#ultra man rising emi

[koreanthrillerenjoyer]

I would kill and die for emi

[startheskelaton]

Happy dad day

[lil-beanz000]

Id sacrifice my life for Emi 👁️👁️

[ram-to-the-ham]

PLEASE PLEASE PLEASE WATCH ULTRAMAN RISING.

I LITERALLY KNOW JACK SHIT ABOUT ANYTHING RELATED TO ULTRAMAN BUT THIS MOVIE WAS AMAZING AND IF YOU LVOE FOUND FAMILY OR FATHER-DAUGHTER/FATHER-SON DYNAMICS THEN PLEASE CHECK THIS MOVIE OUT.

[sarafangirlart]

Just finished ultraman. In tears. How dare you. You set me up for failure by recommending this film. Heartbroken. Mended. That was beautiful. Thank you. Betrayal.

You’re welcome ☺️

[xjulixred45x]

Did you saw Ultraman Rising? Or more like ULTRAMAN RAISING😅 What is your opinion?

I saw it and MY GOD THE VISUAL SECTION IS CRAZY.

I heard that the company that made this movie is mainly focused on special effects, and IT SHOWS, especially in the use of lights and how the environments change depending on the context and what is happening around the characters.

The style of characters reminds me a lot of anime, which is understandable since it is set in Japan, and the small details they put into the setting are MWA.

I especially like the design of the mother Kaiju and, of course, Emi. especially how they animated the scene where the mother "dies" and how everything lights up when Emi is born.

The villain is not very deep or intimidating, but I think that was the point, Onda sees his job as eliminating an invasive species that killed his family, while Professor Sato sees them as creatures that are not conscious and it is not correct to attribute them this because they are not evil. They both have their points and are right to some extent.

I like that Onda didn't suddenly change his attitude towards his people, he really cares about HUMAN life, but only that. not the kaijus. we love a consistent villain.

Kenji is a nice character, at first a little uncomfortable for me because of his ego, but the more he shows his TRUE side, especially with Emi, the more likeable and endearing he becomes. especially with its plot with the grief of losing his mother and his relationship with his father.

How Wakita compares his relationship with his daughter and the relationship with Kenji and Emi seemed extremely tender to me because in general he does not romanticize the most important aspects of fatherhood, which I think is GREAT and that should be taken into account not only for the merit of laughs, but as a plot factor (which the movie does).

The parallels between Kenji and Emi and Mr. Sato with Kenji are adorable and painful at the same time, how Kenji really comes to care about Emi despite everything that happened to him up to that point and how thanks to her he mends his relationship with his father. seems appropriate.

I NEED AN EMI PLUSHIE I'M BEGGING YOU NETFLIX----

Although the story is somewhat predictable, I really like how it is executed and the sequel promises a lot.

Solid 8/10

____

la vi y DIOS MIO EL APARTADO VISUAL ES UNA LOCURA.

Oi que la compania que hizo esta película esta principalmente orientada en los efectos especiales, y SE NOTA, especialmente en el uso de las luces y como cambian los ambientes dependiendo del contexto y lo que pasa alrededor de los personajes.

el estilo de personajes me recuerda mucho al anime, lo cual es entendible pues esta ambientado en Japon, y los pequeños detalles que ponen en la ambientacion es MWA.

me gusta especialmente el diseño de la Kaiju madre y, por supuesto, Emi. especialmente el como animaron la escena donde la madre "muere" y como todo se ilumina cuando Emi nace.

el villano no es muy profundo o intimidante, pero justamente creo que ese era el punto, Onda ve su trabajo como eliminar una especie invasora que mato a su familia, mientras el profesor Sato los ve como criaturas que no son concientes y no es correcto atribuirles esto porque no son malvados. ambos tienen sus puntos y tienen razon hasta cierto punto.

me gusta que Onda no cambiara su actitud con su gente de repente, realmente le preocupa la vida HUMANA, pero solo eso. no los kaijus. amamos un villano consistente.

Kenji es un personaje agradable, al principio un poco incómodo para mi por su ego, pero cuanto mas se muestra de su VERDADERO lado, especialmente con Emi, se hace mas simpatico y entrañable. especialmente con su trama con el duelo de perder a su madre y su relación con su padre.

como Wakita compara su relación con su hija y la relación con Kenji y Emi me parecio tierna de sobremanera porque en general no romántiza los aspectos mas importantes de la paternidad, lo cual me parece GENIAL y que debe ser contado en cuenta no solo para merito de risas, sino como factor de la trama(lo cual hace la película).

los paralelismos entre Kenji y Emi y Sr. Sato con Kenji son adorables y dolorosos al mismo tiempo, como Kenji realmente llega a preocuparse por Emi pese a todo lo que le paso hasta ese punto y como gracias a ella arregla la relación con su padre me parece apropiado.

NECESITO UN PELUCHE DE EMI TE LO REUGO NETFLIX----

si bien la historia es algo predecible, me gusga bastante como lo ejecutan y la secuela promete mucho.

Solido 8/10

[cookiqueen13]

Ultra man Rising Meme Redraws!

✨bonus!✨ 👇

Hatsune Emi 💙

[champagnefountains]

Secret(s) — K. SATO

Prompt: Kenji finally decides to come clean with his feelings and (sort of) confesses to you...except, it doesn't go the way he planned.

Word Count: 2.9k+ words [Damn, I lowkey popped off on this one...] Pairing: Kenji Sato [Ultra-Man: Rising] x Fem! Reader Genre/s: A tiny bit of angst with fluff. Misunderstandings. Mutual pining. Warnings: Swearing. Maybe OOC Kenji (?), not sure tbh...also, I sort of change perspectives weirdly in this one but I tried to make it work the best I can ;-; Plus, I feel like the pacing's weird ;-;

KENJI SATO HAD TWO BIG SECRETS. Number one; he was none other than the Ultra-Man, begrudgingly taking over the momentous mantle after his father was injured. Unlike his booming baseball career, the whole 'superhero' thing was honestly a humbling experience, as Kenji realised the numerous beatings and immediate danger that comes with the spotlight. Though, after what was the unique experience of baby-sitting a kaiju and finally mending his relationship with his father, did Kenji come to terms with and welcome this responsibility. Gladly, Kenji finally found that much needed balance in his life that was necessary and soon, his life didn't seem as bad as it was before. It wasn't lonely anymore either, he thinks.

And number two; he has a massive crush on you. The both of you knew each other since you were little kids, growing up and going to school together like true best-friends did. Initially glued to the hip, you were then forced apart when he had to abruptly move to America with his mother. The transition was difficult to say the least, as little Kenji was thrown into what seemed like a whole new world. Other kids would talk constantly about the way he looked and acted behind his back—about how different he was, and whilst Kenji eventually grew out of it, he couldn't help but miss home. You, included.

When Kenji returned to Japan after many, many years, his feelings for you resurfaced when you surprised him during one of his baseball games. Amongst the crowd, you had been sitting by the front row when Kenji suddenly locked eyes with you as he entered the batting field. He had to do a double-take because God, the years treated you so damn well (And you were even wearing his jersey. His jersey). Whilst he wanted nothing more than to run to and scoop you into his arms, Kenji had a game to play. He had a strong urge to show you his best performance and damn it, did he deliver. He was the Ken Sato, after all. He never disappoints.

The both of you had your heartfelt reunion after the game as he held and spun you in his embrace, in all his sweaty glory (it was honestly a bit gross, but you let it slide this once for the sake of celebration). Excited, you both decided to catch up at Tonkotsu Tonki after he washed up. And to his relief, it was like you never changed. You were still the amazing, humble and kind you — and even though he thought you of beautiful then, you were practically glowing now.

Despite the piling stress he was enduring then — with having to juggle between being Ultra-Man, baby-sitting Emi and some career troubles — your presence alone was like a breath of fresh air. Whenever he was with you, whether it be on the phone or in person, he wasn't the famous celebrity, Ken Sato, or the beloved Japanese super-hero, Ultra-Man. He was just Kenji. And he wouldn't have it any other way.

So with that all being said, with months-full of excruciating pining, Kenji finally made the big decision to confess to you. Today. He invited you out to Tonkotsu Tonki for dinner one spontaneous night, booking a private space away from watchful eyes and any possible distractions.

"So, [Y/n]...I have something to tell you," he suddenly brings up after you finished your meals. His hands start to feel clammy as you avert your attention from your phone, staring up at him with curious eyes. Kenji was normally confident with most things, but vulnerability wasn't exactly his strong suit. He was usually flirtatious and a tease in nature, always flashing a dashing smile and blowing kisses towards the camera and his fans. But today was different. Heck, he couldn't even look at you right now without his head turning into complete mush.

On the other hand, the tone of his voice surprises you. It was noticeably a stark contrast to the light-hearted conversation you had just minutes prior. It must've been important, you think to yourself. And it made you nervous. "Oh," you lamely say, blinking at him, "uh, sure. Shoot." You clasp your hands together to keep them from fiddling too much, your nerves tingling at your fingertips. The thing is, you had an inkling of an idea as to what he was going to say, which was something you've been itching to hear for the past month. '...Was he actually going to follow through?' You think in quiet anticipation.

"Right. So, um..." Kenji throws some gestures in the air in attempt to gauge the right words, "...well, there's something I've been wanting to tell you for a while. It might be a bit...surprising–heavy, even. And I'm worried that it might change a lot of things between us–which I really hoped it wouldn't, but I guess it's inevitable."

He keeps an attentive gaze on you, studying how your features slowly became more tense. Funnily and strangely enough, he thought you looked a bit constipated and perhaps in another circumstance, he would've laughed at you. Though, he knew he wasn't doing any better himself – the restaurant suddenly felt like a sauna and his heart was practically pounding out of his chest as if he were in a game.

Kenji unknowingly continues to babble on. "I-I wanted to tell you sooner, but I didn't want to scare you off. But now, since I've come back from America–and am planning on staying here for good– and-and we've been given a chance to reconnect these past couple months...I think it's a good time to finally come clean and tell you the truth—"

"I already know," you suddenly intervene, surprising Kenji and even yourself. You mentally reprimand yourself for abruptly inserting yourself in the midst of his dialogue, cursing your lack of patience.

"You...you already know?" He asks sheepishly, clearly taken aback, "what–what do you mean you already know? Like, was I being too obvious or something?" He couldn't help the nervous chuckle that escapes his lips. He felt like he was going to implode at any minute as the embarrassment rapidly crept up his neck, dusting his cheeks.

You wince a little. "W-Well, no. But I guess I already had my suspicions. I noticed that you've been acting kinda weird recently and I sort of just...y'know, connected the dots," you shrugged, looking apologetic. He honestly didn't know how to feel about that.

"Oh...right. I forget how perceptive you can be sometimes. It's kinda scary," he attempts to flash you a smirk but it comes off as an awkward smile instead, as he raises a hand to rub his nape. You notice this and try to offer some consolation, reaching out to grab his hand. The action alone causes butterflies to flutter erratically in Kenji's stomach and for a moment, he feels hopeful.

"Hey, for what it's worth I'm actually glad that you told me, Ken. It must've been hard keeping it to yourself," you say warmly. Kenji scoffs in response – that was an understatement. "Oh, God. You have no idea how long I've been waiting to get this off of my chest," he huffs incredulously, unconsciously melting into your touch.

There was a brief second of pause and soon, Kenji couldn't help but feel as though there was something...off about this whole exchange, especially with how casual you were being at the moment. After all, Kenji literally just confessed (well, kind of) and you just sat there, smiling at him without giving him a definitive answer. Was...he forgetting something? Was he even doing this right?

"Y'know, you seem a bit...nonchalant about all this," he points out, "because if I'm being completely honest with you, I feel like I'm about to pass out." Brows furrowed, you straighten up in your seat. "Wait, Ken, I didn't mean to make it seem like I don't care or anything," you attempt to affirm with the wave of your hands, "i-it's just...slowly sinking in right now. Even though I told you I knew, hearing it from you straight is still overwhelming."

Overwhelming? At that, Kenji frowns. "Well...I did warn you, didn't I?" He says disheartened, letting out a deep sigh whilst running a hand through his hair. "Look, [Y/n]. I didn't mean to make you feel uncomfortable, nor do I want to pressure you for an answer right now. I just thought I'd tell you–"

"Woah, woah. Wait a minute. Pressure me?" You question with raised brows, now acutely confused, "pressure me into what?" Kenji rapidly blinks and tilts his head to one side, almost gaping at you, "Uhm, pressure you into reciprocating my feelings?" Crickets. Literal crickets. It was only after a few passing seconds that the both of you realise that you were talking about very, very different things.

"Y-You have feelings for me?" You gawk as you point to yourself, a bright blush now evident across your cheeks. Kenji wanted nothing more than to disappear into thin air. "I–Yes! Yes, I do–I thought I made that super clear?!" He panics, balling his fists, "what the hell were you talking about then?!"

Ah, shit. This was awkward, but there's no point in turning back now, you think to yourself, grimacing. You look around the both of you in caution and thankfully, the cook behind the counter was nowhere in sight, presumably having gone back of the kitchen. You leaned close towards Kenji. "I was talking about you being Ultra-Man!" You harshly whispered between your cupped hands, and it causes Kenji to bang his knee against the countertop, eliciting a loud thud.

You gasp. "Shit, Ken, are you okay—" "Fuck-What the actual fuck?!" He whisper-shouts, his eyes growing as wide as saucers as he aggressively rubs his knee. "how-how did you know about that?!" Maybe Kenji should've initially tried to deny the accusation, but his better judgement was severely trampled on, alongside his ego, by his failed attempt of a confession.

Now it was your turn to fumble. "W-Well, first of all, every time you would abruptly leave when we hang out, Ultra-Man would just appear out of nowhere and it would always be when there's a kaiju in the city! Like, come on, the timing was always coincidentally impeccable!" You explain, your arms messily flailing in the air, "And don't even get me started on the lame-ass excuses you make! What? You needed to water your plants? You couldn't even conjure a single sprout, let alone a pot plant even if you tried—"

"I–Okay, first of all, that is so not true–"

You raise a digit, causing him to halt mid-sentence, "And not only that, but maybe you should–I don't know, work on being more discreet with your identity because I literally saw you transform near a freaking construction site!"

Kenji's eyes nearly pop out of their sockets. "Shit, you saw me? When did you–"

"Over a month ago, with that pink dragon-looking kaiju." You were referring to Emi. At that, Kenji squints his eyes at you, "You knew for a whole month and didn't tell me!?"

"Shh, lower your voice, Ken! Someone's gonna hear us!" You hush, "And I was planning on telling you at some point! Believe me, but I-I just didn't know how to bring it up! It's not exactly the smoothest conversation starter, y'know?" You look at him guiltily, your voice growing quiet, "I was kinda hoping that you'd tell me over time...when you were ready."

Kenji was now sporting a migraine, his mind trying to wrap around all the information you've just spewed at him. "You...you didn't tell anyone else about this, right?" He then asks anxiously. You were quick to shake your head, "No, of course not, and I wasn't planning to. I know how dangerous that information would be if it landed in the wrong hands—"

"And you do realise that you knowing all this would put you into danger, right?" Kenji says seriously. His own comment causes him to slump over at the counter, sighing heavily as he holds his head in his hands, "...it's why I never wanted you to know in the first place."

A small pang of hurt hits you as he admits this, but you decide to let it slide, knowing where Kenji was coming from. "Hey, come on, I'm stronger than I look, Ken. At least give me some credit over here," you attempt to liven up the mood, nudging him with your elbow. "Apart from kaiju, there are some really dangerous people out there, [Y/n]. You and I don't know what they're capable of," he mumbles into his arms, his gaze remaining on the table. Having you roped into his Ultra-Man business opened a lot of opportunities for danger to strike at any angle. Kenji wouldn't forgive himself if something were to happen to you, knowing that it could've been avoided in the first place. Heck, look what happened with the KDF.

Your eyes soften at his concern, pressing your lips into a thin line as you let out a small huff. "Look, we'll figure something out. But in the meantime, it'll be okay. I'll be fine, Ken."

"But—ow!" Kenji winces as you flick him on the forehead. You click your tongue in mild annoyance, speaking once more to reiterate as he rubs the reddened spot on his head, "I said, I'll be fine. So, enough with the brooding, Ken. What's done is done, okay? Nothing's going to chance the fact that I already know, and there's no point in entertaining the 'what if's." You then cross your arms against your chest, before softly muttering under your breath, "...and plus, you definitely gotta work on that transforming gimic of yours. You're gonna give yourself away with that clumsy technique."

Kenji initially gave you an unimpressed look, but he couldn't help the small grin that grew on his face as he spotted the mischievous glint in your eyes. You were definitely poking fun at him now. He lets out an audible scoff in response. "Oh yeah? I'd like to see you try. I bet if you were in my place, your identity would already be headlining all the news outlets within minutes!" You roll your eyes at this but you end up joining in on his laughter, chuckling alongside him.

Soon after, there was a brief and quiet moment of contemplation, and you found yourself staring at Kenji's profile. His confession wasn't left forgotten as your mind slowly picked up the pieces from earlier and soon, you found yourself growing increasingly flustered at the memory. The thing is, you did in fact reciprocate his feelings. With his success, you didn't think he'd even so much as spare a glance in your direction, expecting him to settle for someone of his calibre. You always thought that he was way beyond your league, so of course, you had your insecurities. But now, even if it was only for a brief moment, they all seemed to have dissipated and was now replaced by a warm, fuzzy sensation.

"Hey...so, uhm...about your confession," you quietly muster, unable to look at him straight in the eye, "...I guess I should give you my answer, huh?" Kenji's posture straightens in response as an uneasy expression takes over his features, having been reminded of his humiliation, "[Y/n], wait. Like I said, you don't have to say anything right now if you don't want to—" You didn't really comprehend what he was saying at that point, distracted by the loud thumping of your heart against your ears.

You bite your lip nervously, adjusting yourself in your seat to face him properly as Kenji continues to waffle on about your regard. Before your nerves could've forced you to back down, you were quick to dip forward and place a small peck against his cheek, just at the corner of his lips — you also made sure to have it linger a bit to send your message across better. Kenji stiffens as a result, shutting him up completely as a dumb-struck look strikes his face. "I like you too, Ken..." you say when you pull away, tucking a loose strand of hair behind your ear.

It takes a few moments for Kenji to fully comprehend what just happened, before a shy, boyish giggle escapes his lips. "Well...I did not expect this to go the way it did," he airly says in a mixture of shock and amusement. You smile widely at him, finding his expression very endearing. "Oh, yeah? Then what did you have planned for me then, hot-shot?" You tease lightly with newfound confidence, leaning against the counter as you rest your chin on your hands. Kenji smirks. "Well, I was planning on serenading you and sweeping you off of your feet, and then carrying you off into the sunset," he jokes lowly, mirroring you. At this point, your faces were just centimetres away, and Kenji could practically feel the warmth radiating off of you. His eyes then dart towards your lips, thinking about how plush and inviting they looked, before looking back up towards your face. You also found yourself doing the same.

It was magnetising, the way you both naturally closed the gap between yourselves. His lips perfectly moulded itself with yours as his hands found its way to your cheeks, pulling you closer towards him. Your own fingers crept its way up the base of his neck, interlacing them as you also tugged him into you.

Ans so, after this eventful aftermath, and at the end of the day, Kenji (begrudgingly) had no more secrets to hide from you.

A/N: YALL...the absolute chokehold this man has on me is INSANE...but otherwise, thank you for reading! As always, constructive criticism is much appreciated!!

[sora-art-513]

After watching Ultra-Man Rising I have to say I Loved every minute of it!! Specially the Characters Ken Sato and his Kaiju Daughter Emi!🥺💕 I wanted to draw all of the characters including Ken’s Dad and Mina! And finish it as fast as I could.(The inspiration to this drawing is from When Ken meets Emi for the first👀 love that Beautiful scene!😭) This Movie was so Awesome!! I Just Love it so much!! Hope you Guys like My drawing🙌🏼✨

[cratastica]

Where are the ultra man rising fanfics????????? Cute baby emi is a neeeeddd

[everyonesfavoritebard]

Overheard someone (me) say that Emi from ultra man rising looks like chicken little and now i can’t unsee it :’) she’s still adorable and iconic and I still love her tho

Anyway Sato is fine af

[witchynek0]

why I think Ultraman:Rising a one of the better movies in the last months

I watch ALOT of movies, and im not joking, I have alot of free time. and recently I have taken notice that alot of movies, especially animated ones, feel rushed. MAJOR SPOILER ALERT ultra man rising although a long movie, feels really slow. you get to meet Ken Sato. a cocky baseball player, but also; Ultraman! he accidentally picks up a kaiju baby, and is asked to raise it till the baby can go back to its native land, all while fighting the KGB.

ken sato is a cocky baseball player playing for ‘the giants’, with no family, and no friends. he is confident and full of himself, and sure he will make the Giants Great again. all on his own. he doesnt care about his team, and he doesnt care about his reputation. the night of his game he has to work on a Kaiju attack where he saves kaiju baby and takes them to his base. keeping it safe from the KGB, who want to use the baby to find Kaiju Island and kill all Kaiju

i've watched this movie on repeat since it came out, the buildup of the story and the small details and secrets that get revealed as the story progresses keep you guessing and grasping for more. the movie lets you form an attachment to the character, and doesnt rush you by telling you all the ‘lore’ as quickly as possible and then moving on to the problem and how they solve it. 

Ami seems to play a key role in Ken his development, the ‘off the record chat’ seems to open his mind. he asks her how she juggles her job and kid, since he is having a hard time with it. ami says “...they are trying to discover who they are, and what they want. and the only support they have; is us. imperfect messed up us dealing with our own issues. trying to figure out who we are…” 

this strikes ken to free the baby Kaiju, and teaches her Baseball. with trial and error the baby kaiju, named Emi later. explore their bond. safely in the base. the next day when Ken is on a promised follow up interview with Ami, Emi gets out of the base, follows a blip with one of Satos commercials on it. and climbs a tower. ken saves her for falling but breaks her arm in the process and has to ask his dad for help. all of this happens in roughly a hour, see how much that is? how much ive written down about Ken sato and how you got to know him? now this is not all that is shown in the movie, so do watch it if you havent. because this is just the tip of the iceberg. and there is another hour left. 

and in that hour, Emi changes and learns alot. Ken his dad gets more involved. and i havent even mentioned the AI robot that helps ken during this first half of the movie. i dont mention the KGB and their underlying motive. this movie offers so much compared to others ive watched. lets take for example disneys Wish. (dont come at me disney i do still love you) it was fast, i barely got the plot the first time around and i felt rushed and hurried. i watched Wish $ times i still dont really get it. and feel like i havent seen all of the movie. and not just disney, but alot of ‘BIG’ companies lately, have made rushed movies that werent thought through. the story isnt rich and flavourful Pho. but more like a diluted murky beef broth, still good, but less satisfying. the animated movie industry ahs been through some hardship lately, new techniques. and mostly the animators, who work hard for little pay, under alot of stress to make good content cause our attention span doesnt last. and the internet is fast paced. ive made animations, by hand, and its so hard to get it looking good. im here to tell you, Ultraman;Rising is the movie id show people when they ask me “what do you want to do as an animator?” and i say “make something as good as this is.” 

id also like to make it clear that yes, there are good if not better OTHER animated movies, but this is recent and is the best example in the moment.

[startheskelaton]

Weird ass looking cat

[kimberlyannharts]

Ultraman: Rising!

Sure we all know the Power Rangers reboot has been passed on at Netflix but instead we have this hot new piece of toku instead: Ultraman: Rising! And I finally got the chance to check it out last night.

I know Ultraman is one of the big toku/kaiju genre staples but it's never really been on my radar of things to watch. I'm not sure why! I guess Super Sentai/Power Rangers just has more of the it factor that appeals to me. So because of that I really have no context to the story besides it's a guy who can turn into a giant silver superhero that beats up kaiju.........or maybe it's an alien who looks like a human and the silver superhero is his true form? or maybe the human and the silver superhero are two separate beings that share the same body? idk. It's probably all three of those things depending on the series. But this film was marketed as a standalone that new fans could enjoy AND....the big one.....it's ANIMATED, so I felt more inclined to check it out.

And it was really really good!! I enjoyed it a lot!

Spoiler-ish thoughts on the film below:

= Let's get this out of the way: the biggest draw to this was the animation and art direction, and yeah, it slaps. The textures and stylization (always love 2D painted effect animation on explosions and things) and lighting were a full-course meal and the scenes where they focused on Ultraman's shining eyes staring through a window or computer screen were just SO striking. To the point where I feel that if I got around to watching the actual live-action Ultraman, it might feel a little underwhelming in comparison. Oops

= It does kind of fall in the cliches of the "selfish guy learns maturity by having to be a father" plot (with bonus "son is estranged from his dad and mom is missing but they work to improve their relationship" sprinkled in) which makes me appreciate The Return even more (sorry, I'm still Returnpilled) but it's still charming and I can hope if we get more movies they give a little more focus to Ami and Emiko (speaking of which, I know they weren't doing a romance this movie, but Ami having a daughter and the movie being about Ken raising a daughter? oh you know it's happening and I'm here for this because they're both so hot)

= I think Ken is also a better example of the "showboating egotistical hero who learns to mature" than most because the movie isn't afraid to show him vulnerable even before his character development. I was genuinely surprised at that scene where he starts crying out of the stress of balancing his baseball career and figuring out Emi

= Apparently there was some discussion that the movie didn't bring up Ultraman's origins which, as someone who knows next to nothing about Ultraman, that didn't really bother me? Obviously I can still give more benefit of the doubt than people who don't know much about the tokusatsu/kaiju genre to begin with, but even so, I was still pretty down with the concept of "this guy has the ability to turn into a giant silver superpowered man and passed the ability down to his son" - and I think in the age of superhero blockbusters in general the idea isn't that farfetched that it requires more explanation. In any case it's a bit of a moot point since future movies are clearly going to talk about Ultras and their origins more, based on the stinger.

= Is Emi a clear kid-appeal character meant to be shown off in marketing and merchandising because of how squishy and cute she is? Yes. Is she just so fucking squishy and cute and my newest baby child? YEEEEEEEEEEEEEEEES. I am not immune to monster baby. I think it helps that I always found the old monster screeches cute and applying them to a baby babbling was kinda genius in its execution. And I'm glad they kind of got the obligatory "haha babies poop and are smelly and gross" jokes out of the way early (yeah they had the whole "acid reflux" thing in the second act but I've seen way worse in other media)

= The subtitles calling Sato's Ultra form "Ultradad" and his Ultra mustache were both really funny

= Obviously I knew Ken wasn't going to die when he threw himself on Dr. Onda's mech (btw the mech was sexy) but I definitely expected a little more than just a busted arm with how they were building up how the blast would have "destroyed them all" kdjkfdj maybe they cut to after he had recovered a bit. Though in general I'm not quite sure of how durable Ultraman is

= Kind of a milf. reblog

[bootyful-seventeen]

I just watched ultra man rising with my grandma and in the beginning she was complaining about me watching a movie for kids until Emi showed up

She thought she was so adorable and wanted one of her own and even called the baby kaiju a a giant pink rooster 😂😂

[transparenttriumphzombie]

Jordana LeSesne, formerly known as 1.8.7, is an American musician and producer from Pittsburgh, Pennsylvania.[1] She now produces and performs as Jordana. She became known in the mid-1990s as a drum and bass producer.[2] Vibe magazine called her "one of the most respected Drum ‘n' Bass producers in the US."[3] In 2015, she was named as one of "20 women who shaped the history of dance music" by Mixmag.[4] She is transgender and came out in 1998.[5][2]

She has released over 50 tracks, including four albums, several EPs, and remixes under the alias 1.8.7. The 1997 album When Worlds Collide became known for its "dark pummeling assaults". She has licensed tracks for compilations as well as the Sci Fi Channel. Three of her albums charted in the Top 25 of both the CMJ (College Music Journal) and Mixmag U.S. (later Mixer Magazine, now defunct) for 1997 as well as 1998[6] and 1999. Her third album "The Cities Collection" debuted in the CMJ Top 5 climbed to the #2 position on CMJ Music Monthly's dance chart for June 2000.[7][8][9]

Her works have been reviewed by Billboard,[10] Spin, Rolling Stone, Urb, Mixer, Mixmag, Raygun,[3] as well as Knowledge – the U.K. Drum and Bass magazine. In 1999, she was listed in Raygun's Who's Who of International DJs. She was one of the headlining DJs on Knowledge Magazine's 28 city Kung Fu Knowledge tour in 1999.[11] She also made Out Magazine's OUT100 list for the year 2000.[12]

Contents

1Impact on music

2History

3Hate crime in Ohio

4Additional work in music industry

5Literary mentions

6Personal life

7Vinyl

8CD releases

9Videos

10References

11External links

Impact on music[edit]

Her work has influenced other artists such as well-known dubstep producer Bassnectar, who heavily sampled 5 A.M. Rinse (feat. MC Sphinx), the last song on her first album When Worlds Collide for his song Here We Go of his 2010 EP and single Timestretch.[13] Since the sexual allegations of Bassnectar have become known to her, Jordana has publicly condemned his actions as well as called out the fact that he never delivered contractually promised royalties for the above mentioned work.[14] Additionally, electronic rock act Celldweller sampled "Wake Up" off of her first album as well as "San Francisco" off of her third album "The Cities Collection" in their 2013 song "Uncrowned".[15]

In 1999, Drum & Bass/Hip Hop producer and label owner Hive approached Jordana to remix her song Defcon-1 also off of When Worlds Collide. Hive's remix appears on his 2001 album The Raw Uncut.[16] Jordana collaborated with Lady Sovereign on a song early in Sov's career after the two met through an internet chat room for StrikeFM.co.uk, an online radio station which Jordana had a show, and the now defunct UKGarageWorldwide.com forums. The two would later team up when Jordana under her Lady J alias, had Lady Sovereign MC for her radio show on Flex FM London.[17]

History[edit]

She first came to the attention of the music industry when she was asked to remix Blondie's "Atomic." Her remix appeared along with Armand Van Helden and Diddy’s remixes on the single.[3] A little over a year following that release, Mac McFarlane, the promoter of the well established and legendary New York City club, Konkrete Jungle, contacted her to create a themed song for a CD compilation/mix-CD. Jordana created the song "Konkrete Jungle" for that purpose. Described by CMJ as containing "menacing hardstep attacks",[18] it was released on the Ultra Records compilation, Konkrete Jungle - Maximum Drum & Bass, mixed by BBC Radio 1 Drum'n'Bass show host Jumpin Jack Frost. Following extensive touring throughout North America and abroad as a music producer, Liquid Sky Music, an indie label distributed by Caroline Distribution signed her to a three-album contract in late 1996.

Hate crime in Ohio[edit]

On the night of February 22, 2000 in Kent, Ohio, Jordana was attacked and brutally beaten in a transphobic hate crime by a group of men including Matthew Gostlin.[19] Gostlin and other assailants vaulted her in the parking lot outside of the Robin Hood nightclub where she had just performed on the Cities Collection tour. The attack took place while she was escorted from the event with the event promoter to his car. The group of men attacked suddenly and Jordana lost consciousness almost immediately after being struck in the face. She suffered nerve damage to the lower part of her face from her lower lip down as a result. She was quoted, saying in the May 2000 issue of CMJ New Music Monthly that in the seconds just prior to the attack: "I saw his face. I remember the look on his face. It was this look of utter hate, like 'I'm going to kill you.'"[20] In an interview with the Village Voice, George Meesig, a man from Cleveland, Ohio who defended her during the attack, stated that Gostlin had misgendered her, saying “this is personal”.[21] Other reports noted by the Village Voice on the message board for Breakbeat Science (a Drum'n'Bass record store) mentioned transphobic slurs being shouted during the attack. She subsequently cancelled the tour to recover.[19] Gostlin, while charged, was never arrested nor spent any time in court. Her family was told by the Portage County (Ohio) prosecutor's office that attempts had been made to serve the warrant but Gostlin's whereabouts were unknown. She felt that justice would not be served so she left the United States for England due to concerns about personal safety and well-being.

Additional work in music industry[edit]

In addition to music production, Jordana is a DJ, musician and singer. From 2001 to 2002, she worked at Flex FM in London, England as Lady J, with Lady Sovereign performing for her during her radio show.[22] In 2002, she held a club residency performing UK garage, 2-step garage and house music at the club Trinity in Vauxhall neighborhood.

After returning to the United States, Jordana returned to rock and fronted a goth metal band in Seattle. Prior to that, she was asked to play bass in another band briefly where she met and became close friends with singer/songwriter Shelita Burke. She has toured the world and played many DJ sets. She has been billed alongside Arca for Planet Zolean: Un/Tuck + Hot Mass on the Currents.FM Common Multiverse Initiative.[23] She was featured on the Dekmantel Podcast.[24] She was featured as Mix of the Day for Resident Advisor.[25]

In 2014, Jordana scored the documentary Free CeCe, produced and directed by Jacqueline Gares and Laverne Cox. The documentary details the struggles of CeCe McDonald, an African-American transwoman wrongfully incarcerated for murder for defending herself against a hate attack on her outside a Minneapolis bar.[26][27]

Literary mentions[edit]

She has been featured in several books. Her success in rising from living in a "rust belt" city to being an MTV-featured electronic music artist was mentioned in "The Rise of the Creative Class" by economist Richard Florida. She appears in two books detailing American electronic dance music scene history: Michaelangelo Matos's The Underground is Massive,[28] and Rave Culture, an Insider's Overview by Jimi Fritz and Virginia Smallfry.[29]

An interview with Jordana was featured in multiple books, including a book published in 2012 by rock journalist George Petros.[30] She has spoken on her personal life in interviews for publications such as The Festival Voice,[31] The Brooklyn Rail[32] and href zine.[33]

Personal life[edit]

She currently lives in Seattle, Washington.

Vinyl[edit]

1995 Blondie "Atomic (The Beautiful Drum and Bass Mix)" VV58320 Chrysalis Records/EMI

1996 RockStone Foundation "Dis Soun'" JS007 Jungle Sky

1997 V/A – Nirvana EP "We Are Not Alone" JS114 Jungle Sky

1997 Soul Slinger-Don't Believe "Abducted (1.8.7 Remix) JS118 Jungle Sky

1997 Soul Slinger-Don't Believe "Ethiopia/JungleSky (1.8.7 Megamix)" JS118 Jungle Sky

1997 1.8.7 – When Worlds Collide full-length album EP1 "Defcon 1"/"When Worlds Collide"/"Blueshift"/"Dragonfly" JSK121 Jungle Sky

1997 1.8.7 – When Worlds Collide full-length album EP2 "Wake Up"/"Distant Storm Approaching"/"Ghetto Style"/"Ghetto Style (West Philly Mix)" JSK122 Jungle Sky

1998 Murder 0ne (1.8.7)/T.Farmer "Annihilate"/"Memory" BOOST002 Boosted Records

1998 This is Jungle Sky Vol. 5: Rock N Roll EP Disc 2 "Break In"/"The Return of Shaft"/"Konkrete Jungle" Jungle Sky JSK131

1998 This is Jungle Sky Vol. 5: Rock N Roll EP Disc 3 "Atmosphere Remix"/"The Jam"/Beastie Boys – "Sabotage (1.8.7 JS Remix)" JSK132 Jungle Sky

1998 1.8.7 – Quality Rolls full-length album EP1 "Quality Rolls"/"Relax Your Mind"/"Phobic" JSK136 Jungle Sky

1998 1.8.7 – Quality Rolls full-length album EP2 *"Jerusalem"/"Get Amped" (215 Remix)/"Stigma" JSK 137 Jungle Sky

1998 1.8.7 – Quality Rolls full-length album EP3 "Rock The Party"/"Deep Stealth"/"Cross the Line" JSK138 Jungle Sky

1998 1.8.7 – Quality Rolls full-length album EP3 "United"/"Blue Nile"/"Reboot" JSK139 Jungle Sky

1999 Jordana – "Pure Funk"/Stardust – "Music Sounds Better".. [With Bass] (Jordana JS remix) *whitelabel* JSK149 Jungle Sky

1999 Jordana – Cities Collection 12" 1 "Hollywood (courtesy of Lucasfilm)"/"Los Angeles"/"New York" JSK157 Jungle Sky

1999 Jordana – Cities Collection 12" 2 "Pittsburgh"/"Miami"/"San Francisco" JSK158 Jungle Sky

2000 Loki and Jordana – "Murder" 12" *whitelabel*

2001 Jordana – "Tampa Tantrum"/"In Your Arms" 12" TECO008 Technorganic

2002 Lady J feat. Lady Sovereign – "The Intro Dub" (Flex FM)

2002 Jordana – Full Colour 12" 1 *whitelabel* ConceptAudio

2002 Jordana – Full Colour 12" 2 *whitelabel* ConceptAudio

CD releases[edit]

1994 V/A – Interstellar Outback "Jungleman" ROM01 RomHyperMedia

1995 V/A – Scotto Presents: Drop Beats Vol.1 "Ravestock Anthem" DROP001 Drop Entertainment

1996 V/A – This Is Jungle Sky Vol.2 "Dis Soun" JSK008 Jungle Sky

1997 V/A – This is Jungle Sky Vol.4 "We Are Not Alone" JSK116 Jungle Sky

1997 V/A – Future Groove "We Are Not Alone" ?74321 50089 2 Ariola/BMG

1997 V/A – New York Junglist "We Are Not Alone" AVCD11540 Avex Trax

1997 Soul Slinger-Don't Believe CD "Abducted (187 Remix)" JSK120 Jungle Sky

1997 Soul Slinger-Don't Believe CD "Ethiopia/JungleSky" JSK120 Jungle Sky

1997 1.8.7 – When Worlds Collide CD album JSK124 Jungle Sky

1998 V/A – This is Jungle Sky Vol.5 "The Jam" JSK130 Jungle Sky

1998 V/A – This is Jungle Sky Vol.5 "Atmosphere Remix" JSK130 Jungle Sky

1998 Soul Slinger – Upload: A Continuous Mix CD "Rock the Party" JSK142 Jungle Sky

1998 V/A – Nu Balance: Domesticated Drum & Bass CD "5am Rinse" COA70016-2 City Of Angels

1998 1.8.7 – Quality Rolls CD album JSK135 Jungle Sky

1999 V/A – Sci Fidelity: This is Sci Fi. CD "Deep Stealth" SciFi Channel/Jungle Sky

1999 V/A – This is Jungle Sky Vol.6 CD "Pure Funk" JSK150 Jungle Sky

1999 V/A – This is Jungle Sky Vol.6 CD "Unite Remix" JSK150 Jungle Sky

1999 Jordana presents 1.8.7 – The Cities Collection CD album JSK162 Jungle Sky

1999 V/A – E-Sassin Absolute Friction CD "Worlds Apart" 21C.3007 Quantum Loop

2000 V/A – Digital Empire: DJ Girl "Deep Stealth" 6454-2 Cold Front Records

2001 Hive – The Raw Uncut EP CD "Defcon-1" (Hive Remix) VTXCD-002 Vortex Recordings

2002 Jordana – Full Colour album ConceptAudio Limited Release

2003 V/A – Girls In Space CD "In Your Arms" CD-9213 Urabon Records

2005 Jordana – Jordana EP CD "In Your Arms" TECO CD001 Technorganic Recordings

2005 Jordana – Jordana EP CD "Tampa Tantrum" TECO CD001 Technorganic Recordings

2005 V/A – DJ Psycle-Back From The Future CD "In Your Arms" TECO CD-9213 Technorganic Recordings

2005 V/A – DJ Psycle-Back From The Future CD "In Your Arms" TECO CD-9213 Technorganic Recordings

2008 V/A – What the Bleep & Foi Oi Oi-Feelings For Detroit Vol.3 Yabette – "Babylon (1.8.7 Remix)" EEMIX003 Electronic Enlightenment

Videos[edit]

We Are Not Alone (1998) – directed by MSKW1 aka Michael Whartnaby

Defcon 1 (1998) – directed by MSKW1 aka Michael Whartnaby and DBIDWA aka Dan Bidwa

Worlds Apart (1998) – directed by Gerard Ryan

Atmosphere (1998) – directed by Gerard Ryan

Ring Me Back (2002) – directed by Trevor McKinley

References[edit]

^ "VH1 Biography". Vh1.com. Archived from the original on February 14, 2011. Retrieved September 8, 2010.

^ Jump up to:a b Riedel, Samantha. "This Trans Drum & Bass Musician Was a Pioneer in the 90s. Why Isn't She Getting Her Due?". them. Retrieved September 30, 2020.

^ Jump up to:a b c Vibe Media Group (February 1999). "Vibe". Vibe Vixen. Vibe Media Group: 38–. ISSN 1070-4701.

^ "- - Mixmag". Mixmag.net. Retrieved December 21, 2015.

^ "Roll With the Changes". citypaper.net. Archived from the original on July 7, 2012. Retrieved January 19, 2016.

^ CMJ Network, Inc. (December 1998). "CMJ New Music Monthly". CMJ New Music. CMJ Network, Inc.: 78–. ISSN 1074-6978.

^ CMJ Network, Inc. (March 2000). "CMJ New Music Monthly". CMJ New Music. CMJ Network, Inc.: 48–. ISSN 1074-6978.

^ CMJ Network, Inc. (March 13, 2000). CMJ New Music Report. CMJ Network, Inc. pp. 27–. ISSN 0890-0795.

^ CMJ Network, Inc. (June 2000). "CMJ New Music Monthly". CMJ New Music. CMJ Network, Inc.: 82–. ISSN 1074-6978.

^ CMJ Network, Inc. (June 2000). "CMJ New Music Monthly". CMJ New Music. CMJ Network, Inc.: 95. ISSN 1074-6978.

^ "Kung Fu Knowledge Tour Cities". Bmotion. Archived from the original on October 4, 2013. Retrieved October 3, 2013.

^ Out Magazine (74): 45. January 2000.

^ iphoneunclockseattle. "Bassnectar's Here We Go sample of 1.8.7 feat. MC Sphinx's 5 A.M. Rinse". WhoSampled. Retrieved November 2, 2013.

^ Avery C Kleinman for Vice News. "The Fall of the Bassnectar Empire".

^ jordana. "Celldweller samples Wake Up and San Francisco". WhoSampled. Retrieved May 9, 2014.

^ "Hive – The Raw Uncut EP". Discogs. Retrieved November 2, 2013.

^ "Hot update | Welcome to the FLEX FM NETWORK". FLEX FM Network. May 19, 2002. Archived from the original on June 1, 2002. Retrieved December 21, 2015.

^ CMJ Network, Inc. (October 1998). "CMJ New Music Monthly". CMJ New Music. CMJ Network, Inc.: 62–. ISSN 1074-6978.

^ Jump up to:a b Maximum Rocknroll. Maximum Rock 'n' Roll. 2000.

^ CMJ Network, Inc. (May 2000). "CMJ New Music Monthly". CMJ New Music. CMJ Network, Inc.: 13. ISSN 1074-6978.

^ Bill Werde (February 29, 2000). "Top Jungle Producer Attacked". Villagevoice.com. Archived from the original on January 9, 2019. Retrieved January 8, 2019.

^ Sovereign, Lady (May 18, 2002). "Lock in to FLex FM 2nite". ukmusic.com/. Archived from the original on August 10, 2014. Retrieved May 30, 2013.

^ "Currents.FM Common Stream Multiverse Initiative".

^ "Jordana is one of America's most widely respected drum & bass artists". Dekmantel.

^ "Drum & bass made for the biggest rooms, with plenty of soul, nuance and killer vocal hooks". Resident Advisor.

^ "FREE CeCe! Post-Production Campaign". Retrieved December 21, 2015.

^ "AFROPUNK". Afropunk.com. Archived from the original on December 22, 2015. Retrieved December 21, 2015.

^ Matos, Michaelangelo (April 28, 2015). The Underground Is Massive: How Electronic Dance Music Conquered America. Dey Street Books. p. 154. ISBN 978-0062271785.

^ Jimi Fritz (1999). Rave Culture: An Insider's Overview. SmallFry Press. p. 162. ISBN 978-0-9685721-0-8.

^ Petros, George (2012). Lehman, Deanna (ed.). The New Transsexuals: The Next Step In Human Evolution. Creation Books. pp. 247–274. ISBN 978-0-9855018-1-5. Retrieved December 22, 2015.

^ https://thefestivalvoice.com/black-lives-matter-tfvs-series-on-racial-injustice-jordana/

^ https://brooklynrail.org/2021/05/criticspage/Let-Us-Live/

^ https://href-zine.net/technoid-natures-zine.html

External links[edit]

Jordana discography at Discogs

1.8.7 at Rolldabeats

https://jordanaofficial.bandcamp.com/

https://www.mixcloud.com/jordana/

https://soundcloud.com/jordanaofficial

Jordana at IMDb