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THE REMOVAL OF HIS SIGIL DURING THE DAY OF UNITY
"さようなら、ベロス..."
("Goodbye, Belos...")
#tw: blood#tw: body horror#cw: gore#day of unity#sigils#2017 x#tw: sh#toh belos#owl house#toh#draining spell#sonic.exe#sonic the hedgehog#sth#sonic au#sonic fanart#crossover
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Translation: Heterodoxy Pamphlet. Music Writers Reflect on 20 Years of the GazettE, Part 1/6 (2002-2004)
Hello friends! As promised long long ago, I'm starting the Heterodoxy series where music writers reflect on their work with the band in the last 20 years. This might take some time since not all the texts are ready just yet, but I will do my best to finish them as quickly as I can. This is Part 1/6, hope you enjoy it!
scan credit: @rad-is-more
Text by Hiroko Yamamoto [1]
the GazettE was born in March 2002. The band was formed by Uruha and Reita, who were dear friends from elementary school, Ruki, who they crossed in the previous band (back when he was a drummer) and who later changed to vocals, and their first drummer, Yune, who also invited his buddy from a previous band, Aoi. Two months later, they played their first show at Meguro Rokumeikan, a live venue that can be described as a gateway to success for visual kei bands. Their first maxi single "Wakaremichi" has a melancholic, catchy melody and an impressive fast-paced sound. During the encore of their 20th anniversary live at Yoyogi National Gymnasium in March this year, Ruki looked back on the beginning of the band: "We are the GazettE, and 20 years ago we got together thinking this would be the last band of our lifetimes”. It was during those young days when the band was standing on the stage with recklessness and foolhardiness when such strong headbanging songs as “Kantou Dogeza Kumiai” and “Waifu” were created, yet they continue to stay popular to this day. The band's forward momentum is best represented by the time when they had to play “Kantou Dogeza Kumiai” over and over again because they didn’t have many original songs yet. While they were firing the audience up with their so-called "violent songs", they also had an amazing ability to write emotionally rich compositions with Showa-inspired melodies, such as "Juunanasai" (later included in the pamphlet with CD for their first Nippon Budokan concert). Everything in the GazettE of those early days, up to their make-up and costumes, was elusive and funny in a good way, as conveyed by "Sentimental na Onigokko", a song about bullying, which presents the listeners with a droll world view of a locked room.
The band’s first turning point came the following year. In 2003, when their first drummer left the band, Kai, with whom they had played together in session shows, quickly took his place. This made the current five members, and the band moved to a new office. It was Ruki who made a last-minute call to Kai, and the drummer had to join in right from the next day's show. From this point on the band’s rapid progress officially began. the GazettE of those times actively participated in organized taiban [2] events. They were even nicknamed “taiban killers”, as their heat-packed shows helped them steal away fans who had come to see other bands. In the next three months they released three consecutive four-track mini-albums, "COCKAYNE SOUP", "Akuyuukai" and "Spermargarita", which increased the number of their fans in geometrical progression. Incidentally, at the time they called themselves "Dai Nippon Itan Geisha Gazetto" [3]. The name derived from the thought of what the word “Visual Kei” would sound like if it was a Japanese word [4]. On their 15th anniversary in 2017, the band held a concept show at the Yoyogi National Stadium. On that stage today's the GazettE performed songs from the Dainippon Itan Geisha era, so hopefully fans who didn’t know their early days got to know them. The sense of unity between band and fans that rose steam from the live house, the "Jump to us!" screams, and the band's stage presence all developed during that exact period. Back in September of 2003, the band sold out a two-day one-man show at Takadanobaba AREA, and only four months later, in January 2004, their one-man show "JUDGMENT DAY" at SHIBUYA-AX was sold out. On the day of the show, the venue was overflowing with fans, and the venue’s doors were barely closing. The band was not informed that the tickets had been sold out until the day of the show, and how they were surprised by the scenery in front of them and the crowd’s enthusiasm almost seems funny today.
Particular about every aspect of their performances, videos, sets, playing their music live, even coming up with their own ideas for photoshoots and never stopping the work until they are satisfied – this is the GazettE. When I was covering them in a magazine for the first time, I felt that a band of an entirely new generation that took over from the royalty of Visual Kei (although there was no such term back in the day) had entered the scene. I remembered their down-to-earth attitude, in which the live show and the fans who attend it are the most important thing. I also remembered that young the GazettE had a simple goal of keeping the band going, rather than becoming a band that was listened to by a certain number of people. Come to think of it, that hasn’t changed a bit. Truly an ironclad band.
[1] Hiroko Yamamoto / Born in Tokyo. Impacted by glam and punk rock as well as blues in her college days, she started a band and spent her life immersed in music. After working for an entertainment editorial production, she became a freelance writer. She covered the GazettE for the free papers and visual-kei specific magazines like Neo Genesis. She was particularly impressed by the band’s stance with its emphasis on live performances and believing in their music and their fans without being influenced by trends or critical opinions. Currently writes columns on music, as well as films and doramas. (From the pamphlet’s credits)
[2] 対バン (taiban) - A live with several bands performing. Usually those are beginner bands that split the venue and equipment rent as well as other costs.
[3] 大日本異端芸者 (Dai Nippon Itan Geisha) can be translated as “Heretic people of art (professional performers) of the Great Japan”. We know Ruki never chooses names for anything without putting a lot of meaning into it, and I’d say there are many layers to this title as well.
大日本 (Dai Nippon) initially referrs to the Japanese Empire (大日本帝國 Dai Nippon Teikoku, 1868–1947), which embraced the Meiji, Taishō and Shōwa eras in Japanese history, though nowadays it is considered a nationalistic way of referring to Japan. Dai Nippon expressed the overall aesthetics that the GazettE (then - Gazetto) was working with at the time: Japanese flags on the Wakaremichi cover, the silhouettes of children wearing Imperial Japan school uniforms on the COCKAYNE SOUP cover, lyrics (Oni no men) and the use of traditional melodies (Back Drop Junkie [Nancy]), their iconic indie photoshoots with lots of elements clearly inspired by Japanese culture and so on.
異端 (itan) means heresy. This word is also clearly important for the GazettE’s vision and positioning since we see it literally everywhere: in the fanclub name, 20th anniversary live name, merch etc. If we look up the meaning of the word “heresy”, we’ll see the following: “an opinion profoundly at odds with what is generally accepted”. Not only “being profoundly different” is a key principle of Visual Kei, it is also one of the grounds the GazettE exists and continues to work on.
Finally, 芸者 (geisha, “a person of art”) is a pretty well-known word internationally. While most people associate geisha with professional female performers, the Japanese word itself doesn’t have any gender markers, and the first geisha, which appeared around the first half of the 18th century, were actually male. At the same time, it might refer to the androgynous nature of Visual Kei.
[4] “Visual Kei” is partially a gairaigo — a word that came from a foreign language. The question they asked themselves was “if the concept of v-kei had to be translated through the prism of Japanese culture and values, what would a Japanese word describing it sound like?” And the answer is, apparently, “heretic people of art”.
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Disney TVA Universe Timeline (Forever and Always)
⚠ Contains spoilers from: Gravity Falls, Amphibia, and The Owl House.
Summer 2012: Gravity Falls events take place. A division of the FBI is sent to investigate the location, but they come back with apparent amnesia. Bill Cipher is defeated
2016: In Amphibia, a frog finds 3 strange numbered diaries with golden marks shaped like 6-finger hands on their front covers near Wartwood, storing them in the local library.
2017: Dipper and Mabel Pines finish school.
2018: Dipper and Mabel start attending college. Dipper pursues a career in journalism. Mabel pursues a career related to tourism and business management.
May/June, 2019: Anne steals the Calamity Box during her 13th birthday. Anne, Sasha and Marcy are teleported to Amphibia.
October/November, 2019: Anne returns to Earth with the Plantars, escaping King Andrias.
January, 2020: Anne and the Plantars return to Amphibia and join Sasha and Grime in the Wartwood Resistance. They plan how to defeat Andrias and rescue Marcy.
April/May, 2020: Frog-Vasion to Earth begins in Los Angeles. The Core is defeated. Anne, Marcy, and Sasha leave Amphibia and return to Earth. The Calamity Stones are destroyed.
June, 2020: Amphibian technology remains are taken to Area 51 in order to be studied.
Summer 2020: Marcy Wu moves to Massachusetts.
2021: Due to his actions during Frog-vasion, as well as his actions in covering an event of such magnitude months after, Mr. X is promoted to Special Agents in Charge (SAC) within the FBI, taking command of the Unidentified Supernatural Affairs Division (USAD).
Summer 2022: Luz Noceda gets trapped in the Boiling Isles.
September, 2022: Luz and the Hexsquad try to stop Belos and the Day of Unity, but they are forced to escape back to Earth by the Collector.
November, 2022: Dipper and Mabel graduate from their respective careers. Mabel returns to Gravity Falls, Dipper moves to San Francisco. March, 2023: DARPA develops the first successful hybrid technology prototype derived from Amphibian technology.
Summer 2023: Mr. X and the FBI initiate an undercover investigation related to an unidentified wildlife virus in Gravesfield, Connecticut.
October 31st, 2023: Luz, Camila, and the Hexsquad return to the Boiling Isles Belos is defeated, and the Collector becomes an ally.
2024: Project "Amber Genesis" becomes operational.
January, 2025: The US government stablishes "Protocol Black Moonlight."
February 2025: The FBI is rebranded as the "Federal Bureau of Intervention" by the US goverment. Shock Force 51, or the "Shock Division Against Unidentified Treaths" is created.
2026: Luz starts a new life in the Boiling Isles.
May/June, 2029: Anne Boonchuy celebrates her 23rd birthday. An unauthorised failed portal attempt to Amphibia is carried by Dr. Terri and Mr. X.
May/June, 2030: "Operation Calypso" takes place in the Bermuda Triangle after a series of strange quakes. The Scatter is awakened. Mr. X and his division are considered KIA. Protocol Black Moonlight is activated. Anne Boonchuy Celebrates her 24th birthday.
Well everyone, here's a brief timeline of everything related to the crossover universe, all carefully pieced together! 🕰️✨
Took me a sweet time to put everything in order and make it feel connected, as well as to figure out when did some things happened, given how shows like The Owl House in particular don't count with canon dates, only a few clues to figure out when did some stuff took place.
I also used the so-called "Recovered Files" videos I made as a way to to promote the fanfic, which back when I was just starting helped me organize everything and tie it all together now 😊
This timeline was inspired by requests from readers who wanted a clearer picture of when the events of the fanfic take place, so I hope it helps you navigate the story’s timeline and enhances your reading experience! Let me know what you think! o(* ̄︶ ̄*)o💬💜
#f&aproject#gravity falls#amphibia#the owl house#toh#fanfic#gravity falls spoilers#the owl house spoilers#amphibia spoilers#fanfiction#ao3 fanfic#ao3 link#ao3fic#ao3#archive of our own#crossover#crossover fandom#fandom fusion#the owl house fandom#toh fandom#gravity falls fandom#amphibia fandom#crossover fanfiction#amphibia fanfiction#gravity falls fanfiction#fanfics#fanfic writing#ao3 writer#gravity falls timeskip#amphibia timeskip
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Alexandre Bissonnette edit + infopost
~~~~~~~~~~~~~~~
The edit is for you to see some photos of him!
I want to say I don't support any actions !!
My content is because I love true crime and political cases ~~
if I like the person is for him/her personality, appearance or manner. But I do not support hate crimes or murders
Event summary
Alexandre Bissonnette, 27, entered a mosque armed with a pistol and killed 6 men, injuring 19 more, one of the victims was left paraplegic for the rest of his life
Family, social life, curiosities
Bissonnette has a twin brother with whom he shared an apartment four miles from his parents' house. But Alexandre Bissonnette often slept at his parents' house on weekends.
He was Canadian, born and raised in Quebec City. He was always described as a simple and ordinary man. Bissonnette had already taken antidepressants, but it was stated that his mental state had absolutely no influence on the crime, as he was considerably stable and fully conscious.
He had a Facebook page and also a Tumblr page, where he posted about his daily life, food, etc. However, on Facebook, he made a lot of political comments. Emails from Alexandre and his father were also found that spoke negatively about Muslims. Many people believe that Alexandre received this prejudiced upbringing from home. He and his father used to practice shooting at an outdoor range and Alexandre would often hang out with old friends. However, he did not have a girlfriend, and was described as a shy and somewhat introverted man.
The father, and also Alexandre himself on social media, stated about the problems the boy had with alcohol. However, according to a blog by Bissonnette, he had stopped drinking because, according to him, it "is very bad for your health!" and he reported, with these words, that he was "very happy about it!" However, even with this abstinence from alcohol, the shooter told the authorities that he drank sake the entire day of the massacre.
Security camera footage from a depanneur shows Alexandre Bissonnette buying a drink minutes before the Quebec City mosque attack on January 29, 2017
"Throughout his life, until January 29, Alexander had never demonstrated violent behavior in words or actions toward anyone. "Alexander is the last person we, and all those who know him, could imagine doing something so out of character," Alexander's father said.
Bissonnette was a political science student at Université Laval in Quebec City. He also works and had a steady job, but was on three weeks' leave when the shooting happened. Alexandre had a history of bullying, probably because he was quiet and reserved, but this did not seem to have a direct impact on the case. In any case, he was described as an "ordinary" man.
about the bullying he suffered his father said: "Realizing that nothing was getting better, Alexandre simply stopped mentioning it to us. I can't tell you how much I regret not doing more to make sure Alexandre was safe at school."
In 2014, Bissonnette was introduced to firearms by a friend. He went on to apply for a license, falsely reporting that he had no history of mental health issues or suicidal thoughts. Over the next few years, he would legally acquire six guns.
Bissonnette told psychologists during interviews that he had always had thoughts about mass shootings. Interestingly, Alexandre was fascinated by the Columbine Massacre.
Alexandre had also thought about carrying out a massacre in a shopping mall, carrying weapons in his bag and everything, but he gave up.
ideologies and thoughts about Islamists
Alexandre was an actively political person in his speeches and discourses. He seemed to be very interested in the subject, and it was no wonder that he was studying Political Science. However, Bissonnette's political positions always leaned towards a more extreme side, related to violence. He was a nationalist, but a nationalist who preached the unity of white people only. He also supported Marine Le Pen's party in France and Donald Trump in the United States. He frequently posted on his Facebook page against immigrants, against pro-immigrant policies, against Muslims and against feminists.
Historical context of the city and the mosque
Before talking about the massacre, it is essential to talk a little about the state of mind of the city and the mosque that suffered the attack.
Quebec City has always had questionable positions on ethnicity, immigration and Islam. The mosque has previously suffered an Islamophobic attack, in which a pig's head was placed on the mosque and a note reading "Bon appétit" in French (the local language).
The Quebec City mosque mass shooting on January 29, 2017
In the month leading up to the shooting, Bissonnette was on leave from his job at Héma-Québec with an anxiety disorder following an altercation with a co-worker. During this month, he obsessively visited the Twitter accounts of several right-wing media personalities, including Tucker Carlson, Laura Ingraham, David Duke, Alex Jones, Mike Cernovich, Richard B. Spencer, and Kellyanne Conway. Bissonnette checked Ben Shapiro's Twitter account 93 times in the month leading up to the shooting. He was also on leave from his university political science program. He was scheduled to return to work the day after the shooting. During his free time, he regularly visited Islamophobic websites and searched the web for information about mass shooters.
When Alexandre Bissonnette heard about Justin Trudeau’s famous tweet welcoming refugees to Canada, the frail-looking 28-year-old political science student told police he went crazy. A few hours after watching a television report suggesting that Canada would accept immigrants rejected by President Trump
On the day of the shooting, Alexandre spent the day drinking and finishing his research on mass murders, immigration and Islamic terrorism, including checking news reports on crimes committed by Muslims in the country. That night, he went to his parents’ house for dinner and then sat in a corner, fiddling with his computer. At 7 p.m., he left the house armed with a 9 mm pistol and a Czech semi-automatic rifle of .223 caliber. He left home in his parents' car, saying he was going to practice shooting. At 7:37 p.m., he hesitated to continue shooting, so he went into a store and drank some vodka. Then, afraid of being seen carrying a large weapon, he decided to return to the mosque to carry out the attack.
He arrived at the mosque around 7:53 or 7:54 p.m. Outside, there were two brothers, at whom he pointed the rifle, which failed, jamming. Alexander appeared relaxed, smiling, throwing the rifle on the ground and pulling out his pistol. He fired several shots at both of them, in the arms and abdomen, then got close and shot the brothers in the head, with the pistol pressed against them.
Two more mosque worshippers announced that there was a shooter, and chaos soon broke out. Alexandre entered the room, firing ten shots, then reloaded. Bissonnette re-entered the prayer hall. He would fire 30 shots in 30 seconds during the second wave, and would target mainly people trying to take cover.
Aymen Derbali, crouched near the gunman, attempted to distract him from the busier areas of the mosque by staggering toward him, but was shot in the knee and chin.[31] As Derbali fell and crawled on the ground, Bissonette shot him 6 more times, but Derbali would survive.[32] Bissonnette then targeted 44-year-old Aboubaker Thabti, murdering him at close range with three shots to the skull.
The gunman returned a second time to the lobby to reload his weapon, then returned to the prayer hall and killed some of the worshippers who were already wounded and others who were wounded. He then pocketed a bullet, intending to take his own life in a nearby forest, and then left the mosque at 7:57 p.m.
According to an initial report, a man who came forward as a witness said that two assailants dressed in black and with a Quebecois accent entered the mosque and shouted "Allahu Akbar" before opening fire. Police later determined that there was only one shooter, and that was Alexandre.
Later, at 8:10 p.m., Alexandre Bissonnette called emergency services (911) and turned himself in.
Alexandre Bissonnette was sentenced to life in prison for the 2017 Quebec mosque attack. He was originally scheduled to serve 40 years before being eligible for parole. However, in 2020, the Quebec Court of Appeal reduced that sentence to 25 years, ruling that 40 years without the possibility of parole constituted cruel and unusual punishment. In 2022, the Supreme Court of Canada upheld that decision, maintaining his eligibility for parole after 25 years. Therefore, Bissonnette will be eligible for parole in 2042.
Victims
The six murder victims were Ibrahima Barry (39, an IT employee for the Quebec government), Mamadou Tanou Barry (42, an accounting technician), Khaled Belkacemi (60, a professor at Laval University), Aboubaker Thabti (44, a pharmacy technician), Abdelkrim Hassane (41, a computer analyst for the Quebec government) and Azzedine Soufiane (57, a grocery store owner).
#tccblr#tcc tumblr#teeceecee#tcc fandom#tc community#tcctwt#alexandre bissonnette#tcc info#info post#mass killers
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ode to abandoned projects
normally i dedicate my public facing social media accounts solely to sharing my finished artwork, but I figure some reflection on the past few years of my development as an artist would be worthwhile. I was initially trying to find an old gmod map I made (I didn't find it), and in the process I found a number of screenshots of WIPs spanning the past 7 years. for many of these projects, they were abandoned because I got too busy with school/university.
from march 2017. made in unity. I don't remember the specifics of this project. I think I was trying to make a short narrative walking sim.
from december 2017. I wanted to make a short smw romhack. I remember drawing level designs on a spare piece of paper after finishing a secondary school exam early. one day I'll make a romhack, one day...
from may 2018. I had just replayed marble blast ultra after finding it had a PC port. shortly after I found all the textures were just in the game files and could be modified easily. myself and an old friend wanted to make a 'games repainted'-esque mod. I claim full credit for every marble game since that's included a 🤔marble skin.
from march 2020. a mockup of a piece I was calling 'alignment chart' for the first time I had ever applied for a bursary. this used a mixture of generative art pieces i made in processing and graphic design. this piece is interesting to look back on because it marked the development of my art style for the first time, and the psuedo-cuneiform generator ended up being a recurring feature of my art. my application was rejected because i did not read the terms and conditions to realise it wasn't open to university students - and I was still studying computer science at the time.
from may 2020. I was aiming to participate in the low res game jam but never got to finish due to university work taking up my time. I never fleshed out the mechanics of the game, but the goal was to take care of the tree in the center of the map. it doesn't look like much, but I really pushed myself (or rather, tortured myself) by not using a game engine and writing this in C++ with raylib instead.
from april 2020. this was going to be a browser based demake of five nights at freddy's (a game I've never played and have no interest in) titled "five years at yanderedev's". I figured that it felt too close to participating in lolcowing someone and that it was in bad spirits, so I scrapped it.
from september 2020. a mockup of my homepage sharpfourth.net. I kept the logo and general layout for whats on the site currently, but didn't include the scanner warped images.
from october 2020. I wanted to make a walking sim in the quake engine, but once again, university work got in the way. however, this got me familiar with the basics of using trenchbroom (a map editor for quake), which came in very, very handy for later projects.
from october 2021. myself and some close friends had planned to make a zine detailing how to do DIY feminising HRT in Ireland (and maybe the UK). we never got around to writing it (partly because we feared potential legal repercussions for disseminating medical advice lol), but this marked a further development of my art style.
youtube
from october 2021. I had hoped to make a first person RPG in godot. once again scrapped because I got too busy with uni. I spent ages trying to implement a wonky movement system that could be exploited, being inspired by bhopping from source or strafe jumping from quake. the dialogue system was the last thing I worked on. I used trenchbroom again - this time with qodot - for making the prototype map. while making this demo, I realised the potential use of godot and trenchbroom in visual art, something i would revisit during my first gallery residency.
from march 2022. this might be the most unassuming piece in this collection, but it marks a significant turning point in my life. I was tasked with making diagrams for a group project in uni, but given that I was facing extreme burnout and apathy towards the course, I instead "doodled" with the elements of the diagram. this spiraled into me writing my zine/short-story EATARTHU, which I then used to apply for a gallery residency. I was fortunate enough to get the residency, and I dropped out of college to pursue art.
as discouraging as it might be to constantly start and abandon projects, it's important to stop and remember that ever single abandoned game or drawing or album or whatever marked a chance for you to learn and develop as an artist. one day you might very well finish a project, and it'll reflect a bit of every single abandoned one of its precursors.
#graphic design#gamedev#godot#trenchbroom#quake#unity#raylib#artists on tumblr#super mario world#lunar magic#affinity designer#processing#typography#zine#Youtube#new_holocene blog
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Rose Gold
Book: The Royal Romance
Pairing: Hana Lee x Kiara Theron
Rating: PG
Word Count: 4, 304 words
Content Warning: Mention of Gun Violence, Character Injury.
Summary: Six months after King Liam and Queen Esther's wedding, Hana and Kiara take their next big step as a couple.
A/N: Set in the P&Tverse. Since P&T spans the timelines of Books 2 and 3 (the Engagement Tour and the Unity Tour + Liam & Esther's wedding), most of this fic takes place after the series is meant to end, and there are references to things that happen there that aren't canon.
The first half of the fic, however, takes place just before the group reunites with the MC and Drake at the safe house (TRR3, Ch 1).
I've borrowed a few elements from Hana's own engagement to the MC in the books: the rose gold ring, the coin throwing ritual at the foundation and the proposal at the lake.
Tagging @hanaleeappreciationweek for Day 5: Romance, @choicesficwriterscreations for FoTW and LGBTQ Archive, and @choicesmaychallenge24 for Hera: Marriage
October 14th, 2017. Half past Midnight.
Foolishness. Sheer foolishness.
The voice inwardly chiding her right now sounded suspiciously like her mother; for that reason alone she was desperate to ignore it.
But what else would one call an impulse to jump out of a car that could take her in complete secrecy to the city's best safe house, only to race to Argyros and Sons - Cordonia's premier jewellery store - for a gift she wasn't even sure would be accepted...a promise she wasn't even sure its intended recipient would want?
"Looking for something specific, Your Grace?"
Surprised, Hana looked up from the case displaying an assortment of glittering diamond rings. The eyes that met hers in a speculative survey were ocean-blue, marked by wizened crow's feet. It was at the tip of her tongue to correct him (Lady Hana, sir!) when she spotted the Twitter feed on the iPhone in his hand.
News sure does travel fast around the Capitol!
But no sooner had that thought left her head, than the riptide of memories began to flood her.
The Homecoming Ball. Hors d'oeuvres. Speeches. Fireworks. Announcements. Please welcome Esther DuPont, Duchess of Valtoria, and Hana Lee, Duchess of Krysanthe. Cheers. Expectant Gazes. And then...
Darkness. Gunshots. The acrid taste of fear.
Hana bit back a grimace. How long would memories of tonight haunt her? How long would it be before she heard people address her by her new title, without memories of the violence that followed?
She held her handbag with a sudden death-grip, forcing herself to breathe. To push forth happier, sweeter memories.
Unbidden, comes the one memory that had managed to keep her sane this night.
Her laughter.
Sharp. Raucous. Loud. Jarring against the tinkling sounds of cutlery and glassware, as far away as one could get from the soft, windchime quality of delicate laughter, that every female courtier was taught to emulate.
She thought she'd known love until that moment, fool that she was. Thought that no matter who she dated, no matter how distant she'd be from those memories of the social season - Esther would somehow remain her first and forever love.
Until she had taken that one fateful look at Kiara's wildly joyous face, heard her cackle - the kind one would never normally dare to do at court - and realized with piercing clarity that if she were to compare her feelings for these two women, they would be nowhere close.
Her love for Esther had all the subdued warmth of a crackling bonfire. But these newfound feelings for Kiara?? They made her feel like she was plunging herself headfirst into a raging volcano.
Something within Hana had trembled violently in that moment; some premonition that felt searing in its finality.
Kiara was the one. She was all Hana had ever wanted, without knowing it; all that Hana would ever want, from now till eternity. The one in whose arms she would want to stir awake, every day for the rest of her life.
Kiara Thorne, or no one. Kiara Thorne, or lifelong loneliness.
The phrase rang in her ears like a verdict: final, eternal, unchangeable.
When Hana opened her eyes, she found to her consternation that they were blurry from unshed tears. Quickly blinking them away, she noted dully how different the rings on the display now looked.
Certainly she must have moved to another part of the store without knowing. Where before she'd seen glittering, brilliant, ostentatious diamonds, set in white gold and platinum...now she saw stones nestled in the embrace of a warmer, almost blush-toned metal.
Rose gold.
The metal that was all the rage in her mother's birthplace Bethulia, for its delicate shimmer and soft pink hue. Mama had told her often enough in her childhood that their barony's love for it went far beyond just the colour...that her mother - Hana's Nanimaa - loved it for being such a perfect union of gold, silver and copper...
A whisper of a memory of Nanimaa, the one time she'd ever seen her. At a fountain, glowing from the glimmer of abandoned coins.
It took her less than a minute to find exactly what she didn't know she'd been looking for. Had you asked the jeweller about her, he would have told you that the newly appointed Duchess of Krysanthe had chosen her ring with the greatest confidence. The confidence of a woman who had probably wooed her beloved, confessed her love, basked in the joy of being loved back.
A confidence Hana didn't feel.
When she returned to the limo, she was greeted with the sight of a pensive Liam, rubbing the frown between his brows absently with his fingers. A telltale muscle jumped inside his jaw.
"Any news?" Hana whispered, almost dreading the answer.
"Yes," his voice was grainy from exhaustion and guilt. "Three people injured. Bastien, Esther's press secretary, and...."
"And?" Her voice had gone small and high, that a fearful child's.
"And Lady Kiara. She was..."
Hana blinked once, then blinked again. Liam's mouth was moving, yet no sound seemed to come out. All that she could hear was a low, keening noise, like a muffled siren...or like the moan of a woman in terrible pain.
Kiara. Kiara. Kiara.
--
May 12th, 2018. Afternoon.
"How far from the palace are you taking us?" Kiara asks, her voice alight with laughter.
"Not even outside its gates," Hana replies, grinning. Kiara looks down at their fingers laced together, palms almost touching.
They've been together for just six months, and still somehow, the lines on Hana's palm feel as familiar to her now as her own. Without even looking she can conjure up the memory of the heartline on Hana's left palm at a moment's notice - long and deep, starting from her index finger, suggesting she would be a wonderful lover with a very fruitful love experience - and her marriage line, stretching from one end of her palm all the way to her ring finger...suggesting friendly in-laws.
(The thought of luring Hana to marry her under the premise of palmistry is sounding more and more tempting by the minute)
Involuntarily - perhaps to stop herself from checking her trouser pockets once again for that tiny box she took from her vault today - Kiara's hand tightens around Hana's.
Can she dare to hope that fortunate beloved could be her?
She steals a glance in Hana's direction, noting with alarm that her fingers are trembling in Kiara's hand.
"We're here," she says, her voice suddenly small and quivering against the gurgle of water in the courtyard fountain. It's been a palace fixture for several decades now - ornate and imposing - a legacy from King Liam's formidable grandmother, the late Queen Mother Cassandra. According to Kiara's father, the woman had married into the family as a young princess from Monterisso, and for her foreignness alone was expected to be crushed by the strictures of the palace and the expectations of her people - yet in a decade's time she had somehow became the most imposing figure there! There was very little in the palace that didn't have her stamp of approval first.
As they come closer, Kiara sees the one thing Queen Mother Cassandra may not have predicted when this fountain was built - the glimmer of coins, all gleaming in the sunlight like they were minted just yesterday.
Her own smile begins to tremble on her lips, even as she notices Hana swallow a telltale nervous lump in her throat. For the first time since they have gotten here, Kiara notices that Hana's other hand is fisted around something. Something that could very likely be the same coins they just saw in the fountain.
She takes that hand gently in hers, knowing now how nervous Hana must feel; knowing that if they complete the ancient lover's ritual that she so hoped to do today, there will be no going back. She uncoils Hana's fisted hand, finger by quivering finger, watching her face as her breathing quickens. She smiles again - a smile more aimed at reassurance than amusement.
"Are we going to do what I think we're going to do today, ma moité?"
For several seconds, Hana doesn't respond. The three coins in her hand (Heavy. Ornate. Engraved with apples. Ancient) are proof enough. The answer, when it finally comes - almost like it is torn out of her throat for fear that Kiara's feelings may not match her own - is barely audible.
"Only if this is what you want too."
Gold. Silver. Copper. Tossed in one after the other in an ancient lover's ritual - one that Kiara knows only because she'd learned about it from her mother, who'd had friends in Bethulia where this ritual was most popular. Maman and Baba themselves had done it on a trip there when she was a teenager, still squirming over her parents' ability to still act like swoony romantics in their (and this would be said well out of their earshot) "fucking forties!".
Wiser now, Kiara feels the same anticipatory tingles that her parents must have felt back then.
This ritual wasn't for the faint of heart in ancient days. You did it only when you were certain. When you looked at your lover and knew that a life without them wasn't a life worth living.
Well, Kiara muses as she watches a hundred emotions flit in a second over Hana's face, I think I've known that long enough. I've known ever since I saw you fight your father in Shanghai, even when you knew it would cost you everything. Since that one moment, I've been yours.
Planting a tender kiss on the corner of Hana's mouth, she takes the coins. "Ready when you are," she whispers softly.
Hana swallows again, her eyes glistening and moist and relieved all at once. In a silk pouch that dangles from her wrist, she fishes for three coins identical to the ones on Kiara's palm. She breathes deep once, twice, three times.
Kiara links their free hands, grips them tight as they turn their backs to the fountain. Hana looks up, a question in her eyes.
"For friendship!" Kiara says, tossing the copper coin into the fountain. Faint memories of something that almost feels like another lifetime glimmer and fade in her memory. Applewood, sipping water, giggling over their favourite fruits and flowers. The Beaumont Bash. Watching from the sidelines as Hana did the verbel equivalent of ripping out Olivia Nevrakis' spine at the Coronation Ball.
Hana takes out the silver coin, and waits for Kiara to holds up hers'. "For love?"
Engagement tour. Fearing Hana would hate her in Fydelia, but never understanding why that should suddenly matter. Standing with her against a bridge in Paris, each mourning their lost loves.
Finally learning what love really was, when she opened her eyes and truly saw Hana for the very first time.
Kiara nods, touching her forehead to Hana's. "Par amour." Their coins splash in unison in the water.
Her girlfriend lets out a watery giggle as she takes out the final coin, glittering and golden on her palm. Her voice breaks a little as she tosses it behind her. "For...bel- belonging".
Kiara's own sigh releases in a shudder as she lets the final pledge sink in.
There were very few places in the world that truly felt like home to Hana. Not the place where she was born, not the barony that could have been her legacy. It took her months to even find comfort or security in her future in Cordonia - much less belonging.
Without a moment's thought, and without releasing the golden coin in her hand, she cups Hana's face and kisses her. Hana shudders and buries her hands in Kiara's hair, her lips trembling against the unspoken promises in her lover's.
"For belonging," Kiara says it like it is a vow. "And I don't care how long it takes - I give my word right now. I'll never let you feel like you have lost your home. Ever." Another kiss - this time on Hana's temple. "I hope you will always find one. In me."
Hana's smile is warm and dreamlike, her eyes closed as if to savour this moment, her fingers playing with Kiara's curls. She barely notices the sound of Kiara's gold coin landing in the fountain. "I love you, Kiki."
Kiara chuckles at her teasing use of the nickname, brushing Hana's nose with her own. "Together forever?"
Their hands, now free, close around each other. "Together forever."
It's quiet now, except for the sound of collard doves, the rustle of leaves and branches in a light breeze, and their breathing. The air smells of wildflowers, citrus and a subtle floral scent that Kiara knows to be the perfume Hana has been using for months. Orange Blossom. She grins as she remembers. It's a scent Hana has often loved to wear, just for her.
Hana's thumb feathers lightly over the ring finger on Kiara's left hand, almost as if to commit the bare space on it to her memory. Kiara doesn't miss that gaze - bright-eyed and soaked in longing - and how it mirrors a need she has felt ever since they landed at the Capitol last week.
Kiara swallows. She had wanted to take things slow, she really did. Woo her, bathe her in every luxury possible, make this trip even more unforgettable than Hana could ever imagine, and then spring this surprise on her - like a kirsch-soaked cherry topping on an already very tempting Black Forest Cake.
But...but that gaze of Hana's has always been Kiara's undoing.
Simply, she says, "come with me."
Puzzled, Hana looks up. "Where?"
"To Lake Sôse," Kiara whispers, wasting not one more moment and grabbing her hand. Hana lets out a nervous, slightly incredulous laugh as she allows herself to be pulled along.
Kiara isn't sure why she's suddenly rushing this. When she thinks of the elaborate plans she'd been constructing all week - chocolate-dipped strawberries and champagne at one of the Capital's premier restaurants, flowers everywhere, a proposal at the hedge maze with a picture together by the swing to commemorate the occasion - she wants to laugh. She isn't even sure why Lake Sôse was the first place she'd thought of just now.
She takes a deep breath, and grounds herself. Uncommonly impulsive though it may be, her decision has been made. There is even a part of her that seems to prefer it to happen this way!Kiara has never been one for last minute changes of plan...but ever since she fell in love with Hana, she's learned to expect - and enjoy - the unexpected.
It's only when she sees the shine in Hana's eyes that she realises why her mind took the turn it did.
Lake Sôse. The one place Hana Lee has always chosen for solace and comfort. The one place in the Capitol where she felt the most at home. It had been here, Hana told Kiara once, that King Liam had told her his plans to appoint her Duchess of Krysanthe. It was here, hours later, that she'd shared that momentous news with her best friend Esther; where Esther - herself aglow with love and a newfound purpose - hugged Hana and told her that the world would now be Hana's oyster.
She'd brought Kiara to this lake for the first time the day after King Liam and Queen Esther's wedding, following a night when the queen herself had been kidnapped, and Hana had joined the king's entourage to rescue her.
A night that Kiara - in constant fear of losing her forever - had recklessly kissed Hana. In public. In front of the entire court. Braving gazes of teasing approval from Kiara's parents, and near-murderous glares from Hana's. The night everyone outside of Hana's friend circle finally realized the two were a couple.
Kiara remembers the day after that like it was yesterday. Something must have changed fundamentally in Hana that night, because the fear seemed to have gone, and with it the compulsive need for hiding and subterfuge and constantly looking over her shoulder. It was as if Hana had faced what she'd thought was the worst thing that could happen to her, and realized she really was strong enough to face that fear.
You're my safe place among people, Hana told her that morning, her fingers lacing through Kiara's. The one I feel most at home with. I want to bring my safe space..to the place in Cordonia I've always felt safest in.
It is afternoon, and the yellow crocuses behind them exude a warm, buttery golden glow in the sunlight. Hana lets out a breathless, incredulous laugh. "You seem like a woman in a very huge rush today, Lady Thorne."
Kiara's own laughter in response is high-pitched and halting. She tries to hide the moistness of her palms as she makes a blind grab for the small velvet box in her purse. "Believe me, this wasn't the way I'd planned this to go at all."
Intrigued, Hana's eyes follow Kiara's hands, and her eyes widen as she recognises the familiar deep blue velvet, the embossed silver lettering on top. Argyros and Sons.
"Is that --"
"Yes," Kiara says, clearing her throat, "I'd been planning this. All week. It was going to be romantic, elaborate, I was going to sweep you off your feet. Just like I'd planned to ask you out seven months ago."
Hana lets out a watery giggle. We all know how that turned out, don't we, qīn'ài de? Kiara can almost hear her saying.
But the humour stops almost immediately when she looks at the box again, and suddenly Hana seems too still, too shocked...too far off from how Kiara hoped she would react.
Kiara lets out a deep breath, then lets the words gush out of her. She's too scared to stop, too terrified to think - the fear that she may be doing too much too soon is so overwhelming that she knows if she stops she won't be able to bring herself to do this for a long, long time to come. The humiliation would be too strong.
"I'm not one for impulse. I never have been. I've never felt comfortable with anything if I didn't have a plan for it first."
Kiara gives herself a moment to half-smile at the irony of it all. Approaching Hana Lee with a smile and a bottle of water, after that first eventful bite of a Cordonian Ruby was definitely an impulse. So were half the things she had done with Hana since. So will many, many, many of the things they may wind up doing together, if (if!) this leap of faith works in her favour.
She looks up at Hana to see if she's laughing at the memory too. She isn't. In fact, Kiara isn't even sure Hana's reacting yet to what she's saying. Perfectly still, her eyes never moving from the box, so wide that they would go bloodshot if they were widened any further. Kiara swallows, and finds that her throat feels suddenly, inexplicably sore.
"I could never tell what it was about you that changed all that. I still don't. All I know is that...around you, Hana, I feel so much more brave. To let go of the need to plan and organize. To not be too afraid of what will follow - whether it goes in my favour or not. I find myself not just willing, but eager, to trust my gut."
Kiara's eyes search every inch of Hana's face as she opens the box, revealing the ring inside. It's a gorgeous piece, all platinum and sparkling diamonds. The smaller stones form a cluster around a massive one, leading the viewer to believe they are seeing a glittering snowflake, fallen fresh from the heavens.
Kiara had known the minute she saw the ring that it was the one. That it would remind them of the first time they confessed their love. Of their very first date, of the first time they shared Hana's cup of homemade hot chocolate. Of why the two of them will always love winters.
Hana's fingers move, trembling, towards her mouth, her face suddenly flushed. She remembers it too.
"Hana Lee," A frisson of fear slithers down Kiara's spine. "Will you marry me?"
When Hana finally opens her mouth, several seconds later, Kiara has to strain to hear her voice.
"I - I -" her eyes dart away from Kiara as if she's just remembered something important - her beautiful bronzed skin suddenly a little drained of colour. The next few words, she says in a "I.... I'll be back. Give me five minutes? I...just remembered something."
She leaves without waiting for an answer.
Kiara sinks into the grass, covering her face in her hands.
What have I just done?
--
All the way back from her room in the palace to the lake, the pouch hanging from her wrist feeling only a slight bit heavier, Hana cannot stop mentally kicking herself.
"You fool! You imbecile! Bèn dàn!!" Hana curses herself as she speeds up her sprint into a run, "What happened to your tongue? What kind of reaction was that?? What will Kiara think?"
Her mind now sprints miles ahead of her feet, racing in panicked ferocity over the possibilities.
With any luck, Kiara could still be waiting - puzzled and perhaps a little worried. Or she could be actively panicking, the way she does (on very rare occasions) when a plan goes terribly wrong.
Or...or...
Hana holds the silk pouch from her wrist in a deathlike grip as she speeds up towards Lake Sôse. Or.
The thought of that lovely, open space completely devoid of Kiara, of that beguiling combination of rose and jasmine emanating from her favourite Dior J'adore perfume, makes Hana's stomach drop to her feet.
It isn't until she sees that that heartbreakingly familiar figure of Kiara's, hunched over the grass, that Hana allows herself to breathe.
Kiara is there. Shoulders bent, head buried in her hands, almost stumbling as she tries to get up when she sees Hana.
Morose. Defeated. But still there.
Without another thought, Hana rushes into Kiara's arms, almost knocking her off her feet.
"I'm sorry, I'm so sorry," Hana whispers against her hair. "I wasn't trying to run away. I really had to get something. For you."
Kiara pulls back to look into her eyes, and when she does Hana's heart twists at the sight of unshed tears. "I thought I'd scared you off."
Hana's own laughter quavers, pitched high in disbelief. "I've just pledged myself to you this afternoon, body and soul, at the palace fountain. This -" she lifts Kiara's left hand to her chest, her thumb caressing the empty space on her beloved's ring finger " - just makes it so much more real."
Kiara's arms wrap around her, pulling Hana flush to her. Hana can feel Kiara shake as she giggles in response. "...you mean to say that I'd have saved myself so much stress if I'd just remembered those coins."
"Yes, qīn'ài de, a thousand times yes." She cups Kiara's face, pressing their foreheads together. "Place that ring where it belongs, Kiki. I can't wait to see it on my finger."
Hana holds her tight until Kiara's breathing becomes slower, calmer. She raises her newly-adorned hand for Kiara to see - marvelling at how the ring really mimics the glow of a snow crystal in the winter sun.
When they part, shyly, reluctantly, Hana begins to fiddle with the silk pouch.
"Here's what I'd gone to bring."
Kiara's eyes brighten at the sight of the box in her hand; a wave of warmth floods through Hana in anticipation of her response. Kiara gasps the minute she opens the box, revealing a delicate, intricately carved rose gold ring, flanked by small diamonds on all four corners, cradling a bigger one at the center.
"Rose gold," Kiara murmurs in wonder.
"Yes," Hana brushes her fingers over Kiara's knuckles. She'd told her once, long ago, how revered that metal was in her home province Bethulia. How Bethulian jewellers and goldsmiths and young women swore by the rosy hue it exuded. How it was a perfect amalgamation of three precious metals - all highly valued in the province. How tied it was to their folktales and bridal rituals.
"Copper..silver...gold." Kiara's tears glitter like diamonds before she lets them fall. "For friendship. For love. For belonging."
Hana smiles, her hand still stroking Kiara's cheek. "You remembered."
Kiara rolls her still-moist eyes, trying hard not to sniff - it would take out all the humour in this situation. "It's hard to forget a ritual we'd performed just ten minutes ago, ma moité."
"I'd planned to give you this ring a week from now," Hana says, shaking her head at her own impulsiveness as the ring she'd chosen on a fanciful whim so long ago, now finds its home. "I've been holding onto it for far too long."
Kiara caresses the stone on her own finger lovingly, admiring the way the rose gold glows on her skin. When she speaks, her voice is breathless in anticipation. "How long?"
For several minutes, Hana's only response is to pull Kiara back in her arms again. Her hand slides slowly, almost with a tinge of regret, down the dip of Kiara's waist on her left side. The wound that had once served as a constant, searing reminder of so much (of her vulnerability, of her inability to run from pain, of what she'd once considered her failures), has healed in more ways than one - only a faded scar that Hana never fails to kiss, now remains.
"For seven months," Hana's voice shakes at the memory, "Since the night after Homecoming Ball."
With a choked sob, Kiara enfolds Hana into her arms, almost as if she'd want to absorb her into every cell of her body. Fervently, reverently, she presses her lips all over Hana's face - her eyelids, her cheeks, the bridge of her nose, all the little-known, barely-noticed parts of her. It takes her a while - perhaps too long, in Hana's opinion - for Kiara's lips to meet hers, but she welcomes the sweet torture of waiting.
"Mon cœur," Kiara says between kisses, "ma raison de vivre."
When they part, the two women keep each other's hands interlinked, one left hand over the other. Neither of them will remember how long they stay at the lake; only that they never want this joy, this warm afterglow of seeing their dreams come true...to end.
The empty spaces on their ring fingers, over which they'd each stolen such secret, hungry glances today, now bear the mark of their lovers. Now bear the most tangible signs of their love, their memories, their promises, their commitment.
Together forever.
--
Translation:
Ma moité - a romantic endearment in French, meaning "my other half"
Qīn'ài de - Mandarin Chinese for "my dear"/"darling"
Bèn dàn - Mandarin Chinese cuss word that means "stupid egg!"
Mon cœur - French endearment, meaning "my heart"
Ma raison de vivre - French for "my reason to live"
--
References for Hana and Kiara's engagement rings:
Kiara:
(Source: Maxine Jewellery)
Hana:
(Source: This article on engagement rings, but the actual pic itself came from Blue Rose Photography)
#hana lee#the royal romance#the royal heir#the royal finale#hanaleeappreciationweek#HLAW#HLAW 2024#HLAW Day 5#HLAW Day 5: Romance#series: petals and thornes#lizzybeth1986#content: fanfic
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Vice President-elect JD Vance raised concerns on Sunday about the Syrian rebels who have ousted Syria's authoritarian leader Bashar Al-Assad, saying that some of the rebels are an "offshoot of ISIS."
Assad's regime collapsed this weekend after a stunning turnaround after nearly 14 years of conflict. The deposed Syrian leader reportedly fled the country as rebels took control of the major Syrian city of Homs as well as the capital Damascus.
Various rebel groups continue to operate in Syria, with different regional and international allies. The principle rebel group that has led the charge to depose Assad in recent days is Hay'at Tahrir al Sham (HTS), which came out of Al-Qaeda and is designated by the U.S. as a terrorist organization. HTS was formerly known as Al-Nusra Front.
"As President Trump said, this is not our fight and we should stay out of it," Vance wrote in Sunday X, formerly Twitter, post, commenting on the situation in Syria.
"Aside from that, opinions like the below make me nervous. The last time this guy was celebrating events in Syria we saw the mass slaughter of Christians and a refugee crisis that destabilized Europe," Vance, who is currently serving as a Republican senator for Ohio, wrote.
The vice president-elect's post shared comments from Josh Rogin, a Washington Post columnist who covers foreign policy and national security.
"Syria is free. The rebels won. The people liberated themselves from tyranny. Freedom won. Russia, Iran, Hezbollah & Assad lost. Historic. The road ahead for Syria won't be easy. But it will be better than the past. The world should celebrate Syria's liberation & help it succeed," Rogin wrote on X on Saturday.
In a follow-up post, Vance added, "Many of 'the rebels' are a literal offshoot of ISIS. One can hope they've moderated. Time will tell."
Newsweek reached out to the U.S. State Department for comment on Sunday morning.
What Rebels Have Said About Their Plans for Syria
Like HTS, ISIS did emerge from Al-Qaeda, but the groups have been at odds in Syria. Critics of HTS have said the militant group will rule Syria as an extremist Islamist state. But Abu Mohammad al-Jolani, the leader of HTS, has said that his organization aims for all Syrians to coexist in unity.
"No one has the right to erase another group. These sects have coexisted in this region for hundreds of years, and no one has the right to eliminate them," Jolani told CNN in an interview this week.
Jolani was formerly a member of the Islamic State in Iraq, which eventually morphed in ISIS. He founded Al-Nusra Front in 2012, but it became HTS in 2017 as the group tried to moderate its image.
"People who fear Islamic governance either have seen incorrect implementations of it or do not understand it properly," he told CNN.
While the majority of Syrians are Muslim, the country has vibrant and sizable communities of Christians, Alawites and Druze, among others. Assad's family is part of the Alawite minority.
How Syrians Have Reacted
This weekend, the rebels advanced into Damascus after capturing Homs, Syria's third-largest city. In Homs, thousands of residents poured into streets after the army withdrew, chanting "Assad is gone, Homs is free" and "Long live Syria and down with Bashar al-Assad."
Youths tore down posters of the Syrian president as rebels fired celebratory shots. Security forces left in haste after burning their documents, Reuters reported. Videos have circulated widely on social media of Syrians toppling statues of Assad throughout the country.
What Donald Trump Has Said
As Vance mentioned, Trump commented on Assad's removal from power in a Truth Social post
"Assad is gone. He has fled his country. His protector, Russia, Russia, Russia, led by Vladimir Putin, was not interested in protecting him any longer. There was no reason for Russia to be there in the first place. They lost all interest in Syria because of Ukraine, where close to 600,000 Russian soldiers lay wounded or dead, in a war that should never have started, and could go on forever," the president-elect wrote.
"Russia and Iran are in a weakened state right now, one because of Ukraine and a bad economy, the other because of Israel and its fighting success. Likewise, Zelensky and Ukraine would like to make a deal and stop the madness. They have ridiculously lost 400,000 soldiers, and many more civilians."
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DAY 12 - FUTURE
A fresh start. A chance to right our wrongs. Oh, what beauty lays in the eyes of a child; one that looks to the skies of a world ahead, unburdened by the ruins that for eons I have called my own future.
Ramblings and timelapse below the cut <3
Alright, this is the last of these I'll be doing in order this year; from here out I'm just going to do the non optional prompts ^^ It turns out doing a piece a day (or more to try and catch up) is not something I can do reliably, and that's fine. I just wanna get to some of the later prompts before the end of the month, and to make it past my old record for one of these things.
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An Astral's existance begets first the creation of dual tragedies. The forces of mind and heart must be tempered; changed and made ready to accept their chimeric union. Raw wounds in the weave of the world, woven one apiece to weft and warp of a material unwanted. The combining of these opposing forces, a break in the flow of all that is; the very fabric of reality itself is rent at their creation. The birth of such a creature demands respect, awe, reverence, and, above all else, pity. For what caring god would blot its work so?
Eldest daughter of Lord Volston and the zyrunite creation 653. First protégé taken by Morraestus of Unity. Eighth of the Seven Perpetual. Elizabeth Volston-Martirine, perview as of yet unknown.
But please, for brevity's sake; just call her Liz ^^
Studious, stubborn, and strongwilled, the newest in the family of eternal outcasts revives old hopes and carries on old flames. But she brings light all her own; one that, as much infinities tend towards, may just last forever.
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A redesign of an old oc, one I last tried to pen in about 2017 ;-; whoof. This is technically an older version of her; the prompt IS future, after all. But she represents also the future for a group of people that, until recently, were very much stuck in the past. It does help that she's basically immortal, also; lot of time ahead of her ^^
Here's her old design sketch; there are others I have lying around on paper somewhere, but unfortunately I don't seem to have pictures of them lying around ^^ Maybe I'll find em somewhere.
Honestly I really liked the ideas here, so I kept most of it; the majority of the work for today's piece was finally finishing the damn thing, plus some work on the outfit since I was never happy with it. I might also find a way to work some more infinities into her design, since that's kind of her 'thing'.
Aaaand timelapse~
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All them f(l)ags, Pride unity day 2017.
#photography#my photography#Pride#go be gay in the midday sun in June in Alabama they said#my prize was heatstroke
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In the days since Hamas launched a deadly attack on southern Israel on 7 October, the Association of Southeast Asian Nations has not made a formal statement about the crisis. This is not surprising, given that each ASEAN member sees the conflict differently. The language adopted and positions taken by individual ASEAN members reflect the interplay of historical or domestic dynamics in their foreign policy. ASEAN is a grouping – but on this issue, not a bloc.
Let’s look at the diverse response from the ASEAN members – where at one end of the spectrum, Brunei, Malaysia and Indonesia have expressed unity with the Palestinians. None of them has diplomatic relations with Israel and all have remained steadfast in their criticism of Israel despite Western pressure. Malaysian Prime Minister Anwar Ibrahim spoke to Ismail Haniyeh, the political bureau chief of Hamas, and expressed support for an immediate ceasefire in the Gaza Strip.
In each of Malaysia, Brunei and Indonesia, religion is significant in domestic politics. With Muslim majority populations, there is widespread public solidarity with the Palestinian struggles.
The significance of religion in Indonesian domestic politics was compelling enough for Ganjar Pranowo, one of the candidates for next year’s presidential election, to appear during an Islamic prayer call on a private TV station as part of his campaign. Furthermore, recent public demonstrations in Jakarta and Kuala Lumpur against Israel and the United States reflect sentiment on the street about the latest fighting, which governments cannot ignore.
Conversely, Singapore took a firm position against Hamas and strongly condemned the “terror attacks”. The small island-state has close defence relations with Israel, with Israeli military advisers assisting the Singapore Armed Forces since Singapore’s independence in 1965. Defence relations remain strong, as reflected in the joint development and production of surface-to-surface Blue Spear missiles.
Singapore’s strong stance against Hamas leaves it out of step with its larger Muslim-majority neighbours. Bilahari Kausikan, an influential former Singaporean diplomat, made clear the difference by frankly labelling as “bullshit” a view he attributed to a Malaysian ex-diplomat for the “root cause of the current violence” to be addressed, instead supporting a robust Israeli military response against Hamas.
Nevertheless, Singapore is concerned the crisis could lead to domestic division along religious lines as there is a sizable Muslim minority in the island-state. The government has banned events and public assemblies concerning the current Israel-Hamas conflict, citing rising tension as a reason. And to avoid a view that the Singapore position was one-sided, a government minister later said it was possible to be concerned regarding the Palestinian plights while condemning Hamas’ action. The Singaporean President and Prime Minister sent letters to Palestinian leaders, expressing condolences for the mounting casualties in the Gaza Strip, and pledging a $300,000 donation in humanitarian aid.
Two other ASEAN members, the Philippines and Thailand, have large numbers of nationals working in Israel and have suffered casualties in the current crisis. Yet each responded differently. The Philippines condemned Hamas’ actions, while Thailand initially expressed neutrality, stating that “we do not know the truth about the political climate between the two nations [Palestine and Israel].” Manila’s response could be attributed to its experience battling militant groups in the southern Philippines over decades. As recently as 2017, militant groups professing alignment with the Islamic State seized control of Marawi, a city in the south of the Philippines, which led to a months-long campaign by the Philippines military with regional support to drive the militants out.
Across mainland Southeast Asia, Cambodia, Laos and Vietnam issued softer statements, expressing concern about the crisis without assigning blame to any party. The military junta in Myanmar is more focused on regime survival, launching an air strike against domestic insurgents, killing 29 people a few days after the Hamas attack on Israel.
These historical and domestic dynamics inform the policy of individual ASEAN states and provide some perspective in their reading of and response to the current crisis in the Middle East. It demonstrates a lack of unity among the Southeast Asian grouping that some observers argue dilutes its relevance. Yet despite the diverse responses by individual ASEAN members, there has been no official criticism by one member against another. This is consistent with ASEAN’s norms of non-interference in each other’s affairs, which aims to ensure the stability of Southeast Asia, a region that is still experiencing the threat of terrorism, internal rebellions, and inter-state territorial disputes.
Perhaps the silent acceptance of diverse positions is a strategy for ASEAN to cope in the more volatile world that we live in today.
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May 11, 2023
Earlier today, Pope Francis declared that 21 Coptic Orthodox Christians, who were beheaded by Islamic militants in Libya in 2015, would be added to the Roman Martyrology. Francis made the announcement during an audience with Pope Tawadros II, the leader of the Coptic Orthodox Church of Alexandria. The “21 Coptic New Martyrs of Libya,” as they are called, were martyred on February 15, 2015. Less than a week later, they were declared saints in the Coptic Orthodox Church by Pope Tawadros. The Copts celebrate their feast on the anniversary of their death, February 15, and it appears that this will also be their feast day on the Roman calendar.
The world was shocked in February 2015, when a 5-minute video was uploaded to the internet by ISIS militants. The video showed the 21 kidnapped men in orange jumpsuits being beheaded on a beach near the Libyan city of Sirte. 20 of these martyrs were Egyptian Copts who had gone to Libya to do construction work. The last member of the group, Matthew Ayariga, was a fellow worker from Ghana. It is said that he told the executioners, “Their God is my God. I will go with them.” There has been some question over whether he was already Christian or whether the witness of his 20 coworkers led to his conversion, but nevertheless, his Christian witness and solidarity are inspiring. It was reported that as they died, they chanted hymns and prayed aloud.
The deaths of these men as Christian martyrs is undeniable. The extraordinary photos of Blessed Miguel Pro, a Catholic priest who was executed by the Mexican government in 1927 during the Cristero War — taken just moments before the he was shot by the firing squad — are perhaps the only other photographic images recording a Christian martyrdom as it happened. And yet the recognition of the 21 martyrs as Catholic saints is unprecedented for several reasons.
The primary reason, of course, is that the Coptic Orthodox Church is not in full communion with Rome. The Copts are Oriental Orthodox (as opposed to Eastern Orthodox), because they split from the other Christian churches in the year 451 at the Council of Chalcedon due to differences over the nature of Christ. They are also referred to as “Non-Chalcedonian Orthodox Churches.” This means that they recognize the first three ecumenical councils, whereas the Eastern Orthodox recognize seven, and the Catholic Church recognizes 21 ecumenical councils.
After more than 15 centuries, our hope of reunion may seem remote. After all these years, the two Churches have independently developed their own traditions, theologies, forms of worship, and prayers. Yet some things have remained the same. Both Churches have maintained apostolic succession and the sacraments: Pope Francis is the successor of St. Peter and Pope Tawadros is the successor of St. Mark. In recent decades, the relationship between the Catholic Church and the Coptic Orthodox Church has become closer. For example, in 2017, Popes Francis and Tawadros made a joint statement indicating mutual acceptance of the validity of baptism in both Churches.
Pope Francis has praised the Martyrs of Libya many times, and today he recalled our shared baptism, as well as the blood of martyrs that enriches the Church. He said, “These martyrs were baptized not only in the water and Spirit, but also in blood, a blood that is the seed of unity for all of Christ’s followers.” In the past, the pope has discussed how we must realize that we, the baptized, have much more in common than what divides us. This shared recognition of sainthood between the two Churches is a significant step towards Christian unity.
This sets a new precedent. In 1964, when the Ugandan Martyrs were canonized by Pope Paul VI, St. Charles Lwanga and the other 21 Catholics among his companions were declared saints. The 23 Anglicans who were martyred alongside them were mentioned briefly in the pope’s homily, when he said, “And we do not wish to forget, the others who, belonging to the Anglican confession, met death for the name of Christ.”
Another reason why today’s announcement is unique was that Pope Francis did this by an official act. The Roman Martyrology is the official list of saints officially recognized by the Latin Church. Many Eastern Catholic Churches have their own processes for canonizing saints according to their traditions. Historically, when groups of Eastern Catholics have come into full communion with Rome, they will bring along their saints and prayers and traditions. Many of these saints aren’t officially canonized by Rome, and they are usually only venerated in their own tradition. By inscribing the names of these martyrs in the Roman Martyrology, Pope Francis has made it clear that these martyrs are to be venerated by Roman Catholics as saints.
Finally, in declaring them saints today, Pope Francis sidestepped the typical canonization process. They are saints, without having passed through the usual stages of Servant of God, Venerable, and Blessed. This “skipping” of steps is commonly referred to as “equipollent canonization.” Essentially, when a pope declares someone a saint by an official act, that person is recognized as a saint in the Church. This is not the first time Francis has moved a case along in this way. For example, when he canonized Popes John XXIII and John Paul II in 2014, he waived the requirement of a second miracle for John XXIII so that the two popes would be canonized on the same day. In 2013, he elevated the Jesuit Peter Faber, whose status had lingered at “Blessed” since 1872.
Perhaps the most interesting case is that of St. Gregory of Narek, an Armenian monk venerated as a saint in the Armenian Catholic Church and the Armenian Apostolic Church. Unexpectedly, Pope Francis named him the 36th Doctor of the Church in 2015. Living from in the mid-10th century through the early 11th, St. Gregory lived at a time when the Armenian Church was not in communion with Rome. After several failed attempts at reunion, the Armenian Catholic Church was officially recognized as an Eastern Catholic Church in 1742. Interestingly, the Armenian Catholic eparchy of Buenos Aires (established in 1989 by Pope John Paul II) is called the Eparchy of Saint Gregory of Narek. Perhaps this is how Pope Francis became familiar with the saint.
We Christians are blessed with a wide variety of saints from all sorts of backgrounds. They help make up the beautiful tapestry of the people of God — praying for us, interceding for us, and inspiring us. This is something worth celebrating.
21 Coptic New Martyrs of Libya, Pray for Us!
Mike Lewis. Bolded emphases added.
#Catholicism#Oriental Orthodox Christianity#Christianity#saints#martyrs#Libyan Martyrs#My Pope#Pope Tawadros II#Ugandan Martyrs#Miguel Pro
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Bomb City: The Case of Brian Deneke
The Movie:
“Bomb City is a 2017 American crime film… based on the death of Brian Deneke, the homicide that revealed the cultural clash between the local jocks and the punk community in Amarillo, Texas, and the result from the subsequent court case sparked debate over injustice in the American judicial system.
On December 12, 1997, 19-year-old American punk musician musician Brian Theodore Deneke (March 9, 1978 – December 12, 1997) was killed in a deliberate hit and run attack in Amarillo, Texas, by 17-year-old Dustin Camp. Camp was later found guilty of voluntary vehicular manslaughter and sentenced to ten years' probation and a $10,000 fine, which was later dropped. In 2001, he was sentenced to eight years' imprisonment for a variety of parole violations. He was paroled under supervision on July 31, 2006. The homicide and the outcome of the trial against Camp galvanized the punk community and raised accusations about the social tolerance of the Texan city. This film is about the events of that night and some of what led up to it, as well as the way the police, the adults and the community re - murdered Brian Deneke, victim blaming and police terrorizing one group of children whilst looking the other way of another group of children for the same actions.
Brian Deneke is a 19 year old from Amarillo, Texas, who is into punk and the punk rock subculture. He is a local DIY promoter who books touring punk rock bands at a small run down venue. In this conservative town, there are many teenagers who actively follow punk and they routinely clashed with the jocks from one of the local high school's football team: The Tascosa Rebels.”
[Source]
youtube
History:
“Deneke was remembered by his friends as being friendly, charismatic and seen as a leader in local punk circles, helping to organize many local musical events. Nicknamed "Sunshine", Deneke had a spiked mohawk hairstyle and often wore a black leather jacket with a studded leather collar and sported homemade tattoos. He was also an enthusiastic skateboarder, and it was this interest which drew him into the punk subculture.
Like other punks in Amarillo, Deneke had suffered frequent harassment and bullying, and acquired nicknames such as "Punch" and "Fist Magnet" by tormentors. His parents were against their son's lifestyle, and warned him of possible prejudice from people in Amarillo.
Deneke was an artist for Stanley Marsh 3's art project, Dynamite Museum, which consisted of handmade mock road signs scattered across Amarillo city streets. Deneke was also the vocalist of punk rock group The White Slave Traders, and aspired to become a famous punk rock musician.
On December 12, 1997, 19-year-old American punk musician Brian Theodore Deneke (March 9, 1978 – December 12, 1997) was killed in a deliberate hit and run attack in Amarillo, Texas, by 17-year-old Dustin Camp… Camp was later found guilty of voluntary vehicular manslaughter and sentenced to ten years' probation and a $10,000 fine, which was later dropped. In 2001, he was sentenced to eight years' imprisonment for a variety of parole violations. He was paroled under supervision on July 31, 2006.
The homicide and the outcome of the trial against Camp galvanized the punk community and raised accusations about the social tolerance of the Texan city.
Pop Culture:
Numerous tribute gigs and concerts have been made for Deneke since his death. In 2000, The Unity Through Diversity festival was held in Amarillo featuring The Undead and Mike Watt, amongst other bands. The tenth anniversary of his death demonstrated the ongoing significance of his death to the punk community with 25 concerts being held on December 8, 2007 across the United States and Canada, including concerts in New York City, Chicago, Seattle and five concerts across Texas including a two-day event in Amarillo. Half of the money raised by these events went to National Organization for Parents of Murdered Children, the other half to various anti prejudice causes.
Deneke's death has been the subject of a number of songs, including:
“Brian’s Song” by Fifteen
“Brain’s Song” by The Code
“Tears on a Pillow (in Amarillo)” by The Undead
“Fortunes of War” by Dropkick Murphys
“Sunshine Fist Magnet” by Against All Authorities
“A Punk Killed” and “Murdered” by Total Chaos
“American Justice Is All A Lie” by Career Soldiers
“Sunshine” by The Swellers
“Hail” by Hammell on Trial
“Punk Song” by LambBed TW FOR FLASHING LIGHTS!!!”
[Source]
Marilyn Manson has also discussed this case before.
Case Coverage:
Skate Park:
Originally, a petition to rename a local skatepark in Amarillo was passed around. Today, the person has changed to build a new skate park and name it after Brian.
[Article 1]
[Article 2]
[Article 3]
[News Clip]
#long post#punk culture#true crime cases#true crime#Brian deneke#punk subculture#punk music#punk history
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DAY6 Open Up About Their Long-Awaited Comeback and What Fourever Means to Them: 'It's Our Time' (Exclusive)
"I think the last three years was a period of self-care and self-love," SUNGJIN says of the 4-piece band's hiatus by Jenna Wang
After a long break, returning to the stage again might feel a little intimidating. Just like with any activity, time spent away might make anyone feel hesitant — like trying to re-learn how to bike, or going through the motions of swimming again. However, when the K-pop boy band DAY6 pulls back the curtain with a flourish, it’s clear that their three-year-long hiatus hasn’t stopped them in their tracks. For the boys — SUNGJIN, 31, Young K, 30, WONPIL, 29, and DOWOON, 28 — the stage is their natural element. From the way they passionately sing as the spotlights fall on their faces, they couldn’t be happier to be together again. And as the chorus of their latest album’s first track builds up, they have one message for those who have anticipated their comeback: “Welcome to the Show.”
Their eighth mini-album name, Fourever, hits the nail on the head with its overall theme, composed of seven tracks about love, nostalgia and what happiness really is. As the boys gather one late evening to talk about the comeback, they can’t help but reflect on their pop rock journey together since their debut back in 2015. While dressed warmly in long sleeves and quarter zips, the energy they exude together is just as heartwarmingly bright. “It’s our time,” Young K says to PEOPLE. “Being able to put out this album would be our biggest joy, really coming back altogether and being able to present ourselves in front of My Days because they have been waiting for this moment as much as us, hopefully.” Indeed, being together in front of their fans, dubbed “My Days,” has been a long time coming. Through all the trials and tribulations, their unity is what stands out as they speak, and especially in their lyrics. “I’m so moved by the stage / That I won’t be alone any longer,” Young K sings in the first track, surrounded by his fellow bandmates.
However, with any comeback from a break, a bundle of mixed emotions is to be expected. “If you listen to our song, ‘I Smile,’ there’s a lyric that says ‘half-nervous and half-excited,’” DOWOON says of the track, released in 2017. “That’s exactly how I feel.” For the past three years, the DAY6 members completed their required military enlistment in South Korea. While they underwent basic training, they also could reflect on what meant most to them. “I think the last three years was a period of self-care and self-love,” SUNGJIN says. “I have come to realize that in order for this band to exist, I have to exist first, so I really try to teach myself how to take care of myself well.”
For SUNGJIN, self-care might be as simple as buying a small gift for himself, or meeting with loved ones. And even though all the boys were completing their service, that didn’t mean they were restricted from seeing one another. In fact, DOWOON recalls a humorous moment when he was in a TV program, and WONPIL and Young K joined him to perform. “They insisted that they come into my room and share my bed while we were training, while we were practicing together — so that’s one memory that I have,” DOWOON shares. “That’s how glad we were to see him,” Young K adds with a laugh. When asked how large the bed was, WONPIL doesn’t beat around the bush with his response: “Yeah, it was very small.” The boys also had ample free time outside of training to engage in hobbies, and DOWOON’s was especially productive. The drummer, and the band’s youngest member, says he taught himself how to play the bass drums and pushed himself to continually “relearn.” Mastering the instrument became the challenge he set out to accomplish for the album. DOWOON is far from the only member who plays an instrument. In fact, what makes the boy band especially unique is how every member excels at their own instrument. While SUNGJIN rocks it as the rhythm guitarist, WONPIL effortlessly works the keyboard and synthesizer. Young K has always been the bassist of the group, but surprisingly, has never played a bass instrument before becoming a trainee. However, you wouldn’t be able to tell because of how much he practices for upcoming albums. “That becomes the best way of practice for me,” he says of his practicing regimen. “Of course, doing the chromatics, slowing down and then going at the right pace — that would be a great practice session.” “That’s why I don’t call myself the best bassist, but that’s what I do,” he simply adds.
Regardless of how they practice, their instrumental mastery shines through in each of the tracks. They serve to highlight the deep meanings associated with each song, like SUNGJIN’s favorite — “HAPPY.” The second track revolves around one question: “Why am I gradually sinking when I want to be happy?” For SUNGJIN, the melancholic song is one that he can especially relate to. “I empathize with it the most because it talks about the question that I had for myself for a long time, which is how I had this obscure thought that happiness will come along one day,” he says. As the boys begin to contemplate about what the songs mean, it’s apparent that they draw on a lot of memories and feelings from the past. Indeed, nostalgia ( a feeling “relatable to everyone,” says SUNGJIN) is a core tenant in tracks such as “Get the Hell Out,” which address lingering, and often tormenting memories.
Embarrassing memories might often fall under the same vein, and Young K can recall an especially funny memory. When he was still a trainee, he appeared on a TV show and said he was “from Toronto.” However, he chose not to say the Canadian city’s name in a Korean accent, and that’s what people will “still make fun” of him for to the present day. “I don’t even have to think back on it — people make me think back on it,” he says of the inescapable memory. “People bring it up, and I’m still that guy from Toronto.” As the boys begin to contemplate about what the songs mean, it’s apparent that they draw on a lot of memories and feelings from the past. Indeed, nostalgia ( a feeling “relatable to everyone,” says SUNGJIN) is a core tenant in tracks such as “Get the Hell Out,” which address lingering, and often tormenting memories. Embarrassing memories might often fall under the same vein, and Young K can recall an especially funny memory. When he was still a trainee, he appeared on a TV show and said he was “from Toronto.” However, he chose not to say the Canadian city’s name in a Korean accent, and that’s what people will “still make fun” of him for to the present day. “I don’t even have to think back on it — people make me think back on it,” he says of the inescapable memory. “People bring it up, and I’m still that guy from Toronto.”
Perhaps just as recurring in all the boys’ lives is the motif of love, which many of their tracks explore. Yet, even with tracks like “The Power of Love” and “Let Me Love You,” the boys still agree that much is still unknown about the power of the emotion. “I’m not 100% certain if I know what love is, but I think for now, sacrifice takes a big part of it,” WONPIL says. “And consideration,” SUNGJIN chimes in, before diving deeper.
“The definition of love is still unclear to me, but I feel it,” he continues. “I really feel from my parents what real love is, and it’s something that I didn’t realize before. Now, I really realize what my parents gave me was real love.” DOWOON says he can feel a special kind of love between him and the fans. “When I look into the eyes of My Days, I can feel their love for us,” he says. “I learned a lot about love from My Days, and I constantly think about how we can return that love and I think I’m still in the learning process of the definition of love. But for now, I can say that the love that My Days gives us — we feel that a lot.” Young K, too, also has much to contemplate about when thinking about love. For him, the idea of love is “very interesting” in many ways.
“Love has been existing ever since human beings existed, or ever since language existed, and people are still asking what the definition of love is,” he explains. “It still hasn’t been defined. I can say whatever we say is not the definition for everyone, but I feel like I can certainly say love exists everywhere.” Later on, the group also demonstrates how love isn’t only between them or their fans, but even for their past selves. That’s something they don’t forget to mention as they grow into their late twenties and early thirties, as DOWOON proves with a message to his younger self. “Just be there and stay there, and it will brighten up one day,” he says after a thoughtful moment. “Learn to love yourself as soon as possible in order to help others.” Despite their more mature outlook on things, it’s clear that the DAY6 members haven’t lost their charismatic and youthful energy. Since they’ve united together again, the band has shared countless memories, full of ab-forming laughs. “When we were practicing, I asked WONPIL: ‘How much longer are you going to practice?’”DOWOON recalls. “He said, ‘I can practice as long as I want, what’s wrong with it?’” As the members begin to smile, DOWOON adds: “And he shouted, ‘Just leave me alone, let me practice in peace!’” WONPIL also adds his two cents as well about what, or in this case, who, makes him laugh the most.
“I always get a laugh from Young K,” he says. “He always makes me laugh. I can’t exactly point out what it was recently, but I remember laughing really, really hard because of Young K.” In response, Young K shrugs humorously in confusion, just as DOWOON brings up his Toronto motif again. Now, with their comeback, the DAY6 members are ready for what’s ahead, no matter how rocky, smooth or unpredictable the waves may be. In fact, unpredictability is already something that they’re used to, Young K says. “When we first came out, there were no numbers, or very small numbers compared to now,” he reflects. “For example, ‘You Were Beautiful’ went in the charts years later after it was released. So, you never know what’s going to happen in the future. All we got to do is just make good music and work hard.” As for any upcoming plans? Besides a concert in mid-April, they can’t make any guarantees about anything else. However, they have their hopes set in stone. “I don’t know if anything is set yet, but we’re hoping to go around the world,” Young K teases. “I promise you, and this is a promise — nothing is set yet.”
#sungjin#young k#wonpil#dowoon#day6#day6 even of day#park sungjin#kang younghyun#brian kang#kim wonpil#yoon dowoon#day6: interview#240328#[this one is HUGE LMAO but v good thank u people magazine]
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That was one heck of a show, Beyonce the woman you are...
If you haven’t seen it already, Beyonce’s incredible halftime performance at an NFL game on Christmas Day has outstanding imagery and deep cultural significance towards African American history.
In no particular order, I will break down this performance of her album Cowboy Carter.
We see Beyonce riding in on a white horse. White horses symbolize American spirit, “a relentless pursuit of freedom and justice” and in greek mythology, finding and riding a white horse grants great power and success.
With the backlash of her album Cowboy Carter, she is stating that she can find success in any genre as she is already widely successful in hers. It’s also just the cowgirl thing to do.
Beyonce is also from Houston, Texas, a place known for being very southern and having deep country roots as well as her mother being from Louisiana, and it doesn’t get any more country than that!
Many of her dancers and performers in the show were seen wearing white bandanas. White bandanas signify unity, which Beyonce is trying to do with her crossing over genres.
The band playing was TSU’s “Ocean of Soul,” which is an HBCU, or historically black college and university marching band.
The women singing “Blackbird” beside Beyonce in the opening were Tanner Adell, Tiera Kennedy, Reyna Roberts, and Brittney Spencer, all black women country singers. The song “Blackbird” originally sung by The Beatles is a song inspired as a message of hope to Black women during the Civil Rights movement.
Shaboozey performed his song with Beyonce “Sweet Honey Buckin”, as he is also an up-and-coming black country artist.
She had various young black talent portrayed all throughout her show along with Ja'Dayia Kursh who became Arkansas' first Black rodeo queen in 2017.
In the scenes where carriages and Cadillac cars were in shot, they were decorated with roses. During Juneteenth celebrations in Texas in the early 1900s, their buggies, carts, and wagons were often decorated with roses. Juneteenth, or June 19, 1865, is a day marked and celebrated to be the end of African American slavery in America.
In a scene you can see performers standing on top of the horses, this signifies a popular, powerful photograph from a 2009 article by Gabriela Hasbun for Andscape, where six black men are seen standing on their horses. A tribute to black cowboys in America.
After Beyonce’s iconic release of her album Lemonade, she performed “Daddy Lessons”, a country-leaning song, at the 2016 Country Music Awards alongside Dixie Chicks and the backlash was brutal. Country fans and C.M.A. watchers did not like the fact that Beyonce was there since she was not a country artist, and they also criticized her political views at the time.
Following the blatant discrimination and backlash, the Country Music Association in Nashville took down every trace of the live performance off of their platforms and photos taken by them. They did not defend Beyonce and people did not take lightly to that.
After Cowboy Carter's release in early 2024, the C.M.A. disrespected Beyonce again as they did not recognize Beyonce and Cowboy Carter and she did not receive one nominee for this album despite its high praise and topping the country music charts.
This halftime show performance and Cowboy Carter in general is a beautiful articulation of being black in a predominately white business, (and country). She took something that is supposedly only for white Americans and made it a cultural phenomenon in music and black music history.
“The cowboy is a symbol of strength and aspiration in America. The cowboy was named after slaves who handled the cows. The word ‘cowboy’ comes from those who were called boys, never given the respect they deserved,” - Beyonce
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Holidays 9.1
Holidays
American Chess Day
Arbor Day (Peru)
Arts Day (Bardo)
Asbestos Awareness Day (UK)
Back to Hogwarts Day
Bahti Meskerem (Eritrea)
Building and Code Staff Appreciation Day
Carrington Event Day
Chicken Boy Day
Childhood Cancer Awareness Day (Tennessee)
Constitution Day (Slovakia)
Creation Day (According to Julius Africanus; 5,508 yrs, 3 months, 25 days BC)
Daffodil Day (New Zealand)
Day of Belarusian Written Language (Belarus)
Day of Knowledge (Estonia, Russia)
Disaster Prevention Day (Japan)
Draft Horse Day
Emma M. Nutt Day (a.k.a. Nutt Day)
Entrepreneur’s Day (Ukraine)
Euphrosyne Asteroid Day
Flag Day (Honduras)
Footy Colors Day (Australia)
Ginger Cat Appreciation Day
Global Talent Acquisition Day [1st Wednesday]
Human Resources Professional Day (South Dakota)
International Day of Awareness of the Dolphins of Taiji
International Naalbinding Day
International Neil Diamond Day
International Primate Day
International Trade Union Action Day for Peace
International Women in Cyber Day
Journalist Day (Taiwan)
Juno Steroid Day
Kama Sutra Day
Kanto Earthquake Memorial Day (Japan)
Knowledge Day (Armenia, Estonia, Russia, Ukraine)
Lake Baikal Day (Russia)
Letter Appreciation Day
Lose Your Virginity Day
Mary Had a Little Lamb Day
Meteorological Autumn begins (Northern Hemisphere)
Meteorological Spring begins (Southern Hemisphere)
National Acne Positivity Day
National Boykin Spaniel Day
National Child Identity Theft Awareness Day
National Disaster Prevention Day (Japan)
National Forgiveness Day
National Homecare Day of Action
National Hotel Employee Day
National Little Black Dress Day
National Marmoset Day
National No Rhyme (Nor Reason) Day
National Police K-9 Day
901 Day (Tennessee)
No Music Day (Nigeria)
Onam (Hindu harvest festival; India)
Partridge Day (UK)
Pink Cadillac Day
Presidential Message Day (Mexico)
Random Acts of Kindness Day (NZ)
Respect the Drive Day
Rites of Moawita (Elder Scrolls)
Save Japan’s Dolphins Day
Sing A Silly Song In Bed Day
Teacher’s Day (Singapore)
Tourist Day
Toy Tips Executive Toy Test Day
Trade Union Action for Peace Day (Tajikistan)
Trout Day (French Republic)
Veteran’s Day (Poland)
Wattle Day (Australia)
White Rabbit Day
World CLL Day
World Day of Prayer for the Care of Creation
World Day of the Fingerprint
World Emotional Trauma Awareness Day
World Freestyle Football Day
World Letter Writing Day
World PCOS Day of Unity
World War Two Anniversary Day
Food & Drink Celebrations
Cherry Popover Day
Chop Suey Day
International Cap Classique Day (South Africa)
National Burnt Ends Day
National Gyro Day
National Oatloaf Day
National Tofu Day (UK)
Oyster Season begins
Rosolio Day (Italy)
Independence & Related Days
Alberta Province Day (Canada; 1905)
Baguio City Day (Philippines)
Baltia (Declared; 2014) [unrecognized]
Chrisland (Declared; 2015) [unrecognized]
Communist North China People’s Republic (Founded; 1948)
Gymnasium State (Declared; 2017) [unrecognized]
Jasaan Day (Philippines)
Qatar (from UK; 1971)
Revolution Day (Libya; 1969)
Saskatchewan Province Day (Canada; 1905)
Slovak Constitution Day (Slovakia)
Uzbekistan (a.k.a. Mustaqillik Kuni); from USSR, 1991)
New Year’s Days
New Year’s Day (Greek or Byzantine (Constantinople) Indication)
1st Sunday in September
Bowling League Day (a.k.a. U.S. Bowling League Day) [1st Sunday]
European Day of Jewish Culture [1st Sunday]
Father's Day (Australia, New Zealand) [1st Sunday]
Harvest Wine Celebration (Livermore, California) [1st Sunday]
Joust of the Saracen (Italy) [1st Sunday]
Mushroom Day (Denmark, Norway, Sweden) [1st Sunday]
National Commemoration Day (South Africa) [1st Sunday]
National Pastor’s Spouses Day [1st Sunday]
National Prayer Day for the Deaf (South Africa) [1st Sunday]
Pet Rock Day [1st Sunday]
Pffiferdaj (Day of the Strolling Fiddlers, or Fiddlers' Festival; Alsace, France) [1st Sunday]
Running of the Sheep (Montana) [Sunday of Labor Day Weekend]
Seven For Sunday [Every Sunday]
Snack Sunday [1st Sunday of Each Month]
Spiritual Sunday [1st Sunday of Each Month]
Start Over Sunday [1st Sunday of Each Month]
Sundae Sunday [Every Sunday]
Sunday Funday [Every Sunday]
Tales and Tallows (Elder Scrolls)
Wakes Sunday [Sunday after September 4]
Working Mother's Day [1st Sunday]
World Goddess Day [1st Sunday]
World Koesister Day [1st Sunday]
World Meditation Day [1st Sunday of Every Month]
Weekly Holidays beginning September 1 (1st Full Week of September)
International Enthusiasm Week (thru 9.7)
Legacy Week (Australia)
National Childhood Injury Prevention Week (thru 9.7)
National Nutrition Week (thru 9.7)
National Payroll Week (thru 9.7). [Week of Labor Day]
National Waffle Week (thru 9.7) [1st Week]
Self-University Week (thru 9.7)
Sobriety Checkpoint Week (thru 9.7) [1st Full Week]
Substitute Teacher Appreciation Week (thru 9.7) [1st Full Week]
Festivals Beginning September 1, 2024
Alaskan Grown Cheesecake Contest (Palmer, Alaska)
Atlanta Caribbean Jerk Festival (Lithonia, Georgia)
Bloemencorso Sint-Gillis-bij-Dendermonde (Sint-Gillis-bij-Dendermonde, Belgium)
Bloemencorso Zundert (Zundert, Netherlands) [thru 9.2]
California Wine Month (Statewide, California) [thru 9.30]
Flavor Palm Beach (Palm Beach, Florida) [thru 9.30]
Sydney Fringe Festival (Sydney, Australia) [thru 9.30]
Feast Days
Constantius (Costanzo) of Aquino (Christian; Saint)
Dalton (Positivist; Saint)
David Pendleton Oakerhater (Anglican Communion)
Drittel of Northumbria (Christian; Saint)
Ecclesiastical New Year (Orthodox Christian)
Edgar Rice Burroughs (Writerism)
Feast of Adjutor (Christian)
Feast of Macuilxochitl (5 Flower God; Mexico)
Festival of the Grapevines I: Ariadne (Pagan)
Felix, Donatus, Arontius, Honoratus, Fortunatus, Sabinianus, Septimus, Januarius, Vitalis, Satyrus, abd Repostius, 12 brothers (Christian; Martyrs)
Festival of Juno Regina and Jupiter Liber (Ancient Rome)
Fiacre (France, Ireland; Christian; Saint) [also 8.30]
Firminus II (Christian; Saint)
Gene Colan (Artology)
Gideon the Judge (Christian; Saint)
Giles (Christian; Saint)
Hilda Rix Nicholas (Artology)
Hobbit Remembrance Day (Pastafarian)
Jhonen Vasquez (Artology)
Loup (a.k.a. Lupus or Lew) of Sens (Christian; Saint)
Ludwig Merwart (Artology)
Nativity of Zoroaster (Starza Pagan Book of Days)
Nivard (a.k.a. Nivo; Christian; Saint)
Per Kirkeby (Artology)
Ramalamadingdong begins (Church of the SubGenius)
Sain (Celtic Book of Days)
Simeon Stylite (Eastern Orthodox)
Sixtus of Reims (Christian; Saint)
Sneeze-Wobbling Festival (Shamanism)
Soshana Afroyim (Artology)
Sweet Tater Festival (Cullman, Alabama) [thru 9.2]
Taddeo Zuccari (Artology)
Terentian (a.k.a. Terrence; Christian; Saint)
Timothy Zahn (Writerism)
The Twelve Brothers (Christian; Martyrs)
Uncle Ermisimo (Muppetism)
Verena (Christian; Saint)
Vibiana (Christian; Saint)
Yasuo Kuniyoshi (Artology)
Lucky & Unlucky Days
Historically Bad Day (Germany invaded Poland, earthquakes in Iran & Japan & 8 other tragedies) [7of 11]
Taian (大安 Japan) [Lucky all day.]
Premieres
The Abominable Mountaineers, featuring Sad Cat (Terrytoons Cartoon; 1968)
Address Unknown, by Kathrine Kressmann Taylor (Novel; 1938)
The Aleph, by Jorge Luis Borges (Short Story; 1945)
Arsenic and Old Lace (Film; 1943)
The Autograph Hound (Disney Cartoon; 1939)
The Bachelor and the Bobby-Soxer (Film; 1947)
Balloon Snatcher, featuring Astronut (Terrytoons Cartoon; 1969)
The Big Clean-Up (Hector Heathcote Cartoon; 1963)
Bye, Bye, Blackboard (Woody Woodpecker Cartoon; 1972)
Catching Fire, by Suzanne Collins (Novel; 2009) [#2]
Cat Happy (Terrytoons Cartoon; 1950)
The Cat’s Revenge (Terrytoons Cartoon; 1954)
The Charm Bracelet (Phantasies Cartoon; 1939)
Chocolates for Breakfast, by Pamela Moore (Novel; 1956)
Confessions of an English Opium-Eater, by Thomas De Quincey (Autobiography; 1821)
The Corrections, by Jonathan Franzen (Novel; 2001)
The Covered Pushcart (Terrytoons Cartoon; 1949)
Crank (Film; 2006)
Dames (Film; 1934)
The Discontented Canary (Happy Harmonies Cartoon; 1934)
Disguise the Limit (Modern Madcaps Cartoon; 1960)
Dr. Feelgood, by Mötley Crüe (Album; 1989)
Dug Days (Animated TV Series; 2021)
The English Patient, by Michael Ondaatje (Novel; 1992)
Ethan Frome, by Edith Wharton (Novel; 1911)
A Farewell to Arms, by Ernest Hemingway (Novel; 1929)
A Farewell to Kings, by Rush (Album; 1977)
The 500 Hats of Bartholomew Cubbins, by Dr. Seuss (Children’s Books; 1938)
Fine Feathered Friend (Noveltoons Cartoon; 1960)
The First Telephone (Hector Heathcote Cartoon; 1963)
Foxed by a Fox (Hector Heathcote Cartoon; 1963)
Git That Guitar (Terrytoons Cartoon; 1964)
The Good Scout, featuring Willie Whopper (Ub Iwerks Cartoon; 1934)
Gramps to the Rescue (Noveltoons Cartoon; 1963)
Happy Valley (Terrytoons Cartoon; 1952)
Harry Happy (Modern Madcaps Cartoon; 1963)
Hats Off to Hector (Hector Heathcote Cartoon; 1963)
Haydn String Quartets, Opus 10, by Wolfgang Amadeus Mozart (Quartets; 1785)
High Flyer (Hector Heathcote Cartoon; 1963)
Hobo’s Holiday (Noveltoons Cartoon; 1963)
Hold the Fort! (Hector Heathcote Cartoon; 1963)
Honorable Paint in the Neck, featuring Hashimoto (Terrytoons Cartoon; 1962)
Hook, Lion and Sinker (Disney Cartoon; 1950)
Honey’s Money (WB MM Cartoon; 1962)
Idiocracy (Film; 2006)
Julius Caesar, by William Shakespeare (Play; 1599)
Lady and His Lamp (Noveltoons Cartoon; 1964)
Little Problems (Terrytoons Cartoon; 1951)
Lolita, by Vladimir Nabokov (Novel; 1955)
Love’s Labor Won (Mighty Mouse Cartoon; 1948)
The Mass Psychology of Fascism, by Wilhelm Reich (Political Book; 1933)
Messy Messenger (Hector Heathcote Cartoon; 1963)
Middlemarch, by George Eliot (Novel; 1871)
The Mighty Hercules (Animated TV Series; 1963)
Mouse Menace (Terrytoons Cartoon; 1953)
The Mysterious Cowboy (Terrytoons Cartoon; 1952)
The Old Man and the Sea (Short Story; 1952)
Old Mother Clobber (Terrytoons Cartoon; 1958)
Outer Galaxy Gazette, featuring Astronaut (Terrytoons Cartoon; 1964)
Outside Providence (Film; 1999)
Peculiar Penguins (Silly Symphonies Disney Cartoon; 1934)
Pitchin’ Woo at the Zoo (Fleischer/Famous Popeye Cartoon; 1944)
The Plastics Inventor (Disney Cartoon; 1944)
Prehistoric Super Salesman (Woody Woodpecker Cartoon; 1969)
Private Eyes, by Hall & Oates (Album; 1981)
The Prophet, by Kahlil Gibran (Poems; 1923)
The Proton Pulsator, featuring Astronut (Terrytoons Cartoon; 1970)
The Rain Drain, featuring James Hound (Terrytoons Cartoon; 1966)
Really Big Act, featuring Sidney (Terrytoons Cartoon; 1961)
Rear Window (Film; 1954)
Robot Rival (Modern Madcaps Cartoon; 1964)
A Room of One’s Own, by Virginia Woolf (Novel; 1929)
Search for a Symbol (Hector Heathcote Cartoon; 1963)
The Slap-Happy Mouse (WB MM Cartoon; 1956)
Solitary Refinement (Modern Madcaps Cartoon; 1965)
The Spy Who Came in From the Cold, by John le Carré (Novel; 1963)
Square Shooting’ Square (Woody Woodpecker Cartoon; 1955)
Steeple Jacks (Heckle & Jeckle Cartoon; 1951)
The Stepford Wives, by Ira Levin (Novel; 1972)
Swordfishtrombones, by Tom Waits (Album; 1983)
TikTok (Social Media App; 2016)
Trois Morceaux en Forme de Poire (Three Pieces in the Shape of a Pear), Erik Satie (Suite for Piano Four Hands; 1903)
Tropic of Cancer, by Henry Miller (Novel; 1934)
The Two Barbers (Mighty Mouse Cartoon; 1944)
The Two Ton Baby Sitter, featuring Sidney (Terrytoons Cartoon; 1960)
What a Wonderful World, by Louis Armstrong (Song; 1967)
When Worlds Collide, by Philip Wylie (Novel; 1932)
Which is Witch, featuring James Hound (Terrytoons Cartoon; 1967)
Wild Life (Heckle & Jeckle Cartoon; 1959)
The Women (Film; 1939)
Worth Dying For, 15th Jack Reacher book, by Lee Child (Novel; 2010)
You Can’t Take It with You (Film; 1938)
Today’s Name Days
Ägidius, Ruth, Verena (Austria)
Damyan, Damyana, Kozma, Kuzman, Simeon, Simona (Bulgaria)
Aron, Egidije, Estera, Jošua, Oliver, Predrag, Šimun, Tamara, Viktor (Croatia)
Jaroslava, Linda, Samuel (Czech Republic)
Ægidius, Theobaldus (Denmark)
Eha, Ehala, Hämarik, Ülar, Ülari, Ülev, Üllar, Üllart, Üllas, Üllo, Ülo (Estonia)
Aaro, Aaron, Pirkka (Finland)
Aaron, Esther, Giles, Goulwen, Jossué, Thierry (France)
Ägidius, Ruth, Verena (Germany)
Anargyros, Argyris, Antigone, Antigoni, Athena, Athina, Damianos, Kosmas, Margarita, Polynike, Polyniki, Symeon (Greece)
Annamária, Egon, Egyed, Tihamér (Hungary)
Caio, Cono, Costanzo, Egidio (Italy)
Austrums, Ilmārs, Iluta, Irisa, Imants, Ingars, Intars, Teobalds, Verena (Latvia)
Burvilė, Egidijus, Gytautas, Gytis, Julijus, Liepa, Tautrimas, Tautrimė (Lithuania)
Ask, Embla, Solveig, Solvor (Norway)
Aaron, Bogusław, Bronisław, Bronisława, Bronisz, Halina, Idzi, Klarysa, Marian, Niegosława, Teobald (Poland)
Dionisie (Romania)
Diana, Drahoslava (Slovakia)
Aarón, Arturo, Ester, Esther, Gil, Josué, Leonor, Oliverio, Simeón, Sixto (Spain)
Aron, Mirjam, Sam, Samuel (Sweden)
Debbie, Deborah, Debra, Edgar, Edgardo, Giles, Josh, Joshua, Josue, Ruth (USA)
Today is Also…
Day of Year: Day 245 of 2024; 121 days remaining in the year
ISO: Day 7 of Week 35 of 2024
Celtic Tree Calendar: Muin (Vine) [Day 2 of 28]
Chinese: Month 7 (Ren-Shen), Day 29 (Wu-Chen)
Chinese Year of the: Dragon 4722 (until January 29, 2025) [Wu-Chen]
Hebrew: 28 Av 5784
Islamic: 26 Safar 1446
J Cal: 5 Gold; Fryday [5 of 30]
Julian: 19 August 2024
Moon: 2%: Waning Crescent
Positivist: 21 Gutenberg (9th Month) [Watt]
Runic Half Month: Rad (Motion) [Day 10 of 15]
Season: Summer (Day 74 of 94)
Week: 1st Full Week of September
Zodiac: Virgo (Day 11 of 32)
Calendar Changes
September (Gregorian Calendar) [Month 9 of 12]
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uhhh sorry hi ummm please say more about a valewis sex tape? (⓿_⓿) if you feel so inclined?
v v unfleshed out thoughts but !!! i was talking with ag one day and this was spawned into being. so. mb they do one every year??? after nico and the whole brocedes drama the sponsors are concerned about Team Unity and Keeping the Team Whole and so . what shows that two ppl like each other more than them having sex and it being filmed?? rock solid logic
the one in 2017 is v stilted and polite. it is. essentially. two colleagues having sex which. fair. that is what it is. but lewis is also unfairly beautiful and valtteri is only human and valtteri has the prettiest eyes lewis has ever seen and the way he blushes —
it’s not a Disaster is what i’m saying. so they do it again. and again.
and mb it become more and more marketable as ppl love the passion, makes it feel real and intimate. like theyre intruding on something that the drivers havent shown the rest of the world yet unlike everything else.
and then! it’s 2018 and valtteri’s worst year yet and lewis is so. he’s so gentle. does it so he covers valtteri’s face. this is the year val fucks him and not the other way around and lewis pulls him in so val’s face is pressed against his neck and the camera is on lewis’s and and and
(that being one of val’s worst times in his life and he’s so scared of getting fired and hes still on one year contracts. and he has to film this. its so fucked up. and lewis understanding and trying to make it up in the only way he feels he can.)
lewis who has spent his entire career exposed but is secure in this team in a way that val has never been and probably will never be but this. this is smth he can give him.
and then valtteri leaves the team and sponsors get pissed.
(the tape from 2021 was smth else. the adoration. the hot tenderness. the desperate need on the screen bc even tho neither of them had said it they knew this was their last year together and they had never talked about these. never done it outside of this room in hq. wanting to crawl into each other’s skin so they never have to let go and the viewer can Feel this)
and 2022 is just. lewis thinking valtteri is so much happier without these weird fucking obligations with merc ... maybe he’s too embarrassed about wanting him still to approach him past a shoulder pat in the pitlane.
until toto says 'hey i told valtteri we’d let him hitch a ride on the jet' and lewis spending half of it on his phone ignoring valtteri. who has NO clue about lewis' inner turmoil, thinks merc is better off without him even if they seem to have such a weird run of bad luck now and is content to stay in peaceful quiet sitting beside lewis on the jet until he can’t bear it and casually makes a weak joke about lewis and george's tape.
now! it could go two ways. either lewis put a stop to the tapes after valtteri left or he made one with george.
cause you could have lewis and george make a tape and valtteri is jealous and hating that he’s jealous bc it’s such a fucked up thing that they had to do and it’s bad enough that he Misses it and now he’s hating lewis for doing it with someone else when he knows lewis doesn’t have a choice. and then lewis feels guilty and he’s upset about That bc it’s not like he CHOSE george. it’s not like he wanted this but it took way more effort that it should’ve to not call out val’s name during the tape and george is fine. he’s funny and has good takes on the car and he’s Fine. but he’s not val and lewis doesn’t even want val back bc he’s finally happy and he looks so good in alfa and they treat him so well but he also does kinda want him back bc he misses him and it’s a Mess
OR . lewis puts a stop to the tapes and toto isn’t stupid. he sees lewis after valtteri leaves. sees him after the shitshow that was abu dhabi. sees the look in his eyes. and does not push. and then valtteri is left to wondering why now did the tapes stop. what does that mean. does it mean anything???? and suddenly noticing that lewis isn’t really looking at him that much.
(george in the bg like. you guys made sex tapes ?????????)
or or. what if they started making the tape and lewis couldn’t do it.
he couldn’t walk into that room that they only went in to make these. this room that he hates but it’s the only place in the whole world where he got valtteri like this and mb that makes him a terrible person for missing it. for wanting it back. but he can’t go in when he’s not there.
and mb lewis manages to get through it anyway and IS into banging george in a purely physical way and he feels guilty for liking it because its not valtteri, but they have to please sponsors SOMEHOW. and then he sees valtteri in bahrain and is like. toto PLEASE delete that fucking tape.
and valtteri just seems. like. normal?? lewis gets mad at him deep down like, how the fuck can you be all chill and cool about this. how dare you move on while i'm a mess!!!
he doesnt realize how carefully valtteri is sidestepping discussion of the tape when theyre hanging out. valtteri does NOT want to talk about it. he stuffs it down and turns into a fake australian. cycling with the kiwis. sampling wines with daniel. practising denial like the good homosexual that he is!
and seb says that he looks like a pornstar which lewis does NOT know how to deal with bc ???? what does that mean ???? is val making these tapes with other ppl ?????
so things go from valtteri always coming up to lewis on a race weekend to just. lewis CANNOT find him no matter how hard he tries. sidles up to daniel like hey have you seen-?
daniel, eyes shifting: euueueoohhhhhh ... no
lewis mb getting the message that val doesn’t want to see him and that’s. that’s Fine. lewis is so Fine. the car is shit and it’s kind of killing him and the media are dicks and valtteri doesn’t want to talk to him and seb is retiring and lewis is so Fine :( :) :( :)
#credit to ag for like. half of this. i luv u#if i feel so inclined…..lo pls. like im capable of shutting up about valewis when i’m not even asked. forget when i’m invited to brainrot !#this would be half shit post. half heart breaking. do u see the vibe im going for here#the point is. that they’re so fucking Messy and should just talk to each other#what if i actually wrote this lol#valewis#sex tape au#niamh.asks
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