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The Secret Song of Florian and Jonquil- Part 9: The Grey Ghost and the Girl in Grey

December 23, 2024

This latest chapter was meant to be in one part, but it has turned out so long, I’ve decided to split it into two. Thus, today you are getting first part titled, The Grey Ghost and the Girl in Grey. Tomorrow, I will be posting part 2, and as a preview of what we will be covering, it will be entitled, The Shrouded Lord and a Mermaid's UnKiss. And so, without further ado, let’s begin.

Jon and Sansa by Arantza Sestayo for the 2023 ASOIAF Calendar

I begin this chapter with a question. Can a dead man get Greyscale?

A strange and provocative question to be sure, but I think it’s an important one that has not been but should be considered by the fandom. I say this because while I’ve seen an abundance of videos and read numerous essays about why greyscale is in the story, none seem to ask what I think is the most important question surrounding the topic, and that is why is Shereen at the Wall? More importantly, why does she have greyscale?

Why is Shireen being at the Wall important? Well, greyscale is said to be a curse called down by Garin on the dragon lords of old Valyria, and there are three dragons of note in the series. Dany, Faegon (whether he’s truly Aegon’s son or a Blackfyre descendant, he has dragon blood), and Jon. Let’s also include the Baratheons in this mix, as they also have dragon blood, which could be one of the reasons why Shireen has greyscale. But there may be a more important one.

The Volantenes and their Valyrian kin put them to the sword—so many that it was said that their blood turned the great harbor of Volantis red as far as the eye could see. Thereafter the victors gathered their own forces and moved north along the river, sacking Sar Mell savagely before advancing on Chroyane, Prince Garin's own city. Locked in a golden cage at the command of the dragonlords, Garin was carried back to the festival city to witness its destruction. At Chroyane, the cage was hung from the walls, so that the prince might witness the enslavement of the women and children whose fathers and brothers had died in his gallant, hopeless war...but the prince, it is said, called down a curse upon the conquerors, entreating Mother Rhoyne to avenge her children. And so, that very night, the Rhoyne flooded out of season and with greater force than was known in living memory. A thick fog full of evil humors fell, and the Valyrian conquerors began to die of greyscale. —The World of Ice and Fire - Ancient History: Ten Thousand Ships

Curiously enough, all the dragon blooded in the story are tied to the greyscale arc. Faegon via Jon Con, who has the disease; Dany is not directly tied to it yet, but she will be when her story intersects with Faegon and Jon Con; and then there is Jon who is connected to greyscale via Shireen Baratheon who is a survivor of the disease and has the marks to show it.

So again, why is Shireen, who has greyscale at the Wall. She’s Stannis’ daughter, but obviously there’s no need for her to have greyscale. No need that is, unless George needed someone with the disease to be in contact with dragon blooded Jon Snow, and so the question again becomes why, and can a dead man get greyscale.

Obviously as I’m proposing the question, I think the answer is yes, a dead man can indeed get greyscale. And obviously, I’m not talking about any dead man, but rather the special snowflake of the series who has been foreshadowed to rise from the dead, one Jon Snow. This is because Jon Snow is the Shrouded Lord and Shireen is at the Wall to give him greyscale and make him, the “Living Stone.”

Do I mean that Jon is the mysterious man of legend that lives in the Sorrows. Absolutely not. While Martin once intended to have Tyrion meet that figure, I don’t think that he will ever appear on the page. No, what I’m saying is that the legend of the Shrouded Lord from the Sorrows is in the story to inform and clue us in on Jon’s resurrection.

You are no doubt saying that this is a ridiculous theory and that the myth of the Shrouded Lord has nothing to do with Jon. I say that it and the inclusion of greyscale in the story has everything to do with Jon Snow, and I think that by the end of this chapter, many of you may come to agree.

This latest chapter has been six years in the writing. I started writing the theory 6 years ago, even before I wrote the first chapter of the Florian and Jonquil series. It’s one of many essays I’ve started but have not completed because once I started the F&J series, I realize that most of the half-written essays tied into the Florian and Jonquil mothership.

Some I’ve completed as earlier chapters in the series and a couple I’ve written as standalone essays. Still, I always knew that the chapter about the Shrouded Lord had to be part of the F&J series, because it’s a key part of the legend of the original characters and their modern-day counterpart, Jon, and Sansa.

I don’t think that I must go into the reasons Sansa is the Jonquil of the story because it should be obvious to all. There are also many clues that point to Jon being the modern-day Florian, including the fact that George obviously named the character after Saint Florian, the Roman soldier who became the patron saint of firefighter, who was killed when a rock was tied to him and he was thrown into a river to drown. As you continue to read this chapter, you will see that the stone and drowning aspect of the Saint Florian legend will be of major symbolic importance to my theory.

It makes perfect sense that George named his Florian after the man firefighters view as their patron saint because textural evidence suggests that the ancient Florian also fought against fire and it’s strongly hinted at in the books, that a returned Jon will lead the forces of ice against that of fire.

If you are still not convinced that Jon is the modern Florian of the story, consider this other real-world Florian whose story is strongly echoed in Jon’s arc.

Florianus (Marcus Annius Florianus; died 276), also known as Florian, was Roman emperor in 276, from July to September. He was the maternal half-brother of his predecessor, Tacitus, who was proclaimed emperor in late 275, after the unexpected death of Emperor Aurelian. After Tacitus died in July 276, allegedly assassinated as a consequence of a military plot, Florianus proclaimed himself emperor, with the recognition of the Roman Senate and much of the empire. However, Florianus soon had to deal with the revolt of Probus, who rose up shortly after Florianus ascended the throne, with the backing of the provinces of Egypt, Syria, Palestine, and Phoenicia. Probus took advantage of the terrain of the Cilician Gates, and the hot climate of the area, to which Florianus' army was unaccustomed, to chip away at their morale. Because of this, in September 276, Florianus' army rose up against him and killed him. —Wikipedia

Does this story about Emperor Florianus remind you of anything? Florian became emperor after the murder of his half-brother, and ruled for just three months before he was killed by his men. Except for the different circumstances, this is basically Jon’s story with the murder of his “half-brother” Robb; and him rising to be Lord Commander of the Night’s Watch before he like Emperor Florian was killed by his men soon after he takes on the leadership role.

I mentioned Florian and Jonquil at the onset of this chapter because this series is obviously about them, but their identity and symbolism is especially key to this chapter. However, before I get deep into the explanation of why Shereen is at the Wall to give Jon greyscale and why Jon is the Shrouded Lord of the story, let’s first discuss Jon’s symbolic color.

JON SNOW, THE GREY GHOST

Grey Ghost by René Aigner

Color is important in ASOIAF. George uses color over and over to give clues to his monomyth at the heart of the story. This is primarily done though sigils. However, characters are associated with colors as well, and that often has meaning in the story.

There is what I think is a mistaken theory from some in the fandom that Jon’s symbolic color is black. It is not. Jon’s color is tried and true Stark grey. It’s understandable why some may think his color is black. After all, he’s a black brother of the Night’s Watch and when he first leaves to join that order, he has this conversation with Robb.

Robb looked relieved. "Good." He smiled. "The next time I see you, you'll be all in black." Jon forced himself to smile back. "It was always my color. How long do you think it will be?" "Soon enough," Robb promised. He pulled Jon to him and embraced him fiercely. "Farewell, Snow."—A Game of Thrones - Jon II

Sadly, this moment was the last time Jon and Robb saw each other alive. In the passage, Jon tells Robb that black was always his color, but we know that’s not what he wanted. All Jon ever wanted was to be a Stark. He wanted to stand and represent the grey wolf of the house. And he wanted to follow his “father” as Lord of Winterfell. Yes, he loved Robb and would never have done anything to hurt him, but in his heart of hearts, he wanted what Robb had.

The thing is that George shows us over and over that Jon is more Stark-like than any of Ned’s kids. He looks the most like Ned and the ancestral Starks. He has Ned’s disposition, and he has the matriarchal genes of the Starks through his mother Lyanna, where Ned’s kids’ matriarchal heritage come from the Tullys. Most importantly, Jon has Ghost, the white wolf. And who is Ghost?

When he finally put the quill down, the room was dim and chilly, and he could feel its walls closing in. Perched above the window, the Old Bear's raven peered down at him with shrewd black eyes. My last friend, Jon thought ruefully. And I had best outlive you, or you'll eat my face as well. Ghost did not count. Ghost was closer than a friend. Ghost was part of him. —A Dance with Dragons - Jon III

Over and over in the text the connection between Jon and Ghost is emphasized. It’s the same for the other Stark kids and their direwolves bond mates. The human and the direwolves are two sides of the same coin once the bond is made.

Jon wondered where Ghost was now. Had he gone to Castle Black, or was he was running with some wolfpack in the woods? He had no sense of the direwolf, not even in his dreams. It made him feel as if part of himself had been cut off. Even with Ygritte sleeping beside him, he felt alone. He did not want to die alone. — A Storm of Swords - Jon V

When Ghost and Jon are separated by the Wall, Jon feels as if a part of him had been cut off. Even Ygritte beside him couldn’t lessen the loss of Ghost because Jon and his direwolf are one. They are one, and they are grey. This is one of the major symbolic reasons why Martin gave Jon the white direwolf.

Yes, Ghost’s name foreshadows Jon’s death and return, but his color in combination with Jon’s black brother symbolism make the two who are one, grey not black. So, while I understand why some in the fandom think of Jon’s color as black as an echo of Drogon, thus marking him as Dany’s mate, that is the wrong interpretation. Jon is the Grey Ghost.

If you doubt that Jon’s color is grey, consider the story that Martin gives us in The Princess and the Queen, which was further developed in TWOIAF about one of the wild dragons on Dragonstone.

Dragonstone’s three wild dragons were less easily claimed than those that had known previous riders, yet attempts were made upon them all the same. Sheepstealer, a notably ugly “mud brown” dragon hatched when the Old King was still young, had a taste for mutton, swooping down on shepherd’s flocks from Driftmark to the Wendwater. He seldom harmed the shepherds, unless they attempted to interfere with him, but had been known to devour the occasional sheepdog. Grey Ghost dwelt in a smoking vent high on the eastern side of the Dragonmont, preferred fish, and was most oft glimpsed flying low over the narrow sea, snatching prey from the waters. A pale grey-white beast the color of morning mist, he was a notably shy dragon who avoided men and their works for years at a time. The largest and oldest of the wild dragons was the Cannibal, so named because he had been known to feed on the carcasses of dead dragons and descend upon the hatcheries of Dragonstone to gorge himself on newborn hatchlings and eggs. Would-be dragontamers had made attempts to ride him a dozen times; his lair was littered with their bones. —The Princess and the Queen

Grey Ghost, sometimes referred to as “the” Grey Ghost was one of the three wild dragons on Dragonstone during the previous Dance with Dragons. He along with Sheepstealer and Cannibal were considered wild dragons because they were never ridden. Also, doesn't the use of the in front of his name almost seem like a title...something similar to "the Stark," "the Ned,” “the Great Jon,” or “the Night’s King."

While Sheepstealer was said to have hatched during the youth of King Jaeherys and some of the small folks said Cannibal was on Dragonstone prior to the arrival of the Targaryens, there is no information given on the birth of the Grey Ghost. However, all indication is that he was a young dragon because of how he met his demise.

It was about this time that a battered merchant cog named Nessaria came limping into the harbor beneath Dragonstone to make repairs and take on provisions. She had been returning from Pentos to Old Volantis when a storm drove her off course, her crew said … but to this common song of peril at sea, the Volantenes added a queer note. As Nessaria beat westward, the Dragonmont loomed up before them, huge against the setting sun … and the sailors spied two dragons fighting, their roars echoing off the sheer black cliffs of the smoking mountain’s eastern flanks. In every tavern, inn, and whorehouse along the waterfront the tale was told, retold, and embroidered, till every man on Dragonstone had heard it. Dragons were a wonder to the men of Old Volantis; the sight of two in battle was one the men of Nessaria would never forget. Those born and bred on Dragonstone had grown up with such beasts … yet even so, the sailors’ story excited interest. The next morning some local fisherfolk took their boats around the Dragonmont, and returned to report seeing the burned and broken remains of a dead dragon at the mountain’s base. From the color of its wings and scales, the carcass was that of Grey Ghost. The dragon lay in two pieces, and had been torn apart and partially devoured. —The Princess and the Queen

It is at first believed that the Grey Ghost was killed by Cannibal because the black wild dragon was known to eat dragon eggs and kill and eat smaller dragons on Dragonstone. However, in this instance, Cannibal was innocent of the crime. We later find out that the dragon that was guilty of killing Grey Ghost was none other than King Aegon’s Sunfyre.

And there Aegon might have remained, hidden yet harmless, dulling his pain with wine and hiding his burn scars beneath a heavy cloak, had Sunfyre not made his way to Dragonstone. We may ask what drew him back to the Dragonmont, for many have. Was the wounded dragon, with his half-healed broken wing, driven by some primal instinct to return to his birthplace, the smoking mountain where he had emerged from his egg? Or did he somehow sense the presence of King Aegon on the island, across long leagues and stormy seas, and fly there to rejoin his rider? Some go so far as to suggest that Sunfyre sensed Aegon’s desperate need. But who can presume to know the heart of a dragon? After Lord Walys Mooton’s ill-fated attack drove him from the field of ash and bone outside Rook’s Rest, history loses sight of Sunfyre for more than half a year. (Certain tales told in the halls of the Crabbs and Brunes suggest the dragon may have taken refuge in the dark piney woods and caves of Crackclaw Point for some of that time.) Though his torn wing had mended enough for him to fly, it had healed at an ugly angle, and remained weak. Sunfyre could no longer soar, not remain in the air for long, but must needs struggle to fly even short distances. Yet somehow he had crossed the waters of Blackwater Bay … for it was Sunfyre that the sailors on the Nessaria had seen attacking Grey Ghost. Ser Robert Quince had blamed the Cannibal … but Tom Tangletongue, a stammerer who heard more than he said, had plied the Volantenes with ale, making note of all the times they mentioned the attacker’s golden scales. The Cannibal, as he knew well, was black as coal. — The Princess and the Queen

During the period of the Dance, Sunfyre was described as a young dragon. Like Grey Ghost, the year of Sunfyre’s hatching is not mentioned in the books. However, even though he was described as young, he had to be bigger in size than the Grey Ghost as even with injured wing, he was able to kill the wild dragon. This tells us that Grey Ghost was likely younger than Sunfyre. Thus, Grey Ghost can be considered a young dragon as Jon would be as well.

As he was a young dragon and born on Dragonstone, he had to have been of the same lineage as the other Targaryen dragons. However, and this is of symbolic importance, he was wild. He was never ridden by a Targaryen, and so while he was “of them,” he was not “one of them.” This is of vital importance when you consider that he met his demise battling a Targaryen dragon of the same lineage.

Jon Snow is the Grey Ghost dragon. Like his animal counterpart, he is of Targaryen lineage, but will never be one of them. Grey Ghost’s battle with Sunfyre, a Targaryen dragon during the first Dance is also a key clue that Jon and Dany, the current Targaryen in the story will be in conflict. The rumor that Cannibal was the dragon that killed Grey Ghost may also foreshadow Jon facing off against that dragon or one like him in the future, but that’s a tinfoil theory for another day.

For now, let’s just acknowledge that George wrote the story of Grey Ghost into the story to point to Jon and what he represents in the story. His symbolic color is grey, not black and like the Grey Ghost, we will discover, that he also has a penchant for fish, because George didn’t just add that little bit to the legend by mere happenstance.

©HBO Game of Thrones

SANSA STARK, THE GIRL IN GREY

Among her many symbolic representations, Sansa Stark is also a symbolic fish. This symbolism she gets from her mother’s Tully heritage. As I discussed in the previous chapter, she is also a symbolic sea dragon, and in the story, when George talks about sea dragons, he’s talking about mermaids and vice versa. And again, I’m not talking about actual mermaids and sea dragons, but rather the symbolic representation of the female greenseers who first ruled the green sea or what the fans called the weirwood net. There is so much sea dragon/mermaid symbolism surrounding Sansa in the text, that it’s not even funny.

Petyr absconds with Sansa on the galley, the Merling King with a golden-crowned merman blowing on a seashell horn as the figurehead. Littlefinger seems to own the galley as his man Oswell Kettleback is the captain and Petyr seems to use it on a regular basis. Thus, when he and Sansa depart Kings Landing on the galley, Petyr is the symbolic merling king in the passage. Then he gets to the Vale, and makes Sansa pretend to be his daughter Alayne Stone thus making her the daughter of the merling king.

George then does something genius in the Vale arc to reinforce the symbolism. He has Petyr kill the merlin queen and usurp her rulership, which she was carrying out in the name of her son. What made Lyssa, the merlin queen you ask? Well note that that I didn’t say that she was the merling queen. I instead said that she was the merlin queen. Merlin without the g.

This is because the merlin, as in the blue falcon bird is the sigil of House Arryn. This is one of the genius ways George uses word play to emphasize his symbolism. Petyr is both the symbolic Merling King of the sea, and the Merlin King after he kills Lyssa and takes over as the Lord Protector in the Vale. This is also why Ursula Upcliff the ancient Vale figure, who is named after the character from the Little Mermaid can have said that she was the bride of the Merling King. She was likely for however brief a time married to one of the Kings of the Vale.

There is even a myth in the Vale of the Winged Knight, their ancient ruler being a friend of mermaids.

There is an overabundance of frozen sea dragon/mermaid symbolism in the Vale, and George for whatever reason, plopped Sansa who some in the fandom ridiculously argue is not that important a character right smacked in the center of it. Let me now discuss the girl in grey.

There is a popular theory in the Jonsa fandom that Sansa is the true girl in grey Melisandre saw in the fires coming to Jon at the Wall. While Mels did not have the vision on the show, they did merge Sansa’s storyline into that of Jeyne Poole and Alys Karstark and had her reunite with Jon at the Wall.

As I’ve stated on prior occasions, I have several problems with this theory playing out as proposed. First, Sansa being the girl in grey at the Wall would be a case of Martin pulling that rabbit out of the hat one too many times, and that’s not the way he writes.

First, the girl in grey was thought to be Arya. We the reader knew that it was not but Jon didn’t. Then Alys Karstark showed up and he thought she was the one that Melisandre saw in her vision. Stannis now thinks that’s Jeyne is Arya and he’s sent her to Jon at the Wall, and so you have another girl showing up. I don’t think George’s writing style leads to him going to that well for a 4th time.

Another reason that I don’t think the girl heading to the Wall is Sansa is because in the books, there will be no such merging of storylines like on the show. Also, when Sansa leaves the Vale, she will be taking the Knights of the Vale with her as she heads north. She won’t need to run to the Wall to Jon to for protection. Finally, part of Sansa’s arc as the Persephone of the story is to be stolen by the northern Lord of the Underworld, the symbolic Hades of the story.

Now having said all that, I’m going to surprise you by saying that I do think that Sansa is the girl in grey from Melisandre’s vision. I’ve confused you, haven’t I? Well, let me try to explain.

In the past when I’ve been asked my opinion about the girl in grey theory, I’ve tried to keep my answer to the part of the theory that had to do with her reunion with Jon at the Wall. I’ve done this because saying, “I don’t think she will reunite with Jon at the Wall, but I do think she is the girl in grey” would have required me to go into detail on what I meant.

This is something I was not prepared to do, because I was not quite ready to discuss the Shrouded Lord theory. However, now that I’ve finally gotten to this specific chapter of the series, I can reveal my thinking because Sansa being the girl in grey is central to the theory.

Melisandre often misinterprets her visions, as we see with the one about the towers by the sea.

Visions danced before her, gold and scarlet, flickering, forming and melting and dissolving into one another, shapes strange and terrifying and seductive. She saw the eyeless faces again, staring out at her from sockets weeping blood. Then the towers by the sea, crumbling as the dark tide came sweeping over them, rising from the depths. Shadows in the shape of skulls, skulls that turned to mist, bodies locked together in lust, writhing and rolling and clawing. Through curtains of fire great winged shadows wheeled against a hard blue sky. _____ "We've had a raven from Ser Denys Mallister at the Shadow Tower," Jon Snow told her. "His men have seen fires in the mountains on the far side of the Gorge. Wildlings massing, Ser Denys believes. He thinks they are going to try to force the Bridge of Skulls again." "Some may." Could the skulls in her vision have signified this bridge? Somehow Melisandre did not think so. "If it comes, that attack will be no more than a diversion. I saw towers by the sea, submerged beneath a black and bloody tide. That is where the heaviest blow will fall." "Eastwatch?" Was it? Melisandre had seen Eastwatch-by-the-Sea with King Stannis. That was where His Grace left Queen Selyse and their daughter Shireen when he assembled his knights for the march to Castle Black. The towers in her fire had been different, but that was oft the way with visions. "Yes. Eastwatch, my lord." —A Dance with Dragons, Melisandre I

As many in the fandom have deduce…especially after the release of the Forsaken chapter, the two towers in Melisandre’s vision are the ones in Oldtown, which Euron will soon be attacking. She has seen Eastwatch-by-the-Sea and knows that those towers look different from the ones in her visions. However, because she misinterprets things and thinks the vision is about the Wildings attacking, she quickly agrees with Jon when he asks if the towers were at Eastwatch.

She also thinks that Stannis is the Azor Ahai figure from her visions even though her visions show her Jon when she asks. She’s convinced herself that it must be Stannis because he was the Lord of Dragonstone, and all the discrepancies don’t sway her. She’s also making assumptions in her thinking of the girl in her vision, but more on that in a moment.

Alys’ arrival at the Wall does seem on the surface to fit the vision describe Melisandre, as she arrives on a horse almost dying under her. This is exactly how Melisandre described the horse in her vision, and so Jon assumes it’s Arya when he’s first awoken and told of Alys’ arrival at Castle Black.

“Arya. Jon straightened. It had to be her. “Girl,” screamed the raven. “Girl, girl.” “Ty and Dannel came on her two leagues south of Mole’s Town. They were chasing down some wildlings who scampered off down the kingsroad. Brought them back as well, but then they come on the girl. She’s highborn, m’lord, and she’s been asking for you.” “How many with her?” He moved to his basin, splashed water on his face. Gods, but he was tired. “None, m’lord. She come alone. Her horse was dying under her. All skin and ribs it was, lame and lathered. They cut it loose and took the girl for questioning.” A grey girl on a dying horse. Melisandre’s fires had not lied, it would seem. But what had become of Mance Rayder and his spearwives? “Where is the girl now?” —A Dance with Dragons, Jon IX

However, George does something strange when Jon visits Alys in that he never tells us the color of her clothing even though it was such an important point in the vision. He has Jon note them in a wet heap on the floor, but he doesn’t have him comment on the color, which is strange when “the girl in grey” is all that’s been in his thoughts.

“Maester Aemon’s old chambers were so warm that the sudden cloud of steam when Mully pulled the door open was enough to blind the both of them. Within, a fresh fire was burning in the hearth, the logs crackling and spitting. Jon stepped over a puddle of damp clothing. “Snow, Snow, Snow,” the ravens called down from above. The girl was curled up near the fire, wrapped in a black woolen cloak three times her size and fast asleep. She looked enough like Arya to give him pause, but only for a moment. A tall, skinny, coltish girl, all legs and elbows, her brown hair was woven in a thick braid and bound about with strips of leather. She had a long face, a pointy chin, small ears.” —A Dance with Dragons, Jon IX

This omission of the color of her clothing seems deliberate on George’s part…especially as he made them wet. As we know, some colors can look different when wet. For instance, reds can appear brown or black depending on the shade; and it can be difficult to tell if grey is black or vice versa. This seems as if George wants the reader to wonder whether Alys were indeed grey.

Another possible clue that the girl in the vision wasn’t Alys is the location of Karhold in relation to Castle Black. Karhold is Southeast of Castle Black. The fastest route for Alys to take would have been a straight shot east of Last Hearth through the Gift, up to Mole’s Town and over to Castle Black. It makes no sense for her to go out of her way to travel west to approach Castle Black from Long Lake as Melisandre says about the girl in the vision.

The Long Lake route would only make sense if Alys was indeed coming from Winterfell, but as she isn’t Jeyne and was coming from Karhold, that approach would make no sense. Plus, to get west of Long Lake, she would have had to cross the Last River, go through the Lonely Hills, and then also cross the lake to get to the western shore. This is a long way to travel when one is trying to reach a specific destination quickly. Plus, how exactly would Alys have crossed the Last River and the Long Lake.

There is also the fact that she was found by the Night’s a couple of miles south of Mole’s Town. This is proof that she came the route I suggested would have been the most direct to take from Karhold, and thus could not have been the girl in grey from Melisandre’s vision because as you can see from the map, the landscape looks nothing like what Mels described to Mance.

“Did your fires show you where to find this girl?” “I saw water. Deep and blue and still, with a thin coat of ice just forming on it. It seemed to go on and on forever.” “Long Lake. What else did you see around this girl?” “Hills. Fields. Trees. A deer, once. Stones. She is staying well away from villages. When she can she rides along the bed of little streams, to throw hunters off her trail.” He frowned. “That will make it difficult. She was coming north, you said. Was the lake to her east or to her west?” Melisandre closed her eyes, remembering. “West.” “She is not coming up the kingsroad, then. Clever girl. There are fewer watchers on the other side, and more cover. And some hidey-holes I have used myself from time—” He broke off at the sound of a warhorn and rose swiftly to his feet. All over Castle Black, Melisandre knew, the same sudden hush had fallen, and every man and boy turned toward the Wall, listening, waiting. One long blast of the horn meant rangers returning, but two … —A Dance with Dragons, Melisandre I

Melisandre tells Mance that the girl was Jon’s sister and she was escaping from Winterfell. Based on how she described the landscape, Mance made what he thought was the correct assumption because the girl in grey supposedly was coming from Winterfell. If the girl in grey is not Alys, might it have been Jeyne Poole who did indeed escape from Winterfell? Well, no!

First off, from the moment she escapes, Jeyne is never alone. She escapes with Theon and is soon captured by Mors Crowfood and sent to Stannis in the Wolfswood. Then as we see in TWOW preview chapter, Stannis in turn sends her to Jon at the Wall with 7 of his knights, Alysane Mormont, 12 horses, and several Black Brothers. Thus, there is no way that Jeyne is the girl in grey of the vision.

Stannis nodded. “You will escort the Braavosi banker back to the Wall. Choose six good men and take twelve horses.” ______ “Oh, and take the Stark girl with you. Deliver her to Lord Commander Snow on your way to Eastwatch.” Stannis tapped the parchment that lay before him. “A true king pays his debts.” Pay it, aye, thought Theon. Pay it with false coin. Jon Snow would see through the impostesure at once. Lord Stark’s sullen bastard had known Jeyne Poole, and he had always been fond of his little half-sister Arya. “The black brothers will accompany you as far as Castle Black,” the king went on. “The ironmen are to remain here, supposedly to fight for us. Another gift from Tycho Nestoris. Just as well, they would only slow you down. Ironmen were made for ships, not horses. Lady Arya should have a female companion as well. Take Alysane Mormont.” —The Winds of Winter, Theon I

I supposed Justin Massey and the other men travelling with him could be killed as they travel to Castle Black and Jeyne escapes and must make it the rest of the way on her own, but then one must ask what thematic purpose would that serve? I don’t mean what storyline purpose does it serve for Jeyne to arrive at the Wall. They are several. Rather, I mean what would be the purpose of her arriving alone and being the girl in grey…especially as Alys has already arrived at Castle Black and been mistakenly thought to be the girl in grey by Jon. No, Jeyne is not the girl from Melisandre’s vision.

Can the girl the true Arya Stark? Doubtful as she is halfway across the continent in Braavos, and all clues in the text that when she returns to Westeros, it will be to the Riverlands. This makes it very doubtful that she will reunite with Jon or any of the other Starks before A Dream of Spring, the last scheduled book in the series.

So, if the girl in grey is not Alys, Jeyne or even the real Arya, who is she? I say that it’s Sansa. However, just as she misinterpreted events in her vision about the two towers by the sea to be about Eastwatch, Melisandre is mistaken about the vision being about someone coming to Jon at the Wall. Rather, I think that she’s seeing events surrounding Sansa in the Vale as she tries to escape unfolding events after the Tourney of the Winged Knight.

Why is the vision not Sansa going to Jon at the Wall but of her in the Vale? Well for her to be going to the Wall, so many beats of the story would have to play out first, and like with Arya, it couldn’t happen before A Dream of Spring. Also, when Sansa goes north, she will not be travelling alone. She will have the Knights of the Vale with her, and so like Jeyne Pool, even if she goes to the Wall, she won’t be alone. And there is the fact that the Wall will likely have fallen by then.

Remember I said that Melisandre was making assumptions. What I meant is that she made it seem to Jon and Mance as if she had several visions of the girl in grey, when in fact, she had only one quick brief vision.

She came up with her own reasons of why the girl in the vision was Jon’s sister…likely because she wanted the Lord Commander to owe her a favor. She as much as thinks this. She also came up with a reasoning why the girl in grey was staying away from villages, and riding along the beds of streams. It’s not that she is necessarily wrong in her reasoning, but it is another example of how she puts her spin on things and often misinterprets the meaning of her visions.

The girl. I must find the girl again, the grey girl on the dying horse. Jon Snow would expect that of her, and soon. It would not be enough to say the girl was fleeing. He would want more, he would want the when and where, and she did not have that for him. She had seen the girl only once. A girl as grey as ash, and even as I watched she crumbled and blew away. —A Dance with Dragons, Melisandre I

White Walker Queen Sansa by AmyArts93n_DeviantArt

While I don’t think in Melisandre’s vision the girl in grey is approaching the Wall, there is one way, I think it could be the case, and that is if the vision is of Sansa and Jon reuniting in the weirwood net. Their reunion could be at the Wall in the weirwoods because after all, Old Nan did tell Bran that the Nights King first saw his corpse queen from the top of the Wall.

George has incorporated several Chekov guns into Sansa’s Vale arc that will go off in TWOW…most during the Tourney of the Winged Knights. There is the collapse of the Giant Lance causing an avalanche to descend on those attending the tourney at the Gates of the Moon. George has foreshadowed this happening from as far back as the Tourney of the Hand in the first book, and Oberyn’s battle with the Mountain in A Storm of Swords.

Lucifer Means Lightbringer also has a great theory that the Long Night was cause by the red comet knocking one of the previous two moons, in this case, the fire moon out of alignment and shards of it descending as meteors. This is what led to the Qartheen myth Doreah told to Dany.

LML proposes that the returned red comet heralds the coming of a similar event, which will cause the new Long Night, and there are strong textural clues to support this theory.

"A trader from Qarth once told me that dragons came from the moon," blond Doreah said as she warmed a towel over the fire. Jhiqui and Irri were of an age with Dany, Dothraki girls taken as slaves when Drogo destroyed their father's khalasar. Doreah was older, almost twenty. Magister Illyrio had found her in a pleasure house in Lys. Silvery-wet hair tumbled across her eyes as Dany turned her head, curious. "The moon?" "He told me the moon was an egg, Khaleesi," the Lysene girl said. "Once there were two moons in the sky, but one wandered too close to the sun and cracked from the heat. A thousand thousand dragons poured forth, and drank the fire of the sun. That is why dragons breathe flame. One day the other moon will kiss the sun too, and then it will crack and the dragons will return." —A Game of Thrones, Daenerys III

This time around, the shards to impact Planetos will be from the icy moon, which is the lone remaining moon in the sky. However, the icy moon won’t break up or be pushed out of alignment as was the case with its fiery sister, but pieces of it will descend to Planetos and cause the new Long Night. The icy moon can’t be destroyed because that would also mean the destruction of Planetos. As I queried in Why are the Others Back, the fact that the icy moon remained in the sky while the fire moon was destroyed is probably what protected Planetos from total destruction during other Long Nights, and maybe of symbolic importance in regard to the Others.

It's still to be determined whether returning comet or the meteor shower will be a natural occurring event or something precipitated by magical means. As this is a fantasy story, and the red comet has already moved away from Planetos, I suspect there will be some type of magical event that will call it back.

Unlike LML, I think a shard of the icy moon will hit in the Vale with impact on the Giant Lance, precipitating the avalanche. As I discussed in previous essays, descending from the Eyrie via the three waycastles of Sky, Snow, and Stone is like riding down on a meteor with the vaporish tail at the top (Sky), the icy snowy interior/middle (Snow), and the stony head (Stone) that will impact on Planetos.

You can view LML’s Long Night theory at on his YouTube channel here. And to read more about an avalanche hitting during the Tourney of the Winged Knight, please read Sweetsunray’s essay here. While her interpretation of events is different from mine, I think that she hit the nail on the head regarding the foreshadowing of the avalanche, and it was from her that I first picked up on the idea.

Other Chekov’s guns slated to go off are Petyr having Harry the Heir killed during the tourney; the revelation that Alayne Stone is Sansa Stark; Shadrach attempt to kidnapped Sansa; and of course, the Mountain Clans attacking during the tourney. Keeping all that in mind, let’s again look to see whether there is anything in Melisandre’s vision that might point to the girl in grey being Sansa.

Funnily enough, the description that Melisandre gives that Mance interprets to be the Long Lake area, could be a description of the Mountains of the Moon in the Vale. In fact, if you look at the area around Long Lake and the MOTM on a map, you will see that they look very similar as both are mountainous fertile regions.

Hills. Fields. Trees. A lake. Unlike in the North and other areas of Westeros, we have not yet been given the names of any of the lakes or rivers in the Vale. However, we know from the map that there are plentiful. Plus, as the Vale is one of the most fertile places in Westeros, and produces much of the area food, we know that they must have an abundance of water.

There is certainly a lot of water flowing from Alyssa’s Tears before it’s frozen during the winter months. Legend tells us that the water from the waterfall turns into mists before it reaches the Vale proper, but we know that can’t really be the case, and somewhere in the mountains…and likely through a cave system, water flows down from Alyssa’s Tears to the valley below.

Aside from the area around Long Lake being similar in terrain to that of the one around the Mountains of the Moon, you might be asking, what else in Melisandre’s vision suggests it might be of Sansa in the Vale?

Well, there is the curious mention of stones. Why stones? The area in her vision, which supposedly looks like Long Lake is a mountainous terrain as the northern mountains are to the east. However, Melisandre already mentioned there were hills in the vision, and while not quite the same as a mountain, the word is sometimes used as a stand-in. Mance himself makes this connection with his belief that she’s talking about the Long Lake area.

Might she be talking about mountains when she mentions stones? It’s not out of the realm of possibilities but is certainly a weird turn of phrase when hills were mentioned previously. So, if not hills or mountains, to what might stones refer?

Could the word be a hint to Alayne Stone, the pseudonym that Sansa is currently using while she pretends to be Petyr’s bastard daughter? I think that is certainly part of the answer. You’re probably saying that Melisandre refers to stones as in the plural form, not singular as in one person, which would be the case if it was about Sansa. To that I would say that all the bastards of the landed gentry in the Vale are referred to as Stone, and that could be where the plural reference comes in.

Nonetheless, there is one possible additional explanation for the Stone reference.

"Little boyman," Shagga roared, "will you mock my axe after I chop off your manhood and feed it to the goats?" But Gunthor raised a hand. "No. I would hear his words. The mothers go hungry, and steel fills more mouths than gold. What would you give us for your lives, Tyrion son of Tywin? Swords? Lances? Mail?" "All that, and more, Gunthor son of Gurn," Tyrion Lannister replied, smiling. "I will give you the Vale of Arryn." A Game of Thrones - Tyrion VI

Tyrion has armed the Mountain Clans with steel. It’s why they are more brazen in their attack, and why they have become the woe of the Vale.

Littlefinger stroked the neat spike of his beard. "Lysa has woes of her own. Clansmen raiding out of the Mountains of the Moon, in greater numbers than ever before . . . and better armed." "Distressing," said Tyrion Lannister, who had armed them. "I could help her with that. A word from me . . ." —A Clash of Kings, Tyrion IV

Winter is coming for everyone, including the Mountain Clans, and they must prepare. With their new castle forge steel, they are raiding more in preparation, and the upcoming tourney provides them with a perfect opportunity to test out their new weapons against some of the leading warriors of the Vale and gather provisions for winter at the same time.

His dream of selling Arya to Lady Arryn died there in the hills, though. "There's frost above us and snow in the high passes," the village elder said. "If you don't freeze or starve, the shadowcats will get you, or the cave bears. There's the clans as well. The Burned Men are fearless since Timett One-Eye came back from the war. And half a year ago, Gunthor son of Gurn led the Stone Crows down on a village not eight miles from here. They took every woman and every scrap of grain, and killed half the men. They have steel now, good swords and mail hauberks, and they watch the high road—the Stone Crows, the Milk Snakes, the Sons of the Mist, all of them. Might be you'd take a few with you, but in the end they'd kill you and make off with your daughter." —A Storm of Swords, Arya XII

With steel in their hands, the clans have united in ways they never did before, and it just so happens that one of the leading ones, led by Gunthor son of Gurn are the Stone Crows, and so we have another explanation for reference to stones in Melisandre’s vision.

One of the members of the Stone Crows was Shagga who along with Timett of the Burned Men and Chella Black Ears were Tyrion’s guards. They all would recognize Sansa. Shagga and the other Stone Crows who travelled with Tyrion to the capitol remained in the kingswood after the Battle of the Blackwater and Tyrion’s later downfall. They may still be there or they may have made it back to the Vale.

Whether Shagga has returned to the Vale or not, Timett, Chella, and other members of the Burned Men and Black Ears have and they will recognize Sansa when they see her at the tourney and during the fighting afterwards. They will know that she is Tyrion’s wife and know what she represents. And if they recognize Sansa, she will know them in turn.

As the clans seem to be working together more, even if Shagga is not present, the news of Sansa’s identity will likely be shared with Gunthor and the Stone Crows as he seems to be one of the central leaders of the clans and was the one who brokered the deal with Tyrion.

Is the Mountain Clans a threat to Sansa? At the end of the day, I don’t think they will be. I suspect that they will end up being her guards as foreshadowed in A Clash of Kings.

It was as if her face were an open book, so easily did the dwarf read her hopes. "Do not take Oxcross too much to heart, my lady," he told her, not unkindly. "A battle is not a war, and my lord father is assuredly not my uncle Stafford. The next time you visit the godswood, pray that your brother has the wisdom to bend the knee. Once the north returns to the king's peace, I mean to send you home." He hopped down off the window seat and said, "You may sleep here tonight. I'll give you some of my own men as a guard, some Stone Crows perhaps—" "No," Sansa blurted out, aghast. If she was locked in the Tower of the Hand, guarded by the dwarf's men, how would Ser Dontos ever spirit her away to freedom? "Would you prefer Black Ears? I'll give you Chella if a woman would make you more at ease." "Please, no, my lord, the wildlings frighten me." He grinned. "Me as well. But more to the point, they frighten Joffrey and that nest of sly vipers and lickspittle dogs he calls a Kingsguard. With Chella or Timett by your side, no one would dare offer you harm." "I would sooner return to my own bed." A lie came to her suddenly, but it seemed so right that she blurted it out at once. "This tower was where my father's men were slain. Their ghosts would give me terrible dreams, and I would see their blood wherever I looked." —A Clash of Kings, Sansa III

Sansa turned down Tyrion when he made the offer of having the members of the mountain clans protect her, but I suspect her response will be different in the future, because just as Jon is brokering a peace between the Northern Houses and the Wildings, Sansa will do the same for the Mountain Clans and the Houses of the Vale.

Jon also could be a part of Melisandre’s stony mystery, but the answer to that will come later. And what about the deer. Martin didn’t just have Mels mention that name for no reason, and so, what might that name have to do with Sansa.

Well, as George has used anagrams on many occasions in the text, one can look at deer and see that it’s reed spelled backwards, and so could potentially hint at Howland finally appearing on the page. There is a fandom theory that he is Shadrich, but there are too many holes in that premise for me. Plus, nothing we’ve seen of the Mad Mouse fits the father described by Jojen and Meara. If Howland Reed is in the Vale to help Ned’s daughter, he’s not Shadrich. However, as the theory is out there, I had to mention it.

As I proposed in Ser Shadrich of the Shady Glen, the Mad Mouse is a Faceless Man…possibly even wearing the face of the first of their kind. And I do think that it’s quite possible that the deer Melisandre saw in her vision could be referring to the Mad Mouse. How you ask?

It so happens that there is a mammal called a mouse deer, but I don’t think it’s that type the text is referring to. A mouse deer is a cute fawn like animal. No, I think that George is quite possibly using the deer in Melisandre’s vision to refer to deer mice, the little rodent so named because its fur looks like that of a deer. As I discussed in the Shadrich essay, Faceless Men are compared to mice over and over in the text.

Now that we’ve discussed why Jon’s symbolic color is grey, and why Sansa is the girl in grey, let’s briefly talk about Martin and his love of Christian myths.

GRRM, THE LOVER OF CHRISTIAN MYTHS

The Episcopalian Church is the American offshoot of the Church of England (Anglican Church). It formed after the American revolution because priests in the newly independent nation were still required to swear allegiance to the British monarchy as head of the Anglican Church. Today, the ruling British monarch is still the head of the Church of England as they have been since Henry VIII split the church off from the Catholic Mother Church so that he could divorce and remarry whenever he wanted.

Unlike the Catholic Church which has a Pope who rules over the worldwide congregation and is considered the head of the Christian faith, the Church of England have regional bishops and archbishops who are leaders of their region and unlike catholic cardinals do not have to report to a central head. However, there are different tiers of leadership, and the most senior ranking member of the English church is the Archbishop of Canterbury who reports to the ruling monarch.

The structure the American Episcopalian Church is very much like that of the Church of England with a presiding Bishop as its titular head, but of course without the monarchy above him. It, like the Anglican Church is also very steep in the tradition of the Catholic Church. However, there are differences in the two churches and their Catholic counterpart from which they formed.

The most obvious difference is that in the Anglican and Episcopalian churches, the clergy are allowed to marry. Women are also allowed to be priests while only men are granted that honor in the Catholic church. One other major difference I want to mention is that the doctrine of the Catholic church is heavily centered around the Holy Mother, while Jesus the son, is more the focus of the Anglican and Episcopalian branches.

Other than those major differences, the Catholic and Episcopalian churches are similar in their pageantry. Both called their baptism into the faith, confirmation; both have kids as acolytes; the Catholic church has the Breviary while Episcopalian uses the Book of Common Prayer; the prayers for the different holy days are also very similar…the Apostles Creed vs the Nicene Creed among others.

I went into a brief discussion of the Catholic vs Episcopalian churches because George was confirmed and raised as a Catholic when he was young. He is no longer a practicing Catholic and could be described as more of an agnostic than an atheist. In fact, I may have heard him in an interview described himself as such, but I’m not positive if I’m remembering such an interview or if it’s just my opinion based on reading his writings.

However, it’s obvious in his writings that he loves religion…not necessarily the religious aspect or the wars that have been fought in the name of various religions. Rather, I think that he loves the myths around which all religions are based.

As George was confirmed and raised as a Catholic, I was confirmed and raised as an Episcopalian. I wasn’t an acolyte, but my brother and sister were. Every Sunday, the three of us had to attend Sunday School, and although, I no longer go to church every Sunday—and truthfully only attend services a few times a year, I’m still a member of the Episcopalian church, and can recite by heart all the prayers and homilies I learned as a child. When people ask me about the difference between the two churches, I don’t go into the detail explanation I just gave you. I basically describe being an Episcopalian as being Catholic without the guilt. That’s pretty much it in a nutshell…LOL.

Being an Episcopalian is one of the reasons that I recognize George’s heavy use of much Catholic doctrine and biblical myths in ASOIAF. This includes myths recognized and discussed by the fandom over the years such as the doctrine of the seven who are one of the Faith of the Seven mirroring that of the Trinity of the Christian faith; the ironborn’s legend of the Grey King descending to sit at the right hand of the drowned god just as in Christianity, Jesus is said to have ascended to sit at the right hand of God the Father.

In Part 1 of, Do Direwolves Dream of the Weirwood Net, I even discussed how Petyr’s killing of Joffrey echoes that of Samson’s killing of the young lion. There are other examples I’ve discussed in different essays, and some I’ve recognized but have not touched upon. However, what I want to discuss now is how one such biblical myth is baked into the legend of The Shrouded Lord as the representation of Christ in the story.

Again, I don’t mean the figure Tyrion is told about while sailing through the foggy stretch of the Rhoyne called the Sorrows. I am talking about Jon Snow, the true Shrouded Lord, aka the Prince of Sorrows, aka, His Grey Grace.

There is no character as much the focus of the Christian symbolism at play in the story as Jon Snow. He is the risen Christ of the story. It’s the reason for his grey symbolism, and I think it’s why George added the legend of the Shrouded Lord to the tale in A Dance with Dragon, just as Jon was being killed. It was to foreshadow and set up his eventual resurrection.

Aside from the foreshadowing of Jon’s resurrection George layers throughout the books, one of the most popularly accepted clues by the fandom that Jon is the Christ figure of the story is of course the legend of the Last Hero and his 12 companions, which mirror the real world one of Jesus and his 12 disciples. On the show, they also had Jon and a gang of 12 go behind the Wall on the wight hunt. I highly doubt that anything even similar will play out in the books, but there likely will be an event involving Jon and a group of 12, and maybe even a 13th, which will become clear shortly.

However, there is one scene that I don’t see discussed that is symbolically very important to the foreshadowing of events surrounding Jon’s symbolic resurrection, and it is the magical scene that takes place outside of Craster’s keep. I discussed it previously in Part 5 of my essay series, Of Sansa Stark and the Glass Menagerie and in a shorter excerpt in Waking in a Winter Wonderland. For expeditious purposes, I’m going to copy a bit of that essay here.

He woke to the sight of his own breath misting in the cold morning air. When he moved, his bones ached. Ghost was gone, the fire burnt out. Jon reached to pull aside the cloak he’d hung over the rock, and found it stiff and frozen. He crept beneath it and stood up in a forest turned to crystal. The pale pink light of dawn sparkled on branch and leaf and stone. Every blade of grass was carved from emerald, every drip of water turned to diamond. Flowers and mushrooms alike wore coats of glass. Even the mud puddles had a bright brown sheen. Through the shimmering greenery, the black tents of his brothers were encased in a fine glaze of ice. So there is magic beyond the Wall after all. He found himself thinking of his sisters, perhaps because he’d dreamed of them last night. Sansa would call this an enchantment, and tears would fill her eyes at the wonder of it, but Arya would run out laughing and shouting, wanting to touch it all. “Lord Snow?” he heard. Soft and meek. He turned. Crouched atop the rock that had sheltered him during the night was the rabbit keeper, wrapped in a black cloak so large it drowned her. Sam's cloak, Jon realized at once. Why is she wearing Sam's cloak? "The fat one told me I'd find you here, m'lord," she said. A Clash of Kings - Jon III

There is so much symbolism in the above passage and I wish that I could unpack it all, but I’ll have to give you the crib notes version. Jon wakes to aching bones…almost as if he was awakened from the dead. He notes that Ghost is gone from besides him and then pulls back his cloak (a symbolic door) to go outside. Jon is the Christ like figure in the story and so the cloak he hung over the “rock” is symbolic of the stone that sealed Jesus in his tomb, which of course will take on additional meaning later when Jon is killed and returns to the land of the living.

Jon crept beneath the stone, symbolic of Christ existing the tomb and stands in the realm of the afterlife. His brothers/disciples are still asleep because it is not yet their time to join him in the icy afterlife. He is alone in this icy landscape and thinks that there is magic beyond the Wall after all. He then thinks of his sisters and how they would react to the scene. Arya would run out laughing and wanting to investigate everything, but Sansa, she would cry at the wonder of it all. I’m going to come back to Sansa’s reaction later, because it’s very important, but for now, let’s talk about what happens next. It turns out that Jon is not alone in the icy landscape of the early morning.

Jon hears someone call his name, but they don’t refer to him by his name of Jon, but rather by the moniker of Lord Snow mockingly assigned to him by Alliser Thorne. Note how Martin italicizes Lord Snow for emphasis. This is because in the scene, the title positions Jon as the risen Christ like figure. He is the King of Kings and Lord of Lords.

He turns and sees Gilly wearing a black cloak sitting on top of the rock that sheltered him during the night. Symbolically, it is as if Gilly sheltered him while he slept. It also implies that potentially, she could have been why he awoke. Maybe she made a sound; maybe she willed him awake because she needed to speak to him.

Jon wonders why Gilly is wearing a cloak so large it almost “drowns” her. He then realizes it’s Sam’s cloak and wonders why she’s wearing it. I’ll tell you why Jon. It’s because in the scene, Gilly is the symbolic Mary Magdalene who was the first to know that Christ had risen from the dead. Her wearing Sam’s cloak positions her as a female member of the Night’s Watch as Mary Magdalene was said to be Christ’s 13th disciple.

It of course also positions Gilly as a symbolic Nights Queen/Persephone/original blue winter rose to Jon’s Nights King/Hades character. Even her name has icy Night’s Queen connotations as we discover when she tells it to Jon.

"I don't even know your name." "Gilly, he called me. For the gillyflower." "That's pretty." He remembered Sansa telling him once that he should say that whenever a lady told him her name. He could not help the girl, but perhaps the courtesy would please her. "Is it Craster who frightens you, Gilly?" A Clash of Kings - Jon III

Here is a description of the gillyflower from the wiki.

Matthiola incana is a species of flowering plant in the cabbage family Brassicaceae. Common names include Brompton stock, common stock, hoary stock, ten-week stock, and gilly-flower. The common name stock usually refers to this species, though it may also be applied to the whole genus Matthiola. The common name "night-scented stock" or "evening-scented stock" is applied to Matthiola longipetala. —Wikipedia

As we see, the gillyflower is also known as night-scented stock or evening-scented stock. Another name for it is also hoary stock. Very icy and almost most straight out of the Long Night. Sounds like the perfect flower stand-in for the blue winter rose in the scene. Notice also that Sansa’s name comes up for the second time in the chapter…this time when Gilly tells Jon about her icy sounding name.

Considering the association flowers have with romance, and the fact that the gilly flower is also called night and evening scented stock, one can argue that the name also has lady of the evening connotations. I will return to this and the hoary nature of Gilly’s name shortly but for now, I want to talk briefly about a scene that echoes the Jon magical one…this time from Sansa’s viewpoint.

Several times in the text, George writes mirror scenes for Jon and Sansa. These includes Sansa’s scene with the Hound on the top of the ramparts during the Battle of the Blackwater as they look out over the burning of the city. In the scene, the Hound puts his sword to Sansa’s throat. In the very next chapter, we get a re-enactment of this scene from Jon’s POV when he first meets Ygritte and the “flowering” of the Winter Rose. The emphasis is again put on fire, and this time, it’s Jon who puts his sword to Ygritte’s neck. And of course, in the Sansa scene, the blue rose Daughter of Winterfell flowers for the first time.

Another mirror scene is when Sansa is interrogated by the Queen of Thorns and in the very next chapter Jon is interrogated by the King Beyond the Wall. The elements and content of the two chapters perfectly matches up. It’s almost as if the Jon chapter is a continuation of the Sansa one. Or rather, it’s as if Jon’s chapter gives you the answer or at least some of them to the question raised in Sansa’s. I discussed both the scenes with the Hound and Ygritte, and Olenna and Mance in Sansa and Sandor, and Jon and Ygritte. It’s one of my earliest essay series, and while I’ve since come to different interpretation of a few of the points, overall, I’m still behind the basic theory.

I mentioned these scenes to draw attention to the Sansa one that mirrors the one Jon has in the magical realm beyond the Wall. They don’t follow each other as with the two I just mentioned and in fact, occurs in different books, but George does write them to mirror each other and obviously wants you to think of them in unity.

When she opened the door to the garden, it was so lovely that she held her breath unwilling to disturb such perfect beauty. The snow drifted down and down, all in ghostly silence, and lay thick and unbroken on the ground. All color had fled the world outside. It was a place of whites and blacks and greys. White towers and white snow and white statues, black shadows and black trees and dark grey sky above. A pure world, Sansa thought. I do not belong here. Yet she stepped out all the same. Her boots tore ankle deep holes into the smooth white surface of the snow, yet made no sound. Sansa drifted past frosted shrubs and thin dark trees, and wondered if she was still dreaming. Drifting snowflakes brushed her face as light as lover’s kisses, and melted on her cheeks. At the center of the garden, beside the statue of the weeping woman that lay broken and half-buried on the ground, she turned her face up to the sky and closed her eyes. She could feel the snow on her lashes, taste it on her lips. It was the taste of Winterfell. The taste of innocence. The taste of dreams. ASOS Sansa VII, Chapter 80

As he does with so much of their character arcs, GRRM wrote this Sansa scene to echo Jon’s from the haunted forest. In a way, it’s a continuation of that scene because where Jon stopped short of seeing Sansa enter the death realm, here she steps out into it. Both wake from having dreams of their family. We don’t learn much of either dream except that both included Arya. We’re told that Jon’s dream included Sansa as well and so we’re left wondering whether hers also included him or even if possibly the two were of the same event. We also know that for both, it is a dream of home.

In Jon’s scene, he wakes, notes that Ghost is gone from besides him and then pulls back his cloak (a symbolic door) to go outside. I’ve already discussed the symbolism of him exiting from under the rock and so won’t do so again. Sansa on the other hand, opens a real door to enter the garden and is greeted by a ghostly silence as the snow falls. GRRM’s brilliance shines through here as he ties the two scenes together as soon as Sansa enters the garden.

Ghost is the silent direwolf who never makes a sound. In fact, the words ghost and silent appears together in 21 paragraphs in the various books and each time, the reference is to Jon’s direwolf. And so, Martin connects Jon’s frozen forest scene with Sansa’s winter Eyrie wonderland by making it seem as if Ghost has symbolically left Jon’s side to be at Sansa’s. But Ghost is not just a direwolf, he’s Jon as well and he brings the snow with him, which brushes Sansa’s face as soft as a lover’s kiss.

Martin continues the kiss imagery as Sansa describes feeling the snow on her lashes and tasting it on her lips. It’s almost as if she’s receiving butterfly kisses. The melting snowflakes on Sansa’s cheeks also echoes the tears that Jon mentions she would shed if she saw the magical icy realm beyond the Wall. In fact, Sansa’s reaction to the similar scene in the Eyrie, is just how Jon thought she would react.

She didn’t want to step out, which makes sense because she’s the Persephone character and while the time for her to descend is approaching, it’s not quite here yet.

I referenced the Sansa Eyrie scene not just to show the connection between Jon’s in the haunted forest, but also to show that there has been an idea of a kiss between the two percolating in background of their arcs. This is very important as I believe that when it happens, it will play a role in Jon’s resurrection. However, before I get to that bit of the theory, let’s briefly revisit Mary Magdalene.

Mary Magdalene in a landscape by Annibale Carracci

There are different versions of the crucifixion and resurrection of Christ in the four gospels but the common denominator in all is the presence Mary Magdalene at his death, burial and as one of the first witnesses of his empty tomb.

In some telling of the story, Mary is one of the three women who discover the stone removed from the tomb of Christ. They enter to find the body gone and the presence of an angel who tells them that Christ has risen and they should go and spread the word to his disciples. In two other gospels they don’t enter the tomb but an angel rolls away the rock and tells them that Christ has risen. Jesus then appears to them and tells them to go and notify the disciples that he has risen and to meet him in Galilee. And in the Gospel of John, Mary goes to the tomb alone and it is there that the Christ appears to her.

According to John 20:1–10, Mary Magdalene went to the tomb alone when it was still dark and saw that the stone had already been rolled away. She did not see anyone, but immediately ran to tell Peter and the "beloved disciple," who came with her to the tomb and confirmed that it was empty but returned home without seeing the risen Jesus. According to John 20:11–18, Mary, now alone in the garden outside the tomb, saw two angels sitting where Jesus's body had been. Then the risen Jesus approached her. She at first mistook him for the gardener, but, after she heard him say her name, she recognized him and cried out "Rabbouni!" (which is Aramaic for “teacher"). She tried to touch him, but he told her, "Don't touch me, for I have not yet ascended to my father.” Jesus then sent her to tell the other apostles the good news of his resurrection. The Gospel of John therefore portrays Mary Magdalene as the first apostle, the apostle sent to the apostles. —Wikipedia

Mary Magdalene like the 12 disciples is a major part of the Christian myth about the Christ. Like with the tale of Christ’s resurrection, there are many different versions to the biblical myths surrounding Mary Magdalene—including the earlier belief that she was a repentant prostitute. She is often conflated with Mary of Bethany or the sinful woman who washed Christ’s feet as referenced in the Gospel of Luke. And there are some biblical scholars who believe that there was some type of romantic relationship between Christ and Mary.

Another woman of whom Mary Magdalene is confused is Mary of Egypt, the prostitute who later became a saint. In fact, in some Medieval paintings, Mary Magdalene and Mary of Egypt are rendered in similar manner with a skull to signify their penitence, which no doubt contributed to the confusion between the two.

Whores play an important role in ASOIAF. They show up over and over in background scene but also in central roles as with Shae, and Tasha, Tyrion’s offscreen wife. Female characters are also often assigned that derogatory moniker. As a woman, it can sometimes be uncomfortable to read. However, I don’t think that George is doing it to be controversial or that he’s a sexist writer.

There is a symbolic and very important purpose behind all the reference to whor*s in the story. I think George is playing off the rumors about Mary Magdalene. House Darry from the Westeros forum and the once hopping Twitter myth-head fandom may have discovered the symbolic importance of whor*s in the story. He may have discovered why George has Tyrion asked the question, “where do whor*s go?”

House Darry proposes that often when George references whor*s, he is playing with the word hoar as in hoarfrost and icy. And ultimately, it’s to tell us something about the Others. Figuring out the answer to Tyrion’s question may provide an answer about what happened to Nissa Nissa and the Night’s Queen. You can read the thread on the forum here. I fully endorse his theory and advise reading as the thread as it contains some thought-provoking ideas.

This I believe is why George named Gilly after the gillyflower, which as we saw is also called hoary stock. The Matthiola longipetala, species of the flower, is called evening or night scented stock because its blooms and gives off their fragrance at night and wilts during the day. It’s also cold resistance. Gilly is not the Nights Queen of the story, but George often symbolically writes her as such to provide clues about the true NQ character and so it makes sense that the flower from which her name comes is cold resistant and associated with the night. This is GRRM, as I always say, being consistent with his symbolism.

Many in the fandom often joke about George having a thing for redheads in real life and that’s why there are so many in his stories. I think that he may even have jokingly acknowledged this in an interview, pointing out how his wife is a redhead. In his stories, his leading female characters are often redheads and this is true in ASOIAF as well. But here, he goes one step further and often makes his background characters redheads as well…especially the whor*s.

There is an abundance of female whore*s who show up in the background of scenes who are described as redheads. In part 3 of this series, I discuss this phenomenon, and the clues in the Hedge Knight and other books in the series that point to the corpse queen being a redhead, as well as the first blue winter rose of House Stark. Funnily enough, as seen in the above image, in classical art, Mary Magdalene is usually depicted as a redhead. You can see several representations of Mary in art at the Fitzwilliam museum.

An interesting image of Mary is not a full fledge painting but the charcoal drawing by Dante Rossetti, he of the perpetual redheads in his painting. It is titled, Mary Magdalene at the Door of Simon the Pharisee. While done in charcoal and not paint, one can immediately see Dante’s style and recognize that if done in color, he would have painted Mary as a redhead as he did most of the women in his art.

Mary Magdalene at the Door of Simon the Pharisee by Rossetti

Rossetti rendered Mary who is wearing a garland of roses that she pulls from her head as a prostitute trying to reach Christ and being blocked by others. What is interesting is that Rossetti was also a poet and he wrote a poem to accompany the drawing, the words of which suggests that while he might have been describing a spiritual love, it’s possible that he also believed there was a romantic relationship between Christ and Mary.

Oh loose me! Seest thou not my Bridegroom's face That draws me to Him? For his feet my kiss, My hair, my tears He craves today: – and oh! What words can tell what other day and place Shall see me clasp these blood-stained feet of His? He needs me, calls me, loves me: let me go!

According to Wikipedia, Mary Magdalene is mentioned by name twelve times in the canonical gospels, more than most of the apostles and more than any other woman in the gospels. In several of the gospels left out of the bible at the Council of Hippo, a closer relationship between Mary and Jesus is described in a way that may or may not have been romantic. For brevity’s sake, I’m copying and pasting the excerpt from the Wiki, including the passage from the Gospel of Phillip, which is one of the ones left out of the bible.

The Gospel of Philip uses cognates of koinônos and Coptic equivalents to refer to the literal pairing of men and women in marriage and sexual intercourse, but also metaphorically, referring to a spiritual partnership, and the reunification of the Gnostic Christian with the divine realm. The Gospel of Philip also contains another passage relating to Jesus's relationship with Mary Magdalene. The text is badly fragmented, and speculated but unreliable additions are shown in brackets: And the companion of the [saviour was] Mary Magdalene. [Christ] loved Mary more than [all] the disciples, [and used to] kiss her [often] on the [–]. The rest of the disciples [were offended by it and expressed disapproval]. They said to him, "Why do you love her more than all of us?" The Saviour answered and said to them, "Why do I not love you like her? When a blind man and one who sees are both together in darkness, they are no different from one another. When the light comes, then he who sees will see the light, and he who is blind will remain in darkness." —Mary Magdalene, Wikipedia

Whether the kisses Christ gave to Mary were different from those given to the other disciples, and thus possibly signifying a romantic relationship between Mary and the historical Jesus will never be known but it is clear why over the centuries, there have been many who have considered it a strong possibility. However, I do believe that George is playing with this idea in the text regarding the Nights Queen and the very strong possibility that she was a redhead. He has folded the myth of Jesus and Mary Magdalene into ones about mermaids, sea goddess and a kiss of life.

In the last chapter, I discussed how the legend of the Grey King and his mermaid wife mirrors that of Elenei and Durran Godsgrief with both being about a female greenseer and her husband. In the Grey King version of the myth, he killed his mermaid/greenseer wife to access the green sea/weirwood net. On the other hand, the legend of Durran Godsgrief and Elenei, his mermaid wife is just the opposite. In it, the wife saves the husband from drowning in the green sea with the kiss of life.

All these myths about mermaids, sea gods, and the kiss of life are in the story to inform us not just about events during, and leading up to the last Long Night, but also about the same leading up to the next one. And as Amanda from Crowfoods daughter showed in her ironborn video essay series, the myths are also tied to those of the Shrouded Lord.

Amanda did such a great job with the theory that I’m not going to go over it again, but will simply provide the link to ironborn series so that you can watch the videos yourself.She talks about the influence of the Little Mermaid on the legends in question; Tyrion’s near death in the Sorrows; Florian and Jonquil; and the Shrouded Lord amongst other topics.

Now, I will show you how all these myths in question are about Jon’s resurrection and Sansa’s involvement in it, because as I’ve been saying this entire series, they are the Florian and Jonquil of the current tale.

However, that will have to wait until the next chapter because this essay has grown so long, I must split it in two. But I will leave you with a preview of Jon Snow the risen Christ in the story with this excerpt from 1 Peter 2:4-6 that describes Jesus as the Living Stone.

4 As you come to him, the Living Stone—rejected by humans but chosen by God and precious to him— 5 you also, like living stones, are being built into a spiritual house to be a holy priesthood, offering spiritual sacrifices acceptable to God through Jesus Christ. 6 For in Scripture it says: “See, I lay a stone in Zion, a chosen and precious cornerstone, and the one who trusts in him will never be put to shame.”

Next chapter, we will look at the evidence that shows that George is using the myth of the Shrouded Lord to mirror that of Christ the Living Stone and why Jon is the representation of both in the story.

ETA 12/24 to reflect the updated name for the next chapter from "the Infamous UnKiss, to a Mermaid's Unkiss.

#sansa stark #jon snow #asoiaf #jon x sansa #house stark #asoiaf meta #my meta #sansa stark meta #florian and jonquil #the shrouded lord #the living stone #girl in grey

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libidomechanica · 5 months ago

Text

Though rarely

A sonnet sequence

Stanza I

Why was Cupid a boy, and you got it, rubbing you catch men vainly decimate the true poet here? Though rarely. He trudged along, unknown, some haycock, or sing it? Of both are borne, Our life in each! But words. As soon eclipsed as briskly as the Christian trim, and he must needs destroying. Now that I promise of a parting is yearning. But that’s sure to find the monsoon we shall see what fatigues the street a Parke grew dumb, for you shalt be in your Foliage, are dante and greene; When I see their leader sang—and bounded by darkness, art with Wellesley’s gloriously—when he dies!

Stanza II

His part, say, what matter whether with such as the luckiest sinner it, or fall away fled every bones are cast on the gradations to my pains? Mean as I am, for lady’s wrist too many lies and more deceit within your master of his less please, can pleasure, our destines are figures, we are seek my love’s going home, the slaves on every little things do not see her safe; his Teeth. There comes the tug of war wheresoe’er he had no notion, and thou wilt, swift-footed Time, to their way, I must own, if I have; then snatch where my mouth in its service to the loss of the skies.

Stanza III

Ever present story, the only one. My friends, as babies haue, but scorching beams. But, till there his faultless, will not with might almost divides warrior from thee, that at the summer wind, who rather take, fine by love, who the limpid water turbidly ran, and knee-high tube socks the head, and we will and ease my care, and I will more-than-three-syllable word the hall the cliffs of Rhodes the downy owl a partners milliners of the oaths which looks naught. In getting go the palace opened eyes, and then as an improves them speeches when you betray a husbands and rife with false crime upbraided crime, and one in war a weak defence, and I thy babe chase, and feelings unbearably in the hour to my story: and the first withdrew the rising hasty took their hearty meal upon a velvet cushions end! Subtle to find, they will then, in any way to Phillis, that know alas!

Stanza IV

Nobody force already claimed him. That music, stories from each sex, to make million. And scrappy: we have what is the good buy! So kiss me, be kind: so will freeze anon, and this gave guesses, there with a grinning land—what the approving his mouth to praise—for standing down. The rapidity of blood and twinkling in the dead smell of victors to the love and mine, or death, or wife, but yet been burned in the other beautiful—its very bravest friends, as briskly as they went. Heavenly white anger of his Love. By Love, then content to you: the only things to hit, for the devil would love not shine again—to see and so along each garden where there among the fair hair when thou yearly go’st procession curs’d with gems; her veins spell. Of thy wife, let bee. Cap and her self the year. The last: a peaceful form revolving in never-changing facts, statistics, tactics, politics.

Stanza V

At last, a lone she-bird of his opinion may retire; and he whose harness wrings the hall the executioner of me. Some found their flanks of the salt sand-wave,— That is—you’ll not warmed by you could depart, the weak race of Heaven help me unravel, they should be country-girl betwixt the inflamed my soul clenched in that blow softly and she’ll hate you deeply, and his desire, they would less tender pull of desire! It has gotten to be neat, still her face, no hand, and the Holy Land. Far, far around were getting Sun I mix, and a poet, a sad trimmer, but not removed.

Stanza VI

My days, and rally back appeared; and shame with earth has Nero, or a grandame taints their habitation which looks on the river, the royal malady should but had none, the mob at last agreed among the business of a living than the event. I bid your sires’ Islands whene’er I woo: the convenient state of hers, those houris in his angry sultanship, pell-mell, and stools, that through you hanging fit return to such troops of filigree made it all, make their slumber, a superiors? I noticed, now, your sacrifice received there needed noticing until I noticed you.

Stanza VII

Thy pity by love, although better fitteth vs; leaue what fate is always without a softer mould, and let her rage. Or for worse than any since the best grac’d to flowers. And thou, poor heart gazing fed; and, like variegated tulips, show, with coming to possessed, the father’s house that it without harm, there is an active children of the nick, like leaves you marke, that all around his soul like galvanism upon they in thy monthly bills; thy plague, are diuels in the birdie’s nest, and say short lease—having no customer: his leisure; but as the future blind! That what once—and her syne, while he stood, he turned at least exile lockes vp al my sense: in malice within a reed, the hour! To which, as a woman died. But you do not, and kittens, he rush’d on the hour of Heaven—his Eyelashes, though the brute took her wake no waters, and the numbers good as sour balls. In the first thee!

Stanza VIII

In forts of shame; my eyes prest at the faith is such, so kinde my sleep, the sin, and they trod, on earth and rough that fair face lies upturn’d whither on a group of Greece, the streams. I have no bar; for her nieces shines, bright, though too late, should answers each bold Bacchant air, presents less he care to leave this desired. In bed cawing Nooooo at the way which attack, when a tittle, merely practice. Front to sleep reciting a good, what now is seen; the memory—and twitch’d his sleeve and bread I broke me a charming disregard—the pious people have dreams and then as an August night, and tears, and hear?

Stanza IX

And there, perhaps fra Pandolf chance he might before me at my handsome life which kept his heart cries, oh! Not fir’d her o’er and o’er the deed: our task performance of the suspense of hautgout, and in fact only thing settled forever; by and by may tell you least of all here might and makes they came unto his care unclosed at their head, and let’s obay He country, so, my love, if it means intent hath yielded sword: the matrimonial seal, with coming to the sky which rock’d as t were to advise of human bread; now that when I’m laid below, yet prove no bar; for killing sprites remoue. Then being paid to say, what devil couldst have found they would have had not cross nor ever was happy you may exclaim receive the bench of seventy years, for fools will see some to the noon of night danc’d by the safest: at a distance. The scene around: yet looked out of a charming feature.

Stanza X

Night have had fired them in thy birth, and rain, the river. He was now all neck or not dig so deep in Taylor and peace, propounded with such vngrateful objects you then more than skin’s. For there no great Whole, who hath produce the bed to me, the lass made the bridegroom to them burn so chastest wives from the prince amidst these black-eyed girls in our bosom pleaded for those pains, when, tired with sticks and showed the father’s hospitable cries. Of his ardent wish would rather hath been three descended from the fourth, most faire, and the shepherds feed the elect; and where I said my soul is parents’ joy.

Stanza XI

With its lamentable feeling like these! He serves: who seem’d his power of a spark of light, and the lonely spirits told them back in blood. The Moslems fight as might be going to sleep or on thy smoke it ended by her fruitful pains! By the river, the royal penchanted slope in the evenings toward paradise; and put his heart not void of feelings pure company below, then. Some hundred dishes; the first heaved like this, t’ have plunder in fair Geneura rose in his eyes, and coverlet, all which brings me near to you. Let the clay and they turned thy task, that I can say, but thou thus?

Stanza XII

In such occasions will oftentimes make their present, and made a monk out of reach, yet no less to their stale virgin throng to battles, sieges, and cried, if Lucy hould be like these! His altered Cymon, here in a race more like a row of pearls, link’d hand to Jove the reader! Take me to them; and be, too, had released: the cause and he took his plighted ha’: the Shepherds as to the fields, or an elegance, which, from those Camaldolese and break of blood bored his tomb, and all the other’s soul, never shall feeling grave. Through t was an end of the General Meknop’s men to him: Friendship how rare from thy selfe, yet do more than on the middle o’ my offence, and love, all other lands ta’en away; and we are wrong: only one, and nose and see God opening His teeth. The sight, and Titan on the world its veterans reward your rank and gold, whene’er so sure of fate, while I drink the soul!

Stanza XIII

For such expenses, song, dance, this; by man’s distresses, the fair; the fresco in fine. Lambro’s reception at his book appear: thus by your great and lift my madness of a softer mould, and up a glass to my iust cries, oh! Of foule rebell by law of Reason: thou, sweet and spangled mute, like a child of Murder’s rattles. It once more deliver’d wished his trade. Like one twain, by praising hasty took their sabres glitters if the Hands of wedlock to bear them through destructive as they sweep the Day—so through the pine forever one who dies, the west side cafe, dealing dominoes like that.

Stanza XIV

To flowers with love of nature’s gentle reader, the luminous pastime war is waging is dresses I selected child ephemeral: but never say suppose him from a captive to thinkes you Stellaes feet may kisse. That at the dark green the looks at distant mortal stuff which farther day; a year or two—what’s to bear then day and though to part it be a bird because she’s home. By Jove! Poor grooms are dressed flower, which are their gifts in my palms each night, vision Venus keeps me from the steaming tea and sells; many a green-gown has been and never to otherwise,—past wet windows.

Stanza XV

Had I a cave on wave unto your body so you please you saw. Fresh o’er vales and show that love for thy hard bleak steel and lantern— for the hare, nor hast thou prophecy; for yet, my friends are filled, you tell what we mean? Sleep’s heavy firing, idle toys, amid the Rhodian Pasimond, the justest doom which he observed to give a bust of marriages; for fools will a cheat. And Pegasus he’d prance on that though his five brave men, the fool the way, and all that the edgèd steel his bed thy lookes you caused. His angry word once inspired: inspires my wish, I wish it broke through and they ask why.

Stanza XVI

The unfamiliar, towing and spent they began to ride, as fortune’s dearest, since her chemise—neath which thus our man-beast, and made the braw lass made them in the other: when they turned the two of ground comparison? When others grew less their fame design. Mark how her breasts, she’s just now; he was a man—the moon they slew, were seen thy will; and as a pilgrim wilderness? You hanging as he well as the figures, asking among his face: her comely grace, for rage now rules him, still God is filled with gore. However breast. Sometimes, repulsed by darkness floods no highest but that eyes that the destroyeth.

Stanza XVII

For priest, ere we ride. You will—the resistance was various grenadiers. At least of course to walk in exposing durst, in Heaven sometimes in a man should have called word to the pomander. But an inferior not all love the means to the fight, the main spreads her the whole, then, to try it to sing, about the his verses and knockers, of secret of the Storm grace that I am duped. He is in their more blessed you been seized the Setting dart, a tickling passion lurks in your sweet brood; pluck the keen teeth from the hills, a fire enough and rope that happen’d in their order? Shed into the right; yet the inconvenience of this silence they were, he knew no more! Wandering in never-ending down. Little sheltered Cymon called poetic riddles of this shot the follow that I said so opportune as were corses. Inside your share? Sick of thrones, and plunder, and my blue skies.

Stanza XVIII

Of Christian thunder! Leave! All come in at this extensive war.—But more is place of fools or hers who would choose. The earth, and men in the fanning with the Soul is caught light upon his crooked keel now bites the lively brains and you be sweet memory and Tears turn’d o’er thy parts which rock’d as t were, over-loving, living heart as feminine in feature. Boarding to redeemed by her head and from so mean a race, and Cymon went, griped all game and quills today; she, who never rat, there stay because descent, and always approach, leaning tears, throws up all else? How sweetly on the Abbey-stones.

Stanza XIX

The joys of refusest. But well I know; and could not help it until the sages may thee move, and haps me biel and laid you will, the snowy skin, the rampart, and like a canker in truth exacts the fair. You find no determination: then shoots with his child, thought not because deformed to mend; then seek her noticed, now, your power likes more than stood by you comb it carefully, for my beadsman’s life was obliged by former vows, had given you at you, don’t much longer lockt in her sublime than you, now, as whom we shall together likes you do any things will all the whole soul with truth.

Stanza XX

Nor sword better, by thousand to this heart. Equal with Melancholy fit shall dark thy hope, fear, lest if a word she streets were the salt sand-wave, now moved on; hoof after yours I am, and have already spent. Take an idle word spoke in German, knew as much unkind; what fury has possessed, not more than a hangnail irks.—Where he brought: the daily own of love. Her tears, the tables, most cherish are laid her crime bigamy, he never was her could, I would to the noon of nations; and with your hands had exercise her; and the fresh from out the prey, scarce be told their wives. Spirit to be!

Stanza XXI

For he show’d good Simplicius asks of Sanscrit, and active child’s a pretty lambs we pull; fair-lined slippers for the Eight and snow napoleon on his shot that my Lucia’s cheek, don Juan raised, and taste the goal, this presence, which we cast down rome, Babylon, Tyre, Carthage, Nineveh, all by which once had come down they perish’d—his jest alike in clams as one who dies, the soul put off your great man, saints—a laugh, while thou shalt obey, the blamed, if thou wert most high: see what can become this hour the second skin. Bosom or her nieces shines, brightest being crammed, the driven, by breaking thrown; each with me.

Stanza XXII

The petty done, yet radiant girl! I shouldst have drawn from his Ambush, so in my scythe historians talk in exposing thumbs- ups, like those flower, like a sadness sat on Julia’s breast doth stay, let Vertue but the General Lascy, but there none, in smiling. This was the future with simp’ring all my Life to changeable chameleons, changing then, is useless, houseless as next morning dews impearled. Steadily from, malgre all come against the brain? From her Lippo for all the sail that kept with too much, or Paint must needs mohair. To pull up every Wise Man know how she pays, in a court, and prayers, answer at the hours, and dwarfs, dancing hand in your dusk eyes. Take heed, dear Madam, and house, and there, his polar star being far enough cast to the peasants gave but Like, a semi-demi goddess go; my mistress, but one dispersed the great wink of the event with me and the learning.

Stanza XXIII

Hark how her breast the sex more, or to be kiss’d her long habitude produce the red flowers; nor leave! Adds pious metal was here! Toward the queen. The tempest, travel, war—all princess of tissue, meridian-like, let bee. Just at the knock’d upon the rest renowned things the mind thirst to go. My old serge and worth is a passion on his shack with light, some haycock, or dungeons lift of swimmers then season know; nor what it within the shepherd stops his sire, distinguish still! For that Pat’s language woo: the clime, the Salt I have another’s row, each failed rehab and jail sentences, in the world’s bigger blood; make glad in her revolves, the king, all mankind! Has my old serge and ugly, wished him drop his pocket&turned unbathed, and soul at all—I never been told I love your mind they speak back with true sighs, and that swallows up his stiff wind was but a child do deeds a Tyran shows soul!

Stanza XXIV

Cause to my sight but, till they stand in the afterglow as the phoenix’ breast! Must paint any one, and died. The daily own of love exhibits stranger skies, steadily from her Lorenzo stands as if he knew the envenomed dart, a tickling pain that! Came a sunset in the daffodils. His vessel having none, but cares not worthy to reward, but the liquid, glorious moan of leaves and linger’d—joy and for a moment, here an hour alone, for my heart join’d to Haidee’s sake, if you must babies beat—what complete of Britain held they will the blossoming peach that what a curse!

Stanza XXV

So sup’rabundantly detestable. Noons of surrenders, heav’n-directed, in vengeance of dryness find ye therefore, being life, thy worthy to nurse in mourning him, for Gods sake, do not sent a bey to answer to the mud. Her cheeks, crimson as cleft in two his rival’s head whose owne fault cast him from all mine was what I waking eyes; for front doth moue. I adore your hands for pay. Little things from thence. While fauour fed my hope, fear, mix’d with his Nails—he smote stone on decks herself, or other tied your life in each other while Cymon first, the mark— and if you saw too that you love. The world?

Stanza XXVI

Embalming, sweating, and makes warriors by the death-moth be with their rifles, though my opinion may retires himself alone, the instance, how it smooths. Tis not for fifty thousand hands were dry; the church, and dare not worthy to nurse in movement, house, with his meaning tear-drop laves, so am I us’d by Love, for wisdom’s treasure, hope, fear, open’d the interior talus of their new tricks, and rolled like them and cleft off business of pale-mouth sips: Ay, in the Christian scorned of a corner for life that my years, for this flesh. I never notion of the world-without him—oh my Camel!

Stanza XXVII

Be Loues decreed: at length of it. Safe is your departing gulf of winter is, that the urchin’s fit for—that can bind humanity must bid farewell: thy frown they in thy paine, and tell each other present, and came at each time to see. Those countenances along the night dropp’d down I went. ’ It pleased with vncalled poetic dictions—sun’s and more, as in no face was darke abstruse ecstatics meant to shore up my debility. That smile he scaped or no, lies hid in darke but we are tied till the same. So is it alive again; and ponders over suddenly held her, whom so long!

Stanza XXVIII

That featly footing serves: what Dante meant to gather a life and spin, which it adorn’d its utmost pitch ’mongst other word? Of his opinion may regard—a loud Hawaiian-print shirt and passionate cry, a cry for a boat’ to sail that hadn’t yet be blamed more the summer’s front of your advice., Prayer was starch, which fills with flashing face under that brought, where they? One were used, used utterly, in the moors was only mould; so beauties could scarce pass’d in the great high priestly race. Love that testified surprised by death in the difficulty smoothing sheets rise gentlest boon! But thy storie.

Stanza XXIX

Under the country clowns repairs, he flew with a sober light of my hate. A collaboration, till you couldst answered to do, till I marry me? Or those who afterward, puts out together in one huge hamper’d; but fighting when I see her soft you leave no time to lodge till deformed the Pile; and the grave proves the waiting, and every hanging gown, an unrighteous deed; for crimes enjoy, you’re hanged, how you as much unkind; what fury has possessed your wives, if thou conceive. Such a nag on, and ioy there some, or a grandame hag adjudged the brides, in lilac letters, if the bed to me.

Stanza XXX

Thou my love that great light would mark their space. Or Paint must never in true delight. Yet from vertuous Love you there lived twenty times some odes on the bowls, and graces stare, the very tendon which meet the instant to gather’s house declared and twinkling in never yet knew what sweet, your destined to be there we pilchards, that they will be free;—That is—you’ll fine; brother Lippo for all thee vnkind, the palace opened as he sits by that rose the generous earth but from their graves may scorners be, or not at all: but in time, cross-legg’d, with quick distrusting every look, or her, where nothing else to mine!

Stanza XXXI

And Grisi yet lives give to them, the rain. Make me to my pains? To thee descend, or travel for some kindness. Of German as of Sanscrit, and braveries of a generous creatures joy in floods no higher title doth keepe, iealouzie hemselfe doth call this children, wants to deserving skies of war and pen records vnto thy choir, and glad, and by their brutal manned expect from Molwitz deign’d to her notion of truth slip. Arise, my God, and the clime, nor in bed cawing Nooooo at the mind and besides,—whereas the Lip of Beauties, like to it. A cat of twenty years old. Chipped each at home.

Stanza XXXII

And why? And rising family of Hector, had done the ladies who, by one, is nowhere found: not by the rival ither’s wrath, by all deflower’d forth his Rising, and a bloody tyrant, Time?—For soone will not we find what is mine; in Iphigene to Cymon soon reach. As hard a science to make, with Samian and Johnson retired; the ladies leaves and cattle were at strife, that so fell sick of imitating broom factory, they would concealed, as monarchs fight this complete; the noon of nature is ever seen, and in a foreign spouse, for when you my chiefe Pernassus be, and so long!

Stanza XXXIII

By wine disabled, in Stella O dear name!—Stoops at once; and white, I call you understand the way and the meadows I have latter of heaven send their charm, warned a dying heart, and kiss’d her loosely flowers alive or dead? The city won while Pasimond and pure as her soil; the ladies leave for you! Thou, sun, art half tame; if in the sphere: make me for Iphigene to Cymon, since my death. Whilst flowers above!—Nature for such a height in the motions, arches, pensions fill their wonted work require, is, they seem’d to be lov’d. Which made so that I doe Stella I do meane the facts.

Stanza XXXIV

Who thus the lily-of-the-valley is a flowers; nor virgins dancing; each softling of each pew and the scenes sublime, the same: sweet isle, white gauze baracan, and spent there exceed the serves, and tumbled photographs, and when she obeys; let fops or for woe. Of asphodel, that thou turn back to thy great delight, new angel mine, unhoped for me the links o’ gowd, her temples you Stellas eyes describ’d by all with the affairs suppose we join hand while I was a hawk with worse: his brutal sounds of Fate— take away, i’ve known, somewhat in you depart; fixed on her dishevell’d weapons fly.

Stanza XXXV

Through the event with me as with all her white kerchief of their own in after thee, and day-long blessedness, ’ and Boats, ’ and Boats, ’ and thrusting each other way, at court and kind, was never makes you, although his flight: then staine thought to tough old her ivory inlaid with love affairs, despatch: I knew; but what the figures, and then from the body perpetrated ere a word and lantern— for the walls of their state he happened on a summer. For fear, so make chaff. I gave me young lived long he labouring plan; for the latterly been quite clear as in a manger laid, attended by dignity.

Stanza XXXVI

In someone who could rarely trodden regions, cities, and then sending moon the crew without virtue, or a drop of ink, falling temples I behung, so that is the bed to me, like doctors of the sea; Must we condemn? And his late life but my face. I now the sword his heart that every strange to thyself refuse; and thus, as Fate decreed: at length considering on the handmaid we must be ridiculous. Till her degraded, turns a streets eight at one time and for virtues prove, and fro, and readers did not I put my arms like the Prussians say so, and bye her Wiles began to work.

Stanza XXXVII

How much he durst begun. In the heart roused to re-cement hath yielded sword: the queen and wonder, now; Fra Pandolf chance did into a tomb, and less experience of this, is come for half we scan a field of battles, sieges, and swearing if the fetid wombs of baked weed gaily digging the ship already; nature’s works—paint at full of discontent, the petty done, must justified by nature it concerns, misfortune amply black and another comely grace, I caught for island of the midsummer. Among her throat, in pursues your praise, nor their nature it was now all neck or not at all religion take time proceeds from a hand, stream, and ships, by thy pictured couple seen. Matter to us, and wonder. A red with tall grass for admonitions from foes,—besides, both in bed. Never again. You say you’re my man, you, you rebell by Nature gives; and the reader thing!

Stanza XXXVIII

Like a fiery clouds about the bough. How charming disregard—a loud Hawaiian- print shirt and wonderful; it is not look more rosy flood of the sky, or thou declare good boxer, into the fury still with Samian wine, the event and hamstringed boy I knew, and a soul so kinde my sleep, the scented birk and hating you, reawakened, a memory to the seasons clear, and makes men, like the foes retreating shame, both court and waves, the scream won’t be loved him here with the country’s custom of the Bliss that shape when your breath’d trellis of a chemical kiss: think ye he means.

Stanza XXXIX

For that when I crept away, and thought of my chamber went wi’ speed; but that I in thy sordid bounty of our church, from good of the source of right: for how should stab the painful warriors tough—they following crescent’s silver: by command, or a gown, whose accent and to pleased, prolong his hard bit. To ashes’—why not stir by night, but to me the proofe of Beauties white am with his coming grief my eyes the short, did the same to following that dissipated nation, the loved. This may be, t is former height, to kill those feathers and petalled who can paint or wrong; an active art?

Stanza XL

Dubbed knight her large black wires grow very side, but’s scratch his nation he waged, in the affected all his adulation fired, as he approach, perhaps a hundred miles of Grecian girls, that, of course to wage your hand and put the midnight’s auto reply whose life but my face. Now hear the lines, and day brought. Who passed her fair eyes first time enough for call it stood in life shall I descry such? In disguise, in public wealth it is not for us, nor their chose Saint, mine eyes. He wishes him the artillery’s flame, late schooling still decades off in vain; for thy hard bleak air, and dignity.

Stanza XLI

To me? And the drunken squardon flies. Oft with a Swan. Some transactions that which once had come it listened like a vision Venus keeps her courtesies of love regain, for libertie is gone; no longer your convent’s friend must take his banner rest. She made the charmer sinner. Flower that brings me low, makes me, most of ebony inlaid table and when those love of war. The king, as in the sand; and once inflammation never-changing as for mankind, can’st thou then? Threaten; ah, my sute grant you away. That will not my heart, as the nuptial song: mirth there must wait while storm is overblown.

Stanza XLII

Had sketch your honours skie: who faileth one descending viewed the Maker’s image in the depths of pale-mouth sips: Ay, in the two of us walk out the hill fortune came to pass the weak in seeming armada of promise, during a Navy drill, though I cared for the Turk’s teeth were link’d alike, name but you but you so that signified: the nose of those fools! And shriek for water turbidly ran off, to return’d back again at last agreed among friend, and every look, or heart a league is to pleased; and loops, already not only thing till you leave no devotion, and since these sneers again. As wrecked men deem the prophecy; for yet, my friends and ties, and only spared;—three slim shapes, and make simplicity holds any hope. And you’d like a lion from Head to feign it, when they had charm; and cure bad ails, of wonderful; it is not the entreat one sparkling gems beneath his Teeth.

Stanza XLIII

Nor coldly passe in the millions, think I gave my youth’s proud with arms and his sleeve and black? Our virgin throng which flies had ceased the offence to see where the worst: all were spread a book to a race of Music mute, begins among the sea alone but it much converse. And every petticoat, or an elegant extract much less man of patience, as greatest like the coffee, which o’erleap the year. Is much debate, the magistrate: he loved me,—he noticed, now, your cullion’s hanging face? Then, while he scaped or no, lies hid in darke abstraction, knowing the villagers quickly up, for it.

Stanza XLIV

Ah, my sute granted; yet never stopped. Departing man’s opprest, leaue what perils still, not my feete are things, at last, reversing them. Each without malice with that day; if love call; all must be—my whole weak one’s advocate, the daylight its worthlesse rite, dwarfs and can’t a painters, great seruices may scorned off the true as not one to march on this store: and painting when I was young Eulalie’s the one time, time. Of disappoint the end again I never yet destroyeth. I’ll do my best to advise of his not to thee; since none puts by the curtain and again the Holy Land. I earned so fast!

Stanza XLV

Princes in sleep ye soun’. Before we grow old apace, and to pour down upon a though he loves, and heaven, they might I have eased my bosom swell; all creatures. Her limbs with flowers, answer, glittering among many. Starved the next year all pumpkins! Of his lesson by the beginning, ere one this, since it was none bestow, since nothing like these! May widows of four young birds be calling teare from a nations of the king, as in no face that hunted, hunted, hunted, hunted, things in sheer witness love, thence, sex to their mistress, for I renounce … the mounting quickly: not so much better face.

Stanza XLVI

So much sense and hour alone, another fit, as passionate desired some ruffles of futurity—guessing when I see my love. A monkey, a Dutch shall bow along with an oath, upon reflected lightest wives from remember that I can combing it, from the questions everywhere, as where it was no lack of my youth’s proud with our coverlid of snows, and raw in fields and their lives; for ever to other while laigh descended rabbits, cows with worse: his strong since thy duties grew? He ask’d no further quiver’d safe and described of the worst: all women were, even such disgrace.

Stanza XLVII

The still—It’s art’s declined the world will we have reared, for the unreturning, the evening have you once, this; by man’s wife abhors the destructive art? It has been well suits with all these secured at the first my self, not a fine you see where she leaned her footsteps; and there must burst, or blab, and after you’re dubbed knight, but scorn of fools: reserved to guide philosophers have Mattens seyd, to overcome, perceived the remnant of lanterns, or smite rarely trodden wild, which he had given up the time with my designed with weather answered fully. Wrought that his florid race who only shrink and fiddle.

Stanza XLVIII

And she wist na what the face of friends: the Briton’s, who will not say to you. Race who only shrine of the unbetrayable reply to teenish hunger and a parlous wits, what’s the third, they mean but a bear or buck, he enjoy’d the place. And more than breasts of monk, God wot, tasting back to whom he had given up their faults, but her neck did crawl, and swearing Venus sends of supernatural sympathy: summer live so long; and sticks, bleached by time I also wrote that sweet, O Pan! The fierce tiger’s jaws into a deaf ear,—the same,—and think my lost their tedious absence we goe a Maying.

Stanza XLIX

This shot that answered not in deed, or as rhymes. Of mute insensate thing as on wire, and often rises up to th’ height about him—oh my Camel! I sketch in the milky way apparent; his turban, furl’d in many changing love. Cannot blood to governor and gentle mind to boudoir region. A life was ratified exception at his hell-dogs, and quality seem’d stirr’d with fancy ever new, nor sword between syl-lables! A virtues prove, thyself, when he makes me, most faire-sweete, do not, and fill the like? And ioy there’s Love or Hate now. What thought me Latin in pure waste!

Stanza L

It hangs still, and lik’d; I lik’d but loued not; I lou’d, but would not see your shrine, no grove, thy picture done, have for once more near, touch’d his suit was there needed not meet otherwise,—past wet window for now and got before them when the sun on wood cabins, the truth! The windows, and prayed so have been the parapet just not upon immediately in others all, the spectacle of ours which all Petersburgh is on thy choir, and religion take twenty days, and all the devils, and stupidly admirer take, fine by love’s chronicle, o Dianeme, rather words shall dance now for no offence: doubted forest bows to thee to mee, and left a sonnet; with tall grass after the dearth of Love and something reefs. Praise, that, without all the train as it leave to everything, once to the lies buried, for some things changeable chameleons, spitals of wit. Take me a kiss nor clime, nor hours.

Stanza LI

But love in growth of riper days more attention to admonition from my Maw. Little think’st thou mayst have me young voice! Which range, two green, two almost as much encumbers, or that; god uses us to hell though the manlier one? A belt of straw; had you be. Minister but here your morall not blinded guest and in youth, and a bunch of age, or ugliness, not easily impression thine! Why, soul and here I may handle so! And the woman according that this instance—passion lurks in your faces were the town was enter’d. And nothing which happy in their way, it never knight.

Stanza LII

Presumes no care whom I’ve watch’d by the stairs, she and Southern balm breathes and took his kind. Having fairly dealt by the eight at a short time to please you speak when we shall still to be cool, he fierce an anger spoke, and hide her—the streets eight years the fuel perish’d— his stiff heels so, although he fleecy clouds are the countenances alone, and, joined: three bands are mistress, when lost: at last of all meats, and satiate her solitude of pleasure fills, and each would be dear to walk by night, with equal emulations, because why sullen clouds as thick as these poinsettia meadows of Death’s eternal cold?

Stanza LIII

Silk will draw some strands enmesh your kind is of a virgin bosom was thine, so when I speak of flowers all, Thine age asks ease, and loved, I left the grain entrusted in the suppliant shore, when, after you’re sweet isle, among the gained. Beside her tides, to overlean a fingers crumble fragments on an Indian mats and saw but soon they grew grey, no fashionable madmen raised, and we not shine above, thy heat to let them brought and snow napoleon on his Lips. No nuptial song: mirth there at full of your great father’s feature. To favours have Mattens seyd, the word which range, her body rocking!

Stanza LIV

Misfortune of such as under strange low sobs that nest and passion thine to suffer what woman’s eye, and we are not more attent to brothels of your grief assuaging, I adore that ever drawn from head to be done, away he went up with this unsighing dies but a wonderful replies from all liking, all is done let’s kiss afresh, as when he first the bed to me, the law. Lie. Backwards o’er a wounded ear; she, who puts down and of the human kindness done, since gods he knew she went, for, thought a slight the summertime. And delicacy— stoops at once. In one floating dais before.

Stanza LV

And think that God has willed a still environ is, there, which lets drop his bones, two bits of both th’ Indias of spice and pomegranate nodding o’er dropp’d down behind the rest, her virgin’s bloody mire of the Chicano cats over earth devour hero on his eyes and loves, and hard to miss it, thoughts of love that has not sweet friend? Ah, less—less breast. What fond and put on your body as my true mistresses, but t is so nominated in two partner in your divine; whether boon for its pictured couplements the mind, by flames too fickle, or a gown, and the burden light.

Stanza LVI

Here was no want of my gentlemen kirkward shall forbid me go, but well as say,— paint in white feathered Rhodian beauty’s veil of my youth rise fresh in my lettuce loved the river? To sing, about me the lace, to honour first pretend to your wife, let bee. But knowne worth it, have on display’d, with court and polish’d as a pilgrim wildered in its second time with the winged and there, perhaps good into a tomb! Crystal clear are thine! Tis not to such eyes—but hark! Heard no more; they doe as the mildest manner nor discredit you: zooks, are at stake; but he, more meet were at my spinnin’ wheel.

Stanza LVII

And every visit, Haidee’s cheek, whose country show’d its powers, and they, not by the hour of twilight. And turn his nations;—but although the Turkish trousers furl’d about the female with. For fear the pressed, now cursed their native ladies what hast thou much that’s here? But, like, how we sung to keep him company we pace, and communed with good counsel ordered well, as no might be seen, because well enough strawberries, another job this thine: the terrific: for checker’d as if in act the limpid water on the striped white-thorn neatly enter, Cymon, here already sent before the sun.

Stanza LVIII

All pretty sure in that the world one warfare upon the second at their mellow store. Nobody sent before, the Cretans own their smell into a sad slave, and shrugg’d— and twinkle in the same blow which choked in the other than my fortune came to the alphabet, Logos appealing my people going by consent before me at this mutual kiss: I promise is fulfilled, distrust she saw Menalcas come square again; and she’ll adore my selfe doth lurk and swept o’er, the bold who really durst put to see and Juan caught began to make the fierce bubbles of flowers all she looked more.

Stanza LIX

Pleasure from self-defence; stout once a whole weak one’s advocate, the vaulted roof, the streets, like little space are lost and die. To me had swept, and their own with a rustic sound, and besides enjoy their anchored in ashes lay, was happy hours and argued with violent their arms, I calmly held-out hurdles of our day are wakened, a memory of the seas, and active hermit’s carnal part of trifling pride doth not knowing what he said, you push and good ready upon my winding sheen of arms in the acting of elves, so captiues to hit, for thy perjurious odor, to which in our graven stones glaze in moss; everything, in their hearts her anger shared the sight danc’d by the fond believes he’s poor. Blows eight loved and by their breast. Shapeless the wood, rooted where thou laugh’st, I’ll sighing did not cross sees only mould; so beautiful, and hers the immediate death wounds to fruitful pains!

Stanza LX

She shall soon be made. In pursuit of the General noise of his were black-eyed virgin bosom and thing, in the other chords; Where but in good men like an ass, he went, for fear, so make the Night, he makes many fingers on thy wife, of forty winter’s at the same small finish’d out, if you’d never kiss they are grief and lantern—for the sad faced unto my fancied sight but, till the flags of things with flowers. When she obeys; let fops or for pay. So keen her faced both bomb and ball. As a shipwrecked men—good! For God’s sake, just the mark, the praise the limb which ever trembling heart the out the soul!

Stanza LXI

The sequoia swallow jinkin’ round rippled by Arseniew, that a mansion of the oar! The mind is filling still. May quarrels last request, with like voices of the pageant and haps me bien, and never find it better too soon made of pleasant Orange- tree; how Vlster likes you made the best regions, gaudy cunning. You pass watched and put on your soft you luld her brow, and my blushing that taught her arms are designed to be free; emprison and so indeed, Mamma, I did not knowing what has been three lives in the beginning, ere one things that sate upon thy sour leisure; but as the moon dropped, and leave thus defied; whereas the shades off in thy smoke it ends, the Cynthia of this last of nature is fancy ever new, nor sword that brought up to bless your name a person shin’d so clear rime, infrangible and felt the fictitious shout of half-stripped grape bunch he defies, but was it?

Stanza LXII

Did all her death bugs me as stubborn valour never notion of truth slip. And shall be the luring words are but made the flag stuck faster than not tell, but infamy and villanage are the Moslem orphan went ever since. Dying in his sharpen’d from behind; but as ill with Samian and Joy, whose ever to her doating spark, sighs for a constant louers. Their same momentary Sweet! He was a man of straw and common in the reeds by their crimes: or if they conqueror—a match for which enchanted slope in the wall, while laigh descending bayonets met the Prince at this page to live.

Stanza LXIII

Unto the Duke of Wellington had with his own mouth, twas refection beares, so to raise to say: I laid her Face beneath that fair face though thou after the fanning wind upon his way, whose acts and so all’s come forth, like all us colored boys. Began to lay on the way that they seem a fault? Sorrow must thy praise bestowed; they gave you none. And passion have him all at one time shall be the skies, and then am I, when lost: at last he made him at the altar- piece they fell, plucking they conquer, went aboard. By swamping one who would bear your convent’s friend, but to prove no bounds: and last.

Stanza LXIV

Was, that they are; yet three weeks shut within the sun himself for pay or politics, and by chance, or smallpox, above the front of you says yes including through cloth’d its utmost pitch ’mongst his guessing at his hour the seconded just en years together likes more than afraid of the finest that to say that to say, with the shore; then alow; nor wants although Ireland’s present such scenes—though neuer more plunder in the heroic bosom or her breast. As great progenitors adapted to take a Helen. Tis but to my house betwixt king call the flag stuck faster than my barren bride.

Stanza LXV

He shatters his locks, the loss, war, pestilence, and stupidly admired, his mien he fashion now had been; therefore abhorred. And read a book together under that pleased; and rich. And in a flowers above, much more than like a vine, which wakes thousands of dying; to find, as warm leaden sheet. Could you help me! To do our country’s customer: his let us goe, while she wants and truth, that I am gone, the prize you gave a score of tortoise-shell or ill—without any danger spoke, the less can I forge the live to mee, and soul at all? But it much command; for crimes are smooth pebbles.

Stanza LXVI

In secret of the envenomed dart, a tickling passion gratifying hold, the news; the teeth from the rival bark directly steered, when your praise, I thank’d her bosoms but to die, and epic, and I will never dreaming. It’s nature stood, and set it, that everywhere. And I close the bell be governor and pain; while the thrones;— but ye—our childhood of Scio’s vine! Scented birk and plain, though he wants and fortitude it gives to pour down rain, when he is in the true gods sigh for sigh and all the plain; a bachelor now and the least nine tenths of passing him on his Heart turn’d a rhyme?

Stanza LXVII

Adoring crowd to Church and sense, I ask? Upon his Bosom with your hearts. But suppose I know how fair; she cast a helpless view: so checking him from the river! Of my heart; tis dangerous. But give for trifles. A band of Chian wine! They could the purest great a score; there, assembly of vowels a voice inside, from various graceful form revolving in a lone is left its meaning looks naught else, none but their rayes to make his whole thinks the name on my face; beauty grown, as my weak voice their play, and would bear your counterbuffed she would not love and sing for this guilt thus faultless, alas!

Stanza LXVIII

No, no, my Deare, let reason in there was not married, but fouler far than your pursuit of themes like to take her I sometimes gaining instead of pines in flesh must for gathered Rhodian youth, and more am I deified. While Fates permitted, not quite clear are finish my death by former ties, while Juan is sent of thy great a genius,— when a titter like the Muses, on your passion makes the first, our counted countenances along the offender, and laughters sometimes a piece of comfort of dead and sleep were sadly shaken by thy humane discover if it ended in tears.

Stanza LXIX

Your kisses to our men, at least some one Morning did survey the first, there be, as the miller does not spoke—why isn’t like out of the world, you say, knowing the fool, confirmed and dances soft: and, with ears made the garden and wooden—I come, let’s goe a Maying. ’ For show precedence upon the old Law did save, nor Loves Crowne, all over the poor dry empty of wit, admitted through the hours and quarrel shall for death, if she rules; charms have spokes of silks were starry air of midnight she walker upon immediate fruitfulnesse, as where your heart, seeming; thy shrine, the enlivener of me.

Stanza LXX

’ The people going; but only cruell words are thee farther hand; her chemise—neath which echoes sound! I scorn of noble heart’s-ease turn’d into our subject of death most lucky, of the day assigned; so passive weapons such true breeding of the close in your hat, the little heart unclosed in a shiver of light, and muskets flung the wrong. Too well-guided were chiding, hath cheered: O Rhodian friends or France, changing, still he chosen friends, like the thief, although trusty staff. And to thee, and by I shall set me down they give no more than the starres, thy sins enclose! And took her wake no waters down.

Stanza LXXI

As the solstice thunder, and used not much loyalties’ expense, the first, nor shall forgot to hold the Forty Morning in a way you loved the foes: for valour was conqueror—a match for I command; all must be a wave you are come too drowsily, and thrust full sight of those experienced few; and loose hair and geography; their better mind, what we love affairs is quite refreshing, ’ in the beds of you triumph’s straight my hire: my promised your warm wet mouth, I look at their charms. A mother, who was gaping snakes of these crosses for each passion, but t would lend I am poor blisse.

Stanza LXXII

Which, if possible, ’ said he, these hurts. More sober smile, And when you dependant? One large, like variegated tulips, show, with polish’d me a bouquet in my head, which you I should e’er grows, sighing cry, a female kind, the different blows; then staine thou, poor Son of Salt, and at the stream thou—and fro, and soul at once against the forest! Upon the bridges, archaisms, who just like what, if given us in their nurses. My scythe, does cut each stroke of all her rave, now moved with coming thy name blessing him on his innocent diversion. I seek no copy now of life. That happens, both good a word, droppings of dyers. To make it wholly granted is, I feele my brains; and having no custom, but incessant. To lay some stooping; and I would strangle with his own. Comparison had ceased to the all-white eye turn’d a rhyme? And I will longer yours than you scarce could nor can pursuit.

Stanza LXXIII

Which all Petersburgh is on thy spleen on? Unless I tell what we most tremendous worms, that, Virtue she finds me now and thee farther aided thus taken, stay here; but point it at my saints and strong to be terrible bellowing echoes sound! Had we kept my word, or their hero’s harp, the river, the one I love the flowers, and in effect of sublimest exultation— bear it to the next day; if love doth lively figur’d, as no might have waked her, and redly ran off, to return employ all arts to tears. Reply whose hopes Or if they could survey; just likeness, Cloe.

Stanza LXXIV

She took growling, prayers after one warm bout are broke before his Bond: and yet the other sex is for thy finger, and on the night dispatch in pure madrigals. Among the good gold refined: so Cymon was then go, see something of antipathy, as t were, over-loving, lawful, and greater part of meaning of the finest thing: so when others, saintliness of her mind, my feete are these to great son to my father and tell me, and the same way, and they turn into a chamber faire strength beguiled by his apt word might before to do our counted smile he storm is overblown.

Stanza LXXV

History mentions, who bear veil’d, yet the father with the restless Titan hiccup or to be kiss’d her, who had set things, in face of birth required, above the reader! I choose you rise? When models of all wealth, or wave, or though he censures an epic from Bob Southey, and of wurst the large, frosty air will I dress with truth is, ’ says one, he seldom he varied features broke away, ere mortals anywhere; a witch, I say, alas! And bodies, felt glad; but only fate, deigned the woods made, accosted thus evince his sympathy: summer wind, compassion woman but wanton maids young man!

Stanza LXXVI

Cupid is winged and I will give right; the swift hazard of the woods in vain on wit’s devil’s den; but then, like or the Blooming years bungle past the petty done, sir, she stopp’d for day;—yet for comely ancestors, who ruled therefore making might enhance, tossing their glories shine against the princes, I, as fasten or deflect this can tell: thy frown their landing done, and to thy growth of ripeness. Jolly night, be ready gaping with heavens fall in love. When fee’d ill, he lied with its lamenting names and ocean rivers. Sweet brood; pluck the keen teeth stuck on a heau’nly blisse, long state recouers.

Stanza LXXVII

These wild Boreas’ harshness; thou and meal, robert Burns: leeze me on my rock and play the peach, death he desire, when we say, watching the main spreads her throat, in pure madrigal, unto his memory—and two or three parts which is my life by Archdeacon Coxe. And brought to lose, the Salt I have been the weak one’s advocate, their face that cover, and I sigh. To make cloud; hear’st that which he became a Seventh a Moon—there he was such a height of dread Jove think each other’s right. And hereupon their delight have dreamed of wreathe again, my luve’s like a vision far fluttering doubts if alive.

Stanza LXXVIII

’Er her hearts less? But what a pious people have none, which is my head, alone that sate upon you: beside my death of frolics, an old midwife’s or on them, messing features. As glad the different grenadiers, which from his Ambush, so in my arms and his badge, most cherish’d of sense and common brother’s house falls melodious trees! She shall love the Prior’s niece. The cure, go call the repast, and Mocha’s berry, from Arabia pure, transparent the sceptred terror of the breast he fleecy clouds began to ride, and bear your inborn goodness, in her Hand—and, fall, and in my case?

Stanza LXXIX

Part my plighted alabaster. Green border, richly wrought from his a Wine that the story I am turned him her troth, and here with leaves of mail beneath. And her brow, and spent thee, where branches o’er; and then becomes to outnumber to some eares worse prevail, a storm come in over the second my designed that’s how your body to it, give, where thou hast stay’d still break? Knit the land. Has felt their lives give to see hopes already claime any man who whiff it. I remember: falling like doctors of the country rings in sheer witness of others, if the world’s delights wax dim; and beside!

Stanza LXXX

Beneath hail, or near relations, and communicate to none besides such pow’r before the rape is made the bowl with mortals, yet him shame, the Moslem men threw the end of the garden and forward on those of all come out of you like all other warriors tough—they flash’d the cared to name the same thing’s pretty—I never such precede: the madden’d Turks he met the tides: now with a friend, whom partial faces to die, or corn below them at break off in the world at his will never was like the heighten all at once and girls had all retire, which meet the year. Your breath secure his present, and bloody tyrant o’er itself gave out greeny flowers o’er something moving figures on an Indian mats and conquer, went ashore with mints is dressed, not more abstruse ecstatics meant the same thing. Me and out the foes retreat, whom fortune of Ulysses; not all together, but betters.

Stanza LXXXI

His glimmers therein, thoughts lay stone-still, not mine; it is dark, and wayward round, the regimental soul at all—I never hold, the deep cool bed of the Cavalier, ’ just as embryonic chickens grow too awful; tis but to myself upon parade. In vain to get our strive an aid so opportune as were blown, the king, ’ or sultan, ’ as the fanning wind the good buy! The maids were in October, there was for mercy from you, in whom all mine was only showed my covered bit of sleep I never fails to win who flattery, so I never find than the harmlesse favour at her breast.

Stanza LXXXII

Could you rather because for fire! To warm the first my selfe beleeue that in this poor blisse, long station in digging thousand muskets at heart of human lot with ill-made fire cold Muscouy; if French, that happens everywhere each too has been told I love yourself, by turns a street—why, soul at once adieu, as if by force should tell thy pity by love. The prow, in haughty terms accepted, as the midst, the brides, invade that body go, what it had behaves, and stone shall quickly pick up a mill of the world. Thus, usually, when I am grown, yet has he, like this my silken fillet’s goe a Maying.

Stanza LXXXIII

I avowed at starting is year droop; three bands are meant them not aroynt! And one would have had travellers followers, and remember matins, or, if not like a fiery meteor sunk the bush, singing, still to my vow; the very waters breed or break of blood and they batter’d race, our living that concerned and smoothed, the vaulted roof rebounds. And come away, ere more poor devils of Medici, i’ the hold were call’d on; and, like the same reason scorns? In an apple blossoming peach that giu’st no better; thus is Glory’s a great occasions, why forget. Saints; even if she raves!

Stanza LXXXIV

He light wherein you em; but may they have the deeps—of ocean? Gasoline salesman or two—saint Ambrose, who first her sport a- bed; some warm white thorn, he bids his way; him self not free, and his name up, as a rose in the fanning wings, the red flock, than for his patience, apt to their tongue and plunder, and naught. Till overborne with my fate I know not how; for souls, like a lion from fiction of truth allied, courage passed with me than all the features of Hell brake out of the South that white am with such vngratefull, who had felt that best for his hour and redly ran, and after pay the breast!

Stanza LXXXV

Though there rang on apace, and, clinging as pliable as Pindar? Partner in your breast. That was showers, and o’er him, snatch where love maintain. The Turks their own with cypress branches the least we get our stars through black where he was a woman is at her piratical papa was cruising. As a ship well manners bland; yet still outright; poor than hate’s known the angels, palms, and quietly as blow for now and got before the figures also, we went upon immediately in others of the Lady. And ready sent did all her rave, in heaven and hereupon her bloom in Mrs.

Stanza LXXXVI

Unto the people to careen; so that spot of chalk, and howl’d for blow, dispute. Themselves re-form’d their devotion; but told of the huntsman of Kentucky, was upward became wedded to overslide, or be so stunn’d and scattering in the rear, with ears made a Queen: the same think’st by hovering the old grave duly. Gave us being awkward questions busy without I leaue to this shadow and thoughts will consume my heart broke my heart has not find its king, a subject—let me go; must I be of the worth could his rage to live on may form an apology for thy fault that bred it.

Stanza LXXXVII

Nor left us by the inveterate foe—he hew’d away, like any of the sounds: you should you live you none. It please to duct tape the villagers quickly the death- moth be but Turkish hordes, war’s merit first infuse or wit, has to lug me out. Love never raise him from a hand, and pinions too; fluttering and obedient is engender’d on this the black air under strangle with. In our pretty you can’t interpreter a sigh behind his the foremost, of gold, like or they made a string, in lordly lighter from whence with venom fraught, to take the alphabet; and this stranger.

Stanza LXXXVIII

And each doth good manner’d man toss’d overboard unsaleable being old; the raven- glossy hair, and reasoning with my weak should be like allay’d, with fixed thought, oft in darke, where grew again. Those paths so dear to you, and I should that kiss afresh— Desire double heroic bosom rose; the serpent’s head! By forced to skim the greater part; if then you talk of love exhibits stranger, never, never, never do— tis strain display the van. Late school boys and let the next in rank shall not mine; it is to the Frankenstein! I was a true woman with too much a chintz exceeds mohair.

Stanza LXXXIX

); Like Dian and feel you are fairly gained. Thing so true as any manner which he could say. Severe chilled and I sit a Bird accurst upon them, but with the deed, but there was not one, or Haire: the Sunne: and so, admitted in the very Botany Bay in more than to move, who paint a piece of sun on wood cabins, the tame flower, I come, let bee. Whilst skies are nothing in my face. At worse fault, but fighting the burning tears, and exorcise the fault was mine’— why am I sitting sun, the sceptred terror of whose livery ye wear, play ye at him, and make the hour to my face.

Stanza XC

Her comely limbs with care, and these Eyes now to blame all that looked through the whole ranks: however this flattery on the grace not due to the fair ones, and duties be, beauties white lesions settle yet Gibson demolished. Hushed wife, to you by a sketch your happy he whose fair though it be as we now gaze upon the same blow left little, merely staying in the raucous bed or even lonely, smooth’d the cheered, and I’ve dark lintels, the luckiest sinner; lambro’s visage fell—and o’er the ethereal plain, joining my first is sent off with thou shalt taste of sweet, sweetness of her advice.

Stanza XCI

Truth of frolics, an old age in the taste refin’d, th’ address, the graces on the short, the wall; but denied, ran for sweetness, memory to which for the Bliss that the distant shore make not yet used for shades of posting o’er dropp’d down I went. Love, like a boy starve, great eyes caught him shame, like Straw, died his young Livonian. Saw two fair ordain, he put the polish all injustice but they know that whist owes to Hoyle: the first half: leave here and petalled word the harmless damage than spite, invade that In no times would tell the clime, nor leaves the slant of life, the more, I shall together down, sir.

Stanza XCII

I remember the main spreads her friends, by heav’n, when I tune myself a slave to seize his face. Firing, idle toys, amid their bonds which shook till now unto the withered oak she laid her head, and made an inclined, but all your passion woman’s fame: with fear in my recollections all the fair. Paid, but for all thou knowest these rhymes. Yet on plain truth, that does it matters talk in vain, no silver-white. For the fair hair rose the priestly race. A king who buys and girls had all red with me as with as fierce tiger’s jaws, and the tides—the little think’st thou the wife and right for love for peace—alas!

Stanza XCIII

Made impotent by its own steps aright. With vowed revenge his real thought to owe, insolvent every little month, your love, who need of art. Your kind is only warmth, which they were all the bed to me. And buried, for some kindnesse kils delight and, on the morn when, nak’d Boy, thou for me! Myself will think of eternity without much the heaven send their gloriously. Which under his sorrow? Why did not run away. And saffron too well the year; one day was breaking the great as Ariosto. Full sighing cry: every fair will be. With no stroke between his cap and her eldest daughter.

Stanza XCIV

He enter’d. Fire and plighted vows fleeting plan; for the show’d good ready sheltered Cymon led heroes, which attire: his strangle this world’s fresh than prose I bend my heart? The rest might wring, description of his ardent lovers’ hands. Just now; he was a man— the moon dropped. Esteem me, and Locks pickt, yet w’are not yet used for fifty thousand tropics in an apple blossom. ’ Round stone; o rivers, toothpicks, teapot, tray, a ruin, underpropp’d, am I. Would pierces through the weak race of flesh, you’ll find they will never fail’d—so that was stealing dominoes like moonlight of dread of this large and faint.

Stanza XCV

So, boy, yourself’s deceased, dissembled soon, with deluging stops to a woman. My soule and little hearts abhor—in cities new, as the sad, sour, sober light about her sight of my arms thy lookes sturre, runs vp and down at leisure formed the Pile; and noun, on the figurehead wit golden lights increse with wrong; an active diligence prevent our man of straw and cattle were one has seen God, who taxeth me. The candle in her jungle raging is dreadful to offer his sort of mine shall bow along with his flights increse with damask’d, red and her nymphs, when he learned pulled a face!

Stanza XCVI

—And wince, and ocean rivers mingling mutual gain sweet is the mass were only left to face was granted but dropsies, taken, but now, if you please; with too much they dear, not worthy of commemoration: the questions without malice: if he knew not whom they’llnever fails to withstood twinkling she would wish in the learning. Had scarr’d her quivering the savage than spite, so that rich carcanet; about me the Medici, i’ the fragrant maid, be you might hath bene mine eye and knocking at her piratical papa was cruising. Demand; here taketh end by love, where his face.

Stanza XCVII

Inversion, the Vates irritable laws: both parties just now; he was small minutes after meeting as pliable from spot of thy praising him, for lady’s wrist too much, and Caesarean fortress still, my dear. All bath’d in a fond embrace me zones and let the year, in the highest but those flowers, bedew’d his sleeve and brake an ignis fatuus; ’ or as sailors tried me with the dragon-fly had reach’d itself out, a love exalts the paraphrase seem with you in a string, midst the river. Being too epic, if plain truth committeth. Whom taken up a life for each redeem a bride.

Stanza XCVIII

After a time, you are only saw the bloody sword nor sorrow or joy? That flow’d o’er his spheres, See how the flock; the odds and even that what a curse! Nor jealous that what strains the cup to her soil; the land unknown destructive art in moral geography. The braw lass made the rack, or dungeons lift of swimmers rich, a quiet scene; the latter place. That with repining at a very hour gave the sun himself with temperate into a deaf ear,—all the time, time. There, and cheerfulnesse, and such things turn him out d’ye say? It was no might I have; then, like pitch or rosin, flame was Grose.

Stanza XCIX

To bear; why warbling bird the devil’s-game! I saw it—put the might for longer lockt in her amidst such a nag on, and now thy course to walk here., He lay there’s not a flowers, from waiting, Oh. How Vlster likes you so sore? What does it matter now? At least in the Proclamation of their pleasure night came to ill their oars, and no great wink of this guilty hand! And open fields, and house, trash, such fine continue her Ambrosian pathos grew like cedars round him with his life was one by a warble than you, now, as whom nakd the Teian muse, as not too long delays her faced unto my heart.

Stanza C

What not have learn ten minutes after all, though rarely guess, yet still water? To rest, had soil’d the laughed free, starved, feasted, turns green leaves tipped with pity: even as brightest! Now, is the great joys, Civilisation on such doom may befallen or may befallen some person used to the field and body have no Characters at all: but flank’d by five brave Tartar. Which the shortest letters are what fatigues the life! Bravest, when running wind and something nation he waged, in the generous, delicately o’er with better, who laugh, to welcome her awake, she walks, treads on their first bridal hours have shut down to a chamber went wi’ speed; but fighting they might erasing sounds: you should, thought disparaged to feign it, when peace had been ordain, he put in bail for his way, pieced out for half a beast for show precede: the topic’s tenderness? Was the first day when I presses; all walls of sin.

Stanza CI

A brooklet, scarce espied: mid hush’d, and say short supply. Although Ireland’s present A deale thought to be! Light with the goddess when waste, he people of a day. Sweet, all men hard by the sea, dragging sails and felt their career of carnage, like the great god Pan! He there in our graves has been clear to never noticed you I never have taken, mends ouerpasse, if I but stars shine; but, his grave of though doubtless song, were almost hear a linnet, as soon eclipsed as a vapours, or so much gold from her Lippo, by you: your love; or if he had addresses you were left, where the earth, in Paradise.

#poetry #automatically generated text #Patrick Mooney #Markov chains #Markov chain length: 7 #177 texts #sonnet sequence

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