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Friend & Lover- Reach Out of the Darkness (Folk Pop, Sunshine Pop, Psychedelic Pop) Released: August 1968 [Verve Forecast] Producer(s): Buddy Buie, Joe South, Bill Lowery
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#folk pop#sunshine pop#psychedelic pop#60s#1968#Friend & Lover#Jim & Cathy#Verve Forecast#Verve#Buddy Buie#Joe South#Bill Lowery
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Pantone’s Color of the Year for 2024 'Peach Fuzz'
The gentle, pinkish-orange hue was chosen to reflect a collective desire for respite
A soft, pinkish-orange hue called “Peach Fuzz” is Pantone’s pick for the 2024 color of the year, the company announced last week.
Officially called “Pantone 13-1023 Peach Fuzz,” the color is “velvety,” “gentle” and “subtly sensual,” according to the design and color authority.
Pantone is best known for its color-matching system, created in the 1960s, that numbers and organizes hues with a distinct chip format. The company also runs the Pantone Color Institute, which selects the color of the year and conducts color trend forecasting research.
This year’s choice “echoes our innate yearning for closeness and connection,” says Leatrice Eiseman, executive director of the Pantone Color Institute, in a statement.
“We chose a color radiant with warmth and modern elegance,” she adds. “A shade that resonates with compassion, offers a tactile embrace and effortlessly bridges the youthful with the timeless.”
Peach Fuzz is Pantone’s 25th color of the year. The annual announcements began in 1999 to “engage the design community and color enthusiasts around the world in a conversation around color,” per a statement from Laurie Pressman, the Pantone Color Institute’s vice president.
Every year, a team of color experts examines movies, art, fashion, design, travel destinations, technologies and more to figure out which colors are influencing the world in the current moment. They also use forecasting tools, color psychology research and other sources to predict upcoming trends. From all that research, they narrow down the options to just one color that they feel sets the tone for the year ahead.
Peach Fuzz is less bold than last year’s choice, a bright, pink-red shade called “Viva Magenta.” But the world felt different in 2023, when Pantone “celebrated coming out of the malaise of the last year,” as Eiseman tells CNN’s Leah Dolan. Viva Magenta was intended to evoke verve, power and grace as the world emerged from the pandemic and continued to grapple with social unrest, as NPR’s Rachel Treisman wrote last year.
Heading into 2024, however, Peach Fuzz “arrives at a dark time amid a tumultuous war and a tense election year,” as Angelica Villa writes for ARTnews. The more muted hue is meant to reflect the “need for some quiet, some peace, some respite,” Eiseman tells CNN.
Where will Peach Fuzz show up in 2024? Rugs, wallpaper, fabric, makeup, tea and more—which are all examples of products released in conjunction with Pantone’s announcement. The color is already showing up in fashion, with celebrities like Taylor Swift and the Rock wearing Peach Fuzz to various events, notes USA Today’s Emily DeLetter.
“It feels like another rediscovered neutral that’s meant to seep its way into every surface of our lives,” said Jeremy Allen, the art director for the New York Times Styles Desk, in a conversation with colleagues.
By Sarah Kuta.
#Peach Fuzz#Pantone 13-1023 Peach Fuzz#Pantone’s Color of the Year for 2024 'Peach Fuzz'#Pantone’s 25th color of the year#Pantone Color Institute#color#colorful#style#design#art#artist#art work#art world#art news#pink#pretty in pink
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Richie Havens - Handsome Johnny (1966) Richie Havens / Louis Gossett Jr. from: "Mixed Bag" (LP) “Handsome Johnny” / “Sandy” (Single)
Contemporary Folk | Protest Song | Anti-War
JukeHostUK (left click = play) (320kbps)
Personnel: Richie Havens: Vocals / Guitar Howard Collins: Guitar Paul Harris : Keyboards Harvey Brooks: Bass Bill LaVorgna: Drums
Produced by John Court
Recorded: @ RKO Sound Studios in New York City, New York USA on September 20, 1966
Album Released: December, 1966 Verve Folkways Records Verve Forecast Records (1967) MGM Records (1970) Polydor Records (1993)
Single Released: on August 28, 1970 Verve Forecast Records (UK) MGM Records Records (US)
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Louis Gossett Jr. May 27, 1936 – March 29, 2024
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CD compilation "(Listen To Me) Buddy Holly" (2011, Verve Forecast) includes Ringo Starr's 2012 version of "Think It Over", on which my father plays bass.
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Richie Havens - Handsome Johnny (1966) Richie Havens / Louis Gossett Jr. from: "Mixed Bag" (LP) “Handsome Johnny” / “Sandy” (Single)
Contemporary Folk | Protest Song | Anti-War
JukeHostUK (left click = play) (320kbps)
Personnel: Richie Havens: Vocals / Guitar Howard Collins: Guitar Paul Harris : Keyboards Harvey Brooks: Bass Bill LaVorgna: Drums
Produced by John Court
Recorded: @ RKO Sound Studios (?) in New York City, New York USA on September 20, 1966
Album Released: December, 1966
Verve Folkways Records
Verve Forecast Records (1967) MGM Records (1970) Polydor Records (1993)
Single Released: on August 28, 1970
Verve Forecast Records (UK) MGM Records Records (US)
#Richie Havens#Handsome Johnny#Louis Gossett Jr.#Protest Song#Verve Folkways#Mixed Bag#Folk#Contemporary Folk#1960's#1966#Anti-War#The Sixties
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Friend & Lover, Reach Out of the Darkness released 1968 on Verve Forecast. Art Direction by Dick Smith. Photography by Jim Valentine.
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Katherine est née le 25 mars 1984 à Los Angeles
Elle a commencé à chanter à l'âge de deux ans et sa mère Patricia Birch McPhee (nom de scène - Peisha Arten), coach vocal et véritable chanteuse de cabaret, a remarqué le talent musical de sa fille et a décidé d'étudier avec elle.
Le 2 février 2005, elle épouse Nick Kokas.
Nick Kokas et ses parents l'ont convaincue de participer à l'émission American Idol. Elle a été auditionnée à San Francisco avec la chanson "God Bless the Child" (Billie Holiday). Le vote final en mai 2006 a montré que Katharine McPhee n'a pas reçu la majorité des voix et Taylor Hicks est devenu le nouvel American Idol.
La chanteuse a interprété son premier single "Somewhere Over the Rainbow/My Destiny" le 27 juin 2006.
Katherine a tourné avec le ténor italien Andrea Bocelli. Ils ont joué avec les duos "Somos Novios" et "The Prayer" dans trois de ses tournées américaines du 9 au 11 juin 2006.
En 2008, le premier long métrage avec la participation de Katherine est sorti - Tha House Bunny (au box-office russe - "The Boys Like It")
Katherine est également retournée au studio d'enregistrement, à la suite de quoi son deuxième album est apparu, et le premier sur le label Verve Forecast - Unbroken, sur lequel Kat a co-écrit les titres 6. Trois singles sont sortis de l'album - Had It All, Terrifié et dire au revoir.
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The Menace's Attic #834
The Menace’s Attic Mon-Sat 5pm EST bombshellradio.com on Bombshell Radio Sunday’s 8pm EST New Shows Wednesday’s 1pm-2pm EST 10am-11am PDT 6pm-7pm BST bombshellradio.com Repeats Friday 5pm EST #classics #pop #rock #classicrock #themenacesattic #BombshellRadio This Week – Episode #834 (02/24/2018) "Even Though We Limit This Show To Six Decades Of Rock and Roll By Theme, There's Always Something New On The 7" Edition!" Opening Song Hey St Peter (Short Version) Flash & The Pan (Midland International) Set #1 Imagine You Come Upon An Original Reprise Copy Of An Iconic Kinks Song, And You Think, How Good Can It Sound? And Well, It Does! Sunny Afternoon - The Kinks (Reprise) I Guess The Lord Must Be In NYC - Nilsson (RCA Victor) Gotta Have More Love - Clima Blues Band (Warner Bros.) Set #2 When You Come Upon An Original DJ Copy Of A 45, You Know It's Going To Sound Better Than The Millionth Pressing, If indeed it Gets One. Society's Child - Janis Ian (Verve Forecast) Talk Of The Town - The Pretenders (Real) Spelllbound - Rachel Sweet (Stiff) I Can't Stand The Rain - Ann Peebles (Motown) Set #3 The Thing About The Beatles Is That They Sound Equally Good Remastered, Or How I First Heard These Songs On The Scratchy Parlophone Singles! I Saw her Standing There - The Beatles (Parlophone Norway) Starry Eyes - The Records (Virgin) My Maria - B.W.Stevenson (RCA Victor) If I Feel - The Beatles (Parlonphone Norway) Set #4 Speaking From Experience It Takes A Lot More Than Sex And Candy, To Make A Marriage Work. In Fact, When The Whole Thing Falls Apart All You're Left With Is A Dizzying Array Of Wimpy Divorce Songs! London Calling - The Clash (Epic) Baby Come Back - The Equals (RCA Victor) Doo Doo Doo Heartbreaker - The Rolling Stones (Rolling Stone) Closing Song It's The End Of The World As We Know It - R.E.M. (I.R.S.) Read the full article
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Richard Pierce “Richie” Havens (January 21, 1941 – April 22, 2013) was a singer-songwriter and guitarist. His music had elements of folk, soul, and r&b. He was a talented guitarist with a precise and technical way of playing. He often stopped in the middle of a song to tune his guitar. He would often play soulful covers of pop and folk songs. He covered various Beatles songs. Havens opened at the 1969 Woodstock Festival with a memorable performance. Havens’ material varied from political to light folk songs. He began his career singing doo-wop on the corner of his neighborhood of Bedford-Stuyvesant in Brooklyn and sang gospel in a church. At 20, he moved to Greenwich Village and performed spoken word poetry a lived as a beatnik. After two years there, he picked up a guitar and played in various folk circles around the Village. He was signed to Bob Dylan’s manager, Albert Grossman, and got a record deal with inciting the Verve Forecast record label. He released Mixed Bag in late 1966 and had several classic hits for Haven, including “ Handsome Johnny,” co-written by actor Lou Gossett Jr. and a cover of Bob Dylan’s “ Just Like A Woman. Havens may have covered several songs, but take made it seem like they were their own. He released five more albums that ranked high on the Billboard charts. He was soon able to start his record label and tour more festivals. Havens received various awards and had and contributed music to multiple projects. He was a folk tabor that left a legacy influencing and inspiring artists today.
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Eric Gale – Forecast
One of the most successful albums ever from guitarist Eric Gale – a laidback understated player whose mellow sound had a tremendous influence on mainstream jazz funk in the 70s! The album takes off from the late 60s CTI and Verve sessions by Wes Montgomery – and features Gale riffing out chromatically over tightly woven arrangements by Bob James, who also plays keyboards on the set. There’s no standout funky numbers on the record, but it’s got a great conception overall – with lots of dreamy grooves that sound very nice! (Dusty Groove).
Eric Gale - guitar Bob James - keyboards Pepper Adams - baritone saxophone Bill Salter - bass George Ricci, Seymour Barab - cello Idris Muhammad - drums Hubert Laws - flute Ralph MacDonald - percussion Jerry Dodgion – tenor & alto saxophones George Marge – tenor saxophone, flute Alan Ralph, Garnett Brown, Tony Studd – trombone
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Tim Hardin- Tim Hardin 1 (Singer-Songwriter, Contemporary Folk, Folk Rock) Released: July 1966 [Verve Forecast] Producer(s): Erik Jacobsen
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Feature LP / John Fogerty - The Blue Ridge Rangers Rides Again (2009) / August 27, 2024 / 6pm ET
The Blue Ridge Rangers Rides Again is the eighth solo studio album by American roots rock singer-songwriter and guitarist John Fogerty, first released on September 1, 2009, on Fogerty’s own label, Fortunate Son Records and distributed by Verve Forecast Records. The apparent grammatical error in the title of the album (the verb should be conjugated ‘ride,’ not ‘rides’) is a play on the fact that…
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Arthur Lee Porter Jr. (August 3, 1961 – November 23, 1996) was a jazz saxophonist. He was the son of jazz musician Art Porter Sr. and the namesake of “The Art Porter Bill”.
He was born in Little Rock. He joined his father’s band (The Art Porter Trio) as a drummer at the age of 9 and played with them into his teen years. He was drawn to the saxophone, after noticing its melodic abilities, and began to play it during shows with his father’s group. He is a graduate of Parkview Arts and Science Magnet High School in Little Rock, where he played in the marching and jazz bands. When he turned 16, he began to be barred from clubs because he was under 21. He was arrested and charged with working underage in a nightclub serving alcoholic beverages. Then Arkansas Attorney General, and future President of the United States Bill Clinton, who was a saxophonist, intervened to get the charges dropped and pushed for the law to be changed to allow underage musicians to appear in adult facilities as long as their legal guardians accompanied them. This law became known as “The Art Porter Bill”.
He attended Berklee College of Music and Northeastern Illinois University where he studied music, earning a BA in Arts in the latter. He attended Roosevelt University, where he would earn his MA. He studied piano under Ellis Marsalis, a former saxophonist himself.
He moved to Chicago and studied tenor saxophone with Von Freeman and performed with Pharoah Sanders and Jack McDuff. He developed an interest in R&B and hip-hop and merged elements of these into his performances. He signed with Verve Forecast Records and PolyGram and produced several albums, beginning in the summer of 1992 with Pocket City, followed by Straight to the Point, Undercover, and finally Lay Your Hands on Me. He and his father performed for President Clinton during his 1993 inauguration, playing Amazing Grace at a prayer breakfast. #africanhistory365 #africanexcellence
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SARAH KINSLEY UNVEILS NEW SONG “REALMS” + LYRIC VIDEO
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The Paupers were a Canadian psychedelic rock band from Toronto, Ontario, who recorded between 1965 and 1968. They released two albums for Verve Forecast Records and appeared at the Monterey International Pop Festival.
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From Runway to Real Life: Navigating the Ever-Evolving World of Fashion
In the fast-paced realm of fashion, trends come and go, but style endures. From the catwalks of Paris to the streets of New York City, the world of fashion is a dynamic landscape where creativity knows no bounds. Join us as we explore the journey from runway to real life, navigating the ever-evolving world of fashion.
The Power of Inspiration: Behind every iconic fashion moment lies a spark of inspiration. Whether it's a vibrant street style look spotted during Fashion Week or a timeless classic reimagined for the modern era, inspiration can be found everywhere. Fashion designers draw from a myriad of influences, from art and architecture to music and culture, to create collections that captivate and inspire.
Trend Forecasting: Decoding the Future of Fashion: Trend forecasting is the crystal ball of the fashion industry, predicting the next big thing before it hits the mainstream. Fashion analysts meticulously study consumer behavior, cultural shifts, and emerging technologies to anticipate future trends and translate them into wearable styles. From color palettes and fabric choices to silhouettes and patterns, trend forecasting shapes the direction of fashion seasons in advance.
Breaking Boundaries: Diversity and Inclusivity in Fashion: In recent years, the fashion industry has made significant strides towards embracing diversity and inclusivity. From size-inclusive collections to gender-neutral clothing lines, designers are challenging traditional norms and celebrating the beauty of individuality. Fashion has become a platform for self-expression and empowerment, where every body type, ethnicity, and identity is represented and celebrated.
Sustainable Fashion: Redefining Style with Conscious Choices: Ethical sourcing As environmental concerns take center stage, the fashion industry is undergoing a paradigm shift towards sustainability. From eco-friendly materials and ethical sourcing practices to zero-waste design techniques and circular fashion models, brands are redefining style with conscious choices. Sustainable fashion isn't just a trend; it's a movement towards a more ethical and environmentally responsible future.
The Rise of Streetwear: Blurring the Lines Between High Fashion and Everyday Style: Casual chic Streetwear has transcended its urban roots to become a dominant force in the world of fashion. What began as a subculture has evolved into a global phenomenon, blurring the lines between high fashion and everyday style. Streetwear staples like hoodies, sneakers, and graphic tees have found their way onto the runways of top designers, influencing mainstream fashion with their casual yet stylish aesthetic.
In conclusion, the world of fashion is a vibrant tapestry of creativity, innovation, and self-expression. From trend forecasting and diversity to sustainability and streetwear, fashion continues to evolve, reflecting the ever-changing landscape of society. As we navigate the journey from runway to real life, let us embrace the power of fashion to inspire, empower, and unite us all.
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