#valle imperial

[haaaaaaaaaaaave-you-met-ted]

Star Wars: Imperial Assault - IG-88 by Ryan Valle

[xolaanii]

muahahahahaha here i am to make you all suffer the sight of my ocs from my original stories.

thank you so much to @lestatlioncunt and @pawnguild for tagging me to recreate some ocs in this here picrew <3!

karo/maírin | bjorí/svella tora/al-duama | raven/caom

poor raven 10 years later and still with your placeholder name because ya girl relegated him to a sequel and still hasn't bothered lmao (but he totally would cry after being kissed i know that for sure). also tora and al-duama are pirates i need you to know that. for more details do pester me, just know i love these pookies so much.

tagging: @burgundie because i need you to do this for meeeeee

also tagging @catboyeddiediaz @ruvviks and anyone else who wants to do this

if you've already done this pls do disregard

[sheltiechicago]

The Imperial Staircase, Savoy Castle, Valle d’Aosta, Italy (1904)

peter.rajkai

[siryl]

Art by Ryan Valle.

[jujuygrafico]

Avanzan las investigaciones en el sitio arqueológico hallado en Alto Padilla

Avanzan las investigaciones en el sitio arqueológico hallado en Alto Padilla

Se realizan investigaciones en la futura Ciudad Judicial de Alto Padilla para determinar las características del sitio arqueológico hallado.En el marco de los trabajos previos a la construcción de la Ciudad Judicial en la terraza de Alto Padilla, se realizaron prospecciones arqueológicas que establecieron la existencia de un sitio con características prehispánicas en el sector. Por tal motivo, el…

[yaellaharpe-blog]

MOSAICO DE LA VILLA ROMANA DEL CASALE

(Español / English)

La Villa Romana del Casale, situada en la pintoresca localidad siciliana de Piazza Armerina, es un tesoro arqueológico que data del IV siglo d.C. Esta villa romana tardía fue incluida en la lista del Patrimonio de la Humanidad por el UNESCO en 1997.

He aquí algunos detalles fascinantes sobre la historia de esta extraordinaria residencia:

Descubrimiento casual: En el siglo XVII, los campesinos que trabajaban en los campos del alto valle del río Gela, al pie del monte Mangone, notaron numerosas estructuras de pared que emergían del suelo. Estas revelaron entonces que pertenecieron a la grandiosa villa imperial del Casale. El entusiasmo por este hallazgo atrajo la atención de muchos eruditos locales.

Mosaicos excepcionales: La Villa Romana del Casale es famosa sobre todo por su extraordinaria colección de mosaicos, perfectamente conservados en el tiempo gracias a una capa de barro causada por una antigua inundación. Estos mosaicos decoran los pisos y representan escenas mitológicas, animales, juegos y actividades diarias. Son un verdadero espectáculo para los ojos y testimonian la riqueza y el gusto artístico de la época romana.

Estructura monumental: El chalet incluye Cubículos, Vestíbulos,Peristilos, Ambulacri, Triclini, Diaete, Acueductos, Latrine y Termas. La disposición en diferentes niveles recuerda el ejemplo de la villa del emperador Tiberio en Capri. La magnificencia de los mármoles, de las columnas y de los suelos de mosaico desafía incluso la morada de Diocleciano en Split.

La Villa Romana del Casale es un viaje al pasado, un lugar donde la historia y el arte se funden en una experiencia extraordinaria. Si alguna vez tienes la oportunidad de visitarla, te recomiendo admirar estos mosaicos únicos y sumergirte en la antigua grandeza de este lugar mágico.

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MOSAIC OF THE ROMAN VILLA DEL CASALE

The Villa Romana del Casale, located in the picturesque Sicilian town of Piazza Armerina, is an archaeological treasure dating back to IV century AD. This late Roman villa has been listed as a World Heritage Site by UNESCO in 1997.

Here are some fascinating details about the history of this extraordinary residence:

Random discovery: In the XVII century, farmers working in the fields of the upper valley of the river Gela, at the foot of the mountain Mangone, noticed numerous wall structures emerging from the ground. They later revealed that they belonged to the grand imperial villa of the Casale. The enthusiasm for this discovery attracted the attention of many local scholars.

Exceptional mosaics: Villa Romana del Casale is famous for its extraordinary collection of mosaics, perfectly preserved over time thanks to a layer of mud caused by an ancient flood. These mosaics decorate the floors and represent mythological scenes, animals, games and daily activities. They are a real spectacle for the eyes and testify to the richness and artistic taste of the Roman period.

Monumental structure: The villa includes Cubicles, Vestibules, Peristili, Ambulatories, Triclini, Diaete, Aqueducts, Latrine, and Terme. The layout on different levels recalls the example of the Emperor’s villa Tiberius on Capri. The magnificence of the marbles, columns and mosaic floors defies even the abode of Diocletian in Split³.

The Villa Romana del Casale is a journey into the past, a place where history and art come together in an extraordinary experience. If you ever have the opportunity to visit it, I recommend that you admire these unique mosaics and immerse yourself in the ancient greatness of this magical place .

[kallie-den]

Rebellious Mind

Karteya Vall, a general plotting to overthrow the usurper to the Imperial Throne, submits to a ceremony to prove her loyalty. A simple, traditional - and above all, completely normal - ceremony…

This story was chosen by my patrons via a poll, and features some delicious, highly-ceremonial, unaware mind control~

If you like my writing, please consider supporting me on Patreon!   For less than the price of a cup of coffee each month, you can get   immediate, early access to everything I write - along with exclusive stories and the ability to vote on what I write next. Your support helps  me keep writing and is greatly appreciated

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“General Karteya Vall! Warden of the Northern Commandery! Master of the Imperial Chariots! Conqueror over the Barbarians! Custodian of the Fifth Wall!”

The herald’s voice is clear and strong, but that doesn’t stop it from sounding small as it echoes around the cavernous space. The innermost sanctum of the Imperial Palace had been built a thousand years ago, by men who were determined to make a building that matched the magnitude of all their worldly ambitions. A thousand years later it’s still an unmatched architectural wonder, but the glory of the empire has far outstripped even their vision. Whoever rules here, rules over an unimaginable vastness of humanity and geography. It hosts diplomats and tributaries from lands its architects could not have imagined, and it’s decorated with treasures they would have considered impossible miracles. Our empire is the greatest power this world has ever known.

This place is the beating heart of it all. Decisions made here touched countless lives and had the power to reshape seas and mountains. It is the center of the world. The pillar that holds up Heaven. It is also the embodiment of the empire and order I have devoted twenty hard years of soldiering to serving.

Once, it would have brought me immeasurable pride to hear my titles and my achievements announced here by the herald. As a girl, I was raised on dreams of being permitted to set foot in these hallowed halls, even as the lowliest servant. Once, but no longer - just as the jade carvings and scarlet silks of the palace had once been beautiful to me, but now seem like an affront. This regal beauty no longer belongs here. It’s a remnant. A lie. For a spider has spun this place into Her web.

All the same, I rise from my seat and stand tall and proud as I answer:

“I am here!”

I was summoned, and so I am here. I may be one of the most powerful women in the empire, but that doesn’t mean I can ignore a summons from the palace. And She does so love issuing summons. Her appetite for prostration and ceremony is that of a tyrant, not a true ruler.

“Your request for an audience has been granted! Approach the Lion Door!”

My request. This charade grates on me to no end. But I keep my face serene and approach the colossal door that bars the way to the throne.

“Halt!”

I do. This is expected.

“You must relinquish your blade in the presence of the empress!”

The demand chafes. I’m a soldier. My sword is my arm. But it’s just as well. If I was allowed to carry it into the throne room, I’m not sure any force under Heaven could restrain my fury.

An unsheathing. A few sprinted steps. A single stroke. She has guards, of course. But it could be done.

When the usurper first seized the throne I was a thousand leagues distant, at my post on the frontier. The first I heard of the vile coup was news of its success, along with Her demand to come and bend the knee. I tore the scroll to pieces in my hands. My oath to the imperial dynasty was not some reed bending in the current. In the span of a heart heartbeat, I had decided to turn my armies inward and revenge myself upon the throne-stealer.

Only the calm heads of my advisors had saved the land from civil war. Though no less faithful than I, they had persuaded me that there was no undoing what had already been done. I had armies, but together the other generals had more, and they had already pledged new loyalties. If I raised my banner against the usurper, my vengeance would never find satisfaction.

Instead, they suggested, I could be a snake who hides her fangs. I could feign obedience and bide my time, and make my move only once every preparation had been made. Then, I could be successful - and all it would cost me is that I would have to go before Her and bow and scrape as She demanded, for a little while.

A bitter price. But one I had resolved to pay - although I might have decided differently if I’d known the usurper would call me back, time and time again, insisting on fresh oaths of loyalty.

Well. No matter. A thousand oaths couldn’t stop me from avenging the dynasty I’d been sworn to.

All I need to do is bide my time and wait.

“Here.” With the ease of long practice, I draw my sword and hand it to the perfumed servant who approaches. The way its weight surprises him makes me sneer. “If there’s a single nick on this bronze,” I warn him, “it will take your head.”

He pales. As well he should.

The herald nods as I turn back to him. “You may enter.”

With his words, the Lion Door begins to yawn open. Those carved gates are taller than any tree I’ve ever seen, and they move like twin glaciers. All the better to be awed by the space beyond. The throne room is even grander; taller, wider, more lavish. An impossible space. A humbling space. Once the gates come to a halt I begin to march, paraded on both sides by guards - an honor, supposedly, not a threat. The walk to the throne is long enough to make the legs of idle noblemen ache but I’m well used to worse, and I can spend the time contemplating the object of my loathing.

The usurper. Our empress.

The Pearl Throne is well-named. A tall, looming thing, its white-rainbow iridescence is said to represent the labor of ten thousand divers’ lifetimes. It’s meant to humble and devour even the anointed demigod who sits upon it. The cold, hard edges allow for no comfort and the severe, flat surfaces admit no luxury. The proportions are wrong; inhuman, such that a man full-grown sitting the throne looks somehow less and more. Towering, yes, but like a child rather than a king. Even the emperor is a child under Heaven.

The usurper makes it look like a reclining couch.

It must be the supreme ease with which She lies across the throne. It’s like it’s nothing to Her; like the empire that rests on Her shoulder has no more than a feather’s weight. There is no respect in Her. None at all. Not a single drop. She’s draped across the throne with the arrogance of a girl-queen who’s been there all Her life. You would never imagine that She’s been empress for mere months.

Oh, Her figure is regal enough. Bounteous. Like She’s tasted every pleasure under Heaven and taken them as Her birthright. She’s proud of Her fullness, and Her fulsome curves are so admired they have shifted trends among her courtiers. Her imperial silks are cut close to Her body. Too close, as a courtesan’s might be. But they’re layered, too, rather than thin, and unfathomably rich. She likes to display Herself. To be like the sun. And yes, She is remarkably beautiful.

How I hate Her.

By the time I reach the base of the throne, I’m trembling with loathing. But She can’t see it. I can make myself almost still, and for all Her inexplicable success in seizing the throne, She’s too much of an arrogant fool to see the viper She’s invited into Her bosom.

“My general, Karteya,” Empress announces. She takes pleasure in the music of my name under Her tongue. “Kneel.”

I do, of course. What choice is there? Though my limbs rebel against the gesture of submission, I place a foot forward and drop to one knee before the throne, an arm resting squarely across my body.

Empress is relaxed to be sure, but Her eyes are singularly focused on me. On the way I sink before Her. The rich, swelling pleasure in Her gaze is yet another challenge to my inhibitions. It’s like She’s daring me to cast Her down. There’s something piercing in Her gaze, too; it’s tempting to succumb to my bleak humors and imagine that She knows something of my designs. She doesn’t, of course. Empress outstretches one arm toward me and lets it hang off the throne.

“You may kiss my ring,” She says languidly.

Indignity after indignity. “Yes, Your Majesty.”

I reach out and take Her hand to guide it to my lips. On Her finger is a ring that has, I gather, produced endless discussion amongst the ladies of the imperial court. Into it is set a gem of unknown providence, so large as to be vulgar. The gem came into the usurper’s possession when she was just a beggar, so it’s said, and the poets love to wax lyrical about how there’s none other like it in any treasury in the world. Those courtly ladies whisper that sometimes it glows with strange, shimmering lights, like those that can be seen in the skies above the great northern snows, and that it can even ensnare the souls of men.

Ridiculous. It’s just a ring.

I bring it to my lips and kiss its surface, pointedly ignoring the garish way the light glints from within its depths.

“Good.” Empress nods and retracts Her hand. Her approval tastes like bile. “You have come to swear your loyalty and obedience.”

It’s not a question. “As my empress commands.”

“As I command.” Her voice dances with a cruel laugh. “Proceed, my general.”

I brace myself. I have to, or else I may choke on my words. The oath I swear to the throne is old indeed, the words dictated by proud tradition, but saying them to Her makes them sour. My honor revolts in my belly at the thought of pledging myself insincerely - but it must be done.

To tolerate it, I have to tell myself: they are just words. Just air. They mean as little as Empress’s throne. They’re empty, and any honor I lose by speaking them will be won back when I finally make my move. When I make Her pay. Until then, all I have to do is play the role of the simpering, obedient servant.

All I need to do is bide my time and wait.

But it’s strange. Over and over again, She commands my presence and my oath. I alone am subject to these incessant demands. The pleasure She takes in forcing me to pledge myself over and over again is evident. Why? It’s almost as if She knows. As if She can sense my inner hatred. As if She knows what I’m planning.

Those are my weak nerves talking and nothing more, I decide. She has no idea. She couldn’t possibly. My performance is perfect. All I need to do is stay the course. I part my lips and begin to recite the vow that has been sworn in this place since time immemorial.

“I, Karteya Vall, pledge my eternal faith, loyalty, and obedience to the Pearl Throne and She who sits upon it. On my honor, I offer Her my fealty and service to Empress, from this day until my dying day. I vow to take up my sword in Her service, to defend Her rule and Her realm, to make Her enemies my own, and to keep faith with Her descendants and Her dynasty forevermore.”

I keep my voice slow and measured. The words deserve respect, even if She doesn’t. The vow is long and exacting - as it should be - and immutable. The words have never changed, even as centuries and dynasties have gone and gone. It’s comforting that some things don’t change. Not in a thousand years.

“I vow to obey Her in all things, without limit, without question. I offer Her my faith and my skills, so that I may be Her sword. I offer Her my very soul, to twist, to spend, to debase, to profane as She wishes. I offer Her my mind, to twist and change. I offer Her my body, for Her delight and Her pleasure.”

I hate the way She's smiling as I speak. Almost grinning, really. It’s like She’s about to burst out laughing. Has She no sense of solemnity? Of respect? These words are ancient. It’s tradition.

“I offer Her my tongue, though I may be unworthy to lick Her pussy or kiss Her feet. I offer Her my tits, for Her to display or ogle however She wishes. I offer Her my lewd, fuckable cunt, should it bring any comfort to Her faithful soldiers. I offer Her my untrained ass, for I am nothing but a worthless hole for Her to enjoy. I offer Her my orgasms, whether She wishes to withhold them forever, or make me cum like a stupid mutt in heat in front of my own men. And I offer Her what little dignity I have left, as a stupid bitch who thinks she knows better than her Empress.”

I’m surprised it amuses Her so much. She seems like the type to find tradition boring, although She clearly never tires of making me recite the oath for Her. I know it off by heart, of course. Every good soldier does.

“Thank you, general,” Empress snickers. “I’m very moved by your fidelity.”

She’s mocking me, obviously. I just can’t quite figure out how. After all, She has no idea I’m plotting against Her.

“You may disrobe,” She says.

“Thank you.”

This is the next part of the ceremony, every bit as traditional and timeworn as the vow. I rise to my feet and begin to remove everything that I’m wearing. My dress armor is first - I wear it everywhere, as a general should. It takes a little time to manage all the clasps and fastenings.

“Tell me, Karteya,” Empress comments suddenly. She’s watching me with lurid interest in Her eyes. “Do you know why I summon you here to swear your faith, time and time again?”

I grit my teeth and focus on the task at hand. “It is your right, my Empress, to demand my vow as many times as it pleases you.”

“True, true!” Her laugh is musical. “But that doesn’t explain why. No; the reason is that every single time, I’m wondering if some part of you will notice what’s really going on. It seems almost too good to be true that even a powerful, strong-willed, oh-so-dignified woman like you could be so completely and totally unaware. But you really are, aren’t you?” She lifts Her hand. “I truly love this ring!”

More nonsense. She’s taunting me, no doubt, though I can’t fathom what She means. Better not to guess. I set my breastplate down and start unstrapping my vambraces.

“It’s such a rush that I can tell you, straight to your face, and it simply doesn’t matter,” Empress boasts. That stupid, high-handed grin on Her face just keeps getting wider. “I’m manipulating your thoughts, Karteya, and making you completely unable to tell. Because of me, you think that ridiculous, vulgar tirade I fed to you on a whim is some ancient, sacred vow. You think taking your clothes off now is just part of the ceremony. It isn’t.”

I decide to ignore Her. It’s better for my humors if I focus simply on getting through the ceremony. With all my armor removed, I begin to slip out of the long, hard, green robe I wear underneath.

“You think you’re plotting to overthrow me, but that isn’t true either,” Empress goes on. “Not really. I already have everyone you trust wrapped around my fingers in exactly the same way. Most of the time you think you’ve spent planning, you’ve actually spent plunging your sword hilt in and out of your cunt until you pass out from the orgasms. You will never have your revenge, General. You will never even make a move.”

Next, my smallclothes. I remove them and feel all the small hairs on my body stiffen from the cool palace air on my naked skin. That’s not all, though. The ceremony also requires that I present myself appropriately. I begin carefully folding and stacking my clothes along with my armor, presenting them as a soldier would for an inspection in their barracks.

“I could stop you altogether, obviously,” Empress muses. “I could make you as obedient as a dog, just like everyone else I used as a tool when I took the throne. I could even make you love me. But I think this is much, much more entertaining. I can even get into your head and make you think of me as ‘Empress’, make your thoughts tremble with reverence and worship for me, and you will never once notice.”

With all my clothing and belongings neatly folded and presented before the throne, I sink back down to my knees in front of the usurper.

“You can keep thinking of me as ‘the usurper’, though,” She adds. “Every time you do, it makes me laugh.”

I place both hands in front of me, palms down, and then bend forward slowly, lowering my head as I do until my forehead is pressed to the ground in a gesture of absolute, unmistakable submission.

It’s just part of the ceremony.

Now that I’ve finished undressing, Empress shuts up. It’s just as well. I’ve become skilled at tuning out Her senseless prattling, but Her voice still grates on me after a time. Silence is preferable, even when it stretches on for so long that my knees and back start to ache. The usurper must be enjoying looking down at me. I can feel Her gaze on me, even if I can’t raise my head to look. It would be an unspeakable breach of etiquette to break this pose without Her permission.

She doesn’t deserve the respect. But my pride is at stake, and it certainly does.

I remind myself again. All I need to do is bide my time and wait.

Empress stands. I can hear Her clothes shifting as She moves, and Her footsteps as She descends the throne. She stops just inches away from me. The usurper is barefoot, of course. The Daughter of Heaven need never touch the filthy ground outside of the palace, and the ground here is kept fastidiously clean. She lifts one foot. I brace myself.

Empress brings Her foot down and stamps on the back of my head.

Not hard, but certainly hard enough to force my face down into the ground. She takes pleasure in it, I can tell. In grinding my face into the floor as I simply kneel and accept it. With the usurper, this part of the ceremony is particularly distasteful. The lowest part of Her body atop the highest part of mine, as I struggle to force out the right words.

“Empress,” I manage, although my voice is clearly strained and distorted by the way She’s stepping on me and smearing my lips against the ground. “Please accept this stupid, impudent cunt’s humble apology for daring to imagine I could ever deceive or outsmart you.”

It’s just another part of the ceremony. It’s tradition.

“Hmm.” Once She’s had Her fill, She steps back. “Apology accepted.”

I sigh. Being done with that is a relief, but the ceremony isn’t over yet. Empress raises a hand and snaps Her fingers, and a servant springs into motion. She hurries to Empress’s side and kneels, holding out a large, golden tray. On it are two objects. One is a bubbling cauldron of molten wax, lit from beneath by a small flame. The other is a large, metal seal.

“Prepare yourself, General,” She tells me.

“Yes, Your Majesty.”

My body is grateful for the permission to move, but only briefly. The next position I must hold is even less comfortable. I raise my torso and then bend it backward, extending my legs ahead of me to form a bridge with my hands behind me, as I arch my spine and present my body upward towards Her.

I painstakingly removed all of my body hair this morning. Yet more tradition.

“Stay still,” Empress chides, as She lifts the cauldron of wax, positions it above my body, and tips.

The wax falls on my skin perfectly; on my lower abdomen, directly above my womb. It cools in the air, but only a little, and the scalding pain makes me grunt. I do stay still, though. It’s a matter of pride. She can chide all She likes, as if I’m a child who doesn’t know proper etiquette. I’ll show Her. I won’t give Her the pleasure of watching me humiliate myself. She can’t take away my dignity.

Once enough molten wax has pooled on my skin, Empress sets down the cauldron and lifts the seal. She bends down over me and presses it to my skin in the same spot, imprinting the reverse of its shape on the wax. The cold metal is a salving balm. The pain recedes, and I’m able to breathe normally again.

Empress lifts the seal. I can’t help but crane my neck to look. Sure enough, it’s there. Her symbol. Her personal mark, raised on my skin like a brand. It’ll only last a day or two, which I take to be a mercy, even if it gives Her an excuse to summon me back and apply the wax anew.

“Very impressive,” She says, staring down at me. “I’m glad you’re a soldier, General Karteya. You’re so very good at taking whatever I give you.”

“Thank you, Your Majesty.” If She thinks a few sincere compliments here and there will engender any love for Her, She’s sorely mistaken.

“Let’s see if you can make it through the next part this time,” She comments and snaps Her fingers again.

The servant bearing the tray retreats. Another appears in her place, and she’s holding another of the ceremonial relics: a large phallus, shaped lovingly out of bronze. Meanwhile, I’m trying to puzzle out Her words. This time? I would never display improper form during the ceremony. She’s mistaken, clearly.

It is challenging, though. My muscles are screaming complaints at me, and it’s an active effort to keep them from shaking and spasming. My entire body is covered in a sheen of sweat from the exertion. And the worst is yet to come. I need to save my strength.

“Enjoy, General,” Empress says with a sneer, as She takes the metal cock from Her servant and rams it all the way into my pussy.

The sound that forces its way out of my lips is something between a scream and a moan. She is not gentle, and having something so hard and cold forced inside me hurts. But I cannot help the other half of how my body reacts, with treasonous shocks of pleasure radiating from between my legs as I begin to drip eager wetness onto the ground.

A lesser woman could easily have collapsed. I won’t. I hold firm. I can be proud of that.

“My!” Empress raises an eyebrow, Her lips curled with amusement. “You really are getting better at this.”

More nonsense. I can reply only with a grunt. I’m reaching my limits.

“You may go ahead and stand up,” She adds when She notices how much I’m struggling. “You’ve earned it.”

I have indeed. Somehow, I manage to fold my body forward without collapsing and rise to my feet - and crucially, I keep the muscles in the core of my body engaged the entire time, so the bronze cock inside me doesn’t slip free. It wouldn’t do to make a spectacle of myself by dropping it. Not here, at the very end of the ceremony.

“I suppose we’re done here,” Empress says, sighing theatrically as if dismayed. Then the smirk returns. “For this time, at least. You put your clothes back-“

She pauses. Something’s occurred to Her, clearly, although I can’t imagine what. All that’s left is for me to dress myself and leave. But the malevolent, gleeful grin that suddenly splits Her face from ear to ear is truly unsettling.

“Actually,” Empress tells me as She climbs back onto the Pearl Throne. “Leave them. You can walk out of here naked.”

“What?” I say sharply. I didn’t know She still had the power to shock me - but clearly, She does. There are some traditions even an empress can’t alter. She doesn’t have the right to dictate these things on a whim. They’re older than Her by many centuries, and if She tries, the people will surely turn against Her. She’s gifted me a perfect opportunity, and my anger is righteous. “How dare you? That is not… n-not…”

Somehow, at that moment, Her ring catches my eye. The light glints off it in a way that seems impossible, and I am briefly captivated. Before I know it, my eyes have unfocused completely. The whole world is a blur. I have to struggle to recenter myself. It’s like I’m a dancer who has stumbled and lost the rhythm. What was I saying?

“That’s not…” I continue uncertainly. Not what? I was… arguing with Her? Suddenly, the context comes flooding back, and it brings with it a sense of complete and total humiliation. My cheeks are tinted red with shame. “Forgive me, Your Majesty. I must have forgotten.”

How? How had I forgotten? I pride myself on my respect for tradition, and this is an error only an unruly schoolchild could make. All the court will be laughing at me. What had come over me?

Leaving naked is simply part of the ceremony.

“It’s been a long day, I’m sure,” Empress says. Her eyes glint with amusement, and I inwardly scold myself for providing Her with it. “We can overlook a small indiscretion. You’re dismissed, General.”

“Thank you, Your Majesty!”

To make up for my grievous error, I offer Her the crispest salute I possibly can. Then, as She nods, I turn and begin to walk - leaving all my belongings set neatly before Her, as is only proper. The walk back to the Lion Door is long, and feels longer still thanks to the awkward, bandy-legged gait I’m forced to use to keep the ceremonial bronze cock inside my cunt.

But that’s fine. The long, difficult walk is simply an opportunity to contemplate the depths of my loathing for Her, and the satisfaction that my revenge will bring.

The preparations are being made. All my plans will come together - and the best part is that She will never see it coming. She has no idea.

All I need to do is bide my time and wait.

---

I would like to express my gratitude for the generosity of all those who support me on Patreon, and to give a special thanks to the following patrons in particular for their exceptional support:

Artemis, Chloe, J, Grillfan65, The Secret Subject, Morriel, Dex, orangesya, Red, dmtph, Queenfisher, MegatronTarantulas, NewtypeWoman, WhyamIhere, Vanessa, Madeline, BTYOR, Sarah, Mattilda, Emily Queen of sloths, ntad, Shadows exile, Abigail, Hypnogirl_Stephanie_, Jade, mintyasleep, John, ZephanyZephZeph, Michael, Be_Be, Tasteful Ardour, Chris, Dennis, paxDulcetGirl, Full Blown Marxism, Morder, S, Myles_EXVS, Brendon, Drone 8315, Jack the Monkey, Jim, Erin, HannahSolaria, Christopher, hellenberg, Kay, Miss_Praxis, Violet, Noct, Charlotte, Faun, BrinnShea, B, Foridin, Jennifer, EepyTimeTea, Slifer274, Roxxie, Phoenix, Ivy, Jim, Sebastian, Joseph, Yaoups, Thomas, Liz, naivetynkohan, Basic dev, SuperJellyFrogEx, night, Katie, Lily, spyrocyndersam13, zzzz, Mal, Jose, Bouncyrou, Anonymous, ravenfan, Bacon Man, Nimapode, Melody, Selina, SkinnyQP, NuclearBoarhead, Kunoichiru, Jonathan, Friday, FemKUltra, Z!, WhyamIhere, Pluto

[rjzimmerman]

Excerpt from this story from the LA Times:

There’s a lithium bonanza happening at the Salton Sea.

The boom started when one of the world’s largest supplies of lithium was discovered one mile below the dying lake. The metal is required to produce electric car batteries and is essential to reducing carbon emissions.

Yet lost in the excitement about the money and new jobs that the mining projects could bring are the concerns of the people who live there.

The impoverished area — which is more than 80% Latino — already has a childhood asthma rate that is more than twice the national average.

The asthma cases have been tied to the toxic dust created as the Salton Sea recedes from lack of water. And some local residents fear that the number of respiratory cases could soar even higher as the lithium mining projects drink up more of the area’s much fought over allocation from the Colorado River.

Residents also worry about the hazardous waste that the mining projects could create. And the area’s Indigenous tribes are concerned that sites they consider sacred, including Obsidian Butte, a volcanic outcropping on the Salton Sea’s shore, could be disturbed.

In March, a local community group called Comite Civico del Valle, along with Earthworks, a national nonprofit, filed a legal petition to stop the first of the planned lithium mining projects, which is known as Hell’s Kitchen.

The groups say the potential hazards of the project by Controlled Thermal Resources, a privately held company, were not properly studied before the Imperial County Board of Superiors unanimously approved it in January.

“Controlled Thermal Resources boasts about the sustainability attributes of direct lithium extraction, yet public health, hazardous waste, and water concerns remain unresolved,” said Luis Olmedo, executive director of Comite Civico del Valle.

The two groups want the project halted until the risks are studied and measures are taken to mitigate any harm that could happen to the communities or environment.

The county and company disagree and say that the project’s potential risks were properly considered in the environmental impact statement that California law requires.

“The County believes that the concerns were adequately addressed during the initial stages of the project development,” said Eddie Lopez, a county spokesperson.

Jim Turner, Controlled Thermal Resources’ president, said the company spent two years performing studies to ensure that the lithium could be extracted safely. The board of supervisors agreed that the company had completed that work, he said. “The official opinion is that the job was done very well,” he said.

Government officials are among those who want to move quickly. They say the Salton Sea could be the cleanest major source of lithium in the world and make the U.S. a major player in production.

Controlled Thermal Resources and two other companies with mining projects in the works use a process in which the metal is extracted from the hot, steaming brine that geothermal power plants bring up from the depths to produce electricity.

Lithium is removed from the brine before it is reinjected back into the geothermal reservoir deep underground.

The process, known as direct lithium extraction, is said to be far less damaging to the environment than hard rock mining or by pumping brine into large evaporation ponds.

The U.S. produces very little lithium even though the demand is great and growing fast with the rising purchases of electric vehicles.

Already 11 geothermal plants have been built around the lake. Controlled Thermal Resources’ project would be the first to combine electricity generation with lithium extraction.

[bignaz8]

Imperial staircase made of oak wood in Castel Savoia, a 19th century eclectic-style villa built for the Queen consort of the Kingdom of Italy Margherita of Savoy as a holiday home, Valle d'Aosta, northwestern Italy 🇮🇹

[twstdwndrlndamateurs]

Libro 7. Diasomnia

Cap. 7.78

———————

¡Orgullo del castigo!

Silver, Sebek y Grim murmuran en la oscuridad.

-¿…qué es este lugar?-dice Silver.

Yuu: está todo oscuro y no veo nada/¿escucháis el ruido del agua fluyendo?

Baul los observa junto a un Lilia aún en shock.

-¿Los humanos aún no se han acostumbrado a la oscuridad? -se pregunta Baul- Parece que hemos sido arrastrados al canal subterráneo bajo el Castillo de la Rosa Salvaje.

-¡Uff, maldita sea!-grita Lilia furioso- ¡Oye Baul, por favor, cuídame este huevo!¡Yo tengo que volver arriba…!¡Augh…!-sus heridas le siguen doliendo.

-¡General en Jefe!¡Aún está herido!- lo detiene Baul.

-Ah…ah…por favor-suplica Lilia- Déjame ir. Si no voy ahora…¿qué es lo que he estado haciendo todo este tiempo?

Baul gruñe y se cruza de brazos.

-…con esas heridas, aún si regresa, no podrá vencer al enemigo con una sola espada. Como dijo la Princesa, solo será un obstáculo. Y para nosotros, los Guardias Imperiales, las órdenes del clan Draconia son absolutas. Si regresa, el Martillo del Juicio de la Princesa le atravesará.

-Si ése es el caso,-replica Lilia testarudo- ¡déjaré la Guardia Imperial de inmediato! Ya estoy a acostumbrado a que me caigan rayos encima de todas formas.

-¡Mantenga la calma!-le replica Baul, severo.-El huevo que sostiene en sus brazos ¡es el futuro del Valle de las Espinas!

Lilia se queda sin habla, pero Baul continúa.

-¡Debemos proteger a nuestro heredero y llegar al Castillo de las Escamas Negras!-grita-Creamos en la Princesa Malenoa. Estoy seguro de que derrotará al Caballero del Alba y regresará con nosotros. La Princesa es tan fuerte que incluso si todos la enfrentáramos, no podríamos vencerla. ¿No fue lo que dijo usted mismo? El Heredero aún no puede caminar solo, mucho menos respirar llamas. La única persona en la que él puede confiar ahora es usted, General en Jefe.

Lilia pone cara de frustración.

-Por favor…-continúa Baul-¡tenga paciencia!

Al final Lilia explota de frustración.

-Aaaah-¡mierda,mierda,mierda!-chilla. Entonces se calma y respira hondo. Acto después se pone la máscara. - Vamos a entregar este huevo al Castillo de las Escamas Negras, chicos. Es una orden imperial de su Alteza Malenoa y la cumpliremos.

Sebek, Silver y Grim asienten.

[semtituloh]

Vía Pueblos Indígenas Culturas

▪︎ Quipucamayoc - Contador Imperial

Quipucamayoc significa en lengua quechua "Responsable del Quipu". Un Quipu es una cuerda fabricada de cabuya o de lana de camélidos, de la que cuelgan otras más delgadas que, a su vez, presentan nudos y pequeños cordones o cintas de colores que le son atadas. Se sabe que cada nudo, cada cinta y cada color tienen un significado variable según su posición y la forma del nudo en relación con los demás, y que mediante un complejo sistema de percepciones táctiles y visuales los quipus eran registros, cuyo contenido quedaba reservado a los conocedores de tan singular lenguaje (los quipucamayoc). Para ser un Quipucamayoc o letrado en el sistema Inca de los Quipus se necesitaban 4 años de formación en los llamados Yachayhuasi (Casa del Saber).

Los quipucamayoc servían de apoyo a los administradores de collcas o depósitos estatales para llevar cuenta de la existencia de los productos almacenados. También ayudaban a los agrimensores para distribuir la tierra, a los cobradores de impuestos para el control de los contribuyentes y a los astrólogos para predecir las épocas de siembra y cosecha. Llevaban las cuentas de los niños nacidos, de los casamientos efectuados y de las parcelas de tierra concedidas a las familias recién constituidas. Registraban en los cordeles el monto de lana que los pastores obtenían anualmente de los rebaños estatales, la cantidad de maíz que los campesinos cosechaban al año, las hojas de coca que recogían en los valles cálidos, la cantidad de papas, algodón o quínua que cosechaban en sus campos de cultivo. Sabían qué fecha era un día determinado, qué distancia habían recorrido desde la salida de un pueblo, cuántas prendas textiles se habían tejido, el número de vasijas fabricadas, cuántas hachas de bronce se habían fundido, la cantidad de oro o cobre extraído, el número de peces capturados o cuánto fertilizante se había obtenido en las islas guaneras. Nada escapaba a estos hábiles funcionarios del Imperio Inca.

Hoy en día, también se han descubierto Quipus narrativos, ¿posible escritura Inca?.

Art by: Caolín p.

#peruconocelo #quipucamayoc

[mysticstarlightduck]

Eve's weird question time: give that one character a gun. You know exactly which one. What would happen? (Refrence to those "the x book would be much shorter if they had just give y a gun)

Either Ellinor, Ansell, or Tanwin because let me tell you something, these three characters are efficient. If they had a gun the war in Agrannor would be over before it started, and they are precise enough to hit the right targets. Isolde would be the next best character to be given a gun, but she would be a bit too enthusiastic about it.

And here is why the rest of the cast SHOULD NOT UNDER ANY CIRCUMSTANCE be allowed near a firearm:

If any other character had a gun in TLW, it would create utter unstoppable chaos, and I am not even exaggerating. Bryn? Too murderous, would kill more people than he should, and then not know how to deal with the aftermath after he runs out of bullets, (the same applies to Orion). Emryc would "fuck around and find out" too much with the gun and end up shooting his own foot or end up losing the weapon, Arammis would do the same. Julyan would take one look at it and go "Oh Hell No. I'm already a loaded gun myself, don't give me something that can make my tendencies worse" and straight up not use it. Raelen/Vall/Azra would get too excited and end up breaking it on accident. Yuna/Sybil would get drunk and then wake up the other day with no gun and precisely no recollection of what she did with it the day before. Morwan would know how to use it, but complain that "her axes are better" and grow bored, and give the gun to Arammis who would be an utter menace with it. Jamie/Seira/Nadinne/Kaden would be too afraid to use it, being sweet cinnamon rolls, and find a way to hide it so no one can use it. Luciya would go on a spree and disappear, return two years later, and refuse to elaborate further. Innara/Myrah/Peregrine/Trystan would be intrigued by it but not use it because it doesn't fit their code of honor. Helios would become friends with the gun and would give it a name, just to spite everyone around him. Lukan would lose it in a bet/while gambling. Nyx would be utterly terrified of it and think it is some form of "Imperial contraption" and destroy it. Cassander/Brenwyn would find it incredibly unamusing and neither of them would be impressed. Nethen is far too vengeful for a gun too, but he wouldn't really use it since it would foil his plans (as in drawing attention to him).

And finally... Cirien would start straight up venting his woes to the gun in some obscure place of the realm, cry, fall asleep, and then proceed to go about his day like none of that happened. Much to the confusion and dread of everyone around him.

[brookstonalmanac]

Events 4.5

823 – Lothair I is crowned King of Italy by Pope Paschal I. 919 – The second Fatimid invasion of Egypt begins, when the Fatimid heir-apparent, al-Qa'im bi-Amr Allah, sets out from Raqqada at the head of his army. 1242 – During the Battle on the Ice of Lake Peipus, Russian forces, led by Alexander Nevsky, rebuff an invasion attempt by the Teutonic Knights. 1536 – Charles V makes a Royal Entry into Rome, demolishing a swath of the city to re-enact a Roman triumph. 1566 – Two hundred Dutch noblemen, led by Hendrick van Brederode, force themselves into the presence of Margaret of Parma and present the Petition of Compromise, denouncing the Spanish Inquisition in the Seventeen Provinces. 1614 – In Virginia, Native American Pocahontas marries English colonist John Rolfe. 1621 – The Mayflower sets sail from Plymouth, Massachusetts on a return trip to England. 1792 – United States President George Washington exercises his authority to veto a bill, the first time this power is used in the United States. 1795 – Peace of Basel between France and Prussia is made. 1818 – In the Battle of Maipú, Chile's independence movement, led by Bernardo O'Higgins and José de San Martín, win a decisive victory over Spain, leaving 2,000 Spaniards and 1,000 Chilean patriots dead. 1862 – American Civil War: The Battle of Yorktown begins. 1879 – Bolivia declares war on Chile, and Chile declares war on Peru, starting the War of the Pacific. 1902 – A stand box collapses at Ibrox Park (now Ibrox Stadium) in Glasgow, Scotland, which led to the deaths of 25 and injuries to more than 500 supporters during an international association football match between Scotland and England. 1910 – The Transandine Railway connecting Chile and Argentina is inaugurated. 1922 – The American Birth Control League, forerunner of Planned Parenthood, is incorporated. 1932 – Dominion of Newfoundland: Ten thousand rioters seize the Colonial Building leading to the end of self-government. 1933 – U.S. President Franklin D. Roosevelt signs two executive orders: 6101 to establish the Civilian Conservation Corps, and 6102 "forbidding the Hoarding of Gold Coin, Gold Bullion, and Gold Certificates" by U.S. citizens. 1933 – Andorran Revolution: The Young Andorrans occupy the Casa de la Vall and force the government to hold democratic elections with universal male suffrage. 1936 – Tupelo–Gainesville tornado outbreak: An F5 tornado kills 233 in Tupelo, Mississippi. 1942 – World War II: Adolf Hitler issues Fuhrer Directive No. 41 summarizing Case Blue, including the German Sixth Army's planned assault on Stalingrad. 1942 – World War II: The Imperial Japanese Navy launches a carrier-based air attack on Colombo, Ceylon during the Indian Ocean raid. Port and civilian facilities are damaged and the Royal Navy cruisers HMS Cornwall and HMS Dorsetshire are sunk southwest of the island. 1943 – World War II: United States Army Air Forces bomber aircraft accidentally cause more than 900 civilian deaths, including 209 children, and 1,300 wounded among the civilian population of the Belgian town of Mortsel. Their target was the Erla factory one kilometer from the residential area hit. 1945 – Cold War: Yugoslav leader Josip Broz Tito signs an agreement with the Soviet Union to allow "temporary entry of Soviet troops into Yugoslav territory". 1946 – Soviet troops end their year-long occupation of the Danish island of Bornholm. 1946 – A Fleet Air Arm Vickers Wellington crashes into a residential area in Rabat, Malta during a training exercise, killing all 4 crew members and 16 civilians on the ground. 1949 – A fire in a hospital in Effingham, Illinois, kills 77 people and leads to nationwide fire code improvements in the United States. 1951 – Cold War: Ethel and Julius Rosenberg are sentenced to death for spying for the Soviet Union. 1956 – Cuban Revolution: Fidel Castro declares himself at war with Cuban President Fulgencio Batista. 1958 – Ripple Rock, an underwater threat to navigation in the Seymour Narrows in Canada is destroyed in one of the largest non-nuclear controlled explosions of the time. 1966 – During the Buddhist Uprising, South Vietnamese Prime Minister Nguyễn Cao Kỳ personally attempts to lead the capture of the restive city of Đà Nẵng before backing down. 1969 – Vietnam War: Massive antiwar demonstrations occur in many U.S. cities. 1971 – In Sri Lanka, Janatha Vimukthi Peramuna launches a revolt against the United Front government of Sirimavo Bandaranaike. 1976 – In China, the April Fifth Movement leads to the Tiananmen Incident. 1977 – The US Supreme Court rules that congressional legislation that diminished the size of the Sioux people's reservation thereby destroyed the tribe's jurisdictional authority over the area in Rosebud Sioux Tribe v. Kneip. 1991 – An ASA EMB 120 crashes in Brunswick, Georgia, killing all 23 aboard including Sen. John Tower and astronaut Sonny Carter. 1992 – Alberto Fujimori, president of Peru, dissolves the Peruvian congress by military force. 1992 – Peace protesters Suada Dilberovic and Olga Sučić are killed on the Vrbanja Bridge in Sarajevo, becoming the first casualties of the Bosnian War. 1998 – In Japan, the Akashi Kaikyō Bridge opens to traffic, becoming the longest bridge span in the world. 1999 – Two Libyans suspected of bringing down Pan Am Flight 103 in 1988 are handed over for eventual trial in the Netherlands. 2007 – The cruise ship MS Sea Diamond strikes a volcanic reef near Nea Kameni and sinks the next day. Two passengers were never recovered and are presumed dead. 2009 – North Korea launches its controversial Kwangmyŏngsŏng-2 rocket. The satellite passed over mainland Japan, which prompted an immediate reaction from the United Nations Security Council, as well as participating states of Six-party talks. 2010 – Twenty-nine coal miners are killed in an explosion at the Upper Big Branch Mine in West Virginia. 2018 – Agents with the U.S. Immigration and Customs Enforcement raid a slaughterhouse in Tennessee, detaining nearly 100 undocumented Hispanic workers in one of the largest workplace raids in the history of the United States. 2021 – Nguyễn Xuân Phúc took office as President of Vietnam after dismissing the title of Prime Minister.

[joseandrestabarnia]

Kramskoy Iván (1837-1887)

CRISTO EN EL DESIERTO

1872

Tamaño - 184x214

Material - lienzo

Técnica - óleo

Número de inventario - Inv.651

Adquirido por P. M. Tretyakov del autor. 1872

Dando una gran parte de sus esfuerzos al retrato, Ivan Nikolaevich Kramskoy, sin embargo, se consideró a sí mismo un retratista involuntariamente: asoció el concepto de "creatividad" con la creación de pinturas que tienen un significado universal universalmente significativo. Las dos ideas principales para el arte del siglo XIX -la "idea de personalidad" y la "idea de mesianismo"- recorren como un hilo rojo toda la obra de Kramskoy. Incluso en su juventud, A.A. Ivanov y su forma desinteresada en el arte. En su obra central "Cristo en el desierto", continuando la tradición humanista de Ivanov, interpreta la trama religiosa de manera moral y filosófica.

La imagen se convirtió en el "punto culminante" de la 2ª exposición de la Asociación de Exposiciones de Arte Itinerante, provocando muchas respuestas en la prensa, disputas incesantes y preguntas perplejas. Se llamó la atención sobre la salida de Kramskoy de la iconografía tradicional de la "Tentación de Cristo", generalmente entendida como el tema de la confrontación entre el Salvador y Satanás. Llamaba la atención también la imagen misma de Jesús, tan alejada de la tradición eclesiástica y del arte clásico europeo.

La interpretación del autor de la persona de Cristo resultó ser agudamente moderna. El héroe de la pintura de Kramskoy es valiente, severo, exigente, ascético. Este es el Cristo de la era del "ir al pueblo" de la intelectualidad de la década de 1870, extrema tensión y agudización de los sentimientos morales en la sociedad.

Los contemporáneos llamaron a Cristo Kramskoy "Hamlet ruso". Interpretaciones de la idea de la pintura por parte del propio artista, contenidas en cartas al escritor V.M. Garshin, también desarrollan el tema de la elección moral, inevitable en la vida humana, cuando hay que decidir “ser o no ser”: “Ir a la derecha o a la izquierda, tomar un rublo para el Señor Dios, o no dar ni un solo rublo”. paso al mal”, según Kramskoy. Pero es poco probable que estas palabras puedan considerarse la clave principal del contenido de la imagen. La imagen de Cristo expresa no un estado de elección, sino de concentración, disposición a aceptar el sacrificio expiatorio por los pecados de la humanidad, conciencia de la gravedad de esta carga y determinación de seguir el camino trazado. A imagen de Cristo, el artista presentó el estado de tensión de todas las fuerzas espirituales de una persona en el momento de comprender su destino.

Una composición construida con una lógica impecable es como una fórmula matemática. La figura monumental de Cristo se cierne sobre el fondo del cielo antes del amanecer. La línea del horizonte divide el lienzo en dos partes iguales: el mundo del valle, el firmamento terrenal, el "desierto" rocoso, inmerso en la sombra, muerto y frío, y el mundo de las montañas, iluminado por los rayos del amanecer. sol, el mundo de la luz y la esperanza, símbolo de la transformación futura. Exactamente en la frontera de estos dos mundos, en el centro geométrico del cuadro, hay manos cerradas en un castillo. El castillo de manos y el rostro de Cristo, situados en el mismo eje del círculo, son los centros visuales y semánticos del cuadro. Este círculo es la zona de mayor "tensión", el epicentro del drama consumado del pensamiento y del sentimiento, la victoria del espíritu humano, la voluntad, la mente sobre el caos, el mal, el vicio. Cristo de Kramskoy es un símbolo de esta victoria de significado universal y un recordatorio de su enorme precio.

En 1873, Ivan Nikolaevich se enteró de que el Consejo de la Academia Imperial decidió otorgarle el título de profesor por la pintura "Cristo en el desierto". Kramskoy se negó, profesando el principio de la independencia del artista de la Academia, la creatividad de todos los títulos y premios.

Información e imagen de la web de la Galería Tretyakov.

[steliosagapitos]

       ~ “Imperial staircase made of oak wood in Castel Savoia, built for the Queen consort of the Kingdom of Italy Margherita of Savoy. Italy Queen Margaret Castle stands at the foot of Ranzola hill, Valle d'Aosta, northern Italy, in the place known as ‘Belvedere’, as it dominates the whole of the valley as far as the Lyskamm glacier.The building was erected between 1899 (the first stone was laid on 24 August) and 1904. In 1981 it was purchased by Val d’Aosta Regional Council. The architect Emilio Stramucci, who designed the neo-Baroque decorations for Palazzo Reale in Turin and for the Quirinale in Rome, designed the mediaeval-style castle, described as ‘15th-century Lombard style’, quite frequent in France and Savoy, the homelands of the reigning sovereigns. It consists of a central rectangular body, with four cusp-roofed towers, each different from the others. The exteriors is covered in grey stone from the quarries of Chiappey in Gressoney, Gaby and Vert. The castle is on three floors: the ground floor, with living quarters, the noble floor, with the royal apartments and the second floor (not open to visitors), reserved for gentlemen of the court; the cellars are located underground. Only a few pieces of the original furniture remain; the other furniture on show comes from Villa Margherita, property of the Beck Peccoz Barons, in which the Queen stayed before the manor’s construction; the original pieces include the tapestries in linen and cotton, decorated with a chiné effect. The ornamental pictures are the work of the young painter and restorer Carlo Cussetti, who later worked on the new wing of Palazzo Reale in Turin. The mediaeval-inspired coffered ceilings, wooden panels and furniture are by the Turin wood carver Dellera, who supplied the Royal House.On the ground floor, the main entrance leads to a vast hall with columns and a painted coffered ceiling, which leads in turn onto other rooms. On one side are the gaming rooms and the sitting rooms, connected to the semi-circular veranda looking over the valley. On the opposite side are the dining room, with its richly painted decorations on the walls, fireplace and ceiling coffers, and parchment-carved boiserie. Neogothic is also the style used in the so-called ‘staff-bearer’s entrance’ in the octagonal tower situated in the north-west corner. An elegant wooden Imperial staircase made of oak wood leads to the royal apartments, preceded by a hall whose ceiling bears the inscription ‘Hic manebimus optime’. The Queen’s apartment occupies the best position: from the windows of the delightful sitting room in the northern tower, you can enjoy the view of Mount Rosa and the entire valley. The false fabrics painted between the windows are reminiscent of the decoration in the baronial hall of Issogne castle. The adjacent apartment was occupied by the Hereditary Prince Humbert. On the opposite side of the hall are situated the apartments of the King and of the Marchioness Pes of Villamarina, lady-in-waiting to the Queen. The kitchens were located in a building a short distance away and were connected to the castle by an underground Decauville track. Other annexes include Villa Belvedere, originally used for guests and the royal gendarmerie, and the little house known as Romitaggio Carducci, dedicated to the poet who was a devoted admirer and singer to the queen. The foot of the manor hosts a rocky garden full of Alpine, botanical species.” ~

[elafond2005us]

Mortadel·lo i Filemó contra en Jimmy el Catxondo (2014) - La cançó del "Boom" (Català/CAT)

Veus: Francesc Belda (Trincamulas), Quim Roca (Filemó) i José Javier Serrano (Mortadel·lo)

Estrena a les sales catalanes: 28 de novembre de 2014

Distribuïdor: Warner Española, S.A.

Cinemes: Yelmo Multicines Abrera (Abrera); JCA Cinemes Alpicat (Alpicat); Yelmo Cines Baricentro (Barberà del Vallès); Cinesa Diagonal, Cinesa Diagonal Mar, Cinesa Heron City i Palau Balaña Multicines (Barcelona); Ocine Blanes (Blanes); MCB Cinema Calafell (Calafell); Yelmo Cines Castelldefels (Castelldefels); Cinemes Full HD (Cornellà de Llobregat); Multicines Figueres (Figueres); Cinemes Albèniz Centre i Ocine Girona (Girona); Ocine Granollers - El Nord (Granollers); Multicines Bages (Manresa); Cinesa Mataró Parc (Mataró); Cines Olot (Olot), Cines Imperial (Sabadell); Odeón Multicines Girona (Salt); Cinesa Sant Cugat (Sant Cugat del Vallès); CineBaix (Sant Feliu de Llobregat); Ocine Tarragona - Les Gavarres (Tarragona); Yelmo Cines Parc Central (Tarragona); Cinesa Parc Vallès (Terrassa); JCA Cinemes Valls (Valls)