#unless i picture him exactly the same but as a dyke in which case i understand completely

[chelemlem]

Would you ever write more trade offer rule 63 landoscar verse? I cannot get enough of their dynamic and I literally laughed out loud at the line "It’s a bit mad, really, how Lando went from shagging what most people in the comments section of Lay the Grid considered actual hot guys to shagging Oscar, who more often than not wore ribbed socks to bed." Like seriously how did just a guy Oscar bag hot girl Lando?? I'm dying I would love to know how they go to this point of their established relationship! Love your writing!

hello anon!!! first of all thank u so much <33 and yes actually i was (am?) working on a prequel of sorts for that fic lmao a little getting together/first time story spanning the last leg of 2023 ft Reverse Fake Relationship bc all the wag pages have a running conspiracy that they're alr sleeping 2gthr.... DRAMA

ngl it's taking so long only bc i get annoyed at having having to go back and fact check stuff about the season unlike a fictional future year where i can just do whatever i want etc. i doooo want to get back to it tho bc it's kinda unhingedly self-indulgent with like sloppy hetero sex and cliché shoujo tropes and also jenson button is there... someone yell at me to finish 😔

lol as for why lando likes him: no clue. her feelings on the matter are pretty much just "wow he's such a lewser...... but he can kind of get it" call that unspoken normie boyfriend rizz. here's a cutting room casualty of trade offer that kinda summarises the vibe:

It's sort of nostalgic. The first time had been a bit like this too, Oscar crashing at hers after a bender, both of them buzzing from the jaegerbombs, the surprise double-podium. Swaying outside in the sweltering July heat, he couldn't remember if he was at the Montague or the Meridien—so Lando had said fuck it. Her flat was close and she had more than enough spare rooms. Why not?

Nothing had happened that night.

Lando'd wandered downstairs at noon to him half-burrowed in the George blanket, eyes glued to the telly with a capri sun stuck in his mouth. His hair stood up in greasy tufts molded to the shape of her fists—mocking her, really.

"Morning," Oscar had grinned, sleep-puffy, self-assured. "Sorry for taking over your—uh, everything, I guess. S'just I've got a bitch of a hangover and the Ashes are on. You understand."

Bastard. She couldn't not fuck him.

[ritchieblackless]

There's superstition...

After the torture sentence that I aplied to myself by thinking that this post could be a good idea, I fucking have the information about this... this... twisted story. Not all the information though, because if I search for more info about this I will surely need to go to the Cuckoo's nest.

Oh Martina, you're exaggerating. No, I'm not (well yeah, kinda). This was so confusing to understand and organize. Believe I was in the bathroom seconds ago saying "Okay, 1970 Cozy and Jeff going to Detroit. 1971 and 1972 Stevie.."

The most important thing about Superstition's back story and theories about Cozy's playing on it, is the ☆Timelines.☆ Because in the end everything revolves around 1970-71 and 72 to ever consider Cozy in Superstition so let's start.

[Jeff Beck and Cozy Powell going to Motown Studios in Detroit, 1970-71]

They both travelled to the States to do some Motown covers for the upcoming album with only covers but they never released it. They released Rough and Ready inestead but I'll leave the man explains that to you himself:

"My producer, Mickie Most, said, 'We have to make an album.' I talked Mickie into going to Motown, the Hitsville house. It was one of the last sessions there. I was so privileged. We were more like tourists, kids in a candy shop. I took Cozy [Cozy Powell] and I said, 'I gotta go to Motown, and you’re coming as well.' (Cozy: *gets scared and excited*) It wasn't a request. What the hell was I doing taking a rock drummer, with two huge Ludwig bass drums, into Motown? They hated us right away. They didn’t want to know. But we loved it there, and they sensed it after a few hours. The first day, when Cozy sat behind the Motown drum kit and started playing like the Meters, they all went, 'Oh!' (Motown people: Heeey... That's pretty good!) and came flooding back to the studio. It was James Jamerson on bass that day — no rhythm guitar — and Earl Van Dyke on keyboards. That was it, a stripped-down thing. They kept saying, 'Where are the dots?' [sheet music] I said, 'There ain’t no dots.'

When Cozy started playing, it was great. James was locking up with Cozy’s drum pattern. Then I looked around — Cozy was wheeling the drum kit out of the studio. They’re going berserk. He has moved the sacred Motown drum kit out of the studio and wheeled this stupid double kit of Ludwigs in. The studio tech came up to me and said, 'Didn’t you guys come in here for the Motown sound?' Yeah. 'Well, it just went out the door.' [Laughs] "

Jeff Beck, Rolling Stone.

I just love when Jeff refers to Cozy's drum kit as stupid, fancy or whatever in a derogatory way... just because it was sparkling red jsjdjfkgkgl.

We have here, Cozy's side of the events:

"You may as well start off with both feet on the most obscure thing I've ever done. I've got a copy of it, a tape.

It never got the test pressing stage. We went to Motown in Detroit with the idea of Jeff recording an album of all the Motown hits, basically as an instrumental album. He wanted to use a lot of the Motown session players. At that time I'd just joined him, 1969 I think, and his original idea was to find a drummer first. Found me, went down to the audition, got the job, next thing I know (Jeff: You're coming with me. Cozy: ...the fuck?) we're going to Motown to do this album. We did 'Reach out I'll Be There', 'Losing You', things like that. In the end we did about 7 or 8 tracks of which the backing tracks were done.

Jeff plays rhythm guitar, he hadn't actually put the lead on and for some reason he wasn't happy with what he heard or with Micky Most or whatever. It never ever saw the light of day."

Cozy Powell, interview with Joe Gessin

This is all important because this wouldn't be the first time that Jeff and Cozy travelled to the States together.

[JBGroup going to Electric Lady in New York, May 1972]

This is where the party begins and when the timelines confusion comes in.

So, Jeff Beck Group's second album is recorded in January of 1972 at TMI Studios in Memphis. Talking Book was RELEASED in October of 1972 so we don't know how exactly when it was recorded.

But anyway, the thing is that Jeff and his gang released the album in May but before that Stevie and Jeff were kicking the idea of some session works with Jeff for Talking Book so when they released the album in May, they had no obligations left so Jeff took his gang to Electric Lady in New York.

Jeff recorded some guitar tracks and the gang was just observing and occasionally adding ideas. They wanted Stevie to write a song for the next album (which it doesn't exist).

This is where the party begins part 2:

There is this story of Jeff playing the drums for a laugh, noodling around while Stevie was writing over it. It seems like Jeff did something that inspired Stevie but here's the guy again:

"One day I was sitting at the drum kit, which I love to play when nobody's around, doing this beat. Stevie came kinda boogieing into the studio: 'Don't stop.' 'Ah, c'mon, Stevie,' I can't play the drums.' Then the lick came out: 'Superstition.'"

Jeff Beck, Jeff Beck: Crazy Fingers.

I really doubt that is Jeff's playing in the record. What I don't doubt is that maybe Stevie played the drums but since they had Cozy around and Stevie liked Cozy's beat and most importantly he was a drummer (I'm not saying that Stevie is not a drummer, I'm just saying that Cozy is a full drummer while Stevie plays a lot of things). This is where the previous Cozy post about this comes in. They where trying different things so I really believe that at some point of that day Cozy sat down on the drum kit and did a take.

And there's a proof that Cozy was there and worked with Stevie, actually there are two: The only two existents pictures of Stevie Jeff and Cozy were taken in 1972.

"Stevie Wonder is one of these man who walks around singing all day, tapping out rhythms... well, the man IS music. When I worked with him -which was very briefly- he'd come in with this idea in his head and he'd say 'Hey, hey, play this man!' and he'd start tapping something out"

Cozy Powell, Rhythm magazine 1987.

And theres another Cozy quote but is not complete because I found it on pinterest (so sorry) but it's understandable as well.

"He'd tapping out the table. You'd watch and start tapping along with him and he'd get excited and say 'Yeah, yeah, yeah... now try this on the hit-hat, man, try this.. ' After five minutes you'd have come up with something and then perhaps you'd do a little bit more or a little bit less of it, and if he really liked it he'd start dancing around and laughing and waving his arms about. Then he'd leap on to the keyboards and start playing. It was all very energetic, good stuff and really easy to do. You weren't aware it was work."

Cozy Powell, unknown article.

I feel that Stevie's energetic attitude and passion for music hit him deeply, I can see that by the way that the quotes are written. Cozy just loved Stevie.

So yeah, Cozy said that he did some takes for Superstition when Stevie finally wrote it down. In the case that I'm mistaken and it was Stevie who played the drums... it should have been over some Cozy's track because there's no way that Stevie could imitate his Crashing-Cymbal sound or either his drum rolls. Stevie can of course, but not will the same touch, because of the simple reason that one person is different from another.

But I still believe that it IS Cozy's take, i really do and the most important question here is: if Cozy was not who played the drums on Superstition... Why he would lie about it? He had no reason to do it so there must be some truth in his words.

And we need to remember that Superstition was originally planned for Jeff Beck Group so if it was for Jeff Beck Group, they would need Jeff's drummer which was Cozy. So I wouldn't be surprised if Stevie asked Cozy to do some takes.

And when Superstition was finally out, it was by Stevie Wonder using Cozy's take. The reason of why Stevie released it was because Motown said that it was such a great song for giving it away. Also Jeff was busy with Jeff Beck Group's break up for working on the song.

The reason of why Stevie was enlisted as the drummer is not clear, it seems like a Motown move.

So yeah, this is story, well half of it. The shit was so long with a lot of details that I didn't need for this.

I believe that it was Cozy's take, for a lot of reasons. Not because I like him (Well i do like him but the truth is the truth). Maybe it was Stevie with a Cozy guide, we don't know... and we never will.

(Unless we kidnap Jeff Beck and ask him)