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It’s a blessing, and a curse, to let someone else besides Bakugo drive the van on the annual bakusqaud road trip. Kirishima and Kaminari were too engrossed in their own conversation, never looking back at you two for long periods of time.
It was early afternoon, but car rides always make you sleepy. You thought curling up in your boyfriend’s lap in the back seat would be cute, peaceful, but no - this fucker couldn’t keep his hands off of you. For a grueling two hours, he was nothing but a tease, grinning like the devil over your squirming whenever he’d touch you. Bakugo played it off at first, gently running his fingers through your hair or rubbing his thumb over your cheekbone lovingly at your drowsy stupor. It escalated when your crop top rode up, exposing your bralette and tempting him. Thank god you were facing the back of the seat and not the boys up front.
It was subtle squeezes at first, “brushing” over your chest when he’d lay his hand on your ribs or move to rub your back. Bakugo would inch his fingers to your stomach, quietly shifting to cop a feel and act like nothing happened. When he saw your brows scrunch, he decided to push further, splaying his hand across your chest and teasingly slipping two fingers under the bralette to pinch your nipple, flicking and twisting it between his finger pads. His ego inflated when your legs twitched at his touch, a soft groan falling from your lips. It didn’t take long until he was practically using your tits as stress balls, his insatiable hunger for you taking over.
Bakugo didn’t even realize that Kirishima turned into a gas station to refuel and grab some snacks until the van was parked, too caught up in his game to notice.
“Need anything, bro?” He asks over his shoulder. “Kami and I are grabbing snacks, too.”
“Nah, we’re good. Gonna get out and stretch.”
Kirishima and Kaminari head into the store while the two of you exit the van and take a lap around the parking lot. That’s when you notice the bathroom on the side of the building, door propped open and no key needed.
Before he can stop you, you’ve got Bakugo by the collar and bolt for it, practically dragging him behind you. He’s yelling something along the lines of “what the fuck, woman?!” until you’re both inside the grimy one person bathroom, slamming the door behind you. You let go of his shirt and shove him into the rusty sink, pouncing on him like an animal.
“You think you can get away with all that, Katsuki?” You growl, emphasizing his name as a warning. “This is a fight you always lose.”
“Someone’s suddenly—” he tries to argue but the words die in his throat when your hand ferociously grips at his cock through his shorts. His face loses composure at the contact, flushing scarlet instantly.
“That’s what I thought.” You pause to bite his neck, pink teeth marks left in your wake. “You started this, babe. You’ve got two minutes, make it count.”
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i had some time to chill i took a walk i drank some water i still hate this sequence
fastpass spoilers and sexual assault references ahead
i mentioned a few weeks ago how much i disliked persephone's last interaction with apollo and how the narrative wants to insist that persephone has moved on / healed from her assault, and with the last chapter and fastpass spoilers, it has genuinely just gotten worse. like at this point i can't even fault the characters or their choices, this is 1000% a rachel thing, and i hope her computer crashes in the middle of an eight hour drawing that she hasn't saved ANYWAYS
i don't think it needs to be said that rachel sexualizes her abuse victim. like, there's a reason that hera is naked during her fight with kronos despite kronos being clothed; there's a reason persephone was alone and apollo had his shirt undone when they spoke on the phone before the press conference. it's masquerading as feminine empowerment, but it just seeks to emphasize how rachel sexualizes abuse, and how she will still try to redeem these male characters.
it's very telling that while she's having kronos monologue how sad and abused he was, and how he was ruled by fear, we cut to a shot of apollo and eros with the love arrow - another plot point that drove me absolutely bonkers but we'll get to that. the placement is not random, for all that it feels it; she's trying to draw a connection between apollo and kronos, how they're both ruled by fear.
apollo is planning to assault persephone again. this is not me being dramatic or exaggerating - he knows what the arrow does, he knows persephone hates him, he is absolutely planning to assault her again for his own purposes. whether kronos' apology was intended to be sincere or not, placing apollo in the visual middle of it sets a tone. he has abused persephone in the past and he will abuse her again.
the next time apollo and persephone interact, persephone has figured out how to make spring again (somehow, without explanation, one trainwreck at a time i guess.)
i don't love her plan, and i don't love how it came about, but on the top ten list of crimes in this webcomic, it's not the worst. persephone plays up her "weak, damsel in distress" image to apollo so he'll underestimate her - fine, whatever, not the end of the world. it's how rachel depicts this that i take issue with.
it took me a couple of minutes for that last picture to realize they're supposed to be struggling because it genuinely looks like they're making out lmao thanks rachel i hate it
not entirely related but the way the lineart becomes minuscule except on the face and chest rachel really shows her priorities
i'll skip a few more panels of apollo manhandling persephone with her doing pretty much nothing to fight back - she alternates between pleading with him to listen to her when he has historically never done so, and threatening to expose him for the rape, which also historically has never worked, but that's about the extent of her fight back. this is all before she knows about the arrow, so i'm hesitant to say she's playing him with her distress; this is genuinely the extent of her fight back.
a clear callback to the assault, which in another author's hands might have succeeded in being harrowing and traumatizing for the readers, but just filled me with visceral anger.
[narrator voice] fucking yikes!
ties her up, but don't worry! her chest will be on prominent display no matter what.
unrelated tangent once again but i love! how rachel has retconned the narrative so that ouranos was manipulating apollo all along! instead of apollo owning up to being a shitheel, we've got a master manipulator in the background, who can take some of the blame for apollo's actions! cool!!!
anyways persephone's plan is to make apollo fall in love with her, so he'll feel bad about raping her.
that's it.
we don't get persephone defeating apollo. we don't get persephone getting actual justice. it takes apollo being under the control of magic to admit what happened - it's a cheap cop-out, a lukewarm offering at best. i'm not joking, either, in the fastpass apollo quite literally goes on live television and admits he raped persephone, because he's under the magic of the love arrow. not because he genuinely feels bad, or because persephone got justice - it's a deus ex machina to wrap up the assault plotline. rachel never figured out if apollo was a master manipulator or some idiot tool, so she swerves between both, and then tosses the plot out to make room for something else.
it's such a miserable, cheap conclusion to a storyline that so many women have dealt with. years of waiting for apollo to be brought to justice, and he goes out with a little whimper, and persephone's assault gets swept under the rug again.
what a disappointment.
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