#value of information

[prolibytherium]

One of my all time biggest pet peeves with historical(ish) fantasy is when the writer constructs a religion with a clear bias that it's stupid and false and therefore only the Stupid People and/or commoners believe in it and all the smart/elite main characters are like, quasi-atheists or otherwise just routinely flout established religious conventions of orthodoxy and/or orthopraxy because they're Too Smart for it or etc.

It's usually an extension of assumptions that people in the past were just less intelligent than in the contemporary, just being like "I know that the sun is a star millions of miles away that the earth orbits, but this ancient religion describes it as a chariot flying through the sky" and not really bothering to learn the context and just (consciously or subconsciously) settling on 'that's a crazy thing to think and was probably believed in because they were Stupid'.

And that whole attitude pisses me off so much. People were as 'smart' 10,000 years ago as they are today. These beliefs aren't just desperate, random flailing to explain phenomena that could not directly be accounted for either, it's not like people just looked at the sun and went "Uhhh I don't know what the fuck that thing is, actually. I guess it might be a chariot or a boat or something?? Yeah let's go with that." and based entire religious practices on this. Every well-established belief system exists within broader contexts of cultural values/subjective perceptions of reality/knowledge systems/etc, and exist as part of a historical continuum of religious practices that came before. Even when not Materially Correct, they have context and internal logic, they're not always dead literal with zero levels of allegory, and they're never a result of stupidity.

[marciaillust]

bro fuck it im workposting. i did illustrations, i storyboarded, i directed. I did many cool things in 2024 and millions of people all over the world saw em. that has to count for something

[bloghrexach]

WORD!!

@hrexach

[recurring-polynya]

I think one of the reasons that authors sometimes write characters as too self-aware is that you're writing and you have to have all these deep thinky thoughts about what the motivates the character and why they're acting the way they are. And naturally, you want to share all these cool and smart insights with your readers so they will know what a brilliant and incisive character writer you are. But you can't. Because your blorbo is an idiot. You just have to write them saying the stupidest thing anyone has ever said but in a precisely specific way that your readers will nod sagely and say, clearly, this author is a genius.

[trekkele]

I bring a sort of "Damian is the only Robin who could technically be called a child soldier" vibe that nobody really likes

[hussyknee]

I'm really not a villain enjoyer. I love anti-heroes and anti-villains. But I can't see fictional evil separate from real evil. As in not that enjoying dark fiction means you condone it, but that all fiction holds up some kind of mirror to the world as it is. Killing innocent people doesn't make you an iconic lesbian girlboss it just makes you part of the mundane and stultifying black rot of the universe.

"But characters struggling with honour and goodness and the egoism of being good are so boring." Cool well some of us actually struggle with that stuff on the daily because being a good person is complicated and harder than being an edgelord.

Sure you can use fiction to explore the darkness of human nature and learn empathy, but the world doesn't actually suffer from a deficit of empathy for powerful and privileged people who do heinous stuff. You could literally kill a thousand babies in broad daylight and they'll find a way to blame your childhood trauma for it as long as you're white, cisgender, abled and attractive, and you'll be their poor little meow meow by the end of the week. Don't act like you're advocating for Quasimodo when you're just making Elon Musk hot, smart and gay.

[dathen]

Hey know what’s fucked up. The little surge of hope Jonathan gets at trying to get his letters out isn’t even for his own rescue. It’s just for the chance for his fate to be known, and the warning of the danger that will soon be on the way.

He doesn’t want Mina to be left wondering what happened to him forever, and doesn’t want her to be vulnerable and unprepared when the Count arrives. His hope was for her.

[balkanradfem]

Do you ever think about how sad and messed up it is to grow up in this world as a little girl who likes to read. Because you are a child, and you don't get that there's a difference in who writes the books, you read everything you like, you read the adventures and the fantasy and the mysteries and the traumatic stuff and if you're also very isolated and lonely, these books build your worldview. Because why wouldn't they? They're written by humans, so they have the attitudes, opinions, perceptions, morals and spirits of human beings in them, they're telling you what humans think and feel about things, how they go about situations, what they imagine, what they desire. What your role in all this is, or what it could potentially be.

But, since you are not capable of differentiating the material, and you just read what is available to you, you end up reading a lot of books written by m*n. You also have to go thru the required reading at school - 90% written by m*n. And so slowly, since young age, without even socializing or learning it thru interaction, you find yourself in a world shaped by minds who do not have empathy for women, especially not for little girls. You find yourself relating to the male protagonists, but you also find out that girls only play a passive role in their stories. You find that m*n problems are centered, made important, their suffering and violence critical points in the story, while women are cast aside as helpers, servants, givers, caretakers, and generally just exist in the background, not a thought given to what they are going thru.

You learn thru books written by m*n, that your experience is secondary. Even if you cast yourself as the adventuring, immensely important and struggling protagonist, even then the other women in your mind end up being just background characters, caregivers who do not need a thought spared for their suffering.

Books written by m*n, even for children, will trivialize female suffering to the point where they shape the child's mind into one that looks at the world from a male perspective. Where women either don't matter, or are capable only of giving and aiding, to be cast aside for more important matters, such as male aspirations for their own lives.

Thinking back, I understand why I felt myself unimportant and trivial in any social setting - I understood my role from the written word, and I knew adults found me trivial, secondary, only a background figure to someone else's adventure or mission. As much as I could fight it in my fantasies, and make myself the main character, it felt like a pipe dream, like something that was incredible self-indulged and selfish and would never translate to reality.

I wish it had been different. I wish I had been introduced specifically and only to books written by women, for women. I wish I had found empathy for myself in those books. I wish I had found myself standing on high ground, equal ground, with other women, our desires centered, our lives translated into tales of epic importance - because that's what they are. I wish I had been born into a world where female perspective is available from the start, not after years of growing up and finding feminist literature and having to re-write my own role in my brain, from all of those years of reading male perspective as the default.

I don't think any little girl should be exposed to literature that shape her world as a place where she doesn't matter. I don't think books written by males and shaped by their worldview should be allowed into children's literature, or teenage or for young adults. Girls should not be learning from fiction that their most important value is empathy and understanding for male problems, and their second, to be desired and/or helpful to them, all while being treated as nothing but service and background noise until you're desired for something. We need to open books and find out that we matter too. That our lives can be the center of our existence, rather than being in the service of someone else's life.

[self-spaghettification]

The Mystery of Aaravos The Banter Lodge

So, recently an account called "The Banter Lodge" has popped up. April 30th, to be precise. You've seen it. I've seen it. We've all seen it. On Twitter, posting various images in the TDP official style.

A few nights ago, it debuted on Tumblr as well. "Coming May 2024" all of the promotional images and the website itself say.

Who is this account? Is it fan made, is it official? It's May, when exactly in "May 2024" is it coming?

Well, me and a few friends took some time to try to piece the mystery together, and so -- while it may still be 'coming', only dropping hints, I am here to tell you what I know now!

History

Website Code ( I love computer programming so I took the time to dive into that!)

Purpose

A. History

Who's Running the Banter Lodge?

To know that, first we need to delve into the history of the Twitter account.

Despite these images and site debuting less than a month ago, the account itself was founded way back in 2022, and originally called @BantherLodge, with an H, as it is in the show.

@BantherLodge is no longer available, and while it initially did not seem to be connected to The Banter Lodge, there are several interactions linked to the current one, Banter Lodge without an H.

In fact, here is the same tweets linked to the current (banter) account version.

Now we've established that @'BantherLodge' and @'BanterLodge' the same account with a changed name and identity, here is the most important past interaction:

@‘bantherlodge’ is mentioned here, and they are on this call. that said, WHO IS REALLY BEHIND BANTER LODGE? well based off the tweet, it seems that it’s 6 members of the cast and then 2 guests, @‘thebantherlodge’ and @‘ladytheebug’. But don’t take my word for it. Here, more confirmation:

Another person in the call happened to tweet about it too, this time with labels.

Now let’s take a closer look at these two guests. Sara @‘ladytheebug’ seems to be the one on the right, and by process of elimination, on the left is ‘bantherlodge’. aka:

Max….

Max the Mystery! ‘Sara’ and ‘Max’ isn’t really enough information to know more along with no connection to other socials so it’s hard to pin down who they are or what connections to previous fandom projects or creative projects in general they might have. However, they are still connected.

Besides the partially deleted various back and forths between these two accounts, this tweet about the Bait screensaver in the background is additional confirmation that this is @‘bantherlodge’ and @‘ladytheebug’: (note use of word ‘our’)

FURTHERMORE:

Said TV embodies this duo: A person who loves Bait (evident from so many of their tweets) and a person who loves the Banther Lodge…

Reminds you of something, doesn’t it?

“but hold on, just because there’s all these coincidences doesn’t mean the account could be passed on to someone else to run this.” Ok, but one last thing. If that was the case, why would they still be following Sara? In fact, it’s the Only person that they’re following besides TDPO?

(and their following has even been recently updated within the last few days as before then it didn’t include Eugene and Boone.) So, in conclusion,

Max of @‘BantherLodge’, and possibly Sara, (with or without TDPO but I’ll get to that later) almost certainly are the people behind the curtain of this Banter Lodge mystery.

Now, about said mystery… what exactly is the trail building up to?

well, to find out more about that, let’s glean what we can from the website.

B. Website Secrets

The website itself is very simple- A background, the image of the Banter House, and some text saying "Coming May 2024." But, beneath the deceptively simple surface, there was more to be found.

On May 1st Caprinae got this from the page. She also tweeted about it, after which the site changed to remove much of the css, including the part about the episodes and subscribe button. I was pretty excited about this as someone with a few years of coding experience, I wanted to mess around in VSC and see what I could find out.

After formatting the code the most noticeable thing is this right?

And when I make an element for it to apply to (since all that code is just formatting for stuff on the page like the title, images, etc, in this case- an audio bar) + adding in an image and an audio file:

We get this

AUDIO and an image. It looks exactly like a podcast episode. It turns out there’s actually a bunch of code for formatting that’s not used in elements in the site (elements that exist: the title or image), but it’s there, so I made some elements it would apply to. technically, it’s supposed to have a parchment paper background too, but I just chose some colors that you could see the text on.

Doing so, we get this!

(Here’s a video version.)

Plus, Original Code and Modified Code if you’re curious

Anyway, so the site (at least at the stage the code was taken from) doesn’t appear to be finished and there was no Java script written (or at least, linked) but there is definitely the makings for a website for a podcast— some sort of nav bar with the episodes, on an episode page, the image and audio, and then a subscribe link at the bottom!

C. Purpose

Time to speculate on the real identity and purpose of the Banter Lodge. So far, we know it used to be called the Banther Lodge. We know it seems to be run by [insert here.] We know it is almost certainly a podcast of some sort. But what, and why?

Here are some possibilites:

1.Official Content to Tide Over Fans Til S6 As we know, to calm the frustration of fans at Netflix/TDP for the delay of S6, the creators have been putting out content every day for the fans to puzzle over and figure out the season six titles.

Based on the current schedule, it’s set to end on May 13.—although it could be ending either May 13 or May 14 (depending when they do the last hint) after these drop, there will likely be a lull in TDP content, which would be the perfect time for the Banter Lodge to launch.

+ The Banter Lodge teaser campaign has already been perfectly timed for when a bunch of fans would be online on Twitter checking in for clues to begin with.

If this is official content, it would doubly make sense—it’d be timed perfectly to tie the fans over until the actual season six campaign starts (ie, trailer). Considering these two fans also somehow got to have a private panel with the cast, it’s not impossible that they’d be working with TDP on this content, additionally the teaser images put out this far have been somewhat reminiscent of TDP official content—ie, Callum’s lodge notebook->Callum’s sketchbook, Refractions->Reflections, Dear Callum letter from Rayla, design style, etc.

However, there is one big reason I don’t think this is the case: it’s a little too sloppy. For example, if they wanted it to be completely anonymous and unclear what was happening, the tweet mentioning @‘BantherLodge’ in the panel would have been deleted and there wouldn’t have been any hints in the code. Of course, these could still just be honest mistakes. However, it also seems like it is building off of the current world in a more derivative, fan-content fashion, not necessarily adding new material the way TDP Official tends to. It’s copying the official style,—but almost too much if that makes sense.

Like altering a shot from the show for a teaser.

x

Don’t get me wrong. I love the way that they’re building off the world, I’m excited to see where it leads, but for whatever reason, to me, it just doesn’t seem official.

So assuming it’s made by fans, what kind of podcast is it? Second possibility—

2. Fan Made Talk Show

This seems like the most obvious conclusion, considering that The Banter House is a play on a location in TDP, and the word banter, which is synonymous with talking, but specifically back and forth, genial interactions.

Maybe it’s dedicated to analyzing the show or a particular aspect,—maybe centric to the lodge, crystals, Bait and Stella—maybe even interviewing cast/crew!

Well, to get a better idea of what niche it might be filling, let’s take a look at what TDP podcasts are already out there.

Hot Brown Morning Potion Podcast [2019-2023] Hosted by Tamika "Kuno" Williams and Hailey from Cartoon Universe. This podcast [is] full of answering fan questions, interviews, theories and all kinds of discussions on everything Dragon Prince.

News from the Breach [2020-2024] Your hosts Ceilidh and Yana are watching The Dragon Prince from start to finish. Each season of the podcast covers one “Book” (or season) of the Netflix series The Dragon Prince. In each episode we discuss two chapters of the series, except for the season finales.

Calm Chaos Club [2023] Join Kevlar and Lou each week as they discuss topics about animation, design, and all things related to The Dragon Prince on Netflix! With special guests brought on for unique topics and insights into the creative process, these bite-sized episodes will ensure you can get your TDP fix in anywhere and anytime.

There’s no harm in another talk show but as there are a few out there already (and for other reasons) I personally think this is not necessarily the niche the banter Lodge is going to fill. I mean, I do think that it’s still possible I mean, it could be centric to particular aspect around the lodge as mentioned.

However, there’s a possibility that excites me a lot more, that I’m hoping for the most….

3.Fan Made Audio Drama in the Saga Setting I have personally always been a huge fan of audio drama podcasts (TMA,TPP,WTNV) and if there was a dragon Prince audio drama podcast, I think I would just die on the spot honestly from joy. I also think it’s most likely because all of the clues so far have been very story/worldbuilding oriented, as well as writings from familiar characters’ perspectives. It seems as though a story is being crafted here, and I am all for it.

Y’know what? While we’re here on the topic of storytelling podcasts, we might as well throw in D&D/TTRPG or even Tales of Xadia as a possibility because yeah sure. Why not? I mean, tabletop role-play games also involve a lot of talking so it would fit the banter theme. Who knows.

That's all! What do you think? Any other thoughts, additions or other speculation? Feel free to add on!

Thanks to @bycaprinae for Twitter screenshots, html, and general inspiration, and to @parroset for other help with the website part and general support!

[bumblingbabooshka]

[Tuvok & Janeway: Control, Distance, Duty & Connection.] Sources: St Voyager Transcripts / Mitski 'First Love Late Spring' / Disco Elysium

[syruubi]

Man its been weeks and I’m still soured by the conclusion to Fontaine’s main story. I'll just rant here

There were a lot of things I didn’t like about it (Arlecchino's altruism being played straight, Traveler being out of character, the lore exposition ass-pull with the prophecy slates, the weird logic about how destroying a Gnosis could potentially wake up the Heavenly Principles but not fucking destroying an Archon Throne when Celestia forced everyone to fight a GODDAMN WAR TO ESTABLISH THEM-) but the biggest offense to me was how Furina was handled. This was marketed as the grand finale of the arc, the climax with Furina at the center of it all. And she got shafted. Big time. Furina had no agency in the plot whatsoever, nothing she did had any effect on how things turned out, and she didn’t even have the dignity of fully understanding why it all had to happen that way.

(Also I will preface this with yes Furina and Focalors are technically the same person with the same origin, but after the split Furina lost all her memories as Focalors. They are two separate consciousnesses with different experiences, and therefore I will treat their individual choices as their own)

I’ve seen people try to argue that no, she chose to take on this role knowing she would suffer, that she didn't HAVE to go along with it. And she was even working by herself to solve the prophecy without relying on Focalors, she wasn’t a puppet/pawn! But the thing is she was essentially in a hostage situation. If she didn’t do things exactly as dictated by Focalors people would DIE. Like there is a reason why criminal punishments are lighter when it’s found the perpetrator was coerced into it! And her researching how to avoid the prophecy changed nothing about the outcome, she could have sat around eating cake and the story would have word for word turned out exactly the same. All that information served to do was highlight her suffering and draw the audience’s sympathy. That's what I mean about her not having agency, it's not about her ability to act as an individual but how her actions had an effect on the overall plot. None of her choices outside of the role designated by Focalors did anything to change the situation for better or worse.

And to top it all off she didn’t even understand WHY this all had to happen. Why do people dissolve in the Primordial water? How does her pretending to be an Archon play into solving the issue? Why can’t she confide in anyone? What the hell is Focalors even doing? She doesn’t learn the answers to any of these until after everything was over, and not even from Focalors’ own mouth, it was relayed to her by Neuvillette.

Speaking of Neuvillette, I’m not gonna lie I’m sorta annoyed at his existence because it felt like Furina was shafted for him. Everything is very tilted in Neuvillette's favor. He gets his powers back, full control over Pneuma/Ousia, final say in trials, the ability to hand out Visions, and just straight up the ability to manipulate life itself. And okay all these things were his to begin with lore-wise, whatever, but he also becomes the "lore important" character after this at Furina's expense. Furina doesn't have her memories as Focalors, she can't tell us anything about how the world works, about Celestia, about what happened 500 years ago. Even though other Archons didn't give us much either for one reason or another, they at least HAVE that knowledge, and are therefore guaranteed to have involvement in future events with the Abyss and Celestia. Furina at the moment, doesn't. Neuvillette has it now. And all that talk about Focalors judging Celestia? Also Neuvillette's job now. And it feels like it was all stolen from Furina from a story-telling perspective because again, she didn't know of the plan to return his powers. She didn't even get to explicitly agree with her other self that he should have them back. The writers really seemed to go out of their way to place him on a pedestal at Furina's expense, which irks the hell out of me.

There are some opportunity for future interludes to turn the current state around, and they probably will since Furina is still being marketed as an Archon, but as it stands I want Fontaine to be over so we can move on to the next disappointment.

[discjude]

SO funny that the only explanation for why Aric stabbed Rhian is, in Japeth's words, "because [Rhian] said things about [his and Aric's] friendship" (the full actual quote is "because you said things! About him and me! About our friendship!"). Which is such a funny way of phrasing it because that could mean LITERALLY anything. Soman why would you phrase it like that. genuinely

The only other elaboration we get on the stabbing ever is right after the first line and it's vague as to what it's actually talking about, which is where Rhian says "Because he was a monster / a sadist with no soul" (which. yeah lmao), but that could be either "he stabbed me because he was a monster" OR "I said those things because he was a monster", and the rest of the line supports the second interpretation, so we just???? don't know what made aric do it??????? This is the single most influential event in the series it literally doubled the series' length what do you MEAN there's only ever two lines about it????? ? ? ??? arbed prequel when hello

[spocks-kaathyra]

I despise any narrative that positions social progressivism as a western concept. why is every immigrant narrative about escaping from the terrible inherent conservatism of the backwards culture your family comes from and being saved by america's unique progressivism. just this disgusting pinkwashing that is exactly the same as any other narrative claiming that the west invented civilization and all those third world barbarians are only just now beginning to learn it from them. america's enemies do not have a monopoly on social conservatism. white people did not invent queer acceptance or anything else of value. death to america idk

[oswaldthatendswald]

This is not a new observation, but I think One Piece handles Doflamingo's backstory-- how it continues to affect his behavior and choices, as well as how it fits into the overall story-- exceptionally well. The villain who is evil due to a tragic past is a very well-established trope, but it is increasingly done quite poorly. Attempts to flesh out a villain and garner sympathy for them can become misguided justifications for their actions or goals, muddying the themes and tone of a story. My point isn't that morally complex characters can't be interesting when done competently and purpose; it's that when the villain with a tragic past is meant to be evil but his past becomes a justification, the writers' intended dynamics of the story are damaged.

Doflamingo's story never has that problem. His backstory makes it perfectly clear why he does the things he does, but it never implies that he is right to do them. It is a reason, not an excuse. The reader gets the sense that Doflamingo is very much the product of his childhood: first the golden excess of a Celestial Dragon, then the abrupt fall from grace into hatred and pain. It's the perfect storm to set a person down the worst paths possible.

But I think the reader might also feel (or at least I did) that this wasn't a fate set in stone. Doflamingo could have unlearned the ideology of a Noble and perhaps that the harm done to him doesn't justify further harm-- except that the only guidance he ever got was worship by Trebol and the other Executives, who were the nail in the coffin for any redemption Doflamingo might have had. Their appearance only validated and affirmed the beliefs Doflamingo already held regarding his place in the world.

Instead of ham-handed sympathy bait, Doflamingo's backstory is a beautifully executed extension of the worldbuilding and themes already present in the story. It is another tragedy in a world of tragedies, another story where children are put through hell. But without the external guidance and support the heroes get, Doflamingo takes the other path, becoming another perpetrator of tragedies, and a reminder that our heroes are the people they are as much (or more) because of the love and mentorship they had than due to innate goodness. It's the road less traveled, but they still might have traveled it.

[hermitagereheadcanons]

Hi all! I'm going to put a pause on headcanons that involve Iskall or Stress for a little while. I need some time to think about the information that has been made public before I decide how to proceed.