop meat so I guess It's still just raccoons for me.
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theyre not on speaking terms
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Outrun the Ordinary: A Review of a Film That Pushes the Visual Pedal
Forget popcorn, grab your ray-bans, because "The Outrun" isn't a movie; it's a portal to a neon-drenched oasis where the ordinary takes a sharp turn off the highway and dives headfirst into hyper-stylized nirvana. Buckle up, film fanatics and adrenaline junkies, because this review is about to throw you into the passenger seat of a cinematic joyride that pushes the visual pedal to the floor and leaves the speedometer spinning.
From Blaring Boomboxes to Gleaming Chrome Dreamscapes: The director doesn't just recreate the 80s; they reinvent it, twisting familiar aesthetics into a hyper-realized dreamscape. Picture this: endless highways bleeding into perpetual twilight, vintage muscle cars shimmering like chrome gods under pulsating neon signs, and abandoned diners casting jagged shadows that whisper of untold stories. This isn't your dusty museum exhibit; it's a living, breathing world dripping with retro cool and oozing modern intensity.
But "the outrun movie review" isn't just a feast for the eyes. The soundtrack is the nitrous oxide that fuels the narrative. Synth melodies weave a sonic tapestry that echoes with the ghosts of Eurythmics and Depeche Mode. Each pulsating beat drives the story forward, mirroring the protagonist's restless spirit like a piston pounding the asphalt of the film's heart. It's not just background music; it's a character in itself, a seductive siren song promising escape and redemption on the endless open road.
Beyond the Tail Lights: This isn't just a neon joyride with a retro soundtrack. Beneath the shimmering chrome and throbbing neon lies a story with the depth of a vintage vinyl record. Our nameless driver isn't just cruising; he's running. Haunted by a past as dark as the shadows cast by the roadside diners, he seeks solace in the anonymity of the highway. Each encounter, a fleeting exchange with a drifter, a neon-clad stranger, or a mysterious woman who becomes his temporary co-pilot, chips away at his silence, revealing glimpses of the trauma that fuels his escape.
This isn't just an 80s nostalgia trip. The director uses the decade's aesthetics as a springboard to explore universal themes of loss, longing, and the human need for connection. It's about confronting your demons, both literal and metaphorical, and searching for redemption in the endless expanse of the road. It's about outrunning not just the past, but the limitations of who you thought you were.
Fuel Injected Storytelling: The narrative unfolds with the minimalist elegance of a vintage arcade game. Dialogue is sparse, letting the pulsating landscapes and electrifying soundtrack do the talking. It's a cinematic language that speaks to the gut, bypassing the head and going straight for the heartstrings. Every frame is a carefully crafted brushstroke, every scene a masterclass in visual storytelling, leaving you breathless and begging for more.
Rewind and Replay: "the outrun sundance review" is a film that demands multiple viewings. Each time you cruise through, new details shimmer in the neon reflections, hidden meanings emerge from the shadows, and unspoken emotions flicker in the protagonist's steely gaze. It's a film that grows with you, its resonance deepening with each encounter, leaving you humming the soundtrack and craving the open road long after the credits roll.
Neon Escape and Enduring Resonance: So, why does "The Outrun" stay with you long after the final frame? It's more than just the visual feast, more than the adrenaline rush. It's the story, a simple yet profound tale of facing the past, seeking redemption, and finding connection in the most unexpected places. It's the journey, not just the destination, a constant movement forward that mirrors the protagonist's (and our own) quest for self-discovery.
Final Verdict: "The Outrun" is a cinematic triumph, a neon-fueled odyssey that pushes the boundaries of visual storytelling and transcends the limitations of mere nostalgia. It's a film that stays with you long after the final frame, a reminder that sometimes, the greatest escapes are the ones we take within ourselves. So, fire up the engine, crank up the synthwave, and prepare to outrun the ordinary.
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trying out the new update to vintage story on the standard difficulty. god you starve fast. and malefactors die so easily. i do really like their increased sneakiness and looting powers but holy fuck the wolves just destroy you.
i've also learned that drifters can't seem to walk through my fucking door? so i can just kind of. stab them through the open door.
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Mike Savage New Canaan The Background Of The American Muscular Tissue Auto
The automotive world has lots of history in every edge of the world, from the drifters of Japan to the roadway racers of Germany. Still, one particular nation's passion for all things automobile goes beyond all others. That country is the stunning USA Of America, and also there is most certainly a lots of background in our nation's automobile past. Many people know the US for the wonderful muscular tissue automobiles and pony vehicles whose main concern is the drag strip, but not everybody recognizes the fish story behind these power-hungry vehicles.
The very first real muscle mass cars and truck is thought to have actually been developed in 1949 with the invention of a little-known efficiency vehicle, the Oldsmobile Rocket 88. This cars and truck was exceptionally significant in the automotive sector as the 300 ci V8 was among the most substantial V8 engines available at the time. Obviously, this established a criterion for power in the USA, with heavyweights such as Ike Turner also taking notification. His song "Rocket 88" was also the initial rock-and-roll record in American background. So it seems fitting that the first Muscle car was in charge of developing the world's first taste of rock-and-roll.
Mike Savage New Canaan
While the Rocket 88 was most certainly the first of its kind to introduce the general public to the concept of putting a big V8 engine into, what is thought about to be, a little automobile, it was much from a superb analysis of the suggestion. That title might go to the 1964 Pontiac GTO to subvert the current GM ban on auto racing by offering individuals something even smaller than previous designs with a much larger engine. Many like to direct at the Mustang since it did an extremely comparable point, yet the majority of authorities call it a pony auto. The argument in between those who separate pony autos and also muscular tissue cars and trucks is certainly fiery, however it may just be far better to state that all horse cars and trucks are muscle cars yet not all muscle mass vehicles are pony cars.
Mike Savage New Canaan
The competition was fueled by designs such as the GTO and Mustang, as they were both unbelievably significant in their time. Still, catastrophe was quickly to befall the American auto industry. This originated from the 1973 oil situation, which was pushed generally due to growing worldwide stress with middle eastern countries that control a lot of oil production. Naturally, this was the ideal opportunity to create mass hysteria to handle the people's disdain for the government's handling of the circumstance, so they started focusing greatly on climate adjustment to distract from the fumbling of international oil profession policy. Decades later on, no substantial ecological differences have been made regardless of a constant concentration on the matter. While the old muscle mass autos continue to be a thing of the past, the majority of one of the most famous American muscle mass cars showed up in the very early 2000s and also returned to even more outstanding efficiency than attained previously. We are now enjoying history repeat itself as we move out of the 2nd muscle mass automobile change and also avidly wait for the return of our favored Mustangs, Camaros, as well as Charger/Challengers once again.
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