#ursua

[foulfirerebel]

ATLA and RWBY thought

This is admittedly a cluster of a thought I'm having. Tai Yang Xiao Long, and Willow Schnee share the same sort of flaw with Iroh and Ursa from Avatar The Last Airbender: They're good people, but either neglected or otherwise had problems with one or more of their children owing to their own problems that were going on.

No, I don't think either of them were horrible people. Just had problems as parents/uncles. Admittedly going through the abuse they went through (Willow and Ursa), or the haze of depression (Tai and Iroh) do a lot to people and can result in far worse but the problems are apparent in their kids/charges.

The entire Schnee family were screwed over by Jacques, to be sure. I'm not going to argue against that. But Willow driving herself into drinking didn't exactly do anything good for Winter, Whitley, or Weiss. At least in her case, Willow aided Weiss in ousting Jacques and was constantly helping her children and the heroes in V8.

Tai is a complicated story. I know I have mutuals that think he's a shit person, shit father, etc. But I personally see someone that is trying, at the very least, to attempt to make up for neglecting his kids during a very trying time. It's not good when your first wife leaves you shortly after your first kid is born and your second ups and leaves in the middle of the night to a secret mission and is presumed dead. He helped Yang get back on her feet, which worked out in the end. Not exactly the greatest father in the world, but in my frank opinion I'll take him over Raven Branwen.

So, we have two parents that are trying to help their kids in the current time period of RWBY after having neglected them at the least during their childhoods out of depression, grief, and alcohol addiction.

What about Iroh and Ursa?

Given how Zuko turned out, and me being a Zuko stan? I don't think I need to go too in depth on my favorite Fire Nation Prince. Just that a lot of his problems stem from his father's influence in his life and his mother leaving him as a child, though he had Iroh there it was a long journey from where he started to where he ended up.

A friend of mine once explained her pitying Azula, whereas I just saw a monster that needed to be stopped, like this: Zuko had two buffers against Ozai and they were Ursa at first and then Iroh later on. Azula had no one and was twisted faster and harder than Zuko was.

I don't hate Azula anymore, though I did when I watched the show back when it was airing. Given time, discussion, and reflection, I can see that Azula was very much a victim of Ozai's shite...with no one to aid her, really. It doesn't excuse the stuff she did or tried to do in the show or the comics, but it does put that breakdown into a sadder context.

Basically, the point that Iroh and Ursua didn't try as hard as they could have with Azula makes sense to me. It doesn't mean they're bad people, just have favoritism in their hearts and didn't try hard enough.

This isn't a critique, more just my opinions on things. I just think all four of these people fit into the flawed parent trope a lot better than making them straight up abusive. It shows what depression, abuse, etc. can do to a person and the extremes they're willing to go.

TLDR: Iroh, Ursa, Tai, and Willow all messed up regarding their kids. But at least they decided to try in the end, and I applaud them for that.

[doseofdahlia]

i’m open for commissions! 5 slots for flat colors, 5 slots for fully rendered

contact me here, or on facebook (dahlia ursua), or on ig (d9x9hlia), or on discord (nucifera#9796)

[chilopodacrudus]

Crypth are one of the main sapient races of the hub planet of Laynair. They are indigenous to Laynair before it was used as a hub world.

They live in a Matriarchal society and in modern days; with Ursua as their leader, are very peaceful.

Most tend to live in hot desert environments but there is a subspecies called the Glass Throat that live in caverns and low light cities.

[monotarok2]

𝘼𝙜𝙪𝙞𝙧𝙧𝙚 , 𝙩𝙝𝙚 𝙒𝙧𝙖𝙩𝙝 𝙤𝙛 𝙂𝙤𝙙

𝘼𝙜𝙪𝙞𝙧𝙧𝙚 , 𝙩𝙝𝙚 𝙒𝙧𝙖𝙩𝙝 𝙤𝙛 𝙂𝙤𝙙 ( 𝙂𝙚𝙧𝙢𝙖𝙣 : 𝘼𝙜𝙪𝙞𝙧𝙧𝙚 , 𝙙𝙚𝙧 𝙕𝙤𝙧𝙣 𝙂𝙤𝙩𝙩𝙚𝙨 ) 𝙞𝙨 𝙖 𝟭𝟵𝟳𝟮 𝙒𝙚𝙨𝙩 𝙂𝙚𝙧𝙢𝙖𝙣 𝙛𝙞𝙡𝙢 . 𝙏𝙝𝙚 𝙙𝙞𝙧𝙚𝙘𝙩𝙤𝙧 𝙞𝙨 𝙒𝙚𝙧𝙣𝙚𝙧 𝙃𝙚𝙧𝙯𝙤𝙜 .

Peter Berling and Edward Roland

A

𝙨𝙩𝙤𝙧𝙮 𝙄𝙣 𝟭𝟱𝟲𝟬, 𝙖 𝙎𝙥𝙖𝙣𝙞𝙨𝙝 𝙚𝙭𝙥𝙚𝙙𝙞𝙩𝙞𝙤𝙣 𝙡𝙚𝙙 𝙗𝙮 𝙂𝙤𝙣𝙯𝙖𝙡𝙤 𝙋𝙞𝙯𝙖𝙧𝙧𝙤 𝙝𝙚𝙖𝙙𝙚𝙙 𝙛𝙧𝙤𝙢 𝙌𝙪𝙞𝙩𝙤 𝙩𝙤 𝙩𝙝𝙚 𝘼𝙣𝙙𝙚𝙨, 𝙝𝙤𝙥𝙞𝙣𝙜 𝙩𝙤 𝙙𝙞𝙨𝙘𝙤𝙫𝙚𝙧 𝙩𝙝𝙚 𝙡𝙚𝙜𝙚𝙣𝙙𝙖𝙧𝙮 𝙘𝙞𝙩𝙮 𝙤𝙛 𝙀𝙡 𝘿𝙤𝙧𝙖𝙙𝙤 .

cast Lope de Aguirre - Klaus Kinski Deputy commander of the detachment.

Inés de Atienza - Helena Rojo Mistress of detachment leader Ursua.

Gaspar de Carvajal - Del Negro _ _ _ A monk who accompanied the detachment.

Pedro de Urzua - Louis Guerra Detachment leader.

Fernando de Guzman - Peter Berling A nobleman who was added to the detachment to represent the Spanish royal family.

Flores - Cecilia Rivera Aguirre's daughter. She is 15 years old.

Director     Werner Herzog

Herzog and Kinski embrace on the beach

Filming location

[ask-the-amph-greater-universe]

Cygnus loudly whispers that bringing up Rigel was a bad idea. Clear from how much Black Star outbursts afterwards. Shouting that she doesn't care though. That's the whole point. She only cared about one part of that goddamn situation. Everything else was fucking fine. Maybe he didn't want to deal with her. Maybe he wanted to get her out of the way. He doesn't want a person to tell him how terrible he is at life. Cygnus tells him to back off. Everybody says it. His family says it! He didn't think the apology was sincere and decided to jump to violence when he thought he was being utilized as a puppet. That's the blunt fact of it. That clearly was not her intention. She's just a grump and he's not good at telling her sarcasm yet. Not an his Earth telling him lies so that she can play with him later. Reminding that Cygnus is going to have ursua talk with Rigel later.

Ursus is just strolling into the Cluster a few weeks later, tossing her newly stolen Star at Black Star and her spare arm at Cygnus.

Black Stars jumbles with the star for a bit. Finally growling at her and saying he's not taking it. Giving it back to her. Threatening that if she pushes he'll just dump it somewhere random her world. Meanwhile Cygnus Is very happy. Carefully walking down the arm to see if he can get it attached. Antares offhandedly asks If that is a good idea. Rigel hides under a blanket.

[msostiz]

«Recuerdos de Miguel», por Pablo Cingolani

«Recuerdos de Miguel», por Pablo Cingolani

[officialnflbuddy]

John Ursua makes Seahawks roster, embraces… Seattle may have something special in rookie wide receiver John Ursua, who survived roster cuts Saturday to land on the initial 53-man roster…

[howardhawkshollywoodannex]

The 10th Victim (1965) was photographed by Gianni De Venanzo. Gianni was born in Abruzzo, Italy, and had 53 cinematography credits, from a 1945 documentary, his second credit in 1951, to The Honey Pot in 1967.

His other notable credits include Big Deal on Madonna Street, La Notte, L'Eclisse, 8 1/2, and Juliet of the Spirits

[roccinan]

The in-universe ages don’t exactly match up, but LMAO, out of all the characters who could pass as an Andres spawn, Tokyo fits the most. Evidence:

Basic biology: black hair, dark eyes. 

Both Andres and Martin hate her, which means she’s the closest thing to a berlermo lovechild we’ll get. Andres�� “looks” and Martin’s “personality.” The dots are connecting!

Gandia had the same bizarre obsession with both of them. 

[johnrandbearartist]

concatenation

https://www.tehachapinews.com/lifestyle/ursua-blue-oak-the-last-tree-standing/article_e983c36f-1fb7-5f58-a6a3-d7822ee11949.amp.html

[irreplaceable-spark]

How LA Profits from City-Wide Homeless Crisis | Soledad Ursua

The homelessness crisis in Los Angeles County continues to rise despite support from both local and state governments. 

My guest today is Soledad Ursua. She is Venice Neighborhood Council Member Today she discusses how the increase of homelessness in Venice Beach is impacting the community and how the special interest groups are benefiting from the crisis.

[monstergirlpurrs]

Have you already forgotten about Ursula?

[kwebtv]

Raumpatrouille (Space Patrol)  -  ARD / PRTF  -  September 15, 1966 - December 10, 1966

Science Fiction (7 episodes)

Running Time:  60 minutes

Stars:

Dietmar Schönherr as Major Cliff Allister McClane

Wolfgang Völz as Lt. Mario de Monti

Friedrich Georg Beckhaus as Lt. Alan Shubashi

Claus Holm as Lt. Hasso Sigbjörnson

Ursula Lillig as Lt. Helga Legrelle

Eva Pflug as Lt. Tamara Jagellovsk

Benno Sterzenbach as General Winston Woodrov Wamsler

Charlotte Kerr as General Lydia van Dyke

Friedrich Joloff as Oberst (Colonel) Hendryk Villa

Thomas Reiner as Lt. Michael Spring-Brauner

Hans Cossy as Space Marshal Kublai Krim

Franz Schafheitlin as Sir Arthur

Emil Stöhr as von Wennerstein

Listed as the first German science fiction television series. 

[maliasinterlude]

into the abyss

Mauna Kea, Hawaii 2018

[batelareaexperience]

“Qué bien huele… qué bien huele… huele a algo…”, y cómo no iba a oler bien. La lavanda inundaba Vagalume. Y no era el ambientado de la AC. Por la noche no nos dimos cuenta pero ahora, con la luz matutina de la Gironde, vimos al salir un gran rosetón de lavanda justo pegado al lateral derecho de la autocaravana. Y con este ambientador natural, frescos y desayunados, emprendimos la jornada. La primera parada fue Blaye, un pueblo en el majestuoso estuario del río Gironde, con una impresionante ciudadela del s XVII. Allí pasamos dos horitas de reloj con la lluvia arreciando porque Roi, el director, tenía que registrar tracks de audio, pruebas de encuadre, dudas sobre si filmar una escena en el ferry… menos mal que teníamos un paraguas “siete parroquias” que nos evitó la mojadura total! (Ursúas tip: Lleva siempre un siete parroquias en el maletero, porque te puede salvar la vida) Allí nos enteramos que Blaye era un punto importante para los peregrinos que iban a santiago, pues aquí podían atravesar el estuario y acortar varias jornadas en su camino hacia Burdeos. Bueno, realmente esto era para los más atrevidos, porque el río impone sobre todo si lo cruzas en una pequeña y alargada Anguille, las embarcaciones tradicionales de la zona.

Y Vagalume, sin rechistar por el chaparrón, esperando en el parking para autocaravanas que hay a los pies de la ciudadela con unas buenas vistas al río.

En la cocina de la AC calentamos agua para hacernos té, lo metimos en los termos, y arrancamos hacia Talmont sur Gironde, un pueblecito pesquero de la Bretaña. Música en el mp3 de Vagalume y “hit the road Jack”!

En Talmont descubrimos un arte de pesca: una especie de embarcaderos de madera finalizados en una caseta con grúa que se adentraban en el estuario, y de donde colgaban las redes en forma de aro gigante que descendía en vertical al agua. Cinematográficamente, de Talmont nos llevamos la variedad de texturas y colores perfectamente armonizados, y su abadía colgando solitaria sobre el mar. El pueblo era tan bonito que por momentos parecía de una telemovie romántica de las que echan al mediodía, pero si buscabas bien y encuadrabas entre los pilares de madera de los embarcaderos, tenía algo de extrañamiento que nos encantó para la peli. Como siempre, con Vagalume elegimos las vistas, así que la aparcamos en un alto desde donde se puede ver Talmont y el estuario. Y allí nos tomamos unas lentejas bien calentitas, con vistas a la playa.

[msostiz]

Recogiendo velas