#videosound

[gigipics]

Quito has a really weird weather, during the morning you can be in a sunny day and in the afternoon everything changes...

So be careful if you are in Quito and always take your umbrella, just in case ❤️

[yourfreesounds]

Preps for today done! 🎤🔊👍😊 #recorder #fieldrecording #soundequipment #audioequipment #microphones #shotgunmic #deadcat #videocreators #videosound #creatorgrams #soundeffects #postproduzione #postproducción #postproduction (at Friedrichshain) https://www.instagram.com/p/ChJeeTWqY-K/?igshid=NGJjMDIxMWI=

[josumammi]

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Modular Ninja Vol. 1 Out now on @sounds and @beatport Sounds. Brace yourself for out-of-this-world percussions, bigger-than-life effects, vintage lasers, bubbly textures and fierce drones covering all frequencies human ear can observe, and beyond. The pack also contains 37 Kontakt -instruments for a joyful playing experience. All the sounds and presets are 24 bit and 96 kilohertz Wavs to guarantee the best possible sound quality and flexibility. #samplepack #producer #musicproducer #studio #sound #sounddesign #loops #samples #producerlife #studiolife #gamesound #videosound #foley #effect #ableton #logic #machine #flstudio #hiphop #house #techno #electronicmusic #sounds #kontakt @nativeinstruments #modular #lazer #synthesizer #synth #modularsynth

[kvmellen-blog]

Today's #lecture : #sounddesign #soundforfilm #videosound #videomaking #filmaking #audioproduction #audiorecording #audio #professor (at Mundelein, Illinois) https://www.instagram.com/mellenvance/p/BwBSd2gBXY2/?utm_source=ig_tumblr_share&igshid=1dl895nrnfvzo

[defneonenitp]

A ROUGH CUT : ITP WARS!

ITP wars is a fictional reality TV show created for our Communication Lab: Video and Sound class. Don’t miss all the drama on the 4th floor of the Tisch School of Arts Building!

Partners: Lilian Ritchie and Qice Sun

[sl7211-blog]

Week 1

[acdave]

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LE PALLE DELLA FORTUNA [Una schiacciatina di buon auspicio non fa mai male! 😉 ...povero toro! 😂 • • • • #videogram #videos #videoselfie #videosound #shortvideo #videopromo #instavideo #videooftheday #videoforlike #videodaily #smilling #videoiphone #videoinstagram #videosocial #funnyvideos #videodivertenti #video #videomilano #adcthekeynote #rosso #pomeriggioinsieme #famiglia #esserefelici #pensierifelici (presso Galleria Vittorio Emanuele)

[dkhauver]

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Everyone needs this! Wow! @dkhcinema @samyscinemaworks @samys_camera @tentacle_sync #samyscinemaworks #cinemaworks #jamsync #tentacle #videosound #cinemagear #cinematography #videogear #videography (at Samy's Cinema Works)

[studio3e]

Sweet! New toy for the Red Scarlet from B&H and Wooden Camera. Time to take her for a spin. Let's see how she does. #woodencamera #redscarlet #cameratoys #abox #videotools #soundgear #videosound (at Studio 3E)

[peekatthis]

Why is Video Sound Important & 3 Tips to Improve It

Sound is important because it engages audiences: it helps deliver information, increases production value, elicits emotional responses, emphasizes what's on the screen, and is used to indicate mood. However, bad sound can ruin your video. #videosound

Video Sound is important because it engages audiences: it helps deliver information, increases production value, elicits emotional responses, emphasizes what’s on the screen, and is used to indicate mood. However, bad sound can ruin your video. Crafting great visuals is only one part of the production equation for video work. Giving your video great audio is another important component, along…

[xnthirteenx]

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What a fantastic day @inzumuko Thanks for having me. (Videosound is distorted 🔥 - sorry) (hier: Erfurt, Germany) https://www.instagram.com/p/CFWiGENqJaG/?igshid=6daz986hv437

[jihosoft-susan]

Best iPhone App to Add Music to Video [2020]

An extraordinary soundtrack is one of the most basic things you can use to make your recordings stick out. It can go far in adding some feeling to your video and it even can possibly totally change the method of watcher sees your substance. Adding ambient sounds to a video cut is a moderately straightforward cycle on a PC/Mac. However, in the event that you are utilizing an Android or iOS gadget, you may confront a few issues finding the privilege application that will assist you with doing likewise. In this video I'll discuss a portion of the 7 best applications to add music to video iPhone.

VivaVideo - Video Editor & Video Maker

Triller

VideoSound

iMovie

Magisto

MuStar

Video Maker with Music Editor

[gluscombe-llb]

Corpus Speaker Sound

This recording features all of the 24 unique voices that eminated individually from one of 24 downward facing speakers. The voices created a chorus of recordings, reading texts composed from the intersections of found fragments, phrases underlined, and slips of words, creating a layered, complex and open context through which the blankness of the paper moved. 

[contemporaryartctca]

Individual Research

Performance, sound & film

Performance

Bollywood director Sanjay Leela Bhansali creates many movies that overlaps with performance and sound. In particular, I want to elaborate on the song Lahu Munh Lag Gaya from his film Goliyon Ki Rasleela Ram-Leela (2013). It is a take on Shakespeare’s Romeo and Juliet (1595). Although this film has many aspects I do not agree with, its set, music and wardrobe design really fascinates me.

One of the first posters of Goliyon Ki Rasleela Ram-Leela (2013) taken from Wikipedia

If one looks at the song from the film Lahu Munh Lag Gaya (this is where the two characters Ram and Leela first meet), the dancing is extremely performative even though it is based within a film. This is a common trait in many Bollywood films. The choreography is matched with the sound/ music and it is extensively rehearsed. What interests me the most is how the costumes contribute and emphasize the movements in cohesion with the music and performative nature of the dance. I love the embroidery, colours and style of the outfits they are wearing as it fuels the performative experience. It is a very playful and sexually tense atmosphere signifying the start of Ram and Leela's attraction towards eachother.

Image taken from: https://timesofindia.indiatimes.com/entertainment/hindi/bollywood/photo-features/interesting-tracks-that-celebrate-navratri-in-bollywood/Lahu-Munh-Lag-Gaya/photostory/60730997.cms

Furthermore, the dance is repetitive and ritualistic. This connects to my practice in terms of the ritualistic/repetitive nature of making garlands and looking at textures or colour to create a certain language. This song is a performance within a narrative. It really excites me, particularly the narrative of wild, crazy love that is represented as eternal or everlasting. The entire song speaks towards their forbidden love within the film. This is emphasised through the red colours in the song. Essentially, it represents bloodshed or chaos their relationship holds. Within this song, there are numerous performative elements that contributes to the film's storyline.

Image taken from: https://www.harishzone.com/making-lahu-munh-lag-gaya-ramleela/

Sanjay Leela Bhansali’s films have had many controversies regarding the representation of religions, genders or traditions. However, I admire the set design, wardrobes and mainly the songs within the films as I find them to be the most performative and intriguing.

Link to the song Lahu Muhn Lag Gaya: https://www.youtube.com/watch?v=szVW_w-W8cQ

Making of the song Lahu Muhn Lag Gaya: https://www.youtube.com/watch?v=vELnVBQUN4s

A rough but useful interpretation of the narrative behind the song: http://strangerthanf.blogspot.com/2015/07/lahu-munh-lag-gaya.html

Sound

Anne Hamilton’s Table (2013-14) really interests me in terms of sound and the documentation of its process. I enjoy the relationship between movement, actions and the close up shots of the hands in relation to the sounds created. The bouncing, chiming nature of Table calms and comforts me.

Table (video still)

2013-14

Dimensions vary

Table was inspired by “Table of Contents”, a piece composed by David Lang. Hamilton wanted to highlight the effect of subtle movements in creating sound and synchronisation. Many of the shots within Table are a result of Hamilton’s vision to follow the movements with low-resolution surveillance cameras. Lang’s piece is performed by percussionists Susan Powell and Joseph Kryger. The relationship between hearing, sensing and space is of key importance within this piece. 

https://www.lightwork.org/archive/ann-hamilton-table/

Table (video still)

2013-14

Dimensions vary

The intense and accelerating pace of the sound pairs well with the rapid manner in which it is documented. I feel that as the video progresses, the sound becomes more constant, faster and overpowering. The movement of the camera stresses them as the camera reacts off of them. I enjoy the aspect of potentially expanding this work where mundane objects are used to create noise.  Furthermore, how sound can be arranged or placed within a sequence to create patterns or repetition. 

Table (video still)

2013-14

Dimensions vary

In terms of my practice or interests, I enjoy the aspect of using objects to make sound (even though the items used in Table are instruments). I also enjoy the tactility Table in relation to the hands and the objects which creates the sound. I admire the close up of the hands and the way it is documented from beneath the table. I think the process in which the sound is created is extremely captivating. I admire the intimacy and sensitivity of this piece. 

Link to the video of Table: https://www.annhamiltonstudio.com/videosound/table.html

Film

Christian Marclay's Telephones (1995) depicts a new way of constructing scenes within the medium of film. I am mainly fascinated by the appropriation within Telephones to create something new.

Telephones (film still)

1995

Video (black &a white, colour and sound)

Duration: 7:30 mins

Telephones is a film where various footage of people using and interacting with telephones are strung together in a sequence. The individual footage is miraculously placed together where they BLEND with each other. It comments on how we constantly interact, communicate and "process information and entertainment". I also think that it indicates towards how as people, we endlessly search and are in need of human interaction in order to survive.

Telephones is an approach to film that really excites me in terms of appropriating other footage. I admire the seamless and effortless nature of how the scenes are edited and placed together. Marclay makes the process of making of Telephones entirely uncomplicated.

In terms of it's appropriation, I enjoy the possibility of how commercialized films can be reused and redefined within a contemporary art context. Telephones emphasizes the versatility of film as a medium.

Telephones (film still)

1995

Video (black &a white, colour and sound)

Duration: 7:30 mins

Telephones further signifies how film can be used to document mundane practice and interactions society experiences. I enjoy the highlighting of a simple act of dialing a telephone.

I chose Telephones because I'm interested in using other footage to create a film or video work. I feel that living in a postmodern society, everything is constantly being recycled.

Telephones (film still)

1995

Video (black & white, colour and sound)

Duration: 7:30mins

Telephones in some aspects is a film that I feel is constantly relevant. Mass media has a overwhelming presence in everyday experiences, and I would like to explore this in terms of film. I think it would be exciting to create a new narrative by appropriation. Telephones has really changed my perception of how film can be constructed.

Films stills & link to Telephones: https://m.youtube.com/watch?v=2MMfgRg53SU

Articles used: https://www.sbma.net/exhibitions/marclay

https://www.artsy.net/artwork/christian-marclay-telephones

[defneonenitp]

Story Boarding - ITP WARS!

Is a reality competition show similar to Project Runway in which Tisch students compete for a prime spot in the ITP winter show. Everyone is given a weekly challenge project with specific themes, materials, and time constraints. Students from different backgrounds and different interests are specifically picked to highlight the diverse community at ITP, and the judging board is comprised of teachers and residents who are former winners of the competition. This two to four minute promotional video will introduce audiences to our five main contestants, our three judges, and give a taste of the drama we can expect this season on…. ITP WARS!

Our first storyboard: