#ugexplode

[superstorelomo]

Yoink bandcamp

On Anomalía ediciones Upcoming Releases Saturday, 3 Lukas Mantel Sextet – Vardah (Pre​-​Release #2/​4) (jazz fusion, modern jazz)īandcamp page Sunday, 4 Dayum – Ghost of Sparta (technical deathcore) Perth, Australia Yoink – Interactome (progressive rock, math rock)īrooklyn, New York Yon – Animalista (math rock) Porto, Portugal Watercolour Ghosts – Connector (progressive metal, post-rock) On The Flenser Verbian – Jaez (post-metal) Osnabrück, Germany Serration – Ease Yourself Back into Consciousness (metalcore)Īlberta Street Sects – “Gentrification Ⅲ: Death and Displacement” (experimental hardcore) On Ugexplode Lilly Legit & Chime Garlands – Closure (modern jazz, math rock) Sankt Peterburg, Russian Federation Jeb Bishop, Alex Ward, and Weasel Walter – Flayed (free jazz, noise) On Unique Leader Iamthemorning – The Bell (progressive rock) On Wolves and Vibrancy Humanity’s Last Breath – Abyssal (deathcore) New York Fawn Limbs – Harm Remissions (mathcore, grindcore) Pittsburgh, Pennsylvania Blame God – Power and Control (grindcore) Friday, 2 Aaron Myers-Brooks – Energetic Bursts (progressive metal) Israel Zeitgeber – Transforming the Random Crushing Forces of the Universe into Manageable Patterns (world fusion) Kiev, Ukraine פיי שפירו (Faye Shapiro) – אלף נשיקות (Elef neshikot) (experimental pop, world fusion) On Coup sur coup Thursday, 1 August Dead Way Englightenment – Störung (post-black metal) Lisbon, Portugal Things Amazing – Better Things (math rock, post-hardcore) Minneapolis, Minnesota Variable Geometry Orchestra – Mare Tranquillitatis (avant-garde classical) Philadelphia, Pennsylvania Wednesday, 31 Grogus – Four Kings (progressive sludge) On Potentially Kinetic The Tea Club – If / When (progressive rock, art rock) On Cruel Nature Tuesday, 30 Bit Brigade – Mega Man 3 (rock, VGM)Īthens, Georgia Eradiate and The Key to Nchuandzel – Impaling the Night’s Darkened Spirit on the Blade of Intransigence (avant-garde black metal) On L’oreille électrique Monday, 29 Fret! – A Vanity Spawned by Fear (post-hardcore, math punk) Sunday, 28 Electric Pop Art Ensemble – In Montreal (experimental jazz, noise) New York, New York Frode Gjerstad, Fred Lonberg-Holm, and Matthew Shipp – Season of Sadness (avant-garde jazz) ​2: Mario Kart 64 Soundtrack from YouTube Video” (jazz, VGM) Guadalajara, Mexico Saturday, 27 The 8-Bit Big Band – “Let’s Play Live! Ep​. Spurn – At the Precipice of Excitation (grindcore, deathgrind)Ĭalgary, Alberta Troker – Pueblo de brujos (jazz fusion, experimental jazz) On Gizeh Sevish – Horixens (drum and bass, experimental electro) On Napalm Several Wives – Göldi Fell (contemporary classical, dark ambient) Label page Oh Hiroshima – Oscillation (post-rock) On Give Praise John Zorn – Tractatus musico-philosophicus: Philosophical Investigations from the Invisible Theatre (avant-garde jazz) Holy Grinder – Primitive Methods (powerviolence) Bureau Berlin – Earthbound Akupunkture (free improvisation, noise) On Orenda Christopher Cerrone – The Pieces that Fall to Earth (contemporary classical)ĭaxma – Ruins upon Ruins (atmospheric post-metal) On Whirlwind Ben Rempel – Desert Music (experimental jazz) South Bend, Indiana Rebecca Nash’s Atlas – Peaceful King (modern jazz) Harlow, UK After Ours – Random Nuggets (jazz fusion, pop) Friday, 26 July Abe – Abe (math rock, post-hardcore)

[musicmakesyousmart]

Sandy Ewen / Damon Smith / Weasel Walter

ugEXPLODE

2020

[avantpanda]

The Flying Luttenbachers: Negative Infinity (2021)

[dustedandsocial]

Von LMO - Crash Landing 88

One of my all-time favorite songs. I honestly think it’s just flat-out one of the best rock and roll songs ever recorded. Better than “Louie, Louie”. Better than “We Gotta Get Out Of This Place”. Better than "I'm Henry VIII, I Am". Better than that Beach Boys song about how to wash and care for your feet correctly, written just as they were running out of ways to incorporate water into their music. “Crash Landing 88″ is up there! 

[dustedmagazine]

Peter Evans / Weasel Walter—Poisonous (ugEXPLODE)

Poisonous by Peter Evans and Weasel Walter

Trumpeter Peter Evans and drummer Weasel Walter already have already amassed half a dozen recordings over the past ten years. Do you need more? If the outcome was more of the same, they’d be the first to tell you no. While both men maintain a prodigious level of productivity, neither is satisfied with mere repetition. Make your point, and make the next one a little better, they might say. Or make it a lot better, or at least different.

So the concentration at work here goes far beyond the decision to boil down their collaboration to a duo.  They spent just a few hours together one January day at Seizures Palace recording prepared themes, improvisations and noise. Then came the work of chopping, shuffling, layering and compressing that material into seven tracks. Once it was done, they cut it all back down, and then cut it back again. Each piece splits from within, bursting with the sort of pressure that comes either from being one of a species that must shed its skin or die, or by people with a shared commitment to making intense sounds in real time. Just to be clear, Walter and Evans are not critters breaking out of an egg or an exoskeleton; they’re humans breaking out of their shared history of extreme improvisation, determined to turn it up one more notch.  

“Yellow Stainer” kicks off the record with dueling metronomes panned hard left and right. The differences in their time signatures create pockets of space that open and close at uneven intervals, and a pair of Evans / Walter duos take aim at those spots, shooting quick blurts and bashes that must never touch the outer edge of their targets. On “Satan’s Boletus” selective amplification and comprehension blow another improvisation up like digital magnification; the sound you hear, ladies and gentlemen, is not what was played but the way it was pixelated. Tracks of horn noise press upon tracks of fast drumming on “Sulfur Tuft,” which will push you to the wall like a blast of some heavy metal mutation that is unfit for normal life but too vigorous to die.  

Piece follows piece, each named for a mushroom of escalating lethality, and it would hardly be in the spirit of the enterprise to simply name each one’s contents and methodology. Besides, if you go the album’s Bandcamp page there’s already a video that’ll do that for you. So let’s just acknowledge that we haven’t even gotten to the exploding marching band or the black hole implosion segments, suggest that you really ought to hear them do it through speakers big enough to handle a bit of destruction, and praise the duo for delivering not more of the same but more.  

Bill Meyer

[handstandrecords]

New FLYING LUTTENBACHERS album drops today! The cosmic warriors of punk jazz / no wave / free death apocalypse noise are back with an unholy racket of record. 🟨♾🟨 "Negative Infinity" CD digipak available in the shop (vinyl coming soon) . . . #theflyingluttenbachers #negativeinfinity #weaselwalter #ugexplode #punk #noise #freejazz #nowave #nowspinning (at New York City) https://www.instagram.com/p/CRHXxwAJHkm/?utm_medium=tumblr

[kittybot-xq]

Brutal! BRUTAL! Arrived today. Kiss my brain goodbye tonight when I get home! #flyingluttenbachers #ugexplode #weaselwalter #brutalprog #experimentalmusic #recordcollector #hailsatan #demonicmusic #freejazz #djkittybot https://www.instagram.com/p/B1ZoVWnhRAY/?igshid=1pn5ccexki6kn

[throatruinerrecords]

Now in stock: WHITE SUNS "Psychic Drift" LP/CD (@theflenser ) https://deathwishinc.eu/products/white-suns-psychic-drift "New York City’s noise duo WHITE SUNS have existed since 2006 and have released three full-length albums – Waking In The Reservoir (UgExplode, 2011), Sinews (Load, 2012) and Totem (The Flenser, 2014) – along with a handful of small-run releases. Their material has received accolades from the New Yorker, SPIN, Pitchfork, and Tiny Mix Tapes among others, and they’ve extensively toured the U.S. and garnered a reputation as a threatening and intense live act. This summer, WHITE SUNS will release their challenging fourth album, Psychic Drift, via label partner The Flenser. Following the deconstructed rock instrumentation of 2014’s Totem, WHITE SUNS’ Dana Matthiessen and Kevin Barry continue their inexorable plunge into sonic abstraction. Psychic Drift consists of four long-form compositions where synthesizers, field recordings, cut-up samples and lurching rhythms form a tapestry of shifting layers. The focus here is on texture and atmosphere, utilizing repurposed aspects of drone, industrial and harsh noise to create claustrophobic soundscapes that ripple and groan. Artwork by Robert Beatty (NY Times, The Flaming Lips, Thee Oh Sees)."

[tinymixtapes]

The Flying Luttenbachers swoop down from on high like the heroes they are with new album Imminent Death

Uh… Well, sooo, yeah. I guess it’s like the headline said: Experimental punk-jazzers The Flying Luttenbachers, having relatively recently reincarnated, are now about to release a new album called Imminent Death, which, according to the band, it consists of “seven long tracks of rhythm and insanity.” How imminent is IMMINENT? November 30. All things considered, I’d say that’s fairly imminent. (Head here to pick it up-up-up on your choice of digital, CD, and double-vinyl courtesy of Weasel Walter’s ugEXPLODE label and/or God Records.) How INSANE is “insanity?” Well: Imminent Death by The Flying Luttenbachers Imminent Death’s sudden, immediate tracklisting: 01. Praalude 02. Get The Fuck Out (GTFO) 03. 7 and 7 Is Not 04. Grants, Residencies and Trust Funds 05. White Wine and White Lines 06. Serial Plagarism 07. The Stomp http://j.mp/352sNdh

[podilatokafe]

Charity Chan, Peter Evans, Tom Blancarte, Weasel Walter – Cryptocrystalline (2013) awesome jazz 2013 Ugexplode Charity Chan piano Peter Evans trumpet Tom Blancarte bass Weasel Walter drums 1. Undetectable 29:11 2. Hidden Language 12:46 3. More Than Met the Eye 30:28 ▼

[noloveforned]

i thought we'd wrapped up our theme but the passing of grant hart on september 13th required an encore week in tribute. this summer we started every show off with 'singing drummers' with tracks featuring don brewer (grand funk railroad), georgia hubley (yo la tengo), sheila e., francis macdonald (teenage fanclub), levon helm (the band), michael lerner (telekinesis), karen carpenter, anderson .paak, angus dowling (the babe rainbow), ringo starr (the beatles) and grant hart (hüsker dü).

tune into wlur at 5pm tonight to hear the launch of our fall theme! last week's show is below for those that need to catch up...

no love for ned on wlur – september 20th, 2017 from 5-7pm

artist // track // album // label hüsker dü // it's not funny anymore // metal circus ep // sst beaches // void // second of spring // chapter music filthy friends // despierta // invitation // kill rock stars dicaprio // negative zone // i went to the mall yesterday and i got sick // irrelevant the stones // gunner ho // three blind mice // flying nun bonny doon // lost my way // bonny doon // salinas diet cig // breathless // over easy ep // father/daughter frankie and the witch fingers // sunshine earthquake // brain telephone // permanent nice try // patience // nice try cassette // turd world the lovely feathers // frantic // hind hind legs // equator seazoo // shoreline // shoreline digital single // (self-released) alvvays // your type // antisocialites // polyvinyl * marietta // nos ventre nus // la passagère // born bad michael nau // the load // some twist // suicide squeeze dylan earl // clay pigeons // new country to be // fabulon chad vangaalen // pine and clover // light information // sub pop * chris bell featuring nancy bryan // in my darkest hour // i am the cosmos (deluxe version) // omnivore stein urheim // hear the people sing // utopian tales // hubro julia holter featuring nedelle torrisi and ramona gonzalez with cole m.g.n. // condemnation // condemnation 7" // domino irène schweizer and joey baron // free for all // live! // intakt weasel walter // xenoglossy two // a pound of flesh // ugexplode antibalas // hook and crook // where the gods are in peace // daptone * togo all stars // midasim ma vo // togo all stars // excelsior idy-o-idrissa // arindo // bobo yéyé: belle époque in upper volta compilation // numero group jons // last minute // serfs of today // solitaire jad fair and kramer // red red sun // the history of crying // shimmy 500 timmy's organism // four leaf clover // eating colors // detroit magnetic tape co. mini dresses // are you real // mini dresses // joy void faith healer // waiting // try // mint * amber coffman // all to myself // city of no reply // columbia

* denotes music on wlur’s playlist

[avantpanda]

The Flying Luttenbachers: Shattered Dimension 2xLP

[dustedandsocial]

Music 2018 April: There’s too much music and it isn’t helping anyone. Please stop all music.

Rock, punk, post-punk, psych, etc. Also folk I guess?

Full-Lengths Bart De Paepe - Pagus Wasiae LP (Beyond Beyond Is Beyond) Blank Realm - Last Seen LP (Hobbies Galore) Blind Mans Band - Blind Mans Band CS [Orig. 2016] (Insula Jazz) Bridge of Flowers - Bridge of Flowers CS (Sloow Tapes) Bodies On Everest - A National Day Of Mourning CD (Third-I-Rex) Chris Cogburn, Ingebrigt Håker Flaten, Bob Hoffnar, Henry Kaiser - En Las Montañas de Excesos LP (Self Sabotage) Christian Kann - Tang® Under the Bridge... CS (Metaphysical Circuits) Chocolat Billy - Délicat déni LP (Kythibong / Les Potagers Natures) Convivial Cannibal Clan - Autosarcophagy CS (Ignorant Ear Tapes) COXNOX - COXNOX CD (Econore) Death by Delirium - Pushing up the Daisies CS (Wilhelm show me the Major Label) The Doozer ‎- Figurines LP (Feeding Tube) DLVRNC - DLVRNC (Self-Released) Faux Départ ‎- Au Pied Du Mur LP (Colilla / Doomtown) Flesh Narc - Songs of Reality CS (NULLZØNE) Great Saunites - Brown CD (Il Verso Del Cinghiale / Hypershape / Toten Schwan) Gnaw Their Tongues - Genocidal Majesty LP (Consouling Sounds) Headroom / Dire Wolves - Split CS (Pome Pome Tones) Holiday Inn - Torbido LP (Maple Death) Hospice - Hospice CS (Scavenger of Death) Itchy Bugger - Done One LP (Low Company) Jacob Yates - The Hare. The Moon. The Drone. LP (Optimo Music) Jesus Is My Son - Tout a une fin (même l'amour) CD (Cheap Satanism) King Dick - KDIII LP (King Dick) KTB - KTB II LP (Feeding Tube) Lewsberg - Lewsberg LP (Self-Released) Leverton Fox - I Am Zebra LP (Not Applicable) Litku Klemetti - Taika Tapahtuu LP (Luova) Locean - Object / Disco CS (Box) Maailmanloppu - Tuhon Koodi LP (Svart) Marc Ribot's Ceramic Dog - Yru Still Here CD (Yellowbird / Enja) Lonker See - One Eye Sees Red CD (Instant Classic) Makoto Kawabata • Richard Pinhas • Yoshida Tatsuya - Trax LP (Bam Balam) Mark Wynn - Damp Towels Stink Drama (Desert Mine) MÄSÄ - Viimesen päälle LP (Luova) Mr Sterile - Haters, Wreckers and other Friends CD (skirted) Ramble Tamble - Outlaw Overtones CS (Eiderdown) The Shna - Fairytape CS (Kitchen Leg) Sonic Death - Punks Against Mafia Vol. 1 (DTH Studios) Spost - Monkey Face LP (Self-Released) Stratocastors - Living Under The Johnny Vacances LP (Et Mon Cul C’est Du Tofu) Thee Agnes Muller - Le Bad CS (Degelite) The Submissives - Pining for a Boy CS (Egg Paper) Tommy Jay & The General - Florida Songs LP (Feeding Tube) Total Leatherette - For The Climax Of The Night LP (Mïlk) The Trendees - NIGHTMARE CITY (Self-Released) Vanta - Vanta II CS (Self-Released) Weasel Walter - Skhiizm CD (ugEXPLODE) Weeping Bong Band - Weeping Bong Band LP (Feeding Tube) Wombo - Staring At Trees CS (Sophomore Lounge) Yes Deer - Gloss LP (Abstract Tits) Ylayali - Pumpkin Patch CS / Picked Apart (Self-Released) Zëro - Ain't That Mayhem 2xLP (Ici d'Ailleurs)

Singles, EPs, Demos Basic Human - Cassette CS (Meatspin) Bodybags - Demo 2018 (Self-Released) Can Can Heads - Duo Exchange in 4´42 Minutes EP (Self-Released) Cerkkyu - Demo CS (MYDY / Overflöd / Pissed Off!) Crude - Drug Culture 12" (Farewell) Dauðyflin - Dauþiflin 7" EP (Iron Lung) Dick Whyte & Finn Johansson - What Kind Of Bird Am I 7" (Ilk Ither) Ecstasy - Ecstasy 7" EP (Digital Regress) Fatamorgana - Fatamorgana CS (Self-Released) Floating Skull - FROSTED MINOTAUR / SECULAR BUTCHER CS (Self-Released) Gen Pop - II 7" EP (Feel It) Hetze - Bedbugs (Self-Released) Jesus Is My Son - Désolé 7" (Lexi Disques) Kovaa Rasvaa - Pahan vaimon käsikirja 12" (Svart) Laurence Wasser - The Garden CS (Kitchen Leg) Life Fucker - Z - 12" (Static Age) Merlin Nova - Protect Your Flame EP (Blank Editions) Nandas - EP II (Toxic State) No Future - Demo CS (Televised Suicide) NoNoNo - Cutting Edge CD (Self-Released) Photogenic - Demo CS (Self-Released) Physique - Punk Life Is Shit 12" (Iron Lung) Primer Regimen - Ultimo Testamento 12" (Byllepest Distro) Punctï - Quartz Hour Shining Sphere (Self-Released) Pvnisher - Pvnishment Demonstration CS (Razored Raw) Rapid Tan - Golden Wonder EP (Self-Released) Sara Fuego - soundcloud demos Scarlatine - Tine EP (Self-released) Slab City - Regina Delle Streghe CS (Always Restrictions) Slant - Demo 2018 CS (Headcount / Pissed Off!) Skitklass - Kaos Och Förstörelse 4-låtars 7" EP (Hardcore Survives) Stagger - Thermobaeric Blues CS (Self-Released) Street Gurgler - Live on WRUW CS (Adamant Blasts / Pete Smokes Weed Tapes) Terebentina - O outro (Self-Released) XUX - XUX CS (Hobbies Galore) [pictured] WAMEKI - 72 Hours EP (Self-Released)

 Experimental, Avant-Garde, Free Jazz, etc

6majik9 - Ritual Zero / Monk Nun 2xCDr (chemical imbalance.) Ad`Absurdum & Strøm - Infest LP (Acoustic Desaster / Tonzonen) Adam Cadell - Bush Songs CS (Soft Abuse) Adderall Canyonly - The Limits of All Known Ice CS (Lighten Up Sounds) Aeolipile - Observational error CD (Foolproof Projects) AMK & WM Zarate - Embedded CS (Regional Bears) Amuleto - Misztériumok LP (Three꞉four) Aqueduct Ensemble - Improvisations on an Apricot LP (Last Resort) AmErIkAn TeEnAgEr - Bandcamp CS (Barreuh) Awkward Geisha & GX Jupitter-Larsen - Final Destination CS (Lurker Bias) Baldruin - Vergessene Träume LP (Ikuisuus) Bianca Scout -  __dislex-ia (Beatrice & Annie) Bella e Cadu Tenório - Vazios CS (QTV) Body Morph - The Three Mothers CS (Moon Myst Music) Brianna Kelly / Sympathy Pain - Split CS (Whited Sepulchre) Carlo Giustini - Sant'angelo CS (Purlieu Recordings) Chaos Echœs with Mats Gustafsson - Sustain LP (Utech) Chesterfield - Consuelo CD (Mikroton) Chow Mwng - Ah Alpine ! CDr (Self-Released) Church Shuttle - Natural Disaster 7'' (Soft Abuse) Columbus Duo - À Temps CD (Dead Sailor Muzic) Crazy Doberman - "Get Lost Pens Of Baldwin" Particle I & II CS (Fag Tapes) Dane Rousay - IMP-ENV 10'' (Colour8) Dead Voices on Air - Mirror Carrier CS (Format Noise) Dirk Wachtelaer, Jürgen De Blonde, Alec Ilyine, Gert De Meester - Tales From The Hellhole (Self-Released) Disposición Asoleada - Sigses Saturninos 7'' (Lexi Disques) Dwarfs of East Agouza - Rats Don’t Eat Synthesizers LP (Akuphone) Èlg - Vu Du Dôme LP (Editions Gravats) eRikm & Percussions de Strasbourg - Drum-Machines 2xLP (Percussions de Strasbourg) Fuck My WInter - Hic svnt leones CS (Jeunesse Cosmique) Jérôme Noetinger & Sec_ - La Cave Des Étendards CD (Mikroton) John Godbert - The Sealed Container CDr (Chocolate Monk) Kurt Liedwart & Petr Vrba - Punkt CD (Mikroton) kutin | kindlinger - Decomposition IV (Variations on Bulletproof Glass) 2xLP (Ventil) Lärmschutz - Divine Descent CS (No Index) Lao Dan 老丹 - 思維扭曲的行動體 Functioning Anomie CS (WV Sorcerer Productions) Les Horribles Travailleurs & Mechanical Ape - Collaborative Soundworks CS (Noir Age) Li Jianhong 李劍鴻 - 1969 CS (WV Sorcerer Productions) Louise Landes Levi - IKIRU or The Wanderer LP (Oaken Palace) Lucrecia Dalt - Anticlines LP (RVNG Intl.) Maria da Rocha - Beet Root & Other Stories CD (Shhpuma) Martín Escalante and Charlie Mumma - Escalante / Mumma CS (Sploosh) Me Donner - ÉÀ&! (Self-Released) Mei Zhiyong 梅志勇 / Ryosuke Kiyasu - 高円寺 Kōenji CS (WV Sorcerer Productions) Michael Foster / Ben Bennett / Jacob Wick - Glove Issues CD (Palliative) Mike Dilloway - Hay Bale Paws CD (Chocolate Monk) Nat Birchall - Cosmic Language LP (Jazzman) Neutrals - 0318 CS (Alien Passengers) Nick Hoffman - Salamander CS (Notice) La banane de Hakim - Q EP (Self-Released) Q'uq'umatz - Tepeu CS (WV Sorcerer Productions) Paulie Shankwank / Zawinul Cropse - Split CS (Post-Materialization) Red Brut - Red Brut LP (KRAAK) Richmond Avant Improv Collective - Communion / Il Delirio E La Mortalità Di Amore 2xCD (Arachnidiscs) Rob Michalchuk - Where Did You Learn To Fly CS / Thirty CS (Poor Little Music) Saboteuse - X CS (Crow Versus Crow) Sensual Spasmo - Lichhouse Drip Feed CS (Moon Myst Music) Simon Cummings - 間 (ma) CS (Crónica) Sparkle in Grey - The Bones of Quietness CD (Grey Sparkle) The Spiders - Bit Offset 2xCS (chemical imbalance.) STARBIRTHED - The Dweller On the Threshold CS (Flower Room) Tasos Stamou - Musique con Crète LP (Discrepant) Tatras / Oostanaula - Split CS (Park 70) Thembi Soddell - Love Songs CD (Room40) Threes And Will / Deludium Skies - Kraaipan / From The Dirt Arose The Lesser King CD (Xtelyon) Tomaga - Music for Visual Disorders LP (meakusma) Torben Snekkestad, Agusti Fernandez, Barry Guy - Louisiana Variations CD (Fundacja Słuchaj) VA - 2018 Balkan Experimental Survey - Post Industrial Culture Series (Unexplained Sounds Group) VA - New Modernism (Unexplained Sounds Group) VA - Solidarity Is Our Weapon Against All Prisons (Anarchist Black Cross Benefit) 2xCS (Totes Format) Uton - Sax On, Sax Off CS (Eiderdown) Vanessa Amara - Manos LP (Posh Isolation) Wukir Suryadi - Atas Nama Bunyi /  In The Name Of Sound 2008 EP (Self-Released) Zohastre - Pan And The Master Pipers LP (S.K Records)

Reissues, Archival

A New Personality - A New Personality 1981-84 (No Label) Cardiacs - The Seaside (Original Edition) [Orig. 1983, Remastered] (The Alphabet Business Concern) Dino J.A. Deane - For Leena 2xLP [Rec. 1991-1998] (Lullabies For Insomniacs) Expo 70 - Mother Universe Has Birthed Her Last Cosmos 2xCD [Rec. 2008-2010] (Zoharum) Goz Of Kermeur - Greatest Hits 2xLP [Rec. 1992-1996] (Jelodanti / Et Mon Cul C'est Du Tofu / Degelite) Heldon - Electronique Guerilla LP / Heldon II LP [Orig. 1974, 1975] (Bureau B) Nexda - Words & Numbers LP [Rec. 1982] (Emotional Rescue / Blowpipe / Mannnequin) Nocturnal Projections - Complete Studio Recordings LP / Inmates In Images LP [Rec. 1981-1983] (Dais) No Trend - You Deserve Your Life. LP [Rec. 1983] (Digital Regress, 2018) Norgez Bank - Samfunnets tjenera LP [Rec. 1980-1982] (Fucking North Pole) Onyx - Complete Works 1981-1983 LP (MIND Records) Peggy Lee & Dylan van der Schyff - These Are Our Shoes [Orig. 1998] (WhirrbooM!) Pellethead - The Best of a Bad Bunch LP [Rec. 1992-2017] (GNUinc) PRRRL JAM - Prrrl Jam 2xCS [Orig. 2014, Expanded] (Grog Pappy) Residents - The W⁎⁎⁎⁎⁎ B⁎⁎⁎ Album LP [Rec. 1971]͙͙ (New Ralph Too) Shatterbox - Strung Out On The Line LP [Orig. 1981] (Dig! Records) Sun Ra - God Is More Than Love Can Ever Be LP [Orig. 1979, Remastered] (Cosmic Myth) Tunnelrunners - Neath Abbey Road CD [Rec. 1980-1982] (Only Fit For The Bin) Unknown Artist - Early Sampling Puzzle, Potentially Recorded During The Late 1980′s LP (Delodio) Unovidual - Synthetic Solitude CS [Rec. 1983-1986] (Kontakt)

Electronic

AQXDM - Aegis 12'' (Bedouin) Astrid Sonne - Human Lines LP (Escho) Beat Detectives - Rhythms & Edits Volume 1 CS (Altered States) Blue Nude - Blue Nude CS (Puff Boys) burnet207 - forever CD (Jacktone) C_C - Brumas, Nieblas, Neblinas CS (Zamzam) Chloé - Recall Remixes 12'' (Lumière Noire) Curses - Pedal To The Metal And Don't Look Back 12'' (Bordello A Parigi) CVN - Kaisou CS (Altered States) Cyclist - Alabaster Thrones 12'' (100% Silk) Eomac - Reconnect LP (Eotrax) Garland - Preludes #1 LP (Lullabies For Insomniacs) House Of Kenzo - Bonfires Of Urbanity CS (Ascetic House) Hugo Jay - Tape Two LP (Coastal Haze) Hysteric - In The Moonlight 12'' (Violette Szabo) Jack Patterson - Snapping The Golden Thread CS (Archive) Kiwi - Mountains Of Dew 12'' (Disco Halal) Lauren Tosswill - My Home In The Year 12'' (Enmossed) Low Jack - Riddims du Lieu-dit LP (Editions Gravats) Mateis e. aqir - Geography of Nowhere 12'' (Jungle Gym) Mind Safari - The Dream Manipulator CS (Jacktone) Modified Man - Modifications꞉ Set 2 LP (Albert’s Favourites) Mrs Dink - The Norma Meetings EP (Run On Recordings) NN* - Cave Of The Birdbath King CS (Self-Released) Opal Beau - Open Window CS (Altered States) Overloper - Aposynthesis 12'' (Pater Noster) Piotr Połoz - Shameful Hatred CDr (Mik.Musik.!.) PSYCHOPOP - The Devil's Drums and the Angelic Electronics CS (HIT+RUN) Raquin - Ariclone CS (Janushoved) Ssaliva - WYIN 12'' (Collapsing Market) Somaticae - Planètes De Glace CS (ABRecords) VA - HU-MR96 3x12'' (MISTRESS Recordings) VA - Metallurgic 12'' (Metallurgic) VA - NOWHERE01 (Something Happening Somewhere) VA - One Instrument Volume 01 LP (One Instrument)

[dustedmagazine]

Dust Volume 6, Number 1

A new year means new music. At least eventually, it does, though January is notoriously slow for album releases. Meanwhile, there’s plenty we missed from late (and mid and even early) 2019, so let’s dig into that for one last big Dust. Here we cover subcontinental LGBTQ gangsta rap, industrial clangor, string quartets, Welsh agitpunk, electronics, free jazz, blackened death metal and an odd, charming collaboration between Cate Le Bon and Bradford Cox (see photo). Writers include Bill Meyer, Jennifer Kelly, Ian Mathers, Tobias Carroll, Andrew Forell, Ray Garraty, Jason Gioncontere, Ethan Militsky and Jonathan Shaw.

Jeb Bishop / Alex Ward / Weasel Walter — Flayed (Ugexplode)

Flayed by Jeb Bishop / Alex Ward / Weasel Walter

You know a party is good if it carries on even though the organizer can’t show up. Bassist Damon Smith planned this encounter, which involved his long-term partner in intensity and chaos, drummer Weasel Walter; New England improvisational fellow traveler (at least until Smith moved to St. Louis a few months after this March, 2019 session) Jeb Bishop on trombone and electronics; and Alex Ward, a veteran of work with Derek Bailey and This Is Not This Heat, on guitar and clarinet. Since Walter has played with both of the other guys in and outside of the Flying Luttenbachers, when Smith had to drop out for scheduling reasons, he was confident that the trio could make something of both the opportunity to play and the space made available by the absent bass. He was right. Both the title and prevailing assumptions about Walter might set you up to expect a one-dimensional blowout, but there’s loads of listening and thoughtful, instant reacting taking place on each of the album’s eight, mostly pithy tracks. This music plays out like a combination of jujitsu and shuttle diplomacy, with players shifting between support and challenge, density and space, rapidity and reserve from second to second.

Bill Meyer  

 Cartel Madras — Age of the Goonda (Sub Pop)

Cartel Madras turns gangsta rap’s hyper-male, African-American-oriented bravado on its side, filtering the guns and blunts ethos through a female, queer, multicultural lens without diluting its violence in the least. Sisters Priya and Bhagya Ramesh, known as Contra and Eboshi, have lived in Calgary since childhood, but they immigrated from Chennai, India, once part of Madras, hence the name, hence the tricky scales and intricate, not-quite-Western rhythms of their rhymes. Age of the Goonda works in a spare, menacing way, dense, referential wordplay atop an undulating threat of sub-bass and the occasional spray of bullets.

“Goonda Gold,” celebrates cartoonish dominance, though with a South Asian twist. Little bits of Hindi harmonics decorate the bare architecture of synth bass sounds and cracking, stabbing percussion (augmented here by gunfire); the Cartel’s chant of “Gold on my neck I’m a Goonda/got guns in the air like a junta” puts a subcontinental spin on ghetto law. The clever-est word sprays come in “The Legend of Jalopeno Boiz,” where the duo references everything from Frost/Nixon to incel stereotypes, but the single “Lil Pump Type Beat,” is all hedonism, devious syncopation and sexual predation. Though wildly intersectional, these tracks make no concessions to soft, liberal ideas about how women/minorities/LGBTQ people wield power; they do it just like the men do, with guns. “Take off your top boy/somebody bring me my gun/that bag in the back of the jeep/you just a bitch on the run,” asserts one or the other sister in “Jumpscare.” What was that you were saying about women and nurture?

Jennifer Kelly

 CIA Debutante — The Landlord (Siltbreeze)

CIA Debutante-The Landlord by CIA Debutante

A new Siltbreeze record is a rare blessing nowadays. The label’s first release since 2018 comes from Paris duo CIA Debutante. The Landlord fits in nicely with the label’s storied '90s output, particularly the Shadow Ring. The electronics aren’t quite glitchy—they sound more like the batteries in a cheap toy dying. Still, CIA Debutante are savvy enough to avoid getting too clever with their sputtering, plodding, and whizzing, and they don’t go the easy route when layering incongruous sounds. There’s never the fatiguing sense that they rely on the same few tricks. It helps that their murky, paranoid vignettes are fully engrossing. CIA Debutante tap into something truly nightmarish on The Landlord, which is a rare accomplishment. Sure, plenty of music shoots for tense and creepy, but CIA Debutante have an exceptional gift for the uncanny, the kind of stuff that haunts you long after you’ve woken up and can no longer hope to grasp it. Ethan Milititsky

Decoherence — Ekpyrosis (Sentient Ruin Laboratories)

Ekpyrosis by Decoherence

Decoherence is a pretty good name for a band that locates itself in the liminal space between industrial music’s stomp and clangor and black metal’s astringent tumult. The band’s new LP (and first full length release) Ekpyrosis is at its best when its waves of distorted hiss, dissonant riffing and distant shrieks and growls threaten to rend the record to shreds. One imagines that if you found yourself in an aluminum ladder factory, amid the massive drills and extruding machines and metal presses and then removed your ear protectors, you’d hear something akin to this — especially if the place was possessed by demons of ill intent. It’s a well-crafted, ritualized chaos. The band is so insistent on a specific set of sounds and forms that the record’s long tracks tend to blur into one another. Which may be the point. Decoherence, indeed.

Jonathan Shaw

 Bertrand Denzler / CoÔ — Arc (Potlatch)

Arc is a two-part, album-length work by Bertrand Denzler, a Swiss-born, Paris-based saxophonist and composer. It is performed by CoÔ, a string septet led by double bassist Félicie Bazelaire. The ensemble’s composition is a sort of funhouse reflection of a string quartet, distorted towards breadth; it comprises one violin, two violas, one cello and three double basses. But there’s nothing comic about this music, which is quite beautiful in the same way as a slow winter sunset. Denzler’s method here involves the use of continuous sounds, but don’t call it drone. The players use both conventional and extended techniques to create a continually changing sequence of striated sounds. Naked scrapes and cavernous groans arc in formation, changing fairly frequently over the course of each piece. The result is immersive enough to let you get lost, but keep your ears and eyes open; you wouldn’t want to miss one moment of gradual transition. A note about circumstances — Potlatch, the label that released this CD, has slowed its production in recent years, and this is the only record it released in 2018. Apparently, the label isn’t wasting its time with unnecessary effort; Arc clears the necessity bar.

Bill Meyer

 Fujiya & Miyagi — Flashback (Impossible Objects of Desire)

One of the interesting things about Fujiya & Miyagi’s songwriting is that as the UK post-motorik outfit’s music becomes ever more focused and sleekly propulsive, frontman David Best has zeroed in on any number of little aspects of life disturb and upset the kind of cool pulse the band specializes in. Here it’s everything from violations of your “Personal Space,” the “Fear of Missing Out,” and nagging thoughts in the title track to the more political concerns of the closing lengthy workout of “Gammon” (which eventually, in one of the little touches that makes F&M’s music so addictive, settles on the “pure evil vibrating” of a dial-up modem). That doesn’t mean the band can no longer bust a groove just for the pure joy of it, as “Dying Swan Act” proves, but it’s the combination of those chops and the perceptive if increasingly jaundiced eye they turn on life that makes them such a unique and compelling act.

Ian Mathers

 Cate Le Bon & Bradford Cox — Myths 400 (Mexican Summer)

Myths 004 by Cate Le Bon & Bradford Cox

Intricate fancies turn just out of true in this pop-up collaboration between Cate Le Bon and Deerhunter’s Bradford Cox, the fourth in a series of joint EPs recorded under the auspices of Mexican Summer’s annual Marfa Myths festival (hence Myths 400). The two artists work in a skewed, peripheral vision take on artful pop, building interlocking boxes of percussion and whimsey in which fleeting glimpses of loveliness flit by. The song-i-est bit of Myths 400 is undoubtedly “Secretary,” a Weimar-decadent bit of mournful song hedged in clanks and clicks, strings and clarinets, and the odd combination of Le Bon’s pure art-song shiver and Cox’s less pristine, more grounded voice. Yet the rhythm-centered oddities are just as rewarding; resist the slap-bang fanciful-ness of growly-voiced, Cox-led “Fireman,” with Le Bon trilling off center arias in the margins at your own peril. “What Is She Wearing” bangs out disconsonant guitar tones in slightly off center patterns and tunings; it’s a wind-up toy’s existential crisis. Le Bon chants in a Middle European cadence, as the cut falls somewhere between early Michachu and a Kurt Weil song. It’s about the last thing you’d expect to emerge from the desert, eccentric, abstracted, playful and utterly urbane.

Jennifer Kelly

  Urs Leimgruber / Andreas Willers / Alvin Curran / Fabrizio Sperra—Rome-ing (Leo)

Urs Leimgruber has covered a lot of musical ground in a performing and recording career that spans over 45 years. The three musicians who join the Swiss saxophonist on this freely improvised encounter, which was recorded in Rome late in 2018, are well chosen to access aspects of that history and shape it into sound configurations that are quite present-focused. Quick, light-fingered, and restless, drummer Fabrizio Sperra keeps things in constant motion. Swiss guitarist Andreas Willers stirs chunks of almost rock-ish noise and sprinkles stinging, pure-toned notes into the mix that give the music heft without slowing it down. Alvin Curran, an American keyboardist and composer (and member of MEV), draws on classical more than jazz elements in his piano playing; there are moments where he stubbornly erects a structure that the other musicians must either inhabit or work around. But his sampler also enables him to inject the sounds of other places. Shifting between tenor and saxophones, Leimgruber drives quickly spiraling phrases through the open spaces and uses astringent, distressed tone-shards to suggest where there needs to be more space.

Bill Meyer

 The Master Musicians of Dyffryn Moor — Music for the National Health Service (Amgueddfa Llwch)

Music for the National Health Service by The Master Musicians of Dyffryn Moor

When I was a younger punk, I would sometimes take in the phenomenon of bands’ whose lyrical explanations would take longer to deliver than the playing of the actual songs. And while I haven’t seen this crop up much recently, I feel like that aesthetic is alive and well when I visit the Bandcamp page of The Master Musicians of Dyffryn Moor, which includes a terse essay about the dangers facing the NHS under the current British government. This new EP follows two excellent full-lengths, Cerddoriaeth Ddefodol Gogledd Sir Benfro (Ritual Music of North Pembrokeshire) and Contemporary Protest Music, which blend the “instrumental music can be politically charged” feel of Godspeed You! Black Emperor with the intricacy of Steve Reich’s Drumming. These two songs continue in that tradition — furiously played percussion with a heated political subtext — but add a few tweaks to the sound the group has already established. Specifically, there’s a stronger electronic element here: you could probably get a dancefloor moving if you cued up “A spell to protect the NHS from those who seek to destroy it.” Its opposite number, “A hex on those who seek to destroy the NHS,” is built around a steady pulse. You probably can’t dance as well to that, but given the potential psychic damage incurred by dancing to a hex, would you actually want to?

Tobias Carroll 

 Overground Collective — Super Mario (Babel Label)

SUPER MARIO by OverGround Collective

The Overground Collective is a pan-European big band that is based in London and led by Paulo Duarte, a Portuguese guitarist/composer currently based in Scandinavia. If that sounds like a bit to get your head around, you probably need only wait a while to see what Boris’s Britain does to the freedoms of movement and thought necessary for such an endeavor to get off the ground. For the rest of us, it’s a nice illustration of why such fluidity is part of a better way. Duarte spent some time in England studying the ways of various improvisers, and recruited 17 to join him in realizing a set of compositions designed expressly for them. Certain of the participants come from free jazz (Julie Kjaer, Rachel Musson) or cross-genre experimentation (Yazz Ahmed), and you can hear the influence of such approaches in a few moments of freefall and adventurously conceived solos. But these elements fit into a structure that fits squarely in the tradition. Duarte sets tunes you could hum on grooves that’ll make you tap your feet, albeit quickly enough to annoy your neighbor if the floorboards happen to transmit your amateur approximation of his beats, and dresses them up in arrangements that could speak to a person who thinks that jazz’s lineage is a straight line from Duke Ellington to Maria Schneider. Music like this is a reproach to those who think that differences can’t be complimentary parts of a whole.

Bill Meyer

  Pictish Trail — Thumb World (Fire)

Thumb World by Pictish Trail

Folktronica from the tiny island of Eigg in the Hebrides, this latest album by Pictish Trail (Johnny Lynch) demonstrates the aesthetic value of both isolation and connection. Per isolation: Lynch lives on a windblown island with fewer than 100 other people. But as for connection, he is intimately involved in a northerly folk scene through King Creosote’s Fence Records and surrounded by local musicians. There aren’t that many folks on Eigg, but almost everybody plays an instrument. That kind of environment allows space for eccentricity and practice, which shows up on these expansive, dance-inflected, folk-shadowed cuts. Pictish Trail enlarges his subtle, personal songs with enveloping arrangements of rock sounds and club electronics; Kim Moore contributes some string arrangements and Alex Thomas of Squarepusher sits in on drums. “Double Sided” has the lilt and ramble of Three EPs Beta Band (Lynch has been out touring with Steve Mason lately), while gorgeous, glistening “Slow Memories” has the glitch, glow and aura of early Tunng. Thumb World demonstrates that music can be solitary without being lonely, introspective without self-absorbation. “You’re my solitude/I’m never so alone by myself,” sings Lynch, on the surprisingly rock-guitared “Bad Algebra,” underlining the fact that too many people (or the wrong people) can be isolating, and a few can provide the space for originality and experiment.

Jennifer Kelly

Pinkish Black — Concept Unification (Relapse)

Texas psych sludge prog metal duo Pinkish Black has been quiet for a little while; their last record, 2015’s Bottom of the Morning, was such a compact and potent summation of the miasmic bad vibes that Daron Beck (synthesizers, voice) and Jon Teague (drums) can summon up seemingly at will. No more than a minute into the opening title track of their fourth record you get a strong reminder of just that atmosphere; you might as well be in a haunted castle during the full moon. The closing, lengthy “Next Solution” also offers a reminder of what you might call classic Pinkish Black, but it’s the four songs in between that show Beck and Teague working to make sure there is always room to expand their dark palette. Whether it’s the relatively straightforward, thrashy “Until” or the prettily drifting “Inanimatronic” the results are always interesting. Bottom of the Morning remains the best introduction for now to this duo’s indelible sound, but once you’re a fan Concept Unification makes for a strong and promising follow-up.  

Ian Mathers

  Alexa Rose—Medicine for Living (Big Legal Mess)

“How I wish I were kinder, how I wish I were patient, I could learn all the songs on the gospel station,” trills Alexa Rose in a water pure soprano touched with shivery vibrato as she navigates the twists and corners of the title track from her lovely debut album. The Virginia-born, Memphis-based songwriter has a native’s familiarity with gospel, country and folk blues, but a fresh, sparkling delivery that makes these well-worn forms sound like she just thought of them. A lilting, effortless voice elicits spare melancholy sparked with hope and a crack band of Americana pros in tow �� Will Sexton on guitar, George Sluppick playing drums and Mark Edgard Stuart on bass — fill out the songs without a bit of bloat. “Tried and True” enlists a cajun squeeze box and skittering banjo into Rose’s smart, unsentimental songcraft; country teems with strong women disappointed by love, but Alexa Rose is clear-eyed and strong enough to kick its ass without breaking meter. Gorgeous and empowered stuff.

Jennifer Kelly

Sartegos — O Sangue da Noite (I, Voidhanger)

O Sangue da Noite by SARTEGOS

This new release by Sartegos isn’t so much blackened death metal as it is a death metal record that morphs its shape and sound into black metal. The buzzy crunch and acrobatic soloing of opener “Sangue e Noite” gradually give way to leaner, meaner riffs, and by the midpoint of fourth track “Solpor dos Mistérios,” the record has fully taken on the properties of merciless, muscular continental black metal. The record may engage with various metal subgenres, but O Sangue da Noite is held together by Sartegos’s focus on Galician nationalist themes and celebrations of its landscape. The band is named for a miniscule rural hamlet in Galicia, and we are told that all lyrics are delivered in the region’s native dialect. Black metal and ardent nationalism don’t always make for the happiest of combinations. For those of us lacking fluency in the language, it’s tough to know what ideological charge the lyrics carry. And Galician regional politics feature a panoply of leftist and right wing factions, all with their own fiery arguments for the region’s autonomy. What sort of blood? Who sings in the night? Hard to say. But the music’s pretty good.

Jonathan Shaw

 Seablite – Grass Stains and Novocaine (Emotional Response)

Bay Area quartet Seablite’s debut album navigates the fuzzy end of indie pop with aplomb. Vocalists Lauren Matsui (guitar) and Galine Tumasyan (bass) are joined by drummer Andy Pastalaniec and ex-Wax Idol Jen Mundy on lead guitar for 11 tracks of chipper, summery shoegaze that sit easily alongside their most obvious influences Lush, Curve and Stereolab. Seablite’s songs are elevated by the interplay of twin vocals, clean guitar lines and bouncy bass lines supported by cymbal heavy motorik drums. There’s steel beneath the gauze as Mundy brings a little of the Idols’ shade to proceedings and Pastalaniec drives songs like “Pillbox” and “Polygraph” hard and fast down a euphoric freeway of top-down thrumming thrills. Yes, it sounds like a lot of bands you’ve heard and maybe loved but Grass Stains and Novocaine is so well put together and convincingly played it’s hard to resist.

Andrew Forell

 Seiðr — Intethedens Afsky (Nattetale)

Seiðr is a one-man band from Denmark. For just one man, he was awfully busy in the past year, having put out three records. Intethedens Afsky can boast of 10 tracks of dirty, primitive sound with bursts of melody buried immediately under a wall of noise. The inspiration for Seiðr’s music can be found in early 1990s Norwegian black metal, and Claus H. (that’s his name) cannot be blamed for being too much of a good student. Why shouldn’t he have learnt from his elders? The first two tracks here have samples from “nature,” and this gives us a hint to how Seiðr’s music can be interpreted: it’s ruptures in Nature’s hellish landscape. No one will be saved.

Ray Garraty   

 Spider Bags — A Celebration of Hunger (Sophomore Lounge)

SPIDER BAGS "A Celebration of Hunger" by Spider Bags

Spider Bags are still around, making a record every three or four years for Merge. But listening to this debut, it’s hard to imagine how they did it. If subject matter reflects life style, then the motto of these guys back in 2008 was, “We do the hard stuff so there won’t be any left for you. Say, can you loan me a couple of twenties?” But there’s a self-observing intelligence at work in these songs that suggests that self-awareness wasn’t totally obliterated, and a loose, rumbling energy to these roots-tinged garage-rock songs that confirms that the Bags spent at least part of everyday upright. Add to that engineer Brian Paulson’s knack for getting sound under challenging circumstances, which renders the live-sounding performances with sufficient but not distracting clarity, and you have a good soundtrack for the next time you want to drink yourself off the barstool in the privacy of your own home.

Bill Meyer

 Luke Spook — Small Town (Third Eye Stimuli)

Australian multi-instrumentalist Luke Spook steps away from the garage-punk of his Pinheads to conjure up lysergic specters from bygone times on Small Town. There are a fair number of freaked out boil-overs in the offing but the general tone is one of reserved simplicity. Whether sipping tea with the subject of “The Owl” or gathering around the fire with some fellow townsfolk on the title track, Luke channels Syd Barrett to the point of becoming nearly indistinguishable. But what makes Small Town more than just a covers album is Luke’s ability to vary the intimacy of his arrangements when needed. “All the King’s Horses” features a harmonica solo backed up with an (accidental?) chorus of distant, wailing hounds. Those types of moments lurk beneath the surface and inject a pastoral quality that feels authentic. More quirky utopian village than small town, the world Spook creates is a place to live rather than to pass through.

Jason Gioncontere  

 Nick Storring — Qualms (Never Anything)

Qualms by Nick Storring

Nick Storring’s latest recording started life as the score for a dance performance, and it is easy to imagine how it might function in that role. The composition, which spans both sides of a cassette, is episodic. Each moment feels unique unto itself, creating an environment in which things — maybe movements, or maybe something in your own imagination — have the space to happen. If you caught him onstage with the group Picastro, you would probably see Storring play cello, but for Qualms he plays a couple dozen keyboard, stringed, percussive and woodwind instruments. This allows similar themes and actions to appear and reappear in different garb. One stalking theme, for example, manifests once as a psychedelically dense string melody, and again played by gamelan percussion. Elsewhere passages of meter-less sound temporarily halt the progress. Moments of Steve Reich-like repetition surface, but instead of locking in like they might in a Reich piece, they quickly morph into something else. The same pattern of change that probably made this a handy program for a dance performance makes it an engaging pure listening experience.

Bill Meyer

 Sun City Girls — Dawn of the Devi (Abduction)

Dawn of the Devi by Sun City Girls

Dawn of the Devi holds an important place in the Sun City Girls’ discography. Released in 1991, it was the follow up to the much-celebrated Torch of the Mystics, which remains one of the more tuneful and easily-relatable records that Charles Gocher and brothers Alan and Richard Bishop ever did. As such, it had a job to do, and it did it well. That was to throw the followers who sandals instead of sturdy shows off the track. They did this by serving up a song-free album of jagged, totally improvised jams. While it did the job at the time, and in doing so established a pattern of giving the people something other than what they want, in retrospect, you can appreciate it for another reason. Dawn of the Devi makes a pretty strong case for the trio as a rock-derived improvisational ensemble. They sound like they’re listening and responding to each other, and their transitions from acidic splatter to swooning hesitation or heavy ambush make intuitive sense. It wasn’t always that way.

Bill Meyer

 These New Puritans — Inside the Rose (BMG)

Essex experimentalists These New Puritans return with a lush yet disquieting take on English pastoralism. On Inside the Rose multi-instrumentalist twin brothers Jack and George Barnett create an often lovely, occasionally portentous, romantic paean to nature and love. As the Barnetts move further beyond the fractured post-punk of their debut Beat Pyramid, this, their fourth album, elaborates the use of contemporary classical and choral orchestration into arrangements that channel Talk Talk. Jack Barnett’s voice is high in the mix and evokes David Sylvian at his most emotive. Beneath the sheen and swooning strings George’s drumming shifts and slides between Reichian repetition and fierce Taiko inspired rhythms. Inside the Rose is a meticulously produced but never fussy collection, welcoming the listener but refusing either to compromise or patronize. A serious but accessible work full of carefully considered details, some gorgeous melodies and an almost Pre-Raphaelite sensibility expressed in a thoroughly contemporary manner.

Andrew Forell

 Various Artists — No Other Love (Tompkins Square)

No Other Love : Midwest Gospel (1965-1978) by Various Artists

No Other Love is, like the several albums that Mike McGonigal has compiled for different labels, a sequence of gospel records drawn from one collection. In this case it is the collection of Ramona Stout. She culled the 45s that make up this set from her husband Kevin’s trawls of records that had spent years in Chicagoan basements. A graduate student who had spent much of her life outside the USA, she saw with clear eyes the grime of American urban poverty, and found herself deeply compelled by the discovery that hopeful music could grow in such decay. There are no big stars amongst these recordings. Even at the time they were recorded they would have sounded rough and behind the times production-wise — just electric guitars, drum kits, whatever piano or organ was sitting in the church where they were recorded, and congregants’ voices. But the fervor of yearning and the joy of release makes every track a transporting listen.

Bill Meyer

 WOW — Come La Notte (Maple Death Records)

Come La Notte by wow

Underground Roman duo China Now (vocals, drums) and Leo Non (guitars) recent album as WOW, Come La Notte (Like the Night), is seven tracks of 1960s influenced Italian noir cabaret high on atmosphere and drama. Now’s almost operatic vocals are at the forefront over skeletal brushed drums, minimal bass and restrained guitar. The band lulls then surprises with a spectral sax and bursts of crashing cymbals and feedback on “Niente Di Speciale” (“Nothing Special”), a keening gypsy violin on “Vieni Un Po’ Qui” (“Come Over Here”), middle eastern organ on “Occhi Di Serpente” (“Snake Eyes”). Fatalism drips from every note bringing to mind a low ceilinged club in the catacombs where refugees from the sun fill the air with smoke and their guts with grappa and cheap vino rosso as Pasolini scouts for rough trade and fingers grip switchblades concealed in socks. Come La Notte is a slow grower that draws you in even while it picks your pocket. Put it on and live a little vicarious danger in your own private La Dolce Vita.  

Andrew Forell  

[m3t4ln3rd]

White Suns announce new record Psychich Drift, stream first single "A Year Without Summer"

Photo by: Tara Romeo Official press release: New York City’s dynamic noise duo White Suns have existed since 2006 and have released three full-length albums – Waking In The Reservoir (UgExplode, 2011), Sinews (Load, 2012) and Totem (The Flenser, 2014) – along with a handful of small-run releases. Their material has received accolades from The New Yorker, SPIN, Pitchfork, and Tiny Mix Tapes among…

[datamedia]

MERC. 22 MARS VIDEODROME 2 [cours Julien.] 20H45

TONY CONRAD Completely in the present

de Tyler Hubby – USA, 2016, 1h42, VOstFR

Entrée à 5€ (+ 3€ d’adhésion)

En ce mois de Mars, les oreilles exigeantes seront satisfaites : Sonic Protest 2017 continuera de défricher les musiques aventureuses tous horizons confondus.

↪ http://www.videodrome2.fr/sonic-protest-marseille-2017-2/

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THE FLYING LUTTENBACHERS [Dieux du Chaos // UgEXPLODE Records, SKiN GRAFT Records // USA]

NI [Mathcore // Dur et Doux, Jarring Effects // FR]

ICSIS [Rock’n’Fu // Dur et Doux // FR]

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VEN. 24 MARS L'EMBOBINEUSE [11 bld Boués]

JEAN-PHILIPPE GROSS électronique et instrumental / France SARAH KENCHINGTON

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