#uncle iroh is always SO REAL

[not-so-rosyyy]

"Calm yourself, Prince Zuko."

S01 x E02 "Warriors" Netflix's Avatar: The Last Airbender ep dir. Michael Goi

[frost-queen]

Elements in Harmony (Reader x Sokka)

Requested by: Anon Forever tag:@missmelodramatic, @merlin-dahlia, @alex--awesome--22, @elllie-does-the-posts, @floatlosers, @merlieve, @queen-of-books, @glimmering-darling-dolly @denkisclown, @wildieflower, @meyocoko, @bubblybrianna, @justanothercoco, @subjecta13-thefangirl, @m-rae23, @harleyquinnswifeyfrfr, @swampthing07, @melsunshine, @panhoeofmanyfandoms, @venomsvl, @the-uncoordinated-house-cat, @rosecentury,  @imagines-by-her,  @evilcr0ne, @vviolynn, @iixchloee

Summary: Reader is Zuko's sister. You and Sokka always argue and fight. You keep infuriating Sokka as you won't leave his head, something he can't stand. Certainly not from a fire nation girl. When one encounter leads to an almost kiss. It draws a line when some guy starts flirting with you, leading to Sokka to show you just how infuriating you are to him.

Appa roared deep, flapping his tail up. Aang petted his furred friend as Momo sat on his shoulder. Katara was poking in the fire to keep it going. Sokka arrived with new wood. His gaze fell upon you from afar. Near the cliff were you practising. Performing graceful moves without actually bending. Your performances calm and at peace. Anything but what Sokka was used to seeing a fire bender do.

Mostly their sequences were brutal and hard. Their fire filled with anger. You seemed odd among them. Anger wasn’t what filled your bending. It was a combination of being soft and tough at the same time. Something your uncle Iroh taught you when you were younger.

Sokka threw the wood on the ground, startling Katara. – “Hey.” – she called out annoyed.  – “Sure let us prepare the fire while princess fire nation over there is just dancing.” – Sokka outed gesturing at you. Katara sighed loud. – “Can you only ever complain?”

Sokka grumpily sat down on a log. Glaring your way. Aang approached them holding a bag open. – “We’ll need to stock more food.” – he held the bag upside down. A fruit fell out as Momo immediately jumped for it. Sokka shooed Momo away, picking up the last fruit. – “And that isn’t for you!” – he called out to Momo who flew above his head. Katara got up holding her hand out to Aang. – “I’ll go see if a town is nearby.” – she suggested.

“No, no.” – Sokka answered getting up as well. – “Let fire girl over there do something.” – he pointed at you from afar. – “Her name is Y/n.” – Katara answered crossing her arms. Sokka came closer to her. – “and I don’t care.” – he outed with a sarcastic smile. Sokka whistled loud catching your attention.

You stopped your practise, making your way over. Sokka snatched the bag from Aang’s hand, tossing it at you. You caught it  as he was aiming for your face. – “We need supplies.” – he said bothered. – “Please.” – you responded wanting him to ask nicely.

Sokka puffed loud. – “I didn’t know you had manners.” – Sokka answered. – “Unlike you I wasn’t raised in an igloo.” – you responded loud. – “Yet I’m not the one banished.” – Sokka fired back. – “Sokka!” – Katara called out, shocked at his rudeness. As a response you threw the empty bag at Sokka. It bumped against his chest as he moved his head back to not get hit in the face.

“Apologize right now!” – Katara insisted with a sisterly scowl. Sokka looked back to you, seeing how his words made you feel. Somehow he felt a bit guilty for being so cruel. Yet he didn’t act upon it. He took the bag in his hand. – “I’ll just go by myself.”  - he spoke turning away. Momo flew on top of Sokka’s head making him stop with a deep sigh. – “We’ll all go.” – Aang spoke to maintain the peace.

The four of you entered the woods in search for food, hoping you’d come by a village soon. You were walking behind Aang and Katara when you noticed Sokka falling in step with you. – “No bending.” – he simply said to you. You mimicked his words like a child, teasing him. – “Oh real mature princess.” – he responded.

 “I’m just lowering myself to your standards.” – you answered with a smile. Sokka stepped in front of you, making you stop all of the sudden. He was brazing, glaring down at you. Your words annoying him. Sokka was glaring at your eyes, his face inches away from yours. His gaze fell down to your lips. He caught himself stare at them, making him turn away.

You gasped breathlessly, slouching back as if you were about to pass out. Sokka caught up with his sister, wanting to be as far away from you as he could. Looking briefly over his shoulder to you, falling in line. Grunting soft, he hated how much you messed with his head. Your presence consuming his mind as if you never wanted to leave. No matter how many times he casted you out. It infuriated him.

You were from the fire nation. Zuko’s sister, the one chasing Aang. The one who caused his village pain. – “You know you can just be nice to her.” – Katara spoke looking briefly at her brother. Sokka sighed loud. – “She’s from the…” – he outed as Katara finished his words in a voice that mimicked his. – “fire nation.” – she then giggled at her own imitation of her brother.

“Not funny.” – Sokka said annoyed as it made Katara just giggle more. Sokka looked over his shoulder again, seeing you chat with Aang.

Katara nudged him hard in the side. Sokka tore his gaze away from you. Some twigs snapped underneath his shoes. – “Aang needs her.” – she told him. – “I know, I know.” – Sokka sighed out. – “Then…” – Katara began as Sokka shushed her. She glared at him a bit for cutting her off. – “Don’t shush me.” – she said annoyed, moving her hands to her hips. – “Stop talking.” – Sokka told her, his focus elsewhere.

Katara groaned loud as he covered up her mouth. It was the only thing he thought would shut her up. – “Why have we stopped?” – Aang asked confused. Sokka was looking at every direction, listening in to nature. His eyes widened when he saw a fireblast fly their way. It hit a tree trunk close to them. – “Fire nation!” – he yelled out. The four of you started to run as more fire benders came from out of the bushes. – “It’s an ambush.” – Katara outed, puffing loud. – “You think?” – Sokka responded to her sarcastically.

Aang swayed his stick across, sending an air blast at some fire benders.  Katara stopped a moment to bend some water out of a puddle nearby. Letting it whip against a fire bender. Sokka grunted as they couldn’t outrun them. They needed to stand and fight. He pulled out his weapon, standing ready.

A fire bender was coming your way as you deflected his fire blast by ducking down. You then kicked at him. He stumbled back making you punch his stomach a few times. Sokka ducked down a punching arm, punching the man in his stomach. He then pressed the back of his weapon on his back. The man dropped to his stomach with a loud oof. He saw fire blasts coming your way as you kept avoiding them with just manoeuvring.

“What are you doing?” – Sokka called out to you. You looked back at him confused. – “Bend!” – he outed, stating the obvious. You kicked a guy away from you. – “You told me not to bend!” – you shouted back at him. Sokka jumped back from a blast. – “Just do it!” – he insisted upon annoyed. Suddenly you smiled with a new set off attitude.

Performing a sequence you conjured fire, attacking your fellow fire nation soldiers. Aang jumped above your head, landing in front of you as he flashed a blast of air at them. You moved back assisting Katara. – “I got it.” – she breathed out. You nodded at her. Looking over your shoulder, you saw Sokka getting cornered.

You ran over to him just as a blast of fire was coming his way. Sokka’s eyes widened seeing the blast come his way from his side. You jumped in front of him, arms forwards, palms pressed together as you split the blast in two. The fire flared beside Sokka and you. Sokka blinked stunned at you. You then attacked with fire of your own. Sokka was staring at you, admiring you despite his infuriation with you.

He was so caught up with you, that he hardly saw the punching fist come his way. He jumped back, avoiding the hit just in time. He was about to knock the soldier on his head with his weapon as a blast of fire pushed him away. Sokka looked confused, till he turned his head. Seeing you in a position, one fist out, panting. You had once again protected him. Sokka smiled admiring at you till his expression turned to shock. You were hit by a blast, sending you rolling on the ground. – “Y/n!” – Sokka called out.

You came to a stop, panting loud. Forcing yourself to get back up. Just as you almost stood up straight, were you hit with another surprise blast. It was if the soldiers were turning their anger towards you. One of their own fighting against them. You got hit as the blast pushed you back.

You screamed when you felt a loss of ground under your feet. An in-sinking in the ground made you slide down the hill. Tumbling and rolling down, you met with the ground hard and fast. – “Y/n?” – Sokka called out concerned. He threw his boomerang at the soldier, hitting him in the head. His boomerang returned as he caught it. Running up to the way where he lost sight of you. – “Y/n?” – he panted out nearing where you last where.

Sokka felt the ground underneath his feet crumble away. A scream caught in his throat as he slid down, arms swaying around. On the ground, you groaned in pain. Slowly pulling yourself up by your elbows. Your eyes widened seeing Sokka slide down. At the bottom, he came to a sudden stop, his chest falling forwards. He fell forwards falling hard against your chest as your back smacked the ground again.

Sokka groaned soft when he set his hands beside you, trying to pull himself up. He lifted his head up, his gaze catching yours as he paused. Paused as his face was inches away from yours. Heart pounding loudly as you were captivated in his gaze. Sokka’s gaze went down to your lips  as it made you feel shy. He neared his head a bit as you sensed he had an urge to kiss you. Your gaze flashed up and down from his eyes to his lips and back. If Sokka was about to kiss you, you wouldn’t protest. Sokka felt himself fall deeper, drawing closer to you. What if he wanted to kiss you in this moment. Would it be that bad?

You were bringing your chin closer to him to decrease the distance. Sokka slowly closed his eyes, feeling his lips tingle with the urge. A gush of wind caught him off guard. His eyes flashed back open, suddenly aware of what he was doing. He rolled over, away from you just before Aang landed down. – “So here you are.” – Aang said. You were staring at the sky, panting loud. Feeling extremely hot that Sokka was this close to kissing you.

Katara had climbed down joining Aang. Sokka had gotten up, dusting some dirt off him. Aang decided to head back to Appa and search a town from above. All of you agreed, walking back to Appa. You climbed on Appa, sitting at the back. Avoiding eye contact with Sokka. Sokka was staring down at his own hands.

Katara looked from you to Sokka. – ��Is something going on between the two of you?” – she asked. – “No.” – Sokka answered loud. You lowered your head on Appa’s saddle, watching the scenery you were leaving behind. Momo came landing on your head, laying himself down.

Appa roared loud as he descended. Aang had spotted a town. A small village at the edge of the earth kingdom. Appa landed as all of you climbed down. You held the empty bag following Aang into the village. There were many curious heads turning at your friends. They certainly stand out with their watertribe attire and air nomad clothing. You didn’t receive that much attention as you were earth kingdom clothing.

You had left your fire nation clothing long behind. The moment your father banished you after Zuko’s banishment, you gave them up. There was no hope in finding a new home when you wore enemy clothing. Zuko had been given an ultimatum to return. You never did. Not acceding his expectations and questioning the flaming fist of his way of ruling led to your banishment.

The youngest of your siblings, apart by just one year with your sister Azula. You saw more to fire bending then power and anger. Fire could be beautiful if one found a balance between them. Harmony. Your father found that a weakness. Soft. Not something he could have in his daughter.

You went over to a stall where they sold fruits. Sokka’s eyes fell upon a different stall, making his way over to it, without his friends knowing. You bargained with the owner for some of his best fruit. Katara wondered where her brother was, spotting him at a stall that sold herbs. She furrowed her brows, watching her brother buy a patch of leaves. He turned around holding a little patch as he suddenly noticed his sister watching.

Sokka cleared his throat from afar, moving the patch behind his back. It made Katara quirk her eyebrow up. He joined the others once more letting his sister know to stop staring to weirdly at him. – “Look Y/n a herb stall!” – Aang pointed out. You turned your head to look as well. – “You can make that delicious tea of yours again.” – Aang said pushing you towards it.

“Actually…” – Sokka started feeling the patch in his hand. No one heard him as Aang was too enthusiastic to show you the herbs. Aang pulled you to a stop after having pushed you all the way over. – “Anything you like?” – the owner asked as you looked at his products.

“Do you have any jasmine leaves?” – Aang asked for you. – “I certainly do boy.” – the owner answered. – “Actually I…” – Sokka began wanting to let you know he already bought the jasmine leaves. The owner presented Aang with a patch of jasmine leaves. Aang nudged you to accept them. – “Aang we really don’t need them.”  - you told him. – “Of course we do, you love jasmine tea.” – he encouraged you to take them.

“Your uncle taught you to make it.” – Aang added with a smile. – “Y/n I…” – Sokka spoke wanting to place a hand on your shoulder and reveal his patch to you. A new pair of hands grabbed the patch from the owner. – “I’ll pay for her.” – all of you turned your head to a boy. He smirked flashing a wink at you.

His wink baffled you as you weren’t used to that kind of attention. The boy tossed some coins in the owner’s hand. Sokka got shoved aside as the boy wanted to be closer to you. He held the patch up for you to accept. – “You really don’t have to…” – you said feeling a bit embarrassed someone paid for you.

“Nonsense.” – he grabbed your hand, facing your palm up, placing the patch in your hand. – “Anything should be paid for a pretty girl like you.” – he finished. Sokka puffed with a roll of his eyes. The boy slid his arm over your shoulder, moving you away from your friends. – “You look like a girl who likes tea.” – he spoke as Aang followed behind him. – “How does he know.” – he asked happily astonished that he had guessed. – “We literally stood by a herb cart.” – Sokka answered bothered.

The guy was leading you to a tea shop. His arm was still around you as Sokka found himself glaring at it. Katara and Aang clearly unbothered with Sokka’s concerns. – “Has anyone told you, your smile is like a blossom on a spring day?” – he said. It made you touch your lips shy. – “No.” – you answered. Sokka tensed his jaw. You were about to enter the tea shop when a pull on your wrist pulled you to a stop.

You slowly turned as Sokka had taken a hold of your wrist. Aang, Katara and the guy walked further in. – “Something wrong Sokka?” – you asked confused. – “Are you seriously following a guy like him? Just because he flashes a smile at you and gives you a compliment, you girls fall hard.”

You smiled teasingly. – “What’s so funny?” – Sokka expressed loud. – “Nothing.” – you answered with a shake of your head. – “You are cute when you are so worked up.” – you patted his cheek teasingly. The guy came standing behind you. – “Are you coming sugar?” – he asked placing a hand on your hip. Sokka saw it almost making him lose his mind. – “She’s not!” – Sokka stated clear, grabbing you by your wrist. – “Hey!” – the guy called out when Sokka dragged you away. – “Sokka… Sokka.” – you breathed out as he kept pulling you away.

He went into an alleyway, pushing you against the wall. Sokka groaned loud as you could only stare confused at him. He turned around, grabbing you by the waist as he pressed his lips on yours. Eyes wide with shock, you blinked startled at the touch of his lips on yours. He pulled away half angered at himself for kissing you.  – “Why are you so infuriating.” – he outed. Sokka noticed you were still holding his patch with herbs so he slapped them out of your hands.

“Hey!” – you called out as Sokka gave you his with some roughness. – “I bought these because I knew you liked them.” – he told you. – “I don’t know why I bought you them, because I shouldn’t. Certainly not for a fire nation girl!” – he went on. – “So why do I care for you. Why can’t I get you out of my head, and why did it bother me that, that guy was hitting on you!”

You smiled coming up to Sokka. – “Oh hush.” – you told him, grabbing him to kiss him. Sokka gladly accepted your kiss, holding you by your waist. – “You are cute when you get worked up over things.” – you told him, making him smile sheepishly. Sokka held you again, kissing you once more just because he could. Certainly now when he made peace with himself and simply let himself fall for you.

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[ladyloveandjustice]

I watched a compilation of clips of live action Zuko scenes (mostly with Iroh) because I think the actor they chose for Zuko is great and I still think he's great, but as someone who recently binged the cartoon, it's really interesting me the way they sanded off the rough edges of Zuko's relationship with Iroh, and the way it sort of damages the characters and the plot...and it makes me think of reoccurring issues in media and how the approach characters (which is exacerbated by the fans who jump the gun and think characters doing unlikeable things or being problematic means the story endorses these thing and that it makes them bad characters)

There's an intense fear of making Zuko too "unlikeable" in the live action, and that really shows in the way they play his relationship with Iroh. In the cartoon, Zuko is honestly downright nasty to Iroh a lot of the time. He's mean! He takes out his anger on Iroh a lot! A good two thirds of their interactions in the first two seasons involve Zuko being frustrated, complaining, or even directly being aggressive towards him.

He has a lot of genuinely cruel moments. You (or maybe just I) can weirdly forgive him more for hunting Aang because he's doing it for a sympathetic, heartwrenching reason even though it is bad and he's wrong. But there's no reason or goal in him being mean to his uncle, it's simply that he's an angry, traumatized, scared teenager and his uncle is someone he can safely take that out on, because Iroh has the patience of a saint and will always forgive him.

And when Iroh tries to push him to realize that chasing after his father's love is futile, he gets downright vicious, calling him selfish, shallow, lazy, jealous of his brother, he just goes right for the jugular because he's so afraid of what Iroh's telling him, he doesn't want to hear it so much that he'll lash out at him as hard as he can to get him to stop, and also to convince himself that Iroh doesn't know what he's talking about.

Zuko is not a nice person for a good chunk of the series, and that includes his relationship with the one person who unfailingly loves and supports him, who's pretty much given up a comfortable like just to help and look after him, and I think that's important. It means he actually needs a redemption arc. It gives his guilt about how he treated Iroh later on weight. And the fact the series allows Zuko to be truly nasty but we still root for him shows how good the writing is. Because despite all that, we can still see the good inside him, we want him to be a better person.

And in the show, in the beginning, Zuko shows those sparks of good slowly. Which allows the audience to feel real tension in not knowing what he'll do. Take that episode in season 1 where Iroh is captured...the viewer genuinely does not know what Zuko will do from what we've seen so far. When he says he'll leave without Iroh, as a viewer, you wonder if he might do it because he's often so mean to Iroh. But it's clear that Iroh knows Zuko's threats are totally empty and he would never leave without him, he's not worried at all when he misses the deadline, and he also knows that Zuko will be coming to rescue him. But the audience doesn't necessarily know that at this point in the series, so when Zuko not only doesn't leave without him, but goes to rescue him and even gives up his chance to capture the Avatar to do so, it's new information for the audience. We see this kid genuinely loves his uncle, and is even willing to sacrifice a chance at the thing he wants most in the world to save him. I think it's that moment that Zuko officially becomes a sympathetic character (It was hinted at with his refusal to kill Zhao and his clear happiness when Iroh praises him, but it becomes concrete here), since we still don't know his backstory yet.

When it happens in the live action though, it's not new information though, and not just because I've watched the original . It's because they never allowed Zuko to be really unlikeable. He's not that mean to Iroh in this version, it's clear from the beginning he loves and respects him. They even have the moment where Zuko sees Appa happen AFTER he's already risked his life to save Iroh, so there's no suspense, of course he's not going to abandon his injured uncle to chase Aang, we already know he'll put himself on the line to save him. It doesn't have any impact because the audience is never allowed to question whether Zuko cares.

And this hesitation to make Zuko be mean to his uncle has ripple effects on the story the live action is unwilling to deal with- it damages Iroh as the character and makes his actions not make sense. Because if Zuko actually listens to Iroh and consistently respects him, why doesn't Iroh just work harder at trying to get him to stop trying to please his abusive father, to stop hunting the Avatar? it seems like he'd be willing to listen with enough work. Live action Aang even questions this and Iroh just. doesn't answer him. Blows it off. As Big Joel points out in his video, it becomes a baffling moment.

But it's clear to me why he doesn't push Zuko harder in the cartoon. The idea that his father's love is attainable and he just needs to get it back, that he can capture the Avatar and regain the family he lost, that this is the right thing to do...it's pretty much what's keeping Zuko going. If Zuko doesn't have that, he might give up on life entirely. Iroh directly says this. 'the important thing is hunting the Avatar gives Zuko hope'. And Iroh knows if he pushes Zuko too much about this, Zuko won't hear it, he will lash out at him and probably leave him, just as he does in season 2, and then how can he help his nephew heal, give him support, and gently guide Zuko to do better?

This is especially demonstrated in the beginning of season 2 when Azula says Ozai wants him back and Zuko, so desperate to be loved, falls for her trap. Iroh tries to gently tell him that his father is not that kind of person, gently tiptoes towards "your father's love is not attainable" and Zuko immediately lashes out viciously, shuts down the conversation, and is willing to leave without him (though he's clearly ecstatic when Iroh does choose to come with him. ecstatic for him, anyway). So Iroh has to pretend to agree with him. to go along with it, all so he can protect Zuko when it does turn out to be a trap.

It's pretty easy to see the turning points in the show that cause Iroh he steps up and finally really try to push Zuko to stop hunting Aang, be a better person and find his own happiness. There's the end of season one when Zuko would have died trying to capture Aang if Aang hadn't chosen to save him. This is a wake up call for Iroh. It's definitely when Iroh realizes the fact it gives Zuko hope doesn't matter, because Zuko's fixation on hunting the Avatar is very likely going to end with Zuko dead. Zuko is so fixated on this he won't prioritize his own survival. This is directly confirmed by the show because Iroh brings it up later when he finally snaps and yells at Zuko to stop this. And there's also the aforementioned moment, where Zuko's desperation for his father's love leads him into a trap and they both have to become fugitives. I think this is when it sinks in for Iroh there's no happy ending for Zuko where he's welcomed back home, and this hope could lead him straight into danger.

(I don't know if this idea Iroh doesn't truly think hunting Aang is a good thing but won't push Zuko too hard about it because that would only shatter their relationship in the first season was actually what they had in mind while writing season 1, but I do think they made it track pretty well when they decided to make his character shift in season 2. )

So yes, Zuko being more amiable and respectful makes Iroh's dynamic with him not make as much sense, and makes Iroh seem much more baffling and callous, especially since the live action makes it very clear that Iroh believes capturing the Avatar is the wrong thing to do from the beginning.

But they don't care about story consistency, or building believable conflict, or writing coherent character dynamics, or allowing Zuko growth. No, the writers like Zuko, they don't want to risk the audience not liking Zuko, so lets remove a lot of his flaws, make his feelings toward Iroh warmer and more respectful because that's easier to watch and everyone liked how warm and loving he was toward Iroh at the end of season 3, so lets just skip to that. The cartoon trusted us to see the good in Zuko and root for him on his journey even if it was messy and sometimes painful to watch, but the live action doesn't, so it won't put in the work. And so his story becomes less meaningful and satisfying, and so Iroh's behavior stops making as much sense. I could easily believe the Zuko in the cartoon would betray Iroh out of sheer desperation to be accepted by Ozai, even as it wracks him with regret, but I wouldn't be able to believe live action Zuko would make such a decision. He's too nice! He never disdains his uncle!

Characters being allowed to do nasty, mean things even to people who love them and then grow to be better is important for writing believable stories and believable growth, especially when it comes to redemption arcs. But I've seen a reluctance to accept that in some writers and a lot of fans. Katara's moments of cruelty are removed (which fans were always less forgiving of than Zuko's hmmm i wonder why), Zuko's moments of being cruel to someone who loves him are removed, we have make it clear Iroh is good from the beginning and directly excuse Iroh's hypocrisy in sometimes prioritizing Zuko's happiness over like, the safety of the world and ending the war sometimes, rather than simply see him quietly develop to be better on that front. It sucks.

We have to be willing to be uncomfortable with characters actions and words sometimes without dismissing them as bad characters, and I....just want fans to consider that, and writers to consider that.

[weepingchronicles]

Hiii I’m new to your blog and omggg I’m in love 🥰

You said to request but I have too many ideas 😭

Yandere Zuko somehow getting the reader to fall for him, but he doesn’t believe her until she risks her life to protect him?

Orrr like a dark yandere aang???? Goes into the avatar state over trying to get her back?

Or honestly anything your write 🥹🤧 I’m a sucker for your stuff

ahhh you're so sweet! don't worry I love all your ideas! tysm for liking my blog <3 i decided just to do headcanons for this hope you dont mind

yandere zuko getting the reader to fall for him! tw/cw: yandere behavior, protectiveness, insecurity a/n: he's honestly a cutie patootie i cant lie

he's awkward... but determined!

his 'yandere-ness' is very toned down while he is pining over you and won't actually show until he is in a relationship with you.. at least not to your face!

now when it comes to making you fall for him, he is at a loss

not that you don't like him but he always seems to mess up when he's around you

like accidentally making your tea too hot and burning you because he was just so nervous speaking with you

or when you finally have a conversation with him and gives the same enthusiasm as "that's rough buddy"

he does care! just, doesn't know how to show it

so he seeks guidance from others..

sokka's advice tells him to flirt with you and show off his strength

he does try but he ends up accidently lighting something or someone on fire

uncle iroh tells him to make a romantic gesture, plan a date and drink tea

this plan actually works in the first bit until he realizes he is not very good at conversation and from the mishaps whenever he serves you tea- he decide this is a no-go

toph says to buy you things or whatever girls like but you never accept his gifts!

aang says to just be nice to you but he has a fucking panic attack every time you smile at him

his last resort is katara who begrudgingly tells him to be himself and just tell you how he feels

and he does

you accept his confession much to his(and everyones surprise)

but he doesn't believe that you actually like him? i mean, everyone in his life besides his uncle hates him or used to. what if this is just a ploy and you're secretly making fun of him behind his back?

because of his insecurities, he slowly distances himself away from you. he finally got what he wanted but it doesn't feel real, just yet.

that is, until one day, azula comes back and is looking to hurt.

fights happen but azula gets the better of zuko.

she's right about to give him another burn to the face until you step in.

whether you're a bender or not, you risk your life to save zuko.

zuko is amazed and almost in awe

someone really cared enough to save his life and out of all people, it's you!

he doesn't know why he never saw it before but you really do love him!

and he's going to make sure that you never forget that he loves you back.

after defeating azula, you both escape very injured but zuko isn't worried about his wounds, only you.

you tell him that you're fine and that it was worth it to save zuko

but seeing you hurt... it triggers something in zuko, a rage that makes even his skin hot to the touch.

he promises that you'll never get hurt in his care, ever again.

[prying-pandora666]

The Real Reason Azula Smirked When Zuko Was Burned is…

A lot of ink has been spilled over why Azula smirked when Ozai burned and scarred Zuko.

Some argue whether Iroh’s flashback was reliable. Let’s assume for the sake of argument—as uncertain as it is in canon—that it happened exactly as Iroh remembers and describes it.

How could an 11 year old child smirk while her brother is burned and brutalized in front of everyone?

There are many conflicting arguments.

Argument 1 - She’s a monster.

Some say she is a sadist or a psychopath and it’s as simple as that. She just enjoys watching her brother suffer.

But this doesn’t track with what we come to learn about her later, and is outright contradicted by materials that actually give us insight into her POV such as the comics and novelizations, as well as writer interviews.

The novelizations which were written contemporaneously (and thus aren’t a retcon) show us an Azula who cares about Zuko, even though she’s competitive with him and jealous that mom favored him. She thinks Zuko is weak and brings misery upon himself and she is willing to turn on him to protect herself. Yet she still wants to help him get stronger and take his place as Prince. She still wants his love. She takes the risk to lie on his behalf at Ba Sing Se for him. She didn’t suspect Aang had survived until later.

The comics take this further, showing that in Azula’s ideal world, Zuko was never banished or burned at all. He is happy and loves her and isn’t abused or scarred.

Even the head writer who designed both Zuko and Azula’s arcs claimed she loved Zuko more than anyone except their father.

So then what is it?

Argument 2 - It’s A Coping Mechanism

Some point to “Identification with the Aggressor”, a well documented psychological coping mechanism in which victims of trauma—especially children who are especially malleable and vulnerable—will mirror their abuser and conform to their ideals in an attempt to stay in their good graces and be spared. This isn’t always a conscious decision either, it’s often done subconsciously, which only confounds this further.

I’ve written more about this and how it pertains to Azula here.

However, outside the the knowledge that this is common in abused children and Azula’s behaviors meet the criteria, we don’t have any direct confirmation that this is the case.

Argument 3 - She Is Brainwashed

Others point out that every adult in the room is complicit in this act if not outright enjoying it in the cases of Ozai and Zhao.

Azula is a small child that’s been brainwashed from birth to believe this is right. After all, Ozai is their unquestionable despotic leader as well as her only remaining parental figure. Why would she question? How would she even know this is wrong if she’s been taught this is right by everyone surrounding her?

Does she even understand the full impact of what is happening here or does she think this is Zuko getting his comeuppance for being “weak and lazy”, with no concept that he’s actually being scarred for life and is soon to be banished? After all, not even jolly Uncle Iroh is objecting or moving a finger to stop this. He only looks away.

This is supported by the fact that Iroh laughed about burning Ba Sing Se to the ground even as he was killing them. Zuko and Azula both laugh at this joke and Ursa doesn’t chastise them. She only smiles. Clearly this kind of violence is normalized in the Fire Nation.

We also know Azula attended the Royal Fire Academy for Girls, which in the Kyoshi novels we are told is quite violent and that it wasn’t uncommon for adults to encourage students to duel on Agni Kais. Students sometimes died. So there is reason to suspect this is a product of her culture.

Argument 4 - She is Faking It

“Azula always lies” they say. She is shown to be an excellent liar, but more importantly that she represses her vulnerabilities and feelings.

This is shown when Toph tries to sense Azula’s lies only for Azula to completely repress any reactions and prove Toph can’t determine when Azula is being truthful.

The Beach gives us a more sympathetic example, showing us an Azula who empathizes with her brother and tries to cheer him up when he’s sitting by their old family beach house in depression. She calls him to join them at the shore, and then proceeds to walk all her friends and Zuko through their traumas with surprising gentility.

When it’s her turn however? She dismisses her own trauma with a flippant joke. Masking the moment she starts to feel emotional about it.

It’s even shown when Zuko makes Ty Lee cry by calling her a circus freak. Initially Azula laughs, but when she realizes it’s upset Ty Lee, Azula’s face changes to one of remorse and sadness. However, the moment Ty Lee turns to look at Azula, Azula quickly hides this expression and masks it with a look of indignant petulance.

Azula does indeed seem to fake negative reactions to hide her vulnerabilities.

Argument 5 - It’s a combination of 2-4

Perhaps there is some truth to all of what we have seen in arguments 2-4. Azula is clearly brainwashed and does identify with her abuser to the point of being inappropriately enmeshed with him and suffering total ego fragmentation when he discards her. She does repress her emotions until she finally unravels. She was also quite young when this show happened and it’s possible she didn’t know just how serious it was all going to be.

But consider this…

Still that isn’t enough for detractors, who claim that even given her environment and the circumstances, it’s still too sadistic and cruel for her to grin here. That she should’ve shown some outward sign of disruption.

If you are or ever were one of these detractors, let me ask you this.

Did you feel any sympathy when Azula fell apart, uncomforted by her newly granted power, arguing against her own conscience in the form of her estranged mother, telling her that her methods are wrong? When Azula replied “what choice do I have?” did you feel any remorse for this child who had been exploited for her skill and groomed into living weapon by her power-hungry father, with no regard for her psychosocial development or emotional wellbeing to the point she cannot even relate to kids her own age normally? Did her desperation to use fear and control to keep others close because she knows no other reliable way, because such skills are taught and she’s only ever learned manipulation and coercing and fear, showing us exactly what Ozai uses to control her just as used violence and estrangement against Zuko, move you?

When she laid broken and sobbing and screaming at the end after Zuko and Katara “put her in her place” as Zuko put it, did you feel any pain in your gut?

Or did you cheer?

Were you glad to for her to get her comeuppance?

Did you feel justice was served and Zuko triumphed that day?

That he was right, he could “take her” by exploiting how “off” she was aka her mental illness and spiral into psychosis?

Because if you did, then you know exactly why a person would smirk while watching someone who needs help get brutalized.

If narrative framing can persuade you to believe that an unloved, mentally ill, abused and exploited child soldier being brought to sobbing, screaming, chained up, broken tears… is the RIGHTEOUS result! Imagine what a lifetime of propaganda from birth and programming from your own father with no one to show you another way would do to you.

Why did Azula smirk while Ozai burned Zuko?

You already know the answer.

[melzula]

REQUESTS ARE OPEN !!!!! okay this has been a long time coming for me but would you be open to doing a general iroh and kya’s daughter wedding piece ? i feel like that’s the only part of their relationship we haven’t seen !

a/n: was so excited to get this request bc i love these two so much!!!

~ based off of these headcanons ~

“You look beautiful.”

“I think I’m going to puke,” you utter with a nervous laugh, anxiously fidgeting with the ceremonial pins in your hair that you just can’t seem to get straight.

Sighing, Kya carefully pushes your hands away before adjusting the pins herself. The golden ornate pieces had been a gift from Zuko, said to have belonged to his late wife and worn on their own wedding day, and though you were grateful for the thoughtful gift you also felt that an immense amount of pressure came with them. Marrying Iroh meant you’d officially be part of the royal family now, and a part of you was worried you wouldn’t be able to live up to the expectations that came with that.

“It’s normal to be nervous,” your mother consoles, stepping back to admire her work once the pins are set. “Today is an important day and the start of another adventure for you, but it’s nothing you can’t handle.”

“I don’t feel like a real bride,” you admit in an almost defeated tone. You stare at your reflection in the mirror and find yourself carefully brushing your fingers against the crescent moon hanging from your neck. The coolness of the stone against your fingertips brings a sense of comfort to you, but it doesn’t relieve you of your nerves.

“Are you having second thoughts?” Kya asks with a worried furrow of her brows.

“Of course not!” You’re quick to interject. “I love Iroh, I can’t imagine a life without him anymore.”

“But?” Your mother prods.

“But… What if I’m not good at being a wife? What if I’m just not… not good at all. He’s the General and the son of the Fire Lord. What can I give him that he doesn’t already have or that he couldn’t get from a Fire Nation woman here?”

Smiling faintly, Kya gently takes your hands in her own and gives them a comforting squeeze. “That boy loves you more than you could ever know. I see it in his eyes and hear it in his voice when he speaks about you. I wouldn’t have given him my blessing if I wasn’t one hundred percent sure of this. Don’t compare yourself or waste your time wondering about all the what ifs. All you have to do today is focus on Iroh, and everything else will take care of itself.”

You let out a shaky breath and blink back your tears before throwing your arms around your mother in a tight hug. You know she speaks the truth, and her comforting words greatly ease your anxiety. You’d fallen in love with the boy from your childhood, and he’d fallen just as hard for you if not harder. Despite being apart for so many years you’d found your way back to each other and helped one another find the missing piece in your lives. You and Iroh are simply meant to be, and your wedding will be proof that.

A gentle knock on the door has you parting from your mother, and as Bumi sticks his head in the doorway you smile.

“It’s almost time, kiddo,” he says with a grin. “The general’s going to get his socks knocked off when he sees you.”

“Thank you, Uncle Bumi,” you laugh tearfully before allowing him to hug you tight. You don’t know this, but Bumi has always felt a sort of paternal love for you. He was the closest thing you had to a father growing up and you were the closest thing he had to a child, and like your mother he felt so much pride and love at seeing you so happy. He knew you were in good hands, and that was more than enough for him.

“Are you ready?” Kya asks with an encouraging smile. Sucking in one final nervous breath, you nod before taking her arm and beginning your walk to the palace gardens.

In the courtyard a handful of chairs are set up for your intimate ceremony. Only close friends and family are invited, neither you nor Iroh wanted to make a grand spectacle of your marriage, so you decided to hold your wedding in the gardens with his mother Izumi as your officiant.

At the end of the makeshift isle, Iroh stands in his uniform with a fire lily delicately pinned to his lapel. He shifts anxiously from one foot to the other eagerly awaiting for your arrival. He’s been looking forward to this day ever since he proposed to you, and he can’t wait to finally make you his wife after all this time.

“You make a handsome husband, son,” Izumi compliments from her place beside him. “It brings me great joy to see you so happy.”

“Thank you for agreeing to officiate the wedding, mother,” Iroh expresses gratefully.

“I knew it was a matter of time before you two fell in love,” she notes with a careful smile. “I know she’ll make a wonderful wife.”

Beaming with pride, Iroh’s gaze falls upon the garden gates where you finally emerge. Arm linked with Kya’s and with a bouquet of flowers in the other hand, you make the most radiant bride Iroh has ever seen. Your gown flows elegantly behind you as you walk, your hair sparkles from the sunlight hitting the pins, and your smile is enough to take his breath away. He can feel himself beginning to tear up, and it takes everything in him not to rush towards you and take you in his arms himself.

Kya hugs you tight once you reach the end of the isle, doing her best to keep her tears at bay before letting you go. Carefully tucking a stray strand of hair away from your face, she smiles before handing you off to Iroh.

“Take good care of my daughter,” she whispers before chastely kissing his cheek.

The butterflies in your stomach are quieted when you finally reach Iroh. Nothing else but him matters in that moment, and as his golden irises stare into your own you find yourself falling in love all over again.

“You look so beautiful,” he whispers with a tearful laugh.

“So do you,” you smile, carefully wiping your tears so as to not ruin your makeup.

Your ceremony goes without a hitch, and when Izumi officially proclaims you as husband and wife Iroh gracefully dips you before giving you the most passionate kiss you’ve ever experienced. Your family and friends cheer and applaud, but it all fades into the background as you grip his sleeves and melt into his touch.

“I can’t wait to spend forever with you,” he professes earnestly after parting from your kiss.

“Forever and always,” you agree breathlessly before pulling him down by his collar for another kiss.

| atla tags: @nataliahaslosthershit @sirkekselord @chronic-daydreamer @niktwazny303

[raven-at-the-writing-desk]

Lilia please impart some sage wisdom to Fellow like how Uncle Iroh gave advice to the one guy that tried to mug him in Ba Sing Se. He fr needs some guidance counseling

I wrote this one while running on like 4 hours of sleep so I’m sorry if this doesn’t make sense 🤡

So tell me, do you wanna go?

Fellow nearly leapt out of his own skin at the figure that descended, upside down, from a tree. They were short, with choppy bangs streaked with magenta, his irises the same bright color, his vest a neon green. But youthful as the student seemed, his voice was as ancient and as deep as a starry night sky.

“Do my eyes deceive me?” Lilia drawled. “If it isn’t Fellow and young Gidel. It has been quite some time. How goes it? I certainly hope you boys have been behaving yourselves.”

"W-We've been just fine and dandy, I assure you!" Fellow instinctively took a step in front of Gidel. He provided the broadest smile he could muster in that moment. "And you've been in good spirits as well, I presume?"

"Oh, I'm fit as a fiddle, as you can see." The fae swung, righting himself and expertly landed beside Fellow. Gidel clapped, as if applauding a acrobatic performance, but stopped when Fellow shot him a withering look. "Now then, what brings you to our side of the island, hmm? Surely you're not simple tourists."

"Call it temporary residence."

"Temporary residence!" Lilia echoed, his eyes set glimmering like jewels. "My, that takes me back. I was a globe trotter back in my day too, you know. Lived the nomadic life, going wherever the wind took me."

Fellow stared at him as though he had just sprouted a third eye on his forehead. This guy's got a baby face, but he's talkin' like an old geezer... (If Lilia noticed, he wasn't bothered and continued, unfettered.)

"It's wonderful to meet new people and to experience new cultures," he said dreamily. "You learn so much, even from the humblest and most simple of folk. And such interesting stories they shared, kufufu. I’d like to depart on another trip, but I’m afraid school’s got me preoccupied.”

Fellow found himself frowning. He scanned Lilia up and down—the smart uniform, his high-waisted pants, shoes polished. Neat and sweet, likely another privileged kid vacationing on daddy’s dime.

When you’re poor, they call it trashy. When you’re rich, they call it ‘taking time off to discover yourself’.

“Must’ve been real nice for ya,” Fellow muttered under his breath. The brim of his top hat fell down, eclipsing his grimace. “You can choose to stay put or leave for a new place whenever you want. It’s not really an option for us.”

“Ah, but it’s not about the frequency of travel but what you gain from it.” Lilia lifted an index finger. “For example, did you know that sleeping with an uncovered mirror directly at you is bad feng shui in the Land of Crimson Long? They also have an awe-inspiring tale about a woman that took her father’s place in the military and saved the whole country.”

Gidel listened to him intently, ears perking up.

Lilia noticed, his mouth quirked. “Oh? I trust you’ve yet to visit. You should sometime, it’s a lovely place.”

“Maybe one day, though we never stay for too long. The locals, as you can probably imagine, always come to realize they aren’t fans of us.”

“If you opened your hearts to them, then surely…”

“We don’t have that luxury,” Fellow replied, a bit of ice to his words, “unlike you. The world isn’t that kind to us.”

Lilia quieted. His expression shifted, turning several shades more serious. “… Oh dear. I knew a man like you once. He was lost too. Angry, confused, despairing—and lashing out at the world and the people he believed had wronged him, denied him happiness.

“One day, while wandering in the darkness, he came upon a patch of moonlight. It lit the way and led him out of the thicket he had been trapped in for so long.”

That man was…

Lilia smiled softly.

“We cannot turn back time, but we can make the most of what we have left. If I may ask just one thing of you… live on. Look for that moonbeam in the night, that what brings you happiness. Protect it, treasure it, nurture it—so that it may, someday, see the sun.”

Lilia gave a gentle nudge to Gidel, causing the boy to stumble. He caught Fellow’s arm to balance himself.

“And if you can do that for one person, then it’s possible for you to do that for everyone. This world needs more love… not war.”

Fellow shook his head indignantly, but he supported Gidel by the back all the same. “I don’t get a lick of that. Love, war… whatever it is, it’s not my problem. We just gotta get by.”

“Someday, you’ll understand,” Lilia said with a terse laugh. “For now, I think you’re doing absolutely fine as you are. You’re the dynamic duo, never one without the other.”

Fellow smirked, his canines proudly protruding. “Hmph. You’re damn right we are.”

[rifari2037]

To me, no, they're not.

It's not like Zuko wanted or needed an ideal little sister in his main arc. Whether he had an ideal sister figure or not in his journey, it wouldn't change his storyline at all.

Did Zuko sad or hurt toward Azula after she lied to him and made him a fugitive?

No, he didn't.

Did Zuko sad or hurt toward Azula after she said, "I'm about to celebrate becoming an only child!"??

No, he didn't.

Whatever bad things Azula did to Zuko didn't make him sad or hurt, meaning that the ideal little sister wasn't something Zuko had in mind.

So, having another character to be the ideal little sister for him would be pointless.

And unless you denying what's on the show...

These 👇🏽 scenes not at all siblings would do, or it would be so cringe. You can't imagine Sokka put a betrothal necklace to his sister, or Azula touch his brother's face with thumb on his lips.

These 👇🏽scenes also didn't show how siblings would do (at least on the show), since Sokka and Suki, the canon couple, did the same thing.

Just like this scene 👇🏽didn't show how siblings would do or see each other (at least to me), as it depicts couple in other show.

Beside, how could Katara possibly be the ideal little sister for Zuko, if they couldn't avoid the boyfriend/girlfriend allegations?

- and they always denied it like teenagers hide their feelings.

And I don't think Toph is an ideal little sister for Zuko since they weren't that close to each other. I don't even think Zuko knew her name!

Okay, I know Zuko and Toph had a deep conversation in this scene 👇🏽, but they were talking about Iroh and not his sister.

Isn't that enough to show that he always thought about 'ideal father', not 'ideal little sister'? After all, when Toph tried to open up to Zuko, he ended up shutting her down.

Zuko never showed implicit nor explicit something like, "if only I had a little sister like her...", or "if only my little sister act like her...", or acted brotherly towards them.

It was so different from the way he wanted love from his father. His father figure affected his story a lot. It was the reason he obsessed catching the avatar, it was the reason he betrayed Katara, and it also the reason Zuko realised that his destiny was to help the avatar.

Zuko's needed and wanted an ideal father, he found that from Iroh, showed explicit and implicit on the show.

Zuko : After I leave here today, I'm gonna free Uncle Iroh from his prison and I'm gonna beg for his forgiveness. [Cuts to shot of Ozai.] He's the one who's been a real father to me.

Iroh : [Close-up.] I was never angry with you. I was sad because I was afraid you had lost your way. Zuko : [Side-view of the two.] I did lose my way. Iroh : [Releases him.] But you found it again. [Frontal view.] And you did it by yourself. [Frontal view of Zuko over Iroh's shoulder.] And I am so happy you found your way here. [Side-view. Hugs him again.]

Iroh acted like a father to Zuko, as if he was making amends to his dead son. And Zuko needed a father figure like Iroh to guide him on the right path.

I don't think there's any need to force other characters to be an ideal sister that Zuko didn't want or need for his arc.

[demaparbat-hp]

Even if zuko has a plan to end the war, making katara work amongst people who likely hold racism towards her and aided and supported the genocide of her people is still weird, especially since zuko benefits from the fire nations oppression of people throughout s1 when hunting the Avatar. Not good choices to make in a zutara au :/

Believe me, I've made these arguments against myself over and over again.

I know I'm putting Katara in an extremely difficult and unjust position in this AU with—from an outsider's point of view—little to no reason other than "I just wanted to see her in Fire Nation armor and kicking ass" and no consideration for the context. I'm not trying to somehow forgive nor redeem the Fire Nation's actions in war just because...well...just because. Not at all. People who've read Soundless (or any other of my wips, really) know that's not the case. On the contrary—I always do my best to see the war through a realistic, mature lense. And that includes everything that makes the Fire Nation so terrible in the first place.

That being said, there are some things I considered when deciding to make Katara side with them (even if her true motives lie elsewhere) in this AU. And they are not excuses. Just, different layers of context.

First of all, she was desperate. By this point in her life, her mother was dead, her father had left to fight the war, her brother followed behind a few years after, and she was left filling the empty spaces when, by all means, she wasn't ready for the responsibility. She had been feeling helpless and hopeless for years, and ached to do anything to help her people beyond doing chores and taking care for the children.

Let it be known that Aang's apparent betrayal comes from a place of trauma and misplaced anger on Katara's part. Much like how she put the Fire Nation's sins on Zuko's shoulders in S3. She is not on the right here, but this is her natural way to process and understand grief. There are many different aspects of her development as a child involved in how she views the Avatar—and, by extension, Aang—but more on this later.

Katara was young, and reckless, and she had just been "betrayed" by the first person who ever looked at her and saw more than the perfect caretaker she was forced to be. She was not in the right state of mind to make a decision like that and, to be honest, she couldn't have predicted the consequences. She saw a clear path to contribute to the end of the war, and by La she would take it.

On Zuko's end, you might argue that he should have known better than to let her join him and, well, you would be right. But there were many things about Katara's trauma response and state of mind that—unless he had known her for a long time—he couldn't have known. He will definitely blame himself later on, when the racism and cruelty towards Katara begins, and especially when word reaches her family at sea.

It's Katara's job to smack some sense into him from time to time and tell him that, yes, he should have tried harder to stop her (and she would probably be better off because of it) but what's done is done. And, by all means, the decision was hers to make. If anything, it's their fault, not his alone.

Now, Katara doesn't suffer the entire AU. That would just be cruel.

Zuko's crew was handpicked by Uncle Iroh, so you can expect dissidents, traitors and a few White Lotus agents who were smart enough to keep their true opinions quiet. There are...mixed opinions in that bunch, of course, but that's expected and, to be honest, rather easily dealt with. They are mostly honourable people just doing their best to end the war from the inside.

The real problem comes when they cross paths with, say, Zhao's fleet (or Hakoda's, let's be real).

And you may ask why Zuko is hunting down Aang, then, if he's secretly a goody-two-shoes himself... I'll explain that later in depth, so stay tuned.

In short, I know the decisions I've made, as a creator, are debatable at best, and downright blasfemous at worst. But they're deliberate.

I want the readers to feel conflicted about Katara's choices in this AU. I want people to have mixed opinions about the war, the (apparent lack of) morality, the characters, you name it!

I'm not trying to glorify a victim of war joining the side of the ones responsible for her people's genocide, even if it's just for show and she's actually set on destroying their government from within. Not at all.

Katara made a stupid, horrible decision, and she's going to suffer the consequences. But she's also going to fight to reach her goals, because she's stubborn like that.

I know most people may have a little trouble understanding where I'm coming from, because they don't have all the information necessary to make a full opinion.

I'm really thankful for these kind of asks. They let me explore these concepts and AUs in depth, and see what you think about them. I'm only human—my opinions are not infalible, nor The Right Ones, and this is a kind of discussion that I love to have.

So, keep the asks coming!!!

[discordiansamba]

more scattered thoughts about the jazz era atla AU:

I think Yue should get to learn how to make bombs. as a treat. yes she is working together with two forces of destruction (zuko and toph) but never underestimate the power of a good bomb.

zuko and toph did not ask this of her. she just learned it all on her own.

lee from the tea shop of course, is sporting the classic Tea Shop Era Zuko haircut. he keeps it super short because he's a lot less recognizable this way.

in spite of actively trying not to be recognizable, zuko actually does not fully grasp how unrecognizable he is to people who knew him prior to his life as lee. azula looks at the wanted posters of 'lee' and only gets the faintest feeling of recognition.

ozai and azula know that zuko was injured in the attempted coup, but they don't know how specifically he was injured.

speaking of injures- iroh has burn scars on his back.

zuko's spent a lot of the past four years ignoring he own needs and wants. the attempt on his life by his own family really fucked him up, but he also has a deep sense of survivor's guilt since lu ten died protecting him. before he met toph, he basically never even made time for himself- he was always either helping his uncle or doing blue spirit stuff.

(iroh senses this. he saves up and buys his nephew a radio, because he knows how much he enjoys radio dramas.)

meeting toph changed that a little. toph coaxed him into making the blue spirit much more theatrical- the showier he is, she says, the more eyes will actually be on the fire nation and the more questions might end up raised. really she just thinks he's in desperate need of a way to blow off some steam. and what better way than violence?

(the tattoos are the first thing zuko really did for himself after the coup. he's not stupid. he knows how risky they are. but getting them with toph was actually fun.)

to team avatar, toph is a refined young lady who only occasionally has a bit of a potty mouth. they know she's an earthbender, but she hides just how good she is from them.

sokka actually starts to suspect something is amiss with the fire nation even before they learn the truth from zuko. it just feels like there's a few things that aren't adding up, but he doesn't have enough clues to actually start to piece things together.

despite the blue spirit's reputation as notorious terrorists, zuko tries to actually keep any casualties to a minimum... which does not mean he and toph never kill anyone. they're 100% killing people. they just try and keep it targeted.

this is something they'll never be able to see eye to eye with aang on- although he does understand why they feel they have to go that far- especially in zuko's case.

team avatar can't exactly openly work with zuko after the truth comes out- he's a wanted man. but they do start to quietly coordinate with him. aang wants to just expose ozai right away, but it is unfortunately not that simple. there's no real proof other than zuko's word. even if they expose one of the factories, ozai can simply claim that it's the fault of a rouge general- much like zhao's actions at the north pole.

if iroh got his memories back, though...

(they are starting to suspect that zuko doesn't want iroh to get his memories back. he's so afraid that lu ten's death will destroy him. lu ten, who again- died protecting zuko.)

ozai will eventually quietly hire combustion man to kill the blue spirits- and if he can take out the avatar at the same time, well. that's just a bonus. :)

[linkspooky]

Hey, since you said it was fine to send asks, and it will take me a while to comment the recent chapters, I'm taking this as my chance to proclaim my love for Li. Like go off lil' one, act as an abused child lashing out instead of the miniature saint your sibling described.

Jokes aside, I guess she's based on the popular fanon interpretation of Azula as a 'psychopath'? After seeing your post about Lio, I'm really curious about what went in her creation, and can't wait to see how she is in present day and how she will interact with Azula and the Gang. If she's still alive. Especially because I don't really take Azula's visions as gospel truth, but neither Lio's tales so I really want to see if the real Li swings more on one side or the other or if both versions are true at the same time.

Kudos for making such interesting OCs and intricate plots!

Thank you so much for the ask! Your comments gives me so much motivation to write.

I'm glad you like Li, here's some concept art from @oakyvii of the siblings Li and Lio. You are one hundred percent correct that Li is just fandom Azula.

Specifically the tendency of people to try to armchair diagnose Azula with some form of aspd or sociopathy in order to invalidate the abuse she faced as a child and how it played a role in shaping who she is. The popular "Azula sets turtleducks on fire" headcanon that's not substantiated in the show whatsoever.

The way that these bad faith interpretations want to use Azula's mental illness as a sign of some sort of internal wrongness in her. Proof she was always bad from the beginning, because as a child she was a little bit off-putting and demonstrated low empathy.

One of my biggest objectives with this blog is deconstructing "Good Victim / Bad Victim." I believe the origin is a lot of those armchair diagnosis of Azula is that people want to downplay Azula's victimhood in comparison to Zuko's. Instead of making Azula and Zuko both victims who react differently to the same abuse because they are different people, and there's no right way to react to the abuse Azula was just a psychopath all along. People want to make Azula into a mini-ozai who was like that from the beginning.

It sort of runs contrary to the whole idea of Zuko's redemption arc, because instead of Zuko having to work hard to be a better person every day of his life. To make this narrative that Zuko was innately good all along, just misguided and Azula was a sociopath who lit turlteducks on fire at the age of eight. Zu

Good and Bad Victim is bad because it assigns moral values for how people react to trauma, and usually the people who are assigning that value are people who've never been under the same trauma. Therefore it creates this expectation that people have to endure pain with saintlike in patience. If you're a victim the moral thing to do is to shut up and take it, and definitely do not make a fuss for any one else. Good victims can only express their victimhood is socially acceptable and easy to understand waysTM otherwise they're not worthy of human empathy.

This rant is pertinent to Zuko and Azula, because while Zuko does sometimes react to his trauma in ugly and violent ways he's still pretty easy for the audience to empathize with. In the first season he's incredibly incompetent at being evil. Even in season one when he's a straight up antagonist he's part of a charming comedy duo with Uncle Iroh. Zuko can be angry and violent and treat his Uncle and crew poorly, but he never like kicks puppies onscreen or anything. He's marked as the brooding, byronic character, but he's no Heathcliff. He's not even really Spike or Sasuke, he doesn't hurt a beloved character. He never does permanent irreversible harm to a named character. Even Catra from SPOP helps kills Glimmer's mom.

Compare to Azula who in her second episode burns the net underneath Ty Lee tight rope for daring to say no. Ty Lee is someone who both the audience considers a friend and the audience likes, so Azula's treatment of her is incredibly hard to swallow.

Even if you look at the way Zuko is when he's young, in Zuko alone he's made out to be a classic underdog, a soft, put-upon young boy who's desperate to impress his father. Whereas in the same episode people diagnose Azula as a born sociopath because she at eight years old, is already acting like daddy's little child soldier. Nevermind that Zuko, Azula and Ursa all laugh at the burning of Ba Sing Se together. It's easy to empathize with Zuko being a sad, underdog who wants his father's love. It's a bit harder to wrap your head around Azula's disturbing unchildlike behavior even if she's a product of her environment too.

That's actually what I liked about Toya's character in MHA. That Toya is the bad victim of the Todoroki family. That he's incredibly unlikable. He's not a big brother who secretly cares about his younger siblings all along. He's a selfish monster that demands his father's love and will do anything to get it. He was considered the problem maker in his house as a kid, he made a fuss and made things worse even though everyone was telling him to shut up. He yelled at his mother and didn't sympathize with her as much as Shoto did. He was in too much pain to notice everyone else in the house was suffering too.

(That's actually what I like about the Zuko and Azula sibling dynamic too, that Zuko isn't a magically forgiving big brother, that he holds a grudge about Ozai and Azula's treatment, that it's messy on his end even post character development).

This is why I introduced Li into the story, to make a character out of "Fandom Azula" or the way people want to characterize Azula as a sociopath so they don't have to acknowledge her victimhood.

There's one more character Li is based off of, or two more characters really. You could say that Li is based off of fandom Katara. That the fandom has a tendency to simplify women into either wholesome or toxic, nurturing figures or poisonous women. Li is partially based off of that heartbreaking line where Sokka says (I'm paraphrasing) "I can't even remember what my mom's face looks like, I just remember Katara."

Or rather, my idea for Li came from the concept of what if someone was forced into the role of playing mother to take care of the emotional needs of someone else and they got sick of it. What if the emotional labor of having to care for your brother, when you're still a child yourself exhausted you, took everything from you until there was nothing left. Like the darkest possible interpretation for Katara having to step up and parent her brother when their mother died and Bato left for the war.

The reason why Lio is so overprotective and emotinoally dependent on Li, is that Li is practically the one who raised Lio in the place of their missing mother. Li is a parentified child, and all of her problems stem from being a first born daughter expected to be a mother to a brother who's only two years younger than her. Li is also much worse off than Lio since she's illegitimate in court, but she's always had to suppress her own feelings and push her feelings aside in order to take care of her brother's feelings first.

Lio and Li's relationship is a direct mirror for Zuko and Azula's. Both Zuko and Lio don't see their sisters as people. Zuko swings wildly between demonizing his sister as the bad one because she's always had Ozai's favor and he sees Azula as an extension of Ozai's abuse and also putting her on a pedestal for her talent and envying her for it. Whereas Lio pedestalizes their sister as well, by making her out to be a perfect saint. Lio seems to love their sister more, but neither of them seem to see their sisters as fully realized human beings separate from themselves. Lio doesn't even mention Li's name when they're ranting at Zuko, they just call Li "my sister" because that's all they see Li as. An extension of themself.

Li is based off of one more character and that's Tsumiki Fushiguro from Jujutsu Kaisen. If you haven't read Tsumiki is the big sister of one of the main characters. Despite protecting her being Megumi Fushiguro's main motivation, she literally never appears onscreen once, she only ever appears in her brother's flashbacks, and then is brutally butchered by the main villain and fridged for Megumi's character development.

I thought Tsumiki was a missed opportunity because we never got to learn who she was. Megumi put her on such a massive pedestal as his ideal of what a good person was, the person he lived to protect, but in the end she was just a sleeping beauty figure. It didn't matter who she was as a person to Megumi, she just needed to lay there in bed and be helpless so Megumi could continue to play fairytale knight.

I thought about what kind of effect would having your own brother put you on such a big pedestal have on you? What would Tsumiki think about her brother objectifying her? About her brother making the entire reason for his existence protecting her, but not really caring about who she is as a person?

So I decided it would be interesting if Tsumiki wasn't actually that good of a person at all. She never was, that was just Megumi's projection of her. What if he jsut wanted to make her into some like Madonna-like figure, or some pure princess in need of protecting? What if Tsumiki strangled cats when no one was looking? How lonely would it be for Tsumiki if she knew her brother loved her very deeply but the person he loved, wasn't her?

That's basically where the original concept of Li came from. That eventually morphed into making Li into Fandom Azula. She sets turtleducks on fire and strangles cats when nobody's looking. Not only is she a joke about fandom Azula, but she also in story foils Azula by being the monster that everyone thinks Azula is.

Azula tries so hard to deny her own humanity, but Li is just that way naturally. Azula can't go all the way into making herself a weapon, because she isn't Li. She's torn up and broken on the inside because she does feel guilt and know on some level she was wrong. She probably wouldn't have had her mental breakdown if she wasn't capable of feeling guilt like she is. Ursa in confronting Azula in the mirror also points out Azula knows that the way she treated Mai and Ty Lee by trying to control them with fear was wrong, Azula just wont' admit it.

Other people see Azula as Li. Azula tries to be cold and unfeeling like Li, but when faced with the real deal she finds Li to be incredibly disturbing. o the point where eight year old Azula, who was a little bully and good at getting her friends and her brother to do anything she wanted doesn't know what to do with Li. Li's just too offputting to her once she reveals her true nature, she's an unfeeling, dead, thing and Azula doesn't want to be like that.

So yes, Li is fandom Azula. She's just genuinely a sociopath. Now the challenge is to make you guys like her even if she's just a flat sociopath, and I hope I succeed!

[seasideoranges]

S1, S2, S3, or post canon zukka?

ooo this is fun! gonna go over all of them haha. S1: This one is pretty fun and underrated in my opinion! I adore S1 Zuko, and Sokka, my beloved grump, is at his peak asshole behavior in this season, which I love, so seeing the dynamic of those two together is real fun and can be quite comical. Whether you chose the more 'canon' route, or a non-canon route where Zuko joins the Gaang early (either by choice or by force due to whatever circumstances), it can lead to a lot of hilarious moments seeing Zuko try to navigate around Sokka, Katara and Aang.

S2 and 3: Putting these together because these are pretty iconic and what you see the most when looking through Zukka works. Ba Sing Se is such a fun environment to write/draw about, and with this you get teashop Zuko + more Blue Spirit Zuko, and pairing that up with Kyoshi Warrior Sokka leads to so many fun high jinks, and it's even better if you throw in Jet, the Dai Li, Suki etc. Again, I love the trope of two characters who hate each other being forced to work with each other, so it's really enjoyable writing S2 Zukka having to work together. Then you have S3 - OBVIOUSLY great. You have Zuko finally with the Gaang, having fun banter with Zuko, the Boiling Rock - it's just a great time all around. Post Canon Zukka: Now THIS one is my favorite! I enjoy exploring Zukka, and the rest of the Gaang, the most when it's post-canon. I really like thinking about how they would handle the world after the war, the politics, their traumas, how they interact with the people around them - it's just. SO damn good. It's interesting because I wouldn't exactly call Post Canon Zukka 'underrated'. Tons of Zukka works take place post canon, and you see the trope of Ambassador Sokka, which is really popular. But when you start getting towards the LOK-era, I barely see any Zukka works based in this era, which bums me out because there's so much potential! But it also doesn't surprise me much since people are pretty harsh towards Korra and don't like to explore this era much. I love middle aged Zukka. I love seeing them get together when they're older. I love the Gaangs kids and seeing them interact with each other (Uncle Sokka supremacy over here, get out of the way Iroh your time in the uncle spotlight is over). Izumi and Sokka is so fun to explore, and it always leads to a good time, I love seeing Sokka plan out pranks with Izumi and watching those two get up to no good. I ADORE GRANDPA ZUKKA HELLO!! GRANDPA ZUKKA IS SOOO FUNNY AND CUTE I need these grumpy old grandpas now!! Throwing in three Zukka fics I really enjoy that are based in this era! Everyone Who Left Us We Find Everywhere by @sulkybender, Your Love, So Sweet by verdanthoney, and Everlast by @syciaralynx!

[zutarasbuff]

My connection with Zuko & Zutara

I’ve always been so passionate about Zuko and the way his character has layers of complexity within the show. It is said that art inspires life. People often accuse Zuko stans of “having a lustful attitude toward a fictional character as the girls simply want him for his looks”. I believe it’s not the case. This is something I have always kept in my heart.

My reasons for being a part of the Zuko fandom are not just based on the show but on a personal level as well. Zuko helped me in coping with some of my worst nightmares, the trials that I believe were the hardest. One of my friends mocked my idea of Zuko as being too much obsessed with a fictional character. According to her, this was not normal and I should have gone to a therapist but I have seen the real world. I have seen how cruel the reality is, and in those moments it was his character that provided me comfort and strength.

Back when I was a child, I watched the season first and fell in love with the concept of “bending”. Honestly, at that time, I hated Zuko because of his mad hunt for Aang and the gang. I always wanted him to fail because, in my eyes, it was always Aang who was going to save the day (being the hero). As I grew up, I watched the season again and this time I looked at Zuko from a different perspective. It was something that I now noticed. I noticed how similar Zuko was to me because both of us had experienced the absence of our mothers in a very young age and this kept the trauma alive throughout our lives. In the show, we find that Zuko was emotionally abused by his father to be someone he didn’t want to be. I had gone through the same experience when I was always considered “not good enough as a daughter” no matter what I did to please my father.

Just like Zuko, I always had questions in my mind why did my mother leave me and where she was at the moment? Just like him it also turned me into a bitter person, a person who had a hard time trusting someone with all their heart. I looked at him and his struggle. Zuko is always ridiculed for his quest to “redeem his honor”, but the truth is if you have ever walked in his shoes, you will be able to find out that all he wanted was to be loved and accepted by his father because he had an absent parent. It is natural for a child to want the attention of a parent especially when one of the parents is absent. He did everything for Ozai. Just the way I made my career choices based on Papa’s willingness. I felt a strange connection with Zuko because both of us were the same. You will find that the hard shell of Zuko starts breaking when someone shows the slightest concern of care or love toward him. This is the sole reason why Zuko always pretends to be a cruel guy because he’s broken on the inside. He doesn’t want to give someone a chance to play with his emotions and make him vulnerable again because he knows the cost of it from his traumatic past.

This is how broken people are. I have gone through the same phase and in doing so I believe I must have hurt people who were kind like Mai and Uncle Iroh were to Zuko. It’s because people like us are afraid of falling in love and showing the slightest traces of weakness. We act strong because we have fought our demons hard. We are afraid of turning out to be the horrible version of our parents. Even Zuko kept on fearing that he might turn up to be like Ozai after being the Firelord. It’s because all his trauma, his hurt, his unspoken emotions, and his pain were still there and he knew it wouldn’t change.

As a lover, we find that he tries to save Mai from being blamed as the girlfriend of a banished prince, and for this reason, he breaks up but never forgets to care about her. As a person, who was broken in more than one way, I have done the same in the past. I built my walls so high so that no one could get hurt by my harshness, and my demons but even after that I never forgot to care for the people who were significant to me, because people like us know the consequences of inflicting hurt upon someone very well. Zuko to me is the guy who if was real would have understood me and people like me.

I know it might seem a bit bizarre to several people here, but I think I love this fictional person from the core of my heart because I know his traumas, his pain, and his hurt. It’s not easy to pretend that you are fine when you are clearly not okay. I love him because I believe that he would be the only person in the world who had an idea of my heart and traumas. When I ship him with Katara, I have this idea in my mind that she is the other person who lost her mother had issues with her father, and pretended to be happy despite all that she went through. Maybe it comes off as a selfish declaration but as a person who has gone through worse in life, somewhere in Katara I see a version of myself who is angry, hurt, and still feels safe with someone like him. I wish if a parallel world existed, both of them could end up together there, and get all the happiness they have always deserved.

[othrys-prettyboiz]

scene breakdown of azula in the spirit temple

this scene is really , really disturbing & sad in like , 50 different angles

1> we can see Sozin and Azulon being , well , ' normal grandparents ' . Azulon who was never really kind to Azula ' s family .

2> we can also see IROH in the midst of Azula ' s happy dream , which shows she DID care about Iroh unlike what she said about ' uncle fatso ' , etc .

3> and yes , while Azula knows her parents were dysfunctional , in her dream Urzai is very much real ( and happy ) .

4> like , the worst bit about this entire affair is because Zuko ' s face isn't burned into a crisp on one side . so , while Azula has always said stuff about Zuko deserving his banishment to some extent , deep down she knows it ' s wrong & she wants her brother to be ... whole ? happy ?

5 > another factor I noted is that Zuko ' s hair is done in the traditional updo of a fire nation prince , before he was banished . in Azula ' s happy dream , the banishment probably never took place , her parents are together ( ' together ' together while she already is aware her mother is remarried ) , her uncle is fond of her .

I ' m a Zuko fan but this really made me cry .

[zvtara-was-never-canon]

One of my favorite subtle details between Zuko and Azula is how Azula almost has this sense of ownership over Zuko.

Azula yearns for love and control and she sees them as reliant on each other, all mixed with the use of fear to enact control and to manipulate love. Azula wants Mai and Ty Lee to fear her because in her mind, having them fear her gives her control over them—in turn, she can manipulate them into loving her.

It genuinely feels like that's what she longs for with Zuko. She so deeply craves affection because her father withholds it and her mother and uncle both clearly favoured her brother.

So she tries to control Zuko. She frightens him. Deceives him. Isolates him. Manipulates him.

Yes, it's out of envy. There's malice to it. And of course, because it earns her favour with her father. But no one can tell me otherwise that she does all that so that she can keep Zuko to herself.

I think, in some twisted way, she pushes for Mai and Zuko's romance because it allows her to keep them both close. Her brother and her friend; a way for her to exert control over them. It's like she's playing dolls (ironic, given she destroyed Iroh's gift) and her favorite plaything is Zuko. Like a child who doesn't understand how to show care for their beloved toy, Azula abuses Zuko because she loves playing with him the most. I could even go as far as to say she projects her feelings for Zuko onto her. Using her friend to express the love she herself can never show to her brother.

Every act Azula does screams this need for control and affection, and the one she targets the most is Zuko. She loves him, but because Ozai only shows attention to Azula is by manipulating her, she in turn does it to possibly the one person she truly, utterly loves.

The fact that Azula's VA clearly supported it, and Zuko's VA was familiar enough to at least joke about it with her just hammers home how visible Zuko and Azula's chemistry were.

Her clear obsession with being the only one to humiliate, dethrone, and/or kill Zuko. The way she goes soft only around Zuko, even if it is still to further her machinations. In the midst of her breakdown, where she no longer had the bandwidth to tell another lie, she still thought of at least putting Zuko under the care of a physician.

20 years I was just a child and even then I could recognize with such clarity that Zuko was the singular object of Azula's honest affections.

Like, yeah she was clamoring for Ozai and Ursa's love. She wanted the throne, but mostly because it represented in her mind Ozai's "fatherly love". She believes herself above both Mai and Ty Lee, yet craves for them to be her equals. To be her friends. And then, Zuko.

Dumb-dumb. Zuzu. Begging for him to play with her. Dragging him around the palace. Why would she care about an Earth Kingdom Doll when her favorite toy is right there? Always searching him out. Always having enough time and energy to humor him and talk to him and even listen to him.

She takes Ty Lee's advice at Ember Island, but it's Zuko that she always has time to lend an ear to. Even if it's just to torment him with word games and machiavellian tactics. She doesn't hate or love anyone as much as she does Zuko.

And Zuko dreams of her. Fears her. Envies her. Hates her. Loves her. In a truly twisted way, they complete each other.

In another timeline, Nickelodeon studios burned down after Zucest canon controversy destroyed their reputation, but at least in that timeline we got the most fucked up ship in reality and I think that universe is worth living in.

(Anyway may I ask if we could become mutuals so I can shout and have someone scream at me about Zucest? No worries if the answer is no!)

Okay, anon, who gave you permission to not only look into my mind to see my 3am rambles about Zucest, but to also post them? Rude XD

For real, the thought of Azula being possessive of Zuko and seeing him kind of like her little plaything gives me life. I love them being obsessive, deranged, and codependent with each other. It makes me as happy as them being all soft and apologetic.

And I love, love, love how you described Zuko's weird affection/resentment for her too. It reminded me of this silly meme I mad a while back:

And of course we can be mutuals, I'm always eager to talk about my favorite ship. And you can send all the zucest stuff to my main @hello-nichya-here

[jubilantmedusa]

Untitled Zukka Hurt/Comfort Ficlet #2

“It was good of you to bring him here,” Piandao said.

They were gathered in his library, dried and warmed and fed after their long flight through a misting sky. Night had fallen, the world lit now by torches and candles, casting strange shadows on their drawn faces.

Sokka’s arms felt empty. He had held Zuko through the flight as Zuko had shivered and shivered.

“Zuko’s inner flame has gone out.” Piandao’s voice was even, but the pinch of his mouth betrayed upset. “Not many people know the old ways, the healing of the Firebenders. But Zuko’s uncle does. I have the means to contact Iroh. There is hope yet.”

The silence in the room didn’t feel hopeful. “I thought the ‘inner flame’ thing was a metaphor,” Sokka said, bursting it.

“It’s more spiritual than physical, but it is very real,” Piandao explained. “Our bodies and spirits are entwined. Spiritual damage often manifests physically.”

“Like when you’re upset so you have nightmares,” Aang said.

Piandao gave a curt nod. “Similar,” he said. “This is more severe.”

“It still doesn’t make sense,” Sokka said. His stomach was churning. “Firebenders have an extra spirit part? And if that part is damaged they just waste away?”

That’s what’d been happening ever since Zuko’d thrown himself in front of Aang, taking an arrow laced with something sinister. A gift from Azula by way of the assassins that had been perusing them since they left the Western Air Temple.

At first Zuko’d been hyped up, unable to stop moving for hours and hours. When he crashed, Sokka thought it might actually be a good thing. Get some sleep. Be better in the morning.

But Zuko’d woken up disoriented, confused. And every time he’d woken since there was less of him.

He was growing colder. Sokka didn’t know what that meant. All he knew was that his arms were itching with emptiness.

“We all have inner flames of a sort,” Piandao said. His turned towards Sokka. “Even you and I. But Firebending… to create an element from the spirit’s own energy…” He swirled his hand, then winced, shaking his head. “Iroh will explain when he arrives.”

“When will that be?” Toph asked, leaning forward, harsh torchlight light shining directly in her sightless eyes. “Is he far away?”

“Iroh’s been in hiding since he escaped from Caldera, but I can reach him,” Piandao said, pointedly not answering the question. So they had where Iroh was then. He could be half a world away.

To Sokka’s right, Katara shifted, leaning forward, shadow dancing across her cheek. Sokka could see her eyes and… he knew that look. She had an answer on the tip of her tongue, but she didn’t want to ask the question. “Master Piandao,” she said. Katara would push through anything, even this. “This has happened before.”

“Yes,” he said. “Though it’s exceedingly rare.”

Katara nodded, eyes coming in and out of view as she did. “It’ll kill him,” she said, and Sokka could see Aang sinking at her side, head bowing down until his forehead was pressed into the wooden table.

Now it was Sokka turn. He didn’t want to, but he had to, mouth choking on the words. “How long?”

Piandao’s mouth pinched further. “I’ve only read accounts,” he said, “Some say as long as two weeks. Others, three days.”

Sokka was on his feet before he could breath, his footfalls echoing impossibly loud as he thundered across the tatami floor.

It had already been four days.

—

The room where they put Zuko was small and square, usually used as a dormitory for Piandao’s students. It had a simple bed with plain gray sheets, a sturdy but unremarkable desk. Flames roared in its large fireplace, making the room almost uncomfortably warm.

That’s the reason they chose it. It was easy to keep warm.

A wooden chair had been pulled up beside the bed. In it, Fat sat, an empty bowl held in his hands. “You got him to eat?” Sokka said, stomach fluttering.

Fat responded with a single nod. “Zuko was always a dutiful student,” he said. “You’ll be staying with him a while?”

When Sokka nodded Fat rose to his feet. “He’ll rally,” Fat said, voice affectionately stern. “Food, rest, warmth. It will go a long way.” Sokka wasn’t sure if Fat actually believed that or if he, if all of them, were trying to will something into existence, trying to project onto Zuko a strength that wasn’t there.

The only light in the room came from candles and the fire. Maroon curtains were open but it was only black outside, moonless. Shadows danced on Zuko’s face as he lay still and quiet, dressed now in loose pajamas. He looked comfortable at least. Lying on his side, wrapped in a thick, red blanket, with only his head and his toes poking out.

He’d be lost without that blanket, Sokka thought. The red was the only color in the room.

Sokka hesitated for only a moment before kicking off his own boots and settling himself down on the bed, his empty arms reaching, wrapping around the boy in the red blanket. His leg too, so desperate for touch. And maybe Zuko needed it, because he nuzzled forward, pushing his nose into Sokka’s cheek, his hands into Sokka’s chest. Even his feet shifted until the soul of his left foot was somehow pressed into Sokka’s right ankle.

They'd never gotten to touch like this, not really, during the strange flirtation they’d had since returning from Boiling Rock. Everything was stolen glances, lingering conversations, arms pressed together even though they didn’t have to be. A lingering hug. Everything fleeting. Everything discreet. Like it was half real and half a dream.

One stolen kiss. Arms shaking. Lips frantic. In the misting rain.

Now Sokka was living a nightmare. Zuko smelt like sweat and leather. His arms still shook from the memory of holding Zuko while Appa flew, Zuko’s body cold and trembling. The longest Sokka’d ever been able to hold him, and it was because he was dying.

But he wasn’t dead.Zuko was warmer than he’d felt in days.

“You’re going to be alright,” Sokka said, even though he didn’t believe it. But maybe Fat had it right. Maybe it was best to pretend Zuko was strong, even if it was a fiction. Maybe it’d be true if they lied. If Zuko believed them.

Sokka took a deep breath as it let his eyes close, holding Zuko as closely as he could.