#unless it was for a role in which case she feels more comfortable not expressing joy 24/7.

[apotelesmaa]

A while back I saw sm1 saying tsukasa expresses emotions like it’s his first time experiencing them & while it’s very funny and true I think it’s also worth noting that unlike tv/movie actors, stage actors have to really exaggerate their body language/expressions so that their emotions are readable for everyone in the theatre. On screen you can easily pick up the micro expressions on an actor’s face because you’re like 5 ft away at most and the camera often zooms in on their face. From the back of the theatre you can’t read subtle expressions so the actors need to over emphasize and use their whole body. All this to say: given that u cannot take the theatre kid out of tsukasa I feel like his acting just bled into how he expresses his emotions.

Emu also does the body language thing but it’s harder to tell as she’s normally expressing a smaller range of emotions than tsukasa (she’s naturally joyous and whimsical creature & tsukasa is usually given ample reasons to express annoyance). I think that’s more of a result of her exaggerating her happiness so that other people are also happy rather than an acting thing though. Gestures at her refusing to show negative emotions. Entertainer/clown (actual clowns, not the insult) vs stage actor. Really good examples of them doing this is the clip of rui imitating tsukasa & the clip of nene imitating emu.

[mindsmade]

what i don’t wish is for you to leave. 🥲

meme

He never thought he'd be on the receiving end of that line. It'd always been him to think it, though rarely to say it — too scared of the repercussions of airing out his worst fears like that. V thinks it makes him a coward and therefore, by extent, this makes So Mi brave. For a moment, in his puzzlement, he wonders if she struggles with telling him this, with confiding in him so, just like he knows he would had their roles been reversed.

His end lies looming on the horizon, though, so maybe she's simply recognized she doesn't have anything to lose now. Neither does he, really, but he supposes his avoidant is also a real fuckin' stubborn one. So he chews on the sentiment she's just shared with him, his eyes searching hers for some indication of a lie — perhaps a white lie to placate him because, despite his best intentions, maybe she's seen through his forced distance; his eternal self-restraint, because what if his presence repels her, or what if his feelings do?

He sees none of that, not even with his signature paranoia keeping his expectations on a tight leash. V tips his head sideways some as such, his eyebrows knitting together.

❛  Y'mean it?  ❜

He hadn't wanted to leave, anyway. Ironically, being stuck with the bastard that is Johnny Silverhand has made him all the more keen on sticking around; on living to see the end of this fucked-up tale. Quite the change from his usual disregard for his own life.

He'd be one big liar if he'd deny the role others have played in the second spark given to his will to live, though. Jackie ( man, how he misses him, still ), Panam, Judy — and, despite their rocky track record ( or maybe even because of it ), So Mi. Oh, So Mi, the one that fucked him over the hardest, and contrarily did the most to undo any damage done.

A slight smile splits his features, overpowering the bemusement stuck fast till now. Though reading facial expressions is hardly one of his strengths ( that unyielding scepticism of his sees to that ), he's sure he detects a current of sadness sweeping across her features. Not even the iridescent gradient of her hair he so loves could distract him from that.

Uncharacteristically boldly, he pierces the perimeter of the personal space he always ensures he sticks to ( even if others are invited into it ), placing his right hand on her shoulder — closer to her neck than to her upper arm.

As the silence stretches on a moment longer, he considers his chances; whether they're good enough to merit a promise from his end. Mikoshi, for all intents and purposes, should be the panacea he's been after. One assault, one cure, one escape, and that's it.

Still, he doesn't have the courage to commit to any promises. The uncertainty underscoring that fact frightens him somewhat, but he swallows it down for now, comforted by the knowledge that he's not alone in the fight of and for his life.

❛  I'm doin' all I can to stick around, So Mi. Somehow, this mess has gone and done the impossible of actually makin' me want to live.  ❜ He squeezes her shoulder gently, cementing his resolution to stay. Before he finishes his train of thought, he withdraws his touch, gesturing towards her. ❛  I'll even admit to wantin' to stay just to spend more time with you.  ❜

Here, his gaze peels off her, briefly flitting towards the NCART coasting along the tracks in the distance. It sticks there only for a second or two for that penetrating silence's sake, before his eyes inevitably find hers again. This time, the smile on his face bears a sheepish quality.

❛  Unless you're talkin' about not wantin' me to leave this specific spot just now — in which case: my bad, first of all. Second: I've got some time left 'fore I have to go meet Rogue.  ❜

[planetsstarsandmoons]

Mars trine/sextile moon

What I like about synastry is that all ‘aspects’ make for such different experiences depending on the role of which heavenly body you’re filling, but each aspect makes such sense and is so recognisable in the way of ‘oh so that’s what I’m feeling’, ‘that’s the way other couples vibe differently than the other’ or ‘that’s why I think her valid emotions are irrational, but am on the exact emotional wavelength as hers’. It makes me think that in other universes, relationships must be so different, and funnily enough in a way that would also make sense.

I love the herb that mars aspecting moon adds to a romantic relationship. I’ll try to formulate it as well as I can: Mars is basically energy, passion, confrontation, drive. It’s something people can find brash, but also like to compete with and people find quite sexy. Mars is a ‘do-er’ and doesn’t trigger thinking in a person unless that person is confronted with his martian nature in relation to something that is so plainly deep and worthwhile, like the ideas of a mercury person or the softness of the moon. The moon is a forceful heavenly body that centers around peace, safety and sensitivity for intuition. Whatever bond they have with planets, especially other powerful ones, is a strong one because the way moon is easily impressed by all compassing force due to her sensitive nature as well, planets are easily affected by moon because she intuitively touches the places where they are most sensitive and tries first and foremost to make them feel safe. Her relationship with mars is a funny one because mars 1. A force that couldn’t care less about how others are feeling, it’s all about their desire 2. Is a force that doesn’t need safety or a connection to express themselves or come forward, what they need is a trigger. Whatever an aspect may be, a line is a line and because mars’ power has no nuance, every energy that’s felt through an aspect is channelled and filtered in the same way. It just depends on the amount of energy that flows through a synastry aspect and in what way. If martian energy becomes rough and bolt-y, it will create conflict if the mars person isn’t someone with a ‘healthy’ natal mars to begin with. So in a way, mars aspecting moon can be dangerous, but otherwise there’s always a person behind the planet that is forced to develop and take a look at themselves and why they feel the way they do.

I’m going to talk about mars aspecting the moon more often but for now I’m staying with the trine and sextile: the peaceful, harmonious and dare I say friendly one:

In the case of mars trine moon, that ‘confrontation’ that mars has with moon drives through in the form of a comfortable carriage with a thick blanket in a Swiss village, instead of an army range rover through a wet night like the harsher aspects give. So in this case, mars is emotionally aroused by the moon person. Have you ever had or were you a SO in which you adored their emotional softness in a way that made you want to have them? Was this a theme? Chances are this aspect was here. Luckily in the flowing aspect, mars decides to be nice to her. The moon person gets butterflies from mars, especially when he is being affectionate to her because to them, they’re such a wild thing that could have gone everywhere and settled with her. They’re like a teenager in how they swoon and get butterflies from mars’ affections and chances are that every single contemporary YA romance you’ve read is based around this aspect, without the writers of course realising it.

The mars sextile moon basically plays out the same as the trine, except the trine is way more physical in their expression. In the sextile, the aspect flowing energy manifests itself in conversation and actions, whatever they may be. It adds colour to the overall dynamic and it’s a very good aspect to have. Just make sure that you realise that although there is a nice air of passion added to the relationship, we are still talking about a mars and a moon here, aka roles. This should not be a conflict, because the mars sextile moon famously almost ensures harmony between these two forces.

[slasherhaven]

✨Hi✨Can you write a headcanon for slashers' toxic treats in a relationship? (It may their insecurities, being too jealous/overprotective ect..) thank you so much and i love your blog 💖🦄

You mean other than the murder and sadism???? Sure! 😂 (Not all of these are ‘toxic traits’, some are just problems that you might have in the relationship. Not including the whole murder thing...)

The Slashers and their toxic traits:

Thomas Hewitt 

His insecurities. He beats himself up so much about everything and it occasionally gets in the way of your relationship. For the most part you are able to reassure him and he comes around, missing being with you. However, he can start to hide down on the basement and start avoiding you, causing a divide between you both. He’ll comes around or you will march down there and confront him, lovingly, and he’ll feel better for a while. It’s a slow process building Tommy’s self worth but you’re a huge help!

His family? I mean...we all know Hoyt isn’t exactly friendly. Once you’re a part of the family, he expects you to have some sort of part in their chores. He also has a habit of teasing you and Thomas, and not in a very playful way, normally worsening Thomas’ insecurities. Luda May isn’t completely innocent either, though. She does love you but is pretty tough in the early stages of your relationship, like she doesn’t trust you. Once you’re officially a member of the family, she eases up on you though. 

Michael Myers 

Can be very cold. This shouldn’t be surprising. He’s a very stoic, cold man who is mostly unaffectionate. It takes so long to start building physical affection with him that most people would just give up before they get there. Of course, it’s worth it for when he finally starts to open up to it, but it can be draining on you.

Likes to get his way. He’s stubborn and independent. The thought of having somebody rely on him or to rely on somebody else makes him very uncomfortable, he isn’t used to it at all. And yet, here you both are. So, he doesn’t ask before doing most things, he just kind of...does. He doesn’t understand why you explain that you would like for him to mention it in the future. An example of this is just leaving the house without telling you, leaving you looking for him before realising he left for the night. He’ll gradually come around to improving on it, starting small, but that means a whole lot coming from Michael.

Jason Voorhees 

His insecurities. Jason doesn’t pull away from you because of it but the more understanding and patient you are, the better it will be. It takes a long time for him to remove the mask and, naturally, that can cause some tension. He’s too worried about scaring you away while you’re worrying that he doesn’t trust you as much as he claims too. This is something that can be dealt with eventually. Once he’s removed the mask and you make him feel loved, this issue slowly fades away.

Isolation? It’s not really his fault. He lives out in a cabin in the middle of the woods near an old run down summer camp and now you live with him. He’s not purposely keeping you away from other people but it’s something that can’t be helped. Of course he’s not going to stop you from taking trips to visit family or friends even if he would miss you, it’s just now always very easy to do so.

Brahms Heelshire 

Selfish. Brahms has a major case of only child syndrome. He can’t accept ‘no’ as an answer, he demands everything he wants, he only really things about himself, mostly because that’s what he’s used too. Thank his parents. Deep down, he really is a sweetheart but you have to chisel away all that nastiness. It’s hard work and you play more of a caretaker role before a romantic partner.

Get’s extremely jealous. He hates the grocery boy’s guts with a vengeance, all because he flirted with you that one time. But he gets jealous over stupid things as well, just when he decides that you aren’t giving him enough attention, which he wants a lot of.

Uses guilt trips. This one you need to stop as soon as possible. It’s how he got his way with his parents, and now he will try to use it against you. As you try to reign in his selfishness, you have to for the same for his guilt trips.

Bo Sinclair

Can’t take responsibility. It takes so much to get him to sincerely apologise. He really needs to see that he’s done something wrong and has really upset you in order to actually apologise. Otherwise he’ll just brush it off and move on, refusing to admit that he did anything wrong.

Manipulative. It’s almost like being manipulative is Bo’s second nature. He does it all the time with people who come into the town but he doesn’t really mean to do it to you. But when he wants something or he’s irritated, he just slips up and it happens. Big fan of saying things like “you’re overreacting”.

Vincent Sinclair 

His insecurities. Vincent can become very withdrawn from you due to his own insecurities. It can really get in the way of your relationship. Of course you’re understanding and compassionate but it does start to wear you down, making you a little irritated. You never let on to those feelings though, always trying to comfort him. Vincent will come around eventually after some reassurance but it can be a tough time.

His relationship with Bo. This is probably a bigger problem than his insecurities. Bo has a lot of power over Vincent and you don’t like it at all, even if you have developed a fondness for the other twin as well. Most of the times it isn’t a problem but when Bo is in a bad mood, he mostly takes it out on Vincent. It can feel like Vincent puts Bo above you, even when Bo is being awful. You understand it, you really do. Bo is the toxic one, not Vincent. But that doesn’t always make things easier.

Lester Sinclair

His relationship with his brothers. Lester isn’t a very toxic person but any relationship with somebody who has a life like his could become a little toxic. You are incredibly important to him but...so are his brothers. It’s highly unlikely that he would leave Ambrose to live a more honest life, or at least try to. He’s more likely to do so than either of the twins but it’s still very unlikely to happen. Sometimes it can make you question his priorities, but he really really does love you more than anything.

Bubba Sawyer

His family. His family is extremely toxic, this shouldn’t be much of a shock. Bubba is probably the least toxic out of all of them, this man just wants to love somebody and be loved in return. By family, I mostly mean Drayton.

Isolation. Like with Jason, this isn’t really his fault but it’s something to consider. If you have family or friends, you likely won’t be able to see them much at all. You could still call and message but you live with the Sawyers now that Drayton doesn’t like the idea of you coming and going. This probably links back to the toxic family dynamics.

Billy Lenz

Jealous/possessive. He’s pretty much a shut in, he doesn’t like leaving the house even though he probably could. He doesn’t have a problem with you having friends but gets a little pouty if you go out with them for a long time, and when you get back home, he is extra clingy. He won’t stop you but you’re well aware that he would rather you just stay with him. He probably feels more lonely than anything.

Asa Emory (The Collector)

Manipulative. Asa knows what he wants and when he wants something, he will get it. He does genuinely try to not purposely manipulate you since he cares about you. However, manipulation usually comes so easily to him that he might not even realise he’s doing it.

His need for control. Asa likes being in control and he loves when you’re submissive to him. This means that he can find it a little difficult to give up some control in the relationship or around the house. It can be infuriating but can be adjusted slowly but it’s not going to be easy.

Jesse Cromeans (Chromeskull) 

Overprotective/possessive. As soon as another man is talking to you, he will be right by your side, his intimidating figure usually being enough to scare them off. If he had it his way, he’d have you with him at all time, only for him to touch or even look at. However, he won’t resort to that unless it’s something you want...still, it’s obvious and it can become overbearing if nothing else.

Depending on your feelings towards his ‘job’, he can be gone for long periods of times. Unless you are completely okay with what he does and go on the ‘business’ trips with him, you are going to be left home alone for long periods of time. Of course, you might be completely okay with that and if that’s the case, there’s no problem. If you need him around some more...well, you might start to feel a little lonely. He always makes it up to you when he gets home though!

Otis Driftwood 

Very focused on himself. He’s just used to only thinking about himself, ever since he was a kid. Of course he does genuinely care about the family and about you (and he doesn’t express that to you better than he does the family) but he’s nowhere near perfect with it. He also has a tendency of pulling away from you when this gets bad. When he realises that it’s bothered you, he doesn’t really apologise either, but he’ll still offer you some comfort.

Anger issues. This man has a temper. He would never turn you but oh boy is it hard work. Most of the time it’s just ranting and shouting about whatever pissed him off. While it doesn’t turn physical or is ever directed at you, it can be a little draining.

Baby Firefly 

Doesn’t take much seriously. Baby tends to treat everything like a joke or just doesn’t realise how serious the situation is to you. It’s not an constant thing, if you’re upset, she’ll notice and take it seriously as she comforts you. But she still sometimes brushes off your concerns (as well as everyone else’s) because she’s practically bouncing with energy.

Yautja (Predator) 

He. Is. An. Alien. I wouldn’t really call this a toxic trait but it definitely causes some complications. The traditions of his race can be...startling. You find far too many skulls in your home when you start courting. You are also likely the thing to introduce him to monogamy, but he adapts to that very fast because you’re so precious to him.

Pretty possessive. He isn’t the jealous type, just very possessive. You are his mate, his little human, and he wants everyone (especially other Yautjas) to know that. At times it might become a little suffocating.

(Look...I’m bias here okay!)

[waheelawhisperer]

I was gonna try to clear out a few asks today and maybe respond to some reblogs, but then I saw this post on my dash and started getting emotional because it really helped put something I've been thinking about for a while into words, even though I am neither this post's subject nor its target audience, so instead I decided to just shitpost a bit and then get my feelings out. I didn't feel comfortable reblogging the post even though I think a good bit of it is also applicable to me because I didn't want to turn this into an example of a straight white man making everything about him somehow and taking focus away from marginalized groups, but I did want to express my thoughts and feelings because they exist and matter to me.

I'm a bit less put together than I usually am when I post, so forgive me if I start to ramble or use terminology incorrectly or misinterpret aspects of LGBTQ or BDSM culture.

Ironically, despite my most recent Arknights shitpost, I'm... actually absolutely freaking terrified to express any serious desire to be sexually dominant - and I do have those desires (don't get me wrong, a strong, confident woman taking control is really hot, all you have to do is read my various shitposts to know I'm happy to sub, but the fact that I even feel like I have to qualify my desire to be dominant with "I also enjoy subbing" is the perfect illustration of my point). Men being submissive is treated as funny, like the setup to a joke about subverting typical sexual/gender roles. Men being dominant, despite what tumblr "punish me, daddy" thirstposting may lead you to believe, is often treated as threatening. Predatory.

This is especially true in the case of men who are attracted to women, at least from what I've seen. I'm very scared to approach women I'm interested in, because women in turn are scared of strange men. It's a justifiable attitude. There are more than enough shitty men out there that it makes sense for women to adopt that coldness, that wariness, as a defense mechanism. Given how much of the tumblr userbase, especially the userbase that participates in the same fandoms I do and thus might realistically be considered my audience, is female, I imagine that many of the people reading this post have had negative interactions with men who don't respect their boundaries or even treat them as human beings, and I am by no means trying to downplay that very real and reasonable fear. I'm just trying to explain how these circumstances and attitudes have shaped my own interactions with women.

The result of this need to watch out for danger is that unless you are a stunningly attractive man, women are on guard when they talk to you. I'm not a stunningly attractive man. Oh, I'm decent-looking, don't get me wrong (admittedly, my status as a proud short king is apparently a dealbreaker for many women, but there's not much I can do about that) - I'm in good shape, I bathe regularly and take adequate care of my skin and hair/facial hair, I wear clothes that fit me and aren't horribly unfashionable, I've been told I have pretty eyes and a nice voice, etc. - but I'm not the kind of heartthrob that can walk into a room and command the attention of every woman in it. I'm not a complete mess socially, but I'm not overly charismatic either, and I'm shy and awkward around people I don't know. As a result, when I approach a woman, she ain't thinking "wow, he's talking to me <3", she's thinking "who's this freaking weirdo, I hope he goes away before I have to pepper spray him".

Because of all this, I try to be nonthreatening. I try to be harmless, and that means repressing anything that might frighten the people around me, whether that be anger, personal conviction, or the desire to (consensually) pin a girl down and rail her. I'm terrified of scaring away potential partners just by having normal human desires and emotions, and it takes a mental toll.

I grew up (and still live) in Texas, which is not exactly a wellspring of progressive attitudes towards anything, much less women and relationships and sex and sexuality. I've been taught since I was very young that men, like me, should protect and alternately defer to or "care for" women (in a very patronizing and controlling sense), and in return, our reward was sex. While my immediate family was never this backwards, I can't say the same about the world around me at large, and the media I consumed (and still consume, because we've made progress but by no means conquered the issue) absolutely bombarded me with the idea that sex was not a thing women enjoyed. Sex was an activity they engaged in reluctantly, if at all, something they gave to men in exchange for whatever nebulously-defined benefits those men brought to the table, which were usually few, enumerated in derisive fashion, and far outweighed by the inherent flaws men possess for the crime of existing. I was taught that sex was a thing men enjoyed and women endured. I was taught that sex was transactional at best, a thing to be earned for good behavior because a woman would never want it for its own sake outside of procreation, and outright undesirable for half the participants at worst, forced upon women by brutish, animalistic men who could never be anything better than lust-ridden beasts.

This is without even mentioning the incredibly heavy, pervasive cultural influence of Christianity in America, and Texas in particular. I'm sure we're all well aware of how Christianity treats sex and sexuality and sexual expression, so I'm not going to go too deep into that, but rest assured the framing of sexual desire as inherently evil and sinful did plenty of damage to my psyche.

No matter how much I know that those views aren't true, that they're doing everyone a disservice, no matter how hard I fight against attitudes that have been ingrained in me since before I even knew what sex was by every bit of stupid bullshit "I hate my spouse" boomer humor I've ever encountered, they still impact my own ability to express my own wants and needs. They still make me feel like I am wrong or bad or evil for wanting to have sex with women, and especially for wanting to be an active participant or engage in sex acts where the focus is my pleasure, like having a girl go down on me.

I think that's one of the reasons I find pleasure in submission: if I'm not the one in control, I can't hurt anyone. I can't be a threat. I can't force anyone to do anything if I'm the one taking orders. If my partner is in control, if she's the one calling the shots in the bedroom, then I'm as sure as I can be that she actually wants to be here, that this isn't just a chore she wants to get over with as quickly as possible to keep me satisfied so she can go do something that actually matters to her.

There are a lot of men like me. I know a lot of them personally. While I hesitate to call myself a good person, I can say with confidence that I would never willingly hurt my partner, that I would never knowingly force her into something she didn't want to do or violate her boundaries, and there are plenty of good, considerate men who would be horrified at the thought of doing something to a girl that that girl didn't want. So we live with the fear that we're monsters, that we're rapists waiting to happen, that even showing interest in a woman means we're unsafe and have done something wrong. We end up starved of physical and emotional intimacy, and it's a very sad and lonely experience.

I think I saw a post a while back, probably before I even started this blog, about a trans man talking about how very different socialization and social intimacy was as a man, and that post also did a great job of putting how I felt into words, but I can't find it right now. Regardless, it made the point that we're lonely. Isolated. We're not encouraged to be vulnerable. Writing this post has been very difficult for me because I was taught to never show weakness, that vulnerability made me a target, made me less, rather than a person in need of and deserving of support. We're not encouraged to develop emotional intimacy with other men outside of very specific situations (competition against opposing forces). Women look at us as threats (because to do otherwise without very good reason to trust runs the risk of actively putting them in danger). We are... so very alone.

[mugunghwc]

it didn't feel as if it was any sort of advice that she needed to be given, but reminded of. the worst thing it could do was to get too comfortable & cocky over her own skill—leading most to blindness of their own hubris. it was more-so, a cautionary tale than anything else. after all, it would be a shame if something happened when she believed she was safe. just as it was the case now.

"in that case, your girls must be really lucky." he'd give that to her, at least based on the sentiment behind those words. not just anyone was fit for that role, just as it was the case with parents. some weren't cut for that kind of responsibility—his father being a prime example. "it's good to have someone looking after you." just as his hosts had daeyun to take care of them. however, the way in which he appeared more inviting to her, alluded to the fact that he may be talking about her, as well. prying after taking note of some of her antics. even when she appeared more welcoming to him, her body language expressed some fear of being hurt ; subtly bracing herself as if there was nobody else to hold her.

perhaps, that was the case.

"i bear that same responsibility when it comes to my people." his vagueness left his words up for interpretation ; something that could be mistaken by his employees he was referring to. however, his dedication towards them went beyond that. the weight upon his shoulders made them stiff, no matter how hard he tried to relax. at least, he had forgotten ( or decided to forget ) all about that man that left him behind ; choosing to enjoy the company no matter her intentions. he'd bite the bait, if this was supposed to be it. "you flatter me." han returned that wicked smirk with one of his own.

hands were clasped together once she voiced out her interest in him—leaning more to the side while holding onto his own hand ; fingers entwined. "why don't you try me? i can't assure i will talk, but you won't know unless you try first."

There was something almost scary in the fact that Han felt more at ease. She wanted to believe that it was connected to her capacities as an escort, but truly, she wasn’t that naive. There was something different about this man, a certain knowledge and distance towards those women of the night, but perhaps for good reasons. She didn’t like the way it echoed with her own experience; it felt too close from home. “Not every establishment has this level of safety, so it’s indeed good to be here.” She wanted to dismiss her true feelings, but she had seen worse and it was palpable, if someone was listening attentively. She offered a quiet smile while she nodded to his words; she was aware of men's cruelty, yes. She had suffered from those brutes spreading her legs when she was begging them to stop, but couldn’t due to the bruises on her face. “I’ll remember your advice. I must admit that I’m touched you would warn me about it.” A little teasing comment; she wondered if he really wanted to protect her. 

As if she was scanned by the other one, Bastet found herself pressing a gentle palm onto her own wrist even if there was no bruise to witness anymore, moving her other arm in a way that she was protecting her belly. Instincts were far more difficult to control in the end. Yet, she was still curious regarding his behavior. That difference had to come from somewhere; and the more he observed her, the more he allowed her to do the same. “I will protect what must be protected. Otherwise, I wouldn’t be a good mama, would I?” Another mysterious smile curled her lips, before she eventually grabbed her drink. She had to be careful; he was the one who was supposed to drink and not her. She should have ordered a virgin cocktail, but something was telling her he would have understood her maneuver. 

“One point for me.” She smirked a bit wickedly, her attitude back to a more flirtatious one for a second as she looked at him with almost candy eyes. She didn’t wish to be too affable either; danger was still present, but since he didn’t seem eager to touch her, she could make efforts regarding her usual coldness. “Well, obvious… I would say that you’re obviously smart, for sure.” She crossed her legs, and observed him. “I’m not surprised this is something related to the Red District, but there’s something else I’m curious about.”

Her eyes gleamed with a rageful curiosity, before she remembered that it wasn’t her place to interrogate him so fiercely. Bastet recalled herself, elegant as always. “But perhaps this is not a topic you want to talk about.” 

[leafinthebreeze]

What Is Spiritual Bypassing?

Spiritual bypassing describes a tendency to use spiritual explanations to avoid complex psychological issues. The term was first coined during the early 1980s by a transpersonal psychotherapist named John Welwood in his book Toward a Psychology of Awakening. According to Welwood, spiritual bypassing can be defined as a "tendency to use spiritual ideas and practices to sidestep or avoid facing unresolved emotional issues, psychological wounds, and unfinished developmental tasks."

As a therapist and Buddhist teacher, Welwood began to notice that people (including himself) often wielded spirituality as a shield or type of defense mechanism. Rather than working through hard emotions or confronting unresolved issues, people would simply dismiss them with spiritual explanations.

While it can be a way to protect the self from harm or to promote harmony between people, it doesn't actually resolve the issue. Instead, it merely glosses over a problem, leaving it to fester without any true resolution.

While spirituality can be a force that helps enhance an individual’s well-being, engaging in spiritual bypassing as a way to avoid complicated feelings or issues can ultimately stifle growth.

Signs

Spiritual bypassing is a way of hiding behind spirituality or spiritual practices. It prevents people from acknowledging what they are feeling and distances them from both themselves and others. Some examples of spiritual bypassing include:

Avoiding feelings of anger

Believing in your own spiritual superiority as a way to hide from insecurities

Believing that traumatic events must serve as “learning experiences” or that there is a silver lining behind every negative experience

Believing that spiritual practices such as meditation or prayer are always positive

Extremely high, often unattainable, idealism

Feelings of detachment

Focusing only on spirituality and ignoring the present

Only focusing on the positive or being overly optimistic (toxic positivity)

Projecting your own negative feelings onto others

Pretending that things are fine when they are clearly not

Thinking that people can overcome their problems through positive thinking

Thinking that you must “rise above” your emotions

Using defense mechanisms such as denial and repression

Spiritual bypassing is a superficial way of glossing over problems in a way that might make us feel better in the short term, but ultimately solves nothing and just leaves the problem to linger on.

Examples

Spiritual bypassing can sometimes be difficult to spot because it is often very subtle. However, looking at examples can help make this phenomenon more apparent:

Following the death of a loved one, people tell surviving relatives that the deceased is “in a better place” and that it was “all part of God’s plan.”

A woman is angry and upset about something that someone else has done. When she tries to share her feelings, her friends tell her to stop being so negative.

A relative regularly crosses boundaries and behaves in ways that are hurtful to other family members. Rather than confront this behavior, those who have been harmed feel that they need to repress their anger and remain overly tolerant.

Spiritual bypassing is also often used to dismiss the very real concerns of people who are dealing with problems. People who are faced with discrimination are often advised to simply be “nice,” “civil,” or “patient” when dealing with blatant abuse. It suggests that people can rely on individual positive thinking to overcome complex social issues.

Recognizing Spiritual Bypassing

If you say these things, you might be engaging in spiritual bypassing:

"Everything happens for a reason."

"You create your own happiness."

"It was for the best."

"It was a blessing in disguise."

"Good vibes only!"

“Thoughts and prayers!”

Before resorting to platitudes, ask yourself who the comment is really helping. Is it really giving someone comfort or insight, or is it just a way of dismissing a difficult situation so that you can feel better?

Causes

Spiritual bypassing acts as a form of defense mechanism. It protects us from things that seem too painful to deal with, but this protection comes at a cost. Ignoring or avoiding the issue can make stress worse in the long-term and make the problem more difficult to solve later on. While avoidance is a primary motivator behind this type of behavior, there are other factors that play a role in shaping it.

Wellness culture, which often perpetuates ideas of toxic positivity and permanent optimism, is sometimes a driving force behind spiritual bypassing. It teaches people that they cannot be well or healthy unless they are able to rise above any negativity. The problem with this is that negative emotions are normal and often a sign that something needs to change. Ignoring these signs can lead to worse problems down the road.

An individualistic culture that promotes the idea that people must aim for self-actualization in order to achieve true happiness also contributes to a tendency to avoid difficult or painful emotions. Rather than trying to solve problems in the environment that lead to pain, individualism teaches people that they alone are responsible for their destiny.

Impacts

Spiritual bypassing isn't always a bad thing. In times of severe distress, it can be a way to temporarily relieve frustration or anxiety. However, researchers suggest that it can be damaging when used as a long-term strategy to suppress problems.

Spiritual bypassing can have a number of negative effects. It can affect individual well-being as well as relationships with others. Some of the potential negative consequences include:

Anxiety

Blind allegiance to leaders

Codependency

Control problems

Disregard for personal responsibility

Emotional confusion

Excessive tolerance of unacceptable or inappropriate behavior

Feelings of shame

Spiritual narcissism

Spiritual narcissism involves using spiritual practices as a way to increase self-importance. It often involves using spirituality to build the individual up, while also wielding it as a weapon to tear others down.

Denying Difficult Emotions

People often engage in spiritual bypassing when they think that they should not be feeling what they are feeling. Negative emotions can be overwhelming at times. Feeling of anger, jealousy, disgust, annoyance, and rage can be distressing, and people may find themselves feeling ashamed or guilty for feeling or thinking such things.

Rather than deal with the negative feelings—and any resulting reactions to those feelings—spiritual bypassing becomes a tool for avoidance.

Just as you shouldn’t try to suppress your own negative emotions in order to avoid discomfort, you should also avoid the desire to save other people from emotions or situations that make you uncomfortable. Trying to save or shield others—either from their circumstances or their own poor choices—can also become a form of spiritual bypassing.

Dismissing Other People’s Emotions

Spiritual bypassing can be a tool to dismiss what others are feeling. At times, spiritual bypassing can be used as a tool to gaslight others into staying silent about things that have harmed them.

Rather than being allowed to express their pain, people who have been harmed are told by others that they are being a negative person. This tendency uses spirituality to reframe events in a way that lets people off the hook for the harm they may have caused.

Avoiding Responsibility

Spiritual bypassing also reduces the discomfort that people may feel as a result of cognitive dissonance. People feel uncomfortable when they hold two conflicting beliefs or when they behave in ways that are not in accordance with their beliefs.

For example, if you believe yourself to be a good person, you might struggle to take responsibility for hurtful things that you have done. Admitting that you have harmed someone else through your actions not only causes feelings of guilt—it also conflicts with your desire to see yourself in a positive light. In this way, spiritual bypassing becomes a way to shift the blame back onto the other person while absolving yourself of any responsibility.

Judging Others

Judging other people for expressing justifiable anger is a form of spiritual bypassing. Anger is a normal emotion and a perfectly reasonable reaction to many events and situations. It means that there is something wrong and that action needs to be taken to fix a situation or mend a relationship. Authentic spirituality doesn't suppress valid emotions just because they're uncomfortable.

It’s okay to feel difficult emotions like anger, jealousy, and disappointment. The key is to deal with those emotions in healthy ways.

Justifying Suffering

Another example of spiritual bypassing is using supposedly spiritual actions to justify not taking action. Examples of this include saying things such as "it's that way for a reason," "it's as nature/God intended," or "it is what it is." It lets people off the hook for taking any responsibility, because according to such explanations, these things are natural, unchangeable, or divinely caused.

Such explanations make it easy to just accept things as they are and not focus on the steps that we can take to make a difference. Some situations may be outside of our control or we might face obstacles that make change difficult, but it is important to acknowledge and accept the responsibility for what we can do to make a situation better.

Bypassing also becomes a form of victim-blaming, especially in cases where people are experiencing the negative effects of various kinds of trauma. Telling people that they should just stop being negative in order to avoid exhaustion, anxiety, depression, and other physical and psychological manifestations of stress is essentially telling them that they are to blame for their own pain and suffering.

How It Hampers Growth

While spiritual bypassing may be less harmful than some other coping mechanisms, it can still lead to negative outcomes that hurt an individual’s ability to grow as a person and fulfill their potential. It can stifle emotional development and even stand in the way of fully realized spirituality.

Spiritual bypassing can also sometimes involve participating in "spiritual" activities in order to feel superior or to get around having to take any meaningful action. Instead of talking about a conflict, you'll meditate. Instead of participating in your community, you'll visit a temple. Instead of confronting your discomfort, you'll recite a prayer. The problem does not lie in engaging in these spiritual practices. The problem is that you're using them as a shield to make yourself feel better—not for truly spiritual reasons. 

This is why spiritual bypassing can sometimes be so subtle and difficult to spot both in yourself and others. Meditation can be a helpful way to deal with stress that will help you cope with conflict. Visiting meaningful places can help give you a connection to your community. Praying can give you a sense of peace or comfort when confronting an uncomfortable truth.

The difference lies in the intentions behind those actions. Are they a way of making yourself feel spiritually superior to others? Then they are likely functioning largely as a spiritual bypass preventing true growth.

Healthy expressions of spirituality help you grow as a person while bypassing creates a barrier between you and authentic growth.

Tips and Tricks

Spiritual bypassing may act as a way to protect the self from things that we find threatening, but it neglects an important truth. We cannot pick and choose which emotions we experience. Life cannot be good thoughts, feelings, and emotions alone. In order to experience the highs, we must also endure the lows.

Some things that you can do to try to confront a tendency to spiritual bypass include:

Avoid labeling emotions as good or bad. While some emotions may be negative or unpleasant, they serve a purpose. Emotional experiences are not wrong or taboo, and feeling these emotions does not make you a bad person. Try viewing your emotions with acceptance and remember that all emotional states are only temporary.

Remember that negative thoughts and feelings serve a purpose. The goal of life is not to avoid having such thoughts, it is to use those thoughts to propel positive actions. Simply putting on rose-colored sunglasses and ignoring a problem does not solve it.

Remember that uncomfortable feelings are often a sign that there’s something wrong and something needs to change. If you are always trying to reduce discomfort by simply avoiding it, the situations that are causing you distress will stay the same. Look at these uncomfortable emotions as an opportunity for transformation rather than a burden to avoid.

While spiritual bypassing makes it difficult to acknowledge valid feelings, it is important to remember that spirituality itself can be a positive force in your life. Research suggests that spirituality can often have a number of physical and mental health benefits.3 People often turn to spirituality to restore hope, cope with distress, to find support, and to find meaning in life.

Studies have shown, for example, that people who engage in spiritual practices are less prone to depression, cope better with stress, experience better overall health, and have better psychological well-being.

Don't be too hard on yourself for mistakes. Growth is a process and it's easy to fall into old habits, especially when you are trying to cope with something difficult. Spirituality can be a positive force in your life and many spiritual practices can be excellent stress management tools. By actively avoiding spiritual bypassing, you can make spirituality a practice that will help you live a more harmonious and fulfilling life.

https://www.verywellmind.com/what-is-spiritual-bypassing-5081640

[curiousochako]

Evolution on Todomomo (and how its not as a bad as alot of people in the fandom are making it out to be)

Now I’ve been meaning to make a post in defense of Todomomo because from what I see on bnha twt a lot of people just resort to calling the two of them “boring” or making claims that Momo is a lesbian and Shouto as gay (which are fine to head canon if they are a comfort for you) but in the context that most people use to hate on todomomo I see this being used as a way to dismiss the pair 

I first want to link this tumblr post that list some of the todomomo moments (whether they are subtle or moments that mean alot more then what mets the eye)

https://mysterylover123.tumblr.com/post/184164201991/top-todomomo-moments

Todoroki and Momo both got in to U.A by recommendations:

I know that this dosen’t really mean alot in terms of a moment but its just something I wanted to point out in terms of a similarity. Being taken in by recommendations is a huge thing as it shows the audience that both of their skill levels have already been observed by U.A.

Importance of Todoroki praising Momo during the Final Exams:

With this topic I feel that those who tend to claim that the ship is “boring” or just wouldn’t make sense in canon fail to see the significance of that moment. I have to say that I am a bit surprised that alot of the hate comes from Shouto stans. The reason I say this is because that moment of recognition on Momo’s end wasn’t only a benefit for her character (since she finally heard someone tell her that they trust her and believe in her) but Shouto’s as well (since that moment was the first time that the audience saw Shouto taking what he learned from Midoriya at the sports festival about seeing the best in others and using that to help someone else).

For Shouto’s character something such as being able to help others is big for his character since the Final exams arc came in the second season. In specific he told her that he voted for her whenever the class was doing the class representative elections because “I thought you were good at that sort of thing.” that scene showed the audience that Shouto has some admiration for her and that he was one of the only students to analyze Momo’s self confidence issue and try and help her. Because of his honesty she was able to bounce back and find a way for the two of them to beat Aizawa during their final exams

Also going further back from the final exams arc we had a subtle todomomo indication and that was when she was picked to be on Todoroki’s calvary team (that moment showcased Shouto recognizing the strength that Yaoyorozu had hence why he picked her to be on his team) Sure he could have chosen anyone else instead of her but something small and barely much to look into detail will always be a form of foreshadowing on whats to come for later. 

But Deku and Bakugou have more growth with Shouto:

I’ve heard this reasoning many times as well (which no one can deny the importance that Bakugou and Midoriya have in Shouto’s life). Midoriya even emphasis that Shouto is “his friend.” and this might just be me being a bit peeved but its a bit hypocritical whenever Todomomo shippers will just enjoy their moment in the final exams arc and antis will make the “but they only had one moment.” counter argument even though no one says anything when it comes to Midoriya calling Shouto a friend (which isn’t meant in a romantic sense).

Now considering that Midoriya is the main character of the series it makes a lot of sense for him to be involved in Shouto’s character arc (which is about the unveiling of his family). 

I truly wonder where the whole “Bakugou had more growth with Shouto.” argument came into play. From what we know about their bond in canon they bicker and banter (showcasing a playful bond that makes the audience smile) which is a good thing but we never really see the characters either break the others walls to learn more about them or influence each other and make each other stronger. So when I see people compare this to todomomo I kind of just sigh. Sure Todomomo might have less moments then that pair but what Shouto has done to help Momo’s self confidence has carried with her from that point onward in the story. We now see Momo creating plans and being much more confident in herself (I mean when she created the sedative to make Machia go to sleep she showed a side to herself that Shouto already saw in her).

In the case of Midoriya and Todoroki’s bond that same method of helping others has been applied to Shouto’s character during the Sports festival where he tells him that his power “is his not his fathers.” which knowing Izuku thats the kind of person that he is; as a audience we are able to see that he is kind in nature and is known for creating bonds. That moment is truly important for Shouto as a character (which i’m glad the fandom dosen’t tear apart) So my question is for those who stan Shouto is if you are able to accept Izuku’s kind nature of helping Shouto why must Shouto’s moment of helping Yaoyorozu be swept under the rug and just referred to as “boring.”

I mean if anyone truly looked at the final exams moment and only thought that it benefited Yaoyorozu then you skipped over some of the subtle hints Horikoshi has been putting into their dynamic. Yes; it helped Yaoyorozu as a character believe in herself and to trust her decision making but at the same time it showed us that Shouto is perceptive and can give good advice when needed (as well as thinking more about others instead of what he did pre sports festival). 

Kamino Ward arc:

During this arc whenever Bakugou was captured. Trust was built between the two character as Momo tells both Kirishima and Todoroki that she “trusted todoroki” hence her involvement in helping them find their friends. At first she was reluctant but agreed when the two boys asked her. 

Provisional License exams:

Small subtle moment that Hori put in their is whenever the audience saw Midoriya worried for Shouto (since he ended up failing the exams) we got to see Momo’s expression of worry as well. I know this dosen’t mean much but alot of the Todomomo moments that we do get are subtle like that. Even a small facial expression will mean something in the long run. 

Two Heroes:

Again, another small moment of Todoroki using his ice to get everyone to leave the area while he fought some of the movie villains and Momo calling out his name in worry (its a common trope to have one person stay behind while the other is hesitant on leaving them) I am aware that this movie was more Bones heavy rather then Horikoshi but I don’t believe the studio would try any subtle hints of anything unless Horikoshi might of told them something regarding the pair.

Pro Hero Arc:

Like the Two Heroes Todomomo moment we also see Momo look over to Todoroki in worry (as well as the rest of the class) but seeing almost 3 moments where she is present and worried for him whenever Todoroki is either in some emotional state or just focused on something isn’t just for show. Horkoshi could have easily left her out but he wants the audience to see that Todoroki and Momo will have more conversations in the near future. 

Joint Training:

In this arc Todoroki makes small comments during Kendo vs Yaoyorozu 

"If Kendo separated Yaoyorozu from her team out of caution, then I think she's misjudged her."

"If she actually wanted to be cautious of Yaoyorozu, she should have crushed her 4 on 1 with her entire team's power right from the outset."

With these lines he show the audience how perceptive he is about the fight and shows some interest towards it. Shouto also believes in her abilities by making that first statement on Kendo misjudging Momo. However when Yaoyorozu lost to Kendo he comments 

"...I hope she doesn't get all discouraged again." 

Again he shows worry for her as he has already seen her doubts come full circle during the Final Exams arc. It also shows the significance that arc was for his relationship with Momo. He shows concern for her and dosen’t want her to feel discouraged over her loss against Kendo (despite the improvement she has shown us since that arc Shouto still holds a level of care for her).

So to only make claims such as “todomomo only had one moment” that character defined moment wasn’t swept under the rug as we have seen Momo’s insecurities being brought up again by Shouto (who might I add is the only student to know the full extent of them).

Drama CD: Ennichi Festival:

In this drama cd we had Todoroki and Momo spend the night together at the festival that they were at and Shouto opens up about his family to her. In this drama cd he felt like he was bothering her with all this info and Momo is the one to reassure him that he isn’t and that he should be more open about his feelings. Again a moment like this is good for Shouto since he is well known for keeping his feelings to himself (for him to have that type of reassurance would allow him to be more comfortable in his own skin).

You could say in a way that their roles were reversed from how they acted in the Final Exams with this time Shouto showing a bit of insecurity and uncertainty while Momo initiates a method to help him. 

Link to the drama cd on youtube:

https://www.youtube.com/watch?v=ggS9rXS_1ys

Link to all Todomomo moments animated so far:

https://www.youtube.com/watch?v=UKr8WOK05RQ

[cafeinthemoon]

The Home I Crave - Chapter 4

Title: The Home I Crave

Genre: Fanfiction

Pairing: Tobirama Senju x reader

Rating: teen and up

Word count: 2938

Chapter: 4/?

Symbols: ⭕ | ➕ | 💛 | ▶️▶️

Read the previous chapter here: Chapter 1, Chapter 2, Chapter 3

Though your future husband had his own residence separated from the Hokage’s, you weren’t sent there after being informed that you would stay in the village for the next days. Instead, you would be a guest in Hashirama’s house, and Mito would provide you the orientation you’d need in your new role.

The Uzumaki princess, with her vivid presence and smartness, helped you to find ways to fill your days with meaningful activities, so you wouldn’t see time passing until the wedding and wouldn’t have many chances to feel like a burden staying in the house of strange people counting on their assistance. You couldn’t entirely avoid this sensation, which led you to decline from small favors and treats that were offered to you from time to time; on the other hand, you found some relief once you realized that the manners showed by the Hokage’s wife during the reception were not mere formality: Mito’s interest in your well being was genuine, and she was not going to give up on making you as comfortable as possible under the current circumstances.

It was better this way, you thought. So you just let her be the friend she was willing to be.

In fact, Mito Uzumaki was an excellent friend: she would always answer your questions and doubts with honesty and objectivity and never hide when she didn’t have the information you needed; the things she asked about you were never embarrassing or invasive, and you always saw yourself willing to talk when she made you questions. You spoke to her about your life with your sisters, your training at your clan’s compound, your use of Doton and how it is a characteristic of your family since the oldest generations; Mito explained that her clan was specialized in sealing techniques the same way your were proficient in Earth Style, and when you asked her about them, she described the history and the creation of the most important among them.

During your time together, most of your conversations consisted in you two exchanging your experiences as shinobi, your families and your relationships with your friends. You discovered opinions and preferences in common despite the obvious differences in your personalities: while you had a tendency to live in your head if you were left alone and not speak your mind unless you were invited too, Mito was straightforward when it came to expressing her thoughts, though she was never rude while doing it; many times she took the initiative to start the conversations, and the mission of taking out your thoughts would almost always fall on her shoulders, no matter how many times she assured you that you were free to speak whenever you needed to.

One day, when this situation happened, she looked into your eyes and gave you an advise for which you would thank her later, when you’d be a married woman facing the challenges typical of your new condition:

- I am always encouraging you to not keep everything to yourself when you have the chance to talk, but maybe I’ve failed in explaining why I insist so much in this, y/n-san.

You blinked in surprise and curiosity.

- In this case, let me ask you your reasons for doing this, Mito-san.

- This can be good for you in any circumstance of your life, of course, but the main reason is that this is the most efficient way to communicate with Tobirama.

You clenched your hands to avoid the trembling that was about to reach them after you heard his name. It’s been a while since it was mentioned between you: you’d usually hear it when Hashirama came home and mentioned something concerning his work or a message sent by his brother. However, you always felt it differently whenever it was said by Mito.

You asked little about him since that conversation you had when you first met the Uzumaki woman. You didn’t like to think you were avoiding the topic, though your attitude would say that this was exactly what you were doing; the case was that you didn’t have so much to ask about him after everything she told you that day, and knowing that he was the brain behind the measures of the new alliance between your clans already said too much about the person he was: any other minor information you’d get would sound superfluous compared to that. Mito noticed your reluctance in this, and despite never asking about your reasons for it, she chose to respect it.

To speak the truth, you would only talk about Tobirama when you got in touch with something – a place, a circumstance, an idea – that, according to Mito, reminded of him in some way. There was a time when you were taking a walk at the shores of a river around the village and she commented that you were walking at one of his favorite places to fish and spend time alone after stressful days.

- If he suddenly disappears, it is almost certain that you will find him here – she smiled – But that doesn’t mean it’s a good idea to come here unannounced when he’s trying to get some rest. He’s too attached to his privacy.

You looked around and couldn’t judge him for this feeling: that was a beautiful, calm place; you wouldn’t appreciate being interrupted if you were there seeking for relief from the burdens of the day.

Episodes like this happened with some frequency, and you took the opportunities to enrich the image you were creating of him. Everything you discovered was interesting in their own way, though you weren’t still able to decide if your final opinion was good or not. Maybe it was something between the two – shinobi were always in the gray zone of the human moral compass. And when you remembered that you, as a kunoichi, were included in this account, you refrained yourself from pointing your finger at him.

However, there was a parameter that remained unconsidered to you among all the others, perhaps because of your lack of attention or the great amount of urgent preoccupations you already had, and about which you’d only come to think when you were directly led to it – Tobirama’s physical appearance.

After your experience with Hokage, you were aware that sometimes informations could be deceiving depending on their source and the person who received them. With all you’ve heard about him and considering what you thought of the arrangements led by him, it was possible that your betrothed’s looks were just like his personality: not the most pleasing one, and even scary at some point. But when you added the fact that he had a brother like Hashirama, well, maybe he was nothing like this. At some moment, you started to imagine that he could resemble his brother in some traits, or he was just like the men you saw working in the office during the meeting: all of them had a certain level of resemblance, something that made it possible for a stranger to identify them as members of the same clan, even if they were not blood relatives.

Whatever the truth, all you had was a just a vague idea, a second hand thought that you weren’t willing to turn into a concrete concept or to confirm with Mito: it was more interesting just to hear her talk about his actions and attitudes.

You would only change your mind when, thanks to an unexpected incident, you ended up finding a portrait of him.

You were still getting used to the structure of the Hokage’s house: though your own residence at your clan’s compound was large, formed by many rooms, the corridors were few, not enough to form the same intricate labyrinth of the building you were now. Still, you wouldn’t avoid walking through them without company in order to train your sense of direction, and thanks to the orientations you received from Mito regarding the rooms you had permission to enter, you weren’t afraid of invading the wrong place. But you would still  get confused if you entered the wrong corridor.

This is what happened that time, so that instead of reaching the living room you got into a narrow hall with a collection of photographs on the walls of both sides.

You recognized some of the landscapes in them from the path you and your group took when you arrived at Konoha’s territory: hills, rivers and the forest’s entry; some of the residences and farms were there too.

You also identified some of the people: there was a rectangular portrait of Hashirama Senju in what you understood to be his official clothing as the village’s governor; Mito Uzumaki appeared in another picture right beside it, surrounded by a group of men and women with their hair as red as hers and dressed in the same style, leading you to the conclusion that they were part of her family or were close friends; there were also pictures with some of the people you saw in the office beside those two.

The majority of the photos were of people you didn’t know but were certainly close to the ones you knew. There was a photograph of a middle aged man wearing a reddish armor; wrapped on his forehead there was a white stripe with the crest of the Senju. The man had his skin as tanned as Hashirama’s, and his hair was straight and dark just like his, though it wasn’t that long. Looking closer, you noticed the two shared similar face traits despite the lack of gentleness and freshness of the older man if compared to the younger one. There was no identification in the picture, but you thought that this man could be Hashirama’s father. If this was the case, they must haven’t had nothing in common besides the appearance.

Near this photograph, there were other, larger, with a group of children surrounding a woman, all of them wearing the Senju traditional clothing. One of the children, a boy with a bowl haircut, shared some resemblance with the man of the previous image: you looked at him for a moment and recognized Hashirama. The other children, all boys, and the woman were too different from him and between themselves, but there was something in them that told you they were relatives, so that if that was the Hokage’s mother, those boys should be his brothers. With this, your natural reaction was to wonder which of them could be Tobirama.

The first kid, close to Hashirama, had a scar on his cheek and brown hair; he was the one with the widest smile. The second, sitting right after him with a sweet look and some shyness in his manners, had white skin and a hair parted in two contrasting shades: white on the right side and dark brown on the left. The third boy, standing up beside the woman and separated from the others, was the one who most resembled her; he was staring at the camera with a serious, firm look. He had the same light skin tone of the second child, and his shaggy hair was of a shade similar to the lighter side of that boy’s hair as well; but the thing that caught your attention in this one was that pair of red eyes, just like the woman’s, with which he looked into the lens, to the photographer or to something beyond them. It wasn’t the look one would expect from a child.

Considering what Mito told you during the tea and what you thought of the arrangements, you were thinking that this kid had the highest probability of being…

- Oh.

Your voice escaped when you took a step ahead to observe the next photograph and found in it a figure entirely different from the ones you’ve saw until that moment.

The portrait was the same size as the one of the Hokage and it showed a young man in a blue armor, with his arms crossed, looking at the lens with the same perspicacity you sensed in the boy’s look. His armor was different from the one of the middle aged Senju who you supposed to be his father: around his shoulders there was a huge, white fur attached to his forearm protectors, all of them together creating the impression that his torso was larger than it really was; under the armor, he was wearing a black shirt that covered his neck and arms until his fists; he wasn’t wearing gloves. On his face, he had a gray happuri with the Leaf crest carved on its forehead.

The man had white, voluminous hair that would rebel against the steadiness of his general aspect, as a minor inconvenience that remained out of his control and to which he was already used; looking closer, you realized it wasn’t of a pure white, but of a slight shade of gray. His skin, only visible through his uncovered hands and face, was light, even pale if you compared him to other people who spent as much time under the sunlight as him certainly did as a warrior; was it a peculiarity of him or just the environment where the photo was taken? You had no way to tell. On his face, too, the light tone served as a white canvas for what you thought to be facial painting or tattoos: three red marks spreading over his chin and under his eyes as slits opened by a kunai; around his eyes, black, thin lines that would contour their natural form, already sharp, giving them the sensitivity of a hunter’s eyes.

Those eyes, you realized with astonishment, were as red as the eyes of the boy from the other photograph.

You went back to the children’s picture to observe his face with more attention, and didn’t need much time to notice the similarities between them. The mannerisms, the traits, the seriousness – they were the same person.

It was when you started to look for portraits of the other children and was unable to find anything except the one of Hashirama in the Hokage’s clothing. You already knew that the Senju head had lost his siblings to war, but just a few days ago you found out there was only one brother left for him. You looked at the blue armored man again…

- Finally I found you.

You startled, almost letting a scream out. When you turned, you found Mito smiling at you.

- If I was an enemy, you would be in trouble.

A glimmer in her eyes insinuated that she has been observing you for a while, waiting for you to notice her presence. You never cursed your lack of sensory abilities as much as in that moment.

- I… I am sorry for this – you apologized, looking at the photographs – I took the wrong corridor and ended up here. I wasn’t expecting to find these pictures, so…

You glanced behind, as if sensing the man’s image right over your shoulder. This didn’t escape Mito’s attention: she walked closer to its spot on the wall, looking in the eyes of the warrior. This gesture eliminated any remaining doubts about the identity of the man.

- You already guessed, didn’t you? – with her unaltered voice, she questioned you without taking her eyes off the picture.

You turned to the portrait too, facing his gaze again.

- This photograph was taken four or five years ago, but he remains the same – Mito continued – Not even a line of expression appeared on his forehead or in the corner of his eyes since then – and with a smile – The same goes to Hashi. Just another talent of the Senju.

You observed the portrait in silence, not interrupted by the princess: having familiarity with arranged marriages as much as you, she was aware of the time one needed to become accustomed with the looks of their betrothed under these circumstances.

You only spoke when you felt prepared to, and when you did, it was to point out that he looked even younger than you expected after all the things you discovered about him.

Mito laughed.

- I don’t blame you. If I didn’t know him or his brother and saw them together for the first time, I would certainly think that Hashirama is the younger one.

You laughed too; when your smile faded, you turned back to your contemplative expression. Now, the white collar and the aspect of his eyes just gave you an idea.

- I hope you don’t find it strange what I’m going to say, Mito-san, but he reminds me of a wolf.

Mito crossed her arms, looking at the picture; now that you were becoming used to her manners, you no longer found it weird to see her doing gestures like that while dressing in noble clothing.

- Nobody never said that about him before, at least not to me – she commented – But it makes sense, now that I’m looking at him.

You stood in silence for some time. You spent it training your eyes to get used to Tobirama’s sight, to the weight of his gaze, for you sensed that once you were together, you wouldn’t have such time. The funny thing was that, while you stood there, you didn’t notice how much time passed, only waking up when you heard Mito’s giggle beside you.

You turned, only to find her still contemplating her brother-in-law’s image.

- In his own way, he’s a beautiful man, isn’t he?

You sensed heat coming up your cheeks, mas didn’t refuse to reply.

- Yes. I dare say yes.

[kaisa-ryo]

Megumi Fushiguro NSFW Alphabet

Warning: English isn't my native language!

☆.。.:*・°☆.。.:*・°☆.。.:*・°☆.。.:*

A = Aftercare (What he likes after sex)

Nothing can be better than looking at you, studying every part of your face up close. Watch how your eyelashes tremble, how your chest rises and falls, inhaling and exhaling air. So familiar, so lovable. What a beautiful and so necessary face at this moment. From time to time he wants to run his fingers over it, remember it, photograph it. I want to look at your face for a very, very long time. Then he drops those thoughts because he needs to focus on trying to sleep.

B = Body part (His favorite body part)

Lips.

God, he so enjoys watching you bite them, lick them, paint them with glitter. This is essentially a small insignificant part of the body, but so demanding for courting and kissing. Yes, kisses ... Megumi so wants to touch them and do it yourself: bite, lick, paint with glitter ... After all, they seem so soft and delicious.

C = Cum (Everything about sperm)

Into a condom. Even if it is not always convenient and completely satisfactory with an elastic band, Megumi still prefers to protect herself. In addition, it is useless to oppose this if you do not want problems in the future. But if you ever ask him to do it without a condom, he might even agree, though not right away. First, make sure that you really want it, since he was not ready to ever do this. So don't be surprised if he gets worried during the process.

D = Dirty secret

From time to time he thinks about how you will take full control over yourself. It makes him mentally convince himself what a lustful bitch you are for him. He understands how you revel in your own perfection, how this thin erotic veil allows you to devour him with your eyes, hypnotize. It almost makes you a god. But the deity should not so protrude his sexuality in front of his beloved. Therefore, if you do so, then in the morning Megumi will throw some reproach in your direction, but at the same time he himself will remain satisfied and completely satisfied.

E = Experience

There is. If in high school he was a cold-blooded bully with a good appearance, then it is possible that Megumi had favorites back then. Not to say that, under the influence of hormones, he wanted to fuck every girl, because on his mind he had only the goal of maintaining justice with vague and false concepts. Yet he tried it once. She was a girl with high status and good connections, which were beneficial for him to achieve his goal. Sex without commitment is not the best experience that can be obtained, because apart from the pleasure of the process, you do not feel attracted to your partner. But what you just do not go to achieve the goal, right? The guy did not particularly remember that incident, but a clear understanding of the foundations of the art of submission remained.

Now he doesn't want to remember school life, because both character and actions were not sugar at all. In addition, the intentions of what then and what from now are different, one should not exceed expectations. But speaking of being intimate with you, Fushiguro has acquired a real bond that makes intercourse more sensual.

F = Favorite position

A deck chair is a great option. It seems like an ordinary missionary, but both he and you have something to hold on to. And as a bonus, he sees your face, by which he can give an accurate analysis of how well you are now.

G = Goofy (Are you serious at this moment?)

Yes. Despite the main goal of getting pleasure, it is also important for him to control it. He is not afraid to death that everything will go downhill. It's just that perfect sex hasn't bothered anyone yet. In addition, it is not at all difficult for him to do as he wants. Therefore, he feels a great need for complete control over intercourse. If everything is done correctly, he feels proud of himself, which cannot but please him.

H = Hair (Is the hair ok?)

Hygiene is as important to him as every other aspect of his life, especially if it somehow, no matter how, concerns you. You never need to remind him of this, as he himself tries to take care of the intimate area as often as possible. Therefore, he is unlikely to have problems providing comfort for both of you.

I = Intimacy (Romance)

There is. These are mostly cute things that are usually not considered very important, but for you they are like a trophy. For example kisses on the forehead, crown of the head, knuckles of thin fingers, neck and shoulders. It is like a ritual dedicated to love for your beauty and uniqueness. Even if the process is not very sophisticated, you get pleasure every time. Towards the end, you realize that you have gained much more than the warmth from light, but sensitive touch.

J = Jack off (masturbation)

There is such a thing. And you don't have to be far away. If you have not done this for a long time, but for some reason he is afraid or does not want to offer you, then do not mind masturbating to one of your photos in the gallery.

K = Kink (Kinks and fetishes)

The guy is not indifferent to your body, no matter what shape it has. Feel his smell, touch, stroke, listen until all these tenderness reaches light bites, squeezes, licks ... He feels everything much more sophisticated than it seems. And nature is such that subconsciously very subtly feels desires. Even if they are not at all.

He likes it when you walk in sexy pajamas, stockings that accentuate the shape of your legs or open clothes, although he doesn't always approve of this, because he knows perfectly well that he is not the only one who likes your body.

I like to give you different jewelry because they look so perfect on you. It is not for nothing that people say: "It is not clothes that paint a person, but a person's clothes."

For Fushiguro, this is both the main aesthetics and a source of inexhaustible pleasure, which is noticeable with the naked eye.

L = Location (Favorite places to have sex)

Not a lover of variety, so the option with a bed is the most ideal for him. Moreover, the bed is large and soft, which allows you to do a lot without any discomfort. You often feel tired after sex (unless you're a sex addict), so in the case of a bed, you don't have to worry about passing out on the table or floor. Yes, with the bed, you are subject to almost all poses!

Fushiguro is also not cold to the sofa, which is not much different from the bed in terms of sex. On it he can relax while you ride it, clutching his shoulders or pants. The sofa is also a good control plane, which can be easily used if you understand that you need to get up. It's still convenient! Why do you even need a shower and a table?

M = Motivation

When you walk around the house in the open in only panties and a bra. He doesn't like it very much, but heck, he really doesn't want to admit that he is actually embarrassed and it still turns him on. And when he comes to pick you up from home to take you somewhere, and then finds you not ready, in only one underwear, he will be indignant at why you are still not dressed, then he will turn away, covering his face with his hand and making a slightly trembling exhale. At this time, you will notice how his cheeks and ears turn red and giggle softly, pulling on a T-shirt. Once you specifically asked him to fasten his bra, knowing that it will start. After all, in front of him, a close-up flaunts your completely naked back, which you can touch and stroke. It seems that another second and he will lose control of himself and go into a rage. Holding his breath, he will begin to gently stroke the delicate skin and excitedly run his fingers up and down the spine, feeling his legs trembling from the touch. You will have to bite your lips in order not to turn around, and all this time with concentration to look in the direction where your shadows are reflected in a black silhouette on the wall a few meters away.

Also no less exciting for him is your passion for something. If you diligently write an essay, essay, read interesting books, even just tap your nails on a hard surface - he will be immersed in your actions. After all, the main thing for him is not the process of action itself, but how you perform it. When Fushiguro sees you at work, he enjoys every second of what is happening.

N = No (Which won't do)

What he considers to be risk or abnormal.

Megumi is for healthy sex and will not settle for BDSM, role-playing or sadomasochistic procedures. Especially complete submission. It does not arouse and does not cause orgasm from the word at all. He believes that such an idiotic variety was invented by mentally ill people, after whom everything is repeated for the reason of "fashion", public manipulation and self-hypnosis. In addition, in order to decide on such an idea, you either need to be a crazy psychopath, or stop respecting yourself. At least Megumi thinks so and has no doubts about it.

O = Oral (Likes to receive or to give)

In this regard, Fushiguro tries to maintain balance.

Yes, he likes to hear your drawn-out muffled moans. I like how you all wriggle under it and beg you not to stop. I like the way you cum. But it is no less exciting to see how you walk with your thin fingers along the entire length of his penis, and then clasp your lips and swallow it as deeply as possible, periodically circling the head with your dexterous tongue. Therefore, he is not inclined to prioritize. He continues to give you pleasure simply because he thinks it is right, and when he himself wants to feel pleasure, you will guess it yourself by his eyes, facial expression and swaying his hips in time with your movements.

P = Pace

As a rule, Megumi tries to do it in full force. Physical strength is still a man's trump card in love, and should not be underestimated. But it needs to be properly stimulated. Energy should not be pushed to the limit. Fushiguro was used to stretching his orgasm, speeding up and then stopping for ten seconds. Then the surge of feelings becomes even stronger. Too much speed will immediately lead to overwork, and the orgasm becomes smooth and short. It's too predictable. Of course, the guy is not a fan of variety, but that does not mean that you absolutely cannot pamper yourself, right?

Q = Quickie

Average. The most common.

And what else do you need? High speed does not allow you to feel the process properly, and low speed dampens all excitement and quickly gets bored. Medium is perfect for both of you.

R = Risk (Ready to experiment)

Not ready.

You shouldn't force him to try new sensations. This will cause him discomfort or even anxiety, which will not lead to the best outcome. Once you talked to him about this, at the end he said that he didn’t like it and asked him not to bother with this topic anymore, since even the thought of it introduces him into slight stress. Not because of the experiments themselves, but the very fact of their fear. He is currently struggling with this because he wants to be completely perfect for you. However, it is unacceptable for him that it is easy for him to control the process, but it is so difficult to start experimenting in terms of sexual relations. He will definitely deal with it. Not right away, but it will cope.

S = Stamina (Stamina)

Pretty decent

Getting pleasure is enough for both of you, so you have the strength to wash in the shower, make tea, read a book and just lie around, warming your bodies with hugs. It even happens that there is enough strength to walk along the street, restoring not only physical balance, but also emotional one. Still, a walk in the fresh air with conversations on various topics does not let you forget that your love is real and is not a farce for sexual gratification.

T = Toys

It treats all their varieties badly.

Another trinket invented by the unbalanced and sexually addicted. You both have enough and an ordinary hookup without stupid "decorations".

* In fact, once the thought flew through his head about how you would react if he shoved a vibrator into your vagina as close to your clitoris as possible. And how he later, in all seriousness, assured himself that he would not offer you such a thing for anything. Recalls a magazine article about sexual fantasies among teenagers at thirteen. As a result, having mentally slapped myself in the face, I never thought about it again.

U = Unfair (Does he like to tease)

Yes!

He doesn't like to admit it, but oh my god, how your pleading and sobbing drives him crazy. At such moments, he seems to be in seventh heaven. He would like to listen to them, but then all the pleasure from the upcoming orgasm will disappear. He wants to satisfy his desire as soon as possible, but he really doesn’t want your sweet voice to stop at such seconds ... And when you finally finish, everything inside him contracts. Because now you shout his name instead of muffled moans. It feels like he is special to you. Yes, only he can make you make a mess in your body, which was just so obedient. Only with him can you finally plunge you into ecstasy.

V = Volume (How loud is it)

At first, he is silent, as if swallowed his tongue. But by the middle it already starts to grow. But if you only knew how uncontrollable he is in the end ... although, why am I crucifying here? Of course you know.

At this time, along with orgasm, he realizes how fucking he is. So inside him begins a feverish flow of internal current, and at the same time a fire flares up in his heart, turning into a high.

W = Wild card (Random headcanon)

When you first slept, the spontaneous thought came to you to look into his phone. Nothing criminal, you just wanted to make sure you were the first.

Waking up first and looking at the phone, which surprisingly had no password, you checked the list of contacts that were not embellished in some way, and in general there were not as many of them as you expected. But you, apparently, so much enjoyed digging into his personal life, feeling like a real Sherlock, that you decided to look at Google. There already began something from which you simply could not help but emit an unrestrained laugh: more than ten tabs related to sexual relations, the structure of the vagina, the consequences of the "first time", precautions for intercourse and a bunch of other things. You could hardly restrain your laughter so as not to wake up your loved one, who apparently became a real Alpha and a sex guru in just one evening.

It's been a long time since that moment, but you still haven't admitted to him that you then got into his phone.

X = X-ray (What's under the clothes)

14.5 cm during erection ± 1

Y = Yearning (How high is the sex drive)

Megumi cannot be called “lonely-touchy-with-a-broken-heart”, but “addict” is certainly not about him. This is an unexpected manifestation of desire when he himself begins to kiss your neck, in the hope of showing your initiative. Usually you make love at your request or at a noticeable hint. Fucking you in bed, he is not looking for any benefit for it and is not chasing cheap bonuses. He thinks that he is simply satisfying his sexual need, and does not go further so that you, too, do not get hung up on sex as an important part of your life.

4/10

Z = Zzz (How quickly falls asleep)

Quickly, if you are not trying to distract him with conversations (you are not always sure that you did everything right and completely satisfied him).

If you want to annoy him with requests, for example, if you are cold and you tell him about it, he will immediately cover you with a blanket. But you are more cunning and you do not need a blanket at all, but his strong arms.

— Mmm... and I wanted to warm myself in your arms...

Then Fushiguro will roll his eyes, sigh loudly and hug you from behind.

— I want you to kiss the top of my head! — you will rather smile when he reluctantly, but still will do it.

— Will you sing me a lullaby? - then the guy will understand that further you are just making fun of him.

— Maybe you still dance?

— What a good idea! Stand by that closet.

— Sleep, princess.

☆.。.:*・°☆.。.:*・°☆.。.:*・°☆.。.:*

[kingofthewilderwest]

What's amatonormativity??

I’d encourage you to go to Google or check out tumblr tags and posts on amatonormativity to learn more!

Amatonormativity is the internalized cultural mindset that romance is default and central. It especially conceives of romance as the single most important relationship in someone’s life, to the point it should be focused upon and sought out above any other bond. It treats romance like the universal ultimate solution to any of our emotional bond problems (loneliness, intimacy, trust, support, longevity of relationships, etc.). Amatonormativity is heavily ingrained in many societies, like the mindset I find in people in the United States.

Of course romance isn’t a bad life experience! For many people, it can bring great joy. When people criticize amatonormativity, people aren’t criticizing that romance can be a great thing in someone’s life. The problem with amatonormativity is that it treats romance as the ULTIMATE thing, the ONE solution to our need for emotional fulfillment.

It’s important to understand that amatonormativity has profound negative side effects, whether you’re allo or aro, whether you’re queer or straight, and whatever gender you are. Society takes a lot of things for granted regarding romance and this can stunt our happiness. It stunts our ability to bond with other people around us or find satisfaction within our lives.

Amatonormativity underlies emotionally stunting assumptions like..... (disclaimer... I will often use language defaulting to the Western cishet perspective, because that’s the mindset of my broader society... I myself am an aroace enby and have more nuanced understandings of gender, gender expression, gender roles, sexual attraction and identity, romantic attraction and identity, etc.)

Automatically assuming that just because a man talks to a woman, the interaction MUST be romantic in nature (this of course intertwines with heteronormativity -- many of my points will intertwine with heteronormativity). It assumes there’s no such thing as “just friends” between people of “opposite” genders. This in turn can result in us losing opportunities to bond to, understand, or properly respect... literally half the human population.  

Treating friendships as secondary. Treating friendships as temporary. Treating friendships as more replaceable than romance. Treating friendships as less “deep” and important to our time than romance, even a romance you started two days ago with someone you met last week. By doing this, we lose the chance to grow deeper with someone near us. It limits the potential by which we can bond with another human soul and find happiness.  

The belief we are unlovable and not worth anything because we can’t find a romantic partner. I don’t know how many times I’ve seen people disregard their own worth because of this, and it makes me deeply sad. The truth is that our worth is not at all tied to whether we have a romantic partner. We can be so deeply loved and cherished in all sorts of relationships. Of course it’s still valid if you feel single blues because you want a romantic partner, but tying the concept into “I am worthless OR I’m dating” clearly is an emotionally harmful concept. It can result in everything down to hooking up in a relationship that you aren’t ready for or don’t like as much as you pretend you do.  

The belief that we are utterly alone without a romantic partner. I notice this often ties into the amatonormative belief that we can only get good physical touch, trust, emotional and physical intimacy, etc. through a romantic partner. I feel this mindset is especially pronounced in cishet men, since USA culture treats masculinity as lacking outwardly expressed vulnerability, and ergo you might not be getting your emotional needs met through your platonic and familial relations. The one “accepted” way of getting your emotional needs met comes through The Girlfriend / Wife. This belief prevents us from reaching out and finding support through other people in our lives. We can find love and comfort in friends. We can confide about our emotional struggles and find relational intimacy (great trust!) through familial and platonic bonds. Hugs, snuggling, other acts of physical affection are what humans need, and don’t need to be relegated to One Person Only. Plus... if we assume that our emotional struggles should be fulfilled by One Person Only... that puts enormous pressure on that partner to provide for everything. No one’s that strong. We need support networks, not one designated “save me” individual. It’s pure unhealthiness to mount burdens only on one person, and bottle yourself up otherwise. I often see this fallacy pop up when people start a new romantic relationship. You might barely know the person, and yet you’re trying to rely on them for everything, and you’re trying to be the person they’ll rely on for everything. You dive deep into the expectations before you really know how to handle it, and in the process become psychologically overwhelmed because of the Huge Responsibilities this role seems to entail. Being in a romance doesn’t automatically mean you’ve reached peak intimacy! Note: it’s not to say that romance can’t be a major avenue of security. Of course it’s a great way to fulfill intimacy, trust, physical needs, etc. Of course it can become a bond full of loyalty. But romance is actually like any other relationship... a familial relation can be weak or it can be strong, a platonic relation can be weak or it can be strong, and a romantic bond can be weak or it can be strong. The fallacy is that we are treating romance as *THE* way to fulfill all these diverse emotional problems, socking it onto one individual when it might be beyond their single load to bear, and then not seeking out help from the other sources that are around us.  

The belief that the only person you can live with is a romantic partner. Living with non-romantic roommates (aka living with friends) is seen as an undesirable inconvenience and something you only do temporarily because you financially have to. It’s seen as an immature youthful thing rather than something an established adult might do. Living with friends long-term out of chosen happiness is not something that crosses the mind of many people... it’s assumed you’ll either move out to live on your own, or marry and go and live with your partner.  

The belief that adulthood progresses through a very specific sequence of events. You go to school. You leave on your own. You marry. You get a house. You have kids. There’s a reason it’s common for family to nag you  “When are you going to get married? When are you going to get married?” Because clearly you haven’t made an important step of adulthood, an important step in life, unless you get married. I’ve noticed that for many of my friends, even those who are comfortable with the life choice to not get married... they express they don’t feel “as adult” as their married peers. And many people in society won’t treat them “as adult.”  

Harmful beliefs downplaying spousal abuse, like those people who try to argue “you can’t rape your wife / husband / spouse / girlfriend / boyfriend / significant enby / significant dumbass. That’s not what rape means.” Because a sexual-romance is the GOOD thing, right?  

AND MUCH MUCH MUCH MUCH MORE!!!

Some people of course have a better handle on their relationships than others. Some people are better at ignoring what society considers most important or most default. Some of what I’ve said above is when these beliefs are treated to their utmost, rather than what some people will do (lots of people have close “besties”, for instance). But amatonormativity+heteronormativity creeps in everywhere in society.

It’s the reason why, in most Hollywood movies, the protagonist is a man and the main actress is his romantic partner. It’s the reason why these two characters might start a steamy romance even before they know each other well; who needs to write ACTUAL understanding between the two characters when they obviously are going to fall in love and fuck?

It’s the reason why advertisements are so sex-oriented (reminder note: society usually doesn’t distinguish sexual and romantic bonds). Advertisements try to make their product appealing by associating it to romance, the Ultimate Desirable. Here’s how to make you look hot so you can attract someone in a romantic-sexual relationship, because THAT’S the ultimate goal of life, right?

It’s embedded in linguistic expressions. If someone asks if you’re dating, you respond, “No, she’s only a friend.” Or. “No. We’re just friends.” Friendship is being treated as lesser. Breakups are treated as inevitably bad even if you choose to be friends afterwards -- because clearly being friends is “taking a step back”, right? Even the word “break up” -- oooo that’s bad sounding! (There have been multiple times I’ve ended romantic relationships where I’ve turned the phraseology on the head and told them it’s a step forward to better, happier, healthier, stronger bonds... and they had to think it through, because amatonormative society forgets this can be the case.) “Friendzoning” is seen as a crime in part because you’re not going to be as intimate with someone as you want to be... despite the fact that having a non-romantic and/or non-sexual relationship with someone could be JUST as meaningful and deep!

I’ve FREQUENTLY seen church study groups that offer only these options: young adult small groups, women’s small groups, men’s small groups, and married couple’s small groups. Because clearly the only “mixed” gender situations out there are when you’re too young to be married, or you’re married.

And frankly, I think it’s one of the reasons why fandom likes to play hook-up with all the characters. Shipping is SO much fun! I love shipping! This is not a comment against the act of shipping! But if everyone needs a romantic partner to be happy...... mmmmm.... yeah let’s rethink what the underlying assumption is here. It’s that default assumption that “romance=happiness, romance=ultimate goal, romance=happily ever after, friendship=lesser.” If two characters in a show don’t canonically hook up, fans can get angry... even if the relationship showed on screen is one with a lot of trust, loyalty, happiness, and intimacy.

I am aroace. I don’t know how many other friends in the aro and/or ace community have talked about how lonely and unhappy they feel, because all their friends around them are looking for sex and romance and ergo don’t treat their friendship deep enough for my friends to get their emotional needs met. It’s easy to feel left out in a world where everyone is looking for romance, and ergo you are never the bond they want to pursue.

There are many ways in which we can achieve close bonds with people. This is why I think it’s important to talk about amatonormativity. Again, I’m SO happy when my friends are happy in a good romance. That’s a good thing!!! But it’s so psychologically destructive, whether you’re aro or allo, to live in a world where romance is considered The One And Only Key to relational happiness.  

Talking about amatonormativity has the goal of helping us be aware about how society idolizes romance and/or sex. The goal is to help everyone know we have many options by which to pursue good, deep bonds in a variety of ways. The goal is to make sure we don’t treat romance as the only acceptable way to live. The goal is finding ways for humans to get our needs fulfilled healthily and widespreadly. The goal is to be more comfortable with and more accepting of people who don’t follow The One Righteous Path Of Required Romance, so that we can all be more comfortable with ourselves and the relations around us -- including being comfortable with our romances!

[meta-squash]

Brick Club 2.3.8 “Inconveniences Of Entertaining A Poor Man Who May Be Rich”

This chapter is so long. Here goes.

Is it normal for Cosette to have to knock to get into the house she lives in? Or is Hugo just using that as a vehicle to make Mme Thenardier meet Valjean first?

It’s times like this that I desperately wish I knew more about biblical stories and fables and things. This, a rich man in disguise as a poor man being treated poorly by innkeepers and taking something from them, sounds like a bible story or a similar type of fable. But the only two bible stories I know with similar themes are the nativity story and Sodom and Gomorrah and neither of those seem quite right. Still, this entire episode reads like a fable or fairytale.

We’ve already seen how Evil the Thenardiers are re: their treatment of Cosette. Now we are seeing their Evil in the form of treatment of the poor.

You know, that’s an interesting thing that I’m not going to get into in this longass chapter. Javert’s evil and Thenardier’s evil are different because I feel like Javert’s evil is a lot more muddied or obscured by morality and duty and things like that. Where are the Thenardiers are bad but the badness of their actions is much more black and white. I think it’s also because, technically, they never have social power over anyone unless they are manipulative, whereas Javert always has the social power. I’m not sure where to go with either of these ideas but I will look back on it for a shorter chapter.

Cosette is ugly because she’s sad. It’s like the exact opposite of Roald Dahl’s description of ugliness. I called it on the orphanage thing and kids looking years younger than they are; she looks 6 when she’s 8. That doesn’t seem like a huge difference when you look at it written down but the difference between the size and maturity of a 6 year old vs an 8 year old is surprising.

In the way that the description of the doll was a distant echo of young Fantine, the description of Cosette here is a faded echo of dying Fantine.

“Fear was spread all over here; she was, so to speak, covered with it; fear squeezed her elbows against her sides, drew her heels up under her skirt, made her shrink into the least possible space...” I’m sure this description comes from Hugo observing children in his lifetime, but I also wonder if any of this comes from his brother who had schizophrenia and was institutionalized?

“The expression on the face of this child of eight was habitually so sad and occasionally so tragic that it seemed, at certain moments, as if she were on the way to becoming an idiot or a demon.” What an interesting pair of choices. Fear and sadness either stun and numb you completely or they turn you aggressive and evil. Hugo said the same thing before when talking about Valjean’s prison time. Again, like I said before, Cosette here is Valjean when we first met him: exhausted, scared, sad, numb, hatefully terrified of the people around her; the difference is that she still has hope. She had that moment of hoping someone would rescue her, she had the moment of pausing and wondering what the doll’s paradise was like; when we met Valjean he was past that kind of hope.

(Funny that Mme Thenardier doesn’t suspect the trick Valjean just pulled, despite Valjean “finding” a 20 sous piece instead of 15 sous piece.)

I love the description of Eponine and Azelma because it’s so innocent. They as little human beings aren’t morally bankrupt at the level of their parents yet. They’re still pretty and glowing. Partly because they are well-cared for unlike Cosette, and partly because they are still innocent.

“Eponine and Azelma did not notice Cosette. To them she was like the dog. The three little girls did not have twenty-four years among them, and they already represented the whole of human society: on one side envy, on the other disdain.”

Ah, human microcosms. Hugo loves those. The Thenardier children and Cosette are the pared down, simplified version of society. It’s also an excellent example of how Privilege works in layers. The girls’ doll is worn and old and broken, but the fact of them having a real doll and Cosette having nothing is already a layer of privilege Someone else, another little girl with wealthy parents and a new intact doll would have privilege over the Thenardier girls. There are layers.

I really love this passage too because it shows the start of the zero-sum game between Eponine and Cosette. At no point are Eponine and Cosette able to be equals. But the important thing is that neither of them are aware of this. Later, when Cosette and Eponine encounter each other again in the Gorbeau house, Eponine doesn’t have the awareness to be angry about the reversal of their fortunes. She seems sad, mostly, a jealousy born from a feeling of worthlessness rather than feeling slighted. And Cosette doesn’t even recognize Eponine, so there’s no room at all for disdain on her part, unless she’s disdainful of Eponine et al due to their poverty, though that never seems to be the case. But Eponine cannot be happy while Cosette is and Cosette cannot be happy while Eponine is, because their goals occupy the same fulcrum (Marius) and they can’t both be on the same level at the same time.

Fanfiction has explored this a lot in modern AU but I wonder the kind of havoc that could have been wreaked had Cosette and Eponine met and become proper acquaintances. Their teenage personalities are two sides of the same coin. I’ve always been of the opinion that had they switched places as children Cosette would have ended up like Eponine and Eponine like Cosette. Because Eponine has the capacity for kindness within her, except that she doesn’t know how to use it selflessly; and Cosette has the same stubborn ruthlessness as Eponine, except that she is held back by convention and reduced to talking a lot in order to try and somehow glean information from Valjean or Marius.

“Now your work belongs to me. Play, my child.” This is the second (or third?) Myriel moment for Valjean. Cosette is a child, an innocent child, but her soul doesn’t need to be bought for god. As far as I can tell, for Hugo, children are always holy. Instead, he’s buying her work. But that makes sense. For Valjean, his soul needed to be bought for god because he had already lost it to sin and to evil and to doubt. Cosette still has hope; what she needs bought from her is suffering.

And here is where the parallel continues. Cosette up until now has been Valjean as we first met him: sullen, suffering, scared, dulled, close to becoming “an idiot or a demon” and now, like Valjean’s soul, her work has been bought so she can be free.

I think it is within the walls of the convent that their parallels will catch up to each other and they will become more equal.

I feel as though the cat in a dress vs the sword in a dress must be some sort of parallel to Eponine and Cosette’s personalities but I’m not quite sure how to pull the meaning out.

“A little girl without a doll is almost as unfortunate and just as impossible as a woman without children.” Ugh. Gross, Hugo. This whole chapter was so lovely and then this misogynist bullshit.

I can explain the “water on her brain” line! Mostly because it’s a medical condition I actually have! So, “water on the brain” is another term for hydrocephalus, which is a buildup of cerebrospinal fluid in the ventricles of the brain. It can be caused by being born prematurely (like mine was) or by infections/head trauma. Nowadays they can put a shunt in your head that pumps the fluid into the abdominal cavity (which is what I have), but obviously they didn’t have the technology back then. So what happens to the head if the fluid doesn’t drain, is the head will start to increase in size, and the fluid buildup will squish the brain against the sides of the skull, causing seizures and brain damage/intellectual disabilities and vision problems and other such things. I function perfectly fine except for mild dyscalculia and ADHD (which might have been genetic anyway) but back in the 19th century hydrocephalus probably would have resulted in either mild-to-severe disabilities or death.

Cosette doesn’t have hydrocephalus, but what she does have is severe malnutrition, which can make a person’s head look much too large for their body. So Mme Thenardier is likely using Cosette’s appearance due to neglect to fake that she has a neurological problem and explain why they have to “take care of” her.

Jesus fucking christ this next bit is so much. There’s so much going on. Mme Thenardier is talking to Valjean about Cosette’s mother, the drinkers are singing vulgar songs about the Virgin Mary and baby Jesus, and Cosette is under the table singing “My mother is dead.” to herself. Woof. It is, yet again, an instance of the memory of “Fantine” (in the symbolic, saintly form of the Virgin) being sullied both by the foul songs of the drinkers and the callous, flippant commentary of Mme Thenardier. And Cosette is there under the table, staring at the fire, suddenly playing the role of her own mother, rocking the sword-baby (herself) to try and comfort herself from the shock of this new knowledge that her mother is dead.

(Anyone else read As I Laying Dying, by the way? All I could think of when I read that line was “My mother is a fish.”)

We start to see Cosette’s bold personality come out in fits and starts. She’s brave enough to sneak out and grab the doll Eponine and Azelma have abandoned. But it’s also an example of how desperate she is for something pleasurable and good, considering she’s doing that at the risk of a beating.

For the second time, we see Cosette so absorbed in her moment of “I Want” that she doesn’t see or hear anything else. Again, this seems unusual considering her constant hypervigilance. But her success in getting the doll and her increased confidence due to Valjean’s presence probably have something to do with her lack of awareness.

Cosette is caught with the doll. Is this the parallel of Valjean being caught with Myriel’s silver? Mme Thenardier says “That beggar has dared to touch the children’s doll.” The gendarmes don’t say as much when they return Valjean to Myriel, but it’s pretty obvious they’re thinking something similar.

“We are forced to add that at that moment she stuck out her tongue.” COSETTE IS SO CUTE I LOVE HER SO MUCH SHE DESERVES THE WORLD. Also I just love the way Hugo writes children, it’s so real.

Why did Hugo choose Catherine for the name of the doll? Is it to do with St Catherine? She (the saint) became Christian at 14 and converted hundreds of people before being martyred at 18 after rebuking the Roman emperor for his cruelty and winning a debate with his best philosophers.

“This solitary man, so poorly dressed, who took five-franc pieces from his pocket so easily and lavished gigantic dolls on little brats in wooden clogs, was certainly a magnificent and formidable individual.” Valjean is now Myriel. Outsiders are fascinated by him because he dresses so shabbily and yet is so benevolent and charitable with his money. Again, the difference is that Myriel’s name is always known, and Valjean’s is never known.

I know I say this so often but the distance with which Hugo treats Valjean is absolutely fascinating to me. Valjean has this incredible power to just go inside himself and not move, but we never get that kind if internality unless it’s really really important (like with the Champmathieu affair). Otherwise, Hugo keeps a respectful distance, and even when we get Valjean’s emotions described to us, I feel like Hugo is always holding back a little, like he’s not letting himself see all the way into Valjean, or Valjean isn’t letting him in.

Valjean asks for a stable; I think this is the first time we see his whole thing about sacrifice of physical comfort. Things like this asking for the stable and sleeping in the shed behind the house at Rue Plumet and not having chairs and only eating black bread etc. This is the first example we see of him feeling unworthy of physical comforts to such a degree.

(It’s interesting to me that we don’t see this characteristic when he was mayor, or at least not to this extreme. Is it because it would be unbecoming of a mayor and therefore would blow his cover? Or did going back to prison hammer in that feeling of worthlessness and lesser-than and warp his perception of what he is compared to others?)

“What a sublime, sweet thing is hope in a child who has never known anything but its opposite!” We’ve said this already, but Cosette is full of hope and life and light and that is Important because it is exactly what Valjean did not have when he was in her position. But it means that she doesn’t have to work as hard in her ascent towards happiness and goodness.

And, lastly, I love that the placement of the gold Louis in Cosette’s shoe isn’t just a sweet Christmas gesture or a gesture towards Cosette: it’s also an echo of M Madeleine breaking into houses to place gold pieces on the table.

Wow. Long af post for a long af chapter. Congratulations if you read through all of my rambling thoughts.

[astroseri]

New Moon in Scorpio ♏️

November 15th (2-4 week Horoscope)

Through the Signs (Ascendant & Moon):

New moons periods are good for planting seeds 🌱 The seeds usually sprout/manifest in subsequent full moons (can be multiple).

Aries ♈️

Your seeds and actions will manifest transformations & breakthroughs. Starting new things with your actions or changing old ways of doing things will be successful. Also, Aries may be indulging in sex with someone in their community or who lives from a short distance from them. The thought will weigh on your mind 👀 Anyway, you will feel extremely productive during this time. Mars is finally direct so you will feel relieved as you begin to make progress that wasn’t possible before. You will make changes to your routine or work that allow you more freedom and efficiency. You will feel powerful/unstoppable right now.  You could make transformations to your status. Overall you could experience more harmony in relationships or be meeting a new partner (Venus is in your 7th house). They may be clashing or be in the way of your drive to get things done though. (Venus opposite mars) You could be changing your perspective or your physique/appearance🦵 during this time. 👁👃👁  You could also be doing work in your community or neighborhood (it could be going through transformations). Mars (your planet) is going direct  in Aries and the New Moon is powering it up in Scorpio (the other sign of mars). Accomplishing your desires is a breeze for you during this time.

Taurus ♉️ 

 Your shadow side is likely to come out regarding your desire to break free from the manipulative nature of people or siblings 😒😡. It will come out unconsciously (unless you are an early degree Taurus 0-2°) -- because lilith is in the early degrees of Taurus. You will feel inwardly rebellious, but breaking free may feel difficult (it’s your fear of losing stability, of course). On a positive note you can manifest transformative relationships or partnerships that will push you forward. People you know will be trying to support you subconsciously and transform your perspective during this time. You could feel highly creative or artistic during this time and be socializing more than usual, especially on the internet 🌐

Your partners may change their appearance or presentation. Or you may meet a powerful new partner during this time. Likely a foreigner or someone from a different culture. In general am seeing that your relationships during this time will go through new beginnings and you will experience powerful new adventures and revelations. fun fact: Despite their immobility, Tauruses secretly crave adventure, knowledge and fulfilling their spontaneous explorative and sexual desires.

Gemini ♊️ 

You will probably be transforming your routine drastically and on a whim. To something much better. Aunts/Uncles, Distant family and daughters could play a role in your next weeks. You could encounter a sexy or powerful foreigner (pluto is conjunct jupiter in your 8th) and start a partnership. Whether you end up meeting someone like this or not, you will notice someone like this. It will be in your daily routine or job. Either sexy or powerful. In the case you are starting a new relationship during this time I am betting they are likely to be from a past life or be someone highly spiritual (south node in your 7th). Right now it’s all about you though (N. Node in 1st). I feel like Gemini’s may be diving deep into conspiracies or taboo subjects during this time as well.

Cancer ♋️ 

 You could be transforming the way you present yourself to others during this time 💁🏾‍♀️. You may be receiving groundbreaking information from others especially sisters during the next month. A son may decide to “leave the house.” But you may be doing so too; you may feel a need to get out more. Similar to gemini you will be capable of encountering a sexy or powerful foreigner during the coming weeks. Instead of being from work though, it will be from your neighborhood/city. Likely while having fun, going shopping, or going out, you will enable this encounter (it’s in your 5th house). Like I said with gemini, if you’re not meeting this foreigner, you may at least catch a glimpse of one.

Leo ♌️ 

 You may feel a need to express yourself more harmoniously 🕊. You may have reflected on wounds to your ego (☀️💔😔)  recently or you will be . You will set new emotional beginnings and family beginnings. You could be conceiving this month (especially if you want a child). It’s more likely going to be a son—less likely it could be daughter (mercury is in your 4th). Mercury is usually boys, 4th is womb. If it is a girl she could be intelligent and energetic like a boy. I’m seeing that some really blessed/powerful kids will be conceived by Leos this month (Jupiter conjunct Pluto). Other than kids this is basically about blessed/powerful expressions. They will make an impact. You will be planting powerful creative seeds. Others may transform your beliefs during this time with their unconventional thoughts. You may make powerful transformations at work or with your routine.

Virgo ♍️

Virgo, you will be moving full throttle the next 2 weeks. You’re channeling Aries energy during this time. You could find yourself transforming your physique/appearance --> 💇🏻‍♂️. In general you will be planting a lot of intellectual seeds and acquiring knowledge from your investigations. You will be tempted to dig up a lot of dirt during this time. You are the king/queen of thinking about dark and negative topics. As well as investigating corruption and manipulation 🔍.. You will likely express yourself effectively at work during this month. You will be innovative and a high achiever at work. But an individual may misconstrue your rebelliousness and powerful expressions as you being toxic or full of yourself 😒 (you are simply stepping into your power).

---==☯︎☯︎☯︎==---

Libra thru Pisces.

Libra ♎️ - Libra, you will be making a transformation in your values, appearance or possessions. Manifesting a new appearance will be highly effective during this time. You could be making drastic transformations in your home and your emotional comfort zone. You also may be starting a new financial venture with someone, especially through a deal or contract. You have a lot of value right now (venus is in your 1st house). You are an attractive prospect. Be careful, others could be a little unfair in the financial agreement, be gaining more from you, or have an unspoken desire to be free. You are valuable. You will have a tendency to be self-sacrificing and easygoing during this time so set firm boundaries and be clear with others about what you can tolerate.

Scorpio ♏️ - Scorpio, this is your time. You will have no trouble changing your appearance or even perspective right now. Your routine, diet or workout regiment could be the source of the transformation. You will be going hard at your routine and at work. Partners may be trying to break free from your grip during this time or be seeming to act toxic but it’s because they are analyzing all the power people like you have over them. Try to give them space and step back for a while before resuming your grip lol. On the other hand, you may find yourself to be more communicative and expressive during this time. Your deep thoughts will be well received right now and will influence others. Others understand you abnormally well. People may share your passion about a subject and be supporting your point of view, which may feel strange and out of the norm as a Scorpio. Enjoy it.

Sagittarius ♐️ - You will be highly creative during this time 👨🏽‍🎨. And you will feel an unnatural insight into your emotions 🌙. Out of all the signs, you are the most likely to be receiving gains in capital during this time. These could be enormous (you have Jupiter and Pluto conjunct in your natural 2nd house and Venus in your natural 11th house.) —bill gates has this in his chart, except venus in 5th (i’m not saying your going to become bill gates rich tho lol but you can on the INSIDE at least). Remember new moons are seeds, so more than likely this will be a very lucrative idea (seed) coming to mind. It’s up to you to put your inspirations to action. This is a great time for you to meditate and quiet your mind so you can be open to receiving random ideas throughout the day. Partnerships are favored during this time 🤝. You could have a breakthrough at work or have a need to break free (get some space).

Capricorn ♑️ - Other people’s expressions will inspire transformations in your perception and actions 🤔💡. You may consume or receive some information online that changes your perspective on life and makes you see things through a deeper lens. You could make improvements to your physique, routine and workout regiment. You may also feel a desire to change the way you present yourself to others. Capricorns may want to express their unconventional beliefs and ideas. This may feel disorienting to others (who know you for your practicality), who are used to your practical side. They may be critical of your expressions (out of fear or discomfort). Make sure you are being concise in your presentation of information, and paying attention to details. Your unconventional ideas are actually very appealing to others once you present them well (Venus is in your 10th). On a side note, transformations to your appearance or public image will be highly supported during this time 🤩

Aquarius ♒️ - Along with many other signs, there the theme of transforming appearance or presentation for Aquarius (this will be supported during this time). It could either be your outlook or your physical appearance that you are positively transforming by planting manifestation, actions and intentions. You may decide to release a lot of subconscious junk 🧠 🚮 Emotional transformations and purges 😭 are possible. This could also manifest as making changes in your home (a complete revamp) or maybe moving.  Also, the New Moon is taking place in Aquarius’ 10th house. New beginnings in status, career or public image. These changes will be powerful. The outcome could be massive increases in value and achievement. During this time you may come up with groundbreaking inventions, but probably ones that you have trouble putting into physical matter (they have never been done before). Also you could be creating deeply creative art or expressing enlightening ideas 🗣💡  right now.

Pisces ♓️ - New beginnings in learning and education. These personal studies and knowledge will spark ideas for inventions and unconventional creations. Your below-the-surface perception makes you highly creative, pisces 🐳.! The positive seeds that others plant in your mind during this time will manifest through your actions later 🗣  --> 💡. You are likely to be creating a lot of art or inventions during this time. In general, you could be focused on your finances, building wealth at work or sharing value through your own expression to others. In any case you will certainly reap financial gains from the actions you take right now. 

*Pisces, whenever you take action it tends to increase your self-worth and value (your actions and wealth are very interlinked). Perhaps it is because you are so creative. Whenever you do practical things, the outcome is very beautiful to others (they are like --> 😮)

Thanks for reading!

@astroseri

[tabriscadash]

I was asked this on my old blog right as I set about transitioning to this one, so...

The first character I ever fell in love with: for DA:O, dare I say Daveth? What can I say -- I irrationally got incredibly attached to him. otherwise, DEFINITELY Morrigan, and I have crystal clear memories of my first run through Lothering and looking at Morrigan like 😍 the whole time. For DA:2/E, Carver -- unless you count Anders & Justice since I knew of them from Awakening beforehand, in which case probably Justice. For DA:I, it’s a toss-up between Vivienne or Cole -- I technically liked Cole first but SPECIFICALLY in the supporting material (Asunder), and didn’t vibe with him anywhere near as much in the game, AND I got him as a companion after I got Vivienne, so probably Vivienne.

A character that I used to love/like, but now do not: for DA:O, I guess Oghren? I never loved him, but I liked the idea of him because I really liked the dwarves/Orzammar side of DA’s worldbuilding -- but he’s such an unlikeable character that I just.. don’t vibe with him at all. I debate recruiting him every single time now, and I don’t think I ever do his personal quest (in the base game OR Awakening). for DA:2/E, I don’t really have anyone that fits -- but I REALLY wanted to like Merrill and Aveline more than I did, and especially in Aveline’s case, I can’t stand her and genuinely think she’s the unintended, secret Big Bad of the whole game. for DA:I, probably Cole, bc I was really into the idea of a little walking-corpse serial killer animated by a spirit as per the book, but that’s not really the vibe in DA:I, and combined with the somewhat patronising/ableist language and how significantly he is infantilised (including by the fandom) I just got put off him. I do still like him, but not as much.

A ship that I used to love/like, but now do not: for DA:O, I don’t really have one? I guess see my DA:I answer, lol... for DA:2/E, has to be Anders - I don’t think he’s OOC in 2, but I think his writing does so little with him and he feels v. reductive. Where his relationship could be SO interesting and angsty, it instead is written in a really dull and/or cringey way. It would have been nice to see Anders more like the Anders of Awakening near the beginning of the game (rather than random, infrequent and questionably rare snippets), and then see the progression of his relationship with Justice as the game went on -- I want more interesting abominations, PLEASE. for DA:I, listen I cannot express to you HOW EXCITED I was for my planned Lavellan to romance Sera… also I used to be way more tolerant of Cullen x Amell/Surana ships because, like, hey dark ships are fun, right? But since Cullen’s ~wholesome whitewash~ in DA:I, and his fandom clamouring to absolve him of any wrongdoing ever.. it’s boring to me.

My ultimate favourite character™: for DA:O, probably Sten? or Morrigan. They’re both fantastic, and also are significant comfort chars for me. for DA:2/3, honestly, probably my own Hawke -- I feel so hugely proud of her, and can’t imagine I’d enjoy the game anywhere near as much had I not played it as my Hawke. If not her, maybe Sebastian or Carver? for DA:I, I really love Vivienne, as well as Blackwall, and Solas is a great character even if I probably would not say I liked him.

Prettiest character: for DA:O, we all know it’s Zevran. for DA:2/E, I think Aveline -- although her aggressively bland colour-scheme lets her down in a major way (although I respect her dedication to all orange all day every day). There’s just something about her arms -- very Abby from TLOU:2. for DA:I, maybe Josephine? Ser Barris is very pretty, too...

My most hated character: for DA:O, I really didn’t like Alistair, Wynne and Oghren, and of my companions - Oghren is probably my least favourite. He’s vulgar and also profoundly uninteresting. for DA:2/E, it has to be Aveline. There’s just something about ineptitude and a complete, wilful refusal to take accountability for your actions that I can’t stand. It would be okay if it was an intentional character flaw, but the game/narrative treats her like she’s lawful good and it really annoys me. for DA:I, maybe Iron Bull? He was a huge disappointment for me. I also really dislike Sera, Cassandra, and Varric. I’m so sick of Varric - I never want to see him again.

My OTP: for DA:O, I really loved Zevran’s romance -- but I am also very amused by the fact that Leliana got to ‘love’ status with Kallian accidentally, AND I got the ‘love’ glitch for Justice (👀) and Velanna. I do sometimes wonder about an AU where Kallian is forced to make a politically expedient marriage with Nathaniel Howe for diplomatic reasons in order to consolidate her position as Arlessa, and it being an entirely platonic arrangement (it’s not like anyone expects an heir from an infertile Grey Warden) -- and maybe Zev and Nate kiss sometimes, who knows? I also LOVE my Darkspawn Chronicles AU where Kallian and Nelaros are a happy, married couple each hiding their skills with weapons from each other like dumb, cute sweethearts. They shelter Zevran when he fails to kill Alistair and a poly couple evolves. for DA:2/E, I love the IDEA of a Seb romance that isn’t so strictly conditional around the structures that abused him -- he should be allowed to love, chastely or otherwise, but free from the Chantry OR his position as prince/heir. I’d LOVE to actually have a romance with him where you can actually challenge the abuse he’s experienced. for DA:I, Malika doesn’t have a canon romance (although I think when I replay, I’m going to romance Josephine!) but I think Blackwall has an amazing romance. Solas’ is also iconic, it must be said. 

My NOTP: for DA:O, I really dislike Alistair in a shipping capacity; he’s immature and says a lot of misogynistic shit and I don’t think he’s the worst for it, but I don’t really vibe with shipping him, having played the game as a female city elf. for DA:2/E, I wouldn’t say I have one, particularly? although I really dislike Aveline’s relationship with her husband simply because it seems incredibly inappropriate, given that they work together and she has power over him -- and because I dislike her, generally, I don’t feel inclined to do something nice for her. for DA:I, I suppose Sera/Lavellan -- although I’m not AGAINST it, it just really isn’t for me, having attempted it. I also don’t really vibe with Dorian x Iron Bull. Something abt the way the game handled BDSM and their relationship banter specifically I don’t really like.

Favourite episode quest: for DA:O, probs Orzammar/the Deep Roads. I really love the dwarven lore! and, of course, Fort Drakon is really funny, even though it’s not canon in my game iirc. for DA:2/E, maybe the murder mystery with the serial killer, where ultimately Leandra dies? I also really enjoyed all the companion quests. for DA:I, The Descent (just, all of it, lmao) and everything to do with the Avvar. Crestwood also BANGED.

Saddest death: for DA:O, it’s frankly a fucking INJUSTICE that Shianni gets murdered if you make her Bann of the Alienage -- the idea of that happening whilst Kallian is in Amaranthine and unable to protect her :( genuinely very upsetting. I go back and forth on who is made Bann, tbf, so idk how canonical it is: I think maybe Cyrion would get it, but I’m also endeared to Soris holding the position, with Shianni as Hahren. for DA:2/E, Bethany. I wish both twins had had the chance to reach Kirkwall :(. Let Leandra die instead. for DA:I, maybe not the saddest death, but the most memorable for me was that one sleeping dragon in the Hissing Wastes.. leave her alone. Stay out of a womans’ business.

Favourite season game: DA:O!

Least favourite season game: DA:I.

Character that everyone else in the fandom loves, but I hate: for DA:O, Alistair. I cannot deal with his complacency and hypocrisy. for DA:2, I really disliked Merrill but I honestly cannot remember why. DEFINITELY Varric -- I hated how the game forces you to be his best friend, and if you’re low approval, you have to endure these pointless pissy little comments with this little anti-dwarf centrist pissant. After the expedition, I literally have no reason to put up with him, and I NEVER take him out. I hate that he plays the same role in DA:I, too. for DA:I, the Iron Bull was hugely disappointing, and I also really don’t vibe with Cassandra. She just seems very wishy-washy and complacent and hypocritical, and many of her comments about other cultures seem snide for literally no reason other than bigotry. 

My ‘you’re a piece of trash, but you’re still a fave’ fave: for DA:O, lbr probably Sten. Mans is gonna launch a HORRIFYING invasion in the next game iirc and frankly, I’m ok with it. Just wanna see that big bastard again ❤🥵. for DA:2/E, I LOVE Gamlen, ok? for DA:I, I am not sure if I have one.

My ‘beautiful cinnamon roll who deserves better than this’ fave: for DA:O, if any of you so much as LOOK at Velanna wrong, it’s hands. That includes Bioware. I also feel incredibly protective of and sad for Morrigan. for DA:2/E, probably Sebastian -- I feel so sad for him, and so frustrated by the limitations with the game. for DA:I, I’m honestly not sure.. maybe Josephine? I don’t really feel this way about Sera, but I do think she deserves better from the game and its writing, and also from fandom: there are valid criticisms of her, but the hate she gets is not proportional to any valid issues with her -- and gee, I wonder why that is.

My ‘this ship is wrong, nasty, and makes me want to cleanse my soul, but i still love it’ ship: for DA:O, I did use to find Cullen x Surana/Amell intriguing as a dark ship -- I actually hc that Neria Surana is actually Nelaros’ sister, and have dabbled with it as a dark ship. I also am interested in Loghain/Alistair - which each pretends the other is someone else. Alistair is wooby, hate ships are, in general, fun -- so long as we acknowledge that they are, indeed, unhealthy ships. for DA:2/E, I kind of feel like Sebastian romances are, invariably, kind of dark... and, similarly, Anders romances -- especially with certain red Hawkes, The way it ends is, invariably, bordering on fucked up. ALSO Hawkecest is weird and wonderful: GET WITH IT. 

My ‘they’re kind of cute, and I lowkey ship them, but I’m not too invested’ ship: for DA:O, I joked about Velanna x Leliana once and I’ve not been able to stop thinking about it ever since… Velanna x Sigrun is also something that can be so personal. Ariane x Finn is adorable and are paid DUST by Bioware AND fandom. I actually am really into Anora x Nathaniel & NO I will NOT explain myself; it’s a crackship but it’s MY crackship. for DA:2/E, Isabela x Fenris is super cute, but I don’t pay enough attention to them to really have super committed thoughts & feelings on them. for DA:I, Blackwall x Josephine is cute as a background ship; I also think Maryden x Cole is sweet.

[vanessakirbyfans]

Vanessa Kirby suggests we meet on the Mall, the central location for her on-screen triumph as the young Princess Margaret in The Crown. I’m standing outside the shuttered Institute of Contemporary Arts when she strides into view, a slender, leggy figure with bleached hair and brilliant blue eyes, clad in trademark black, but for her gleaming white Converse trainers.

"I haven’t been here since we were filming!" she marvels through her mask, gazing up the processional avenue towards Buckingham Palace. "I was whizzing up the road on a motorbike, holding onto the back of Matthew Goode [as Antony Armstrong-Jones] and feeling so exhilarated about what on Earth was happening to my life – being in a job I loved, playing someone I loved."

Her ebullient mood was dented when Margaret’s handbag, into which she’d put her own phone, was blown away from between her feet, and an opportunistic passer-by ran off with it. "By the time I could check Find My iPhone, it was already in Leicester Square," she says. "Of course, the costume department were furious because the bag was vintage and a one-off." We both laugh, rather ruefully, for such anecdotes already seem to belong to a more carefree time. This bright, crisp lunchtime in lockdown, the Mall is all but deserted –there would be no need for roadblocks or filming at dawn today – while the roles Kirby is here to discuss are light-years away from her embodiment of a pampered royal party girl.

The morning of our meeting, Pieces of a Woman has launched on Netflix to rapturous reviews and critical acclaim that has seen Kirby, in her first lead role, picked as a front-runner for the award season’s most coveted best-actress gongs.

It is not, however, an easy watch. Kirby plays Martha, a first-time mother whose baby dies moments after being born; the film follows Martha’s subsequent disintegration, alongside that of her close relationships. Her labour, which comes at the start of the film, is some 26 minutes of one unbroken take that manages to be simultaneously intimate and menacing as the camera swoops around the apartment and hovers beside the traumatised protagonists.

Kirby’s performance is astonishingly unselfconscious, which is the more surprising since she never went to drama school (turning down the offer of a place at Lamda in favour of stage roles at Bolton’s Octagon Theatre) and says she couldn't bring herself to dance in front of her friends. "I’m the one who sits in the corner and watches." She describes seeing herself on-screen as "disconcerting", and "not a very natural human experience", and indeed even finds making Zoom calls a trial. "There’s nothing to hide behind!"

For Pieces of a Woman, the director Kornel Mundruczo decided that the birth scene would be the first to be shot, she tells me, as we stroll around St James’s Park, conducting ourselves like a couple of spies in a Le Carré novel. "I knew I’d have to be naked, and literally open my legs and give birth in front of a group of strangers I’d only met that morning. I was actually quite thankful – I thought, the rest of it’s going to be a lot easier."

In fact, she says, she found herself swept away by the emotion of the story. "Normally, it’s so hard to forget there are machines in your face, but I had no idea that a camera was even there." Was it traumatic to act? "The first time we shot it, I was literally sobbing for 10 minutes afterwards. I couldn’t get out of it. My brain was telling me it wasn’t real, but my unconscious didn’t know the difference, especially with having a real baby in my arms.

"Kornel came over onto the bed and held me so tight. He didn’t let go of me for five minutes, and he said, 'Just remember this feeling.' That really helped me for the rest of the movie, when the character doesn’t express anything, but almost has to be doing the howling without speaking a word."

Kirby took her research seriously, even asking a mother-to-be –a total stranger – to allow her to be present in the delivery room at the birth of her son in a north-London hospital. "I remember every single second of it," the actress says emphatically. "I was there, glued to my seat, for seven hours, not even a loo break! I was just amazed, in awe. I saw a woman completely surrender and go on this spiritual journey, which involved indescribable pain, clearly, but also ecstasy. It gave me a whole new respect for women and how powerful they are, and a new empathy for men, because they feel so helpless. And obviously, seeing the baby come out was the most incredible thing in the world I’ve ever seen, by far. After he was born, all of the mother’s colour returned, she looked like an angel, she had a kind of holy glow." Bathetically, it was only then that the couple recognised Kirby. "They were going, 'Oh my God, it’s Princess Margaret! This is so weird!'"

The experience has given her a new philosophy on life, she says. "I was watching the mother go through these contractions, which were excruciating, and the pushing, and then there was a moment of calm, and of expansion. And so, when I’m going through things in my life, I say to myself, this is like a contraction, surrender to it, because there might be something born from it. Sometimes we don’t want that; when we’re feeling something horrible, we want it to pass as far as possible. I’m teaching myself to allow it to be there and not resist or push it away, and that’s because of that woman."

But her character’s storyline also demanded that Kirby understand the experience of stillbirth. A friend introduced her to a woman who had lost her baby Luciana under eerily similar circumstances to those in Martha’s narrative. "She shared everything with me." They have become close friends, and the film’s ending is dedicated to Luciana. Kirby continues to work with Sands, the Stillbirth and Neonatal Death charity, and is voluble in her admiration of the Duchess of Sussex and Chrissy Teigen, both of whom have recently spoken out about their own experiences of miscarriage.

"I feel so close to them and so proud of them for breaking that silence," she says. "Meghan is probably the last person who would feel comfortable sharing her very personal, intimate feelings. It’s that courage that I want to continue to honour. What they’re saying is, if you’ve been through it, we have too, we share your story. I think that makes you feel less lonely. But one in four pregnancies ends in miscarriage, which is far more than I knew about. Society finds it difficult to hold space for that kind of pain."

Her parents, to whom she is very close, have both seen the film and wept throughout, she says. As if on cue, her phone pings, and her eyes soften when she checks the message; it’s a childhood friend who herself miscarried, getting in touch to say how much the film has meant to her.

The integrity of Kirby’s performance has already netted her the Volpi Cup for Best Actress at the Venice Film Festival. "It doesn’t seem real," she says. "I have it in its case – I wouldn’t have it on display, it looks like a football trophy – but occasionally I glance at it and think, 'Did that really happen? Or did I make it up in a weird dream?'" In a similar vein, she is reluctant to engage with the Oscar buzz surrounding her. "I don’t even know when they are," she admits. "My 13-year-old self would have a heart attack. It’s ridiculous, isn’t it!"

Kirby’s other film, The World to Come, is set in mid-19th-century America but touches on the same themes of bereavement and redemption. The central character Abigail, played by Katherine Waterston, has also lost her young daughter, and in her grief, turns away from her husband to have an affair with Tallie, her free-spirited, flame-haired neighbour. "I was glad I was playing Tallie rather than Abigail, because it might have been a bit too much," Kirby confesses – though without giving away spoilers, that role is pretty traumatic too...

The screenplay is taken from the short story of the same name by Jim Shepard, which was inspired by an entry he found in an antique diary: 'My best friend’s moved away, and I don’t know if I’ll ever see her again.' "It was one woman’s voice, like an echo from the past, and we’ll never know who she was," says Kirby. "The World to Come really educated me about what life was like for women not that long ago. They didn’t have a choice about anything they did with their time. You were owned by the house, and the man, and you had no freedom outside that. The best thing about doing this mad job sometimes is having your ignorance illuminated. I gravitate towards things that push beyond my experience, I want to go to places I don’t know, I’m not familiar with."

The experience of making both films has changed her profoundly. "I can’t do anything unless it means something to me now," she says. "It’s a better way to work, because you’re not focused on yourself at all. So maybe I’ll only work once every 10 years!"

To ensure that this is not the case, and in order to find more untold, female-led stories, her ambition is now to set up her own production company. "Even a few years ago, a film about a woman losing a baby would have been unthinkable. There are so many voiceless people, and I have a voice in this industry, and I want to make sure the tribe is represented properly."

It is undeniably awkward, therefore, that her male co-stars in the films, Shia LaBeouf and Casey Affleck, both of whom play violent, abusive husbands, have been called out for their treatment of women. In December, the British singer FKA Twigs filed a lawsuit against LaBeouf, her ex-partner, alleging that he "hurts women. He uses them. He abuses them, both physically and mentally". While LaBeouf largely denied the accusations, he admitted in a statement to The New York Times: "I have a history of hurting the people closest to me. I’m ashamed of that history and am sorry to those I hurt. There is nothing else I can really say."

Meanwhile, Affleck was sued by two female crew members working on his 2010 film I’m Still Here, one of whom accused him of sexual harassment. He denied the allegations, and the lawsuits were settled out of court, but he later told the Associated Press: "I behaved in a way, and I allowed others to behave in a way, that was really unprofessional, and I’m sorry."

Kirby is understandably reluctant to get into any of this. "I can’t comment on a legal case that’s going on in someone’s personal life," she says. "I feel really protective of Pieces, so that’s what I want to speak about. Because it came out at eight this morning, all I can think about is the mothers I spoke to, and wanting them to be my focus. I just know my job is to honour them."

Perhaps counter-intuitively, starring in Pieces has awakened in her the desire for a family of her own. "It’s definitely made me want a baby, for sure," she says; but she hasn’t currently got a partner, having split up from Callum Turner (Frank Churchill in last year’s Emma), whom she met when they co-starred in the 2014 film Queen & Country. "This year has made me think a lot about the home I want to create. I like the idea of inviting someone into a space that’s mine, preferably before I have kids."

In the near future, however, Kirby has nothing on her plate except for getting through a third lockdown. "I’m free as a bird! I’ve read a lot of stuff, and said no to a lot of stuff..." She currently shares a flat in Tooting, south London, with her sister Juliet, an assistant director, and two friends. "I was just about to move out to live on my own in north London – my God, I would have been so lonely! My sister saved me. It was so nice to have routines together. We were trying to take a bit of exercise, cooking together, watching films that made us feel better, drinking wine on Friday nights..."

By now, having circled St James’s Park several times, we are strolling back towards the Corinthia Hotel, where Kirby has a full programme of Zoom interviews lined up for the afternoon. "That’s why I’m so happy to have actually had the chance to go out and meet you in real life," she says enthusiastically. "It’s funny when everything in your life closes down, and you have to sit with yourself, and you suddenly notice all the things you have and you’re grateful for. I hope that feeling never goes away – I will never underestimate how lucky I am."

[stop-breaking-my-heart-telltale]

TWDG: The Final Season | Character Discussion | 1/2

Part 1 | Part 2

“Everyone’s counting on me to step up. Be the leader they need me to be... I really want to be that for them.”  

So.... let’s talk about Marlon. 

I mean, let’s really talk about him. Ever since I started this blog, some common questions I get revolve around Marlon- “How do you feel about Marlon?” “Do you think he deserved a redemption arc?” “Why do you think he was sent to Ericson?” “In your opinion, is Marlon a bad person?” and many others. 

Some ask with expectations that I’ll express a distaste or hatred for him, while others ask with a more sympathetic approach. If you know me, if you’ve been here for a while, then you know that I do indeed like Marlon as a character, and today I want to talk about him from my perspective while playing this game. 

And with that comes a seemingly unnecessary disclaimer, but one I feel I need to add in order to make it abundantly clear: I will be discussing MY thoughts, experiences, and feelings about Marlon within TFS and give my take on his character. Because we’re not the same person, you may have a different opinion or perspective on his character, you may disagree with something I say, and that’s perfectly okay. You’re entitled to your opinion as I am mine, and I do encourage you to join in on the discussion and express your thoughts about Marlon, but I also want to let you know that you can do that without attacking me or anyone else. 

Really, this is pretty much me looking at Marlon’s role and arc within TFS, discussing points of his character that I find interesting, exploring the why’s and how’s of his actions, maybe coming up with a couple theories as to why he was sent to Ericson, and basically giving a lot of personal opinions of him. It’s a discussion meant in good fun, that’s all I’m saying. 

Before we dive right in, I do want to thank @pi-creates​ for providing me with most of the screenshots used in this. I appreciate the help! If you haven’t already, go check out Pi’s blog for some of the best screenshots and model swaps in the TWDG community! Thank you, thank you!

[First and foremost, y’all are sleeping on Ray Chase’s performance as Marlon and it really shows]

“Looks like I was announced as Marlon, the central focus in this first episode of The Walking Dead Season 4 coming in a few weeks. I've been playing this series since the beginning, and it was a real honor to be a part of the canon. I hope you enjoy!“ - Ray Chase’s Twitter account | July 26, 2018

I want to start this off with praising Marlon’s voice actor, Ray Chase, for doing such a perfect job of bringing Marlon’s character to life. Every emotion and infliction feels genuine, and there’s isn’t a single moment where I don’t “see” Marlon, y’know? I mean that in the sense that every line delivered is believable and doesn’t break my immersion with, “Oof, they really used that take?” 

I know we throw praise upon Melissa, Tayla, Sterling, and Gideon [and for good reason, they’re all fantastic, too!] but even with them there are a couple of lines that I notice have a lack of flow or sound just a bit off. I’ve played TFS how many times? And not once have I had that issue with Ray Chase as Marlon, so bravo to this man. Credit where credit is due, his performance is damn near flawless.

Especially in the confrontation scene at the end of Done Running. I’ll get into that scene as a whole later, but just looking at the performance and the intense, impactful emotion brought to that scene, just..... *chef kiss*

Thank you, Ray Chase. 

[What’s up with your haircut, Marlon?]

“Uh, I look cool... I say, I look cool.”

Lemme talk a little bit about Marlon’s design- I think he looks great. 

I love the little details in the Ericson varsity jacket he wears... including the fact that it looks just a tad bit too snug on him. Like, either the boy doesn’t have another jacket or he’s grown so attached to this one that he’s not willing to admit that he’s outgrown it a bit. 

I’ve had a lot of people point out that it’s nice to see a teenage character in these games with actual acne since most media pretends that acne just doesn’t exist, and I agree. We all know that if this were more realistic, then everyone would have terrible, greasy, dirty skin but... y’know. 

And y’know what? I like the mullet! It’s unique! And I choose to believe it’s a representation of Marlon’s past with bad decisions he’s too stubborn to admit were bad decisions... I mean, he’s had it since he was a kid and hadn’t grown it out or cut it off [to our knowledge, I suppose] sooo... there’s that. 

Or maybe he does actually think it looks badass. Either way. 

Hell, my biggest complaint about Marlon’s design is that I wish they kept more to this concept art attire:

Because Marlon looks super good in this concept art. I love the headband with the mullet and his clothes actually look more comfortable... but like, it’s fine. He still looks great in the game, his little jacket’s cool, bringing back the mullet...its fine. I’m just sayin’. He looks great. 

[Marlon’s introduction in TFS]

“It's our little kingdom. I just do what I can to keep the peace. Wasn't always like this, though. There used to be a lot of us, but...you know how it goes.”

Let’s talk about how Marlon’s introduced. 

We get our first look at him after Clementine and AJ crash their car during the walker attack. A bunch of arrows come flying, hitting walkers attempting to get ahold of them, and as Clementine glances over she sees a figure pulling AJ out of the car. And even though you can tell it’s Marlon, this closer shot from Pi-

-100% confirms that it’s him. Not that you had any doubt, but still.

What’s interesting, though, is that while snooping around for some insight about Marlon from the writers/devs, wandering around reddit, replaying the game myself, and even glancing over the all-knowing wiki that’s never wrong ever, it seems agreed upon that Marlon wasn’t alone, despite no one else being specifically mentioned to have helped Clementine and AJ. 

Which makes sense that that’d be the case, but I did come across a handful of people who are pretty adamant that he was alone, which is an interesting take, though I disagree.

I’m pretty sure most people do, too. I mean, Marlon says, “It's good we found you when we did. It wasn't easy getting you two out of that wreck, and walkers were on the way.” So I don’t even think that was the writers’ intention of it being solely Marlon who saved them.

What’s funny is I came across a post Instagram [I know, the most legitimate source for info and thoughtful opinions] that was surprisingly trying to redeem/defend Marlon rather than chastise him by claiming he’s a hero who saved Clementine and AJ by himself. 

The thing is, they’re both unconscious after the wreck, so unless Marlon has super-human speed to grab AJ, zip around the car to grab Clementine, and then uses super-human strength to carry both of them AND their belongings all while killing any threatening walkers coming after them with his bow... I’m gonna have to press [X] Doubt. 

Besides, I like the idea of it being vague. I like to think that was the intention. “Who was Marlon with? A hunting party! You fill in the blanks!” That sort of deal.

With everything that we know about Marlon and the safe-zone, it does lead to questions about why he and whoever felt they had to go outside it to see what was happening. Marlon points out in his conversation with Clementine that they “had to work fast. I don't know what would've happened if we hadn't seen the smoke...” And later Violet mentions an explosion, so I think it’s safe to say that they heard the explosion and followed the smoke to the location. 

If you don’t know about the raiders and the twins [like it’s your first time playing] then you probably assume that Marlon and his group were being kind in rescuing them, which I don’t doubt but it does make you wonder about things from Marlon’s perspective, y’know?

This is one of those “shhh, don’t think, just go with it” moments. If I had to give a reason, I’d say that the group he was with didn’t think twice about checking it out and even if Marlon did protest, he didn’t have much choice but to follow. Then, seeing that it’s Clementine and AJ, I believe he genuinely wanted to save them. 

“All alone with the kid? Not a pleasant thought. I've seen some rough scenes. But that one would've been up there.”

We get our second and more official introduction to Marlon after Clementine escapes her dorm and confronts Tenn... and it’s pretty fucking good. I mean, everything from him being hidden in the shadows with his bow drawn, to the clear concern yet sternness in his voice as he assures Clementine they’re not going to hurt her and to put the knife down, to his sympathetic apology for scaring her is just an A+. 

One thing this season does exceptionally well is introducing its characters. Marlon has such a confident yet chill way about him when you first meet that it’s actually disheartening to think that in two hours he’s gonna be pulling a gun and MURDER....

Sigh. 

Let’s not jump that far ahead yet. I’m not ready. 

What I find appealing about this next part is Clementine’s reaction to seeing the inside of Ericson for the first time and how taken aback she seems by it. I also love how easy and comfortable it is to talk with Marlon as they’re walking through the yard even though we just met him. 

I enjoy that you can tell he’s trying to get a better idea of who she is without pressuring or overwhelming her and doing his best not to offend. And even when Clementine questions if he doesn’t think she can handle herself, he’s decent about apologizing and explaining that’s not what he meant. But he’s also not afraid to be upfront about AJ’s behavior since they brought him here, either.

He does come off as annoyed when talking about AJ being a handful. We don’t know how long Clementine’s been passed out or how long they had to deal with AJ after he woke up, so who knows how much of a little terror AJ was before they either dumped him with Louis or Louis decided to take him to the music room to chill... where he then bit Ruby. 

Anyway, the first impression I got of Marlon is that he’s genuinely friendly, trying to help Clementine and AJ even if AJ’s been a nuisance, and he’s confident in the system he has in place for them. He is rather forward and proud about being the school’s leader when first telling Clementine. 

Having played through the whole season several times and knowing how Done Running ends, it’s interesting to look at Clementine’s first conversation with Marlon with that all knowing perspective- knowing what he did to the twins, knowing that Brody’s involved and that Marlon’s going to eventually kill her, going to try and frame Clementine for the murder, knowing that he was planning on giving Clementine and AJ away...

I can definitely look at this conversation with a more skeptical lens and say he’s more so trying to sell the idea that he has everything under control in this kingdom for kids and he’s a proper leader with a system in place despite being so young with no adults around. But hey, that’s the natural progression- Ericson is a perfectly chill safe haven and the Ericson crew get along swell... except no, the cracks slowly begin to surface as the episode goes on until all hell breaks loose with Marlon at the center. 

[Rosie is best girl]

“You said dogs brought back bad memories. I'm sorry, I didn't realize you were so scared of them. But I swear, Rosie's not as frightening as she seems...See? She's harmless. She just needs to get to know you, is all. Here. I'll show you. Do you trust me? “

I’ll be completely honest- the thing that initially sold me on trusting Marlon the first time I ever played this episode was his relationship with Rosie. 

If you know me, then you know that I love dogs. I have a pup named Piglet that I adore, I’ve grown up with dogs my whole life, and I have a huge appreciation and soft spot for animals.  I’m one of those people that can’t stand others who are mean or cruel to harmless animals. It’s different if you’re hunting for food or if an animal attacks you and you’re defending yourself... but I’ve known people who have gone out of their way to hurt animals. I’m out in a country area with a lot of dangerous roads for wandering animals, and the amount of people I’ve driven with who’ll swerve to hit a squirrel, a cat, a dog because they enjoy it is too many. After those incidents, I cut those people out of my life.  If you don’t have that love and appreciation in your heart, then I want nothing to do with you. 

So when I saw that Rosie, while the school’s dog, is more portrayed to be Marlon’s dog above everyone else, I remember thinking to myself, “Okay, I trust him. He clearly loves this dog, wouldn’t mistreat her, and that’s a step in the right direction.”  

While I wasn’t skeptical of him and his intentions before, it really was that natural relationship he held with Rosie that kind of sealed the deal for me- “I like Marlon! He’s probably going to die because he’s the leader and they never last but when it does happen, I’m gonna be super upset about it.” 

And well, to be fair... I was super upset when he died, just more so than I originally planned because there was also that element of betrayal mixed into the pain, y’know? 

Speaking of trust and Rosie- My second favorite Marlon scene is the office scene. But let’s talk about the Rosie bit specifically. After Tenn leaves and Rosie comes in, she scares Clementine and brings back those traumatic memories of when Sam attacked her. 

Marlon comes in and cools the situation, and I love the way he talks to Clementine in this moment. 

I love that he doesn’t immediately turn to Clementine like, “What’d you do?” but recognizes that she’s afraid of Rosie due to her previous experience, one that he remembers her mentioning. He also knows how well trained Rosie is to recognize scents and people, which explains why she’s behaving that way- she doesn’t know Clementine. 

I feel like I’m using this word a lot, but Marlon’s approach to helping Clementine with her fear of dogs feels so genuine. He holds his hand out and waits for her to accept, and if she does, he walks Clementine through what to do, beginning Clementine’s bond with Rosie. 

“Get down on her level. Let her get your scent. It's okay. She's not gonna hurt you.”

It’s incredibly sweet and humanizing to see Marlon like this. 

The best part about this scene, though, is that you can reject Marlon’s offer and he won’t be upset. 

“No problem. I'm not gonna pressure you.”

And he doesn’t. He doesn’t get annoyed, he doesn’t press, no questions asked, and he doesn’t say anything to make Clementine feel bad for her decision. He respects that she isn’t ready to get close with Rosie.

The reason I love this is because how many times have we made decisions in this game, big and small, and had the other characters get annoyed or try to guilt us? “Oh, you don’t want to bond with the dog? Rosie’s the best, everyone loves dogs! What’s wrong with you?” None of that here. That’s something I appreciate about Marlon in this moment. 

It shows that when he wants to, he can listen and understand those around him... something he clearly struggles with when it comes to certain members of Ericson.

I’ll swing back around and talk about that entire scene in a bit, but one last thing about Rosie... can I just say how heart breaking it is to hear her whine at Marlon’s funeral? Solidifying that she was definitely Marlon’s dog more than anyone else’s? And the way Rosie lays on his grave several times in episode 2? 

Oof. 

[Ericson’s perception of Marlon prior to the final confrontation and after]

“...when the world went to shit, he bailed. All the other adults did. Left us behind to fend for ourselves...  Now it's just us kids left.”

I want to touch on how the Ericson crew seem to view Marlon as a leader before and after the final confrontation.

When looking at and discussing a character, it’s important to not just focus solely on them. You can gather a lot about a character based on how others respond and perceive them.

Not everyone expresses something towards Marlon within Done Running. Y’know, like Omar or Ruby, for example. Though we do get a bit more from them after Marlon’s death, their perception of him is different now that they’ve learned what he’s done and witnessed his murder.

So we don’t know how Ruby, Omar, Willy or Mitch viewed his leadership prior to those events, y’know? It’s safe to assume that they’re fine following him as a leader since they’re background characters at this point and make no objections to his leadership at any time before the confrontation. But, after learning the truth, they turned against him. 

Then things get complicated when Marlon’s murder traumatizes them. 

What a mess.

But for this section, there are two characters I want to get into specifics about. They’re worth talking about because they further Marlon’s character, but they’re not the most important, y’know? Characters like Louis, Tenn, and Brody will get their own sections. 

The one I find most interesting among side characters is Aasim. Right off the bat, you get a feel for what his relationship is like with Marlon:

Marlon: “How'd it go out there?”

Aasim: “How do you think it went?”

Brody: “Be nice, Aasim.”

Aasim: “The safe zone's nearly dry. I could barely find enough for tonight. We're gonna have to scout out further if we want food for the winter.”

Marlon: “We'll talk about it later.”

Aasim: “Bullshit, we should talk about this right now-”

Marlon: “I said later, damn it!”

So... they’re not exactly besties. The game makes a clear point that Aasim is more vocal in his disagreements and concerns towards Marlon than the others. They even reiterate it when you talk with him later:

“He keeps pulling back the safe zone. We have fewer and fewer places to hunt. Which means we're gonna have fewer and fewer things to eat.”

No one else opposes Marlon like he does, not counting Brody in the basement since that’s a whole other thing and Brody will get an entire segment to herself later.

It’s pretty clear that this isn’t the first time they’ve had this conversation, but because Marlon’s in a place of power, Aasim doesn’t have much choice but to go along with it. Because no one else is speaking up, he doesn’t have anyone to back him up, and you can tell he goes with it reluctantly. He also voices annoyances when it comes to how Marlon treats Louis if you go hunting.

Knowing this, you can infer that Marlon doesn’t want to hear what Aasim has to say, and he doesn’t appreciate someone questioning his leadership. When Aasim steps in Marlon’s path and says, “Bullshit, we should talk about this right now-” what does Marlon do?

He shoves his shoulder into Aasim’s as he pushes past, and in a louder, commanding tone, replies, “I said later, damn it!” which leads to Aasim glaring after him... but he doesn’t pursue. Marlon has a hard time with someone like Aasim and his response is to shut him down rather than stop, listen to his concerns, and address them.

That’s something Marlon struggles with as a leader- control and listening. Control over his temper and anger, listening and addressing the concerns of the people he swears to protect.

The reason I bring this up is because Aasim is our first indication that the image Marlon was giving off previously isn’t as spotless as he wants us to believe. Aasim plants a seed of doubt, y’know? He gives an argument that the player can get behind.

“Yeah, why not extend the safe zone? If food is really as bad as you say it is, then what other choice is there? Just be extra cautious so no one gets hurt,” which can then lead to thinking, “Why is Marlon so insistent about the safe zone? Is he hiding something?”

Once that seed is there, it grows.

Now as for how Aasim’s view of Marlon changes during and after the confrontation, you can see that he’s one of the few that wants to hear Clementine’s side to things, and he steps forward after Louis/Violet intervenes.

Then after Marlon dies, Aasim is... well, he’s rather neutral? And I say that meaning he’s more in a middle ground between Louis and Violet, who are on extreme opposite ends. Aasim isn’t okay with Marlon’s death, nor is he okay with AJ killing him, but he can see that kicking Clementine and AJ out isn’t the best solution. Hence why he voted for them to stay.

You can see he’s still angry at Marlon for what he did during the funeral scene, but the game doesn’t care to show more beyond that. Which, in my opinion, was a missed opportunity on their part.  

And because I’m me, I also want to add that this perfectly sets up the idea of Aasim taking over once Marlon died and the writers shot themselves in the foot for wasting him like that. Good job.

Now let’s talk about Violet. People love when I do that.

Marlon and Violet don’t interact too much prior to the confrontation. The most we see them together is during the card game, and they’re chill. Violet makes fun of his hair, he says he looks cool, they’re decent to each other, it’s all good. They’re on friendly terms. 

Which I do find it interesting that she seems like she’s chill with Marlon, but she has such a hard time with Brody. Granted, that’s because she was supposed to go with them but asked Brody to cover her, and then when the twins died, she felt guilty. But you’d think that she’d also have some issues with Marlon, given that he was also there and, like Brody, unable to save them.

You could argue that because Violet and Brody were friends before it had a stronger effect, whereas she and Marlon weren’t ever that close, so it didn’t strike as bad, y’know? 

Though this does kind of get explained later if you choose to stick with Violet through ep4. Well, sort of? A little? She tells you:

Violet: “...I remember how Marlon described it, what we were gonna turn Ericson into. It's not the way any of us pictured it.”

Clementine: “How did you picture it?”

Violet: “I guess I couldn't. I just listened to what Marlon said. How it would be a home, a real one. But I couldn't really wrap my head around it.”

And when she talks about people who cared about her that she pushed away, she does list Marlon as one of those people, which is super interesting given all the loathing she’s done towards him after the truth came out.

It could be that in the past, she saw Marlon as the leader and why would he lie? He’s the one who stepped up, promised that they’d made Ericson into something special, into a brand new home... what reason does she have to distrust him?

So when she finds out the truth... well, that betrayal completely shatters everything she has for Marlon, going as far as for her to believe that AJ was justified in what he did and shit talking Marlon in front of his mourning best friend. 

So her reaction to Marlon after this makes sense, but what does this tell us about Marlon himself?

Again, depending on how you view him, you can look at this idea of Marlon being kind to Violet and them being on friendly terms after what happened to the twins a few different ways- Marlon was manipulating Violet solely for his sake, or Marlon felt guilty that something he did hurt her this bad and tried to make Violet feel better, or both.

I think it was both. After the twins died, we all know the amount of guilt Marlon carried with him, so having to be confronted with the fallout of that in the form of someone like Violet... he had to be careful. I don’t doubt that he cared about Violet or that he tried to reach out to her, but he also had to protect himself for the sake of maintaining his leadership and control of Ericson. So, of course, he had to lie to her which manipulated her feelings about him and the situation. 

I believe Violet recognized it, too. When she says they should’ve asked more questions about what happened, I think that’s her being more pissed with herself for trusting Marlon and not questioning him further, for taking his word for it. 

I’ve come across theories suggesting that Marlon actually manipulated Violet into placing blame onto Brody rather than him, which is why she is on friendly terms with him but not so much Brody. And that’s a valid interpretation. There isn’t any solid evidence of this within the game to suggest either way, but I can definitely see how someone would come to that conclusion. Especially after the confrontation.

Now let’s touch on Violet if you appeal to her, because Marlon does something that makes me go “Hmmmm...”

Clementine, when she appeals to Violet, say, “Violet you have to believe me.”

To which, Marlon immediately steps in and says, “You don't. You met her, like, two days ago!”

He doesn’t even give her a chance to speak. 

With Louis, he’s so overly confident that he has him completely wrapped around his finger that he doesn’t feel the need to say anything. He feels he has control over Louis. But with Violet, he feels his control might not be as strong, so he needs to remind her that she just met Clementine, whereas she’s known him for years- something he uses against the whole group.

And when Clementine tries to talk to her, Marlon takes a low blow and it’s super shitty.

“Don't let her get in your head. Hey, what would Minnie want you to do? She was my friend, too. So was Brody.”

He’s desperate to crawl out of the grave this situation has put him in that he’s willing to go this low, doing everything he can to make sure Violet doubts Clementine... and y’know, whose to say this is the first time Marlon is using Minnie to manipulate her? And when it doesn’t work, he gets frustrated like “Violet being difficult. Why am I not surprised?” which could suggest that it hasn’t always worked. 

It goes back to what I was saying- Marlon tried to get close to Violet and she never let him. She was difficult to be around after the twins died due to her grief and Marlon struggled with that. 

When he finally comes clean, this is where the real shift happens with him and Violet. You can see the hatred burning on her face every time the camera pans over to her now that she’s felt betrayed by him and his actions. 

Right before Marlon dies, if you choose to say nothing, Violet will step forward and start saying that he doesn’t get to stay, but gets cut off when AJ shoots him. 

All in all, Violet is a big case against Marlon and a showcase of how far his manipulation as gone within Ericson.

[Marlon’s office and foreshadowing of motivations]

“Whenever someone goes outside the safe zone, bad shit happens. People die or disappear. I just... I could really use the help, Clementine. Taking care of these kids, it's not easy. I'm worried that if I don't figure something out, if...if I don't fix our food situation... I can't lose anyone else. We've already lost so much. Friends, siblings... I can't let another kid die. It could break us.”

Swinging back around, let’s talk about the rest of the scene in the office. 

First off- it’s implied that Marlon uses the office as a bedroom given the mattress on the floor and some of his personal belongs laying about. Like the photo he keeps of him and Louis. 

The bed isn’t for Rosie, we assume, since we later see her sleeping outside while chained up. This might be just because they wanted Rosie present for the confrontation scene but didn’t want her loose, so they put her outside when you’d think that she’d sleep inside with everyone else. 

Or, maybe she just prefers to be outside when the weather’s nice, or they keep her as a guard in case something were to happen, that way she can alarm them. 

Anyway, why does Marlon potentially sleep in his office rather than in a dorm? Or does he have a dorm that he’ll sleep in, but keeps the mattress there just in case? 

Well, a show of authority, for one. Even if he does keep a dorm room, it’s likely that he made the office his own as a way to be like “The headmaster is gone, this is my office now. I’m in charge.” 

Which makes sense. 

And when you think about what Louis tells us about Marlon having all these sleepless nights and tough calls, it’s not hard to imagine him spending late nights in his chair going over different plans and stressing over the food situation/safe zone, as well as letting the guilt of the twins weigh on him to the point were he’s too exhausted to even leave.

Moving on to the actual conversation between him and Clementine. He does show a vulnerable side to her, which I like. He can feel the pressure he’s under and sense the loss he’s suffered. But...like before, looking at this knowing what I know, it’s not hard to see certain things in a different light opposed to what you’d see as a new player.

What’s interesting, though, is while I do enjoy this conversation and the bits of insight it gives to Marlon’s character, there is this subtle, slightly off undertone of the whole scene after the Rosie bit. 

At this point, we’ve talked with Aasim and he’s planted the seed of doubt.

We’ve heard the story about the twins. Violet came and talked to us about it, we could visit their graves and learn that they died at this time last year. Anyone who has played any game or heard any story can pick up on that the twins are important. They’re not going to use these girls as some throw away lines. They’re going to come back one way or another. 

We’re literally living in their dorm. The dorm that Marlon put us in. They’re heavily connected to Tenn and Violet, two important characters I previously discussed. Then, Violet comes barging into our room and talks about them some more. 

It makes the gears turn, y’know? 

And with Marlon being very insistent that they stay in the safe zone, it’s not hard to question the story about the twins. I went through and skimmed a couple play throughs on youtube to this scene and a lot of them were theorizing that the twins weren’t actually dead or something wasn’t right, some cracks are starting to show. Why else bring it up? Marlon being the one to push the dangers of the safe zone and everything with Aasim... it’s not hard to pick up that he might be hiding something.  

The thing I find fascinating about people’s perception of Marlon is how they interpret his motivations when it comes to Clementine and AJ, and that can be tracked back to this scene. 

We all know that he’s planning on giving them to the raiders if they come back. It’s a hard fact. Brody warned us before she died, and dialogue during the basement scene backs it up. 

But the question I’m curious about is... when did this motivation begin? 

When did Marlon decide that he would give Clementine and AJ to the raiders if they ever came back? 

Because the text doesn’t tell us anything until Brody’s death, I feel like we all have a different moment where we believe that became Marlon’s secret motive, y’know? 

In all my digging, I’ve read posts about this idea, people giving their thoughts on when they think Marlon secretly turned on us, or if he was ever really on our side. 

One has people theorizing that Marlon saved Clementine and AJ with the intention of giving them away from the beginning. 

So he saw taking these two in and earning their trust as an opportunity to save everyone else at the school [the people he cares about] rather than have to sacrifice anyone else like they did with the twins. Clementine and AJ were just a means to an end if the raiders came back. 

Which is a rather sinister way to look at it and puts quite a negative spin on Marlon’s actions towards them - like how he’s willing to let them stay at the school not out of kindness but out of bad intentions, and every kind thing he ever did was to win over their trust so he could lure them out into the woods and do a trade if necessary. 

The line “Take this. I don't want you gettin' lost.” gets pointed at a lot due to how Marlon says it, the infliction of it, and it’s theorized that the hidden meaning behind it is “Take this, if you get lost then I can’t make the trade.”

Same thing with “Just remember to stay in the safe zone. We need you to come back home in one piece.”

Which isn’t a wrong interpretation of this. You can totally look at this conversation between Marlon and Clementine as Marlon subtly foreshadowing his turn, or betrayal, at the end of the episode.  

“...It's how we've kept ourselves from unwanted attention for so long. Well... For the most part, anyway.”

“I can't lose anyone else. We've already lost so much. Friends, siblings... I can't let another kid die. It could break us. Sorry. I'm just... There's a lot of pressure.” 

“What, did you think I was gonna throw you out?“

Then there are the middle ground people who believe Marlon didn’t save Clementine and AJ with that intention in mind, but it started to appear as an option to him either a bit before or during the office scene. Y’know, it came as a passing thought that ended up lingering until he acknowledged it as a solution to a potential problem. 

Again, pointing at the dialogue from before- him suggesting that he’ll do whatever it takes to keep his community alive... just like he did before. 

And while he gets along with Clementine and AJ [or as some would suggest, he appears to be friendly], they’re not his family. He isn’t close to them the same way he is the rest of the school. and if he has to give anyone away, it’s going to be them, whether he wants to or not. 

Marlon didn’t want to give Sophie and Minerva away, and he’s carried that with him up until this point. We see it manifest to a breaking point that lead to Brody’s death and, eventually, his own. 

Finally, there are the people who believe that the idea of giving Clementine and AJ away didn’t occur to him until after the incident with Abel. After Brody panicked and told him about getting robbed, then Clementine claiming they met a man with different colored eyes who wanted food, and the realization that the raiders could be back. 

This is where I personally stand when it comes to this idea. I believe that Marlon didn’t decide on this until he heard about Abel, and solidified it during the fight with Brody down in the basement. 

But what about the dialogue in this scene that potentially has double meanings? Well, I believe that’s the writers suggesting Marlon’s turn and motivations rather than Marlon himself, if that makes sense. Like I said before, you could take nearly everything Marlon says as some sort of foreshadowing or suggestion of what happened to the twins, what his true intentions are with Clementine and AJ, and what will happen to him at the end of the episode. 

That’s the thing- Marlon doesn’t ever go on a mustache-twirling monologue about how he knew he could use Clementine and AJ as trade if the raiders came back and that’s the real reason why he saved them, nor do we see him come up with the idea on the spot. 

Hell, Marlon never admits to the player that he was going to do that. The most he says is, “Shut your fucking mouth! I made the right call. I saved the lives of everyone in this fucking school! If they came back... I'd do it again!”  

Brody is the one who told us everything, and every time Clementine throws it back in his face, he tells her to shut up and threatens her with the gun. 

But from what I’ve tried to gather about what Marlon and Brody talk about in the basement before Clementine gets down there...

Marlon: “Why can't you just do what I ask you to do?”

Brody: “Because we caused all this, and now we have to deal with it!”

Marlon: “I am dealing with it!”

Brody: “By tradin' more of us away? That's not fixin' the problem, that's runnin' away from it!”

[I’ll come back to this full conversation later when I go over the basement scene by itself. It gets pretty dark.]

Which.... yeah. So, I’m not trying to say Brody was lying or anything just because Marlon never flat out admitted it to us the player, I’m just saying that we don’t know for sure when he made up his mind about this since the game never gives a clear suggestion for the sake of his dramatic turn from friend to antagonist. 

Did he have this idea from the start or did he come up with it during this conversation? 

We don’t know, but it’s interesting to look at the different views surrounding this question and how it applies to Marlon’s character. Because yeah, if you truly believe that Marlon had this intention from the start, it makes all of his actions in this episode pretty scummy. And again, that’s not wrong because there isn’t an answer here. 

I choose to believe that maybe the idea came as an unwanted thought in the beginning, but manifested into something real when he heard about Abel. He shared his plan with Brody, who didn’t want to go along with it. 

And y’know what... let’s finally get into the basement scene and Brody...

Continued in Part 2/2