#video booth hire

[video360boothuk]

Professional 360 Booth Hire Services Near You – Capture Every Moment with Video360Booth

Looking for the best 360 booth hire near you? At Video 360 Booth, we specialize in offering exceptional 360-degree video booth services for all types of events. Whether you're hosting a wedding, corporate event, or birthday party, our state-of-the-art 360 booths capture every angle of the fun, delivering unique and memorable footage for guests. Our 360 video booths are designed for all occasions, providing an interactive experience that ensures your guests leave with high-quality videos they’ll cherish forever.

When you choose 360 booth hire near me from Video360Booth, you're opting for professionalism, reliability, and top-notch equipment. We provide fully customizable packages that include instant video sharing, branded videos, and unlimited prints to make your event stand out.

Serving various locations, we cater to weddings, corporate functions, trade shows, product launches, and more. With our experienced team, you can trust that your event will be unforgettable.

[honeyboothca]

Book a Photo Booth for Events and Weddings in Vancouver with Honey Booth!

Create Lasting Memories with our 360 Video Booth for Events and Weddings!

Express yourself and share heartfelt messages with our dynamic photo booth for events and weddings. Capture candid memories that last a lifetime.

Connect with our team and book a pre-event consultation for your video and photo booth rental Vancouver.

[iphotoboothaus]

Common Mistakes to Avoid When Renting a 360 Video Booth

Going for a 360 video booth hire in Sydney can elevate your event, offering guests a fun and interactive experience while creating lasting memories. These booths provide unique videos with a creative flair that sets your event apart. However, making inevitable mistakes during the video booth rental process can lead to unnecessary stress and less-than-perfect results. 

From booking at the last minute to neglecting technical requirements, overlooking the key details can disrupt the booth’s performance. Understanding the common pitfalls and how to avoid them will make the rental process easy & hassle-free. This blog will highlight all those mistakes to avoid from now on. 

O1. Booking Late

Waiting too long to book a 360 video photo booth might leave you without one, especially during peak event seasons. Secure your booth well in advance.

O2. Not Checking Space Requirements

360 booths need sufficient space for setup and operation. Failing to allocate adequate room can limit functionality and steal away a positive guest experience.

O3. Overlooking Power and Wi-Fi Needs

These booths require reliable power sources and a stable Wi-Fi connection for real-time sharing. Ensure these are available at your venue to avoid technical issues.

O4. Skipping a Test Run

Not testing the 360 video booth hire in Wollongong before your event can lead to unwanted surprises. A test run ensures everything runs smoothly and that the output meets your expectations.

O5. Choosing Based on Price Alone

Selecting the cheapest option without evaluating quality and features can lead to disappointment. Always prioritise reputed providers over cost savings.

Summarising Up 

Renting a 360 video photo booth can be a highlight of your event, but avoiding these common mistakes is key to ensuring a flawless experience. Proper planning, thorough communication with the provider, and attention to technical details will help you create stunning memories that your guests will cherish.

[politeplayground]

Top 5 Benefits of Having a Perfect 360 Video Booth

Top 5 Benefits of Having a Perfect 360 Video Booth

A 360 video booth is an exciting addition to any event, offering a unique experience that guests will remember. Here are the top five benefits of having one at your next celebration!

1. Unforgettable Experiences

A 360 video booth captures stunning videos from every angle, allowing guests to step into the spotlight and create memorable moments. Unlike traditional photo booths, this immersive experience makes everyone feel like a star, helping your event stand out.

2. Social Media Ready

In today’s digital age, sharing moments on social media is essential. The 360 videos produced by the booth are perfect for platforms like Instagram and TikTok. Guests love posting their fun videos, which boosts visibility for your event and encourages more people to attend future gatherings.

3. Engaging Entertainment

The booth isn’t just about capturing videos; it also serves as engaging entertainment. Guests can enjoy the interactive experience, encouraging them to let loose and have fun. This lively atmosphere keeps energy levels high and makes your event more enjoyable for everyone.

4. Customizable Features

A 360 video booth can be tailored to fit the theme of your event. You can add personalized backgrounds, props, and overlays to create a unique look that reflects your brand or celebration. This customization adds a personal touch, making the experience even more special for your guests.

5. Easy to Set Up and Use

Modern 360 video booths are user-friendly and quick to set up. With simple instructions, guests can start recording their videos without any hassle. Event planners appreciate this convenience, allowing them to focus on other aspects of the event.

[keopix]

Photo Booth Rentals - Keopix

Keopix was originally an Austin photo booth rental company that emerged into a nationwide social photo experiential company that markets to the masses! Keopix was originally an Austin photo booth rental company that emerged into a nationwide social photo experiential company that markets to the masses! https://keopix.com/

[bikashdas]

The Benefits Of Using A 360 Video Booth For Brand Engagement

[socialbooths]

360 Photo Booth Video: Capturing the Magic of Your Event

Looking for a unique way to capture memories? Look no further than our Social Booths! With our 360 Photo Booth Video experience, you can step into an immersive and interactive world. Don't settle for ordinary photo booths, choose the extraordinary with Social Booths. Book now for an unforgettable event!

[videobooth360]

Premier Video Booth Supplier

At premier video booth supplier, we provide quality video booths that are perfect for events or promotions. Our cutting-edge technology is easy to use and provides stunning visuals with high-definition recording capabilities. With our service, you can capture amazing memories and videos.

[writersdrug]

For bartender ghost and waitress reader, what about some fluff? Small things like rolling silverware or saving some of the food from messed up orders for each other when they know they haven’t eaten?? Also, your writing is absolutely phenomenal and it is keeping me going!! Keep up the great work!

Bulleted post bc I'm lazyyyy but thank you babes!!

Simon's job revolves around the bar, and yours revolves around the restaurant floor. Still, that doesn't stop the two of you from mixing your sidework together, just to have extra time with each other. Price never seems to mind, as long as the work gets done.

You'll stand behind the bar and chop the citrus fruits the way Simon showed you, while he replaces the empty kegs and cleans the taps.

Rolling silverware was no longer his job once you were hired, but he regularly joins you at a booth after your shift is over and helps. He polishes the utensils while you roll them in napkins, and he listens as you ramble on about your day.

Before the bar opens, when he takes his smoke break, you take a snack break. Sitting on the stairs in the alleyway, eating the loaded fries Soap made, while he leans against the brick wall of the adjacent building. You badger him with questions about his time in the task force, and he begrudgingly answers them all (he's preening at the way you listen with such interest).

Sometimes he'll text you before you show up for the day: "need some fruit and bitters for the bar, Sevvy's?" And you know to meet him a bit earlier at the bar, so the two of you can head to the corner market down a few blocks. He carries the basket while you dig through the crates of fruit, insisting on picking the best ones - if it was just him, he'd grab the ones off the top that don't appear to be rotting. But it's you and him, and he's happy to let you drag him from place to place and take up all his time.

You once video called him late in the morning. He immediately worried something was wrong - but when you just started your usual chit-chat, propping your phone against your bathroom mirror and doing your makeup, he realized you were just being domestic. And it warmed his soul more than he cared to admit.

Now, it was a weekly occurrence. You start a video call with him, and the both of you talk as you go about your day. He'll only stop when he has to run into the brewery and discuss the next order with the brewmaster, but even then, he's got one earbud in and his phone tucked into his pocket.

Not much but enjoy!

[ceilidho]

prompt: reader is hired as a live in house cleaner because ghost is always away and he only comes back on leave and he insists she stay in the guest room. Over time he increasingly acts like she’s his live in girlfriend or something. Very confusing for reader lmao.

-

The job comes at the exact right time. 

The way you stumble onto your new job is a bit dicey, if you’re being honest. You’ve been meaning to get out of the waitressing life for a while—the tips are shit and the number of times that you’ve had your backside pinched has slowly but steadily climbed into the double digits. You just haven’t had direction; somewhere to go. 

Your savior comes in the form of a six foot plus soldier. Oh, he doesn’t tell you that, but his body language speaks for itself. 

At first, even the sight of him makes your belly clench and palms sweat like when you watch rock climbing documentaries or parkour videos online (all moist and clammy and you have to wipe them on your jeans before shaking his hand). He’s a one-time customer at your little roadside diner that gradually becomes a repeat offender. 

He comes at odd times, sometimes disappearing for a month or two before he’s back to sitting in the booth at the back of the diner with his back against the wall. You smile shakily when you pour him coffee after coffee. He never eats. Always sits in the same booth, dressed in the same black hoodie that does nothing to hide the sheer size of him and a black surgical mask that he never removes. He has a sixth sense for when you’re watching him from behind the counter, waiting for him to take a sip.

You never do catch a glimpse of his face. Not completely anyway. You know him only by the faint smell of gunpowder and metal that clings to him like a second skin, and the feeling of his calloused hand against yours. 

Like ice slowly chipping off a glacier that one day cracks, a huge chunk splintering off and crashing into the sea, you know nothing about him until you’re suddenly in his house. Simon, he tells you, and the sound of his name awakens something in you. He needs a housekeeper and you need a reason to leave. 

You quit the diner; barely even put in a week’s notice. 

The day you drive up the long beaten road up to his property, a cabin deep in the English countryside, clear blue skies follow you. Clouds crisp, delicate even. Simon takes you through the house, showing you to the guest room where you’ll be staying while he’s away. He never directly confirms your suspicions, but the faint tightness around his eyes when he mentions his job tells you all you need to know. No wonder he needs someone to keep the house in order. Never around to do it himself.

Then he’s gone, swift as a ghost. You wake up in the guest room to a hastily scrawled note on your bedside table and a faint feeling of loss. 

You scrub tiles and dust the top bit of the fan that everyone always misses; you mow the lawn, clean the gutters, and sit under the shade of a poplar tree with a glass of lemonade in the early evenings. If you look up into the tree, you’ll see spiders and squirrel nests. It’s almost therapeutic. 

Weeks pass at a time. Simon reemerges like clear skies between periods of rain. Sometimes even before you wake up, you can feel the change like lighting sizzling in the air, crackling hot under your fingertips and then stumbling into the kitchen to find him leaning against the counter, coffee already brewing. You blush into an apology that he waves off.

Good soldier. Better boss. 

You fall into a routine, something of a cadence that is only interrupted by Simon’s hands on your hips when he moves you out of the way to grab a mug from the top shelf. His finger brushing over the curve of your cheekbone to wipe away flour smudged on your cheek. Then he’s gone again, passing through like a ghost. 

Perhaps he’s a more tactile man than you originally assumed. Something about the way he held himself in those first few weeks in the diner suggested otherwise, the way he seemed to radiate a latent hostility. Do not get close. You read this in the general slope of his eyebrows and the scars across his muscled forearms up until he reaches out to touch you, growing more and more comfortable with you around.

“You alright, love?” said into your ear on a warm night when Simon materializes onto the couch beside you, practically out of thin air. Your heart almost bursts in your chest. 

When you turn, he’s as beautiful as ever, honey burnt eyes staring out from behind a balaclava this time. Still dresses in his standard issue tactical pants, the faint smear of grime and gore around the ankles. There’s a lump in your throat when you smile. 

He smells richer now. Deeper, like the forest floor. Like crawling through mud and spider webs and a thick, cloying miasma of desperation. 

“Sorry—I didn’t know you’d be back,” you apologize, going to rise up to your feet. It feels wrong to commandeer his house when he’s on leave, even though you live here too.

A heavy hand on your shoulder pulls you down, settling you to his side. “Off your feet now—there you go, atta girl. No sense getting up; show’s not even done.” 

He angles you back to face the TV and tugs you into his lap almost effortlessly. You do not look back, even when you feel him slip the balaclava off, hot breath fanning over your neck. Not even when fingers play over the thin line of skin where your shirt rides up. You blink like your eyes are gummy and try not to shudder when his thumb dips underneath your shirt.

[trezentertainmentent]

360 Degree Photo Booth Rental

At Video Booths 360, here we provide the best 360 Degree Photo Booth Rental with Different sizes of the platform.  Create memories in our Photo booths and get the best video booth for your event, parties etc. You can hire or purchase a video booth for your best videos or photos. Our company provide you with a unique photo & video booth for your special events and parties to make them memorable. We at video booth 360 offer you both rental and purchasing options for easy buying it. You can get the all booth at reasonable prices. Get more information, visit our website.

[video360boothuk]

Best 360 Video Photo Booth Services in the UK

Looking for the best 360 video photo booth for your event? Look no further than Video 360 Booth! We offer top-of-the-line 360 video booths, perfect for capturing every angle of your special moments. Whether it’s a wedding, corporate event, or birthday party, our 360 photo booths deliver high-quality, immersive experiences that leave a lasting impression.

Our 360 video booths provide a unique and interactive experience for your guests, allowing them to step inside the booth and create incredible, personalized video content. The result? Stunning 360-degree videos and photos that will be the highlight of any event. With customizable features and easy sharing options, guests can instantly share their creations with friends and family.

At Video360Booth, we pride ourselves on delivering exceptional customer service, top-quality equipment, and unforgettable moments for every client. Our booths are equipped with the latest technology to ensure crystal-clear videos and photos, making every event unforgettable.

Whether you're hosting a corporate event, a wedding, or a special celebration, the best 360 video photo booth is just a click away. Contact Video 360 Booth today to book your 360 photo booth experience and make your event truly one-of-a-kind!

[iphotoboothaus]

Planning a College Reunion? Go For a 360 Video Booth Hire 

A college reunion is a special event brimming with nostalgia and camaraderie. To make it truly memorable, consider hiring a 360 video booth. Unlike traditional photo booths, a 360 video booth hire in Sydney captures dynamic, immersive footage that allows attendees to relive the event uniquely. If this is your first rodeo with a video booth, you’re in for a treat! 

Capturing Every Angle

Interactive Experience

A 360 video booth provides an interactive experience for your guests. They can step into the booth and be recorded from all angles, creating fun and engaging videos. This immersive experience is a step above “static” photographs and offers a more lively way to capture memories.

Group Memories

College reunions are about reconnecting with multiple friends at once. A 360 video booth is perfect for group shots, ensuring that no one is left out of the frame. The resulting videos can capture the spirit and energy of the group, making it a keepsake that everyone will cherish.

High-Quality Production

O1. Professional Results

A modern 360 video booth hire in Wollongong is equipped with high-resolution cameras and professional lighting, ensuring top-quality footage. This means that the videos can be easily shared on social media or even projected during the event for everyone to enjoy in high definition. 

O2. Customisable Options

Many 360 video booth hire services offer customisable options, such as branded overlays, music, and special effects. This allows you to tailor the videos to reflect the theme of your reunion and add a personal touch.

Final Call 

A 360 video booth hire in Sydney can elevate your college reunion, making it an event to remember. It can capture dynamic, high-quality footage and provide a fun, interactive experience, making it an excellent addition that will ensure your reunion rules the headlines for years to come! 

[shojoqueendom]

The whole story of the illegal sale of Candy Candy products by Yumiko Igarashi

What is Candy Candy?

Candy Candy is shojo manga that was published between 1975 and 1981 in Nakayoshi magazine. It was written by Kyoko Mizuki (Keiko Nagita) and illustrated by Yumiko Igarashi. It was adapted to anime between 1976 and 1979 with a total of 115 episodes by Toei Animation.

The dramatic story of the sweet and optimistic Candy was an international success and is today an icon of shojo manga and one of the best sellers.

Evidently, the copyright holders are both Mizuki and Igarashi, and the trademark rights holder is Toei Animation.

Beginning of the conflict: Cancellation of the contract with Kodansha

According to Igarashi, her subsequent works at Kodansha didn't achieve significant sales, so the publisher abandoned her.

Candy Candy's views were decreasing over time and Kodansha did nothing. So Igarashi asked Mizuki to cancel her contract with Kodansha, Mizuki chose her friend and they did so on February 26, 1995.

Toei Animation also had a contract with Kodansha for Candy Candy, which automatically expired when Mizuki and Igarashi canceled their contract. To broadcast Candy Candy, Toei Animation had to sign a new contract with Igarashi and Mizuki. Toei Animation and Mizuki tried to contact Igarashi many times for this but were unsuccessful.

Meanwhile, Igarashi was working with Fuji Sankei (now Qualus), through which she was able to offer licenses to many companies to sell Candy Candy products without asking permission from Mizuki or Toei.

The unmasking: Banpresto's purikura

One of these companies was Banpresto Co., Ltd., which develops video games and makes collectible figures. Igarashi lied about creating a new (fictitious) company in Hong Kong with Mizuki and Toei called "Candy Corporation." Igarashi and Banpresto made a "purikura" (Japanese photo booths) contract. Banpresto asked Igarashi many times if Mizuki was aware of this contract, Igarashi always confirmed it. Banpresto considered it rude to ask Mizuki herself to confirm, so they agreed.

So how did they find out what Igarashi was doing? Candy Candy's purikura was set up at the Tokyo Gulliver Store in Matsudo, Chiba Prefecture, which was a large gaming center managed by Banpresto.

Banpresto intended to install its purikura machines throughout the country, including Candy Candy.

Igarashi stated that she accepted the purikura because it was only "a test case" and that she would have no compensation. She said that she was worried that Mizuki would reject the offer because Mizuki didn't like games at all (which Mizuki never said), so she planned to talk to Mizuki later if the test was successful. News of Candy Candy's purikura spread through the media and reached Mizuki in May 1997. Igarashi says that Mizuki told her over the phone that if she had known she wouldn't have refused, and that Igarashi was trying to keep the profits for herself. She said that Mizuki forced her to cancel the purikura event and that she hired a lawyer to sue Igarashi. Mizuki refuted this on her official website. Igarashi stated that she didn't receive any benefit from the purikura because it was only a prototype. Even if it were, purikura isn't free, so benefits were generated.

The problem is that the idea of ​​creating a purikura was Igarashi's, not Banpresto's. Banpresto, upon realizing that they hadn't received permission from Mizuki, removed the purikura and wouldn't move it until the copyright issue was resolved. That's why Mizuki didn't sue Banpresto. Still, Banpresto apologized profusely for being involved in the scam.

Mizuki comments that she wasn't sure about canceling the contract with Kodansha, her husband didn't recommend it, but she still did it and regrets it. Her husband asked the legal advisor who had drawn up the contract, the legal advisor didn't know. Worried, Mizuki and her husband wanted to talk to Igarashi to discuss what they would do with Candy Candy from then on, but Igarashi kept putting off her request, saying that she was busy and for her to wait until the next month, and so on.

Mizuki became suspicious and finally they found out about the purikura issue, they even went to Banpresto to ask for explanations, to which Banpresto responded that they received the copyright to do it from the (fictitious) company that Igarashi created without Mizuki or Toei. They also told her how Igarashi confirmed to them several times that she had Mizuki's permission. Although purikura was considered a test, they received benefits for it.

As a result of this, everything that Igarashi had been doing in Hong Kong was discovered: she published manga products without authorization through Jade Dynasty Publishing. When this publisher found out that they didn't have Mizuki's permission either, they canceled the contract with Candy Corporation.

So far it was discovered what Igarashi had been doing without Mizuki's permission:

Original reproductions by Fuji Sankei and others.

Candy Candy reprint by Fusosha Publishing.

Fuji Sankei CD-ROM.

Postcards and cards manufactured by Jade Dynasty Publishing.

The Banpresto purikura.

Legal CD-ROM Manga.

Illegal CD-ROM Manga.

To all this, Igarashi insisted that 80% of Candy Candy belongs to her, and that only 20% belongs to Mizuki.

The case of fake original illustrations

In August 1997, the sale of original illustrations (again, without Mizuki's permission) was announced in the Sankei Shimbun. Finally, in September 1997, Fuji Sankei was sued for its lack of sincerity. These illustrations were actually prints made by a printer, they went on sale in February 1998 as a high quality print, but people in the art world warned that it wasn't a high quality print. That is, they were selling reprints at a high price as if they were high quality but they weren't.

An expert commented that these fakes have a real value of 30 to 200 yen ($0.19-1.27). If they were originals, it would be between 8,000 and 20,000 yen ($50.73-126.84) (and framed); but Igarashi and Fuji Sankei sold them for between 40,000 and 140,000 yen ($253.67-887.85). The deceived fans were deeply hurt, if they had known that they were buying it without Mizuki's permission and at a higher price than the real one, they wouldn't have bought it.

Mail order advertisements in newspapers ceased, but they were still distributed and sold in art galleries, for example Atelier Beauty and Prince Gallery.

The problem of selling products without the Mizuki's name

A friend of Igarashi spread the false rumor that Mizuki sued Igarashi without talking to her first. In fact, the decision to report a friend of 20 years wasn't easy for Mizuki, but she had to do it AFTER talking to her. But she and Fuji Sankei refused to have a conversation with her about what happened. Several people told Mizuki to be careful with Igarashi, but Mizuki always defended her.

In the indication © on products, the names of all copyright holders must be added and never omitted without their consent. In the following images you can see which are the official products and which are the Igarashi products.

In this bag we see that the three names are included, it is original.

This backpack is also an official product, it contains the names of Mizuki and Igarashi.

Let's now look at the illegal merchandise. In this product we can see only the Igarashi's name.

This other one used Mizuki's name without her permission.

The impossible broadcast of Candy Candy

In 2001 all broadcasting rights granted to foreign companies expired. So the later copies are pirated copies disguised as official products. This was done, for example, by Power International Multimedia Inc., Igarashi's business partner in Taiwan. Even after Igarashi lost her lawsuit in 2008, Power International released this DVD box set unlicensed from Toei Animation.

When it was discovered what Igarashi had been doing, Toei and Mizuko planned to resolve the situation by ratifying the illegal goods (confirming the counterfeit products and rebirthing them as an official product) if the Igarashi side appealed and didn't fight further after the court's ruling, with the intention to help scammed companies. But the matter reached the Supreme Court. The products spread so much around the world that nothing could be done about it.

On August 23, 1999, Mizuki and Toei signed an agreement stating that Toei Animation could register "Candy Candy" as a trademark so that it can broadcast the anime.

Currently, Toei Animation is wary of digitally remastering all 115 episodes (which would cost a considerable amount of money) only to have it eventually canceled due to the ongoing copyright dispute.

Mizuki allowed the anime to be broadcast. But there are many factors why it cannot be broadcast, even abroad:

The contract with Toei Animation hasn't been renewed.

The copyright dispute.

The problem of infringement of trademark rights by Igarashi.

Igarashi sent Toei Animation to court to invalidate its trademark on July 10, 2001, but this was dismissed.

Igarashi filed a lawsuit against Mizuki requesting consent to remake it.

In short, if both creators don't recognize the copyright and give their consent, the anime cannot be broadcast. But Igarashi didn't want to, she even wanted the trademark rights for herself, but Mizuki didn't allow it. Anyway, it's not fair because the anime version is also the work of Toei staff and voice actors. Igarashi gave Toei permission to rebroadcast it, but without acknowledging Mizuki's copyright, it became a vicious cycle.

Japan Manga Society against Kyoko Mizuki

Igarashi has publicly stated on many sites that Kyoko Mizuki isn't the original author. This is quite questionable because the story was written by Mizuki, Igarashi drew it. The Japan Manga Society doesn't offer Mizuki's presence and instead allows Igarashi to present convenient arguments and dismiss the Supreme Court's ruling. The Copyright Subcommittee of the Japan Manga Society declared that Mizuki's blocking the sale of products produced by Igarashi without permission from Mizuki and Toei was an abuse of rights without justifiable reason, even suggesting that Igarashi file a lawsuit against Mizuki.

During and after losing the case, Igarashi continued her illegal business saying that she had reached a deal with Mizuki (a lie).

Yumiko Igarashi on trial

Kodansha itself attempted to persuade Igarashi to apologize and reconcile with Mizuki by submitting a total of 3 statements to the district court in 1998 by Mitsuro Shimizu, the editor in charge of Candy Candy at Kodansha. Still, Japan Manga Society said Kodansha didn't testify. Mitsuro Shimizu explained that the editorial department selected Mizuki as the original author, the concept of Candy was discussed between Igarashi, Mizuki and Shimizu. Igarashi expressed her wishes and opinions but in the end it was Mizuki who made the final decision as the writer. Kunio Hase, the director of the Japan Manga Society said that these statements were false. Yukio Shindo, director of copyright business promotion at Kodansha, stated in court in October 1998 that manga works written from the original work are always subject to the original copyright of the original author, which to use a work for secondary use, permission must be obtained from the original author and the manga artist whatever it may be (even if they're illustrations) and that Kodansha always considered Kyoko Mizuko as the original author during the 20-year contract. The Japan Manga Society said that the Supreme Court's decision to position Mizuki as the original author is an absurd ruling that doesn't reflect the real situation of the manga industry. Kodansha has always maintained with legal opinions that Kyoko Mizuki is the original author and the manga work is a derivative, the work of the original manuscript. Yumiko Igarashi commented that the Supreme Court ruling naming Mizuko as the original author was unfair and doesn't accept that the person who wrote "just the words" has the copyright. In this situation, neither Kodansha can reprint the manga, nor can Toei broadcast the anime.

List of court cases related to “Candy Candy”

February 25, 1999: "Candy Candy" Case (Fuji Sankei)

Mizuki denounces the sale without her permission of false "high quality" illustrations by Igarashi and Fuji Kasei. The court recognized Mizuki as the owner of the copyright and ordered Igarashi to stop publication. Characters can't be used without Mizuki's permission. In November 1995 they signed a contract that established that their consent was required for the use of the characters, but Igarashi breached it.

April 8, 1999: "Candy Candy" Incident (Yumiko Igarashi Museum)

Mizuki denounces that products with Candy Candy's image continue to be sold without her permission, even after winning the first trial. The Yumiko Igarashi Museum had been conducting mail-order sales of Candy Candy products on the official Yumiko Igarashi website.

March 17, 2000: Candy Candy Illustration Sales Case (Shizuka Art)

Mizuki sues Shizuka Art for selling Candy Candy's image without her permission. An interim injunction was granted against Shizuka Art to prohibit sales. Shizuka Art was exhibiting and selling new paintings by Yumiko Igarashi as original paintings.

March 30, 2000: "Candy Candy" Case (Fuji Sankei)

The judge noted that in manga, the illustrations and the development of the story are inseparable and integral. You can't sell the illustrations.

May 25, 2000: "Candy Candy" Case (Kabaya Foods)

Between 1998 and 1999, Kabaya Foods, with only Igarashi's consent, manufactured and sold candy bags featuring the Candy Candy characters. The judge stated that the original author can exercise copyright even if only images are used. The Tokyo District Court ordered the defendant to pay approximately 3 million yen ($19,029.75).

October 17, 2000: Candy Candy Paintings Sales Case (Shizuka Art)

The "Hello Candy Candy" exhibition displayed and sold paintings of Candy Candy, again without Mizuki's consent.

December 26, 2000: Candy Candy Commercialization Case

Mizuki demands Fuji Sankei and Yumiko Igarashi.

March 2001: Japanese anime remake test

Igarashi filed a lawsuit against Mizuki demanding a remake of Candy Candy with Nippon Animation.

August 7-September 28, 2001: Toei trademark invalidation trial

Igarashi filed a trademark invalidation suit against Toei Animation on July 10 but it was dismissed because in 1999 Mizuki and Toei signed an agreement establishing that Toei Animation would register Candy Candy as a trademark.

October 25, 2001: "Candy Candy" Case (Fuji Sankei)

For the third time, the judge explains to her that copyright can't be enforced without the consent of the original author and the manga artist. They granted the copyright to the original author, Mizuki.

February 23, 2002: "Candy Candy" Incident (Lucky Corporation, Osaka)

Lucky Corporation sues Igarashi because it suffered damages of approximately 45 million yen ($285,446.25) from the manufacture and sale of "Candy Candy" products, a right granted by Igarashi but not by Mizuki. Igarashi paid about 10 million yen ($63,432.50) and a settlement fee.

April 2002: Otaru Art Museum Exhibition Test

Yumiko sued Mizuki over the exhibition at the Otaru Art Museum.

May 30, 2002: Candy Candy Clothing Sale (Tanii, Dan Enterprises, Sunbright, Earth Project)

Mizuki sues several clothing sales companies for commercializing Candy Candy characters without permission. The damage claim was for 55 million yen ($348,878.75), but the Tokyo District Court ordered her to pay approximately 29 million yen ($183,954.25).

September 10, 2003: "Candy Candy" merchandise breach of contract case

Toymaker Apple One made Candy Candy puzzles, again, only with Igarashi's permission, not Mizuki's. So they sued Igarashi and other companies that claimed to own the copyrights they granted them to make the puzzles.

July 21, 2004: "Candy Candy" merchandise breach of contract case

The Tokyo District Court of First Instance sentenced Igarashi to pay approximately 1.75 million yen ($11,100.69).

September 2005: Kurashiki Art Museum Exhibition Test

Mizuki against the Kurashiki Art Museum, which held an exhibition of Candy Candy with only the permission of Igarashi, who said "I don't need permission to show it."

甜甜 Lady Lady: The Taiwanese Candy

You may have ever used an image mistakenly thinking it was Candy. That's because Igarashi created a "new original work" called "Lady Lady" in Taiwan that curiously resembles "Candy Candy" (the difference is in the bangs and that she doesn't have freckles). The other two characters also look like Anthony and Terry.

In this way, Igarashi challenges Toei Animation by infringing (again) Toei's trademark rights. As if that were not enough, "Lady Lady" is the title of the animated version of "Lady!!" by Yoko Hide and trademark of Toei Animation. Also, Candy Candy's title in Chinese is "小甜甜" (Xiǎo tián tián), literally "Little Candy Candy". I mean, it's a shameless mix between Candy Candy and Lady Lady. 甜甜 is the Chinese name of Yumiko Igarashi's Lady Lady.

Current situation

Since as of today they have not reached an agreement, the anime cannot be broadcast nor the manga can be published either in Japan or abroad. The authors continued with their professional careers. Igarashi can't create or sell any products related to Candy Candy, something Mizuki can do, without using Igarashi's illustrations.

To date, Igarashi has't expressed any apology to Mizuki or Toei Animation. In fact, she is suspected of still producing illegal goods on the foreign market. Mizuki feels sad, not only because of everything that happened, but also because of the malicious mentality that Igarashi had about her, thinking that she was her friend.

Please, be careful with the products you buy of Candy Candy, try to make sure they're original and not illegal products. Do not contribute to Igarashi's illegal business.

Sources:

[jossamology]

⸻ until dawn halloween headcanons!

in honor of halloween here's a halloween-themed headcanon set for each until dawn character.

samantha giddings.

sam chooses a diy nature-inspired costume like a woodland fairy, using biodegradable glitter and repurposed fabrics. think leaves, twigs, and soft, earthy greens.

she insists on going to a local pumpkin patch to pick out the perfect pumpkin and spends hours carving designs.

while the others plan for parties, she hosts a low-key gathering with candles, cozy blankets, and homemade pumpkin spice lattes.

loves classic horror but gets super into psychological thrillers. hereditary is her top pick, and she’s the one pointing out foreshadowing before everyone else catches it. josh washington.

josh goes all-out building a haunted maze in his backyard, complete with hidden speakers, fake cobwebs, and scare actors he hires just to freak his friends out.

dresses as something horrifying, like a blood-streaked serial killer. full commitment to fake blood and smudged makeup.

has a camera ready to capture each friend’s reaction when they’re scared out of their minds. keeps a scare montage video just for fun.

he's surprisingly good at carving pumpkins, but his designs are intricate horror scenes, almost like horror movie posters in pumpkin form.

ends halloween by watching obscure, disturbing horror movies that leave everyone else uncomfortable. mike munroe.

shows up dressed as a suave vampire or some other classic monster, aiming to look cool and a little dangerous.

takes his friends to a haunted corn maze and enjoys it way more than he lets on, constantly teasing the jump-scare actors and testing his bravery.

organizes a frat party bonfire in the woods with s’mores and ghost stories. he’s the one lighting sparklers and throwing on extra wood to make the flames bigger, he drinks to much and forgets he's the host of the party.

pulls classic halloween pranks, from fake spider webs to jumping out of dark corners. the type to keep a scary mask in his bag just to mess with people.

after a few drinks, he’s belting out rocky horror picture show songs around the bonfire with zero shame.

jessica riley.

jessica’s costume is elaborate, trendy, and slightly dark, like a glamorous vampire or a witch in haute couture. she’s all about looking spooky-chic, she went shopping early for the best costume.

stays in to watch mean girls with a couple of her girl friends referencing every qoute.

spends half of halloween snapping aesthetic photos of her outfit, snacks, and décor, making everything look flawless.

gets her halloween nails done a week before and flaunts them on her social media platforms.

matt taylor.

he’s the guy bringing pumpkin spice lattes and fall-flavored treats for everyone, unapologetically embracing the season.

suggests doing a couples costume with emily, probably as a famous horror duo. secretly excited about how they’ll look in photos together.

convinces emily(and maybe the whole group) to go on a haunted hayride, keeping a brave face while sneaking glances to see if she’s scared.

volunteers to help with halloween décor, placing spider webs and fake spiders around. he’s got a collection of led bats and ghost lights.

emily davis.

dresses as a chic witch, complete with a designer hat, intricate lace gloves, and knee-high boots. halloween is just another reason to look flawless.

sets up a dark, enchanted photo booth with crystal balls, black roses, and velvet. her instagram feed is a whole halloween masterpiece.

makes sure to get billions of stunning couples photos with matt, each one more perfect than the last. their matching costumes and chemistry are on point, making everyone else a bit envious (and they know it).

emily hosts a halloween themed sleep over with velvet pillows, and black satin sheets for an ultra-cozy but gothic sleepover vibe. the girls chat and laugh till they fall asleep, each secretly keeping one eye open.

chris hartley.

dresses as a ghostbuster or some iconic horror nerd costume, complete with all the gadgets. he’s fully committed to the nostalgia factor.

brings his gear and talks about doing a "ghost hunt." sets up his phone to record “paranormal” activity around the bonfire.

insists on watching horror classics with everyone, pausing every now and then to geek out about the movie effects or the backstory.

after everyone else goes to bed, chris and ashley stay up playing with the ouija board, half-joking but also half-believing they might make contact. they end up spooking themselves and get so scared swearing to never use it again.

ashley brown.

dresses as a character from classic gothic literature, like mina harker from dracula, complete with vintage lace and dark, dramatic makeup.

she knits little ghost ornaments and diys her own creepy decor, like mason jars filled with “witch’s brew” and spiderweb doilies.

loves telling ghost stories, candle in hand, with just the right amount of dramatic pauses and eerie expressions.

ashley, catching her breath and laughing nervously, gives chris a playful whack on the arm for scaring her so bad. “not cool, chris!” she says, but she’s grinning as he pulls off the mask, clearly proud of his successful prank.

insists on having a stash of halloween candy just for herself. she’s all about chocolate, especially reese’s and kit kats, and jokingly guards her stash from the others, even hiding a few extras in her bag.

hannah and beth washington.

hannah and beth take turns posing in different eerie setups around the cabin, snapping dramatic photos of each other in candlelight, near fog machines, and with props like antique lanterns. they especially love capturing a few shots that look like something out of an old haunted portrait.

both love the idea of exploring the mountain at night, so they plan a late-night “ghost hunt” under the full moon. they bring flashlights and spooky stories to tell along the way, daring each other to walk just a little bit farther into the woods.

beth and hannah sneak into the room with a giant rubber spider and place it right on josh’s chest. when he stirs and opens his eyes to find it staring back at him, he lets out a yell that has the girls stifling laughter from behind the door.

they have a slight obsession with candy corn and will spend halloween night indulging in it, trading their favorite types of candy and making candy corn-themed treats, like popcorn balls or cupcakes.

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