#unlike some people I know how to add ethnic features to non human characters Tumblr posts

[squiddcakes]

Redesign of my old Cherri Bomb redesign because it looks bad and outdated.

[jupitermelichios]

Daughter of the Demon: on writing the Al Ghuls

I can’t make any promises about when the next chapter of Gotham Ghoul will go up, but I can make the promise that when it does, it will include the first appearance of Talia Al Ghul into the narrative proper.

She’s been there in the meta-narrative since the beginning, as she always is in stories featuring a younger Damian, but it’s been in hints and allusions. This will be her first chance to speak for herself.

And that got me thinking, about Talia as a character, about her history, and about the way I write her, and I thought I would share those thoughts with you here.

Talia, probably more than any other major DC character (certainly more than any other Major Bat-roster character), is defined by her relationships. Specifically her relationships with men. She is Raas’s daughter, Bruce’s 'one that got away’, Damian’s mother, Jason’s ‘it’s complicated’. She isn’t her own anything.

In her earliest appearances, she’s as close to a strong female character as you were going to get, given the time it was written and her race (more on that below). But’s she’s still a stereotype. She’s a non-white woman, physically strong but emotionally vulnerable, who falls in love with a white man who can’t return her feelings (nominally because of her morality, meta-narratively because she’s not white) and betrays her culture for him, only to be abandoned later on. It’s not a new story - it’s one Hollywood loves. Most often it gets assigned to women from East Asia, but Arab and Indian women got it a lot as well. Talia is certainly one of the better examples of this, she has a lot more freedom than most women trapped in this trope, but ultimately she is still a trope.

After that, she was mostly just... gone. She popped up from time to time, but she’d already played out her assigned role in the hero’s life, so even though Raas stuck around, she was very much shunted into the background.

Then Grant Morrison came along and turned her into a villain by creating Damian. We find out she had a child with Bruce a decade ago and chose not to tell him. She raised Damian to be an assassin, taught him how to kill, and then basically dumps him on Bruce’s doorstep with a note around his neck saying “please look after this child”. And there are a hundred possible reasons for this, but they’re never given. She is made a villain by silence.

She managed to remain morally grey for a few years, but it didn’t take long for the demonisation of Talia to begin in earnest. (Probably didn’t help that this was the mid-2000s - not a good time to be Arab in American media). The recent introduction of Damian into DC’s animated movie universe included the reveal that Talia just straight up didn’t love her only son. Seriously, that’s the big end of movie plot twist - Talia is evil and doesn’t love her son. In more recent comics, Talia actually clones Damian because Damian isn’t the obedient killing machine she had wanted. This clone goes on to kill the original Damian. (It’s okay, he got better).

In between tragic love-interest and evil step-mother stereotypes, she has one other notable appearance. As the mother-figure and lover of a teenage Jason Todd. When Jason is brought back from the dead, it’s Talia who finds him, takes him back to a League of Assasins base and uses a Lazarus pit to heal him. She defies her father to protect him, cares for and comforts him, spends what is probably a fortune in money and favours getting him the training he wants, buys out a major corporation for him, makes no attempt to stop him from killing Batman, and begins a sexual relationship with him. He’s 15 when he dies, and 19 or 20 when he leaves. It’s not clear how old he is when the sexual relationship begins, but given his mental and emotional state, and the age difference between them and her position of power, the answer is too damn young.

When you add all that together, the picture it paints is not a positive one, and there’s a risk of her more recent appearances colouring her earlier storylines. It’s happened a lot, writers both professional and fan, assuming that Talia’s interest in Bruce is mercenary, that she never loved him, that he would never have had unprotected sex with a villain so she must have tricked him in some way in order to get pregnant. (That last one is at least supported by the confused timeline in which it is both 10 years and approximately 12 years between contraception and Damian’s first appearance, leading some to suggest later artificial insemination using Bruce’s sperm collected the night they slept together).

That’s one way to reconcile the various tropes that makeup Talia, but it’s one I hate. I hate that she went from eccentric but loving mother to emotionless monster in only a couple of years. I hate that her story is always one of tragedy or villainy.

For me, the key to writing a Talia who is sympathetic without being unrecognisable is her age. It’s never been established (as far as I’m aware) just how old Talia is. We know Raas is ancient. We know Damian is ten. Given that she appeared to be an adult in her first appearances, that puts her age at 30+. Beyond that, we have no idea, except that a lot of her behaviours make more sense when looked at from the perspective of great age. She kept Damian from his father for ten years, but ten years is an eyeblink if you have access to Lazarus Pits. She began a relationship with someone who was a child by the standards of his own culture, but to her, all mortals are little more than children, and he was a warrior who had seen battle - to her that it probably a far better measure of age than mere years.

Talia, as I write her, is a loving mother with very little idea of what motherhood entails beyond her memories of her own upbringing. She is at least 200 and considers all humans younger than their mid-40s to be little more than children. She kept Damian away partly because to her, ten years is nothing, and partly because she had no real guide for how Bruce as a mortal American human would treat a young child beyond the way he had treated Dick, Jason and Tim, and so waited until Damian was a skilled warrior before allowing them to meet. She is largely amoral, unlike her father, and her primary motivator is, above all else, love. Her life is defined by her relationships to other people by choice, because relationships provide anchor points in time. Technology might change, but from her point of view humanity has remained more or less the same. The reference points, the moments that mark out the years as different from one another, are her relationships. With Bruce, with Jason, with the lovers who came before both men and women (because my Talia is bi), and with her son. Her only son. The only biological child she has allowed herself to have in her long life. Keeping these people safe and well is her only moral code, but she isn’t a monster. She has no reason to be a monster. It offers no advantages (except occasionally when it is useful for protecting her loved-ones).

Her feelings for Bruce were genuine, she would have married him given the chance, but she was also willing to let him walk away, to leave her, because mortal lovers are always fleeting, it is something she has accepted about life before even Alfred was born.

Also she and Scandal Savage have hooked up in the past.

So yeah, this was a bit rambly, and my Talia may not be your Talia, but I wanted to have there here as I begin introducing her into Gotham Ghoul. This is Talia al Ghul as I see her.

Sidenote: I said earlier I was going to talk a little bit about Talia’s race. So. The way Raas collected bits of other cultures he likes and claims them for his own, his utter conviction that he knows what’s best for people better than they do themselves, the fact that we have no idea what his name is, the fact that most of his furthest flashbacks are set in Japan and China have lead me to headcanon Raas as not being Arab. Actually, I headcanon him as being white, and no one has the guts to call him out on it, although in at least one continuity his father is from China. Either way, I don’t think Raas is Arab. He chooses the Arabian peninsula as one of his bases for the same reason traders did - it’s a gateway between Asia, Africa and Europe. His disciples are primarily locals, and it’s them that give him the Arab title, which he likes enough to adopt. (In favour of this is the fact that none of his children have Arab names - Nyssa has an Arabic meaning, but it seems unlikely he’d call his daughter ‘Woman’. Talia is Greek, Nyssa may well be as well, and Dusan is Slavic). Talia’s mother is a local - Melisande is a French name, but it was also the name of a queen of Jerusalem in the 10th century, and I think it’s likely that that is what the writers were referring to when they named her. Alternatively, it may be an assumed name. Either way, Talia is ethnically half Arab, but the Arabian peninsula is her home in a way it isn’t ever really shown to be for Raas. The Cradle (located in the UAE) is her primary base of operations, and I write her with the assumption that Arabic is her mother-tongue. Damian is therefore ethnically a quarter Arab, although culturally it’s much more significant since he spent most of his childhood in the UAE talking to and working with Arabs, and it was the language his mother spoke to him most. He was raised to be totally multi-lingual, but Arabic will always be the language he has the greatest attachment too.