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fumifooms · 8 months ago

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The Nakamoto household - facts & theories masterpost

Table of contents:

the hierarchy & general situation

The parents

The Maizuru situation

The siblings

The other retainers

Izutsumi

Toshiro

Conclusion

I also made tldr summary charts here. This post is about collecting facts about the setting and characters, but it’s gonna be a lot of analysis on what it means through the lens of Toshiro as well, his relationship and place in everything etc etc. They have entangled drama the scale of Daltian Clan. Things are so interwoven it’s hard to keep topics neatly in their own section, because of this pictures may be relevant at several point of this but I mostly won’t be putting them in twice, you might have to do some scrolling up while reading if you want the visual proof to accompany statements. Unlike with Chilchuck’s family there’s less ambiguousness and more intricate details and implications so it’s less theorizing & headcanoning and more stringing together all the crumbs canon gave us. I also dig into some cultural parallels, especially since characters from Wa are the most culturally coded in the series. Also disclaimer that I’ll be calling Shuro Toshiro through this whole thing because that’s his actual name & Shuro isn’t even a nickname he’s shown to like, for accuracy’s sake. The servant girls have real names but are always called by their code names so I’ll call them as such, except for Izutsumi who was named Asebi which I won’t be using.

The general situation

To start off, what’s the situation in canon? All three kids of the head of the house, the three sons (Toshiro and his two younger brothers), are sent out on a vague mission to find something interesting for his father to pick the heir. Each son is thus on their own journey, out with their own group of retainers for an unsure length of time, during canon it’s been 2 years that Toshiro left the house for this mission, and they seemingly all drifted towards dungeons. It’s important to remember that this state of things is the exception and not the rule, and before this the sons lived at home and had different uses of their time, and the retainers had other jobs than care after them. See the next paragraph.

The household offers ninja services, no exaggeration or misuse of the term, mostly spyint but also "covert maneuvers" which could include anything including assassination of people high up. That’s the job of their servants/retainers at least, the heads themselves are more like managers probably, possibly samurais themselves though especially since as we see with the heirs (besides the samurai armor) they also got trained in fighting as their skills showcase. I need to dig into the history of samurais more before I can draw the parallel confidently though. The Nakamoto household is noble/wealthy, distinguished as the Adventurer’s Bible puts it, but it works for and puts its service at use for "their local lord". It buys servants, but also has families who have served it for generations like with Hien. The comic shows that there aren’t only women servants, it’s just the ones we see all happen to be because Toshiro’s retainers are only a small team of all of Nakamoto’s servants.

Above, in a page showcasing characters’ relationships with their party leader: 父親の部下を借りている状態なので、距離がある。Doubtlessly there must be a translation of this already somewhere but I’m lazy and impatient so I turned to machine translation instead, this translates into: "Since he is borrowing his father's subordinates, there is a distance between him and them". Calling the servants retainers is what most of the fandom does and it’s accurate so I’ll be calling them this.

Hien and Toshiro were childhood friends which means the servants do have some degree of contact not even just together but with the heirs too, or maybe just specifically Hien, since both their parents were ninjas for the Nakamotos she ended up getting raised there and they let her play with him as an exception? They did end up drifting away as adults as their relationship got more professional, so it’s possible. The servants eat and sleep in shared spaces, separate from the masters, though Maizuru has her own bedroom, if the room configuration at the in is to be believed + it’d make sense since she’s governess/head servant. I’m hesitant wether to say it’s implied that this group of 4 retainers was always a bit of a team or it wasn’t and got formed for Toshiro specifically. We know that Benichidori had little contact with Toshiro before they were sent out together for example, but we do see all three girls with Izutsumi in Inutade’s extra when they were younger, and them eating in the same japanese styled room etc. The inn they stay at on The Island is western styled though they do have futons rather than beds (there’s only one bed in their shared room and Hien has it because of her rank).

From Izutsumi’s Adventurer’s Bible profile: "Maizuru, who was also Shuro's governess, is the one thing Izutsumi fears. After Izutsumi was taken in by the Nakamoto family, Maizuru forced her through a harsh training regimen of speech, common sense, and fighting skills. Since Izutsumi refused to listen to her, Maizuru set a curse on her that would activate if Maizuru didn't touch her within a set time frame: "Ninja Art: Babysitter." "

Maizuru, called a governess, is the one training the girls, at least some of them, we know for a fact she was the one to train Izutsumi for example, and in general she’s the one in charge of the ninja girls we see. She was a ninja herself but retired from frontline missions, but has a central role managing the servants instead. Inutade for example is strong but not stealthy, and it’s said that it’s Maizuru’s job to choose how to train her and what role to give her in consequence. Her training includes manners but fighting as well, notably kunais and martial arts. Hien is shown to use bombs and Benichidori is implied to be good at disguises, Inutade uses a bold weapon like a club but it’s implied with "ogres and clubs just go together" and Maizuru not knowing where to put her to use that it’s uncommon for Nakamoto servants to use those. Their board game artworks also show their specialties neatly. When brought into the household, the servants are given new names and their whole lives become devotion to the house and their duties. The names might be intended to act as code names due to them being ninjas? It’s implied that they never use their non-code names anymore once they start serving the household. Maizuru’s training also contains language and "common sense"… Critical thinking? As well as implied etiquette. This isn’t surprising, as she was the one put in charge of raising not only Toshiro but his brothers as well.

Oh yes I want to mention that all the retainers’ "first deaths" are in the dungeon during canon, considering our main cast we’re used to death being permissible because dungeons make resurrections possible, but it’s relevant to remember that these people never died before. Never. These girls are professionals, ninjas with a sometimes very dangerous job. Messing up means death, permanently.

From what we see and with who we see, the hierarchy is:

Father (head of house, his word goes)

Mother (has status which puts her wishes above others’ and give her some control over the house, it’s unsure how much though, but hierarchy wise she’s very much above the rest but below the father)

Maizuru (governess, in charge of (at least some) servants and raising Toshiro. Two dots)

Hien (leader of their squad, trained servant from a family devoted to the Nakamotos. Two dots)

Benichidori (trained bought servant. Two dots)

Inutade and Izutsumi (bought servants. Power wise from their rank it’s unsure just how much the difference between Inutade (who has one dot), Izutsumi (who has none) and Benichidori (who has two) is, since Hien is team leader between the four servants at least that’s measurable. Inutade gets some janitor duties, and Izutsumi has a curse put on her so she doesn’t run away I suppose. Power wise it’s unsure, but socially/role wise Inutade and especially Asebi are treated worse.)

I didn’t add the sons because I’m talking more generally about the power structure and it’d depend on each sibling, like Toshiro’s wants and directives during canon trump Maizuru’s, but Maizuru is also his nanny and manages the girls so she has a lot of importance and sway even on the final decisions.

The parents

I am so pissed I forgot that we know Toshiro’s father’s name, Toshitsugu, from these panels showing the progression of the family tree. I am so pissed I’m adding this halfway into writing this whole thing, I am not gonna go back and replace every "the father" by his name atm.

The father is the part of this puzzle most important yet most shrouded in mystery, or rather a lack of details. What we do know paints a pretty full and vivid portrait: impulsive and cares mainly about his own entertainment. Maizuru calls him a fool, his sons are exasperated and go "This again?" when he summons them saying that they’re boring/dull, everyone knows he’s having an affair and he often has undignified demeanor, but what he says goes so yes Maizuru will take Izutsumi under her wing, yes the sons will be going out right away into the world to find you the 8th world wonder, yes whatever you want lord. He seems to have little care for how his action affects others, like crashing into Maizuru’s room at night and asking she take care of a catgirl, or sending out his sons suddenly with kicks to the butts. He does what he wants hen he wants and others have to comply.

Like we see with Izutsumi and Inutade, he tends to take a liking to slaves here and there and buy them on the spot, usually at entertainment places, like sumo wrestling matches for Inutade and a freakshow for Izutsumi. The Adventurer’s Bible states him acquiring Inutade as "By coincidence, Shuro's father came to see her first match; he liked her and bought her for the Nakamoto family." and Izutsumi as "She was on display as a "cat-girl" in a sideshow when Shuro's father took an interest in her and bought her." In Maizuru’s extra, he calls Izutsumi a "souvenir" he got for her, and he’s drunk so it could well be assumed that buying Izutsumi was a drunken whim, and that he mitht be alcoholic. You can’t really say that he picks them out because he sees potential in them to be a ninja or would be useful, since with Izutsumi she had no fighting training and Inutade doesn’t fit the skills they seek like stealth and she has trouble fitting in. You could assign noble goals to him like maybe wanting to help or relating to the misfits, but I think with what we see of him it’s more likely that he likes to pick up "oddities", like a catgirl at a freakshow or an ogre, especially since one of the only things we know of him is he wants his sons to bring back interesting trophies from their travels. Toshiro, about his father buying Inutade, says: "People in power desire ogre as servants, and ogres are chosen as opponents in tests of strengths or military exploits. My father bought her for similar reasons."

Also from this we can infer that he goes out to events often, like circus and sumo wrestling, again mostly for entertainment from what we see. I like to think it’s implied that he used to travell maybe still does, due to his own liking for it as a test and because he visits various places like the sideshow, plus his forearm scars in Toshiro’s extra… But him being a samurai in service of a lord could definitely explain that.

This all paints an interesting picture doesn’t it… The Nakamoto’s lifestyle is super encased in rules and social propriety, duty and hierarchy. Old noble man who’s been surrounded by propriety all his life and just wants some spark of interesting stuff happening amongst the humdrum of his lavish cushioned life at home, and is shitty to people around him in consequence and due to his privilege allowing him to. He’s despicable, but from his 3 appearances he becomes an interesting well-fleshed character, at least proportionally to the screentime he gets…

We also know that the affair with Maizuru is well known at least inside the household, so there’s no genuine secrecy around the topic. Makes sense that the wife would hate her guts.

Ahh yes the mother. Little is known about the mother, except that from Maizuru’s profile "Shuro’s mother can’t stand the sight of her, to the point where there are areas on the property Maizuru is forbidden to enter. Maizuru, however, is impressed by his wife’s strength of character." From this I glean that she does have enough power/respect in the house that she can make rules like where Maizuru is allowed to go. Also the implication that otherwise Mazuru would have access to EVERYWHERE in the house despite being only a (high-ranking) servant is a bit interesting. Wether the mother’s "strength of character" is overt and hot-headed or understated and cool-headed is unsure, but I imagine the latter more. I could see Maizuru’s angle in many ways, from being able to tolerate "that fool" aka the father both just in general and with knowing that he’s cheating on her, to knowing how hard it is to be respected as a woman and admiring her putting up with it all and still being able to have sway in the household. This is I think the only mention of the mother anywhere. Doesn’t seem like she is an important figure to Toshiro at all: in fact we hear about her on Maizuru’s profile, and seeing all of this we can see the importance of her in Maizuru’s backstory and life, moreso than Toshiro’s. I imagine she’s a bit of a recluse, which is part of why Maizuru not being allowed to roam the full house is important, because them running into each other at the house is high.

It’s unsure how much contact the parents have with their kids. What we know is that they left the principal tasks of raising the kids, or at least Toshiro, to servants. Toshiro’s profile says that he’s more attached to Maizuru than his parents, and that’s the phrasing. From the comic where their father summons the sons, it does seem like they’re more or less used to interacting, with the sons’ "This again?". So it’s not that they’ve only interacted with them few times enough to count on fingers, but how meaningful were those interactions? From Toshiro’s profile we know he has a complex where he thinks he’ll never get recognition from his father or be able to measure up to him… But is that more born out of secondhand gossip and expectations, or from direct interactions with him that made him feel that way? Likely a mix of both, especially since the father does seem to be very dismissive, uncaring and insulting with his sons. Oh, but it’s definitely notable that in the Hag monster tidbit (below in Maizuru’s section) six years old Toshiro runs to his father scared shitless for help against the shikigami, and his father casually helps him without batting an eye. Toshitsugu knows how to deal with Maizuru’s shikigamis, and he does so efficiently and without any sense of worry or urgency. Although the event traumatized Toshiro and he was very scared, it doesn’t seem like his father offered any comfort, beyond just helping getting rid of it and letting him cower behind him without comment. Toshitsugu gives hungover vibes in that one imo haha. It’s shown he was already training as a ninja, perhaps this event only reinforced Toshiro’s complex, seeing his father, the samurai the achieved man who has expectations for him, so unfazed and uncaring like that.

The Maizuru situation

Let’s establish a timeline first. It’s left vague how much time she’s served the Nakamoto family for, or how she came to be in their service. The central point is that "She was put in charge of raising their children at a young age". If straight from his birth, Maizuru started taking care of Toshiro when she was 15 years old. If from toddler age, then 16. It’s uncertain if when she stopped getting front-line espionage missions, but we know it’s late rather than early despite having kid raising duties. But well, since she’s also in charge of the ninjas she’s definitely has a multitasking role even now.

The dad prob has around 5-10 years more than Maizuru, I’d say. We only see half of his face and only a good few years in the past, around ~3 years ago probably with the shuro quest and a good 7 years with Izutsumi as a kid, but visually those are the vibes I’m getting. From Toshiro’s birth, it’s possible that the father was 15 when the baby was born too? But conception would have been closer to 14 years old then, and yeah I don’t think they marry and have kids that young. Toshiro is 26 years old in canon and is unmarried, and the heir hasn’t been officially picked, so marriage and kids don’t seem to be in the family’s priorities. Even if Maizuru do say that the father would love if Toshiro brought back a wife.

Now the elephant in the room: she has an on-and-off affair with the father and it has been si for many many years, at LEAST 7 years since that’s when we see that comic of him going into her chambers about Izutsumi, and in the comic above, Hien in that panel has an ambiguous age. Regardless it’s definitely implied that it’s a long, long-standing thing. Hien’s phrasing above makes it sound as if it’s not purely physical, as if feelings are involved, "he’s head over heels for his confidante", and who knows if this relationship is part of why Maizuru was chosen to be the governess, or even hired at all.

It’s in the feud with his father that we learn about maizuru’s affair and how after learning it he started shutting her out emotionally. It’s left vague when Toshiro learned about it, Hien made it sound as if everybody always more or less knew but I don’t think Toshiro started shutting her out when he was still pretty young. Regardless, the two are implied to be linked, his dislike of his father/complex and how he stopped getting along well with Maizuru/being emotionally open with her. Is it that he now feels as though Maizuru is actually on his father’s side and not his own, that after all if she had to choose she’d pick him over Toshiro too? Or is it that, because his father’s known to be a self-centered frivolous jerk, that knowing she lets it happen, "can’t seem to shake it", he respects her less? He has an irresponsible reputation and she does give off the vibe of needing to clean up his messes, so that wouldn’t be unplausible either.

On the flipside from her perspective, since he learned she was his dad’s mistress he emotionally shut her out, which can partly explain why she’s SO fussy with him and happy at the slightest hint of happiness or compliance, like when he listens to her and eats, or maybe even being happy that he lets her help him dress and keep tidy (imo this is supported by how they interact in the page showing him interacting with all his party members). She wants to regain that closeness they once had and for her baby chick to be alright as he’s slipping through her fingers. Man so sad to think about him rejecting her when he’s the only thing in her life. She’s raised him for 26 years, no wonder she’s so attached to him, the only thing in her life she feels true unconditional attachment for. Maizuru says that she thinks Toshiro’ll be a better head of the house than the father, too. The respect and care is somewhat onesided, given freely from her side but repressed from his end. When she cares for Toshiro is when her demeanor immediately and drastically softens. She gets easily carried away when it comes to him, rambling enthusiastically or smiling widely or tearing up. Her tendency to ramble or tell anecdotes about Toshiro is shown making Hien and Benichidori go "Here she goes again…" twice through canon.

With Izutsumi’s timeline we see Izutsumi was taken into the Nakamoto household at 10 yo, and since in the comic with Maizuru and the dad she’s shown as stinky and all I imagine she arrived there the same day, so Maizuru was in charge of her since she was first here. In fact if we assumed that it’s the same day as when he bought her at the circus show, then we could assume that buying her was a drunken whim like mentioned.

Since Izutsumi was taken in at 10 and she’s 17, this would mean that Maizuru is 34 years old here. She looks younger without makeup, but lower than that is mathematically impossible besides maybe 33 if Maizuru and Izutsumi’s birthdays line up just right.

Time for the second elephant in the room!!

Maizuru’s magic

Maizuru is the only person in the Nakamoto household, anyone from Wa really, who we see using magic, I doubt she’d be the only one who can use magic in the household but as the governess it wouldn’t be unplausible I suppose. From what we see, the magic is estimated by Marcille to be an "appropriation of gnomic magic" with an eastern script. For my analysis of written magic (though with only a brief glance over Maizuru’s magic), see this post.

If you scroll up and read the little section on Maizuru’s profile, Ninja art: babysitter: "One of the curses put on Izutsumi is Ninja Art: Babysitter, which manifests as a terrifying hag shikigami. Unless Maizuru touches the victim within a set time frame, this terrible curse makes a hag appear and chase them around with a carving knife. Maizuru originally created it in an attempt to keep Shuro from getting lost, but it ended up traumatizing him…"

From Izutsumi’s profile: "Maizuru, who was Shuro’s governess, is the one thing Izutsumi fears. […] Since Izutsumi refused to listen to her, Maizuru set a curse on her that would activate if Maizuru didn’t touch her within a set time frame: "Ninja Art: Babysitter." It was put on her when she was 12. Since Toshiro had it as a kid, presumably the curse can be lifted off rather easily, Marcille was confident on reverse engineering it as well. It’s unsaid what the time frame is, it’s kept vague everywhere and Izutsumi herself says "who knows" how long it is. Izutsumi ran away despite the very real risk of it killing her. Essentially, Maizuru can put people in a timebomb collar

… MAIZURU WHAT THE HELL

As we might have expected, Maizuru being given the task of rasing a child at 15 did not go perfectly. This, a babysitting technique??! This comic happens when Toshiro was 6 and so Maizuru was 21. Interesting to note that Toshiro didn’t even know it was Maizuru’s doing before this conversation during canon, and he doesn’t know how to bring it up or deal with it how it affected him. Maizuru seems surprisingly uncaring of Toshiro’s feelings on the matter here, oblivious to his conflict her and fondly recalling it all.

This curse is a shikigami. From her profile: "A shikigami user, Maizuru has a variety of shikigami that have been sealed in paper as her servants. Her favorite seems to be Gyuki, a bull ogre." Now don’t ask me when Gyuki appears, I do not remember it. But before we go into the cultural/historical basis for this practice, let’s take a second to recognize the parallel that Maizuru has servants she keeps sealed unless useful in the moment, even despite having enough "attachment" to have a favorite. She’s the governess in charge of the other servants, and she has shikigamis, which she has used on the heir and the runt at the bottom of the hierarchy alike.

Shikigami, in traditional japanese folklore, are conjured to exercise risky orders for their masters, such as spying, stealing and enemy tracking. Shikigami are said to be invisible most of the time, but they can be made visible by binding them into small, folded and artfully cut paper manikins.

Shikigamis are from onmyodo, onmyoji is a profession-legal title historically but it’s what you call a practitioner of onmyodo, and so I feel content in saying that Maizuru is an onmyoji, or based on it. Her outfit reminds me of a shinto priest. It’s interestingly closer to a shinto priest outfit than a miko/shrine maiden’s (in picture below, 2 instead of 5), and I feel like red being chosen for the inner sleeve is a very charged decision since the white & red color combo is the shinto clothes color combo. Especially white clothes with red inner sleeve. Shinto priests can be women nowadays but they’re rare, and onmyojis can be considered shinto priests though it’s a more complex than that. Image below as example, source. Now I don’t think Maizuru has the role or prestige of a priest at all- But the association with onmyodo and spirituality is definitely meant to be made I think. Onmyojis are usually clothed similarly to this.

The babysitter ninja art seems to be based off of the hannya yokai. "They were once human women who were consumed by jealousy and transformed into demonesses", twisted by anger and resentment. Interesting considering her being a mistress to a man whose wife hates her. Hannyas are associated with wisdom because of its name, but there is nothing positive about them. At its highest level of "demonic corruption" if I can call it that, their body tend to become serpentine, fun link to make with her name being from the snakeberry plant.

Other cultural ties or symbolism on Maizuru’s character could be found in the motif of cranes due to her sleeves, in the tales of the crane wife, origami cranes (called orizuru, from deformation of 鶴 "tsuru" aka "crane". All names are written in katakanas in Dungeon Meshi, but thus if we had had the kanjis it’s possible her name would have been written with the kanji for crane), tennyos, and japanese crane symbolism in general. I thought cranes might have been associated with motherhood, but seemingly not in japanese culture at least, I was thinking of storks haha.

Ok speaking of her name. Maizuru is the name of an existing japanese city (舞鶴), meaning "dancing crane". From @room-surprise’s work in progress research paper on Dungeon Meshi characters’ names: "Maizuru is her ninja code name, and comes from “maizurusou”, which is maianthemum dilatatum, the snakeberry plant/two-leaved Solomon's seal/false lily of the valley. Lily of the Valley is a plant associated with motherhood and virtue… So Maizuru being a false Lily of the Valley implies that she is a false, replacement mother, and also hints at the way that Toshiro became cold towards her when he realized she was his father’s mistress, and not a pure, virtuous mother-like figure that he thought she was. Also, lilies are toxic to cats, which makes sense since Maizuru and Izutsumi have an extremely bad relationship." For more details I’ll leave it up to Room when the paper is ready to be released. Edit: It’s out!! Click here! Incredible meta that goes into a ton of details not only about Maizuru.

So some big themes of her character are: (false) motherhood, spirituality/magic, control, cranes, woman’s jealousy.

The siblings

Alriight so besides Toshiro the eldest at 26 years old, there is Toshiyuki (Toshitsuge in one fantranslation) the middle son and Toshizane the youngest (Toshikage in one fantranslation). They were all said to be raised by Maizuru. "A strange level of distance" is interesting. Why strange? I feel like this implies they do interact regularly, and that they’re all rather civil wirh each other, but they still have little bond to speak of. That wouldn’t surprise me, especially since even inside the family etiquette and propriety and rules are enforced, the summoning by his father feels very formal and they all listen to him standing in silence despite having snappy inner thoughts. It’s unsure if they were largely raised together or apart, but since Maizuru was their (at least main) caretaker/governess it implies that they were imo. They were put in competition with each other for the title of heir to the house, though it’s unsure to what degree. It’s examplified by their family all having names that start with "Toshi" that the legacy is very important and thrust upon them, cogs in a machine almost. They all think the same thing when their father summons them and has a spiel, so they’re used to the same sort of treatment and they are indeed brothers for being on similar wavelengths haha.

Toshiyuki, as seen in the comic about his retainers, the poor soul sent into Darkest Dungeon, is brattish. Rude, selfish and rather lecherous, does not hesitate to be mean to his retainers and complain he wasn’t given women retainers. Visually he looks what, 14 years old top. I wonder if Maizuru stopped using her babysitter ninja art on the heirs after it traumatized Toshiro, and if so maybe that explains why Toshiyuki Knows No Fear In His Heart™️ and that’s why he can spout off stuff like that.

The retainers for the youngest brother, Toshizane, don’t seem to be as clad in ninja gear as the other two, seems like the priority is to take care of the very young young master there? Rather than truly go adventuring and dungeoneering, perhaps. Not that it’s ever said by anyone that their quest is to go into dungeons specifically, only to find something "interesting" to bring back, but both Toshiro and Toshiyuki are shown to have ended up drifting into dungeons. Toshizane looks young, I’d clock him 8 years old personally. He’s drawn looking rather innocent, especially the headshot doodle above and in the Toshitsuge complaining about his retainers comic. ALTHOUGH on the latter, interestingly as we see with Toshiro having a smug smirk in that same panel (or alternatively a smug indifferent/uncomfortable "i don’t care about this, even though you want it so much" look which at the very least is very exaggerated from how he emotes in reality), it’s Toshiyuki’s unreliable/exaggerated vision of his brothers and it doesn’t necessaeily reflect reality, though it’s still interesting to note that that’s the vision Toshiyuki has of his brothers/the impression Toshizane gives off. That can imply juicy dynamics for the brothers, for example if Toshiyuki feels as though he’s in competition with his brothers, feels superior to them, that instead of pushing the shitty family dynamic angst onto his father he puts the blame for it all onto Toshiro. Toshizane seems maybe too young to notice the tensions and seriousness around him, maybe more coddled… IS WHAT I WOULD SAY BUT in the comic where their father send them away he’s as well-behaved and serious as the others, so clearly he has a grasp on his role.

When talking about which retainers go with who, it’s said it was the father’s choice. I’d like to assume it wasn’t an airheaded/random choice. Maybe he knew that Toshiyuki would be weird about having women in his team of retainers? And wants to forge their character or protect them in the way they need. Though how Toshiro’s party only has women isn’t only pointed out and commented on by the comic with Toshitsuge but also in the main Dungeon Meshi story, both Marcille and Chilchuck going "his party is fully made up of women", one more loudly than the other haha. So it does feel like a somewhat pointed/purposeful decision, if not that the 4 girls were already a team like I mentioned.

The other retainers

Already made an analysis of Hien and Benichidori’s relationship (+ moment compilation) here. Honestly my juices are exhausted so quick rundown:

Hien’s parents both serve the Nakamotos, so she grew up with the family and was even a childhood friend of Toshiro. She assumed he and her might end up in a Maizuru-Toshitsugu situation ‘just because that’s how things are’/‘it’d be a natural development’ if we’re to believe Hien, ahh what growing up at the Nakamotos’ with those role models will make you believe is normal hah, and was surprised when it ended up not in that way at all. They grew more distant with time, in good part because of the professional nature of their roles in relation to each other (truly a reversal of the Maizuru-Toshitsugu situation). She’s the leader of their lil squad, under Maizuru, she’s very confident and she gets the perks, like getting the bedframe in the shared inn room. For all the details just read her page. She has two dots, showing her rank as a full fledged ninja. I made a more in depth more speculative reading of her in this post.

Benichidori was bought, by "the Nakamotos" so we don’t know who made the final decision. She’s perceptive and submissive, her specialty is implied to be disguise. She never had much contact with Toshiro before she became part of his party. She has facial dysmorphia where she fears the judgement of others if she doesn’t wear makeup and highly values beauty, in her extra her anxiety really shows and she ends up angrily snapping at Hien. Benichidori ends up taking a big liking to Hien and from there on they’re implied to be inseparable. She has two dots, showing her rank as a full fledged ninja.

Inutade is said to worship Toshitsugu because he "saved her" from her horrible life conditions, buying her personally from the sumo matches, she’s extremely grateful to the family and is happy to do any work they give her and is highly satisfied with her current living conditions. She seems to find Toshiro intimidating, though. She was separated from her parents from before she can remember and raised as a sumo wrestler in inhumane betting matches, where her front tooth broke. It seems she has very littke ambitions and dreams besides obeying orders day to day, but after Izutsumi fled away she was happy for her and mused that she’d love to go out and find her one day. They’re so besties Izutsumi gave her a dream of her own I’m sobbing… </3 She has one dot, showing she still has to be attributed her role and earn her stripes.

Their approval rating of their leader. The highest total score from all the parties.

Izutsumi

Sighh where to even begin. Her timeline was put in Maizuru’s section of this post but the rundown is "taken away from parents and turned into a beastkin" at 6 yo (the human half of her soul), "sent to a sideshow on the island of Wa" at 7 yo and bought by Toshitsugu at 10 yo when he took an interest in her when he visited the sideshow. Maizuru put the curse on Izutsumi at age 12, so from then on she always had to not stray much far from Maizuru or risk death, it’s unsure if Inutade’s extra is from before that time, before she was 12, so she could still attempt many many tries to run away. If that’s the case, then Maizuru’s curse was very much treated as a last resort, honestly beyond everything else I can see it being a pain that Maizuru would need to touch her every so often on Maizuru’s schedule as well. The alternative is that, not unlike Kabru who had no regrets dying in a dungeon rather than staying with Milsiril, she’d risk her life to get a taste of freedom. Besides, you know, being a slave and having a timebomb collar with Maizuru’s curse, her frustrations with her life with the Nakamotos is most concisely put in the comic just up above, Inutade’s extra.

She has no dot tattoo, meaning she’s at rock bottom of the hierarchy. It makes sense, since unlike Inutade she’s rebellious and needs threats to obey orders, and even then might try shifty business.

This last part where Izutsumi tries sleeping with Toshiro is most interesting to me. So she’s sought out contact with Toshiro before, she considers him "the stuck-up guy" but she doesn’t exactly hate him. I wonder if this comic is set in the inn on The Island or back at the Nakamoto household, because if that’s the latter it implies that she could get access to his room if she’s sneaky.

Oh oh also, this is fanon but since Toshiro’s weapon is one used usually on horseback, and with the steadfast and upright character of horses I associate Toshiro with horses a bit, though this is wild fanon. What’s interesting is that the plant Asebi was named after is a plant infamous for being toxic to horses. Hehe hehehe he wears a ponytail… Hm now that I think of it hairdos have importance for samurais, should look into that.

Toshiro

God. Ok. Everything was leading up to this guy. Need to split open his head like a geode and vibecheck his brain crystals. Let’s get some interesting details out of the way first.

His weapon is a tachi, not a katana. The wikipedia on tachis is more in depth if you want, but I consider the article I linked to be in deoth and digestible. Tachis are heavier and longer blades than katanas, and make for better horseback weapons than close combat. The way Toshiro uses one instead of a katakana shows that he’s extra strong… And does make sense, since most monsters won’t fight in as close quarters as human fighters. If katanas aren’t a thing in the world yet could make a difference, since tachis were invented first, and once the katana was invented and spread tachis became something more common in higher-ranking samurais. In the monster tidbit of the Hag, it’s shown that even at 6 years old Toshiro was training and learning ninja skills, his first instinct to the shikigami besides running being to fight.

Toshiro knew that Izutsumi wanted to leave, for sure. He may have been sympathetic, if his cryptic look back at her in the ‘Toshiro interacting with his party members’ page means anything. As seen below though, him being sympathetic doesn’t necessarily mean that much. Also, Toshiro had to have known about the curse on Izutsumi, where if Maizuru doesn’t touch her once in a while she’d die. "Asebi must have ran away, leave her" can be seen as subtle support for her to gain her freedom, but it could just as easily be seen as him leaving her behind to die. Because the outcome options are 1) she gets killed by Maizuru's curse, 2) she finds a way to break the spell, 3) she finds a way back to them.

He’s very conflict averse. Wether it be in relationships like with Laios or the status quo. Will not stand up for 99% things including himself. He obeys his father quietly despite his anger and dislike. This is the same guy who can't even get himself to speak up to correct the butchering of his name, the slippery slope that got him tangled in the Laios party seemingly without resistance. It’s very japanese etiquette from even nowadays, never saying a direct no to not be rude. ALSO THAT PANEL, has Toshiro beaten an ogre before?? Is that a brother of his?? Does seem in character for Toshiyuki the most, unless Toshiro was desperate to earn his father’s attention with feats. On the right I’d say the ones in the foreground are two of the brothers, maybe the third being the one to gesture to the ogre. It’s worth noting that inheritance laws during the Edo period often made the heir the son with "the most merit".

When with a goal that’s important to him he’s fine with even starving for it. Although what we see him be like that about in canon is Falin, aka self-admittedly in the post-canon proposal comic "the first person he has liked this much", which for him I feel is like admitting she’s one of the first things he has truly wanted for himself and fought for, soo… It’s more like an exceptional freaking out moment than something that would be recurring, most likely. How disheveled he got is a testament to how much he would forego propriety and rules for people of his status for the person he cares about most. Maizuru says the first personal request he’s (ever?) made was for them to help him rescue Falin.

Which ahh yes, his crush on Falin. I do think idealization plays into it, he doesn’t know Falin that well for sure, but it’s more complex than that too. Falin is pretty and can have an ethereal energy to her, she’s caring and gentle kinda motherly which Toshiro would find soothing I imagine, BUT MOST OF ALL. She’s weird!! She’s just weird enough to allow and be charmed by!! Shuro was fully shaped by his upbringing and environment of nobility, social etiquette and whatnot. Yeah she’s weird and quirky, but still quiet and sweet-mannered enough that he’s like "Yes, she wouldn’t bring shame on my family name". And why would he be charmed by her weirdness? Because all he’s ever known is rules!! Conformity, fitting in!! Unlike the others he knows, she is weird without being overbearing as well. "Woah she’s so different… She’s kind and soft and doesn’t care about fitting in… She is out of this world, she’s free, she shows me a world where tenderness and authenticity is possible…" She’s like his comfort character. MOREOVERRR I had totally forgotten about it, but Toshiro was shown watching a snail behind a bush and losing sight of everything else (like Maizuru calling him) as a kid in the Hag monster tidbit, the moment he fell in love with Falin it was when she looked enthralled at a caterpillar and he mentions how "most girls would have screamed or recoiled in disgust", and in the beach chibis page he’s crouching and collecting shells thinking about Falin… He likes bugs and crawly critters guys, he wishes he could be cottagecore too… It’s a genuine shared interest… . Someone pointed out that Toshiro & Falin’s relationship probaboy references this japanese folk tale, and I think that’s very interesting to note.

And Maizuru is like his mom but it’s a Thistle situation where they can’t just be a normal family and normal affectionate either- and when he learns about his father having a thing with her he feels weirded out. And like. Who knows how much he even got out of the mansion. He got homeschooled. He’s distant with his brothers. The family is in shambles

Shuro’s issue is that he was taught to be perfect and have the upmost respectable behavior, so if something annoys him he has to be righteous about it and that it’s the annoying thing’s fault or moral failing. Bro just let yourself be petty sometimes it’s healthier. With the feud with his father it’s explicitly stated that the pressure and expectations of the family name weigh on him a lot.

But then, that makes his beef with Laios so understandable doesn’t it. Not justified, but explained certainly.

Laios & Shuro and the whole mess coming to a head

I’ve made an analysis of the Laios-Shuro fight from Laios’ pov before, here. This is the Shuro pov analysis. Yes yes in The Fight, Shuro is dehydrated sleep-deprived and underate, he’s majorly off his rocker, BUT his frustration and the underlying issues are still things he felt on any day and it’s interesting to note.

Toshiro has been raised from his birth with the priority of propriety, nobility, etiquette, rules, conforming elegantly, appareances and reputation are everything. He’s modest, humble, quiet, stays in his lane and bottles all his feelings up. Wait who is this loud guy coming up to me being inconsiderate and loud af?? Does he not see me blinking in morse code that I’m not enjoying this and want him to leave?? Was he raised in a barn?? He’s overbearing and rude and way too friendly- He’s weird wtf! Not conforming to basic etiquette is illegal??! And people just… Let him do whateve he wants?? He lives well, no one stops him or kills him?? What the fuck, I’ve followed rules and etiquette thoroughly all my life, and it’s thankless work I get no recognition for, meanwhile he gets to be oblivious af and do whatever he wants without getting clapped?? Resentment, frustration, dislike, anger anger anger, jealousy.

Laios might even remind Toshuro of his dad in a way, because he SEEMS impulsive and like he does whatever he wants without a care to people around him, without thinking of how it might affect them. Doing things without thinking through the Implications. And interestingly this is a bit paralleled to to how Shuro is serious, strict, and big on the duties that come with having a leader role and the family dynamic it brings, like Laios’ own father, who Laios also dislikes… Dealing with his anger towards Laios, especially knowing that Laios doesn’t mean anything bad by it like Toshiro admits, is probably very healing to him. He stops repressing and thinks through his issues a bit, realizes what parts of his life he’s unhappy with and where all the negative feelings come from. I do think he bottles up his dislike for his father a bit, he has to at least for appearances. His beef with Laios is repackaged internalized anger for his father, but it’s ALSO repackaged frustration from his etiquette-bound lifestyle. He says it himself, when Laios is like "You never told Falin how you feel…? Alright, when I can I’ll tell her for you buddy!!", "that’s the part of you that I envy". Laios’ ability to just come out and say what he wants to, what he means. He wishes he could be free of all the rules more, that he had te courage to speak out, like with Inutade, or talking things out with Maizuru, or nit having to act like he’s not angry with his father. This narrative point of Toshiro envying Laios’ ability to say things freely and being frustrated by not being able to himself is ESPECIALLY examplified by their first interactions, the basis of their relationship: Laios enthusiastically befriending him, giving him a bad nickname and roping him into joining his party, with Toshiro never turning it all down despite wanting to, too hesitant to act possibly rude.

And now is time for the laishuro addendum… Because of personal experiences it’s a bit of a sensitive spot to me so while I see timelines in which I enjoy it I’m very picky… This is all further theorizing from me btw I’m not pushing my view here onto ppl as facts, but I think there’s more interesting bits and scenarios to bite into here. Laishuro has very cute and sweet potential. I personally don’t see the "Oh wait Laios is just girl Falin… 😳" angle because to me if anything that’d just make Shuro disillusioned with Falin lol, but like yes make Shuro learn that it’s ok to be weird with Laios 🥺 They DO have differences first of all, important ones, especially from Toshiro’s perspective. Laios is overwhelming, whereas Falin is soothing. Laios is loud and asks things of him where Falin is a calm, quiet presence. Laios pushes himself onto Toshiro, whereas Falin is content on just doing her own thing in her corner alone.

Hot take but the ultimate laishuro timeline is the one where he DOESN’T bring Laios back home, because he knows he’ll be seen as an oddity and clown by his father, and he doesn’t want Laios to be treated like the tapdancing monkey there to please and entertain his father the way he himself has always kind of been. Wouldn’t inflict that onto someone he loves. He can recognize when people are taken advantage of (mostly) like Inutade, and it doesn’t settle right with him. He might be especially sensitive to it in Inutade’s case because it’s about seeing his dad in a better light than he deserves, though. His father is his weak spot, THE weak spot.

It gets me so emotional thinking about it actually because seeing Laios played like a fiddle by his father, Laios so happy to find someone who’s enthusiastically listening to him ramble and engaging, would destroy Shuro emotionally I think. Like. On one hand being like "Oh of course my dad would find Laios fun, unlike me his boring son", super angry as coping mechanism for his intense sadness of not having positive parental attention, and then on the other he’d see Laios being treated as a clown and identify with it and that would remind him of how he gets treated similarly which he’s in denial about (more or less, but since he puts up with the family rules and follows along he hasn’t given up on getting recognition. He wants his father’s approval, and he couldn’t blame Laios for being happy with it despite how hurtful that attention truly is without Laios’ knowledge), which would be such an overwhelming conflicted mess of emotions and his worldview would shatter a bit because he has to repress it all even now, and he’d have a breakdown.

And similar deal but if he brought Falin home… Bc ok yes he idealizes her and doesn’t even know her all that well, but like I said imo what he sees in her is that "Woah she’s so different… She’s kind and soft and doesn’t care about fitting in… She is out of this world, she’s free, she shows me a world where tenderness and authenticity is possible…" So meanwhile with Laios he’d have mixed feelings on him getting treated like a clown and identify with it, bringing Falin home and having her be demeaned would be like having his perfect comfort character dunked on and he gets reminded that the world can’t have anything good actually. With both Toudens it’d make his resentment towards his father even worse, he might snap. I’m not the biggest on gendered analysis tbh but Kui evidently does like to do it to some degree, with the genderbending changing their life considerably and different fantasy cultures having different gender roles and all, but Shuro idealizing the Touden sister as something perfect he cannot attain while being jealous and frustrated at Laios for being something he cannot attain is like. So compelling actually. With Maizuru’s hannya of female rage weaponized there could be a theme of pushing the blame and responsibilities of things onto women too, the responsibility to raise and to manage and to dish out the work and to clean after mens’ reckless decisions. Anyways just a tangent.

Shuro on a bad family angst day is everything I love in a blorbo… He can be a lil shitty as a treat to make his healing arc more fulfilling. Toshiro snapping after he sees how they treat Laios/Falin and he gives up the family headship to LEAVE. Maizuru arc where she has to choose between loyalty to the clan and loyalty to Toshiro, will she stay with the boy she raised or go home… To me Maizuru is much less sympathetic than Shuro, but she is pretty tragic and her selfless love for Shuro is her one redeeming quality. Babygirl take no shit no more, but also better yourself and turn your life around please and thank you… She is so evidently taken advantage of but like. What else does she have? So she just takes care of and loves the boy she raised like her own kid and goes about her daily life in servitude and doesn’t think too much about it all.

Shuro is awful a nickname but also, I think Shiro would be a good nickname for Toshiro, because it gets rid of that ‘Toshi’ first part of his name that all the male members of his family share. It severes the link to his father and the tied pressure from his family.

Laishuro brotp turning slow burn romance would be so lovely. I think college au for laishuro would be peak actually… Shuro so is the repressed "I am so normal" guy who has a furry liberation identity crisis arc… I also quite like the potential he’d have with Namari, as both work-oriented misfit foreigners cast out of their homes, and she’s also bolder so it’d be good for him, and he could bring her stability… That’s a topic for another day tho. Even he and falin are sweet tbh, they could have traveled around together even if just as friends… Bc yeah she does value him as a friend at least somewhat, she says she’ll visit him~! Mostly I want Izutsumi-Toshiro brotp fancontent.

Conclusion

The household is very hierarchy oriented, and honestly the system doesn’t seem to make anyone happy, or at least not healthily so. Sighh feudalism.

Obviously their situation are very different, but still Toshiro and Izutsumi react to the same conflict in opposite ways: when a hierarchy and lifestyle of rules and duty is thrust upon them, Toshiro obeys and believes that it’s how things simply are, always having it been drilled into him since being a baby and being privileged enough to live ok with things as they are, meanwhile Izutsumi rages and eventually breaks free and never wants to submit herself to rules or hierarchy ever again, even if that perceived hierarchy is a mutually beneficial professional party dynamic or having a role inside a well-meaning team, like Laios’ party. WHICH IS WHY THEY SHOULD HANG OUT AND HAVE AN ARC TOGETHER. LET HER INFLUENCE HIM TO GET WILDER AND THINK OF HIMSELF MORE. FUCK INHERITING THE HEADSHIP. THE SIBLINGS NARRATIVE.

As always if I find more stuff to add i’ll edit it in. Rn I’m thinking that I’ll look into ninja & samurai feudal history and try to find specific terms that might fit their roles and situations more. I should reread try to cover Izutsumi’s end of the Toshiro-Izu dynamic as well.

I greatly recommend this paper for more excellent meta on all named Dunmeshi characters and their culture!

Ah yes yes, I forgot to talk about it but we don’t know what Toshiro’s retainers have been doing with their time on The Island, especially while he was dungeon diving with Laios and co. Although in the anime’s ed in this shot we see them "stealthily" follow him around, so presumably when he’s not in dungeons they’re tailing his moves.

Afterword here, it has summary charts about the power structure & relationships and complementary pages and artworks, couldn’t put them in here because SIGH 30 pictures per post limit.

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lilgoblinbitch · 6 months ago

Text

Electricity𓂃 ࣪˖ ִֶָ𐀔 (part 2 of Gossip)

rick grimes x fem!reader

part one here

a/n: well holy shit, this took way longer than i had originally expected it to take. life has been crazy for me. thank you all for being patient with me!

summary: days pass, and rick is still mysterious. until finally, you discover his true feelings toward you in the best way possible.

content: smut PinV, unprotected sex, lots of kissing, oral (fem receiving), fingering, rough!rick, friends to lovers, heavy teasing, multiple orgasms, angst, some fluff at the end

18+ ONLY, mdni.

wc: 4.4k

Your heart was almost palpitating. You were left stranded with your thoughts spinning around in your head while Rick just nonchalantly strode off back to his bedroom.

The whole night you could barely get any sleep; your mind apparently had other plans – mainly entailing you ruminating over what had happened that night. It boggled you how Rick effortlessly admitted to being aware of your little crush on him, completely catching you off guard and leaving you overwhelmed and flustered. You were forced to forget about the whole situation, or at the very best push it to the back of your mind for…later – whenever “later” was.

The next few days were nothing out of the ordinary. Rick was barely at the house, busy adjusting to his new constable responsibilities and becoming familiar with the rest of the Alexandrians. You knew he had a duty to uphold, so it was reasonable for him to avoid your presence for the time being, but your mind was still fogged up from what he had said to you that night. It was eating you up for the next few slumbers; you tossed and turned until eventually the thoughts wore your brain out and let you get a few hours of shut eye. Regardless, you tried to forget it altogether throughout the daytime and focus on becoming more comfortable living in a brand new community, and a brand new house that was bigger than any house you’d ever lived in.

Carl didn’t stay inside for long throughout the day. You’d always find his room empty and his comic books gone. That meant he was most likely reading them outside and sharing them with his new friends. But you were happy for him; the kid deserved to make friends after everything he’d been through. So you were left with baby Judy most days, but that didn’t bother you. Before the world turned you had two younger siblings, and as a teen you were always stuck babysitting them when your parents went out. It was second nature to you now.

Today you decided to get out of the house and find something to do. You hated staying indoors — you were always an outdoorsy person and got antsy pretty quickly without a daily dose of sunshine. You stepped outside with Judith on your hip, taking in the warmth of the sun and the gentle breeze that swayed the various trees in perfect rhythm. Without a doubt, the weather was inviting. So, naturally, you choose to embrace it and take a stroll down the street with little Judy in your arms.

As you made your way down the block with Judith cooing and spinning her curious head around to view her surroundings, you reached the end of it and turned the corner. You recalled how Vivian and Shannon lived in one of the houses on the block you were walking down. A quick drop-in to see what they were up to couldn’t hurt. Besides, Shannon was a kindergarten teacher before the fall and therefore loved watching over Judith with you.

“Hey, Y/N!”

You spun around and noticed a tall brunette man walking toward you. It was Spencer Monroe, son of Deanna Monroe — the community’s leader. And, according to Vivian and Shannon, he had a thing for you. Not that you had anything against it, but it did make you feel a bit uneasy knowing he was interested in you and would probably try to make a move on you, now that he was standing in front of you. Regardless, you played it cool; he was Deanna’s son after all, so it could be beneficial to you if you gave your absolute best impression.

“Oh, hey, Spencer!” You smiled sweetly at the tall man, who reeked of a musty cologne. It wasn’t awfully foul, just a bit too loud for your taste. A slight turn off.

He grinned down at you and Judith, scratching the back of his neck anxiously while shuffling closer to you. He was about two feet away from you — if he were any closer you’d definitely be backing up.

“I was actually just about to come over to you and ask if you wanted to have dinner tonight?” He squinted his eyes at you, trying to read your face. Your cheeks were tickled pink and your heart was doing laps in your chest. It was as if Judith could sense your unease, and on cue she started fussing.

“I–” You paused, gathering your thoughts together while calming the distressed child. Shit. What should you say?

“Yeah! I would love to, Spencer.” Way to go.

On the walk home Judith started to calm down, while you did the exact opposite. Your thoughts were racing again, and you cursed yourself for obliging to Spencer’s request. What the hell were you getting yourself into? You didn’t even like Spencer; yeah, he was attractive, but he just wasn’t…well, he wasn’t Rick Grimes. Still, there remained a sense of determination – getting to know Spencer could be a good thing. Besides, you didn’t really have any plans for that evening anyway.

Once you finally reached the comfort of your house, you put Judy in her room for a nap and started rummaging through your closet for something to wear. You doubted you would find anything spectacular, considering you didn’t exactly have a boutique in this community. A simple floral dress would do.

“Geez… when was the last time I wore any type of heeled shoe?” You humored yourself, attempting to walk around in the sleek open-toed heels you found in your closet. You recalled how Shannon lended you a few pairs from her own closet, stating that she was overwhelmed by how many abandoned pairs of high heels were left in the world, and apparently her closet housed dozens of them. Lucky for you.

Once you were confident enough you wouldn’t lose your balance in the shoes, you took a long look in the full-length mirror and admired how, for a lack of a better word – decent you looked. Excluding Deanna’s welcoming party, you hadn’t worn a dress since before. It would definitely take some getting used to.

Before you were able to get one last gander at yourself in the mirror, something – or rather someone – interrupted you.

“Got plans for tonight?”

You jumped in your skin and spun around. You were met with a wide set of eyes scaling your body, taking in the elegant view before him. You were stunning, and he couldn’t deny it even if he wished to.

“Jesus, Rick! You really have a way of scaring the shit out of me.” You smiled nervously while flattening out your dress. He watched you like a hawk, and of course he was aware of how antsy you were. That was like his superpower. You cleared your throat, ensuring your voice didn’t crack. “Yeah, I’m uh… going on a date…”

His sharp blue eyes made harsh contact with yours, locking you into place. You couldn’t tell if he was angry, sad, disappointed, or all three. Or maybe he didn’t care. Then again, Rick’s face was almost impossible for you to decipher.

He remained leaning against the doorframe, eyes never leaving you. You were not enjoying the deathly silence. Until he finally spoke again.

“A date?”

“With Spencer… Deanna’s son.” Your eyes regrettably met his once more. “But it’s nothing serious, really—”

“Thought you didn’t like him… had someone else on your mind, right?” His tone was biting, almost taunting. You frowned, too embarrassed to look him in the eye.

“Maybe I lied, Rick. Maybe I think he’s cute now. Besides, I already said it wasn’t anything serious.” You grabbed a jacket out of the closet, slung it over your back and slipped it on. “And I don’t know why you care so much, or why you had to eavesdrop on me, but I’ve got to go now.”

And with that you whisked past the brooding man and out the room, exiting the house. Rick knew you were suppressing your genuine feelings; it was almost too conspicuous. He just knew you too well. Knowing someone for a few years in a post-apocalyptic world was like knowing someone in the previous world for ten or even twenty years; your group grew close very quickly. Inevitably, in fact – death and grieving, fighting and surviving; it all brought you closer together. You were part of a strong network of survivors, ones who shared immense trust in one another.

But when it came to Rick, it was hard to truly understand his emotions. He felt the obligation to suppress his feelings, as well – as if he wasn’t sure when it’d be the right time to make a move with you. Now and again, you’ve encountered a handful of times where he was staring at you – and perhaps your behind – for longer than any other person would deem normal. But he never displayed an interest in getting with you. That was ultimately a grey area to you for a while, and even still now.

⋆｡° ✮

One thing about Spencer was that he could cook. And you were a sucker for men cooking; you found it to be attractive. So he cooked for you, he was tall, and he was cute… what, then, was missing from the list? What was hindering you from making yourself available and willing to this man?

“I have someone else on my mind.”

You reflected back to the night you said that. From then on, those words were ingrained in the back of your brain. They reminded you each day that your feelings for Rick were perpetual and infecting your thoughts like a plague.

For now, you were preoccupied with how satisfying your meal was. As was the wine. It was going to your head a bit — an all too familiar feeling. You just hoped Rick wasn’t awake by the time you returned home.

“Thank you, Spencer. The dinner was really nice,” You simpered while graciously stepping out the door.

Spencer held the door open, giving you a warm smile as he watched you turn to face him whilst under the gleaming porch light. “You sure you don’t need me to walk you home? It’s really no issue for me at all.”

The look on his face told you he sure as hell wasn’t ready for you to leave yet — in fact, with the way he had planned the night, he most likely expected to not only wine and dine, but get lucky tonight. However you had your boundaries and your relationship standards, regardless of the fact that there were very slim pickings when it came to finding the ‘right person’; practically ninety percent of the human population was wiped out.

“I promise. I just live around the corner.”

At last you arrived home, immediately kicking your heels off as you shut the door behind you. You made a mental note to never wear heels again – blisters were already appearing on your feet. You winced as you massaged the reddened tender skin, sighing in relief as your aching feet finally got to breathe and stretch.

“It’s late.”

You nearly had a heart attack as you stood up and spotted Rick a few feet away from you by the couch. “Would you quit startling me all the time? And yeah, no dip, I was on a date with Spencer. I already told you that, Rick.”

You steadied your heart rate and made your way over to the kitchen to fetch a glass of water. All while you did so, you could feel Rick’s eyes burning into you. Every inch of your body. You shivered when the chill of the fridge air engulfed you – however, you were sure the shiver was truly from the effect that Rick had on you.

“I know that. But you’re back late; it’s dark outside,” He paced toward you, his demeanor now more watchful and severe. “There’s a curfew, Y/N.” He was much closer to you now, to the point where you smelled his classic rainy forest scent encompassing your nostrils.

“Well, I didn’t know. I was asked to have dinner with someone, and it happened to be really good, actually – thank you for asking,” You gibed while filling your cup up with crisp, filtered water. “But, I am sorry. Won’t happen again, Officer!” You quipped, taking a sip from the cup. The water was a refreshing blanket against your tongue and throat, which you thoroughly savored.

Rick didn’t look very pleased with your response, to say the least. His posture was stiff, and his eyes narrowed as he tilted his head. “You think this is a joke, I get it. It sounds like another pipe dream. But if we’re going to be living and staying here, you’re gonna need to follow the rules.”

You set the glass down and ran a hand through your slightly knotted hair, giving your scalp a terse massage with your fingers. Your eyes fixated on Rick, who was towering over you like a bodyguard would. If it were any other man you would feel uncomfortable in this position – backed into the kitchen counter and being scolded by a harrowing, authoritative man. In this case, you were too fond of the man in front of you to feel uncomfortable or threatened in any way.

“I get it – I know. I want this place to work, just as much as you do,” you added, displaying a poker face to confirm your sincerity. You ran a hand up and down Rick’s forearm, over his veins that protruded as he leaned against the counter in front of you. “I want this to work for the kids. They deserve it.”

Rick didn’t flinch. His eyes bored deep into your own – pupils dilated, taking in your presence. Instinctively, almost like his body was on autopilot – Rick’s hand caressed the side of your face, thumb tracing circles along your cheek. Goosebumps ran down your arms and made the hairs on the back of your neck perk up like a porcupine. Just one touch from this man had you melting like butter.

Time slowed down drastically. Your eyes locked into his, and vice versa. Only inches of space separated you two; you felt the familiar pounding in your chest as Rick drew himself closer and closer. Those romance movies you used to watch were accurate, in the sense that what you were feeling in this moment was butterflies, fireworks – so electrifying. You could feel the sparks race through your body.

Rick felt it, too. He’d been denying it for too long – what he was feeling deep down, within his subconscious, was something authentic. Something that he could no longer evade from his mind.

“You’re on my mind, too.”

It was like an echo coursing through your soul. Those five words left you stunned, mouth slightly agape, but Rick took that chance to collapse his lips onto yours. The longing you had for this man was no longer unrequited – you finally got your answer. He wanted you, and you wanted him.

His lips were velvety and you took your time giving extra love to them. Soon enough the kiss got heated; you were lifted up onto the counter where Rick wasn’t shy to roam his hands along your thighs, earning a few feeble whimpers from you.

His lips then attacked your shoulder and collarbone with a series of hickeys, earning more vocal whines from you now. “Rick…”

He quickly hushed you, shoving two fingers into your mouth. “Gotta be quiet, baby,” he cooed, admiring how your tongue caressed his fingers so magnetically. Your eyes pleaded with him – begged for more. “They won’t see those—” he eyed the now reddened area of skin, “Jus’ don’t dress like a slut and you’ll be alright.”

In your mind you wanted to blurt out a well-deserved retort, however, in all honesty, Rick meant it in the best way.

“Too special to be showing off this figure to all them boys, sweetheart.” He bent down to worship your thighs, spreading them open for him to kiss and prod at.

He was right, though – Spencer wouldn’t be able to make you feel this way. You knew it deep down.

You bit your lip harshly, suppressing any vocal responses for the time being – didn’t need the kids to hear any of this. But Rick was just too good at whatever it was he was doing to you.

“Need you, Rick,” You whined – which ultimately translated to a strained moan.

“Shh, Shh. I know you do,” he cooed, standing back up. He let his fingers trace over your closed cunt, the dampness leaking through the thin fabric and leaving a sticky coat on his digits. Your hands explored his curls, tugging at them the more he teased you. “Gotta be patient, though. Gonna take my sweet time with you.”

You were becoming antsy, bucking your hips into his palm, searching for friction. He slid his other hand up your dress, the contact of his hand greeting your hardened nipple caused you to shiver. His ocean eyes observed you – adoring the glow of your skin under the faded moonlight seeping into the room.

“Did I ever tell you how beautiful you are?”

“Stop talking and just take me upstairs, officer,” You huffed out, earning a small smirk from Rick. You wrapped your arms and legs tight around him, moaning quietly when your heat unexpectedly made contact with his own clothed member, which was already rock hard. You left a trail of kisses along his neck as he carried you up the stairs, groping your ass in one hand.

Rick wasted absolutely no time in slipping your dress up and over your shoulders, practically ripping the fabric as he did so. You attempted to cover up your breasts, but he pried away your hands.

“Nuh uh, let me see,” he protested, taking the round flesh in his hands and kneading them. You blushed, clearly shy; but Rick reminded you of your beauty nonetheless through his actions.

One thing Rick always loved about you was your patience and loyalty; you were coined as the group’s dependable and candid guardian, because anytime anyone needed a word of advice or a listening ear you’d never fail to do so.

Currently, Rick admired how patient you were while he went to work on your sweet pussy – lapping up all your sweet juices after tearing off your drenched panties.

“Mmph, Rick!” You wailed, eyes flickering shut as a wave of euphoria washed over your body.

He was eating you out like you were the Last Supper, and he was a starved peasant. Your cunt was his god and he was there to serve it.

You wrapped your legs around his shoulders, toes curling in delight as his digits switched positions with his tongue, pumping in and out of your soaking heat. He pressed his tongue flat on your pulsing clit, heightening your pleasure to the max.

“F-fuck me!” You cried out, hips jutting forward to meet the pace of his fingers and tongue. Pressure was building deep in your core.

Without notice Rick paused his movements, leaning forward to connect his panting mouth with your own, stifling your moans. His kisses were sloppy, as were yours. He continued his pace, eventually focusing on your clit which throbbed under the determined motion of his thumb. Then he slipped three digits back into your drenched cunt, accelerating the pace he was going at before. He curled the fingers upward, pushing against that sacred spot in your hole that made your eyes roll to the back of your head.

“Gonna cum on my fingers, hm? Gonna be a good whore f’me?” He taunted. Rick’s eyes were dark and blown out with lust. You were shuddering under him, on the brink of orgasm.

“Ohh! Fuuuck!” You let the band in your gut snap, feeling the pressure inside release and your dripping arousal coating Rick’s fingers.

He aided you in riding out the rest of your earth-shattering climax, pumping his digits a few more times before sliding them out. The sight before him had Rick holding himself back with every ounce of his inner strength – your cunt was a sopping, wet mess.

Rick sat you up properly, hovering over you and holding his fingers above your lips. “Taste, baby.”

You gingerly sucked on his fingers, the juices spilling onto your tongue; an almost nectary taste. He eyed the way you drank up every last drop, licking his lips in anticipation. After pulling his fingers from your lips he kissed you again, this time much softer. You both moaned into the kiss, and eventually when Rick broke away you took a moment to catch your breath. He licked his lips, admiring how fucked out you looked just from foreplay.

“Can’t wait to feel you,” He rasped. Your legs were still weak and wobbly from your latest orgasm, yet, your body ached for more. For him.

Soft whimpers left your pouted lips when you felt his rough hands grasp your thighs, pushing them upward until they were folded up against your tummy. Rick hastily threw off his white t-shirt and let out a low growl as he freed his aching cock from his boxers. You bit your lip – it was girthy, and you knew it was going to do some damage tonight. That only made you wetter.

He stroked himself before lining himself up with your entrance. He slid his dick against your slick folds, huffing and groaning from the contact. You whined, unable to handle the teasing he was putting you through.

“Rick, please—”

“Said I was gonna take my time,” He retorted in a rigid tone, and you gulped in response. “So, be patient.”

The only thing you could do at that moment was bite your lip and prepare for your cunt to be stuffed by this man’s cock. It was an odd thing to consider – being best friends with someone and flipping that platonic relationship into something more explicit, just through the simple act of gossipping. At the end of the day, you were getting fucked by a man who was not only your closest friend, but the leader of your community. It almost felt taboo, and yet you just couldn’t care less at that moment.

Seconds felt like minutes, the teasing was just too much. Rick kept playing with your sensitive bundle of nerves, only slightly pushing in the tip. Your core was on fire, pleading desperately for him to tame it.

The sight before him was almost pitiful. You were caught in a fit of heavy breathing and whimpering, legs wrapping tight around his waist as you rocked your hips closer to him, cunt still glistening with arousal that seeped onto his pink tip.

So, Rick pitied you. And you got your wish; his cock sunk into you, all the way until he bottomed out. You scrunched up your face in slight discomfort – he was bigger than you had anticipated. Nevertheless, you sighed in satisfaction, clawing at his back and shoulders as he adjusted inside you.

“Fuck, Y/n,” He growled, nibbling on your ear. His warm breath caused your body to shiver. “You just– can’t be patient no more, can ya?”

Your mind was clouded – all thoughts halted as your body was being governed by Rick. He rocked into you with ease, back and forth, in and out. His cock fit into your hole like a glove. Your legs caged him in; it was as if you were afraid he’d slip away and tease you again. It just felt so good you didn’t want it to stop.

Your lewd cries were soon muffled by Rick’s hand. “Shhh, gotta be quieter, sweetheart.” But it was nearly impossible to stay quiet when he was doing you so well.

With his hand then shifting down to lightly grasp your neck, Rick slammed into you, pulling all the way out only to repeat the motion again. You bit your lip hard, drawing blood. The pain didn’t exist in any way, since your body was so engrossed in the electric sensation that was being fed to you by Rick’s cock.

The room was polluted with salacious grunts and muffled moans.

Rick tossed you over onto your hands and knees, then without warning plunged back into you. His hands gripped both your asscheeks with a force that you were sure would leave lovely red marks. Each smack of his hips against your ass manifested obscene vocals from your throat. Involuntarily your body made contact with the mattress, head lulling to the side and drool dripping from the corner of your lips as Rick picked up his pace.

“You wanted this, knew it all along.” He cooed while fucking you into the plush mattress. “I knew it – before you even mentioned it.”

“How?” You thought. But little did you know, the clues you had sent Rick’s way ever since you had first laid eyes on him – he caught onto them. He was a police officer, after all – he was seasoned when it came to situational awareness. You weren’t slick; he noticed every little glance, every smile, every physical gesture you made with him. You fell for him.

And if he wasn’t already falling for you, then he certainly was now.

“Thaaaas right, just like that. Fuck, so tight f’me,” He sang while your ass slapped against his hips, harmonizing with the sound of his cock pounding into your slick hole.

Your fingers dug into the sheets for stability, preparing yourself for the building knot in your core again. “I’m—gonna cum!” You lifted your head weakly to warn Rick, who was too busy drowning in the warmth of your tight cunt.

Rick padded your clit with his fingers, while his other hand pushed down onto the back of your neck, subsequently pushing your body back into the mattress. His mischievous eyes caught sight of your twitching, shaking body, and he sighed heavily from the feeling of your cunt pulsing around him.

“Go ‘head, cum f’me.”

With his permission you yelped out as yet another orgasm rushed through you. You barely acknowledged the twitching of his cock inside your dripping hole before he swiftly pulled out and unloaded onto your back.

A few ticks went by, heavy panting escaping the two of you, and immobility in full effect over you. Your thoughts came back to you as Rick cleaned you up; the fact that you went on a date with a man then went home to be dicked down by another was quite humorous to you.

“Geez, maybe I should go on more dates just for you to fuck me like that again,” You teased Rick, sitting up.

He smirked, brushing a strand of hair out of your face and kissing you gently. You blushed and smiled coyly.

“Nah. You’re mine now, sweetheart. No one else’s.”

#rick grimes #rick grimes smut #rick grimes x reader #rick grimes x fem!reader #rick grimes x female reader #rick grimes fanfiction #rick grimes x you #rick grimes imagine #rick grimes oneshot #the walking dead #twd #twd smut #twd x reader #season 6 era #twd rick #pussydrunk rick :p #rick being a pussy fiend #ricky dicky doo da grimes #goblin writes

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linkspooky · 5 months ago

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DOOMED SIBLINGS: THE TODOROKIS VS. THE FIRE NATION ROYAL FAMILY

I received an ask in my inbox about how Zuko doesn't owe Azula any forgiveness. Truthfully I wasn't even going to respond because this isn't an avatar blog, but then I watched this video.

Not only do I disagree with the basically everything in this video, but I am going to make the argument that both Zuko' and Azula's arcs are both incomplete with the way the show left the two of them in the final showdown.

In order to make my argument I'm going to compare Azula and Zuko's relationship in avatar to Shoto and Toya's relationship in My Hero Academia and use the latter as a more positive example.

Unnecessary Redemption Arcs

The common fandom opinion I want to argue against is this idea that Azula's ending is a perfect tragedy, and therefore doesn't need to be expanded upon. There's also a sentiment that redeeming Azula would somehow ruin the impact of this perfect tragedy.

I'm about to argue against both of these points.

Azula's arc doesn't work as a tragedy.

Because of this her arc is unsatisfying and unfinished.

I'm going to address the first bullet point but before that let me add another disclaimer. The reason why I think Azula's arc isn't an effectively written tragedy isn't because I like Azula.

Before we even get into the My Hero Academia comparison let me bring up something completely different. I do like Azula, but I like Terra Markov from Teen Titans a lot more and I would not change a thing about her tragic end.

AZULA'S ARC IS NOT A WELL-WRITTEN TRAGEDY

Terra in the comics is what a lot of people accuse Azula of being. She is stated in the text and by her creators to be an unfeeling sociopath. She was also never intended by her creators to be redeemed.

[About Terra] The very first time we see her, she’s trying to blow up the Statue of Liberty. It’s just that all the fans assumed because we went out of our way to make her cute — but not too cute, with the buck teeth and everything — everyone would assume that she was gonna become good by the end and that was never the case. First thing, we made a promise that day that we would never renege on our view that she’d never become good. It’s sometimes hard to do that with characters you like. You want them to become good or something like that. But we never liked the character enough—because we knew what we were doing with her—we never allowed ourselves to fall for the character. Because that’s bad. That’s bad storytelling. You’re doing what you want as a fan at that particular point, not as the creators. T

Now let me clarify, both creators of New Teen Titans say some nasty things about Terra and don't recognize her sexual abuse, but here's the thing. You don't have to read a story 100% the way the author intended, sometimes the story says one thing and the text says something different.

I am going to use Judas Contract as an example of a story where the character from the start was never intended to be redeemed and why that's a positive in this case.

Terra is a teenage girl, the bastard daughter of the king of Markovia and a random American woman who presumably has had no stable home her entire life because she's working as a mercenary at fifteen. She teams up with a man that is in his mid fifties and even starts a sexual relationship with him (this is statutory rape she cannot consent) and Deathstroke uses her to infiltrate the Teen Titans and learn as much as possible.

Terra is sent to live with the team and spy on them for several months. The whole time she only ever engages with them in a fake spunky persona, and never shows her real cutthroat self. She leads Beast Boy on in a fake romance to make him trust her and secure her place on the team. The way you'd usually expect this arc to go is that Terra would grow fond of the team and be torn in her loyalties.

Yeah, that never happens.

Terra loathes the Titans. In fact she's developed a superiority complex about her meta human abilities and she doesn't understand why anyone would use their powers to help others. She despises the concept of superheroes in general, and because of that never bonds with any of the Titans. Her feelings never change from start to finish, because her creators intentionally wrote her as a character that can't be redeemed.

Terra is written to be a psychopath, but even with that intention in mind there are scene that shows a greater range of emotions. She has what could amount to a trauma flashback when Beast Boy too aggressively flirts with her and tries to kiss her and she reacts violently, trying to bury him under the earth.

Let's go ahead and interpret Terra as what is used as the fictional definition of a "sociopath" that is someone who feels no bonds with other people, someone with shallow emotions and someone devoid of guilt. Even if we interpret her that way, her story is still meant to be read as a tragedy.

Terra succeeds in her mission of infiltrating the Titans. Slade captures most of them, and the only remaining member Dick Grayson goes missing. Dick Grayson then unites with Slade's son Jericho, and the two of them team up in order to rescue the rest of their friends.

Even after all she's done the Titans try to make pleas to Terra during the final battle, which she not only rejects but responds to with violence. Which only confirms what I said above, Terra never grew to love them, she never regretted her actions, she only ever engaged with them with lies.

(Terra always lies, Terra always lies, Terra always lies).

Terra is declared by Raven to be devoid of emotions: "Her thinking is unlike ours. She feels no true love or hate. Her soul is corrupt. What she does is done without remorse."

Even after Raven declares this, however she still pleads with Terra to stop because she's going to hurt herself. Terra feels Slade betrayed her because he favored his son Jericho over her, so she decides to take both Slade and the Titans down. As the Titans fight her she begins to mentally fall apart ignoring their appeals to her and lashing out at everything around her. Eventually she makes one last attempt to everything around her, but the Titans escape and she only manages to bury herself.

At no point in the fight do the Titans give up on trying to reach her even as she's loudly screaming how much she hates them. Even after she's buried and it looks like she's dead, Gar and Donna both try desperately to dig her up on the slim hope she's still alive. When they find the body they even give her a funeral afterwards, even though they all think that Terra was beyond redemption.

Even the prose narration that accompanies her death is incredibly melancholy and bemoans her fate, at the same time as it calls her a outright sociopath.

There's no reasoning with her now. However slim, whatever sanity Tara Markov possessed is gone. Now there is only primal hatred! Hatred born, nurtured, and fanned. Hatred that festers and grows without care, without feeling, without plan. her pursed lips part and the sounds which echoes force are garbled and inhuman. Hot, boiling blood gushes wildly from the earth's open wounds, its skin fractures and cracks, and if a world could cry, it surely would. Her name is Tara Markov and she is little more than sxiteen years old, and due to the fault of no one but herself she is insane. No one taught her to hate, yet she hates without cause, without reason. No one taught her to destroy, yet she destroys with glee, with relish. Don't look for reasons which do not exist, plainly Tara Markov is what she is, and she has taken a great power and made it as corrupt as she. Hers was the power over the earth itself she could have brought life to deserts, hat to the frozen tundra, food to sraving millions. She could have damned raging rivers, and tunneled water to packed lands dry and dead. her powers were limited only by the mind which controlled them. A mind which sought not hope, not love, not life, but death.

If you go with the text that she is just a sociopath beyond redemption who hates and hates and hates for no reason, the narrative still mourns her because a sixteen year old with her whole life ahead of being consumed by hatred and then dying because of it is in fact sad.

If you read into the subtext then you can argue that the events of the story, contradicts what the narration is telling us. Terra is being sexually groomed and groomed as a child soldier by a man who is much older than her, even if she thinks he's a partner he clearly has all power in the relationship.

If you think about it that way then Terra is the ultimate bad victim. She doesn't cry and call for help as a victim of sexual abuse, instead she tries to claim power for herself, she manipulates, and she destroys any chance she had for a genuine relationship because she only sees all relationships as transactions she can gain or lose from.

Even if you only go with the first interpretation, the narrative still remains tragic because the Titans themselves did not want to give up on her, they did not want to watch this sixteen-year-old girl destroy herself. They never stop reaching out for her and it doesn't work, because there was no way out for Terra but death.

Here's the thing I don't think Terra's status as a sexual victim automatically means an ending where she dies is offensive. It reflects a reality that victims like Terra often go unseen because they don't present their victimhood in palatable ways, and by the time anyone notices it's far too late. Sometimes tragedies are meant to reflect a reality where many people do not get saved.

There's two reasons that Judas Contract works as a tragic story. Number one the creators planned Terra's ending right from the beginning. Which meant they never gave her any moment where she shows that she's redeemable. There's no genuine bond between her and the titans, no wrestling with the guilt of her actions, nothing.

Number two, Judas Contract is Terra's story from beginning to end. It begins with her betrayal of the Titans, and ends with her death. The death is also brought upon herself by her fatal flaw her hatred, which is what makes her the protagonist of a tragedy. Tragedies are stories where heroes are undone by their flaws. Terra also goes out on her own terms. She buries herself underneath her own rocks. Her death is a direct consequence of her inability to let go of her hatred. Terra's not fridged for anybody else's arc, she retains her agency until the exact moment of her death.

To simplify into bullet points, Judas Contract works because:

The creators thought out what they wanted to do with Terra.

Judas contract is Terra's story.

Now, getting to the part where we actually talk about Avatar, and I start complaining about that awful, awful video.

AZULA'S ARC IS NOT WELL THOUGHT OUT

I just went on a long tangent on how Terra, a character written to have no redeemable qualities can still be tragic. How the creators marked her as clearly doomed from the start, and how she brought about her end on herself, how there no redemption for Terra. How this girl had no real chance, and how regardless of the fact Terra is a lil baby sociopath her fall is still tragic because of how well structured the tragedy is surrounding her.

It's awful to kill off a sixteen year old victim of sexual abuse, but the ending just fits because Terra represents a certain type of bad, unsympathetic victim who doesn't get saved.

Azula's arc isn't as well structured. The ending does not fit. I'm going to start by refuting some points in the awful, awful video I did not like.

"Maybe it's okay if Azula's story ends where it does in the series we would separate how we would treat a real 14-year-old girl from a villain in a series, ad that's why any redemption arc isn't need i a story after all. A character needs of deserves a redemption arc when it becomes the most meaningful way to explore their character and place in the story, but a character deserving redemption usually comes before the story really needing it, and I don't think Azula's done anything to deserve it yet. They've got to exhibit some willingness and action to change..."

So the main reason I'm using Terra as my first example is because Terra is the kind of character that Hello Future Me is describing. Terra was written with the specific intention she'd never experience a change of heart, all of the friendships she makes with the Titans are fake, she very loudly experiences no remorse, or even self-reflection over what she is. Terra's pretty proudly a monster and she never experiences any kind of self-doubt or regret over what she's become.

I can disprove right away Hello Future Me's blanket statement (with no actual cited examples, just trust him guys) that Azula never did anything to hint she may deserve redemption. That suggests Azula is an entirely selfish character who uses, manipulates and thinks she's right and worst of all is comfortable being the way she is, and therefore incapable of doing the self-reflection necessary for change.

Azula does show the capacity to do selfless actions several times in the narrative, and even consider the feelings of others. There's the apology scene with Ty Lee and the way she interacts with her friends in general with the Beach where when she's not fighting in a war or trying to complete a mission for her father Azula 1) interacts with her friends in a normal way and 2) seems to express a desire to experience normal relationships not the hierarchical ones she's experienced all of her life.

However, that's not the example I'm going to use as her save the cat moment. I generally intend to interpret that as a sign that even though she treats Mai and Ty Lee as subordinates and that power she holds over them eventually leads to them leaving her, their friendship isn't just Azula abusing them and lording her authority over their heads 24/7.

No, Azula's save the cat moments all revolve around Zuko. Which is funny, because the entire fandom seems to regard Azula as Zuko's evil little sister who exists to do nothing but torment her.

The first and biggest is Azula deciding to bring Zuko home in Ba Sing Se, and telling a lie to her father that he was the one to slay the avatar.

Ozai: I am proud of you, Prince Zuko. I am proud because you and your sister conquered Ba Sing Se. I am proud because when your loyalty was tested by your treacherous uncle, you did the right thing and captured the traitor. And I am proudest of all of your most legendary accomplishment: you slayed the Avatar.

Zuko: [Shocked.] What did you hear? Ozai: Azula told me everything. She said she was amazed and impressed at your power and ferocity at the moment of truth. [Inspired partly by this post]

Now the show seems to regard this action as Azula being an evil temptress who is there to tempt Zuko back to her side with everything he thinks he ever wanted.

That's only if you regard it from Zuko's perspective.

Think for a moment from Azula's perspective. Number one, Azula is someone thoroughly indoctrinated into Fire Nation propaganda who measures her self-worth based on 1) military achievement and 2) her father's approval and assessment of her talents. In Azula's own logic (wrongheaded as it is) she's helping Zuko. She's bringing him back home with his place in the line of succession restored and his father's approval.

Azula doesn't benefit from this gesture at all, in fact if her father discovers the lie she has as much to lose as Zuko does.

Now Zuko insinuates that Azula only brought Zuko along and told her father that he was the one who killed the avatar so she could let him take the fall if the avatar turned out to be alive.

However, if you look at the actual order of events that doesn't make sense. Azula saw the avatar die, she didn't know about the spirit water, and therefore had no way of knowing Aang could come back. In fact, it's Zuko who 1) knew about the spirit water and 2) decides to keep the spirit water and the fact the avatar might have survived a secret that is throwing Azula under the bus. After all she has as much to lose as he did and instead of sharing that information with her he decides to keep it all to himself.

Now Azula does imply that if the avatar were to turn out to be alive all of Zuko's glory would dry up, but this is only after Zuko 1) throws accusations at her and 2) makes it's pretty clear he's lying to her putting her on the defensive.

This is also a scenario where Azula doesn't have much to gain by bringing Zuko back, if you look at it from her perspective. If Azula just lets Zuko rot in a ba sing se prison, then her claim to the throne is secure. With Zuko back he's restored in the line of succession. She also, when making the decision to invite Zuko to her side probably didn't need him for her plan to succeed.

There is a dramatic moment of Zuko choosing to side with Azula over Katara which turns the tide in Azula's favor, but Azula can't see into the future and therefore wouldn't be able to predict that happening. If you look at it from Azula's perspective she 1) successfully infiltrated the city, 2) already had the Dai Lee in her pocket. She likely already thought she had the city secure at this point so her decision to extend a hand out to Zuko is therefore likely motivated by selflessness instead of self-interest.

That's important because usually when Azula usually only gives her help to others if it also benefits her in some way. Azula might genuinely see her recruiting Mai and Ty Lee to her side as a member of the royal family extending her favor and giving them status and security in their positions but it has the underlying motivation of 1) she keeps them in a position to beneath her and therefore in her complete control.

Azula will interact with Mai and Ty Lee like friends on the surface, as long she maintains control over them, but if they do anything to something that displeases her she'll do anything to regain her control.

Mai: I thought you ran off and joined the circus. You said it was your calling. Ty Lee: Well, Azula called harder.

This is set up in Azula's very first interaction with Ty Lee. Azula greets her like an old friends, Ty Lee even seems happy to see her, but the second Ty Lee tries to say no to her Azula goes to extreme lengths to "persuade her". Azula's friendship with Mai and Ty Lee is an abusive friendship because there is a power differential and even if Azula feels genuine affection for them both it's clear they're not allowed to say no. Mai and Ty Lee are put into positions where it's in their best interest to please her, and live in fear of the consequences if they don't do just that.

Here's the thing, I'm not arguing that Azula didn't deserve any consequences for her actions. I'm arguing that the setup doesn't match her eventual ending. Azula is set up to have Mai and Ty Lee leave her from the very first scene that Azula interacts with Ty Lee. It's satisfying because the set up matches the pay off.

It's also tragic because it's Azula continuing the chain of abuse. The video isn't entirely wrong (which is why they came to the wrong conclusion frustrating).

Azula's fall is about how differenting parenting styles can a child. Ozai's affection is exchanged for being useful. Something Azula would go on to repeat with her friends, whereas Iroh's affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

It's like... there it is it's so close. Here's the thing, Azula is set up for a tragic falling out with Mai and Ty Lee (and one she deserves) but the set up is different with Zuko. Azula's save the cat moment revolves around Zuko, and her genuine attempt to bring her brother home.

Yes, the first time Azula interacts with Zuko in season 2, she tries to take him home by force. However, by the ending of the season Azula's perspective on the matter has obviously changed because she begins by trying to bring him back as a prisoner, and by the end of the season invites him back as an equal.

There's no moment in Season 3 where Azula treats Zuko the way she does Mai and Ty Lee (unless Zuko provokes it first and puts her on the defensive) in fact most of her interactions are either them interacting normally (such as when Azula goes to find Zuko at their old beach house because she knows he'll be there and advises he leave instead of dwelling on their depressing memories) or Azula deliberately trying to look out for Zuko such as when she advises him not to go visiting with Uncle because it'll make others suspicious.

On the other hand, Zuko never at any point looks out for his sister the way Azula is demonstrated looking out for him. He doesn't say, try to tell her where he's going on the Day of Black Sun, or try to convince her the fire nation is wrong. There's a scene in the later part of Season 3 where Zuko is watching Azula fall to her death while sitting on a flying bison and not only sits there and does nothing about it, but sounds disappointed when she doesn't hit the ground and become an Azula Pancake.

That's pretty much the opposite of a save the cat moment. It's a "let the cat fall to their death" kind of moment.

Yes they were enemies at that point, but Zuko's the one who's supposed to learn that affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

How exactly is he doing that in this scene?

The thing is... this setup doesn't have to be bad. Of course Zuko has trouble has trouble empathizing with Azula, he doesn't even think about sending a letter to Mai, Zuko's shown at this point to be like a healing abuse victim who's understandably focused on himself.

This in fact could be excellent set up with step 1) learning what genuine love and forgiveness is and 2) demonstrating those two things by applying it to others.

However, that's not where we got. We got Zuko watching his sister have a complete emotional breakdown, crying and screaming while chained to a grate and looking somewhat sad.

And once again to bring Terra into this, Terra is what Stay at Home and parts of fandom argue that Azula is. Terra screams at the top of her lungs how much she hates the Titans, how much she was always lying to them, and the Titans STILL try to reach Terra with words, try to de-escalate the conflict, when she's about to bring the rocks falling down on herself warn her she's going to hurt herself, and then when she's buried under rubble try to dig her out begging for her too still be alive.

Terra who's intentionally created by her writers to be as hatable as possible, is shown more compassion by the heroes in her ending than Zuko ever does to Azula. They also give Terra multiple opportunities to change until literally the very last minute, which Zuko doesn't do either.

What's set up is Azula has this save the cat moment with her brother, that Zuko is pretty much the only person she doesn't treat like a subordinate in the story (because she just like Zuko has a craving for familial love she tries to earn from her father). However, her ending with Zuko just taking her down doesn't fit that setup.

Azula's ending only fits if you consider her arc entirely from Zuko's perspective, which is the underlying issue. Azula's not the protagonist of her own tragedy, she's a plot object that's used to benefit Zuko's arc.

Azula's is written to have a downfall, the same way that Zuko loses everything at the ending of season 1 b/c of his inability to give up on the obsessive search for the avatar (and his father's love with it). Azula is written to be left by Mai and Ty Lee (this is the strongest point of writing when it comes to her since it comes from the beginning).

However, she's not written to be left completely alone and insane with the only empathy being shown is that her brother looks kinda sorta sad. That's only good if you view her as an object to further Zuko's arc, because isn't the ultimate culmination of Zuko beating his sister who has always been ahead of him at life? Azula needs to torn down completely without even some small glimpse of a hope of recovery so Zuko can be built up even moreor at least the writers of avatar seem to think so.

However, even Azula just existing for Zuko's growth and character development doesn't have to necessarily be a bad thing. This is where we get to MHA, which does the tragic siblings and the final Ag Ni Kai about 1000 times better with Shoto and Dabi.

THE GOOD

The comparisons between Shoto and Dabi to Zuko and Azula are made pretty often by the fandom. Shoto has a scar, Dabi has blue flames. Shoto has an arc about healing and learning what it means to be a hero, Dabi's arc is about self-destruction.

Dabi's not the center of his own story, he exists to foil Shoto and help Shoto reach the endpoint of his character development however that's not necessarily a bad thing. These are both two pairs of tragic siblings, the main difference is that MHA doesn't feel the need to tear down one sibling in order to build up the other. In fact, the final step to Shoto's arc is HELPING Dabi, not PUTTING HIM DOWN.

Not only that but the decision to help Dabi is a decision that Shoto makes on his own, and him going against the tide of a society that has already given up on Dabi and would much rather have Shoto shoot Dabi like a mad dog. Which makes the decision to do so even more powerful and emblematic of Shoto's growth.

Now you could say that Shoto and Zuko are too different to compare their arcs, Zuko has a redemption arc, and Shoto has what most people would probably term a healing arc. Shoto starts out the series as a hero.

However, this is what annoys me about the redemption arc debate. A redemption arc is really just a normal character arc. However, calling it redemption drags things like morality and forgiveness into the debate. if you take remove the discussion about moral philosophy both Zuko and Shoto have character arcs where they start the story defined entirely by their home situations and their father's abuse (hence why they have big obvious scars on their face), recover from their trauma, and go on to find an identity outside of their father and form healthy non-abusive connections with others.

In fact I'd see the theme of both arcs are the same, to literally find balance within themselves. Shoto is divided quite literally into right and left sides, fire and ice, and even seems to view himself as half of his father and half of his mother. Zuko is someone who's permanently marked and dishonored by the burn scar on his face. He suffers from an internal imbalance as well. Iroh says that Zuko is the descendant of both Roku and Sozin and therefore both pathways are open to him (but wouldn't that apply to Azula too). Zuko says to his father that the fire nation has destroyed the balance to the world and he's going to leave to assist the avatar in order to fix it.

Shoto's balance isn't just about fixing his internal trauma though, it's also about finding a balance between his family which has defined his entire life up until this point, and his desire to become his own hero not the hero his father groomed him into.

It's why the culmination of his arc is Shoto reaching out to save his family member Toya, because it's the ultimate balance in wanting to heal his family, and also the kind of hero he wants to be, someone who saves and brings peace to others instead of just violently putting down villains. He can bring peace to his family and become his own hero in one action.

However, let's go back to the beginning of Shoto's arc, because saving Toya as an endpoint to his arc is set up pretty early on.

Shoto's arc begins with Deku, a stranger breaking down Shoto's walls as an outsider in order to allow him to look past his own trauma and recall for the first time what he wanted outside of his resentment towards his father. This sets up the idea early on for Shoto that sometimes you need outside interference, help you didn't ask for, especially when you can't see outside of your own problems.

What Deku brings about ultimately is a change of perspective, Shoto's so hurt by the memory of his mother throwing boiling water in his face and everything that came after that he can't recall the memory of her telling him he could be who he wanted to be.

But, you want to be a hero right?

Shoto takes away two things from this arc, sometimes you need help even when you're not asking for it, and sometimes a change in respective is required in order to take the first step forward.

He goes to demonstrate these things multiple times, but here's two exaamples. The first Shoto demonstrates immediately after the tournament arc. When Iida is about to go down a dark path and commit a revenge killing on Stain. When, as a result of that IIDA is paralyzed and about to die in an alleyway, it's Shoto who both notices Midoriya and Iida are missing and shows up in the clutch. He's practicing the same thing that Deku taught him in the last arc: Giving help that's not asked for is what makes a true hero.

He even mentions the second idea, that a small change in perspective can be all it takes to save someone, and he wants to do for Iida hat Deku did for him. His words are the one who convinces Iida to stand back up again when he's paralyzed.

If you wanna stop this, then stand up. Because I've got one thing to say to you. Never forget who you want to become!

However Shoto's arc doesn't end here, because one of the major conflicts in MHA is that heroes don't pick and choose who to save and a true hero will give help even to those people who don't ask for it.

This is a point which further develops when Shoto's abusive father starts to show a change of heart at the end of the Pro Hero Arc. Shoto still holds his father accountable for what he did in the past, but he also acknowledges that if he had the capacity to change then so does Enji. This isn't about whether or not Enji is forgivable, this is an extension of what Shoto learned. Shoto originally believed he was controlled by the circumstances of his birth, that his fate was set in stone, but a change in perspective allows him to realize he can determine who he wants to be. So, Shoto is just applying what he's learned, Enji has the capacity to grow.

There's one final piece of setup that I want to cover before showing how these separate dies all culminate in saving Dabi. Shoto's not only someone who has to find balance between his family and his desire to be a hero.

The theme of balance is written into the quirk itself. Enji basically practiced eugenics to create Shoto as his masterpiece. He noticed a flaw in his own quirk where he could only make his flames so hot without overheating. So he arranged a quirk marriage with Rei who possessed an ice quirk to create a hybrid ice and fire quirk that he could use to cool himself off to prevent him from overheating.

Enji only ever cared about the fire half of Shoto's quirk. His ice quirk only exists for his flames to grow stronger. This is shown when Enji is trying to force Shoto to learn all of his signature moves, because he only cares about Shoto's flame quirk. Shoto was created to carry on his father's legacy, and surpass him with an even more powerful flame quirk. Part of his character development is him learning how to use his quirk in his own way.

This is a theme that continues in the class training arc where Enji is still repeating the behavior of trying to force Shoto to learn his signature moves instead of considering what he wants at all, because still Shoto only exists in Enji's mind to carry on his legacy.

This all culminates in Toya's decision to save his brother. The first is his action in choosing to identify with his brother. If Shoto believes in his own capacity to change, and even his father's, then why would he deny Toya that same chance to change?

The foiling between Shoto and Toya isn't supposed to reduce the two of them to "Shoto is the good one, and he's the bad one", but instead Shoto and Toya were both in a point where they were consumed by hatred and couldn't see any other path in life. Therefore if Shoto was able to change because someone gave him help when he didn't ask for it, then Toya not only has the capacity to change - but in order for Shoto to stick to his stated beliefs that the smallest of things can bring about a change in people he has to be the one to give his brother that chance to change.

It's not about whether Dabi is worthy or not, it's about the themes in Shoto's arc finally being paid off.

Shoto's identifying with Toya, and even parts where he tells Bakugo he'll make Toya sit down and make Toya tell him his favorite food indicate that from the beginning Shoto's intention was to find a way to stop Toya without killing him (which is what several of the adult heroes were encouraging him to do).

@stillness-in-green does a more succinct summary of this plan.

Just me?

Because, like, Shouto had a plan. He spent the time between the two war arcs specifically developing a brand-new combat technique that he planned to use to shut down Dabi's combat advantage without killing him. He convinced his dad not to change the plan like Endeavor was hesitantly sounding him out about[1]; he went out and talked and asked questions, and even if they weren't the right words every single time, he did his best and he did it with intention. If Dabi proves to be dead, it won't be because of anything Shouto did to him; it'll be because Dabi himself chose to stand back up, take a warp gate across the country, pick a fight with the guy who doesn't have the power set to shut him down without unduly hurting him, and trying to replicate an Ultimate Move specifically tailored for someone with a balanced power set Dabi doesn't have. And if Dabi lives, it's still going to be because Shouto booked it across the country and used that same technique to stop him again.

Shoto's decision to save Shoto is also a continuation of his decision to help save Iida from Stain. It's not enough for Shoto to experience a change of heart about his own life, he's got to take what he learned about people's capacity to change, and the importance of connections and then put that into practice and help others the way he was helped.

However, it also further develops the theme of giving help that's not ask for from Iida because Shoto's not saving a mostly heroic kid, he's saving Toya to help break a familial cycle of abuse (because murdering the abuse victim isn't how you end the cycle of abuse... actually).

Shoto's last lines to Dabi are also a refutation of this idea of destiny that he once thought he was ruled by. It's once again, Shoto teaching someone else the lesson he learned. Toya says a warped rail can never mingle with a straight and narrow one! In other words Shoto can never understand or get along with Dabi, because Dabi will forever be defined as the failure because of the circumstances of his brith, whereas Shoto will always be the success.

His final action is a decision to break the cycle they were born into: no, we're gonna mingle whether you like it or not.

Shoto's ultimate move Phosphor is not only a move he designed far in advance to take down Dabi non-lethally, it also is a rejection of his father's teaching method. Toya says he only ever taught me how to turn up the heat. Enji only valued both Shoto and Toya for their flame quirks. Developing his own quirk and breaking away from what his father wanted, specifically in order to save his brother. It's Shoto rejecting what his father created both of them for (a successor to his quirk) and finding his own path. By using that move to take down Dabi he's not only teaching Dabi their flame exists for more than just destruction, he's also by letting Dabi live giving Dabi a chance.

From a conversation with @class1akids

Dabi was the last push to unlock Shoto’s full power. Until then he was on the track of mastering flashfire like Endeavor planned for him (except for his own reasons) but realising the fighting Dabi with fire was gonna kill them both and also he’s simply no match fire only helped Shoto to fully take control of what his quirk is Like his quirk development goes parallel with how he faces each member of his family and finally meeting Toya is like the last piece of his puzzle to find his own full power and identity.

It's not just Shoto decides to save his brother because he's just that nice, his arc is literally incomplete without it. The act of creating phosphor a move specifically to save Dabi is both him unlocking the full power of his quirk (by balancing the fire and ice sides of his quirk) but also achieving balance between trying not to leave his family behind while at the same time becoming his own person and hero outside of his family circumstances.

Citing my conversation with class1akids again:

Toya is endangering everyone at Gunga. Endeavor has no means to stop him and when he tries to murder suicide Rei interrupts and his “hero way out” is taken. All he can do is watch helplessly as his family is about to burn to death with a bunch of strangers he tried to protect. But it would do Shoto dirty to use his heart technique to kill his family and the strangers so he comes in a clutch and I see that confrontation as the power trauma vs the power of healing in the family. With Shoto who is a true hero, they can put the fire out and save the family and strangertoo. Shoto become a balanced hero and bring relief and reassurance, Endeavor was completely helpless, and Toyas inner child got the attention he wanted, plus depending on how you read it, he may have become less suicidal.

Shoto also, and I want to point this out desires to stop his brother not to take him down but because he doesn't want him to hurt any more people. He's again finding a balance between two ideas 1) Shoto needs to stop his brother in order to stop him from creating more victims and 2) Shoto needs to find a way to stop him that's not just putting him down because Toya himself is a victim.

Shoto also, and I must point this out for the comparison between Zuko and Azula goes out of his way to engage Dabi in conversation, ask him why he didn't come home and what happened to him in the years after he died. This is especially poignant because unlike Zuko and Azula who grew up together, Shoto basically had no relationship with his brother (and the rest of his siblings really) before Toya died because Enji purposefully kept Shoto separate from all the "failures."

So yes, the act of saving Toya is more for the completion of Shoto's arc than any redemption arc for Toya but Toya's not just a plot object to move around for Shoto's arc, Toya has his own agency all throughout. In fact it's the fact that Toya resists being saved every step of the way that provides the challenge that Shoto needs to grow in order to be able to save him.

Toya's not just after revenge against his father that's the surface reason, Toya is also just blatantly suicidal. Toya's birth is marked as a failure, his death wasn't even acknowledged by his family and everything stayed the same in his absence, so he created Dabi while praying at his own shrine in order to mourn Toya. Dabi can't find any meaning in his life where he was born as a failure, so he'll use his death taking revenge against Endeavor for having been born in order to give his life meaning.

What makes Avatar look especially bad in its treatment of Azula in comparison to how MHA treats Dabi, is that Dabi is way, way less redeemable than Azula. For one Azula has clearly proven affection both her friends and her brother (and I don't think she even deserves Mai and Ty Lee's forgiveness they had every right to walk out on her and want nothing to do with her again.)

Dabi is probably the ugliest victim of the League of Villains. The rest of the league have far more moments in their bonds with each other. Toya is the outsider to the league even if there are some subtle hints to his affection (he tries to show up to save Twice, and also burns down Toga's family house to comfort her). The villains are mostly shown to be redeemable by their positive friendship with each other, and Dabi at several points denies the league's bond (he pulls a Terra and yells out loud at the top of his lungs none of the league matter to him). Unlike with Terra you can argue this is most likely Dabi trying to cover up his real feelings. However, the fact that he feels the need to hide his affection from the league shows he's purposefully distancing himself from any bonds whatsoever.

Unlike Azula who has gone out of her way to help her brother in one major way, and also shows hints in early season 3 of having that sibling bond with him Dabi just straight up wants to murk Toya. Azula also tries to murk Zuko, but that's only when Zuko leaves on the day of Black Sun (one without telling her, and two something that probably left her alone to deal with the consequences of lying to her father for his sake). Either way, Azula's behavior in early season 3 is setup for the fact that their sibling bond can be salvaged.

Dabi is way worse to Shoto in comparison. Dabi in the first part never saw Shoto as his own person, just a puppet of his father (puppets have no autonomy or personhood). His feelings towards Shoto only went so far as Shoto was someone who could kill in order to upset Enji. Dabi also doesn't particularly care for the rest of his family as well (only calling out Natsu's name when his brain is literally melting), they're either ways to hurt endeavor, or he wants to drag them in hell with him. Heck his last words after being saved is telling everyone to die and go to hell.

Dabi doesn't bother to make bonds with the league or have any lingering affection for his family because Dabi's determined to seslf destruct. He's given up on life the moment he saw that he died and nothing changed in that household, now all that's left is for him to create a meaningful death by dragging his family to hell with him.

Dabi is also even as a child made out to be an unpleasant victim. He attacks baby Shoto with his flames early on out of jealousy (even though he later admits that he was being unfair to Shoto). He makes the situation in the house worse by loudly screaming and demanding his father's attention. He screams at his mother and throws her complicity in Enji's abuse in her face.

This is in comparison to Shoto who in childhood flashbacks we are only ever seen either 1) crying, and 2) trying to comfort and protect his mother. Toya's even made out to be difficult to empathize with as a child - which like flew over half of the fandom's heads because he got accusations of somehow abusing his father and the rest of his family in that chapter at 10 years old. However, that in a way illustrates my point.

The fact that Dabi is so disliked by a certain portion of the fandom is because Horikoshi paints such an ugly portrait of Toya in the way he expresses his victimhood. It's done deliberately too, because number one Toya by resisting Shoto's attempts to save him and trying to self destruct instead retains agency as a character. He makes decisions even though they're bad self destructive ones, he's not just a prop. Number two, the fact that Toya is intentionally portrayed as such an ugly victim makes Shoto's decision to break the cycle of familial abuse by saving Toya and not leaving a single family member all the more poignant.

Toya is an uglier victim than Azula, actively trying to kill himself in a way that Azula isn't, and treats Shoto way worse than Azula ever treated Zuko and yet Azula isn't shown the sympathy or given the salvation that Toya is.

Because once again, the writers didn't think about the ending of Azula's arc or of Azula as her own character. Shoto defeating Toya is the culmination of his desire to break the cycle of abuse in his family. Zuko putting Azula down is just to make Zuko look better. It's in service of Zuko's character instead of both of their characters.

THE BAD

Avatar isn't setting up some gritty ending where the bad guys can't be stopped, they can only be killed. In fact it's pretty close in tone to MHA.

Season 3 especially is the season that really begins to hammer in on the themes that even the people on the enemy side are still human after all. The headband shows that Fire Nation children are indoctrinated into the war, but they are in the end still children. There's the story between Avatar Roku and Sozin, and once again Iroh saying that Zuko has both options becoming like Roku or becoming like Sozin available to him (but not Azula I guess). There's Zuko joining Team Avatar, even after he betrayed Katara in Ba Sing Se and should have burnt that bridge then and there. There's Zuko working to earn their trust again when no one on the team really owe it to him.

The main character of the show is a pacifist, who deliberately learns a way to stop Ozai without killing him before the final battle because he doesn't want to break the values taught to him by his culture.

If the entire theme of season 3 is redemption, healing and that the fire nation are not inherently evil then why does Zuko's sister and character foil end the last shot of the series screaming and crying with no one comforting or even attempting to sympathize with her. Why is this one character marked for tragedy in a show that is about redemption and healing and showing compassion to your enemies and very specifically not a tragedy.

Toya literally burns all of the flesh off of his body, and somehow he has a gentler ending than Azula, because at least Toya's arc ends with all the members of his family showing up to try to cool down his flames, and when he's on the ground burnt to a crisp his father finally apologizes to him. Toya is a skinless burnt chicken wing, my boy has no skin, and somehow he's better off than Azula.

I don't think the writers gave Azula such a cruel ending because they don't like her, but rather because they just didn't think about her ending outside of what it meant for Zuko. Which is why you get moments like Aang who is apparently a pacifist who doesn't want to kill the Firelord, watching his daughter fall to her death while sitting on a flying bison and doing absolutely nothing to save her. ALL LIFE IS PRECIOUS (except for Azula I guess).

It's not bad because a victim doesn't get saved, it's bad because it doesn't fit in with the rest of the story.

Not only is Zuko saving Azula a very natural conclusion to his arc, but there's far more setup for Zuko reaching out to his sister and saving her than there ever was for Toya and Shoto. Both Toya and Terra are screaming at the top of their lungs "I HATE EVERYONE, YOU SHOULD ALL JUST GO TO HELL." They're both making decisions and committing to their self destruction while Azula is a 14 year old girl having a mental breakdown.

Anyway, time to quote the bad bad video again.

"When does a villain deserve a redemption arc? When do we deserve a redemption arc? I know this is gonna hurt, but characters are not people. They are tools. They are represetations of people. They can be used to say other things. They can be symbolic representation of other ideas. Azula's story is not just about a fourteen year old defeated by her brother for the throne, Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

I specifically chose to cite MHA, because of how differently it decided to use Shoto and Toya's character foiling. Shoto recognizes himself in Toya, and how different their paths were in life. This is explicitly motivates him to save Toya. It's also the culmination of everything that Shoto has learned because Shoto is a hero who believes that actions speak louder than words. It's not enough for Shoto to resolve his own inner struggle, he also has to help Dabi with his because that's showing Shoto has grown rather than telling us.

I think that is where the major difference lies between Shoto and Zuko, we're told that Zuko has chosen the path of empathy and healing, that he's learned to give people love and patience like Iroh has but instead of showing that the culmination of his arc is having a fist fight with his sister in a denny's parkinglot.

Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

If Zuko is empathic and emotional and that is why he's gained friends while Azula is now alone after having lost her friends due to the way she treated them, then like... what a great opportunity for Zuko to SHOW that quality of empathy.

However, Zuko doesn't do anything that Shoto does in the final fight. He's not even here for Azula, Azula's just an obstacle for taking back the crown. He doesn't talk to Azula, engage her in any way, try to de-escalate and avoid the fight.

If you want to make the tragedy that Azula and Zuko have taken such different paths in life that that Zuko fighting with his sister is unavoidable you could um... at least show Zuko being sad over the prospect of fighting his sister or being reluctant in any way.

(Before you come in here with "Zuko doesn't owe Azula anything take" this isn't about whether or not Azula is a terrible sister to Zuko, this is about the story that avatar is attempting to tell. Shoto and Dabi's fight is tragic because Shoto doesn't want to fight Dabi, he wants Dabi to come home and for their family to be complete. Zuko never expresses anything like that so where does the tragedy come from?)

If it were 100% committed to a tragedy like Terra's death then I wouldn't mind. if it were 100% committed to a story of redemption like Shoto reaching out to Toya then I wouldn't mind. My issue arises from the fact they want to have their cake and eat it too.

They want to give this tragic end to Azula, and use it to illustrate how Zuko has grown as a character. However, you can't have both.

If Zuko's growth is about learning that his father's love based on achievement and 2) learning he needed to get lost in life in order to find himself then why doesn't any of Zuko's actions demonstrate this lesson Zuko has learned about love, and about how you can be your own person outside what your father expects from you.

If Zuko has grown as a character he should be able to show those actions. He does show his new understanding of love and friendship to Team Avatar, but as I said that's easy mode. That's Shoto's attempts to save Iida, it's a step in the right direction. It's also not really Zuko demonstrating a selfless love, because he's also at the same time trying to earn their trust and earn his way into the group.

It's also not Zuko breaking the cycle of abuse in their family in any way. Shoto is trying to break free from his role of his father's masterpiece, and at the same time helping Dabi break free from his view that he's the failure.

It's also such a natural ending for Zuko's arc, to take the lessons he learned from Iroh and give them to his sister who needs them so they can both break away from their father's parenting. As I said Zuko does solve the internal conflict within himself, but he doesn't really demonstrate that by helping someone else find their balance.

If you wanted the tragic end, then it would have to be about Zuko's failure to reach out to his sister, because he hasn't learned how to reach out to her. Or because he tries and is unable to. The writers don't seem to understand that though, they think the tragedy is about Azula bringing it all on herself, and not the inherent tragedy of a fourteen year old girl being unable to be saved.

The set up is right there too, because number one avatar is about balance. So, wouldn't the true ending be finding balance between the siblings, not having Zuko rise and Azula fall. Number two, Azula being alone and friendless because of her own actions is again a parallel to where Zuko was in early season 2 at his lowest point. Except Zuko can be the better person in this situation by reaching out to her.

Zuko doesn't break the golden child / scapegoat dynamic, he just flips it so now he's the success and Azula is the failure.

While Azula's fall comes from cruelty and rejection from friends and allies it is Zuko's humility and kindness and friendship that ultimately wins the day. Him sacrifcing herself for Katara and her bringing Azula down and then her healing him. Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone. "

As I've stated above, I'm not saying Azula didn't deserve to take a fall. Her fall is actually set up from the first moment she met Ty lee. However, there's no set up for her fall being permanent.

Azula's given way more humanizing moments than characters like Terra or even Dabi. Which is why Azula being in an insane asylum for the rest of her life doesn't fit as an ending at all.

Azula is one link in the chain of abuse. Her father only gives out affection in regards to her usefulness. No matter what Azula is an asset first and a daughter second. Azula then repeats the cycle and treats her friends the same way. She has been shown through an improper model of parenting of using fear to dominate others with power and control and she replicates that in her other relationships.

Therefore, Ty lee and Mai leaving her is not only deserved, it's the perfect opportunity to pull the rug underneath Azula and to show her that her understanding of how relationships work is completely wrong.

This also mirrors Zuko's arc, because part of Zuko's arc is realizing just how wrong Ozai is for making both children earn his love, and that he doesn't need to measure his self-worth based upon his father's approval. He also learns about healthy expressions of trust and friendship from the gang.

Azula loses in part due to her own inability to form healthy relationships is losing people rapid fire, her brother leaves and joins the enemy side, Mai and Ty Lee betray her in favor of her brother, then her father in one action of leaving Azula behind and throws the title of Firelord to her after it's become completely meaningless reminds her of her place. Azula learns in about five episodes what Zuko had in 3.5 seasons to process that her father's love was always conditional and no matter what she did she would never truly "earn it."

People leaving Azula isn't exactly the problem, the problem is that Azula ends up alone permanently without being given the same chance that Zuko is. Terra, and Toya both get opportunities to turn back. They both refuse the hand that's reaching out to him. Mai and Ty Lee leaving is caused by Azula's own choices, but her ultimate end isn't. She's not even given the chance to turn away being saved like Terra and Toya do because Zuko doesn't even bother to try saving her. Her ending is not entirely brought about by her own choices, because the writers need her to take a fall to uplift Zuko.

Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone.

I think once again it comes from the author's misunderstanding things because they don't want to look at the story from Azula's perspective, only Zuko's.

Stay at Home almost had it when he said the tragedy of Zuko and Azula was there to show how two different parenting styles affected these children.

The tragedy is that Zuko and Azula started in the same place, but Zuko had persistent guidance and someone who modeled for him a healthy kind of love. The difference is that Azula has never experienced any kind of healthy love or support on the level Zuko has, so she models all her relationships on the way her father treats her. It's not that Azula is offered some chance for change and rejects it, it's that Azula isn't even aware of the fact that there's another way because no one is there to show it to her.

Which is why I said once again, Zuko being the first one to show Azula the lessons he himself was shown by Iroh is such a natural place for his character to end.

Azula also even while completely alone and with no idea what healthy love is, knows that there is something wrong with her and is troubled by that fact in a way Dabi and Terra aren't.

Azula: I can sit here and complain about how our mom liked Zuko more than me. But I don't really care. My own mother... thoguht I was a monster... She was right of course, but it still hurt.

Then there's the famous mirror scene:

Ursa: I didn't want to miss my own daughter's coronation. Azula:Don't pretend to act proud. I know what you really think of me. You think I'm a monster. Ursa: think you're confused. All your life you used fear to control people, like your friends Mai and Ty Lee. Azula: Well what choice do I have?! Trust is for fools. Fear is the only reliable way. Even you fear me. Ursa: No. I love you, Azula. I do.

Both of these scenes indicate that Azula thinks of herself as a monster and is deeply uncomfortable with the idea. Considering Ursa is a voice in Azula's head and not a ghost, it also shows on some level Azula knew what she did to Mai and Ty Lee was wrong and feels conflicted over it.

Once again she's much more in conflict with herself than Toya and Terror ever are, and who's someone who's constantly warring with himself? Who's someone who could help resolve her inner conflict... Zuko (too bad the way the show's written he never does).

Azula doesn't choose to self-destruct the way that Terra and Toya did. Azula's ending isn't brought about by her choice not to change, because she's never given the chance to change in the first place. Her tragic ending would make sense if it was entirely of her own choices, but Azula doesn't retain her agency in the end it's literally taken away from her. She loses control of her mind, and her ending is being chained to a grate screaming and then thrown into an asylum.

I'm not arguing against Azula's ending because she's my favorite character and I don't want bad things to happen to her. It's because her tragedy isn't about her it's about Zuko, and her ending actively takes agency away from her where at least Toya and Terra both retain their agency up until the end. It's not good writing because the tragedy doesn't fit in with the rest of the story which is about balance and healing - and it's also ableist as hell.

THE UGLY

Azula's ending is unfitting to the tone of the story she's in, makes her and Zuko's arcs feel incomplete, and also is ableist as hell.

Here's yet more evidence that Azula's tragic ending is poorly thought out. Azula's mental breakdown doesn't exist in service of her character, but Zuko's.

Azula's issues pop up out of nowhere after episode 15, and take place over the last 6 episode of the series. The idea of Azula having a mental breakdown isn't necessarily a bad concept, but it's executed poorly.

The first way it's executed poorly is just how rushed it is. There's basically no hints of any mental instability beforehand. Of course people can have mental breakdowns spontaenously like that in real life, but this is a story and stories require foreshadowing. Azula spontaneously developing mental issues doesn't feel like it's planned as a part of an arc. First off, because the writers don't seem too sure about what Azula's symptoms even are. Hallucination, paranoia, manic laughter, but apparently she's still able to bend lightning just fine. Secondly, the writer's intentions for giving Azula a mental breakdown are pretty transparent.

The writer's room needed to come up with a believable reason why Zuko would suddenly be able to fight on equal terms with Azula, so boom sudden mental illness. The intent was not to create a sympathetic portrayal of a young girl struggling with both paranoia and delusions. The intent was to nerf Azula because they couldn't think of any other way this plot could end, other than Zuko and Azula fighting in a denny's parkinglot.

As I said they use mental illness as a plot device to take Azula's agency and choices away from her. It's not done with the intention of humanizing her, and in fact except for one small scene with her talking to her mother in the mirror it's a pretty negative and unsympathetic portrayal of mental illness. Not because the writers hate mentally ill people, but because they needed Azula to have a mental breakdown in order for a plot point to happen. Which is why they didn't think of the potential implciations of such a writing choice at all.

Now, people are going to argue about me so I'll use one final example. Azula's ending may be controversial but it's universally agreed upon that the Game of Thrones Ending was bad, right?

Game of Thrones uses mental illness as the exact same plot device, to explain why Daenerys Targaryen turns from a hero to villain in the last few episodes with absolutely no foreshadowing. In fact, the all of the show director's interviews about that choice are just blatantly ableist.

Rant from @hamliet

This quote is (likely unintentionally) gaslighting, ableist, terrible logically, and downright offensive.

First, ableism: why, why, why are we conflating madness with evil? She was driven to madness so she killed a bunch of people and had to be put down? And you think this is a great message in the year of our Lord 2019? [...] Additionally, while good writing is to an extent subjective, there are general consensuses on what make good writing--and Game of Thrones hit all the general consensuses for bad writing, from bad pacing to confusing character assassination. Critics are like, pretty united on this front. No one thought Dany’s turn made sense, even the ones who expect Mad Queen in the books. Maybe if people love a character who is meant to be evil you're not writing them correctly... or maybe they aren't meant to be evil.

Daenerys and Azula are incredibly similiar characters. They're both dragon themed, alligned with the element of fire, they're both colonizers they both represent the warrior princess archetype.

I'd say Daenerys is more of a tragic heroine though, because while Danerys is essentially doing the same thing as Azula, waging war in a foreign land and a culture that's not hers, for the purpose of then bringing back soldiers to her home continent so she can wage war again - while she is definitely a war mongerer she has good intentions. Daenerys for all of her faults, genuinely wants to break the chains and help out people.

I think Azula definitely sees herself as the hero for winning the war for the fire nation's sake, but she's completely uncritical of her own culture and she doesn't really have the good intentions that Dany has. She does it more out of a sense of duty, and her belief of divine right, not because she wants to break people free.

Daenerys's problem is that she doesn't understand the culture she's invading and the complicated world she lives in and despite all good intentions, is as I described above, invading a foreign power so she can go back and wage a war to reclaim the throne. Even if Daenerys would then proceed to go on to be the bestest queen ever that wouldn't change the fact her methods to get to the throne were incredibly violent, and she's sort of failing to break free from the cycle that led the Targeryen rule to fail in the first place.

Azula's problem is she sees herself as the hero and is therefore uncritical of fire nation values. She doesn't have any nobler intentions either other than service to her country, she just like Zuko is just trying to fulfill her duties as daughter and believe her birthright puts her above others. (I mean Dany does too but digressing).

Azula's more of a tragic villain who plays the antagonist role in the story, Danerys is one of the three heroes. However, she's more of a tragic villain in the sense that she's first season zuko pre character development just way more competent.

However, while Daenerys is a much more heroic character than Azula, here's the thing. I still think she's going to die. She is foreshadowed pretty heavily to die, and fail for her quest for the throne, because her entire story is a deconstruction of the warrior princess and the liberator archetype.

However, the story that GRRM is building throughout his books with Dany as an incredibly flawed heroine is different from what we got in the show, which was Daenerys going crazy and starting to murder people. That's because Daenerys turn to darkness wasn't about her character at all, it was just making her into a plot device to move their bad idea for a plot forward. That's why the turn is so unnatural and makes little sense with her character, that's why it's so rushed.

That's also why it's ableist, because it's using mental illness as a plot device to make a character unsympathetic and monstrous and give the other characters a reason to put them down.

The same for Azula, outside of one scene where he's talking to her mother, Azula's mental illness manifests in her screaming, maniacally laughing, looking like the joker did her makeup, and her instability also makes her violent and dangerous to be around. (Ignoring the fact that most people who experience delusions in real life are harmless, and more likely to be the victims of violence).

Her sudden mental illness isn't even used to make her more sympathetic in say Zuko's eyes and make him realize she's a victim, no it's just there to nerf her so she can be violently put down. The way she's drawn, the way she acts, it's to paint her as monstrous as possible. Her last action is like sobbing and screaming while being drawn as ugly as possible. She's not even given a small hope for recovery, because it just ends there. That's a pretty great message to send people that experience delusions, not only will you not recover or be shown sympathy, you'll also get sent to a mental asylum for the rest of your life. The choice for both Azula and Dany is not to portray any kind of mental illness in a respectful way, but to make a plot point happen.

As I said I expect Dany to die in the books, but there's a difference between dying as a tragic hero succumbing to your flaws but still having your good intentions acknowledged and just turning into a villain for no reason and being put down like a rabid dog.

(This is a quote I stole from a Shigaraki post but): "Why does she need to be put down in the first place, she has trauma, not rabies."

The problem isn't bad thing happened to my favorite character, the problem with the ending is it doesn't take Dany's setup into consideration.

Stealing from @hamliet again:

The thing about tragedies is that you have to manage expectations and clearly show that your tragic hero is doomed from the very early on–ie you have to show them making steadily worse and worse decisions (see: Eren Jaeger in SnK), if not directly tell your audience at the very beginning that this is a tragic story (ie see Greek choruses and Shakespeare, the prequels from Star Wars because everyone knows Anakin is Vader–plus I’d argue Anakin’s arc only works because we know he comes back to the light in the end. Audiences don’t like reversing on set up/undoing structure. To make Dany a tragic villain is to go against the structure of her arc in both show and book. That’s why people don’t like it, even if the books makes it seem more believable.

Kate then goes onto describe a character that's much more comparable to Azula's. Honestly Arianne is closer to Azula than Daenerys is.

You know who is set up as a tragic heroine destined to descend and die because of her flaws in the books, whose arc has almost certainly been combined with Dany’s in some sense in the show? Arianne Martell. (and another character known as f!Aegon) In the books, Arianne is incredibly ambitious, and especially resents her brother and his quest for power. Like Margaery (another tragic character), Arianne seeks power and is intelligent and manipulative in her quest for it. But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising. Arianne, as her chapters hint, is going to almost certainly marry f!Aegon, playing with fire, and die burning for it. Arianne’s grasping for her own power is never portrayed as cruel or stupid like the main human villain (Cersei); on the contrary, we empathize with a girl who truly cares about her people, but resents her father’s preferential treatment towards her brother. That’s the difference between Arianne and Cersei: Arianne cares. She is not cruel. But her pride is still going to get her killed.

There's a lot of game of throne females you could compare Azula to because GOT is full of queens, but like. Azula may be a tragic villain firmly on the side of the antagonists but she's not Cerseie. She's not queen, she doesn't wield the power that Cersei wields. In fact one of Azula's downfalls is finding out she doesn't have as much power as she thought she had, and ultimately was just a tool of her fathers.

She's not Rhaenyra or Alicent, because yes she may be grabbing for power but her character isn't affected by misogyny. Because once again, the writers simply didn't think about misogyny except for a really surface level "girls can be just as strong as boys" way so we really have no idea how women are seen in the fire nation. The show doesn't really explore if being a woman makes things harder, or makes people treat her differently than Zuko because the writers just didn't consider Azula's perspcetive on that matter.

Azula is alike to Danaerys in several ways, but as I said I think her ultimate end comes from Azula understimating her own importance in her father's eyes, and quickly realizing when her father is her only family left she never had his love or loyalty in the first place.

But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising.

Azula's most famous quote is about how Long Feng isn't even a player, only to find out her father considered her a pawn from the beginning and be broken by the revelation.

The difference being of course that Avatar is not Game of Thrones and it won't even kill the evil fascist dictator so it doesn't make a lot of sense to hand Azula the ending that Arianne got. They have the same fatal flaw.

Anyway, I made this big post but I can explain why Azula's tragic ending down't work in one sentence.

AVATAR THE LAST AIRBENDER IS NOT A TRAGEDY.

Maybe the reason Azula should get redeemed is because THE SHOW IS ABOUT F&%CKING REDEMPTION.

#bnha meta #mha meta #atla meta #azula meta #azula #princess azula #dabi #toya todoroki #shoto todoroki #azula redemption

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yawnderu · 1 year ago

Text

Together — Simon "Ghost" Riley x Reader

"In another life, I'd have the privilege of meeting you under different circumstances." His words were comforting as the cold started taking over your bodies, his gloved hand holding yours.

"In every single life, I'll be looking for you, Simon." His name was never sweeter than when it came out of your mouth. Simon was cursed, Simon lived a never-endind nightmare both as a civilian and as a soldier, but right now? Simon was the luckiest man alive, holding his loved one's hand as life began to slip away from them.

"I'll always look for you, love." His voice was weak, yet oddly calm for someone in his situation. They were separated from their group and badly wounded, yet as he began to accept this was their end, realization hit him. For once in his life, he felt deserving of something. All those thoughts about not even deserving to survive after his family was murdered seemed to be pushed to the back of his head. You didn't deserve this. Simon didn't deserve this, and there's no way in hell Ghost is going to give up. He's a fighter, for fuck's sake.

"Stray?" His gaze drifts down to her, taking in the way she's looking at him, the way she's looking at him like he's worth something, like he deserves the world, yet Simon doesn't want whatever the world has to offer.

"Hm?" Came your soft hum, throat sore from screaming into the comms after the mission failed and you were separated from Price and Gaz. It hurt, yet you didn't know what exactly it was. It was a stinging feeling all over that gave you shaky hands. It made you want to throw up, to claw on your skin until you could find what exactly was wrong, and to rip it out of your body once and for all. To be able to feel your body again, to be able to open your eyes without flinching at the harsh light, to be able to hear your own thoughts.

"I just want you to hold me." Ghost replied softly, groaning as he used all the strength he had left to help you up by the waist, making sure you could get on your feet before he leaned on the wall for support, soft groans and pained growls leaving his lips as he limped alongside you. "Don't let go."

Despite all the pain he's suffered, all his struggles and trauma, this moment feels different— it's like a release, a way to soothe the chaos his broken mind faces daily. He'd rather die fighting alongside you than fight alone. Within you, you're holding him together. You hold his heart, his pain and struggles, his mind, his soul.

"What has two legs and bleeds?" He asked out of nowhere, deep voice strained by his pain as he walked alongside you, holding you close. You were about to protest before you remember why he's doing that— he's trying to keep you awake, and he's trying to ease the tension and fear by joking around. Though this is commonly done by SAS soldiers, it's comical to see The Ghost doing it too, so you decide to entertain him.

"What?" You ask softly, a small grin on your face as you prepare for the shitty joke.

"Half a dog." He answers swiftly. Though you can't see his face due to the balaclava, you can see the slight shift on the mouth part of his mask, his eyes twinkling as they narrow slightly. He's clearly fighting off a grin, yet the dumb joke makes you laugh. You don't know if it's the blood loss making you delirious, or if the joke is actually that funny. Probably the blood loss.

"That was awful." You say, yet you're still giggling about the stupid joke. You both manage to make it out of the building, looking around at all the destruction caused by the enemy. No hostiles appeared to be near, luckily.

"Ghost, Stray, do you copy?" The comms break you both out of your daze as you stare at each other, immediately fumbling for the radio.

"Yes, sir." Ghost replies to Price, his deep voice now more professional as he requested medevac. For once in his life, Ghost felt human. Almost dying, yet more alive than ever. Maybe all his torture was finally worth it in the end, maybe for once in his life, he'd be able to have something nice. Something to call his. His hand reaches down to gently hold yours, squeezing it softly. I love you.

#simon riley #simon ghost riley #simon riley x reader #simon riley x you #ghost #cod mwii #cod mw2 #ghost mw2 #ghost mwii #ghost call of duty #ghost cod #ghost x reader #simon riley x y/n

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carlsangel · 7 months ago

Text

SWEET

carl grimes x reader

(you and carl find a polaroid camera.)

tags: fluff!!!

masterlist here!

Back at the prison, you and Carl had limited entertainment around. Michonne had found the two of you comics occasionally but you two had gone through an odd phase where you focused on surviving when you had a perfectly safe home. You’d spent more time cleaning your guns and sharpening your knives when you should’ve been reading or playing with legos.

You wish you didn’t have to grow up so fast, you missed being able to not have a care in the world. That’s what you were happy to have Carl, he made you feel better about everything. Even when everyone got sick, you had him and he made you feel better always. He joked around a lot just to make you feel better.

When the prison fell, you guys thankfully ended up with each other. It was traumatic for sure, seeing him fight with his dad like that and just seeing Rick in that state in general. It wasn’t the easiest but you had a chance to feel okay when the two of you were alone. You guys left Rick in the house to go out and scavenge. You encountered some walkers but together you were able to handle it.

Upon searching some houses you ended up finding different books and random puzzle toys to mess with. Your favorite thing you found was a polaroid camera. You took it with you when Carl decided he wanted to eat pudding on the roof. You settled in next to him as he shoved pudding into his mouth. You rotate the camera in your hands, sort of just examining it before you notice the little number on the back. A small one.

“Damn there’s just one left.” You frown, showing Carl the back of the camera. He swallows the pudding and looks at you. “Guess that means we gotta make it count right?” He grins. You nod and agree, Carl set the can of pudding beside him and you scooted closer to him to take the picture. You did something simple, just smiling. You were excited to have something to look at. You snap the picture and let it print from the camera. You hold it face down as you chat with Carl some more and share pudding.

You later look at the developed photo and it was so sweet. It was basically perfect, you can’t remember the last time you’d seen yourself in a photo, you were happy it was with Carl. He’d loved the photo too. He loved you.

“Can I have it?” He asks with a pleading smile. “But I want it.” You counter, holding it to your chest as if you were hiding it away from him. He laughs as you guard the polaroid with your life. The both of you made an agreement that you would rotate days holding the photo as dumb as it sounds.

He could carry it for a day and the next morning he would give it to you. That lasted a couple of days and you kept the camera in case you had found more film. That was until of course, Terminus. There you lost everything, everything but the photo. Carl had the photo that day, you were scared you wouldn’t receive it from him the next.

But like always, you made it out. You felt like you lost hope, there was nothing really to smile about anymore after Terminus and after learning Eugene had lied. All you had was Carl and the polaroid. Up until Alexandria, you felt completely numb. Even first getting to Alexandria you weren’t sure how to react to it, it didn’t even seem real.

The second day you arrived you and Carl searched the house next door. You marveled over how large the houses were, Carol commented about how it was odd they’re just giving them away. Carol left you and Carl alone in the house and you admired the house. The both of you heard a thump from upstairs and were immediately heeded before grabbing your knives from your belts.

You head up the stairs and Carl goes first, hesitating to open the door. He bursts through it dramatically which you sort of giggle at and you follow him inside. The place is scattered around with random shit; paper, books, pillows, music.

“I wonder where this all came from.” Your eyes linger around the room, looking for anything to take for yourself. You didn’t care much about the people in Alexandria. Not yet. “I saw some kids. They probably hang out here.” Carl explains, picking up a comic. You look around the room some more and your eyes land on something you’ve been looking for since the prison fell.

“No way.” A grin forms on your face and you walk over to the corner of the room where a Polaroid camera sits on top of a small table. Carl turns to see what you’re excited about and his eyes light up immediately. It seemed as though the simple little machine gave you the spark you’d been missing for weeks. It made you consider the other teens a little more than you had before. You look at the back of the camera to see there’s six left.

Before you can even think about what to do with it, you hear a voice from downstairs asking you and Carl to head back to the house. You take it with and keep it in the room you two were given.

The rest of the day was long, you had talked to way more people then you would’ve liked. Carl seemed so happy about it, he was ready to talk to anyone. He made you feel more comfortable though, you couldn’t have gotten through the day without him.

He did most of the talking. While he talked you couldn’t help but admire his features, it was the only thing you could do at the time. His pretty eyes and his cute nose, the way his hair is cut and his pretty smile. His perfect lips- holy shit you couldn’t get enough. (IM GEEKING SO HARD WRITING THIS SHIT SOMEONE SEND HELP)

You couldn’t wait to get home.

When you did you still couldn’t be alone with him, you had to have dinner and then debrief with everyone about how your days went. You finally got the chance to go up to your room and as you both entered, you closed the door behind you.

It seemed like he was on the same track because he pulled you into him straight after you shut the door. His lips captured yours in a harsh kiss, his fingers gently gripping your waist. You pull from it to place more kisses around his face, his nose his cheeks, everywhere you’d admired earlier. His face immediately heats up and he smiles sweetly.

After kissing all around his face excitedly you pull away and catch your breath, he looks at you amused. “Did you get it outta your system?” He giggles, kicking his shoes off so he can lay down on one of the beds. You nod, doing the same to lay on the other. “Yeah I feel better.” He pats the bed beside him and pulls out the comic he’d found earlier. You walk over and sit next to him and begin to read. You yawn, kinda bored since the comic didn’t really tickle your fancy but you get an idea that might pay off nicely for you.

You lean to the nightstand and grab the camera which Carl payed no mind to. You point it at him and he sort of side eyes you right as you snap the photo. He looks at you weirdly with a smile and nudges you away. “Stop.” He says lightheartedly, sort of laughing. You pull the printed film and set it on your lap. “No you’re cute.” You respond, snapping another picture of him while he’s caught off guard, not even looking at you but at the comic. “Noooo.” He shoves his hand in front of the camera and grabs it tightly. “Hey-” He pulls it away from you and sets it on the floor on his side of the bed.

“You’re no fun.” You joke, gathering the two photos you were able to take. You wait for them to develop and when they do, you cannot contain your laughter.

The first photo he was side eyeing the camera, looking super confused and slightly irritated. The second was just adorable, he was in the middle of licking his lips so his tongue was just sticking out slightly as he looked at the comic he was reading. Carl looked over at the photos. “These are terrible.” He takes them from your hands and examines them. “Noooo you’re so adorable. Look how pissed you look in this one.” You laugh. He rolls his eyes and places them aside with his comic.

“Whatever.” He sighs and pulls you into him, nuzzling his face into your neck. He closes his eyes and yawns, placing a small kiss on your neck. You melt under his touch, delicately running your fingers through his hair.

“I’m keeping those.”

“You’re not.”

a/n: i yapped so much this one SORRY GUYS :> okay i added some stuff im ok with writing in my rules soooo go check that out!!!! also my masterlist was broken so that’s fixed now too :)) andddd i have an inspo pic from an episode of like what the second photo would sort of look like YOU KNOW i just mean like his tongue sticking out i’ll link it here :p

#carl grimes #the walking dead #twd #carl grimes twd #carl grimes fanfiction #carl grimes fluff #carl grimes x fem!reader #carl grimes x reader #carl grimes x y/n #carl grimes the walking dead #the walking dead carl #twd comics #carl grimes angst #twd carl #twd fanfiction #fanfic #rinas writing 🌀

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midnightstar-90 · 4 months ago

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Dog Confessions

Garfield Logan x Reader

Taglist | Request | Wattpad Main Masterlist | DC Comics Masterlist

Summary: The Titans return home from a mission to find Gar and Y/N asleep on the couch. And Gar is a dog?

Warnings: Fluff, Gar as a literal dog 🥰💖 A/N: Long time no see. Yeah, I know! But here I am giving you this in return. Words: 1.4K

The Titans arrived home from their mission, only to be welcomed to silence. Kory, Rachel, Connor, and Dick each sent each other a look before Dick called out to the two members they'd left behind. When there wasn't an answer, the four instantly began to panic. That was until something green and lumpy poked out of a cover on the couch.

Dick motioned for Kory, Connor, and Rachel to stay back so that he could investigate, and the three hesitantly stayed where they were. As Dick approached the living room area, more features became more noticeable. The lump on the couch seemed way too big to be just Gar or Y/N. But when he saw a sliver of a hairy tail against a human leg, Dick instantly knew what was going on.

Dick moved closer to the other side of the couch and took a look at the other end of the cover. A small smile appeared on Dick's face as he gazed upon a sleeping Y/N who was cuddled up with a green labrador, which Dick assumed to be Gar, also sleeping.

"Dick, what is it?" Kory asked, speaking for herself, along with Connor and Rachel. She and the two teenagers behind her were genuinely confused about the situation and were unsure of how to handle the situation.

Dick didn't say a word. Instead, he shushed the magenta-haired woman and pointed down at the couch before walking over to the group.

"Y/N and Gar are asleep and I don't want to wake them," Dick said.

Everyone's mouths dropped in shock as they all took a quick glance over to the lumpy figure on the couch. Kory turned to Dick, "They're sleep? On the couch?" Dick only nodded at the woman's question. His smile grew larger by the minute.

After taking another look at the couch, Rachel decided to jump in. "Wow?" she started, walking toward the couch for a better view. "I mean- I had my thoughts, but I didn't actually think that they'd get together."

"I didn't know he could turn into a dog," Connor said, scratching his head.

Dick and Kory sent each other a knowing smile. Rachel was right. They all thought the two were dating. There were clear signs. Between the frequent nights out, how they always share the first bite of their food with the other, and this, the group could only confirm their suspicions. Unless they deny it.

If they denied the dating rumors, then maybe they were wrong. But everyone could see the chemistry between the two.

“Alright,” Dick started as he began to usher everyone out of the room. “Let’s let them sleep.”

Kory and Connor did as they were told but Rachel decided to stay back. “One sec,” she called out, pulling out her phone. She opened the camera app and said, “I just want to document this for future purposes.”

She snapped the picture, forgetting to turn the sound off, making Gar’s ears poke up. One of his eyes slowly opened to reveal his dark brown eyes staring directly at Rachel, who was staring back with a mischievous grin.

Gar panicked and quickly morphed back into his human self. Luckily, he was under the cover, or else everyone would have seen the one downside to his powers, again.

“What’s going on?” Gar asked nervously, taking his gaze away from Rachel to look at everyone, and then back at Rachel.

“When were you gonna tell me you and Y/N were dating?” Rachel asked with a fake pout.

Gar opened his mouth to speak, but when he looked over at Dick, Kory, and Connor who were all invested with what was going on he quickly closed it.

“Don’t lie to me, Gar. You and Y/N have been all lovey dovey for a while now. Even more than Dick and Kory.”

“Hey!” Dick and Kory yelled out at the same time.

“Y/N and I aren’t together. We’re just very close. She was asleep on the couch last night, and I saw she was having a nightmare. Without thinking I somehow morphed into a dog and cuddled up next to her, hoping it would help, and it did. So, I decided to stay.”

“Does she know that you’re currently lying against her with your naked butt, because in some cases, that would be assault?” Rachel asked with an amused grin on her face.

Gar was now beet face red with embarrassment. “W-well, I clearly didn’t have the intention of morphing into a human while laying next to her. I just wanted to help her,” Gar stuttered. He stood up, taking the cover with him, to cover himself and unknowingly woke up the girl he was previously laying with.

Rachel gasped, “You like Y/N!”

It’s safe to say that Gar did not like the confrontation. His face was getting redder by the minute and his heart was beating at immense speed. He was scared to admit his feelings whether Y/N knew or not.

Gar hesitated for a moment, looking away from Rachel before looking back at her. “Okay! Yes, I like Y/N!” He blurted out, causing everyone to jump a bit before sending the boy a loving smile.

Unknowingly to everyone, Y/N was also smiling. Her eyes remained shut, but a small smile made its way onto her lips. The girl remained silent, waiting to hear more before revealing herself.

“Why don’t you tell her that,” Kory said, jumping into the conversation.

Gar looked down at his feet and shrugged. “I don’t know. Y/N is amazing. She’s an awesome fighter, she’s a talented singer, and she has the best taste in everything. I guess I just didn’t want to lose what I have with her. I honestly don’t deserve her, and if I told her how I feel, I wouldn’t be surprised if she rejected me.”

Rachel smiled and placed a hand on Gar’s naked shoulder, “Gar, you’re an amazing guy also, and I can tell you that Y/N sees that too.”

Gar’s eyes lit up like a Christmas tree. “Really?” He asked, earning a nod from Rachel. He turned to the other three and they sent him a nod also.

“Just think about it. I’m sure she won’t say no,” Rachel said, sending one last glance to Y/N before walking away with a huge smile.

Gar watched as the four of them left the room. Behind him, Y/N had finally opened her eyes and was now sitting up on the couch to face him.

“They’re right, you know?” Y/N spoke softly, making Gar jump and turn to face the girl. Her face illuminated with joy as she smiled up at him. “You are an amazing guy.”

Gar’s face scrunched up in confusion. “You heard all that?” Gar asked, pointing at the empty hallway where Rachel, Kory, Dick, and Connor all exited the room from.

Y/N nodded, “And I saw that cute little butt of yours.” She giggled as Gar tightened the cover around his body.

“I appreciate what you tried to do for me.”

The green haired boy scratched the back of his neck. “It was nothing,” he said. “I’d help any of you guys out.”

“But you morphed into a dog for me,” Y/N argued, her face beaming with pleasure.

“I don’t know how I did that,” Gar admitted with a scoff.

“Exactly.” Y/N stood from her spot on the couch. “I guess I also have some feelings I’d like to admit,” Y/N said, sheepishly.

“Oh. And what might that be?” Gar asked, nervously looking away from the girl.

Y/N stepped closer and boldly wrapped her arms around the boy’s neck. Gar turned back to face the girl, surprised by her actions. “I may or may not have been withholding my romantic feelings for you also,” she admitted.

Gar was taken aback by the girl’s confession, but it didn’t stop the large grin from appearing on his face. He went to hug her but was stopped by the cover that was covering his body from the girl’s eyes.

He cleared his throat, “Ahem! I was going to hug you, but I don’t think it would be appropriate seeing as it’s the only thing holding up the things covering up… you know what.”

Y/N looked away, a little shocked by Gar’s response before she began to laugh. She gave his chest a gentle pat and said, “Okay, how about you go get dressed and after, we can go see a movie?”

Gar nodded as Y/N released him from her hold so that he could go change. She watched as he began to leave the room, occasionally stumbling over the large cover, making the girl chuckle.

If your User is in red, I could not find you. Please feel free to contact me if you’d like to be re-added. Taglist: @geli-likes-stuff, @tractsnook, @esposadomd, @avada-kedavra-bitch-187,

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leavemebetosleep · 7 months ago

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do you have any good fluttercord fic recs?

OH BOY DO I. In no particular order (except of when I thought of them):

1: Non-Entity by Captain Wuzz: An AU in which, instead of being turned to stone, Discord was shot in the head with a magic arrow that takes away his sentience and magic for a 1,000 years. Fluttershy mistakes him for a wounded animal and brings him home. I loved it so much.

2: Chaotic Neutral by C-Puff: The magic is starting to fade from Equestria, and the Main 6 and Discord go on an adventure to find out why, and reverse it. A bit of AU, in the sense it was written before the show was done, so it diverts in some places because of that. Super sweet, and I love the character development here.

3: Time is Taller than Space is Wide by Dott. Can also be read on Ao3 if you prefer. Soulmate AU (?) fic with a Groundhog Day style twist. I rarely see fics play with the idea of what if Fluttershy and Discord's friendship had started when they first met, so this is fun.

4 & 5: Blank and it's sequel Reconnection by @geekcat. Can also be read on fanfic.net. AU in which, before Discord can choose friendship over ruling Equestria, Twilight remembers a "reformation" spell. He is stripped of his free will, and Fluttershy does her best to bring him back. If you don't like the idea of Twilight being a villain, you might not like this one, but I think her villain arc in this is done in a perfect way for her character. It's super heart wrenching in many places, but in a good way.

6: Our Fair Lady of the Chaos Lord, also by GeekCat Can also be read on fanfic.net. Fairy tale inspired AU in which Fluttershy is a princess who's father is pressuring her to marry noble knight Sir Big Mac. Wanting to be sure he's a good person, she makes a deal with the Chaos Lord, letting herself be "kidnapped" so she can test his character. You can guess who she falls for instead. Honestly I've enjoyed all of GeekCat's fics, so they're getting an extra mention. Check out the rest of their fluttercord fics if you like any of these.

7: The Draconequus with the Dragon Tattoo by A M Shark This is a major case of, strange premise, kick ass results. Basically an AU based off Girl with the Dragon Tattoo by Steig Larsson, with Discord as Lisbeth, and Fluttershy as an amalgamation of Mikael and several other characters, but focusing more on the murder mystery aspect of that book, and less on the...everything else. If you're familiar with GwtDT, don't worry, there's no rape scenes. Again, it's more about the murder mystery part. If you're not familiar with GwtDT, then don't worry again, because you don't need to know the original to enjoy it. It's just Discord and Fluttershy playing detective and solving a murder together. It has two sequels, but I haven't read them yet, and it didn't feel right to rec something I haven't read.

8: The Corpse Bride by Bad Horse. Dark fic. No relation to the Burton movie. Fluttershy dies in a tragic accident, and Discord brings her back from the dead as his zombie wife. Her friends (sans Pinkie) are horrified. Has a fantastic twist ending. If you like some of the darker stuff, def worth a read.

Bonus: Comic rec: The Last Adventure by Eveeka. Taking place after the final defeat of Tirek, Cozy, and Chrysalis, Discord gets into a depressive funk after shouldering the hatred from Ponyville citizens for his latest actions, but also because his friends seem to never be available anymore. He starts to think maybe Equestria would be better off without him, as he can't seem to exist with out making everyone miserable, and decides to hide away in the Everfree forest. Fluttershy, worried when he doesn't show up for tea, asks her friends for help, only to discover there's a monster running lose there he and the rest of Equestria might be in danger from. This fic has two endings, so keep reading even when it seems like it's over. You've got one more ending left. This one nearly made me cry.

#fluttercord #fanfic recs

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writingoddess1125 · 1 year ago

Text

I am your Biggest Fan~ Pt. 2

WARNINGS: NON-Con, $mut, Face-Fuck, Spit as Lube, Hair Pulling, Dom!Buggy, Unprotected sex, DEAD-DOVE, Tsundare Buggy

Dirty Nasty $mut is below. Be warned ⚠️

I may have went overboard with the length- Also my first time writing $mut! Please tell me how I did and what you'd like to see next!

Buggy the Clown x GN Reader

Part 1: Biggest Fan Pt. 1

Buggy grinned as he stared down at (Y/N) keeping barely any space between the two of them as he bit up and down their neck. Listening to the mild hisses in pain and whimpers of fear- It was too sexy for him and made him want more.

"Captian!" A loud voice sounded making he growl and turn to see Cabaji. Holding his blades with some blood smeared on his face and costume.

"What do you want!?" Buggy Hissed in irritation.

"Sir, We have almost finished with the village. The Marines are sure to be informed" Ah right- this was a small village it wouldn't haven't taken long to pillage the place.

Buggy opened his mouth to speak but ended up getting a hard hit to his mouth as (Y/N) Slipped under his arms and tried to run. Buggy grabbing them by their hair with lightning fast reflexes yanking them back towards him- ignoring their cry for pain. Buggy growled at this as he glared down at (Y/N) before sighing-

"We set sail then, Get a move on!

He yelled at his first mate who nodded and dashed away to echo orders. Buggy gave a low chuckle at the performer, gripping their hair harder.

"Ill let you get that one for free since youre so damn cute Doll~ But looks like we are gonna have to rush our little act back to the Red Top~!"

He said cheerfully, her personality like a rubber ball constantly changing as he harshly flung them to the floor. Watching them trying to scramble for a quick second before he placed his boot on their back to pin them before looking around to for something to restrain them with. His eyes landing on the satin ribbons from the show. Snatching them quickly.

"Oh don't you love the irony~"

He grinned as he overpowered them with ease and tied the satin ribbons tightly around their hands and ankles.

"Let me go! YOU CANT DONT THIS YOU DIRTY PIR- MMHPH!"

They squealed as he shoved one of their lace fabrics into their mouth. Smirking at the sight and fluffing himself as a job well done. Quickly at the sound of the fire he grabbed the performer and tossed them over his shoulder, making sure to give their exposed ass a nice hard smack. Which earned him a angry squeal, before he took off.

Running out of the blood soaked bar and to the streets- It looked like what sidewalks in hell must. Blood, broken glass, fire and bodies- bodies of those who wouldn't be able to handle the long road of the show biz or audience left like animals on the street. (Y/N) screams muffled through the lace gag as they witnessed the carnage. Buggy laughing maniacally as he ran through those streets, sliding in the blood comically like this was another one of his performances. Seeing his crew rip the jewelry from the necks of people before either killing them or tightening harsh shackles to them.

Buggy skipped down the street till he reached his ship, Watching the new group of audience members being herded in like cattle to their final resting spots their seats. (Y/N) at this point sobbing as they were hauled away from the horror down to the Captian's room and tossed roughly on the large bed.

"Whoo! Just what I needed to get my Mojo back in seemed- Really got a full house this time!~"

He laughed, Taking off his hat and kicking his bloody boots off. Looking to (Y/N) and their pathetic form on his bed, shaking and with tears running down their cheeks

"Awww~ Baby No, No crying. I wanted to run that mascara a different way... tsk.. So messy"

The Captian grumbled, Grabbing his own little makeup bag and a hanky. He smiled down at them as he crawled towards them on the bed, Sitting before them making sure they were pinned with his legs as he chuckled at the sight of them under him. 'So cute'

He hummed as he wiped their tears away before opening the makeup bag.

"Now if you keep crying, I'm gonna have to keep doing your makeup all over again! And that's really gonna piss me off- So lets stop thay crying~"

Buggy said the last part darkly, (Y/N) staring up at Jim with pure terror as he smirked at the sight but nodded shakily. Sniffling through the lace gag as they tried to stop the tears from flowing.

"Good~ Very good sweetheart"

Carefully he reapplied the mascara and touched up the eyeshadow with what he owned which wasn't much. He pulled the lace gag from their lips and held their cheeks tightly with one hand and a firm grip

"Now stay still for this~"

He hummed, pulling out his favorite red and painted their lips perfectly. A wide grin playing as he saw his finished work, Placing another love bite to his newest toys neck but this time sinking deeper then before making (Y/N) cry out in pain as he broke skin. Pulling back to lick the blood from his teeth as he saw the mark.

"P-Please let me go- I don-"

He grabbed their face again (Y/N) flinching from his touch as he reached forward to fix their hair so they looked perfect.

"I-I don't want this- Please let me go- I'm begging"

Buggy almost rolled his eyes- if it wasn't for how adorable they were he would have slit their throat for how pathetic they sounded.

"Listen, Just so we are clear~ I am letting you live as MY plaything it's either this or I slit your throat and throw you overboard and I reeaalllyyy like you so I'd rather not waste such a pretty face"

He said with a smirk, watching the gears in the performers face as they realized the situation they were in. Giggling at the sight of realizing they didn't really have a choice, which was perfect. Reaching down to pull at the ankle restraints, tossing one peice of the satin ribbons to the side. However keeping the wrist one.

"Now nod if you understand-"

(Y/N) left their stomach sink- This was it... they either be this manic clowns play toy or end up like the poor villagers- in those shackles or worse.. They nodded shakily, Trying to hold back the want of breaking into sobs. Buggy clapped his hand happily and smiled brightly, those watercolor eyes swimming with pure joy at them understanding and in his mind agreeing- He kisses their cheek at this like a mock lovers and ran his hands down their form with a excited glee.

"You're perfect, I knew you were from the moment I laid eyes on you- So pretty and talented. And best of all you haven't even stared at my nose! I hate it when people do that, yet you never did... My name is Buggy.. Captian Buggy. I wanna hear you say it-"

He said happily, locking eyes with them again with his twisted smile. A unnatural yet beautiful smile on his lips as he stared at them.

"B-Buggy.. Captian Buggy"

They whispered back which earned another kiss to the cheek. His eyes racking their form as they sat there, one pasty on their chest, the remains of their costume with the added satin ribbons. He couldn't help but get aroused by their appearance again, chuckling darkly as he stared at them. Without saying a word he grabbed them roughly by the shoulders and pulled them off the bed, Setting them on their knees as he sat infront of.

(Y/N) Looked up at him with wide eyes, noticing the large tenting in his pants as he sat infront of her. It didn't take a genius to figure out what he wanted.. Buggy chuckled as he admired (Y/N) for a moment longer before undoing his pants- Cackling as his as his cock sprung out of his pants like a spring.

"Pop Goes the Weasal~!"

Buggy cock like the rest of him was large and unruly, the head a deep pink with a base of deep blue curls. (Y/N) looked up at Buggy again, seeing him smirking at their expression of seeing this part of him.

"Don't be shy now~"

(Y/N) nodded softly, giving a small tug on the restraints for a second of hope however there was no give so that was that- Leaning forward they parted their lips and took Buggy fully into their mouth.

Their nose brushing against the unkempt blue curls as they carefully ran their tongue over the organ. Buggy grumbling out gentle moans as he stared down at them, his pupils blown up with desire as he watched them. Laying kitten licks down his cock and coming back up to gently suck on the tip of his cock, While it felt delightful Buggy was greedy and of course- Wanted more~

Grabbing their hair harshly and smiling as he slammed them down fully on his dick, feeling them squeak and gag in shock. Setting his own pace as he roughly forced their head to bob at unnatural speeds, Moaning out roughly as he did so. His hips starting to thrust into (Y/N) mouth, enjoying the sound of the mild gagging and noises escaping (Y/N).

He looked down and saw with joy the beautiful mess he had created- (Y/N) face was red with tears, messy mascara running down their cheeks and their hair a tangled mess in his gloved hands- But it was their mouth. Oh those dirty lips wrapped around his cock staining it red with lipstick that damn near made his cum right then and there.

Yanking them off his dick he watched them struggle to catch their breath, a delicate mix of his precum laying on their tongue and mix. While (Y/N) looked up at him with those watery eyes that made him burn. In his eyes they looked like a masterpiece.

"Fuck~ I don't think I can last long with you looking like that~ Guess we gotta rush the performance Baby!~"

He cackled as he quickly pulled them up to their feet by their hair smiling at the sob that broke through them. Quickly he pushed bent them over the mattress, Smirking as he made sure to tighten the satin wrist restraints and smiled.

(Y/N) panted hard, they felt their face pressed into the plush bedding of the mattress and their eyes widened as the peices started to fall into place. Glancing back as they saw Buggy undoing his shirt fully and Tossing it to the side, As well as taking off the bandana that held his hair up. Letting it fall lose down his back with a relaxed sigh before meeting the gaze of (Y/N) again with a crooked smile.

Like the survival instincts kicked back in they scrambled against the bed trying to squirm away and kicked their legs wildly. Buggy cackled and presses his lower half against their ass essentially pinning them- Using his legs to trap their own against the wooden bed frame.

"N-NO! Wait-t!"

They sobbed out but Buggy was quick in grabbing their hair again and yanking their head back.

"Now Now Now let's not make a fuss!~ I do think we've already crossed the line of no return"

He said with a laugh, using his free hand to grab their ass and pulled to give himself a nice view an access. Forgetting he hadn't removed the thong from them yet- however no matter!~ he used his thumb to move the fabric aside and grinned, 'So smart!' Ignoring the squirming from the performer begging and trying to escape he spit at the open hole before him with a grin before positioning himself.

"Good enough~"

Purring as he started to inch his way in. (Y/N) choked back a cry as they left him inch his way in, He was too large- Unfairly so! It felt like they were being split in half. That toe curling pain that borders on pleasure shot through their body as air seemed to evade their lungs.

"That's it... Fuck"

Buggy growled out from above them, Grunting as he slammed the last of himself into them having grown inpatient to wait anymore. His hands left their hair, instead positioning themselves on their hips, feeling the dig of his gloved hands into the soft bruised flesh. With barely any time to fully adjust he started to move-

A deep growl rumbled through his chest as he started to speed up the time of his thrust, (Y/N) felt hot like liquid fire was being drawed from their core from the forced pleasure pulling our rugged breathless moans as if they had been made for that sole purpose. A broken chores of moans and groans leaving their bruised lips at Buggys ruthless pace, Buggy moaned out loudly as he felt them tightening around him his hips starting to shudder.

(Y/N) babbling out incoherent moans and whimpers at the harshness of the thrust and the feeling of a orgasm so close to breaking through them.

"F-Fuck Fuck!"

He roared out, Slamming himself harder into them with a thundering speed. Pressing his chest against their back as he panted in their ear, his blue locks edged with sweat sticking to his forehead and fanning around (Y/N) as they screamed out moans- fresh tears running down their cheeks staining the mattress below as a forced orgasm ripped through their form- their body quaking from the force of the orgasm that shot through their body- Buggy grunting loudly as he slammed himself into them fully and came.

Buggy panted hard afterwards, Releasing their bruised hip and pushing how blue locks from his face. A series of panted curses leaving his lips as he pulled out of (Y/N) marveling at the damage he had done. Seeing them limp and barely functioning he scooped them up and placed them fully on the bed, Spreading their ass again to marvel at his claim.

(Y/N) laid there panting, The ache between their legs making it impossible to get comforble especially with Buggy's rough fingers rubbing against their abused hole. The world started to fade to black from the exhaustion from the day but Buggy's voice echoed around them with his twisted chuckle.

"I can't wait for tomorrow's show (Y/N)~"

Tag List-

@honey-eyed-munson

#buggy the clown x reader #buggy x reader #captain buggy #x reader #one peice x reader #one peice live action #one peice #buggy one piece #gn reader #dead dove fic

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moonydustx · 8 months ago

Note

So I have this thing...

I need more Law x Reader fics pleeeaassee (；ＴДＴ)

Anyway...

May I ask a reader (up to you what gender) reacting to law proposing to her? Which I doubt canon law would even do but I guess since it's fanfiction, who cares if it's Canon, right???

OMG, this is incredible, hold my hand and I'm with you on this, thank you so much for the request. In my HCs on the Law (I will still post them) I think if it was important for him to do it without even blinking. Surely it would be something more discreet, a small ceremony between just two? I don't know, I might be rambling too much.

Apologies because I didn't have much time to review and maybe I got carried away writing it. I hope you enjoy!

Important: italics are for flashbacks and character readings aloud.

The proposal - favorite moment (part 01)

Part 02 - Part 03

Law counted the minutes until night arrived, it was one of his favorite moments. That was when you would sneak around the submarine and end up knocking on the door on it. In most of these situations, you didn't get out anytime soon. He's not much of a follower on the calendar, celebrating each month together - and come to think of it, everything happened so naturally that it was decided on which day it started to be difficult for you to be a boyfriend.

Like so many other nights, you found yourself doing what was one of the only things Law could name as a hobby. You were nestled between his legs, your body resting on his chest as you attentively read another book. He found himself leaning against the wall, one of his hands resting on his body while with the other he tried to leaf through one of the new editions of Sora comics that he had picked up on the last island he visited.

He had already lost count of how many times the two of you had wasted hours tangled up in his bed reading and something else he was used to hearing you sniffle at something, like you were doing this time. His eyes looked away from the painting and went straight to where you were reading, just out of curiosity. The other times you were sniffling, he had found you reading about some character who died, some reunion, some couple who got together. This time, from what he could see, it was a marriage proposal.

He already knew it was an important topic for you. He also knew that if he had to choose to spend his entire life with someone, it would be you. Law had thought about the hypothesis a few times and when reading the small excerpt from the book, he let himself think about the idea.

"Wow." your feet were planted in front of an immense showcase. Dresses were stacked side by side in various sizes and textures, some with huge trains and others full of silk.

"Don't tell me you're one of those marriage freaks." Ikkaku planted himself next to you, next to Bepo.

"They are beautiful." the bear confirmed, touching the glass.

"Not freak…" you tried to find the words, you really didn't want to sound like a crazy person. "I mean, marriages are two people coming out in love to the world, to the government, to whatever god they may believe in or to no god at all, as if nothing could intervene or separate them."

"Okay, insane then." Shachi appeared behind you, mumbling.

"Actually, that's a nice way of thinking." Ikkaku replied to him, watching you just shrug. "And I won't deny it, they are beautiful dresses."

"Time to go." The captain's voice echoed closer than you imagined, as if he had been there the whole time listening.

Seeing the crew members move forward, agreeing to the captain's request, Law took a few seconds to evaluate the display that had distracted everyone. He could just be daydreaming, but one day you would look incredible wearing a dress like that along with the new name you would carry. Ms. Trafalgar.

From that day on, the idea of proposing to you never left his mind, Law just needed to find the perfect opportunity and it appeared before his eyes.

"Okay…" your choked voice took him out of his reverie. "That's enough tears for today and I'm getting sleepy." you closed the book, turning towards him and snuggling even closer against Law's body.

"Do you mind if I keep reading some more?" he asked and you just mumbled no. His hand got tangled in your strands of hair and it didn't take long for unconsciousness to take you away.

Law gave himself a week to put the plan into practice. The small room at Polar Tang was tidier than usual however you could notice Law more tense than usual behind his back.

"Everything is fine?" you asked, quickly turning to face him. Law seemed distracted from the book in his hands.

"Everything amazing." his lips quickly touched the top of your head. It was now. All the other battles he had faced had not even come close to the anxiety he felt at that moment. "That book you were reading last week?"

"Ah, it's this one. I'm almost done. It's a period romance, princess, knight and all the little things that involves." you laughed, knowing that from your description he would hate the book. "There's no point trying to convince me to read Sora, this one is much cooler."

"So cool you were crying the last time you read it." he said in a teasing tone.

In a casually planned way, even if it went unnoticed in your eyes, he placed the comic he was reading on the bed.

"It's because he was so sweet to her, made an amazing statement."

"Really? Let me see." He moved even closer to your back, looking for space on your shoulder to follow the written words and find the perfect cue.

"Here. Can I read it?"

"Please." he asked, feeling his hands sweat cold.

"Of all the countries I've visited, I don't think I've ever found a home except in you. You've been my home, my safe haven." You started reading, already feeling yourself melting with those words. At the same time, Law took out a small box hidden behind one of the pillows. "So let me be the sword that protects you, the heart that loves you infinitely. I thought happiness would only find me in the next life until I found myself lost in you. What do you mean by that, my love? So, the The knight fell to his knees, the wounds of the battle he faced seemed not to bother him, not when Annya's eyes rested on him. Annya then heard the four words that carried a lifetime of promises…"

"Would you marry me?" Law's voice echoed alongside yours.

Before you could ask what he thought, a small black box appeared in your field of vision. Inside it, a golden ring with a small heart symbol glittered. The book fell from your hands, finding your lap, as you turned to your boyfriend.

"Law?" at that moment, your voice was not the most reliable. As shaky as she was, your vision was blurred by what you suspected were tears. Your hands covered your lips, still not believing what you were seeing.

"Maybe my sword heals you more than defends you, but that doesn't mean I'll let anyone hurt you in this world. You're my home, my safe haven and I can't wait for you to be my wife. I'd even kneel, but It's a little complicated." he smiled, seeing you still paralyzed on top of him. "So, would you marry me?"

"Yes." the first time came out as a whisper. "Yes Yes Yes!" with each new time the word left your lips, you allowed euphoria to take over your body.

Law took your hand, placing a small kiss before putting on the ring and repeating the gesture, as soon as the jewel was in the place where it belonged. His hands pulled you so your legs were around his waist.

"That's…" you even tried to speak, but it was impossible to put everything you felt at the moment into so few words. You saw him pull out a ring that was the same color as yours, without all the details. "Let me do it."

Before he could put it on his own finger, you took it from his hand and repeated the same thing he had done to you. He placed a small kiss between the tattooed fingers and let the jewelry take its rightful place.

"I don't believe." You looked at your hand and then at him. "Law, that was so amazing."

"You're incredible. I can't wait to see you become Mrs. Trafalgar. My beautiful, smart, a little crybaby…" he wiped away your tears, bringing a laugh from your lips. "My dear wife."

"I love you so much." you cupped his face, taking his lips to yours.

Even though it was full of emotions and promises, it was a calm kiss. Law, like you, wanted to record every second of that moment, every inch of skin kissed, every touch.

In the end, Law was also a marriage nut - just with his dear Lady Trafalgar.

----

Little extra:

Law was never a big fan of public displays of affection, but that morning he had made an exception. Seeing you happy, showing off your new ring and the promise of marriage, ideas of what to do on the date, honeymoon suggestions. He couldn’t deny it, it was amazing to see how happy you were with the whole situation.

His happiness was short-lived when he saw three sullen faces - one of them looking like a bear - sitting in front of him.

"So Law, my friend." Penguin began.

"Shut up, it's me."

"But I'm his best friend." Bepo grumbled.

"What do you want?" he asked, trying to understand what the three were discussing so much

"Which of the three of us will be the best man?" Shachi warned and Law watched the three in front of him cross their arms and wait for a response.

Before he could respond, Law felt two arms slide and lock around him.

"We haven't decided that yet guys. We can talk about it later." you asked and watched them begin to argue among themselves who would be what.

"Thanks." Law muttered, making you laugh. You bent down to his ear level.

"And you, I'll be waiting for you in the room. I got someone to cover my duties today, now I want to continue feeling what my dear fiancé can do for me." In contrast to the whispered and sexy voice that left your lips, you left a chaste kiss on Law's cheek and left towards the dorms.

#fiction #reader insert #one piece #no use of y/n #requests open #trafalgar d law x reader #law x reader #law x you #trafalgar law #trafalgar law x reader

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pricelessemotion · 9 months ago

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love is kinda crazy (with a spooky little boy like you) | E.M.

pairing: eddie munson x fem!reader

summary: [2.4k] eddie takes you on that halloween date. it doesn’t go quite like you expected.

warnings: pure fluff, a little awkward date shenanigans, r is described as having frizzy hair and wearing prescription glasses, r also has an (unnamed) sister

a/n: ah! i’ve been dying to write and post a part two for this fic since halloween and i thought there was no better time to post it than now! happy valentine’s day 🖤

masterlist | part one

“There, perfect!” Your sister punctuates the end of her makeover with the snap of her powder compact and the flourish of a makeup brush.

You turn slowly, the pink cushioned stool a little wobbly under your unsteady frame. Your reflection looks comical, all blurred edges and wavy lines. Without your glasses, the bedroom vanity has turned into a funhouse mirror.

“What does it matter if I’m going on a date with him if I can barely see him?”

You don’t need glasses to know that she’s rolling her eyes. Even though you can’t quite see her, you can hear her exasperation in the way she’s loudly chewing her gum. “You’re going to the movies, you’re barely gonna be able to see him anyway. Besides, you’ll be able to see him when he’s close enough to kiss and that’s the whole point.”

You blink each eye one at a time, trying to gauge which one is better. Your left eye is slightly clearer, though the difference is negligible. “I think you’re severely overestimating my eyesight.”

“I think you’re severely underestimating my dating advice.” She blows a bubble, the view of her face becoming a bright pink smudge before it pops and she continues smacking. “Just trust me, it’ll all be fine.”

You do trust her. Even though she has spent the last two hours plucking and primping and preening, you want to take her advice. She’s not doing this to be condescending or controlling. She’s genuinely excited that you have a date, even more so that it’s with a living breathing human boy and not another library book.

You don’t have much experience. With dating, with seeing someone, with kissing someone. What it means to be dating someone versus what it means to be seeing someone. What you’re supposed to do when you kiss someone. I mean, are your lips supposed to be on top of each other or are they supposed to interlock like the teeth of a zipper? Yeesh, you didn’t even wanna think about how teeth and tongues factor into the equation.

These types of questions would usually be the kind that you would ask an older sister. You’ve just never had the bravery to say them out loud. Sure, you’ve watched romance movies and rewound and observed so much that you were afraid the tape in the VHS was going to break. And you’ve read enough romance that Ms. Marissa gives you side-eye when you pass the library’s reception desk. But there’s a difference between fiction and real life. A bridge you’ve yet to cross. You’re sure that you’re going to need all the help you can get.

So, you heed her advice. You let her spray you with enough Aquanet to try to keep the flyaways at bay. You let her paint your lips with a shimmery pink lip gloss that isn’t too sticky and tastes like vanilla. You don’t, however, let her see you sneak the thick frames into your bag for emergencies. If it were up to her, the frames would be set out with Thursday’s garbage and you’d be wearing contacts like everyone else in your age group.

She drops you off at The Hawk with another smack of her bubblegum and a reassuring pat on the shoulder. She barely waits for you to close the door of the station wagon before she’s speeding away, her Halloween plans including a keg, a pushup bra, and a slightly inebriated Steve Harrington.

Eddie’s easy to spot. His silhouette sticks out against the brick building, white shirt, black leather, and blue denim against a red background. He lights up when he sees you and it’s the first time you’ve understood the meaning of the phrase. Since you can’t quite see his face clearly, you’re paying extra attention to his body. The way he pushes off the wall to stand tall. The way his shoulders visibly relax. You bet that they could see his smile all way in Indianapolis.

“I know you’re usually supposed to give flowers on dates, but this is the best I could do.”

He presents an origami paper flower in the shape of a rose. It’s made from binder paper, evident by the familiar feel of it in your hands. The folds are a bit unsure. There’s evidence of it being undone and folded again with a cleaner precision, you can feel the wear and tear on the paper with your fingertips. You’re dumbfounded.

“Thank you,” You whisper, twirling the stem between your thumb and forefinger, watching the rosebud spin. “No one’s ever gotten me flowers before.”

“Never?” He gapes at you in apparent disbelief before he schools his expression. “Well then, I’m glad to be the first.” He offers his arm to you like a real gentleman and you take it.

The leather in the crook of his elbow is cold to the touch, but being in such close proximity you can feel the body heat radiating off of him.

“It’s a continuous marathon, so they’re showing movies all night. We can start with any one that you want.” He gestures up to the marquee above the concession stand. When you look up to the sign, the words might as well be written in Cyrillic the way the letters all blur together.

After a trip to the concessions stand, the two of you eventually settle on The Exorcist, which you had decided to cling to after Eddie’s nervous yet adorable rambling about which movie would be better to start with.

Horror movies are even scarier when you can’t tell what’s going on. It didn’t occur to you how much you relied on sight to be able to mentally prepare for jump scares. Eddie must think you’re a total wimp the way you practically leap out of your seat at every flash on the silver screen that accompanies a discordant string of violins.

You jump when you feel a hand brush your bicep, your arms flinging out. It’s much too late when you realize that intimate touch was Eddie trying to figure out if you were alright. The large Coke that Eddie had gotten–two straws because he said he didn’t wanna be presumptuous–the casualty of your fright. The flimsy lid pops off like it has nothing better to do and the dark brown liquid splashes over the arm of the seat right into Eddie’s lap.

Eddie recoils, half-jumping and half-hovering in his seat because he just got a handful of ice-cold soda in his crotch. The people behind you are jeering, grumbling about the disturbance and Eddie half-whispers fucking shit under his breath, in what you’re sure must be a mixture of disdain and disgust.

You pull napkins out of your purse and thrust them in Eddie’s direction before rushing out of the theater, chest heaving and eyes stinging.

It’s a wonder you don’t trip and fall on your way out. You’ve walked these dimly lit halls hundreds of times, so luckily instinct and muscle memory win out and you make it out of the theater mostly unscathed, just with a few bruises on each shoulder. Nothing compared to the mortification of what had happened inside.

Because it’s October in Indiana and you can’t seem to catch a break, it’s raining. Only every so slightly, but enough that you’d be soaked to the bone if you walked home thanks to your sister’s insistence that you dress for fashion and not function. You huddle close to the payphone, pondering if you have enough change to call around and get your sister to pick you back up because no way are you waking up your parents for this.

The doors to the theater creak open behind you and suddenly you’re not alone anymore. The biting cold chills you to the bone but it’s Eddie’s presence behind you that sets you on fire.

“Hey, are you okay?”

Maybe it’s because you’ve spent the last hour and a half in the dark with your nerves on edge, but the tenderness in Eddie’s voice makes your throat constrict.

“I’m sorry,” You blubber. “I’m so embarrassed. I just wanted everything to be perfect and I ruined it.”

“Hey. Hey.” Eddie repeats himself more forcefully when you don’t meet his gaze the first time, “You didn’t ruin anything. It’s just a little soda. I’ll live.”

His fingers rub the back of your hands in a soothing motion. Back and forth, thumbs caressing the valleys between your knuckles. He’s close enough that his features are almost in focus. You still have to squint.

“You keep doing that.” He points his fingers toward your furrowed brow before mimicking the action on his own face. The finger is not accusatory, it just seems like Eddie likes to talk with his hands.

You sigh, a resigned and weary sound. “My sister convinced me that I shouldn’t wear my glasses.”

Eddie makes a face that you can’t quite discern in the dark before letting out a soft hmph! “Your sister kinda sounds a little mean.”

“She means well.” You defend, weakly. You love your sister to death but there are times that your differences become much too apparent and that leaves you with nothing to do but suffer the consequences. This is one of those times.

“Did you bring them with you?”

“Yeah,” You reach into your bag, finding the frames folded into one of the inner pockets.

Eddie takes them and puts them on you. “You keep doing that.” You murmur, a repeat of his earlier accusation. Now, though, you both know it’s in reference to him adjusting your glasses not just once but twice.

“It gives me an excuse to be close to you.”

You can see him with unrelenting clarity now. The little crinkles next to his eyes as he smiles warmly down at you. The way the slight breeze has carried the miserable drizzle under the theater awning. The way that drizzle clings to his curly hair like dewdrops on morning grass. You almost robbed yourself of all of this, and for what? Eddie knows what you look like.

“Y’know what I thought when I saw you yesterday?” Yesterday, when you had been wearing a witch hat on top of your frizzy hair and the same Coke bottle glasses that sit on the slope of your nose now. “I thought that you were the most beautiful girl I had ever seen. I thought I made a fool outta myself and that you wouldn’t give me the time of day, not in a million years.”

“The whole scaredy cat schtick was quite endearing I must say.”

He nods seriously, just a slight hint of a smirk on his face. “I try my best.”

You look down at the seat of his pants. Sure enough, there’s a dark stain splashed right across his crotch.“Oh god. I'm so sorry. Again”

“What did I tell you about apologizing?”

“You didn’t say anything about apologizing.”

“Well then, this is me saying something. Stop apologizing. You have nothing to apologize for.”

“It looks like you pissed yourself,” You wail mournfully.

“Well, that definitely makes me feel better.” Eddie jests before he tugs you into his chest and plants his chin on top of your head.

You nuzzle your face into his sternum, appreciating the soft hiss he lets out when your cold nose touches his warm skin. You inwardly groan because, quite frankly, there’s nothing more embarrassing than running out of a nearly full movie theater the way that you did. The only thing more embarrassing than that, you think, is going back inside after having embarrassed yourself. You tell Eddie as much, with the reassurance that you don’t want the date to end and if he really wants to, you can go back inside and finish the movie. He’s already tugging you toward his van that’s parked on the other side of the street, saying the six words that make your night:

“I own The Exorcist on VHS.”

You spend the entire time back in the trailer park cuddled up having quiet conversation about gory practical effects over a bowl of microwaved popcorn. The closest he gets to kissing you is when you duck into his chest to hide and his lips brush your temple. He could’ve lived off of that single brush for the rest of his life if he had to.

When Eddie pulls up to your house later that night, he really does mean to give you an innocent kiss goodnight. The neighborhood is quiet, seeing as it’s probably been an hour since the children of Hawkins had fallen into their sugar-induced comas. He turns the engine off and shifts towards you, his smile both giddy and shy while he tells you that he had a really good time tonight. You mirror his expression and tell him the same. You both lean forward, chests rising and falling in tandem, noses brushing.

When you finally make it past the front door, your lips are swollen and your glasses are fogged up. You kick off your shoes and pad up the carpeted steps two at a time, racing to your bedroom window. When you turn on your lamp and look out to the tree-lined street, Eddie waves at you, his rings glinting in the streetlight. You wave back, watching the van disappear into the distance.

“Hey,” Your sister is leaning against the doorframe, smiling like the cat who got the cream.

“How’d it go?” You’re already slightly aware of the answer since she’s standing in front of you with a freshly washed face and hand-me-down pajamas instead of in an empty house in Loch Nora.

She shrugs noncommittally, “It was a bust.”

You hum in solemn solidarity, trying to tug the grin on your face into a much more situationally appropriate neutral expression. You feel for her and you don’t want to rub it in her face that you had such a good time, despite her advice. Unfortunately, you do not seem to have as much control over your facial muscles as you think you do. Your sister sees right through you, grabbing the purple throw pillow at the foot of the bed and launching it at your face telling you to shut up. You catch it before it has the chance to hit you, huffing with righteous indignation at her before the two of you collapse onto the bed in muffled laughter.

“So, how’d it go?” She whispers in your direction, mindful of your sleeping parents down the hall.

You trace your cupid’s bow, feeling the chapped and swollen skin for the hundredth time that night. You turn your head toward hers, readjusting your glasses when they slide down your nose.

“It was perfect.”

likes are appreciated, comments and reblogs are cherished 🖤

#eddie munson #eddie munson oneshot #eddie munson x reader #eddie munson x fem!reader #eddie munson x you #eddie munson x y/n #eddie munson fanfic #eddie munson fic #eddie munson fluff #eddie munson x female reader #eddie munson imagine #eddie munson blurb #stranger things #mimi wrote ✍️#poltergeists for sidekicks #love is kinda crazy (with a spooky little boy like you)

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nejiverse · 1 year ago

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HOPELESSLY IN LOVE

Tanjiro Kamado

In which Tanjiro comes back from his battle in the swordsmith’s village. Fem! Hashira! Reader

cw: kissing, tanjiro is so so in love

1.08k words

"Pardon my asking but this is the sixth time you've sighed since we left the village. Is something the matter?", the female Kakushi asked a she tugged on the carriage.

Tanjiro was brought out of his thoughts by the woman's voice and he rubbed the back of his head sheepishly at the fact that she was able to count the amount of times he has sighed.

"It's nothing really...Y/n's gonna kill me when she sees all these bandages", he sulked. He tried to make it so he'd come with minimal wounds and bandages but clearly the demons he was fighting had other plans.

"Ah i've heard a lot about Y/n-san but have never gotten the luxury of meeting her", she responded. "I take it you two are close?".

Tanjiro stiffened and let his hands fall onto his lap in tight fists. "Yeah!", he exclaimed, a light shade of pink creeping onto his cheeks uninvited. "S-she's my girlfriend", he stammered.

They only recently put a label on their relationship and Tanjiro was still very flustered when referring to Y/n as his girlfriend. Everyone found it very endearing though.

"Oh wow I would've never guessed", she chuckled.

Tanjiro smiled serenely and before he knew it, his head was filled with thoughts of her. Her voice that spoke affirmations to him, her hands that always cradled his head when he was upset, her face that if he were to begin telling of her angelic features he would never stop.

"No one would. She's way out of my league", he lightly chuckled.

"Ah! I didn't mean it like that! Y/n-san just doesn't strike me as the romantic type".

Tanjiro's laugh grew louder. "She's really good at pretending, that's why".

Like the time he knew she was feeling sick but she constantly denied it saying she was perfectly fine and went on a mission anyway which ended up with Tanjiro carrying her all the way back. Or the other time she pretended she was fine the minute after a battle when really there was a gaping wound in her stomach.

It was her specialty to say the least.

"But even so I like to believe I survived this battle because of this", he held up his wrist which had a ribbon tied around it that was the same pattern as Y/n's kimono.

Tanjiro shook his wrist around in the air comically. "Are you..looking?", he cocked his to the side cutely. He was still blindfolded so he couldn't see.

The Kakushi woman laughed at his antics. "Yes I am".

He put his wrist down and fiddled with the ribbon. "She gave it to me so I wouldn't miss her but I like to believe it's a goodluck charm more than anything".

He couldn't wait to see her again.

After a while— a long while in Tanjiro's opinion— they arrived at the butterfly mansion.

"Thank you for bringing me back", Tanjiro thanked the Kakushi lady as his blindfold was taken off.

"You're very welcome", she bowed...except she was in front of him.

Tanjiro was curious as to who exactly took off his blindfold for him, and before he could even attempt to turn around, he felt a head rest on his shoulder and two arms wrap around his torso.

He could recognise those hands anywhere.

"Welcome back!", she exclaimed.

Tanjiro gasped lightly, feeling tears prick his eyes but but he pursed his quivering lips to stop them from getting any further.

He placed his hand over her own. "I missed you Y/n..", there was sadness laced in his voice, the happy kind. "So much".

Out of nowhere, Tanjiro grabbed the back of his head with his two hands when he felt Y/n hit him on the head. He turned around to her with a frown on his face.

"But you're an idiot! A stupid idiot! You promised to come home unscathed!", she spoke while flailing her hands around. "And you are very much scathed!!".

"But Y/nn! I said I couldn't keep that promise!".

She inspected the bandages on his chest and around his body. "You look like a mummy", she huffed.

Tanjiro chuckled. "But you know what came back unscathed?", he lifted up his wrist to reveal the ribbon that was perfectly in tact.

Y/n's eyes widened as she felt quite flustered. She couldn't believe he actually kept the piece of fabric safe the whole time he was fighting. It made her happy.

"But why?".

"Hm?".

"It's just a ribbon".

Tanjiro tilted his head with a hum as if the answer to her question was the most obvious thing ever. "Because you gave it to me Y/n".

As if he couldn’t get her any more worked up, Y/n averted her gaze everywhere but Tanjiro. Suddenly the blue sky that’s always been blue was looking very blue today.

She must get her revenge. Since he got her so flustered, it was her mission to return the favour.

She closed what little distance was between them and wrapped her arms around his neck, pushing her lips against his own. Y/n’s eyes were closed but Tanjiro’s were wide open in surprise.

The kiss was long and relentless. She held his body close and used one of her hands to guide Tanjiro’s own to her waist before bringing her hand back around his neck again. He was always very awkward with his hands whenever they kissed.

Tanjiro closed his eyes and savoured the taste and feeling of Y/n’s lips. If words couldn’t suffice, her kiss could. A kiss that said ‘I missed you’, that’s how Tanjiro interpreted it.

Y/n moved her lips from Tanjiro’s to get some air into her lungs but also to get a glimpse of Tanjiro’s flushed face.

He was always so adorable with his half-lidded eyes and pink cheeks whenever they kissed.

Tanjiro hid his face in her shoulder and hugged her tightly around her waist, as if she’d disappear any second now.

She placed a kiss on his head and they both walked back into the butterfly mansion.

“Time for you to rest mister”.

masterlist :)

a/n: tanjiro was absolutely adorable in the last episode I couldn’t help myself

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kamisama1kiss · 8 months ago

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hii mutual♡♡

can I request a lloyd x reader about them meeting at a comic store? just fluff and cute awkwardness that ends in the reader getting a date.. if you can please that thank you!!

Hello mootie!! This is such a cutie idea 😭🙏literally was so excited to write this one^^ Sorry if it seems rushed in the end i was a tad bit stuck on how to get the ending, lol ENJOYY 🫶

~~~

Words counted: 527 ish

Lloyd Garmadon {Starfarer}

Walking down the different shelfs of comic books, figurines along with other merch spread on walls. Being here was a goal everytime, finding the latest comic book of Starfarer. Sadly with every try it was gone and had to wait for next delivery comes in.

There is was, in all its glory wrapped in plastic being the last one standing. With heist they moved to grab it, without seeing the other person looking at it. To consumed with the thought of bringing it home.

Reaching out to take it when another hand took the other side at the same time, they both quickly looked at each other. He was a taller with at least half a head of blond hair, bright green eyes. Faint freckles adorning his face.

"Ah, sorry" moving my hand from the comic out panic, chuckling dryly. "Did not see anyone else.. reaching for it." initiating the situation, yet he didn't seem upset at all which made them feel better "Heh, yeah no biggie at all." Waving his hands dismissively with a slight lopsided grin, showing his weak dimples.

The silence spoke volums, both holding they're breaths. Not sure what to say nor what to do, kind of just looking at each other for a few seconds. "I oh uh, you can have it. Seemed like you wanted almost more than i do." Using his fallen hand holding the comic book up to give it to them, rubbing the back of his neck bashfully. Trying to avoid eye contact at all cost from his side.

"Oh! No no." Waving one hand in disagremente, "You we're here first, it's only right if you take it." Both arms falling down, polite smile alongside a singular headshake. "I insist." He chuckled dryly, matching with his arms resting by his side. Soon to be lifted to surrender. "Ay, fine I'll take it." With his reaction only made a small grin reach they're face.

Silence once again strike the duo, before a voice spoke up seemingly in a hurry. "Lloyd! We've got to go, Wu wants to see us all." Both turning heads to see spikey brown hair, leaving only one them to question how his hair did such?

"I'll be out in a second, Kai." He mumbled seemingly annoyed at the interruption. After being left alone to us two he gifted me another smile, "Sorry about him, see you around?" Raising a brow at his question but nodding nontheless. "Sure." The agreement seemed to make his smile widen to a genuine grin. The dimples showcasing further.

Without another moment he seemed to be out the doors leaving but not before turning back for a second, they had noticed the comic book, Starfarer wasn't bought? Looking down to see it placed in they're hands, surprised how they didn't noticed, feeling a paper on the back which resolved by flipping the book. Stuck on a neon yellow paper which stood

'Let's get to know each other, how about a date? :D

-(his number)'

The smile on they're face grew alongside a small subtil warmth on the cheeks, knowing they would be going on a date in hopefully not too long.

#lego #lego ninjago #ninjago #ninjago x reader #lloyd garmadon #ninjago lloyd #lloyd garmadon x reader #lloyd x reader #ninjago lloyd garmadon #lloyd #Garmadon #x reader #ninjago oneshot

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ponytailzuko · 3 months ago

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my miraculous "enemies" au

i wanted to post something to give context to art i post so here it is! i think you can consider this my "miraculous rewrite" if you want to call it that...? but its just me wanting everyone trying to steal each others miraculous. that's literally it. i love drama. details under the cut:

The Premise:

When Fu was a child training with the Order, they left him to guard a Miracle Box for as long as possible without food or water. Eventually, Fu got curious - he opened the box and a beautiful array of animals spilled out. Tikki and Plagg act like the angel and devil on Fu's shoulder: Plagg, along with many of the other kwamis, urge Fu to use his Miraculous to transform in order to get food from the kitchens. Tikki warns him otherwise, but Fu transforms with the Peacock and the Black Cat, and the destructive power of his emotions go on a rampage, destroying the Order.

In the destruction, Fu loses most of the miraculous and the grimoire. They're scattered all across the world, falling into different people's hands. Tikki vows to help Fu rectify his mistake of trusting Plagg and help recover the lost miraculous.

What Does This Change?

Miraculouses and grimoire pages are spread around the world, so magic is pretty commonplace. Superheroes and supervillains have existed in Paris before "canon."

Adrien finds the Black Cat independently from the Guardian. He makes a deal with Plagg - freedom for freedom. Plagg gives Adrien powers that allow Adrien to get out of the house, and Adrien lets Plagg do whatever otherwise - no commands, unlike his past holders.

Hints of the Black Cat hit the news and Fu sees it. Fu is out of shape, and the Black Cat holder looks young. Tikki goes out to choose a new holder - Marinette. Marinette is mostly the same in this; she uses the Ladybug for stopping supervillains, but this time she doesn't have a partner.

The Black Cat has a terrible reputation... After all, Plagg was locked up in the Miracle Box and never used for a reason. Ever since its been out, people have used it for horrific purposes. Fu and TIkki are sure that Chat Noir must be up to something. If he's not, then it'd still be safer to keep Plagg in the box. Marinette, with no experience, takes their advice to heart.

Instead, she and CN are 'frenemies.' They end up working together to defeat supervillains, but before Ladybug gets the chance to take his Miraculous, something always goes wrong!

Chat Noir is unaware that Ladybug is working for the Guardian. He assumes she also gained her miraculous independently and he wants to be friends! He's never made friends before, though... why do his attempts keep going so poorly!?

When Chat Noir does figure out what Ladybug is trying to do, it turns into a competition on who can steal one another's Miraculous first. Plagg is adamant to never be put back in the box again.

When Chat Noir is first spotted in Paris, Hawkmoth doesn't reveal himself at all. Instead, he akumatizes people to try and lure CN (+LB) out and assess them. LB + CN are both unaware that the supervillains they put behind bars are actually akumatized. He tries to pit them against each other until the two accidentally break an object and discover an akuma. Oops :/

Eventually, after discovering Hawkmoth's existence, Ladybug and Chat Noir make a "truce" to work together to defeat him before getting back to their business (trying to take each other's miraculous lmao).

i have so many little things in this au and a bunch of doodles that i'll finish one day, but that's the general gist. later on, other characters get miraculous (also independently) which you know... it adds to it. writing isn't my personal forte and this is too much for more than the occasional comic from me. so i might write an outline for how i'd write the full thing at some point. (shrug)

TLDR: Ladybug, Chat Noir, and Hawkmoth all want each other's miraculous and team up and break up in different combos until eventually Ladybug and Chat Noir team up like in canon.

edit:

#cal.ibrations #miraculous ladybug #ml #enemies au #i might call this pandoras box au or something. where the only miraculous fu manages to keep in the beginning is the ladybug #was this also a long winded way of me justifying why cn doesnt know who the hell the guardian is but lb does in canon? maybe. MAYBE IT WAS.

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meimi-haneoka · 9 months ago

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Cardcaptor Sakura Clear Card Special Chapter: Comments and Analysis

WELCOME BACK, CCS FAAAAAAAAAAAANSSS!!!!!

Oh my god 3 months went already by from that December 1st and chapter 80, didn't they?? Feels like yesterday 🙈But we're finally here, finally ready for the release of the definitive, last SPECIAL CHAPTER of Cardcaptor Sakura Clear Card!!!! After this, no more CCS for at least a while!!

Why do you see me so euphoric?? WELL, THERE IS MORE THAN ONE VERY GOOD REASON 😂 But let's not jump the gun and let's introduce this post properly: this time around, I won't be posting pictures to "illustrate" the analysis/commentary, because this special chapter was treated differently from the other ones. It didn't get, in fact, a free release on CLAMP's Youtube channel, in any language, and wasn't even uploaded for digital purchase on Comic Days like all the rest of the chapters. The only way to obtain it was via the April issue of Nakayoshi, either with the physical or digital version. Since it is clear to me their intention to keep this gem of a special chapter away from the internet jungle, and since lately I used only the screenshots from Youtube to illustrate my analysis, this time around I won't be posting anything (aside from the color page, which was released by the official account themselves).

AND! I won't be mixing analysis and summary, because I have already conveniently prepared some screenshots with a detailed summary of the chapter for the people who were curious to know, but didn't get to see the chapter yet or did see it but couldn't read Japanese. I have already posted these screenshots on my Twitter account, and I'll put them here too under the cut (please don't repost them around or in other social media), so you can immediately get a broad view on the content of the chapter (I don't have to point out translation mistakes, haha 😅), and then, afterwards, I'll write my commentary. And there is SO MUCH to say!!

But before starting, we can't break the tradition right at the LAST ROUND of our chapter commentaries, right?? So off we go, with the GIF OF THE MONTH!!

Yes, I think this is the GIF that can represent this chapter the most. 😂

The Color Page

This special chapter is composed of 33 pages, and of course I can't avoid starting my commentary precisely from the color page!!

I admit it, I hoped for a color spread with the four main characters of Clear Card (hence, including Kaito and Akiho too), but since the other two appeared with their own color page just in chapter 79, we'll gladly take this single color page with SyaoSaku too!! ❤️ The JP text reads "We've been together till now, and we will always be! Featuring a long-awaited special chapter!!" Syaosaku look absolutely adorable....and so, so happy!! Looking at us, from a wreath made of cherry blossoms, of course dressed in their image colors pink and green, in a "pair look"...I think their shiny smiles conquered the hearts of the entire fandom (saw many comments about it) and it is certainly a perfect introduction to a chapter that is, indeed, completely made of this happy, leisurely, warm atmosphere. I feel like it tastes even better, after all the anxiety they made us go through, right? I'm pretty sure that was CLAMP's goal all along, giving us this little reward after all the hard situations they've put their characters through. This color page looks like Sakura and Syaoran are saying "goodbye" to us, holding their hands in a lover's hold, but seeing them so cute and happy definitely soothes the sad feeling 🥲 Until we meet again...hopefully!

Letters From Around The World

But it's when the chapter starts that we get our first surprise: the time skip is of one entire year!!! We left our little heroes at the end of the first year of Tomoeda Middle school, ready to go in spring break and then start the second year...here, Sakura says she's in her spring break of the next year, ready to become a 9th grader!!! I almost couldn't believe they actually went that far, I knew from CLAMP's podcast that there was a timeskip, but I expected just some months! Although....I have to say the characters don't look that different, Mokona said she made them a tiny bit older and she kept true to that, because it's barely visible! 🤭 But if you compare them with how they looked at the middle of the story, of course the difference is visible.

I was so happy to see that the chapter started right away with a letter from Akiho: a letter or a videocall was definitely among the type of content I wanted to see in this chapter, because of course I still was quite preoccupied about the difficult journey Akiho and Kaito embarked on, so I wanted to see how they were faring. The amount of letters Sakura accumulated over the span of this year tells me that they moved around quite a lot, and she had always something to share with her "long-distance sister" 🤭 Kero praising Akiho's skills and even feeling some sort of "reverence" for her insane talent to find all the crazy and rare books was so funny and nice!! 😂Sakura is adorable, feeling all proud about the talent of her "sister" 🤭 Loved that they actually mentioned the place where Akiho and Kaito are currently at!! (cause they didn't reveal where they'd go first, in chapter 80, and I guess we'll never know). I appreciated SO SO much that they let us see that Akiho didn't drop, but actually continued to practice her sewing skills like she was doing before everything went down the drain with the Alice in Clockland play: moreover, finding out later that this skill is also helping her greatly with the true ambition of her life made me incredibly satisfied. How cute of her to send outfits for Kero and Suppy, even from far away??

I was quite surprised to find out that Akiho sends all the rare books to Eriol, and then laughed my as* off at Kero saying he's selling them off (the way Kero phrases it in JP makes it look a QUITE shady activity 😂). This shows there's a continued collaboration between the "group" in England and YunaAki, and it's very nice. They're not only "taking" support from Eriol, Akiho also does return the favor, providing Eriol with the books he needs.

And then....got really emotional to know that Kaito wrote a letter to Sakura, back when they left one year ago 🥲 I DID feel like some kind of acknowledgement or apology from Kaito to Sakura was missing from chapter 80 (but honestly, with everything they had to explain, where they could fit that?) and so this little mention completely fixed that sense of "he made a mess and barely managed to apologize to Akiho before leaving". Kaito isn't an ass*ole so of course he would've done something like that, and a letter seems perfect for an introvert boy of few words like him. I imagine the letter wasn't really long either. The little moon on the sealing wax...❤️The fact that Sakura is storing that single letter together with Akiho's letters in a specific box makes me almost cry. She cares for those two so, so much! �� Sakura wishes to receive more letters from Kaito and I really hope he will open up to her along the way, because he could benefit ENORMOUSLY from her advices and perspective! Also THANK YOU CLAMP for giving us a little "still" of those two next to eachother from the moment when they were leaving Tomoeda, with the suitcases and all 🥲that last faraway shot of all four of them together in chapter 80 was so great, but I wanted to see them like this too!

The SyaoSaku Date

Aaaaaand then we get to the long awaited, craved, coveted SYAOSAKU DATE!!! 🤣 I can't count how many people I've seen wishing for this....to be honest I was going to be ok with any kind of sweet moment between the two, but gotta admit that a carefree afternoon watching a stage play and then taking refreshment at a café gives this sense of normal, complete fun that was missing a bit for them. They are dressed in a very fancy way (loved that Sakura isn't wearing her usual long one-pieces but something different, with puff shorts! A sign of her growing up?) and even though they're not exactly wearing a "pair look" (too corny, maybe?), they are well matching eachother's outfits. And of course we find out that Tomoyo made Sakura's cute outfit and even the decorations on Syaoran's collar! The fact she was the one asking Syaoran to wear them at the date is kinda funny, like some sort of guidance into looking like a couple, thanks to the matching decorations! Tomoyo really takes care of everything....yes....everything. 🥲 The mention of Sakura's wedding dress of course made me go "OH MY GOD" and made me realize that if Tomoyo is already mentioning that.......we aren't *that* far away from that day (I always imagined SyaoSaku marrying early, since they're soulmates and got together so young!! 😆). Truly an emotional, sweet moment that was reinforced by Tomoyo's tender expression in the flashback. Her resolution to devote herself to learn to design even normal everyday outfits, or date outfits, everything that could accompany her dear Sakura everyday, reminded me that Tomoyo found her very own way to be with Sakura, and she's perfectly content with that. Tomoyo's happiness is seeing Sakura happy, and she will do anything to achieve that. ✨

Syaoran and Kaito's Friendship

And then my blushy blushy Sakura changes topic and suddenly throws me on the floor in a fit of laughter, because seeing Syaoran's confused look while he was trying to make sense of the pictures Kaito sent him on his phone WAS HONESTLY PRICELESS. 😆 My god, how long have I wished to see them like this? Moving their timid steps into a friendship (since their girlfriends are like sisters and Sakura literally saved Kaito's derriere), being their awkward dorky selves...they surprisingly get along so well and Syaoran doesn't seem to hold resentment towards him, which is GREAT for me!! He's learning from Sakura to just let go of hard feelings, when you've found out the person who acted in an oppositive way was just in a very desperate situation and had actually no ill intentions. And that makes me incredibly happy. Kaito needs all the support he can get, to make the right decisions in his life, and I can totally see him finding a particular connection with Syaoran, due to how they're both moon boys, who would give their life for the person they love. I think precisely for this, precisely because Syaoran can understand to a degree Kaito's situation and behavior, he wouldn't feel judged and would feel more free to establish a connection with him. I was k*lled with laughter and endearment when I saw that Syaoran felt confused, but still tried to understand Kaito's peculiar way of communicating with him 😂 And guess what? I think he doesn't realize it, but he's totally starting to get it! 😂The way our wolfie boy snaps that picture IMMEDIATELY as the cat passes by, and how he only framed the ear, really shows how in the end he's speaking "the same language" as Kaito 😂 Seeing Sakura so excitedly think to herself that the two became such good friends made me scream "SAME SAKURA-CHAN, SAME!!!" 😂 All in all, seeing these two having such a relaxed, comfortable date talking about their friends and stuff that happened lately made me completely feel that one year that elapsed, and now they act totally like a couple that's been dating for quite some time. 😊 Ooooh thank you sensei, really. Thank you so much for this scene. 🙏

The Moon Is Really Beautiful, Right?

BUT! The real reason why CLAMP will always have my heart and my gratitude is hidden in the next scene. 😂

Oh my god, the screams I've belted out when I saw them. And when I've read THAT. But let's go in order, let's go in order and not jump the gun! We're in Germany, Akiho and Kaito now seem to be living in an apartment in a nice building! They're still talking in keigo, and still calling eachother "Akiho-san" and "Kaito-san". 😊

Kaito SMILES genuinely at the picture Syaoran sent him!! And answers, to an observant Akiho, that he's having fun!! 😭HIM! The one who couldn't understand what was fun in interacting with others!!! He looks honestly so radiant and happy, a sign that his mental recovery is going strong. And that he's slowly expanding his "trusted people" network. 🥲🙏Also, he looks younger than ever!!! 😂

It made me INCREDIBLY HAPPY to see that Akiho didn't drop the "hobby" she had started in chapter 26 (ages ago!!), remember this scene?

I remember how much I loved to know she had started learning how to do this, because together with my friends, at the time, we all thought this could easily become her aspiration in life......and guess what?? CLAMP confirmed she wants to take on a job revolving around books and book repairing!! This is all canon!! T___T oh my happy tears.... There's a sense of pride in seeing that this journey for Akiho isn't only revolving around finding the cure for Kaito's shortened lifespan (which hurt his body terribly) and restarting his "stopped time", or finding Momo and the Alice in Clockland book, but she's also got the mental resolution to do something for herself, for what she wants to do in life, something that is completely disconnected from Kaito. Again, I cannot reiterate enough how this girl doesn't have an unhealthy codependent relationship with Kaito, and she's completely capable of thinking about her own future, aspirations and wishes. She wants him with her, and she could never live happily without him, but the love of her life isn't the only thing that exists for her. It is incredibly satisfying to see her working hard for her own future, where she'll be able to contribute (especially financially) to their livelihood. I can see Kaito helping her and assisting her with that. The other day I was dreaming away with my friends about Kaito and Akiho managing a "book cafè" together somewhere, how impossibly sweet that would be?

Seeing this volitive, ambitious, strong-willed Akiho once again filled my heart immensely. And I wasn't the only one, apparently.....

Oh god, you have no idea of the SHRIEKS I belted out when I saw Kaito saying "the moon is really beautiful, right?" in full daylight. Like. It is absolutely unmistakable at this point what kind of love he feels for her, and while I always knew, I'm sure the character took his own sweet time and personal introspection to reach that conclusion. If you remember, I've always said it and reiterated it at the end of chapter 80: Kaito won't understand things overnight, it will take a long time. And one year, at that age, is enough of a long time to come to terms with one's feelings and understanding what exactly they mean. They lived all that time together as two "equals", no more butler/boss bullsh*t, so they had even more opportunities to see eachother's true colors. And Kaito couldn't help but fall even more in love with Akiho, to the point that seeing her working so excitedly for her future made him gently overflow with that feeling....and said that sweet quote of Natsume Soseki that we all know, by now, what it means. I think the mere fact that what made his heart explode was seeing her so independent and strong, is a good sign that Kaito's love for her is the healthy and supportive kind, too. He doesn't love her and feels attracted to her soul because she's a weaker, younger, malleable being that he can dominate (as a toxic relationship would portray), but at the contrary, because she's free and strong and wonderful on her own. The more he sees her shining, the more that feeling grows. Throughout this scene, he looks at her and talks to her in such an intensely sweet way, you can totally see he's smitten with her.

The most popular reply to someone who confesses with "the moon is beautiful" is the equivalent of "I could die for you/I can die happy now", in Japanese. And Kaito had been unconsciously replying that way, with his actions, the whole damn time during the serialization of Clear Card. But since he took it way too literally, things were really heading to tragedy. Nobody wanted him to die for real, and yet, subconsciously, that was the only way he had found to give outlet to an enormous amount of feels that he couldn't express (because it wasn't appropriate, and nobody would ever love him, and he only caused her pain, and he had to let go of Akiho anyway at the end of it).

So considering all of THAT, this "I love you very much" he said now (he added とても, "very", like Akiho did ❤️) in this way, makes me think even more "yes, you finally understood what was the best way to convey it!" and therefore, it represents another character development for our moon boy. 🥲

There's debate over whether he had already understood what Akiho had meant, in chapter 48. I stand firmly by my convinction that, even if he was informed of the Japanese folklore tale around it, he quickly dismissed it as "no, she's meaning it literally for the moon", since he couldn't really believe that anyone would ever take interest in him, and was sure he would've always been alone. Otherwise, if he really understood and believed that Akiho was in love with him, I don't think he could've ever said that "I thought you didn't need me to be happy". It doesn't make sense. But everything that happened at the fake moon, and all her angry tears, and all her resolution to find a way to cure him, made him finally see that she really meant it in that way. ❤️So his own acceptance and introspection could finally start, and....it brought to this. ❤️ If you want to know more about the popular phrase "the moon is beautiful, right?", I invite you to check my first Clear Card Trivia post, focused on the literary and musical references portrayed throughout this story!

And LOL, I couldn't help but noticing several things in how this scene played out: first, he immediately "runs away" blabbering about the breakfast being ready, a very similar way to how he "ran away" in chapter 52 when Akiho could see right through him and was trying to express her support and feelings to him. This is definitely an indication (taking into consideration also how he acted when he was little) that the reason why Kaito walked away back then, slamming the door, had a sprinkle of embarrassment embedded in it, too. Yeah. I mean, look at the face he's making here, just before he notices, puzzled, that his hand is shaking:

He's smiling so tenderly, among the pain he's feeling because of his poor health. He even laughs! He's happy he heard that! But he just couldn't stay hearing any longer, back then. Now, in this scene of the special chapter, he literally throws "the bomb" and runs away without hearing her answer or reaction 😂😂😂this is definitely embarrassment, and I'd like to think there's even a hint of teasing streak that I've always seen between the lines in his personality. It came out particularly with Syaoran and Momo, but Akiho isn't excluded from this dynamic! 😂

And excuse me, but Akiho's reaction literally made me roll on the floor laughing!! 😂The poor girl is probably so used to live abroad, and Japanese folklore isn't probably coming up immediately in her mind anymore, despite it's a phrase SHE used HERSELF back then! 😂Or maybe it's because she didn't really expect it from him, and so she took a moment to connect the dots. Either way, it was extremely funny! And I can't absolutely avoid pointing out how our girl isn't blushing like mad anymore, but just slightly.... I mean. It must have been quite clear to her too, by now, that her feelings were in some kind "reciprocated", be it for what Sakura said back at the fake moon, his decision to go back to her, and his decision to reveal his true name, hence giving her his most vulnerable part of himself... This isn't a shock for her, and she probably waited patiently, patiently, for him to finally say something like this. So maybe, more than embarrassed, she's surprised that the day finally came! 🥲 Goodness. This really puts all my worries to rest, Akiho will truly be happy. And it makes total sense that CLAMP made him say this now, and not at the end of chapter 80. As I said, more time was needed. This entire scene leaves me with a sweet, soft, comfortable feeling, and it's totally how I've always imagined their relationship to be. Also....no more of that "he loves her as a daughter/sister" crap, not canon-wise at least. 😊

One last thing I have to point out about this scene, which curiously reconnects everything together, is that recently CLAMP have announced the themes to which their upcoming exhibition will revolve around: among them, there's LOVE (of course!), and among the decorations surrounding the featured character on the key visual (Sakura, for now, but there's at least another one coming!) there are a couple of birds too. Birds are, in this sense, a symbol of love in CLAMP's language. I couldn't really help but noticing all the birds flying outside the window next to Akiho, the moment Kaito says that "the moon is really beautiful, right?". Basically, CLAMP were trying to scream it all over the place, however they could. 😂

"Momo-san?!"

It was so nice to see Yukito and Kero-chan gossiping about Touya right in his face, with the complete intention to tease him 😂in that sense, Yukito really seems like a sweet and harmless character, but don't be fooled! His teasing power is over 9000!! 😂Touya's killing glare made me crack up! He's so done for, now that both Kero and Yukito can tease him in the open! 😂😂😂

But please, please, let me scream about MOMO!!! Oh my god I would've never accepted a special chapter that didn't feature her!! Aaaaahhh I'm so glad to see that she's fine 🥲 The conversation between her and Sakura made clear to me that she isn't that free to move how I imagined her to be. Certainly, she decides where to go and who the book stays with (and when to leave), but the impartiality imposed on her role doesn't allow her to act freely like she wants, unless she pays a price. And she decided to pay a price, not to see Akiho and Kaito, but to go and thank Sakura herself first. Because, as her "those kids" suggests, she of course still feels some kind of maternal instinct towards them, and as any mother would do, she wants to thank Sakura from the bottom of her heart for having helped and saved those two. Even her body language (the position of her hands) portrays that. And excuse me, but I A B S O L U T E L Y loved how CLAMP clarified once and for all, addressing directly the complaints of their own fandom, that Sakura wasn't forcingly dragged into a matter that wasn't related to her. Everything she did, she decided to do it because she felt it touched her personally. From the moment she became Akiho's friend and came to care for her, everything that happened and everything that she was involved with was related to her too. This wasn't "somebody else's business" anymore. Because Akiho is one of her most beloved friends, no matter how "fast" that happened. Some relationships bloom almost immediately, because the connection is just that strong. And so, this turned into just another expression of "your happiness is my happiness", with Sakura acting according to what her heart suggested. As Kaito is Akiho's most beloved person, Sakura couldn't help but care for him too, because doing so would've made her friend happy, in a wonderful "circulation of love".

Special mention for the scene with pregnant Lilie, oh my god I didn't really expect this either. How long ago I wrote that Tumblr post about cosmos flowers and the origin of Akiho's name? A couple of weeks ago? It's like CLAMP answered my curiosity, with this scene. I still keep my interpretation in my heart, but I also love the logic "it is a flower that keeps the same name in many countries". Of course. "Wherever you'll go, you'll always be your unique self". (And now I want to cry, mama's heart is so big😭) The way Lilie keeps her hands over her womb made me tear up. The ring isn't there anymore, a sign that she probably already gave it to Momo (understandably, since once Akiho would be born, she wouldn't really have much time left). The baby bump isn't that noticeable, probably because she's at the beginning of her pregnancy. Who knows if she kept seeing little Kaito while she was pregnant. 🥲Who knows if in the scene where she's telling him about how wonderful it is to have something you love, especially a person, she was already pregnant with Akiho. 🥲

Momo and Sakura's final words made me understand that Momo cannot go back to Akiho and Kaito till the circumstances and the moment is right. Whether it depends on Akiho's wish, or the right cosmic arrangement, it's surely not in the short term. Especially considering the limited scope of Momo's agency. It cannot come from Momo (unless she pays a huge price), it needs to come from them, strongly enough. I also want to think that, again as an acquired mother figure, Momo wants those two to find their own way, identity and figure out their relationship on their own, without her interference. I'm sure she's keeping an eye on them from faraway, though. 🥲Even though this still feels bittersweet because I wanted to see them reuniting in canon so badly, it gave me lots of hope for the future. Momo is just waiting for the right moment, and she'll be ready to embrace them when the time is right. Maybe, who knows, we'll see that reunion in another series or in a special publication in the future?

The End

And then....the final scene 🥲NOW it is finally clear what Ohkawa meant in that one Twitter Space, when she mentioned that there was a reason why they never featured Sakura's birthday!!! THEY NEEDED TO KEEP THE EXCLUSIVITY FOR THIS!! 😂 I'm so glad they did, really...it's so sweet to see her reaching 14 years old (the "standard age" of many shoujo heroines! 😂) and seeing Syaoran giving her a present, with that strikingly sweet smile full of love...but most importantly....the breathtaking final double spread 🥲🥲🥲🥲 The way she pulls his hand close to her chest, to her heart, while saying that Syaoran will be forever and ever her most important and special person.....really, this chapter is meant to k*ll us all with feels!🥲and I love how CLAMP keep finding ways to portray their physical displays of affection without resorting to the classic, most wanted (but also probably considered not appropriate yet) "kiss". The very final page is a direct parallel of a page from chapter one, where Sakura was going to school alone and looked back down the street to admire the cherry blossoms in full bloom.

Now, she's not alone anymore, but actually hugging the love of her life on her special day! Really, what a wonderful and fulfilling way to give the final touch to this amazing story! 🥲 Her very last line also contributed to this. Sakura leaves us again, 24 years after the first ending, with words of positivity for the future, and love for her important people. This wraps everything up nicely, but it still keeps things quite "open-ended", hopefully in the eventuality to return to this wonderful series in the future. Sakura is growing up, as CLAMP wished, and it might be possible to see her dealing with more "grown-up" situations, magic and non-magic wise. But one thing is for sure, her relationship with her loved ones will always take top priority. ❤️

Well well well, we came to the end of this looooooong commentary for this special chapter too. I can't help but thank once again all of you who followed my posts all these years, and commented with your POVs on the story.

As I've said multiple times, Cardcaptor Sakura gave me so much ever since I was a kid, and this sequel was no exception. This special chapter, in particular, overflowed with things I wanted to see, and I'm sure I'm not the only one thinking so. I once again want to congratulate CLAMP for wrapping everything up nicely, and thank them from the bottom of my heart for these almost 8 years of emotional journey. 🙏

See you around with my other tumblr posts, and let's look forward to the release of volume 16 on April 1st, and hopefully, news about the anime sequel of Clear Card!!

#cardcaptor sakura #card captor sakura #clear card arc #ccsakura #ccs spoilers #sakura kinomoto #syaoran li #akiho shinomoto #yuna d. kaito #syaosaku #yunaaki #special chapter #translation differences #how come this post is so freaking long even without translation differences?#well dammit I had A LOT TO SAY #and even some itches to scratch #aaaah the satisfaction #😊so happy

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