#up above are screenshot redraws from the movie

[spaceistheplaceart]

i promise i am EXTREMELY normal about the new official art. very normal.

Please Reblog!

BONUS:

OFFICIAL ART BELOW CUT:

[linisiane]

I’m kind of annoyed at the big posts about Zepotha rn. You guys are gatekeepers and don’t even understand what you’re gatekeeping! Cohesion this and lack of plot that. “Skill issue” “Copycat!—” NO. We must go deeper.

Goncharov was a love letter to tumblr fandom culture. An analysis of the way we collectively talk queer themes into existence.

Tumblr blogs dedicated to queer ships. Intricate metas on the queer themes of a work. Screenshot redraws of romantic moments. Comics that are incredibly horny but still somehow capture the original themes. Prompt fills of what we imagine the story could’ve been had there been another (gayer) way.

So many of these types of posts on tumblr are considered reaches or “making things up” by the greater world. But they are analyses made meaningful through this shared sense of community, this shared experience of queerness in a society that doesn’t think of us or our themes as real. Goncharov being “made up” is a celebration of the way we come together to make the queer themes we want to see in the world, especially the ones the world doesn’t think exists. A way to say, “Of course we’re ‘mAkiNg tHiNgS uP,’ Goncharov is made up,” like it’s some sort of metaphor made literal.

Yes, the Google docs and the Martin Scorsese movie framework are a huge part of what made Goncharov work, but what spread excitement are the Goncharov posts just like the ones I listed above. Goncharov isn’t just what we imagine this fake movie to be, but also the fandom/queer culture we imagined surrounded it, and I’d argue that this culture is just as much of a framework for Goncharov as the Martin Scorsese thing was. Why else have non-canonical gay ships in the movie we made up?

TikTok’s problem is that it doesn’t have the original passion and love for queer analysis to gel it the way Goncharov did. Or really anything to gel it beyond cheap clout chasing. No depth, only virality.

It’s like a cute in joke being turned into loveless corporate marketing. Taking something from its original context to prey upon it, ruining what was good about it in the first place. It feels like when corporations tried to recreate Barbenheimer, except it’s someone trying to create a trend on TikTok to market their song, only for the trend to burn out quickly because everybody’s treating it like a joke instead of committing. By its structure (the reblog system) Tumblr is a place of collaboration and building upon what’s come before. TikTok, on the other hand, favors a personalized algorithm pushing viral content over content creators. It’s about reaching the top of a trend or a sound before it dies off in two weeks.

It just rubs me the wrong way how some people act like Zepotha’s crime is being a shitty copy of Goncharov. This is the Fanfiction website. We love amateurism and “originality” means nothing to us. We should be happy to celebrate the people on there making genuine attempts at TikTok edits of the characters or those TikTok green screen filter reviews of the movie or ‘dressing like Zepotha characters’ vids instead of denigrating Zepotha for being too derivative. There are genuine tiktoks out there that do a great job of committing to the bit and crystallizing what fandom formats on TikTok look like, which is exactly what the Goncharov screenshot redraws, horny comics, and queer metas were on Tumblr.

Like, there’s so much to rag against Zepotha—the inauthenticity, the clout-chasing, the way TikTok’s virality algorithm makes art worse, the lack of in-universe TikToks calling out the Zepotha fans for being racist (I’d kill for that TikTok skit!)—that roasting the amateur execution of excited teens is missing the forest for the trees.

[bozo-boy]

a retrospective of my art of 2022

i love that you can tell what i’m hyperfixating on judging by the art. more detailed explanations below the cut!

january

i started off 2022 with a redraw of a piece from april of 2021. for christmas of last year, i got an ipad and apple pencil, so this was largely me exploring procreate and the feel of a new way of drawing. there’s a lot about this one that i still like, particular chat noirs cute lil face, but there’s so much i would do differently now that i’m more comfortable with the medium.

february

i was still finding my footing with this one. i was really into fnaf, and naturally, monty. the shine on the ass was using one of the in-app stamp brushes, which was quite fun to play with. honestly, going back, i would just add more depth and complexity to this one. i stand by the bones of this one.

march

this one was done so i could have a fancy new pfp. to be completely honest, i’m not a fan of this one. it’s a redraw of a screenshot from the show itself, and even at the time i was unsatisfied with how this turned out. in retrospect, i would’ve started the sketch small and then scaled it up so it would look a bit more,, normal. i find my art comes out much better when i start small.

april

this drawing is for a worldbuilding project i like to work on when i’m not obsessed with anything else at the time. in this world, there’s a city with a whole festival for phoenixes, and a legend involving a raven falling in love with the sun, but i won’t get into that right now. if i’m remembering correctly, one of my references for this one was a swallow. i still like the way the sun shines through the feathers and the more painterly style. i still stand by this one 100%.

may

oh boy may. this was when my apple pencil broke, and lined up with me getting into sonic, after watching the movie. one of my friends sent me a picrew, birthing this little nameless character. i’m still quite happy with this one, i think i got the style really good while still making it a little bit my own. my short lived sonic hyperfixation is still visible in the way i draw eyes while sketching, which i think it pretty neat. i wonder if, had my apple pencil not broken, i would’ve gotten more into the franchise.

june

AHHHHHH. sorry, this is from when i got back into a set of my ocs, affectionately dubbed “the sin boyz”. they’re all based on the seven deadly sins, and this is asmodeus, embodiment of lust. he’s definitely the most fun to draw because of him being quite high energy, and i’d love to come back to these characters once again. i don’t have much to say about the drawing itself, other than still liking how cartoony it is.

july

i’m not entirely sure what sparked this, but i got really back into the arcana, a game which i’ve been into for years now. this little fella is my character for the game, named zephyr! this piece is actually based on a sketch from i think a few months earlier. i still like this one, with his cute little face. i adore how his eyes turned out, and i’d love to try returning to that style, even just to experiment.

august

this is actually a reference photo for zephyr, but i wanted to fully render it to try to demonstrate some of the fabric textures. i still adore just about everything about this, aside from how his face turned out. i’ve always struggled a little with placing eyebrows too close to the hairline, dating back to my art from when i was like,, 12, where the eyebrows would actually float above the head. aside from that, i still love this.

september

when i made this, i was actually rereading lucio’s route (i’m obsessed with it in a train-wreck way) and found the imagery of the player investigating his abandoned room super compelling. the background from this is actually from the game itself, which is something i had never done before. i even slightly edited the background the reflect some of his magical light! this one is much less colourful and saturated than my other stuff, and i have mixed feelings about it. still though, i’m proud of it, and i think this style of lighting is reflected in what i make today, even if the colours are out of my comfort zone.

october

this is probably one of my favourite pieces of ghost fanart i’ve made. the lighting is a little unpolished in relation to the smoke, but i couldn’t care less cause i just think it looks so freaking cool. i was directly inspired by mummy dust, both in the vision in my head when he growls “duuuuustl, but also in the green stage lighting when it’s performed on stage. i love how swirly the smoke looks, and even now, i’m obsessed with drawing characters lit from below. it’s one of my favourite things i’ve ever made.

november

so uh,, i was a very passionate voter in the american music awards, and the news of ghosts win was so wonderful. i, like many others, was and still am obsessed with the outfit tobias forge wore, and found it super inspiring. i was really worried about this one, cause i basically never draw real people and really wanted it to actually look like him while still being my art style, and i think i did pretty good. this was also new for me because it has two light sources! this presented a really fun challenge and i’m still so proud of this, aside from the lighting on the glass part of the award itself. also, three.

december

i got a new apple pencil for christmas! i immediately had to make something with it and the wonderful pressure sensitivity. i was mostly just playing around with this one, and doing back i’d change a few things, even if it’s only from a few days ago. nonetheless, i had a lot of fun here and really like the colours.

summary

oh boy i sure did draw this year! i think i’ve improved a lot, specifically in shading and rendering. i went outside of my comfort zone a lot with lighting, like things with multiple light sources and coloured light. next year, i wanna go outside of my comfort zone in different ways, particularly with things like backgrounds and character interactions. if you’ve read this far, i hope you enjoyed my self-analysis, and i hope 2023 brings you joy!

[princess-of-purple-prose]

[ID copied from alt:

A screenshot redraw of Homura from the trailer for Madoka Magica: Walpurgis no Kaiten. She is a girl with pale skin, purple eyes, and long black hair. She is wearing a black dress with white ruffles on the sleeves and chest. She has a red ruffle and a shawl with feathers underneath. She is tilting and turning her head to the left, smiling slightly. Her left arm is raised. The background is brown, with several gold bars and structures behind her. Light is shining from above.

A close-up of her face.

The original screenshot. End ID]

[Plain text: — Puella Magi Madoka Magica The Movie: Walpurgisnacht Rising. End PT]

and so, let the curtain rise on tonight's dream

[hi-im-greenjunipertree]

“What in Ruff’s name is that?!”

I have been trying to channel my inner Disney/Don Bluth-esque art style lately. Because of that, I felt like drawing something that looks like it would appear in a completely cartoon adaptation of FETCH!’s 5th Season. 

This “screenshot” is based on a moment in the Egyptian episode, “Look What the Dog Dug up.” It’s the scene where the FETCHers find the final resting place in the Egyptian tomb, and where a “giant” mummy starts to appear (With Bluff Ruffman’s Beef Jerky on top of it lol).

I also felt like practicing my ability to exaggerate facial expressions in this.

L O L

[punnyasitgets-art]

[ID. Two pieces of fanart featuring characters from the Transformers franchise. First image: A waist-up view of Cliffjumper and Mirage in their G1 designs. Cliffjumper looks angry and is yelling at Mirage, holding an arm out to block his path. Mirage is smiling apologetically, holding both his hands up as if to placate Cliffjumper. Text above Cliffjumper’s head reads: “TFMechtober Day 4, Besties”. Beside the text is a small drawn heart shape. Second image: A screenshot redraw of a scene from The Transformers: The Movie featuring Kup, Grimlock, and Hot Rod sitting in the cockpit of a spaceship, showing all three of them from the side. Hot Rod is closest to the viewer and is frowning as he interacts with part of the ship controls. Grimlock is in his t-rex alt mode and is in-between Hot Rod and Kup. He’s laying his head on the console with a smile on his face, both of his arms resting under his chin. Kup is the farthest away and is scowling as he interacts with part of the console that’s offscreen. End ID]

“GRIMLOCK, get your noodle outta my face!”

Behold, days 4 and 5 for @autothotsrollout​‘s TFMechtober! The prompt for day 5 was “Dinobot” and I happened to have just rewatched the G1 movie the other day, so we get a fully done art piece for that one. I’m having a lot of fun with CSP, it’s so much better than what I was using before 

[kudotsurugi]

For the next piece I made for the TOME fan artbook, this one had 2 versions done for it.

Essentially, the piece a redraw of the following screenshot below: 

This scene is taken from the TVTome Adventures movie, one could consider it a lost episode of TOME’s first iteration. 

At first, I wasn’t sure whether or not to make a straight-up redraw or to do a modern take, so i decided to try making both and see which worked better.

For the first iteration of version A(bottom left of the 3 images above), I tried using the quote verbatim with the Nylocke design I used for the Season 3 fan story, but it didn’t quite work. So in place of that, I decided to try a rewrite that made sense for the more recent version of Nylocke(top image of the 3 above).

The rewritten quote is a reference to the TOME episode “Fraggedquest”, where Flamey mentioned how Nylocke was “drunk one night mentioning something about Knutsford”. To translate past the drunken slurs and hiccups, this is what Nylocke is trying to say in the image:

“Greetings, it is I, NNNYLOCKE, Dragon of Knutsford. I’m sorry I cannot talk right now, but if you want to come at me with your best shot, meet me in Lavendera and I shall give you very best fight.”

For version B(bottom right of the 3 above), I decided to give the characters a sort of fusion look. The main bodies would be the TTA counterparts, but elements of their TOME series incorporated into their design.

In the end, I only submitted the rewritten Version A to the book, but I had fun making these images all the same.

[thevalleyisjolly]

[Image description: Eight screenshot redraws featuring Orym, Dorian, and Dariax from Critical Role’s Exandria Unlimited, mirroring a scene from Fellowship of the Ring.  The images have a movie screen size ratio, with an image in the centre framed by horizontal black bars above and below, and the artist’s watermark, “lorn-art” in white in the bottom right hand corner.  The background in all the images is a blurry green forest.

In the first image, Orym, a halfling, looks at the camera with a wary expression.  Text caption reads “Dorian, give the circlet to Dariax.”  In the second image, Dorian, a blue air genasi, holds up a green satchel and looks at it with a considering expression.  In the third image, Dariax, a dwarf, has his head turned warily, waiting for a response.  In the fourth image, Dorian holds out the satchel, with the side of Orym’s head visible in the foreground to the left.  Text caption reads “As you wish.”

In the fifth image, Dariax raises an arm and takes the satchel from Dorian’s hand.  In the sixth image.  Dorian looks at Orym, whose head is just visible to the left, and speaks.  Text caption reads “I care not.”  In the seventh image, Orym tilts his head with a serious expression.  In the eighth image, Orym’s waist is shown.  His hands are holding a sword strapped to his waist, with the implication that they were about to draw the blade. /end description]

ExU but it’s that scene from fellowship of the ring 👀

[k00273996]

•Facetime screenshot redraw•

My theme of “Play” mainly focuses on videogames, movies and television shows I enjoyed as a child, and admittedly still enjoy to this day.

The above sketches are screenshots of my friend Leah and I on facetime like we usually do. Leah lives a few hours away from me so I don’t see her often, so we make up for lost time by facetiming and playing our favourite videogame, “Minecraft” together. A game that i have made several projects on previously which are showcased in older posts on this page.

[web1995]

the above image, while working well enough standalone, actually requires quite a bit of context, unlike many posts on this site. it is a screenshot of the sexy characters category page on the parody wiki, which is a site for articles about crossovers, spoofs, and parody scripts written in wiki-page format. it seems to function as a type of fanfiction and creative writing space, and to be curated informally. anyway, of the characters above, soleil spacebot is the only one that seemed totally unrecognizable 

clicking her parody wiki page is where things begin to get truly strange 

Soleil Spacebot is one the main characters in Nelvana's 1986 Animated Television Series, The Spacebots. She is the eldest of three sisters and has a crush on Sam Spacebot.

this information seems reasonable enough, and like it might be about an obscure but existing cartoon. soleils page has some basic information about her and some miscellaneous, confusing crossover information, like every page on the parody wiki. it lists her in various other categories, including “capable characters” and characters who are 19. at the time of beginning this post (early 2017), there were three drawings of her, with a similar style, and no screenshots. 

beneath these drawings are two pictures made in dollmakers. 

there were no other pictures on the page. visiting the spacebots page itself reveals the following: 

The Spacebots is a Canadian animated series produced by Nelvana. It ran from September 13, 1986 to November 28, 1992 and ran for 91 episodes. It features fictional characters including heroes and villains. The background music from The Care Bears Family is used in all episodes of the TV Series.

it also lists a cast of several characters, with credited voice actors:

the other characters have pages of varying complexity, with pictures in the same style. at this point the spacebots cartoon still seems like something that could exist, but googling it turns up only results from this wiki and similar wikis.

spacebots is mentioned on numerous cartoon, parody, spoof, movie idea, and similar fan wikis. 

if the spacebots cartoon never existed, it begins to raise questions. someone putting their original character in the sexy characters category on a spoof wiki isnt so startling. neither is someone framing this character as someone from an existing show-- this wiki and similar have pages about non-existing media

however, the level of detail and specificity is alarming. these characters have voice actors (some who turn up google results, some who dont) linked to them, with lists of other voice-acting work theyve done (including cartoons that dont seem to exist either). looking for more information on the spacebots turns up a page on a very badly organized nelvana wiki with more elaborate airing dates information. 

The Spacebots is a Canadian animated television series produced by Nelvana, which aired between 1986 and 1992 in syndication; on the ABC network, The CBN Family Channel from 1988 to 1992 and The Family Channel from 1992 to 1998.

by the way, this list of nelvanas programs has no mention of spacebots. 

at this time, on revisiting her page on the parody wiki some months after finding the information detailed in the first part of this post, several new pictures had been added— like this screenshot of soleil in the sims 4: 

there are various other tracings, redraws, or dressup game pictures of her: 

one of the new images is labeled “soleil spacebot in the reboot” and there are reboot designs for soleil’s siblings elsewhere on the parody wiki, as well as this image (from the youtubescratch wiki page for the spacebots) of a reboot poster: 

this is completely new— the person or people responsible for spacebots is actively working on the spacebots worldbuilding, creating new promotional materials for a nonexistent 2015 reboot (”The Spacebots (Reboot) 2015″) of a nonexistent 80s-90s cartoon. 

there are multiple spacebots reboot posters, but no information about the reboot itself yet, other than a page mentioning it being from 2015. this raises the question of whether soleil’s creator will continue adding to the worldbuilding surrounding their fictional show by citing more information about the reboot, or whether more information about the show’s plot and characters will be revealed (still no wiki pages or pictures for the character named “sour venus” which is disappointing!) or whether the additions will end here. 

spacebots’ storytelling medium and its metafiction layers are fascinating. the fiction here is as much the show’s premise, and the original characters existing within the cartoon’s story at all, as it is the circumstances of this show’s existence— voice actors, animation companies, airing dates, a reboot, and proper “credits” for nonexistent in-show music. 

so much more information is offered about the show’s production than about the actual plot and characters of the show. the fictional production may be the creator’s area of interest, rather than their original characters (though soleil IS listed as a sexy character and many painstakingly created images of her exist). 

the mode of publication is interesting too. spacebots doesn’t seem to be advertised anywhere else, only on these wikis, which have their own fanbases. the youtubescratch page says it was created by a “Miss-Trina-Mouse” (edited by others occasionally) which is also the username on an empty deviantart account created 9 months ago, by someone who says she is female and canadian. “trina mouse” seems to be a fan character for tom and jerry (apologies if trina mouse is an existing character; i do not remember every character of tom and jerry). 

(picture from the ideas wiki) this may be the closest thing to an avatar of the creator of the spacebots that currently exists, if Miss-Trina-Mouse is indeed the creator and not a new collaborator. Miss-Trina-Mouse is the creator of trina mouse’s page, and evidently the person currently updating spacebots pages with new or “corrected” information. on this page, the airing dates have been changed to other particular airing dates:  

(from this page’s edit history, for easier reading) the first page version is from august 25, 2016. the second edit was finished on march 30th, 2017. Miss-Trina-Mouse has evidently been working on spacebots for some time, and has continued to do so. the page itself was created on june 13th, 2015, by an IP address that may or may not belong to Miss-Trina-Mouse. 

Miss-Trina-Mouse does not seem to be the only person working on pages related to the spacebots, however. the edit history for a page about a nonexistent spacebots animated film, “operation system shutdown” reveals it was created by a Sarah61, edited by a Tobina the Tomboy (who has a detailed profile page on the animalcrossing wiki) and eventually edited by Miss-Trina-Mouse as well: 

whether these are aliases belonging to the same person, a group of friends, a group of acquaintances, fans of another person’s work, totally spontaneous or planned privately in detail all remains unclear. 

Tobina the Tomboy’s profile has pictures in a similar art style to the original soleil drawings, and says she is female, and canadian (like Miss-Trina-Mouse, which makes me wonder whether they are friends or perhaps alternate accounts of the same person). Tobina also lists her favorite animal crossing characters and overall seems to be an ordinary real profile. she has a similar profile on the mysims wiki, listing favorite and least favorite characters from that. i am not screencapping it, because it seems to simply be someone’s self-created public profile without any particularly unusual elements. Tobina and/or Miss-Trina-Mouse could be the spacebots’ creator(s), though, while Sarah61 is too common of a username to search easily, despite being the page’s creator. 

(i have little interest in seeking out more information about these contributors beyond what they make immediately available on their profiles, since it appears that they are ordinary nonfictional people with an interesting fictional hobby) 

perhaps it is silly to look so deeply into this project, and to want to know more about it so badly when it seems like it is something its creator(s) made for fun, and doesnt seem sinister in any way. however, the format is not like anything i have come across before, and the level of detail startles me almost as much as the difficulty in finding those details. the spacebots can only be sort-of understood by reading fragmented pages across many different wikis and every wiki reveals more information, some which can be searched to discover more about, and some which turns up no other results. there is even a 1987 NES video game mentioned on at least one wiki: 

everything about the spacebots, its presentation, and its continued existence is fascinating. looking into it has been a wild ride to say the least, and the amount of meticulous creative energy put into it is nothing short of admirable. 

if spacebots has been created in this way, how many similar unreal shows are out there, in the same format? i know little about wikis of this type, so is this a common creative method on them? is spacebots the creation of one person, or is it collaborative? does the original creator still have control of the concept or is a fan— fans?— permitted to update freely? is the initial creator still working on spacebots wiki pages at all? will more information about the spacebots reboot become available? how long has this been going on? is spacebots more like an art project, an ARG, informal original storytelling (like someone explaining their deviantart OCs), or something else entirely? 

i will close this post with a synopsis of the spacebots, found on the youtubescratch wiki page: 

The six Spacebots and their allies live in a sci-fi futuristic city called Spaceland. They have their magic powers, magical stars and magical hearts and they have to stop Commander Zurg and The Freakalien brothers from wrecking havoc and planning to destroy Spaceland. 

i hope that reading about my attempts at putting them together has been as interesting as i found making those attempts in the first place, and that the spacebots wiki pages will continue updating