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anxiety-trademark · 4 years ago

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The week in review:

Raw 09/21 NXT 09/23 NXT UK 09/24 Smackdown 09/25 Clash of Champions 09/27 + Main Event 09/24

Raw:

Billie’s not wrong. None of these people are wrong. That title has fallen so fucking far since Becky held it, Jesus.

Interesting to see Billie Kay be somewhat (?) supportive of Peyton. Manager?

I implore women to stop using red eyeliner unless you’re trying to look possessed.

Oh at least Mickie’s gonna have her last match with her snazzy pants on.

God that theme music is so outdated.

If there was one person on the roster that could convince me they wrestled in the Diva’s era, it’d be Mickie James.

Beautiful Octopus, dare I say best in the division. Look at those crossed legs. Just beautiful, Zelina.

Man it was cool watching Zelina reverse the powerbomb attempt into a rollup, but Mickie couldn’t be bothered to get her shoulders down for a 2 count before the reversal. Shame.

Zelina needs an increase to her speed to pull off the style she’s going for, but it’s a fun style.

oof I think Mickie actually caught Zelina’s forehead with that high kick.

Seated Senton off the top rope is garbage and I hate it.

Lmfao Zelina won with a backstabber. She’s literally Sasha-lite. Okay.

Word was Bianca was the star of the pc combine, right? So if you wanna showcase her strength, do it against someone I fucking know lmao. Who was this bro? Of course she’s stronger than a nobody in the pc. Friggin Alexa Bliss can effortlessly give piggy back rides to Sheamus. That’s impressive, because I know how strong and big he is. This could’ve been done better is all I’m saying. Maybe do a sitdown interview with her pc peeps hyping her up, or show footage of her blowing everyone in the combine out the park. Idk.

Ruby stop hyping up Nia and Shayna individually, individually they suck lol lesbireal.

So did Ruby just give Liv her shirt? …You know what, it works, I’m not gonna dig into this.

I feel like all women use the same starting moves against Nia and it’s a little tired ngl. They do this headscissors into a standing crucifix hold, and then slide down to try and roll her up. Then she picks them up and headbutts them. Come on peeps.

Mk just throw Lana through another table, she’s as useless in the ring (kf wise) as Liv is on commentary (non-kf wise)

Let me rewind, how did Nattie get taken out this time? A punch again. COOL. Nattie confirmed worst tag partner in the history of the division.

Lmfao rip Lana. Bye.

Wow we just said fuck entrances huh? Ugh God. Imagine Becky not getting an entrance as a damn champion.

So Peyton forgoes jumping for the German suplex, which could’ve resulted in her landing on Asuka’s head, and her reaction is to laugh. Consummate professional. Becky Lynch’s optic cranial nerve injury (caused by a failed German suplex) called, it can’t seem to find the humor.

Idk what that double underhooked move was by Peyton, but it was nice.

What bothers me about Peyton’s spinning heel kick, is as high as she gets it, she only hits people with her calf. Awkward to see.

That attempted transition into the Asuka Lock was... something.

Highlight: Lana going through the table

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NXT:

Did Tegan say “why me” to Candice fucking her knee up with a metal pipe? Somebody get this girl some tissues.

Haha watching Tegan writhe in pain is funny. Candice gets points. And I do not like giving Candice points.

Really appreciate Rhea’s theme after hearing so much generic garbage lately. She’s so done with nxt as a performer, she has passed literally all of them by.

Not to be that person, but seeing so many people in the ring together bothers me. If one person was sick, literally all of them are sick now. It’s just kinda yikes.

Did they forego having a crowd? If so, wise. There’s enough ppl in the ring and at ringside.

Rhea fucking yeeted that girl into the barrier lmaooo.

“...Marina Shafir who’s done some great things on Raw Underground recently,” lmao sure.

The absolute half-assed attempt by that girl to pull herself up before Rhea booted her down to the floor was questionable.

So adding all these random peeps from the pc to this battle royal was done solely to have Raquel and Rhea flex for their feud in 4 months, huh.

Kacy does cool shit, wbk lmao. Gets kicked out, lands on her back, rolls into a handstand, rotates, pulls herself up into the ring using her feet on the ropes; gets kicked out, lands on the side of the guardrail, pulls herself up, uses the plexiglass to help balance herself, jumps onto the stairs; gets kicked out, lands on the side of the guardrail, stands on Kayden’s shoulders and gets chauffeured back to the ring. Brilliant. Would be overkill in a Royal Rumble, but it works here.

R&R eliminate each other/themselves together. Fitting. Dakota “help me I’m useless on my own” Kai is shook.

Why is Indi in the top 5? Or top 7? How is this girl so damn prestigious??

Kacy really just slung herself around the ringpost. I’m becoming a fan of her antics/performances in multiwomen matches.

I see Shotzi’s character is, “I come so close yet cannot manage to touch the gold.” I feel for her... cuz I can’t stand Candice.

Boooo

I love how Io carries herself. She’s a shining example of not allowing her heritage to hold her back or make her feel unimportant. She responds in Japanese, and without missing a beat, translates in perfectly spoken and quick English. Never dances, never smiles, never looks like a chump. Serious and answers the damn question. She gets points.

Highlight: Kacy shenanigans

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NXT UK:

Lol I love KLR so much. Just ducks out of the ring the first time she’s bested.

“KLR is well versed in mental manipulation,” that she is. She’s honestly a top competitor in that sense; equal to the likes of Sasha and Charlotte when it comes to psychology.

Piper’s got power. Ragdolling KLR here.

That’s right, performing with Charlotte Flair at wm is an accolade one can only hope to achieve (I’m annoying I know) no but seriously, KLR vs Becky Lynch? Take my money.

Nice Superkick, nice Tornado ddt.

Dear ref, stop yelling at her and restart the count. Dweeb.

Lmao self inflicted wreckage of her knee.

This ref is a walking headache. We’re now getting into the autumn of overbooked women’s matches. And UK’s first title match back. Yikes.

That senton was awkward and looked painful af for KLR’s neck. If you’re gonna risk that move while selling a leg injury, make sure you have more space to correct your landing.

I almost wish that turnbuckle came undone naturally because KLR is already such a good seller, but I’m gonna assume this is a worked move since it’s been left exposed.

Yeah see there are issues with that spot. Positives: KLR didn’t purposefully undo the turnbuckle, so it’s not on her to give another title match; the spot has potential, as I’m guessing that would be genuinely painful. Negatives: Piper is too big of a woman to hit the lower turnbuckle doing the cannonball, so she ended up hitting the middle... which was padded. Good ending on paper if you don’t do the equations, but poor execution. Not Piper nor KLR’s fault though.

Slow pacing and I hate overbooked garbage, but this obviously isn’t the only match they’re having so *shrug*

Highlight: Clean tornado ddt, and I do love KLR’s selling

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Smackdown:

Lol Bayley has her chair. She automatically gets a point every time I see it.

Top of the ramp this time? Okay, sure.

Stop cutting to the fancams, production. I don’t care about their reactions.

A fine enough promo to move along both of her angles, but production sucks. Wbk though.

“...one of the most complex personalities,” which personality of Alexa’s are we referring to, though?

Their timing on her pyro was off and now I’m sad. The pops during the breakdown leading into the fountains are fucking amazing and honestly cannot be topped by any of the other women.

When did Alexa stop wearing her gloves to the ring? Probably when she turned face. Shame.

She just called Lacey bitter, southern tea, and you know what? What a fucking drag. Imagine bitter southern tea. As someone who was raised in the south, that is a disgrace to southern tea. Sweet sun tea or pass.

Look at Alexa: selling Lacey’s strength, full of agile speed, and yet here’s Lacey not even bothering to put her shoulders down for her pin attempt. SAD.

A problem I consistently have with SD in particular is how they set up commercial breaks. They always do something dramatic, cut to commercial, come back and shit’s always completely different. How you gonna cut from Alexa leading and hearing the Fiend’s laugh, to return to Lacey in charge ???

Dear Cole, why are you calling her Alexis lol. Like I know that’s her real name but, hello??

oof Alexa’s midsection is beet red.

Lacey has not been putting on a “clinic” stop tossing that term around, Cole. Good bump by Alexa though.

Love how Lacey doesn’t mind landing flat when her moonsault misses. Respect. Her and Charlotte both eat that so perfectly.

LOVE how the monitors of people turned into Fiend’s face. POINTS.

It’s like she’s reverted back to her heel persona. This is literally 2016 Bliss, right? Right??

Roman is a large, strong, intimidating guy... but holy shit the visual of 5′1 Alexa staring daggers into the back of his head is intense af. I almost complained that he cut off her exit, but well done with the continuity.

Highlight: I’m really digging the Alexa/Fiend story

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Clash of Champions:

Loving the red roots, hate the eyeshadow.

See, if Asuka wants to fuck around in the ring, you won’t hear me complain. I just wish she took her non-wrestling segments more seriously.

The patience Asuka gave Zelina to set up the arm kick was dumb.

“A hard arm bar by Asuka,” he says, even though her legs were completely bent. Easy on the credit given plz.

Zelina telegraphs too much. None of the bumps she takes ever catch me by surprise.

In the spirit of being fair, put your fucking shoulders down and let her attempt a pinfall, Asuka.

Haha Sasha-lite did meteora in the corner.

Nice roll into a kick, half point for Zelina.

No you don’t get to sell frustration or disbelief yet, that’s not buyable.

I don’t know wtf Zelina was going for with that counter before the Asuka Lock, but honestly idc. Could’ve been a kickoff match indeed. State of Becky’s title btw.

Every week it’s the same shit with Asuka. She gets on the mic, speaks Japanese, barely accomplishes anything, then gets interrupted/slapped/attacked... with dancing and smiling inbetween. I really wish she was more like Io.

Nikki isn’t “medically cleared to compete”, and the tag team titles aren’t being defended. My memory is fuzzy but wasn’t there some covid concerns going around back then? Was that just baseless speculation?

Love that Bayley turned this into an opportunity to be a bigger douche than she already was lol.

IS SHE DOING A VICTORY LAP LMAO

I want to hate this from a smarky “give other women a chance” perspective, but Bayley is an ass and this is great for Asuka to build credit as a face, and after being made to look foolish yet again. Lesgo.

Lol sounded like Bayley said, “you think you can cuck me?” I’m sure she didn’t. I’m choosing to believe she did though.

I never know exactly who to blame when Asuka’s Codebreaker looks ugly, but I swear Charlotte is the only one it looks impactful with. Sell job isn’t the problem, but taking that actual move is always dicey af.

Great kick by Asuka. Rekt.

Bayley says nah fuck this rofl. Fair ending; a fun little sprint of meaningless jabs.

“Chairwoman of SD” I like that too, Graves. Points to you.

LMAOOO Bayley set that shit up perfectly kekekek what’s up Sasha.

She be looking fucking incredible, but that neckbrace is a mega bummer.

Character wise, I’m surprised Bayley’s choosing to dole out punishment rather than taking her title and bolting.

Welp maybe she should have, Sasha going to town lmao.

oof peep that red line going down Bayley’s arm. eesh. Welts all over her back.

Highlight: Sasha beating the shit out of Bayley with a kendo stick

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*BONUS*

Main Event:

You don’t pan the camera over to fucking commentary during Bianca’s entrance. Do better @ production.

Ruby puts her confidence in Liv even though everybody knows Bianca is winning this match lmao.

LOVE Liv’s boots.

like 20 seconds into the match and it’s already 10x better than the Bianca vs Billie Kay one. Don’t even waste a spot on Main Event for Billie Kay. No, I’m not not sorry for saying that.

It’s not that I hold issue with Bianca’s showboating or mannerisms, but it’s all so much more fitting for a heel.

Beautiful stalling suplex, but Liv is rather small.

Beautiful distance on that dropkick to Liv. Liv gets points for throwing herself so far.

We have enough women who rip their shirts off deep into matches, me thinks. Don’t need it from Liv as well.

Momentum could’ve been split better, but that was a decent match.

---

*Clash of Champions would be my highlighted event mostly thanks to Bayley, but if that’s a cop out, I’ll give a slight nod to Smackdown’s handling of Alexa.

#wwe #issa review #feel free to ignore these #cuz who tf cares lesbihonest #today's props goes to:#bayley

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olivcrfm · 4 years ago

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UNHAPPY ACCIDENT , ONE YEAR LATER

oliver park-davies graced the music scene one year ago today. park-davies sat down on an instagram live with billboard music, and explained the meaning behind the songs of his debut album. here’s what he had to say...

MENTIONS: @claudiafm & @arthurnor & @alanncs & @hallelujahdarling & @nsfwilhelmina & @murdochfm & @ofmargos & @ivcsisms & @mannyfm & @hqemilia & @archcrofficial & @giovanniis

01. idle town

lyrics --- this town will never change people come and go, it's all the same speed the roads on our doubting days to any place that's far away i never learned anybody's name we all vowed that we wouldn't stay kissing signs on the interstate all we do for now is sit and wait in our idle town explanation --- “i grew up in a really small town in texas,” park-davies commented, “all that stuff you hear about small towns is true. all of my memories seem ripped straight out of coming of age film, it was all late night drives, and trips to the drive-in. chicago and new york were so different. everything seems to move in two times speed, i’m one of millions, in gruene i was one of thousands.”

02. generation why

lyrics --- i was off keying cars parked on radium lawns by suburbian moms i called a friend, let's meet at ten go wherever we want 'cause no one cares that we're gone this town don't got much to do you and i haven't got much to lose so do you wanna rot in your room like we always do? talk about how fast we grew and all the big dreams that we won't pursue then get in your car and laugh 'til we both turn blue 'cause we are the helpless, selfish, one of a kind millennium kids, that all wanna die walking in the street with no light inside our eyes we are the worthless, cursed with too much time we get into trouble and lose our minds something that i've heard a million times in my life generation why. explanation --- “i met one of my best friends when i was in texas, and we’re still friends today.” the comments were quickly flooded with mentions of claudia ortega, park-davies’s childhood best friend and rumored love interest. “yes, claudia. we would just hang around our parents, and constantly hear what company we were ruining simply by breathing, while nobody focused on the more important issues. no one ever cared about climate change, our mental health, or even what were passionate about. it was always their thoughts, their ideals, and we were just supposed to be dogmatic and accept them as truth.” park-davies then spoke directly to his audience watching the live, “you are important, your feelings aren’t invalid, the things you care about are important, you may not think you can change the world, but you can.”

03. crush culture

lyrics --- my god don't look at your phone no one's gonna call you quit checking your volume (crush) i don't care if i'm forever alone i'm not falling for you 'cause this baby is loveproof (culture) i don't care what you're saying i don't wanna participate in your game of manipulation (crush) and no i don't want your sympathy, all this love is suffocating just let me be sad and lonely 'cause crush culture makes me wanna spill my guts out i know what you're doing, tryna get me to pursue ya crush culture makes me wanna spill my guts out spill my guts out, spill my guts out oh no, don't look in their eyes 'cause that's how they get you kiss you then forget you (crush) all they're feeding you is beautiful lies so hide in the bathroom 'til they find someone else new. explanation --- “that first verse was really kind of me admitting, like, oh god i look like such a loser right now, like, always checking my phone. i’m constantly checking my phone. it’s actually miserable, like, my screen time on my phone is like nine hours a day and it’s just so bad. it’s something i need to fix but, i don’t know, i can’t help it. especially, like, if i’m waiting for a text from someone that i, like, really want to be texting me. i just check my phone over and over and over and over and yeah, i’m a mess. like, no, conan, like, you literally have no notifications. it’s not that your volume is off. no one’s texting you ‘cause no one likes you. it was admittance right from the start that this song was gonna be about someone who isn’t in love. the song is super sarcastic. there’s a lot of things that i say in it that just, like, you know aren’t true. like i’m definitely not a love proof person at all, like, whenever anyone looks at me on the street i just melt, you know? i’m not love proof at all, but yeah this song is a ton of sarcasm. i can’t even, like, i can’t lie. it’s all just me trying to seem like i know what’s going on. like i seem like i’m cool but i’m really, i’m not at all. with the suffocating line, i was really trying to make it seem like, oh yeah, i got plenty people. like, get off me, i don’t even need you. too many people, ugh. but, i definitely am not suffocating in love. i could use love. i think we all could use a little bit more love. the definition of crush culture, i think, is all of the flurry that happens around love. people who are in love texting each other, and, like, “who kissed who? and who did what?” and, like, “whoa, i can’t believe you did that.” that is crush culture and i don’t care about it. like, i don’t wanna know who you’re kissing ‘cause it’s just gonna make me miserable, i don’t wanna know who you went on a date with, i don’t wanna know any of it, i just wanna live in my sad little hole and cry about being lonely, like, just let me live my life. i am definitely the type of person who, like, falls in love with strangers every day. i’ll go to the café, see someone and, like, all of a sudden i’m fantasizing about marrying them. i think we all kind of do that and that’s kind of what makes crush culture worse ‘cause i know that i want to be in love but it just hasn’t happened yet and that’s, like, the worst part about it. that’s just, like, knowing that it could’ve existed and seeing all these, like, beautiful strangers on the street just makes you want it so bad but it’ll happen when it happens and for now i’m just going to be really bitter about it. there’s a lot of players out there. i can usually tell when someone’s being no good. you know, those people who, like, are just a little too smooth. you’re like, i see you lil motherfucker, i see you. i know what you’re doing. they’re just like a little bit too cool. like, no one’s actually that cool ever and yeah, so if someone’s, like, feeding me all these compliments, i’m like, what do you want from me? what are you hiding? i do this thing when i’m embarrassed around people that i like, i don’t know why, but i punch them. so, like, if you ever see me in public punching someone it usually means that i like them. i don’t know why. i’m definitely more of a fight than a flight response. i don’t hide in bathrooms, i usually just punch people. i don’t know why. it makes no sense.”

04. greek god

lyrics --- i don't really care if you like me or not but i know that you want me to oh, anything i do, i know you're gonna watch to rumor up that i'm a fool you and all your friends have to walk in a squad 'cause y'all are so insecure overcompensate 'cause you're sizing me up the oldest trick in the book there's nothing you could do to dampen up my mood there's nothing you could say won't like you anyways i know that you've been hurt don't mean that it's our turn 'cause i know what you really want a little more confidence and this is where it's gotta stop i'm tired of hearing it you're just gonna be a fraud with nothing but fickle friends greek god, good god explanation --- “i feel like the people in new york and in chicago are so two faced, especially depending on who you meet. everyone is trying to be cool, and that’s not my type of scene, you can ask anyone that has met me, i can’t pretend to be something i’m not to fit in.” fans asked about alanna d’alessio who has been rumored to be one of the singer-songwriter’s less than favorable people, but he quickly shifted the narrative back to the song, “i think that there’s an extremely fine line between confidence and cockiness, you can think that you own the city, but when you act like it, it’s a huge turn off. meeting real genuine people like the friends i have is always extremely relieving, take ella for example she’s a boss bitch, but she won’t pretend to like you, when she doesn’t like you it’s definitely on sight, she’s very scary. it’s kind of hot. anyways, shout out to my friends if you’re watching this.”

05. lookalike

lyrics --- let's go back to the summer night when we met eyes, it's like a movie line kissin' underneath the city lights but now you're laying in another guy's arms 'cause i'm all gone but when you look in his eyes do you think of mine? and when you look at that smile do i cross your mind? i know in your head you see me instead 'cause he looks a lot like i did back then baby don't lie he's just a lookalike. and i'll admit that i sometimes, maybe, might think about you at night, well, almost every night no matter how i try to hide and erase you from my mind i'm dying to find a lookalike 'cause when you look in his eyes hope you think of mine and when you look at that smile hope i cross your mind i hope in your head you see me instead 'cause you've been in mine every day since then maybe it's time to find a lookalike no, i can't lie i need a lookalike. explanation --- this song has been rumored to been about his ex-girlfriend wilhelmina olivers, and the abrupt end in their relationship. other fans speculated that it was about his ex-boyfriend arthur norwich, but much of this has been shut down since the pair remains friends. park-davies’s desperately tried to skip over the song, but after much pestering his fans managed to weasel an explanation out of him. “this song is just about missing someone. although you love them, and constantly think about them, you know you can’t have that person. so you settle for a lookalike. not even physically or personality-wise, maybe it’s simply emotionally. the song is just about loss of love and craving to find it again.” a fan then asked if it was about one specific person, and where davies’s got the inspiration for the song. “i don’t know if it’s about one particular person, rather than just my experiences with multiple people. obviously a lot of my songs are inspired by own personal experiences, heartbreak, life in a small town, things that make me who i am.”

06. the other side

lyrics --- i've got tired eyes, a black sky making its home under my lash line you keep on crying, babe, i don't mind i'll keep on staring at the clock tryna pass time in my life, it flies by faster than you could say, "i love you, goodbye" "it's almost over, " you say with a sigh will our lives be better when we make it to the other side? ah, ah i hope we make it to the other side ah, ah eighteen, prom queen we spend our time thinking 'bout what we'll be doing we walk quiet streets, not afraid of the sounds nothing bad ever happens in this town explanation --- “a lot of you ask me if this song is about one of my exes, but it’s not. it’s actually about claudia.” this revelation shocked many fans, who believed it was a love song, since ortega and park-davies’s have claimed they are just friends. “it is a love song, but it’s about platonic love. claudia is my best friend, and i couldn’t live without her, we grew up together. she saw me grow from this lanky boy into a slightly less lanky, slightly older boy. we weren’t the happiest kid, a lot of the times we tried to do things that we might regret. we thought that we would never get away from our families, or the lives that we were being force fed.” davies then went off camera to go fetch something, then held up an old prom picture of claudia ortega and himself. “fun fact, you’re looking at prom queen and king. i just hoped that we would make it out, and we did.”

07. grow

lyrics --- i look about seventy years older it feels like minutes but really it's hours the cooling pavements calling my name and the zooming street signs don't look the same, no don't know why, but i think i'm ready for it yeah, i think i'm ready for running on concrete electricity i finally can breathe i think i'm ready for only you and me we made it out, it seems i made it out, it seems i think i'm ready to grow, to grow to grow, to grow familiar sounds the lake holds all our secrets nostalgia bound yeah, i'll take my time evolving dreaming of phone calls you knew all along the way we joked 'til we laughed our tails off. explanation --- “i don’t know who this song is about. i think it’s just an amalgamation of all of the people who have come and gone from my life. friends gained and lost. i grew in and i grew out. i’m pretty sure this whole album is just about wanting to leave texas, wanting to get out of the small town, with the same people, and the same things to do. i was ready for it to be me and anyone against the world. whether that was claudia or harper or margo. claudia is actually the one who recorded the video for me. i’m friends with people that i never thought i would be friends with when i released this album. shout ivy serrano,” park-davies then proceeded to bring his roommate and their puppy into the video, the comments were flooded with heart eyes and rumors of the two dating. serrano managed to upstage park-davies’s obviously, to the point where the singer-songwriter had to relocate and force serrano out of the video.

08. lovesick boys

lyrics --- i was alone for a while you came along and you asked me for a smile i guess then the stars had aligned a flower bloomed, the clouds were rushing out of my mind and that's how it goes in the films tears of honeysuckle welling up in your eyes a boy meets a girl, they go off to beat the world and they both are left unsatisfied well, lovesick boys will write you love songs and lovesick girls will always listen but what you fail to see's there's plenty of us so keep your petals pointing towards the sun and bloom bloom bloom just bloom, just bloom you watch as he walks through the fields crushing pretty daisies under his heavy heels he picks you a big one it withers in the sun you notice that the flower is you. explanation --- “this is how it felt to fall in love with arthur. i taught him how to skateboard, and he made me fall in love by shoving hot dogs in his mouth, and falling off of his board. there was something about him, maybe the fact that he was the first person to love me, for me, and the first person to love me in general. you know that cliche thing where it’s like ‘i was a daisy she was a rose, you would never pick me’ it was like finally getting picked. the childhood wonder of blowing dandelions and picking petals off of flowers saying ‘he loves me’ ‘he loves me not’.” fans quickly spammed the chat with sweet messages, and fans who still ship the pair excitedly commented ‘dads!’. the singer-songwriter continued, “i still remember the first day he kissed me, his lips weren’t sweet like honey suckle or anything poetic like that, he tasted like all the food we just had at the fair the day. like the sweet powdered sugar from funnel cakes, we were at the top of the ferris wheel, and i was afraid of heights, he didn’t know how to distract me so he just kissed me.”

09. the king

lyrics --- crush always making me feel like i got nothing to offer but i'm the only one that can make you feel right i'm the only one that you think of at night baby, don't lie you're always talking to me like you're totally bothered so why you always ring at the end of my line? don't you got a girl that can make you feel nice? it's a dead sign you see me as your lifeline other boys and girls never really made you feel right and you can't explain why i'm always running your mind don't you see the answer's right in front of your eyes? you like me, oh, obviously so why you trying to leave when you know that i'm the king? (you'll see) 'cause i'm supreme (choose me) other lovers give you no luck 'cause i'm the only one that has made you fall in love (you'll see) so just shut up (choose me) explanation --- “i’m the king.” is all park-davies’s commented before promptly moving on to the next song.

10. i know a place

lyrics --- i know a place we could go i know a place where there aren't any roads where the grass is always greener and doesn't scratch your fingers i know a place so come with me dear the halogen hum hurts my ears swim in the spring we could be free cause i know a place we could go no one has been there, and no one will know there it is quiet, forget the violence you've tried so hard to ignore oh, i know a place we could go unpack our bags and we'll call it a home the sea will sing our minds to sleep i know a place we could go and once we get there we could stay an old shaky house, our lives would be made and i don't know all the answers but you look like december there we could stay i'm tired of fear grasping for safe, familiar you are like me, oh, could we leave? explanation --- “this song had to end by being about my favorite people in the whole world. they mean so much to me, and they’re the ones that encouraged me to write music and actually pursue my dreams, this whole album might as well be an ode to their influence. everyone say thank you to claudia, harper, ella, margot, manny, emilia, archer, and giovanni, well maybe not giovanni unless you say it super slowly.”

the singer-songwriter answered more general questions about himself, his friends, and the album, before ending the live video.

#mental illness tw #∘ ⋰ ╏ ♡ ﹕ 𝗼𝗹𝗶𝘃𝗲𝗿 𝗽𝗮𝗿𝗸-𝗱𝗮𝘃𝗶𝗲𝘀 › RE . ╰ 𝘤𝘢𝘳𝘦𝘦𝘳 . ◞#i--#this was inspired by tay #i gave up on doing this for lux #so have oliver's only album #he'll release another one eventually #BUT i hope you like this #because it took so much time

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ask-the-crimson-king · 4 years ago

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Music Shill of the Day

youtube

[YOU HAVE BEEN BAMBOOZLED IT’S AN ENTIRE FUCKING ALBUM THAT I’M SHILLING MOTHERFUCKERS.

This album is called Epitaph and it is by Pyramaze and GOOD FUCKING LORD do I love this.

It was released on November 13th, and I have been listening to it practically non-stop ever since. Since I’ve given it a few days to settle in my brain, I am now doing a full shill for it.

TL;DR SINCE I’M ADDING A CUT! Album slaps and y’all should go listen to it. It’s power metal (of course), very intense and emotional/uplifting sort. Best songs (in my opinion) are basically all of them. They are all good.

But if I did have to choose a top 3, it’d be:

>Steal My Crown >Final Hour >Particle or Indestructible

BUT ONTO the very rambly and more song-specific shilling.

I’m going to take this song-by-song and also link the full playlist here (youtube link, the album is also on spotify) because you can only have four videos per post and I don’t want to flood people with this thing.

Also fair disclaimer for people who understand music; I don’t, I just enjoy this shit enough to try and share it with others. So if this sounds like a five year old trying to explain music, I’m sorry. I just am like that.

Also also disclaimer that not all of the songs have lyrics that I can find, so for some (if I posted lyrics) they are what I can decipher.

ANYWAY.

Epitaph on its own is a very beautiful sounding instrumental. It feels quiet, a little somber, but also uplifting. After going through it a few times, I can hear bits and pieces of the other songs on the album, which is a neat touch. And then it ends and smoothly transitions into A Stroke of Magic. Now, I’ve already done a shill for A Stroke of Magic, however the song, even weeks later,

STILL SLAPS.

I love it. It is definitely a shift from Epitaph with its intensity, but it still carries over some of the instrumental into the song. I love the lyrics, I love the musicality of it, I love everything. It is one of the slower, more... forceful, if that makes any sense, songs on the album. It feels like something is slowly building and building as the song goes on, and this intensity carries into Steal My Crown.

Steal My Crown is an absolute banger. I love it for so many reasons. I love how it opens, I love its riffs, I love how the lyrics are sung, it just is an absolute BANGER of a song. I love it so very much. It is also a bit of a slower and forceful song, but it still has that more signature intensity I’ve come to associate with these guys.

The verses contrasting with how the chorus is sung is something I’m a sucker for. Especially with the guitars and synths hyping up the chorus and adding to this wonderful buildup. It makes the chorus sound even more powerful and amazing. I absolutely LOVE THIS SHIT. It is AMAZING.

Also love how the song ends. Just. It’s so good, guys. It’s so fucking good.

And now we come to Knights in Shining Armour.

Or, as I know it,

“THE D&D SONG!”

Knights in shining armour, On a quest for power, Taking charge of things you'll never know. To raise the name of glory, Is bloody mandatory, If you want to end this puppet show! Knights in shining armour, Embittered by the hour. Taking charge of things you'll never see. But the road is long and torturous, Paved with steady progress, To bring this villain to his knees!

Classic D&D, anyway. It has that jaunty adventurer feel to it, and the chorus is just. It’s D&D. It is simply D&D. It’s fucking great. It is a nice lil jaunt. Don’t have much more to say, it is just a very enjoyable listen.

Bird of Prey is next. It’s maybe the weakest song on the album. I do not hate it, nor do I dislike it greatly. This entire album is amazing and absolutely slaps. However this one just feels like a song I’d hear while watching a trailer for a romcom or some sort of superhero movie with a romance b-plot for the hero. It’s not as particularly amazing as the other songs, but it’s far from horrible. Nice lil song to listen to.

Your Last Call is interesting. It’s intro is a bit different, a bit choppy, but it still definitely works for the song. That choppiness carries over throughout the song and it fits. Very nice to listen to. This one is also a bit weak on the album, but it’s still a nice song.

AND now we come to Particle.

LET’S TALK ABOUT P A R T I C L E.

I'm chasing every particle of you, I don't wanna fight no more. But I can't believe it, I'm following your shadow's out the door. Calling out your name, but I know, I'm easily deceived and alone!

First off, love it. Love love love it. It has a similar style and feel to Steal My Crown with that intense opening and then a more subdued verse that begins to lead into a very powerful chorus. Plus it has that little choppiness in it.

The pre-chorus leading into the chorus just gets you ready for it to just... explode. AND IT FUCKIN DOES.

AND IT SLAPS.

And then it gives you some time to try and catch your breath before it punches you in the face again. But it’s still just... amazing. Wonderful.

Also the lyrical content is grand and I enjoy it immensely even if it is maybe potentially a love song? Not sure completely. Still love the song anyway.

I’m gonna be 100 with you okay.

Seeing this next song’s title I thought it may have been a cover.

It is not.

INDESTRUCTIBLE STILL FUCKING SLAPS SO DAMN HARD THOUGH.

I don’t know what we’re fighting for, Why are we trying to die so young? We are in-de, We are in-de. I don’t know what we’re fighting for, Why are we trying to die so young? We are in-de, -structible in life.

It is intense. It has that buildup. It has a great chorus. It has everything I praised the last few songs for.

Its pacing does feel a bit different to that of Particle or Steal my Crown, but that’s part of why I still think it slaps. It just. Slaps. THE WHOLE ALBUM FUCKING SLAPS OKAY-

Alright so Transcendence.

It has a guest singer! She has a nice voice to listen to. I’m not a fan of femenine singers personally, but I like her voice.

The song itself, it feels... more somber, more like the title track than some of the other songs. Of course it has that signature intensity, but it also feels just...

Can’t really describe it. Slower. Calmer. Like a bit of a breath, for the last leg of the journey.

Anyway.

Final Hour.

Uh.

Feels.

First of all, it just jumps right into the song. Not much of an intro before the lyrics begin. I like that. And the rythym of it is nice to listen to.

And then the chorus...

Oh honey.

In our final hour, When the times are rough. We were sworn together, Last chance -- it's now or never! In our final hour, For the greater good. One man, of fifty million, In our sense of brilliance.

(Don’t feel too confident about those last two lines to be honest).

Fuck man. I just. Undescribable love for this song. Its entire feel of it just makes me feel kinda sad. This has a similar feel to Heroes (of Dundee) by Gloryhammer. I can’t catch all of the lyrics, and I can very well be wrong, but it feels like it has a similar theme. Of a sort of inevitability that something huge is about to happen.

Warriors are about to go off and potentially sacrifice themselves to save lives.

A bit heavy, but I love it.

Anyway. From something a little heavy, we get to World Forgone.

Aka something even MORE heavy. If I’m reading the lyrics correctly, it’s a song referencing how the world is becoming polluted, and how it’s dying.

Mournful. Depressing. That somber feeling is back. Still a really good song.

And now.

We come to the end. A 12-minute song called The Time Traveler.

And GOOD FUCK I WOULD LOVE LYRICS BECAUSE THIS SOUNDS LIKE A REALLY COOL STORY IF I AM HEARING THIS CORRECTLY.

May do a Bonus Shill for this song in particular when the lyrics are released.

This song features two guests in it, and I will say the guest singer kinda reminded me of Fabio Lione. However I haven’t heard much of that guy’s stuff outside of the song he did with Ancient Bards.

(The guests are Lance & Matt King)

This is a very nice way to end the album. There’s talk of timelines, of maybe a sorcerer or warlock who is gaining power/succumbing to darkness. I say maybe cause THERE ARE NOT LYRICS OUT YET. I would LOVE them. I will do another shill when they come out.

SAME FOR THE OTHER SONGS WITHOUT LYRICS. Damn it.

Anyway, this is a very good song, of course it is. The pacing of it doesn’t make it feel like you’re listening for eternity, which is something I appreciate.

But I suppose that’s all I have to say. This post is long enough.

THIS ALBUM SLAPS. LISTEN TO IT. ITS GOOD.]

#music shill of the day #pyramaze #epitaph #fuck this album is so damn good

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bwayfanficblog · 6 years ago

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Opinions on the BMC OBCR!

(Friendly reminder this is just my opinion! I think this cast recording is over all insanely good, I’m just being a little nit picky because I’ve loved BMC for a while. I had the privilege of seeing BMC in NYC in March, which was amazing and the live performance did influence my opinions a bit. If you have doubts about Will Roland as Jeremy, seeing it live will flip your opinions. Trust me. ❤️)

(edit: my overall opinion of this is that it’s great, but it’s trying WAY too hard. Am I the only one who thinks that the try hard sound completely erases the actual message of BMC? that you don’t have to be someone or soemthing you’re not to impress someone? I feel like the old score was just as amazing and the new actors could’ve done it justice without all of these wild changes. They basically took the creepy retro vibes out of BMC to keep up with modern broadway. I don’t have a problem with it, I just think that it erases the actual message of the show to an extent. I am so in love with Will Roland! He was wonderful live. Feel free to message me and discuss this!)

More Than Survive

- Inclusion of more dialogue is good but I kinda think it breaks up the flow a little

- Will Roland yesss, this song is actually how he sounded live, I wish you could see how incredible he looked and acted during this song

- Inclusion of the “Boyf” dialogue is cute and definitely should’ve been added to begin with

- The new harmonies on “Christineeee” where Jeremy goes up a step is so nice

- Michael’s new part is just as adorable as before, kinda sad they took out the “so own it!” line tho

- Buttt more sweet giggles from Michael makes up for it!

- I don’t like how they cut off the last Canigula so quickly to make room for the chorus singing though idk

- The louder beat slaps tho

- I don’t like how Chloe’s last “I like gay people” is isolated unlike the original cast recording

- Will gives a heartbreaking “I’m never gonna be the cool guy” performance though like damn I almost cried

- The “na na na” is now “na ahh ahh ahh” if that makes sense and it doesn’t give as much impact which makes me wanna die bc that part was so pretty

- Will’s riffs at the end make up for it

I love play rehearsal

- There’s more instruments at the start and I think a flute which is so pretty!!

- Stephanie yessss with those improved vocals

- I think the extra instruments overpower her soft sweet sound at some points in the song tho

- YESS the dialogue that’s now included yesss

- The extra instruments at the end actually add more tho I love it

- A little more dramatic

More than survive (reprise)

- ICONIC

- IM SO HAPPY THEY INCLUDED THIS

- nothing bad to say other than I’m not a fan of the weird pop-y instrumental at the end, when I saw it I think it was a little more spread out instead of included in the song but I could be wrong

The Squip Song

- Gerard’s vocals have gotten even better like yes

- The instrumental sounds about the same as the old recording which makes me glad they didn’t change it too much

- Jeremy sounds scared when he says “you got quick” and I don’t know why ? That’s kinda odd like buddy are you good

- Is rich ok like at all in this song

- The song isn’t as like soft if that makes sense

Two Player Game

- Michael sounds like wants to die when he says “apocalypse of the damned” at the start shaksksks

- BUT THIS SONG IS SO GOOD it’s another one they didn’t change very much

- The instrumental is a little more pop-y but otherwise it’s still got that retro vibe

- George was keeping it real and not changing his vocals in the song for us thank u

- Will Roland come thru with those harmonies once again

- Jeremy’s verse is really soft and sweet and I love it he just sounds done

- The extra lil video game sounds are spot on

- The “You know that you are my favorite person” lines are done so perfect but I’m sad Michael’s little giggle isn’t as prominent

The Squip Enters

- Jake’s “that freak is freaking out” isn’t that funny in this recording sjsksksksk I’m sad

- The Squip’s surfer voice was less prominent live and more realistic and I’m not sure I like it that much in the recording

Be More Chill PT 1

- The Squip has a solo part at the start!! It’s adorable

- Jason Tam yessss

- The Squip calling Jeremy Bae and Boo makes me wanna die tho

- The first part isn’t sung anymore which makes me wanna die too bc he has such a nice voice

- The Squip’s vocals in the chorus tho yes ma’am

- Instead of Jeremy saying “Jesus” he just has a lil panic attack that poor boy

- The Squip kinda sounds British in some parts of it

- You can hear George doing a funny voice for his mall character which makes me laff

- “Jerry?” —“jerry-ME” I love Will

- Chloe is a lot more pissed in this song

Do you wanna ride

- The instruments overpower Brooke in some parts

- They didn’t change the vocal lines too much but they did slow the song a bit ?

- The harmonies are really nice though come through Brooke and Chloe

- The end is also sped up a little

- Brooke’s giggle and the little French at the end was so cute

Be More Chill PT II

- “Everything about me makes me wanna die” LINE WAS SO SAD

- the instrumental build up was so incredible !!

- This is probably my favorite song for the Squip he just brings it vocally

- JEREMY’S LITTLE GIGGLE AFTER “be mORe CHILL” I CRIED

Sync Up

- This replaces the original More than survive reprise

- I don’t like how it takes Michael’s little part out of it because I think it was necessary plus the instrumental part of that slapped

- Also I think it gives us a good insight into the characters but it could’ve been placed somewhere else maybe?

- I also think the beat isn’t very uniform and is kinda messy and the dialogue is more interesting than the actual song

- It shows how nice Jeremy is tho

- I liked this song live better because the actual song just isn’t interesting enough to be a song on its own

- Jeremy and Brooke’s interactions in the song is really nice

- I love the distorted little “na na na” from more than survive though you can tell it’s slightly off

- I don’t like “head to play rehearsal” instead of “drama practice” though I don’t think it flows well

- I’m sad they changed one of my favorite songs !!

A Guy That I’d Kinda Be Into

- Once again stronger instrumental, especially guitar

- The vocal track doesn’t seem to be changed very much again thank u god

- Weird clappy sounds ??

- The harmony on “absolutely” YES

- Christine’s little breathy laugh after “I guess there’s a part of me that wants to” yes sir

Upgrade

- Brooke speaking French at the start SNSKSKSKSOSK

- I think the dialogue gives more insight into Brooke and Jeremy’s relationship

- “Jere-Bear” NAJAKAKA

- THEY TOOK THE LITTLE “damn” OUT NO

- Jake and Christine’s part is cute but it felt a little out of place for some reason and I don’t know why, like the little sad dialogue they have about Jake’s parents feels weird but it’s really

- “I’m tired of being the person everyone thinks that I am” feels like it should’ve been a part of sync up instead of upgrade

- Brooke saying she was happy Jeremy looking at her instead of Chloe first made me wanna bawl

- Also it makes me wanna punch Jeremy

- Poor Jenna got like 1 like in this song

- I feel like it wasn’t smooth transition into Loser Geek Whatever at the end I don’t like the whole weird chorus thing leading into it at all

- Feels out of place without Michael’s little part at the end, I’m sad they’re cutting significant Michael parts, I know they kept it in LGW but it felt more in place in upgrade

Loser Geek Whatever

- It’s great and Will re recorded it for the album because it seems to have more emotion and be more genuine

- He sounds super excited at the start and it makes happy

- One of the few songs that managed to keep BMC’s kinda creepy computer tech vibe which is weird because it wasn’t even in the original album I wonder if it was written newly or was a draft from the first run back in 2013-2015

- A little more upbeat but in a good way

- Will’s vocals sound a lot better than the first recording

- Extra beeping at “my one real friend” was nice

Halloween

- Brooke does a little bark at the start awe

- The beat doesn’t go as hard as the OG cast recording which sucks bc it went hard

- Everyone kinda sounds like they wanna die at the start again which seems like common theme??

- The chorus doesn’t slap either what

- The song also got cut a little short I think unless I’m crazy but I feel like it was longer than this?

- Extra verse at the end and I don’t really like it

- Kinda boring now and doesn’t give you a panic attack vibe like the OG one did

Do You Wanna Hang

- Only song where they changed a lot that made it better

- Included the dialogue at the start which makes the song make more sense

- The Squip’s Voice is so smooth ssnskskskw

- Chloe’s losing her mind a little but I love it

Michael in the Bathroom

- Jesus George’s vocals OWN MY WHOLE ASS

- He’s only gotten better somehow

- No to the new pop-y sounds in it it takes sad creepy feel out of it

- Too much instrumental added bc it doesn’t sound like ballad anymore

- I dunno how I feel about it because George’s vocals are perfect but the instrumental is doing him dirty and not making it sad enough

- This song gives me anxiety now wjsjsksks and I don’t know if that’s good or bad?

- The few lines and instrumental lines are the same as the OG which is good

A Guy That I’d Kinda Be Into (reprise)

- SO HAPPY THEY INCLUDED THIS TOO

- Whoever’s playing that flute was told to play that shit LOUD

- Jeremy’s “Christineee” omg he’s so in love

The Smartphone Hour

- The new instrumental sounds at the start sound bonk

- The phone sound effects make me wanna die dndkjssk

- Tiffany Mann’s voice COME THROUGH

- The “whoaaaa” was changed which makes me sad

- I’m glad they specified it was Jake’s house because when I listened to the OG one at first I was like did he just burn down a random house ??

- The dialogue between Chloe and Brooke is kinda dramatic now but it’s not a bad thing

- KATHYLN CARLSON’S VOICE IN HER SOLO CHORUS YES SIS

- the whistle noise has gotta go that’s what my track coaches whistle sounded like when I wasn’t running fast enough

- I’m scared now the dance break sounds like salsa music

- “Matches, ashes” was changed to “drama, drama” girl what

- Brooke’s screams yes

- The random auto tune voices in the back are trying to capture the creepy vibe that this song originally has but isn’t doing it

- This song isn’t changed much though and still has the OG vibes which is good

The Pants Song

- The weird piano at the start scares me

- The lyrics have changed a bit too

- I’m not too familiar with this song because I don’t listen to it so often but it doesn’t sound too different from the OG cast recording which is good instrumental wise

- The chorus sounds different though I don’t know how I feel about it

- The “Michael in the bathroom” melody playing in the back during the dialogue YES

- Omg the dialogue where Jeremy’s dad tells him to say it like he’s in the army omg I’m weak

- YES THE HARMONY RIGHT AFTER RHAY DIALOGUE

The Pitiful Children

- My fav song

- Not this version I don’t think but

- I don’t mind the lyric changes but I think it takes the dark creepy techno vibe out of the song

- If it was anyone other than Jason Tam singing this version I wouldn’t like it

- The chorus lost its punch with this new pop sound

- I’m really confused as to why the lyrics had to change tho these make less on an impact, I think a solo song with Jeremy and the Squip about Christine would’ve cooler

- The Squip and Jeremy’s harmonies tho like fuck me up

- The techno voice singing “lets save the pitiful children” is eh like it makes it cheesy

- I’m scared of the Squip singing “Squip Squip Squip”

- “Everything about us” run is still amazing as always

- I just realized the Squip is using Christine to manipulate Jeremy into squipping everyone that makes sense that’s why the lyrics are changing

The Play

- The dialogue at the start is different but it makes sense, it’s Jeremy realizing the Squip made him Squip the whole cast

- The instrumental sound is the same thankfully

- “Michael makes an entrance” sounds like Michael wants to die is he good

- It adds Michael and Jeremy’s fighting dialogue in it which I like and adds the two player game melody in the back

- Jake’s “living the upgrade” line was cut short :((( I love his voice

- They changed the “having sex” convo between Brooke and Chloe which doesn’t make it relevant to that scene anymore ?? But they also validate each other so idc

- The “I love play rehearsal” melody playing when Christine talks yes ma’am

- “I’m stronger than you think I am” I LOVE JEREMY

- The LGW melody playing when Jeremy is telling the Squip to fuck off

- Jeremy and Michael saying “oh god” back and fourth to each other in different tones of voice is an accurate representation of having a best friend conversation

Voices in my head

- The start sounds like pac-man and I’m so here for it

- RICH HAS HIS LISP YES QUEEN also his harmonies !!

- This instrumental is kept pretty much the same too which I’m happy about

- “Don’t dump her on Halloween” BYE I love u Brooke

- “We are your squad” AWE

- It’s so pure

- The second verse has some lyric changes but I like them more

- LGW melody is playing when he and Christine talk which is so soft bc he’s like owning being a loser?

- The “bowling alley performance art” line wouldn’t make sense if you haven’t watched the show but it’s cute

- The loud flute is present again shsksksksks

- Awe the ending harmonies are soft

- The Squip was tripping balls in the end of that wtf

- The “na na na” runs at the end don’t sound like the more than survive ones sjsksksk

- “You ready?” I LOVE

- Jeremy is such a dork and I love that so much in this song

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taste-in-music · 5 years ago

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Reacting to Charli, baby!

If you were wondering why I hadn’t mentioned her in my last Music Monday post, this is why! I haven’t done one of these long album reaction posts in a long, long while, (not since Love + Fear, I believe,) and this is an album I’ve been hyped for, so I figured why not? I’ve heard a lot of the singles, but there are still many surprises to by had. Listen along to the album with me if you want, and without further ado, let’s ride.

Next Level Charli

I’m getting big “Vroom Vroom” vibes from this?

I’ve got it. This song is like the inverse to “Vroom Vroom.” It’s got the same anthemic bombast to it from the vocal delivery and lyrics, but with a brighter sound. The synths are high and glistening rather than low and abrasive.

The lyrics are super sweet. Maybe a dedication to the fans?

All right Charli, I’m ready to go to the next level.

Gone ft. Christine and the Queens

God this song still slams into the exosphere. The verses have so much taut tension to them with the bubbling synths and snappy drums, and then the chorus comes and hits you like a ton of bricks.

Also can we talk about how relatable the lyrics are? This is one giant shoutout to everyone that’s an insecure and antisocial mess at any party or gathering. Thank you for making a song for our kind Charli.

Christine and the Queens’s voice has this amazing fluidity to it, it must be the French in her. (Also, when she sings in French during the bridge? DEAD.)

Still meh on the outro though.

Cross You Out ft. Sky Ferreira

We’ve got some more aggressive production on this song, which is cool. It contrasts nicely with the more lilting vocals.

GIMME THOSE SKY FERREIRA CRUMBS. WHEN ARE WE GETTING MASOCHISM???!?!

If you listen to the bridge with good headphones you can hear these really low backing vocals from Sky that rattle the nape of your neck, they’re amazing.

I do wish it was a bit more experimental though, it does stay fairly constant through the entirety of the song and makes it a bit of a bland listen. Doesn’t mean I don’t like it, though.

1999 ft. Troye Sivan

Bop. Next.

Okay, I should actually say something about this, shouldn’t I?

I think it’s pretty cool that a song about 90s throwbacks actually does all it can to sound like it was plucked right out of the 90s. The production is bouncy, sparkly, and seamless, filled with glitching synths, sharp drums, and cute little ad-libs that make it a ton of fun. (That little “hee-hee” that Troye does after mentioning Michael Jackson? Art.)

I’m not usually into stuff that cashes into cheap nostalgia with little commentary as to why that nostalgia is wanted, (the main difference between me liking a song like “Ribs” by Lorde vs. “2002″ by Anne-Marie for example,) but whatever. This is catchy as heck. I love it.

Click ft. Kim Petras and Tommy Cash

Ooh, looks like we’re getting spooky here. This sounds very Turn Off The Lights and Pop 2.

We got a “woo-ah!” Kim Petras is here!

I’ve never heard of Tommy Cash or listened to any of his music. I don’t know if his sound is quite for me, but maybe I’ll look into his solo work later.

This isn’t a favorite of mine so far, (it’s far more avant garde than the other songs,) but I don’t know. I see it having its time and place, specifically when I want to feel like a bad bitch.

Warm ft. HAIM

Those keys! Those gentle synths! Hearing this production with headphones on is heavenly.

I never thought that Charli XCX and HAIM could work on a track together. HAIM is a very acoustic-driven band that takes inspiration from the past, and Charli always leans into more futuristic, synthetic ideas, but HAIM slip into Charli’s sound pretty well here.

Overall, it’s not a standout, but I don’t dislike it. My consensus isn’t especially hot or cold, it’s WARM.

I’m so sorry.

Thoughts

Well that intro brought me to attention very quickly. Am I in a Windows startup?

Those high notes are the best part of the song. Charli’s got range! Her vocals sound really full and rich here, especially on the verses.

Ironically, I don’t have many thoughts on this song overall.

I’m so sorry.

Blame It On Your Love ft. Lizzo

I already know that I love this song. Let’s get to bopping!

Small detail but the snare drums on this song are great.

This song has a drop that doesn’t suck, and I can’t stress how rare and refreshing that is. It sounds like a shot of caffeine, buzzy and colorful and not long enough.

Can we all agree that Lizzo is a blessing unto this Earth? Charisma rolls off her in waves. I don’t think I’ve ever been so sad for a rap verse to end in a pop song.

What an amazing song.

White Mercedes

The vulnerability in the lyrics on this song matched the subtler production sounds great.

Charli’s vocals sounds??? So good??? I don’t want this to come across the wrong way, but I never really listened to her music for her vocal prowess. Her strong suit always laid in delivering energy and an assertive presence, (like on “I Love It” or “Break The Rules.”) But this song shows just how downright lovely she can sound.

This is stacking up to be one of my favorite non-singles on this album. What a wonderful surprise this turned out to be.

Silver Cross

This is all right. I don’t have much to say on it. It’s got some interesting production elements and a solid vocal performance. It’s middle of the road.

In hindsight this maybe could’ve been cut.

I Don’t Wanna Know

We’ve got a more moody, atmospheric sound for this song. The drums and synths have lots of echo to them, giving the mix a sense of space. It’s like Charli’s the singer in a smoky room from “Don’t Stop Believin.’”

While it’s nice that the album takes a break from the glittery pop hooks and bombastic party jams, I do think this is a tad dull.

Official

I like those little punches of synth that make up the rhythm in the first verse.

OH MY GOD, the sparkling synths and tinkling keys on this track, they sound like flowers blooming and glimmering gemstones, that is GORGEOUS.

The way that the production builds on this song by laying in the sounds one by one is really interesting. Some of the effect is lost by the way the backing track is frequently paused throughout the song, which is kind of annoying, but the idea is there, and it’s cool. I like it in theory.

Shake It ft. Big Freedia, cupcakKe, and Pablo Vittar

I’ve heard a lot of good things about cupcakKe’s solo work and I know that she’s worked with Charli in the past, and I also know that Pablo Vittar and Charli made “Flash Pose” recently,” but I haven’t heard any of the solo work from these guest features, so I have no clue what to expect.

Those water sounds and how they meld into glitchy techno noises and then breaths? The dual tracking that moves from ear to ear and the whispered vocals? Her mind?

This is a wild ride with headphones on.

Febrary 2017 ft. Clairo and Yaeji

I didn’t listen to this despite it being released as a single. I wanted to be a surprise for the album.

Clairo’s low key voice works pretty well with the slithery vocal production that Charli often uses. I guess the glitchiness of Charli’s sound would compliment a bedroom pop artist.

The way the production explodes! This sounds fantastic! Holy moly! It’s like diving into a cotton candy wonderland!

That switch up into Yaeji’s part is pretty jarring though. While I like the cooing, gentle vocals and minimal production, it upright clashes with the first half of the track. If it had been worked into the previous production rather than cutting away from it I think it might’ve worked better.

This song comes across more as a mish-mash of ideas rather than a polished final product. I think maybe another draft could’ve improved it. Still, I do love the ideas it presents.

2099 ft. Troye Sivan

That last song! My my my how 50 minutes have flown by.

That heartbeat at the start of the song!

Okay this song is kind of all over the place. I don’t know if I have any definite thoughts on it.

Still, if this is what music sounds like in 2099 I won’t necessarily be complaining.

My Thoughts Summarized: This album feels like Charli half wanted to go avant-garde, half wanted to go mainstreen-friendly. This leads to a couple of confused moments, but also to some songs that meet those two options in the middle. While I feel like a few tracks could’ve been reworked or cut, I do like this project a lot. Charli really brought the bops and stepped it up with the vocals and lyrics. My favorite songs at the moment are probably “Gone,” “Blame It One Your Love,” and “White Mercedes.”

Can we talk about how gorgeous the visuals for this album have been, not only with the album art but with the music videos too? We had the badass prosthetics for “Blame It On Your Love,” the 90s throwback with “1999,” and Charli and Chris dancing on a car in the rain. I love it.

What did you think of Charli? Agree or disagree? Comment or reblog with your thoughts, I’m excited to hear what you think.

#music #album review #charli xcx #charli #taste in music

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almaasi · 6 years ago

Text

reaction post typed while watching SPN 14x01 “Stranger in a Strange Land”

oh boy WHAT A GOOD START

03:13pm

I AM READY (slash not ready at all) FOR CAS BEING VERY SAD ABOUT DEAN FOR MULTIPLE EPISODES STRAIGHT (slash not straight at all)

i know almost nothing about this season besides dean being micheal for longer than he was a demon, and cas being :< the saddest puppy

03:15

yoooo i need to go find some headphones because i can hear all the BLRAHAHRGAH but voices are muffled

brb

03:18

headphones acquired

now let’s do this recap again

i paused on alexander’s boobs

i still don’t get why breasts are censored and non-breasts are not. like. they’re literally the same just less squishy???

WHOA THESE HEADPHONES HAVE BASS. i haven’t heard bass in months

okay no the issue with voices is the video file, not my speakers

welp guess i gotta just deal with it and squint at the screen because somehow that makes it easier to hear shit idk

03:22

still mid-key bummed about gabriel and dean yelling “gabe no!!!”

03:23

sam driving the impala alone is such a sad sight

i can head the adhan (muslim call the prayer) in the background

pffffff of course michael goes to arabia

i guess he teleported.... i guess that’s better than taking poor dean on a plane

oh wait the adhan was on dean’s phone??? jsdfghd unsure what to make of that

oH MY GOD MICHEL IS MUSLIM

THIS MAKES ME WEIRDLY HAPPY

IDK WHAT OTHER PEOPLE THINK OF THIS BUT I AM A FAN

oh wait never mind that’s nOT DEAn

IT LOOKED LIKE HIM OKAY, in profile, lying in bed

WHOOPS

oh god this guy better not die

i feel such immediate fondness

please let him be gentle and loving and important and not a terrorist or a red shirt

THIS IS MAKING ME SO EMOTIONAL I HAVEN’T HEARD ANYONE SAYING THESE PRAYERS IN SO LONG

one time i was in the school playground and i think someone asked if i could speak any other language and i said nope but i could say that prayer...... and they made me repeat so they could laugh at me again

also the dude skipped a whole surah (verse) and a hands-on-the-knees-bow before sijda (kneeling)

i guess it’s a timing thing but jsdgjgd INACCURACY

03:32

JENSEN PRAYING LIKE THAT PROBABLY SHOULDN’T BE A TURN-ON BUT WOWWW

PLEASE DO THAT A LOT MORE

his pronunciation was so beautiful, shoutout to whichever dialect coach sat there helping him say it right

03:34

“if you really cared about peace, you never would’ve left syria”

MICHEAL IS AN ASSHOLE

03:35

micheal: “you’re lost, and not worth saving”

definitely two distinct destiel concepts turned on their heads in six words there

cas’ “when he first laid his hand on you in hell, he was LOST”

and dean’s “you don’t think you deserve to be saved”

03:38

ooooo nice title card with the flapping wings

03:39

it’s so nice seeing the bunker crowded with good guys

03:39

this guy: sam season 18

500 other people probably made this joke already

03:42

sam: “maggie, can you hack the traffic cams on the freeway?”

maggie: “um................... no?”

relatable

03:44

BOBBY AND JACK YAYYY

god this makes me wanna write all the AUs where it’s not weird that character x is alive at the same time as character y. i know i do that a lot anyway but I WANT MORE

03:47

southern suit guy: “castiel... darling”

cas: “oh god” >:|

i love how cas is so done with everything and everyone, forever

my love for him knows no bounds

and i love that cas is still curious enough to ask “what did you just order?”

03:50

cas: *very calm, very stern, very slow* “does any demon know where dean winchester is?”

*throws monster against tree* “WHERE’S THE ANGEL”

03:51

demon: “and how is it you lost dean? i thought the two of you were joined at the.......” *gestures to crotch* “you know... everything”

IS IT QUEERBAITING OR IS IT JUST QUEER WE JUST DON’T KNOW

BUT I’M ENJOYING IT

I’LL FUCKING TAKE IT, THANK YOU ANDREW DABB

03:54

oh cas :c

poor cas

he probably needs to read “how to win friends and influence people” tbh

if his first port of call to bargaining with demons is threatening them, that’s not getting him anywhere in the long run

not saying he deserved getting beaten up by a gang (hell no) but he probably could’ve offered, like, an angel feather or something

also whenever something bad happens to cas what makes me saddest is knowing that somewhere in the world there are people grinning with glee and taking it as confirmation that the character is worthless

i probably shouldn’t think about that but i do anyway

03:58

oh hey danneel!!! i didn’t know she’d be back, i’m glad she is

03:59

michael: “you don’t recognise me with this pretty face?”

1. michael thinks dean is pretty

2. i wonder how many casual viewers aren’t aware these two are married

04:02

you know what i find interesting

jensen seems to be able to control his face so that he doesn’t look obviously attracted to danneel in this scene (besides the chin touch)

i think his pupils are slightly dilated but that might be the low light

which leads me to believe

1. he’s trying extra hard because He’s Married To Her (and micheal has intense facial control anyway)

1.1. he doesn’t try so hard with misha because he doesn’t realise he’s doing it

2. he does the hearteyes and lip-licks with misha/cas on purpose because DEAN is attracted to cas

or ALL OF THE ABOVE

(and while 1.1 and 2 may seem to conflict, i theorise that jensen allows his natural reactions to show because he knows he likes misha and knows dean likes cas??)

anyway my point is that he showed less outward attraction to his wife than he does to his boyfriend and there’s probably a good reason for that and jensen was thinking about it while acting

04:08

the way michael hisses when he says “a placccccee..” and wobbles his head when he says “it’s very very human of you” reminds me of kaa from the jungle book (specifically the scarlett johannson live action/cgi version)

he a snek

micheal: “if they’re all these sad... lost... fallen things, maybe they’re not worth saving either”

clearly this guy never heard the story about the starfish