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shiramoonshadow · 4 years ago

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This is the last part of the vip panel with Jason, Luc and Adrian.

What’s your favorite character you didn’t voice?

Adrian: Oh, I don’t know, everybody. Seriously, everybody’s so amazing. You know, I’m exciting to eventually be...I’m not there yet, just in the countenance of my voice and the age of my voice quite yet, but one day I aspire to voice a Viren like character, now I’m a dad I just find that fascinating, the very complex relationships he has with his children and his own ambitions. Yeah, I’m not jealous, I love what Jason does but I can’t wait to play a Viren character.

Luc: First, let me just say that once again I love everyone on the show and I don’t just say that to make everyone feel good, like I watch every episode and I’m blown away and sometimes even the small characters I have to pause and be like “who was that? who did that?” That was fantastic. Um...it’s Amaya, she’s got me right from the beginning. I think I’ve always had a thing for female like warriors for some reason? Like she is just the ultimate badass warrior. She’s caring, she’s protective and she’s strong and all the fight sequences are just so dope. She gets the one up on Harrow, even on Harrow she’s like “this dude”, you know? I just love her. I think she’s fantastic.

Jason: That’s the same for me. Episode six on s1 where they’re at the statue and they’re sharing a lovely moment, Viren and Amaya but she still says “listen let’s cut the bs, I don’t trust you”. She’s just written so well.

Jason, what movie or tv show would your characters love?

Jason: This is interesting. I’ve done this sort of thing I just wrote down, you know, music shows...Loves...Um...loves classical music and heavy metal. I think a really good comedy like a belly laugh sort of comedy, just a sitcom that’s good, so like 30 Rock or The office.

Luc: I think he likes looks to other great leaders and people of history stuff, right? So he’s like watching James Earl Jones do some Shakespeare, like play Othello or something like that, you know, he’s downloaded illegally or something, like the 1996 production of the globe theatre or something like “ah, this is it” or like The West Wing or something like that.

Adrian: I would say The Golden Girls.

Is there a favorite theory that you have for what happened to Harrow?

Luc: So right in the middle of s1, right after we finished recording those first three episodes. My personal theory is that Viren actually sacrificed himself and used the soulfang to switch their bodies and that Harrow is now inside of Viren’s body and we just didn’t know. Now, since watching more episodes I realized that is obviously not. Like right after we recorded those I was like “oh yeah, it’s going to be this great actual sacrifice and we’ll find out at the end of the first season that Viren has actually sacrificed himself and Harrow lives inside of…” No, that’s not the case. Honestly? After I realized that I was wrong I stopped trying to guess and I know all the fan theories but when I work on a show and something like this happens I try not to create these theories for myself until I see the scripts because it’s just either going to be disappointment or...I don’t know, it’s like I like to wait till the writers actually-

Tell you what happened?

Luc: Yeah. Otherwise I just like to believe that what they say is the truth and he was assassinated. Until we know differently, you know?

One of my favorite things that Jack revealed was that he always shipped Rayla with Callum and so he performed as if that was the end, even with the whole Claudia thing, he said he always... in his head his goal was to get with Rayla. I was like “I think he made it happen” like he literally changed like how confident he was because he is like this person showed up to kill his brother, so like he had to be very strong and in charge and have it together and so there was like such a great version of Callum with Rayla that eventually they just wrote it that way. I'm just trowing that out there in case you want to guide this reveal. You're more than welcome to pick your favorite fan theory and just make it happen.

Jason: I have favorite theories but I'm not going to say what I actually think. Only because I like to...I will certainly share my opinions if it’s really against something strong that I disbelieve, but because I know... the three of us, we look at our scripts and we prepare characters and we prepare...we know stuff that we’ve been told by writer, director, creators. We know stuff that we’ve talked about and I don’t like to let any of that stuff go because I’d like to keep it for myself. I love to throw lines out there, to throw people off and mess around but… One that I heard was that Harrow is out wandering somewhere and that’s my favorite theory, he’s just sort of gone and he’ll be back someday.

Luc: How do you explain the bracelet falling off?

Jason: Exactly, but I like the idea of Viren and Harrow looking at each other saying “brother, I will see you again one day” and Harrow puts his backpack on and walks out into the...he’s on a boat somewhere.

We’re gonna ask you again I’m gonna have you back on when we...to see how close where you are at personally turns into. You know, what I’m saying like, because you’re gonna keep that close to the chest and I think it’s part of what’s again, I really think Jack shaped what happened and it’s clear that the writers are that “this is a participatory story that’s being told and you guys are really…” So what do you think Adrian?

Adrian: Somebody blew my mind and said that Harrow became the bird? Like switched souls at the bird. I thought that was pretty crazy. That kind of blew my mind, yeah.

Luc: That’s the biggest fan theory.

Adrian: Is that the biggest one? Okay. I had never heard it, someone brought that up and then I was like “okay, that’s actually kind of cool”.

Jason: Justin and Aaron have debunked that. They’ve said that’s not the case.

Adrian: But what do they know?

Jason, do you think Viren still has an avenue to redemption?

Jason: Do I think he has an avenue to redemption? Yes. Do I want the very last thing people to see is Viren holding dead body over the planes and Eric’s voice over saying “and they lived in harmony, forever”.

Luc: And then he pulls off his mask and he’s actually just Jason.

Jason: Or Harrow.

If you were picking your live-action actor who played your character?

Jason: Michael Fassbender.

Adrian: I think Tom Holland would actually be a great choice. He’s just got a ton of heart and I think he could convincingly play that naivete and wholesomeness.

Luc: The looks wise I would say like Makhi Phifer? I want him to play but I don’t know if Makhi fighter has the gravitas to handle like a live-action Harrow? So I think like Chiwetel Ejiofor.

Adrian: I would do Idris Elba as Aaravos.

Luc: There you go.

Jason: Michael K. Williams as Harrow.

Luc: Michael can play anyone.

If someday we get a flashback with Callum meeting Harrow. What do you think? Because we haven’t seen that, right?

Luc: No, we get a couple flashbacks to when their relationship is first kind of building and Harrow gives him his sketchbook and you know, he sees him as a child but I wonder about that. I wonder how old Callum was? If he knew him before him and Sarai got together? Like if he knew them as a family unit or if he had to be introduced to him after him and Sarai had already been seeing each other? I kind of see it like he falls in love with Sarai and she kind of keeps that relationship separate, like a mother who doesn't know if this new thing is really going to take off and that eventually introduces him and I imagine it's pretty awkward at first, like Harrow's trying to drop his best dad jokes and they're like “no” and Harrow tries so hard and he realizes “oh this isn't going very well” and kind of backs off and takes some space. Harrow talks about how he wishes that he would have reached out a little more. He didn't want to disrespect the memory of his dad, so I think there was definitely some separation at first and some awkwardness and then it took some time for them to really be able to build their relationship and get to this point where they're basically like blood father and son.

What other character that you played would love to see interact with your character from tdp?

Jason: Rengar from the league of legends. Can you imagine him just sidling up to Viren? I've never thought of that ever! But now I’m excited about it.

Luc: Live action… I was recently in Apple TV See and my character Arca is this warrior with these long dreadlocks and I imagine that they would just get on like that, like Arca would become Harrow’s crownguard immediately.

Adrian: I think it’d be cool to see the chemistry between Gren and Adam from The Hollow. Adam’s got a temper and I could see like Gren getting sucked into the hollow, if you don’t know it’s like a game world that they’re all in and they’re trying to escape and yeah, I could see those guys linking up.

Jason, Viren’ ex-wife. What is she like?

Jason: 6 '4. Opinionated. Okay, 6 '2. Psychically strong, doesn’t take any crap off anyone but also tender and...Is that where you want me to go with that?

#the dragon prince #viren #king harrow #gren #callum #rayllum #amaya #cast and crew #just one more to go

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anncanta · 4 years ago

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The imagery of BBC ‘Dracula’: mythology, alchemy, literature. Part 5

Part 1.

Part 2.

Part 3.

Part 4.

Literature

The classic horror novel by Bram Stoker, which formed the basis of Dracula, has gone through many adaptations. The new BBC series is one of the closest to the text of this work.

To begin with, the entire first episode, with minor changes, almost literally repeats the description of the story of Jonathan Harker from his diary in the novel, and those details that look different in the film are changed so delicately and embedded in the narrative so gracefully that when watching it, you get a complete feeling of the exquisite classical setting.

But this feeling is deceiving. Like much of what Steven Moffat offers to his viewers, this story is a complex text, saturated with all sorts of meanings and literary references.

First of all, as I have already said, the film itself ‘lies’ on the material of the novel as a basic fabric. All its plot and psychological twists come from here, as much of the story, and – characters, which are recognizable even when their roles are changed. Further, as you move through the text, hidden ‘pockets’, motives, and whole plug-in plots are revealed in it.

The most obvious, of course, is the plot, parodying the novel by Agatha Christie Ten Little Niggers (And Then There Were None) about people gathered in a closed space from which it is impossible to get out, dying one after another.

What matters here is not so much what work is chosen for the parody as the way it is introduced into the text and creating a kind of crossover by the authors of the film. Absolutely in the spirit of fanfiction.

What if Count Dracula finds himself in a situation from Ten Little Niggers? How will he behave? What will the other people do? Will Count be revealed? And if he will, in what way this problem could be solved? In this sense, it seems to me that it is very important to pay attention to how the narrative structures from one genre (fanfiction) affect another (film) and how naturally these very structures invade today where it was difficult to imagine them thirty years ago (or they were forced then to ‘hide’ or disguise).

The teenage ‘vampire thrash’ that the story of Dracula and Lucy Westenra shows us is just as parody. Balancing on the verge of drama, comedy, erotic novel, this story consistently passes through all the stamps of films and books about bloodsuckers loved by young fans of the genre and turns them inside out.

Love watching a fragile and beautiful heroine meet a fatal man? Here the guy is for you, spectacularly appearing in red light in a nightclub. Do you like impudent girls who themselves throw into the arms of vampires and are not afraid of anything? Please, here's a date at the cemetery. Do you prefer romantic conversations and slow cuddling to a gentle neck? It's not difficult for us. And all this is lined with restrained, slightly melancholic, calm laughter of an adult, showing tricks to a child. With a final note that will show everything that is needed to the one who understands.

And finally, the most vivid, unexpected, and beautiful literary allusion, which gives the story an additional dimension and special meaning, is, of course, the finale. I didn't immediately notice the reference and realized exactly what it meant after the second or third viewing. Probably because it is too obvious.

Who first appears in your memory when you think of the great lovers in world literature? That's it. Only, unlike that one, this story does not seem sad.

But how elegantly done and played.

Romeo and Juliet were representatives of warring families, in fact, enemies that could not be together under any circumstances.

Who could be more antagonists than a vampire and a nun?

Romeo and Juliet fell in love with each other in spite of everything and against the will of their relatives, they strove for each other.

The entire episode on the ship is about how mutual attraction, interest, and love arise despite the circumstances, the wishes of the characters, and the frankly cruel behavior of one of them. And in response to Dracula's words that the kiss of a vampire is an opiate, the quote requested by, ‘You kiss by the book.’*

For violating the order of the Duke, Romeo was expelled but returned after learning that Juliet had died. Finding himself in the crypt in front of her (as he thought) dead body, he was poisoned.

One of the main plot conflicts and drivers of the third episode – is there Agatha here or not? Is she alive or dead? And if there is not Agatha, can she be returned?

And when Juliet, according to the plan of the priest, who undertook to help the lovers, woke up and saw the lifeless Romeo next to her, she stabbed herself with Romeo's dagger.

In the final episode, Dracula dies from the poison in Zoe's blood and Agatha – from the bite of his fangs.

Not enough for you?

Romeo and Juliet, Act II Scene II

But, soft! what light through yonder window breaks?

It is the east, and Juliet is the sun.

Conclusion

All the mythological, alchemical, and literary images we have considered here, in one way or another, ultimately work for the story. Not only to make it sound brighter and more original in a new performance but also to understand it. Because there is no Dracula without Shakespeare's heroes, without Agatha Christie's half-fabulous, hermetic detectives, without tension between the ‘vampire’ canon of the nineteenth century and the same canon one hundred and fifty years later, changed almost beyond recognition and made a new round in the story of Edward Cullen. And the better you understand them, the more voluminous and profound the story being told becomes.

So much the better you can see how far art has gone and how it today reflects what it feared yesterday and what it only briefly mentioned.

You see, after all, in Stoker's novel, Dracula is not so much a man or even a monster, but a certain mysterious incomprehensible element, chaos embodied, the personification of natural force, which is opposed by human reason and courage. It is no coincidence that the novel is constructed as a collection of written evidence – documents, newspaper clippings, letters, and diaries. The ‘screen’ of words, created by the author, allows the reader to distance himself from what is happening to the extent that he can perceive it calmly, without being captured by the emotions that are caused by the incomprehensible and supernatural. This is a very wise decision on Stoker's part, especially in the nineteenth century, when such stories were new to people and served in part as a way to ‘tame’ and make familiar their own fears.

Therefore, this novel probably gave rise to a whole genre. From this seed, almost all Western European horror literature grew. And the way the new Dracula is shown in the BBC film shows how long it has come.

From overwhelming panic horror through reckless falling in love (which psychologically can be considered an inverted fear – something like Stockholm syndrome) to the search for humanity. And love.

Because the stories of monsters and vampires are always about us. About how we look at the world and at ourselves. What we love in ourselves and what we hate. What are we ready to run headlong for, and what we turn away from. And what makes us who we are.

And if Sherlock Holmes helps us to understand how high we are ready to fly, then Dracula – how much courage we have to see who lives in the depths.

* W. Shakespeare Romeo and Juliet, Act I Scene V.

#dracula 2020 #bbc dracula #dragatha #agatha van helsing #count dracula #psychology #literature #meta

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citizenscreen · 6 years ago

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Out of the blue I watched a new-to-me movie the other day about a retired Army Colonel who takes on corrupt politicians in his hometown in Georgia. The movie’s title is Colonel Effingham’s Raid, a 1946 comedy directed by Irving Pichel starring Charles Coburn as the title character. Colonel Effingham’s Raid has a lot going for it with charm high on its list of attributes thanks in large part to Coburn, the Georgia native with a talent for comedy and an English accent. It was then that I decided to dedicate an entry to him because I enjoy him so…and…lo and behold, this week would have been his birthday.

Charles Coburn (June 19, 1877 – August 30, 1961)

We have an embarrassment of riches in the character actor department of classic films. There are numerous memorable actors who deserve praise for bettering films simply by their appearance no matter how small a role. One of those is Charles Coburn who enjoyed a popularity many of the other character players did not. Indeed, thanks to Coburn’s 3-decades-long screen career during which he appeared in nearly 100 movies and television shows, his name recognition rivaled that of the stars whose names appeared above the title. Coburn was also highly regarded critically receiving three Academy Award nominations for Best Supporting Actor, taking home Oscar once for his delightful portrayal of Benjamin Dingle in George Stevens‘ wartime comedy, The More the Merrier (1943). More important than awards, however, was Charles Coburn’s undeniable ability to delight greatly with his talent.

Charles Douville Coburn was born in Macon, Georgia on June 19, 1877 and grew up in beautiful Savannah. He was the son of Scotch-Irish Americans Emma Louise Sprigman and Moses Douville Coburn who were not entertainers, but that didn’t stop young Charles from taking odd jobs at the local Savannah Theater starting at the age of 14. He was bitten by the entertainment industry bug early and did everything from handing out programs to being the doorman to theater manager by the age of 18. Failing to make his mark in Georgia, Charles left for New York at age 19. Although Mr. Coburn didn’t hit the big time immediately, his Broadway debut in 1901 was an inevitability as was his forming The Coburn Shakespearean Players in 1905. His partner in that endeavor was another actor, Ivah Wills, who became Mrs. Coburn in 1906. The two had six children together.

In addition to managing the Coburn Players, Charles and Ivah starred in and produced many plays throughout the decades during which the troupe traveled to college campuses across the country and appeared on Broadway. The couple met when he was playing Orlando to her Rosalind in As You Like It. They continued to work together until her death in 1937 performing Shakespeare and French and Greek dramas and comedies. In her book, Greek Tragedy on the American Stage: Ancient Drama in the Commercial Theater …, Karelisa Hartigan mentions how the Coburn Players would give over 100 performances every summer mostly outdoors. The popularity of their performances created an interest in outdoor theaters with other companies following their lead. Charles Coburn played most of the male leading parts with Ivah, billed as Mrs. Coburn, playing the female leads. The productions were often called “amateurish” by critics, but the performances were always praised. These scholarly productions likely led to Charles’ English accent despite being a Southern gentleman.

I’d be remiss not to mention that although few know her name, Ivah Wills had a long list of credits in her own right both as an actor and producer in a career that spanned 35 years. Ivah garnered positive reviews along with her husband and both were highly regarded members of the acting community. To put it in perspective, consider that George M. Cohan was among the honorary pallbearers at Ivah’s funeral.

Cobrun and Wills in The Taming of the Shrew

Ivah and Charles

After Ivah Wills’ death, Charles Coburn moved to Hollywood to start a movie career. He’d already appeared in a 1933 short film and in The People’s Enemy, a crime drama directed by Crane Wilbur. However, the roles that would cement his legacy as a screen star began in earnest in 1938 with comedic performances far removed from his classical training, but roles in which he excelled. Coburn’s best movie roles are the ones where he perfectly balances the high-brow snootiness with a touch of bumbling fool. Roger Ebert described him as a toned down Charles Laughton and that’s exactly right. Coburn paved the road to stardom at the age of 61 and became a steadfast presence that could be counted on for his comedic timing as charming old men with affected manner and accent – always with a monocle, which he removed only to eat, and sometimes chomping on a cigar. One cannot help but smile when he appears on screen.

Clarence Brown‘s Of Human Hearts (1938) offered Coburn his first substantial role alongside a first-rate cast led by Walter Huston, James Stewart and another terrific character actor, Beulah Bondi. Although that film is a Western, Coburn played a doctor, the type of professional role along with several judges, business men, a couple of “sirs,” and rich guys that he enjoyably brought to the screen throughout his career.

Charles Coburn’s memorable big screen credits are too numerous to list, but he made important contributions to such enduring classics as John Cromwell‘s Made for Each Other (1939) and Garson Kanin‘s Bachelor Mother (1939). A personal favorite of mine, Preston Sturges’ The Lady Eve (1941) wherein Coburn plays “Colonel” Harrington, father to Barbara Stanwyck’s Jean Harrington, a duo of card sharps adept at swindling the rich, would not be the same without him. The actor followed that Sturges gem with his first Oscar-nominated performance as an irascible tycoon who goes undercover as a shoe clerk at a department store to try to uncover agitators trying to form a union in Sam Wood’s The Devil and Miss Jones (1941). Starring Jean Arthur, Robert Cummings and a slew of fantastic character actors like Spring Byington, Edmund Gwenn, S. Z. Sakall, and William Demarest, you must make time to watch The Devil and Miss Jones if you’ve not seen it. It is bewitching fun.

Coburn and Jean Arthur in THE DEVIL AND MISS JONES

The 1940s served several standouts for Charles Coburn who appeared in 4 to 5 pictures a year in the early part of the decade. Of course, his Oscar-winning performance in Stevens’ World War II comedy The More the Merrier stands tall above the heap. Opposite Jean Arthur and Joel McCrea, Coburn is wonderful as the retired millionaire who finagles his way into a room during the wartime housing shortage. Coburn’s blustering but endearing manner in this film typifies the greatest gift he brought to the movies, by my estimation, and it is hard to resist. Variety agreed with me as of this movie they wrote, “A sparkling and effervescing piece of entertainment, The More the Merrier, is one of the most spontaneous farce-comedies of the wartime era. Although Jean Arthur and Joel McCrea carry the romantic interest, Charles Coburn walks off with the honors.”

Another worthy 1940s turn for Coburn was Ernst Lubitsch‘s Heaven Can Wait in 1943. Here he plays another grandfather and another millionaire with usual memorable flare alongside a stupendous cast led by Gene Tierney and Don Ameche. Once again I must mention Pichel’s Colonel Effingham’s Raid in which Coburn co-starred with Joan Bennett and William Eythe and several other veteran character actors like Donald Meek and Cora Witherspoon. This was a fun discovery.

Charles Coburn received his third Academy Award nomination for what TCM’s Robert Osborne described as a “rip-roaring performance” as a gruff but loving grandfather in the coming-of-age tale told in Victor Saville‘s The Green Years (1946). Following that performance, Coburn’s big screen appearances slowed down significantly. He had signed a contract with Columbia Pictures in 1945, which required only four films in two years. This meant that the actor had more time to return to the stage and to dedicate time to television work, which he did with gusto starting in 1950 as a premiere guest on many anthology series. Still, Coburn made a few notable pictures in the 1950s delighting audiences with a comedic millionaire performance as Sir Francis “Piggy” Beekman in Howard Hawks‘ Gentlemen Prefer Blondes (1953), a role that could have easily been creepy portrayed by anyone else. He also played against type in John Guillermin‘s murder mystery, Town on Trial (1957), which I must get my hands on.

Coburn with Jane Russell and Marilyn Monroe in a publicity shot for GENTLEMEN PREFER BLONDES

Coburn’s final screen appearance was in The Best of the Post, an anthology series adapted from stories published in the Saturday Evening Post magazine. The March 1960 episode is titled “Six Months More to Live.” That seems a somber ending to a stellar career, but one to be proud of for many reasons not the least of which is that Coburn appeared in five Oscar Best Picture nominees: Kings Row (1942), The More the Merrier (1943), Heaven Can Wait (1943), Wilson (1944) and Around the World in 80 Days (1956). Only the last of these won, but they were all improved by the Coburn brand.

At the time of his death Charles Coburn was married to Winifred Natzka who was forty-one years his junior. The two were married in 1959 and had a daughter together. The actor’s final acting role was fittingly on stage in a production of You Can’t Take It With You in Indianapolis, Indiana a week before his death at the age of eighty-four. The previous year he had been honored with a star on the Hollywood Walk of Fame located at 6268 Hollywood Boulevard. If you ever pass that address be sure to look downward at his star – it was well earned.

A Tribute to Charles Coburn Out of the blue I watched a new-to-me movie the other day about a retired Army Colonel who takes on corrupt politicians in his hometown in Georgia.

#Character Actors #Charles Coburn #Classic Character Actors

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networkingdefinition · 5 years ago

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Play Quotes

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In my mind they are both essential. – Mary Russell Mitford • Don’t play the saxophone. Let it play you. – Charlie Parker • Don’t play what’s there, play what’s not there. – Miles Davis • Each player must accept the cards life deals him or her: but once they are in hand, he or she alone must decide how to play the cards in order to win the game. – Voltaire • For me right now I think being the world number one is a bigger deal than being the world champion because I think it shows better who plays the best chess. That sounds self-serving but I think it’s also right. – Magnus Carlsen • For my part I think it is a less evil that some criminals should escape, than that the government should play an ignoble part. – Oliver Wendell Holmes, Jr. • For Ripley I learned to play some songs on the piano, and I never really played them again. – Matt Damon • Generally the younger generation are not hard working. They will have to put in more effort to achieve results in tournaments. most of them can perform well but they cannot deliver when they play abroad. – Jahangir • God does not play dice. – Albert Einstein • He is not someone who went off to play in Europe and only a few Americans follow. He has the potential to be on magazine covers and more newspaper coverage. – Lamar Hunt • He that plays the king shall be welcome- his Majesty shall have tribute of me; the adventurous knight shall use his foil and target; the lover shall not sigh gratis; the humorous man shall end his part in peace; the clown shall make those laugh whose lungs are tickle o’ th’ sere; and the lady shall say her mind freely, or the blank verse shall halt fort. – William Shakespeare • Humor is by far the most significant activity of the human brain. – Edward de Bono • I believe that the artist’s feelings are in some way generative. And I suspect that much of the artist’s most productive emotion – not all of it but much of it – is felt in the course of playing around with form. – Carter Ratcliff • I can play songs that I hear from a movie and just play it a few times on the keyboard. I will hit all the notes on the keyboard until I find the right key, and then I will play the rest of the song. – Callan McAuliffe • I come to sing for the people, not for the government. God made the sunshine for everyone and made the moon for everyone. We have to follow his example so we have to play music for everyone too. We have a message, and in order for our message to reach the people, we have to play. – Ziggy Marley • I didn’t really play dress up when I was a kid, and I’m really T-shirt and jeans-y. – Ellen Page • I didn’t really want to be an actor when I was growing up – I wanted to be whatever I was reading about or seeing at the time. When I read The Firm I wanted to be a lawyer; when I saw Top Gun, I wanted to be a fighter pilot. So that’s why acting probably turned out to be a good thing for me because I get to be people for five minutes or 90 minutes. I’d be curious to see if I had the attention span to be like those guys on 30 Rock and play the same character season after season. – Jason Sudeikis • I don’t give a damn about any actors. What good will John Barrymore do you with the bases loaded and two down in a tight ball game. Either I get the money (more than Barrymore), or I don’t play! – Babe Ruth • I don’t have a favorite place to play. – Keren Ann • I don’t have to support Bibi, his government or any other conservative organization in order to come and play music in Israel, for people who want to come and listen to music. I think it’s b******t to ask me to boycott Israel and not America. It’s interesting that some people choose to pick on Israel and isolate her… I was invited to perform and that’s why I’ll perform, as long as the border is open and I’m welcomed. I’m just coming to play. – Anton Newcombe • I don’t think I’m very ambitious at all. But I seem to play people who have that quality. – Catherine Keener • I don’t wear bright orange clothes or leopard skin boots, but it was really good fun to play someone that does and have an excuse too! – Sally Hawkins • I guess the characters I play may be at the more destructive edge of the spectrum, more damaged or whatever, but I find a lot of female roles uninteresting. – Lili Taylor • I had this health teacher who kept me after class one time, saying, ‘You’re missing a lot of class.’ I was like, ‘Yeah, but I’m doing this play.’ He said, ‘Community theatre is not going to take you anywhere. Maybe you should stay in school’ – Dane DeHaan • I like to be other people, not me. And when you’re on the red carpet, it’s like, ‘Here’s Tom Hardy.’ I don’t want to be me. That’s why I play other people. – Tom Hardy • I like to play smart, three-dimensional women. I also like to play roles where the women are a little crazy. I just have a feel for crazy people. – Lili Taylor • I love doing voiceover work. I started doing voiceover work when I had just dropped out of school, and the first few professional jobs I got were plays, but then I started making money doing voiceovers. – Justin Long • I love the game – and I hate the Russians because they’ve almost ruined it. They only risk the title when they have to, every three years. They play for draws with each other but play to win against the Western masters. Draws make for dull chess, wins make for fighting chess. – Bobby Fischer • I love to play bid whist as much as I love football. – Emmitt Smith • I love to play games. I really like football, and I also like to ride horses. – Mary-Kate Olsen • I must be absolutely clear about this. Britain cannot accept the present situation on the Budget. It is demonstrably unjust. It is politically indefensible: I cannot play Sister Bountiful to the Community while my own electorate are being asked to forego improvements in the fields of health, education, welfare and the rest. – Margaret Thatcher • I often tell my students that you can’t worry about the end of an improv scene because the end is not up to you. You just play as hard as you can until someone changes the scene. The scene has changedthe end is not up to us. – Mark Sutton • I play an 89-year-old man whose wife has Alzheimer’s in a movie called ‘Still.’ I play a World War II veteran, I acted with my son and it’s called ‘Memorial Day.’ – James Cromwell • I play bad golf for good charities like the LA Police. – Robert Stack • I play guitar and I love the Beatles and melodic music. – Stephen Dorff • I play guitar, piano, bass and percussion. – Teena Marie • I play the guitar. I taught myself how to play the guitar, which was a bad decision… because I didn’t know how to play it, so I was a shitty teacher. I would never have went to me. – Mitch Hedberg • I play with microbes. There are, of course, many rules to this play…but when you have acquired knowledge and experience it is very pleasant to break the rules and to be able to find something nobody has thought of. – Alexander Fleming • I play, like, 12 instruments. Guitar, piano, harmonica, African drums… I’m working on mastering the accordion. – Lucas Grabeel • I still get wildly enthusiastic about little things… I play with leaves. I skip down the street and run against the wind. – Leo Buscaglia • I think the media makes it tough to play in New York. There are so many papers and TV channels covering the Knicks and the expectations for the Knicks are so high. • I thought it was such a unique concept to play parents who happen to be super heroes and have a son who is going through puberty and starting high school. – Kelly Preston • I thought people would ask me really personal questions because I’ve shown more of myself, but it’s a comedy, and people understand that it’s a game we play. – Charlotte Gainsbourg • I was in lots of dodgy bands growing up and I always fancied myself in a band. But, you know, I was rubbish at writing music. So maybe one day I’ll play a rock star, or punk rocker. – Gemma Arterton • I wasn’t allowed to play in some universities in the United States and out of twenty-five concerts, twenty-three were canceled unless I would substitute my black bass player for my old white bass player, which I wouldn’t do. – Dave Brubeck • I’ll play Pretty Pretty Princess with you if you just let me watch a little bit of March Madness. – Matt Damon • I’d like to do plays, maybe a one man show. – Jean Reno • I’d like to one day play Amanda, the mother, in The Glass Menagerie. – Bernadette Peters • If I only get to play Malaysian roles, there wouldn’t be very many roles for me to play. – Michelle Yeoh • If music be the food of love, play on, Give me excess of it; that surfeiting, The appetite may sicken, and so die. – William Shakespeare • If music be the food of love, play on. – William Shakespeare • If you can play the first ten or fifteen moves in just as many minutes, you can be in a state of bliss for the rest of the game. If, on the other hand, Bronstein thinks for forty minutes about his first move, then time trouble is inevitable. – Alexander Kotov • If you have the opportunity to play this game of life you need to appreciate every moment. a lot of people don’t appreciate the moment until it’s passed. – Kanye West • If you play an audiotape of a yawn to blind people, they’ll yawn too. – Malcolm Gladwell • If you want creative workers, give them enough time to play. – John Cleese • If your opponent is short (on time), play just as you played earlier in the game. If you are short keep calm, I repeat, don’t get flustered. Keep up the same neat writing of the moves, the same methodical examination of variations, but at a quicker rate. – Alexander Kotov • I’m not afraid to play my age. I never was. I’ve never been an ingenue. I like getting older. – Maria Bello • I’m sure civilizations will still evolve through play, or rather as play, since that seems to be a fundamental mechanism of our humanity. – Diane Ackerman • In academic life, false ideas are merely false and useless ones can be fun to play with. In political life, false ideas can ruin the lives of millions and useless ones can waste precious resources. An intellectual’s responsibility for his ideas is to follow their consequences wherever they may lead. A politician’s responsibility is to master those consequences and prevent them from doing harm. Michael Ignatieff, a former professor at Harvard and contributing writer for the magazine, is a member of Canada’s Parliament and deputy leader of the Liberal Party. – Michael Ignatieff • In art, everyone who plays wins. – Robert Genn • In every real man a child is hidden that wants to play. – Friedrich Nietzsche • In my early life my mother tried to create a nurturing environment in which my mind could play. Her big rule was “Never lose in your imagination.” She told me that thoughts were things and that I would become the thing I thought of most. This kind of empowerment is crucial to creative thinking. – Joey Reiman • In my sophomore year, a kid told me that the secret to getting women is to play really, really hard to get. I followed his advice, and I didn’t have so much as a date that year. – Greg Kinnear • In our play we reveal what kind of people we are. – Ovid • In the midst of wanton aggression, we still call upon the Arab inhabitants of the State of Israel to return to the ways of peace and play their part in the development of the State, with full and equal citizenship and due representation in its bodies and institutions – provisional or permanent. – David Ben-Gurion • It is better to play than do nothing. – Confucius • It is fair to say that insofar as sport is taken seriously by those who play it, then to that extent their conduct in play – their ability to deal with loss or victory, their ability to meld strategic thinking and brute force – can be taken as a small-scale model of how they, or others like them, might behave in life. – Will Self • It is impossible to struggle for civil rights, equal rights for blacks, without including whites. Because equal rights, fair play, justice, are all like the air: we all have it, or none of us has it. That is the truth of it. – Maya Angelou • It is in playing and only in playing that the individual child or adult is able to be creative and to use the whole personality, and it is only in being creative that the individual discovers the self. – Donald Woods Winnicott • It is my opinion that the 21st century will be the century of play, and the heteroglossic activity of artists in the 20th century has been the forecast. – Brian Sutton-Smith • It is paradoxical that many educators and parents still differentiate between a time for learning and a time for play without seeing the vital connection between them. – Leo Buscaglia • It is the fertile hallucination that makes paint so compelling. Paint is like the numerologist’s numbers, always counting but never adding up, always speaking but never saying anything rational, always playing at being abstract but never leaving the clotted body. – James Elkins • It is true that there are few plays of Shakespeare that I haven’t done. – Judi Dench • It may be that other developers are finding that their games play better on one platform over the other, so they’re choosing to migrate to that platform. – Sid Meier • It seemed like the right time. You reach a point when you say to yourself, ‘Do I want to keep doing this?’ There are other things on my plate I want to do — I’ve been writing a play, I’ve been neglecting my standup. – Joy Behar • It should be noted that children at play are not playing about; their games should be seen as their most serious-minded activity. – Michel de Montaigne • It’s been liberating to be able to play someone who’s a bada– or promiscuous, because that’s the opposite of who I am … It’s like a drug. – Jessica Alba • Its impossible to go onto the Tardis set and not play with things and fiddle with dials. – Jenna Coleman • It’s the faster bands that made me want to play guitar, bands like The Jam. – Graham Coxon • I’ve always been attracted to women who are assertive and have confidence – qualities older women possess. They’ve been on the Earth a little longer. They’re more seasoned. They don’t play games. They know what they want, and they’re not afraid to tell you. – Taye Diggs • I’ve always wanted to play a role in inspiring people to be better, to live higher quality lives and to feel good about the way that they look and feel. – Apolo Ohno • Jazz of the sort we play is a happy, extroverted music. You don’t have to think about it too much. – Chris Barber • Just play. Have fun. Enjoy the game. – Michael Jordan • Late in the third quarter the Cougars were behind 12-0. Duva had completed 5 out of 20 passes. Edwards looked at Gifford Nielsen. Giff had never done a thing, in practice or anywhere else, to give us confidence in him. . . . . . . the coach said later. He sent him into the game anyway. First play was a 19-yard completion. Second was a 6-yard run. He threw again on the third play to running back Dave Lowry who ran 37 yards for a touchdown. – LaVell Edwards • Learning is not child’s play; we cannot learn without pain. – Aristotle • Let’s not play games. I was suggesting – you’re absolutely right that John McCain has not talked about my Muslim faith. – Barack Obama • Life is a challenge, meet it! Life is a dream, realize it! Life is a game, play it! Life is love, enjoy it! – Sathya Sai Baba • Life is too short to play bad music – Bob Brozman • Life’s but a walking shadow, a poor player, that struts and frets his hour upon the stage, and then is heard no more; it is a tale told by an idiot, full of sound and fury, signifying nothing. – William Shakespeare • Looking at the championship-winning quarterbacks, Edwards remembered their particular talents: Gary Sheide: The image of Joe Namath. He even had Joe’s number. Had just a great feel and touch for the game. A great athlete who could play all the sports. He was more of a streak guy than any of them. He could miss two or three passes and then get hot and hit ten straight. He was the one who got it all started. – LaVell Edwards • Love is a game that two can play and both win. – Eva Gabor • Mac Rebennack, better known as Dr. John, once told me that when a brass band plays at a small club back up in one of the neighborhoods, it’s as if the audience—dancing, singing to the refrains, laughing—is part of the band. – Tom Piazza • Man does not cease to play because he grows old, he grows old because he ceases to play. – Drew Lachey • Man is most nearly himself when he achieves the seriousness of a child at play. – Heraclitus • Man’s most serious activity is play. – George Santayana • Men should learn to live with the same seriousness with which children play. – Friedrich Nietzsche • My 10 year old son likes it. He’s trying to play guitar and everything. He likes that kind of music. – Merle Haggard • My acting’s very understated. I think my sad and happy don’t play that differently onscreen. – Bret McKenzie • My family was never cultural in that we never went to see plays, my mum wasn’t very into films. – Gemma Arterton • Nobody plays this life with marked cards, so sometimes we win and sometimes we lose. Do not expect anything in return, do not expect your efforts to be appreciated, your genius to be discovered, your love to be understood. – Paulo Coelho • Of course, money matters to everyone even if some don’t want to admit it. If I won the Race to Dubai, I look at that prize money and think it could pay off my new house or the range I’m building. I am privileged to play golf for a living – look around St Andrews, that’s my office. • One aspect of play is the importance of laughter, which has physiological and psychological benefits. Did you know that there are thousands of laughter clubs around the world? People get together and laugh for no reason at all! – Daniel H. Pink • One man in his time plays many parts. – William Shakespeare • One night I was in the players’ parking lot at the Fleet Center in my Celtics warm-ups about a half hour before a game, waiting for one of my dealers to come up from Fall River, because if I didn’t get my stuff I was too sick to even go through the pre-game layup line, never mind actually play in the game. – Chris Herren • One will only be free when one plays and one’s society will become a piece of art. – Herbert Marcuse • Paul Klee seems to handle colors and dreams as if they both came out of a box of children’s toys. He plays and dreams with whatever he finds. – Jean Helion • Play becomes joy, joy becomes work, work becomes play. – Johannes Itten • Play gives children a chance to practice what they are learning…They have to play with what they know to be true in order to find out more, and then they can use what they learn in new forms of play. – Fred Rogers • Play is a uniquely adaptive act, not subordinate to some other adaptive act, but with a special function of its own in human experience. – Johan Huizinga • Play is the exultation of the possible. – Martin Buber • Play is your route to mastery. – Sara Genn • Playful arising is authorized by both risk and trust in the process and in oneself. To be truly playful and improvisational one must not look for results. – Joshua L. Goldberg • Russia will occupy most of the good food lands of central Europe while we have the industrial portions. We must find some way of persuading Russia to play ball. – Henry L. Stimson • Self-interest speaks all manner of tongues and plays all manner of parts, even that of disinterestedness. – Francois de La Rochefoucauld • Sometimes you have to play a long time to be able to play like yourself. – Miles Davis • Sound is not simply what we hear or play, but equally a feeling in the body – Howard Snell • Surely all God’s people, however serious or savage, great or small, like to play. – John Muir • That’s what I love about acting, you get to find little pieces of yourself in every character you play. – Julianna Margulies • The artist must ever play and experiment with new means of arranging experience, even though the majority of his audience may prefer to remain fixed in their old perceptual attitudes. – Marshall McLuhan • The beauty of playing together is meeting in the One. – Stephen Nachmanovitch • The cherished dream of every chessplayer is to play a match with the World Champion. But here is the paradox: the closer you come to the realization of this goal, the less you think about it. – Mikhail Tal • The creation of something new is not accomplished by the intellect but by the play instinct acting from inner necessity. The creative mind plays with the objects it loves. – Carl Jung • The creative mind plays with the object it loves. – Carl Jung • The creative writer does the same as the child at play; he creates a world of fantasy which he takes very seriously. – Sigmund Freud • The debt we owe to the play of imagination is incalculable. – Carl Jung • The Eeyore Educational System sees childhood as a waste of time, a luxury that society cannot afford . . . Put children in school at the earliest age possible; load them down with homework; take away their time, their creativity, their play, their power; then plug them into machines. • The Holy Spirit, in the variety of his gifts, unites us and enables us to contribute to the building up of the Church in holiness. In this great work, each of us has a part to play; each of us, as a “living stone”, is needed for the growth and the beauty of God’s holy temple. Let us ask the Lord to help us to take an ever more active part in the Church’s life and mission, guided by the Holy Spirit and with Jesus as our cornerstone. – Pope Francis • The master in the art of living makes little distinction between his work and his play, his labor and his leisure, his mind and his body, his information and his recreation, his love and his religion. He hardly knows which is which. He simply pursues his vision of excellence at whatever he does, leaving others to decide whether he is working or playing. To him he’s always doing both. – James A. Michener • The only time it dominates is during a solo, or when we play a low blues and I put figures in behind Eric’s vocals. There’s never any real problem fitting guitar and organ together. – Alan Price • The opposite of play is not work. It’s depression. – Brian Sutton-Smith • The playing adult steps sideward into another reality; the playing child advances forward to new stages of mastery. – Erik Erikson • The Play’s the Thing, wherein I’ll catch the conscience of the King. – William Shakespeare • The play’s the thing. – William Shakespeare • The quality of a play is the quality of its ideas. – George Bernard Shaw • The spirit of playful competition is, as a social impulse, older than culture itself and pervades all life like a veritable ferment. Ritual grew up in sacred play; poetry was born in play and nourished on play; music and dancing were pure play….We have to conclude, therefore, that civilization is, in its earliest phases, played. It does not come from play…it arises in and as play, and never leaves it. – Johan Huizinga • The sun did not shine. It was too wet to play. So we sat in the house. All that cold, cold, wet day. – Dr. Seuss • The supreme accomplishment is to blur the line between work and play. – Arnold J. Toynbee • The true man wants two things: danger and play. For that reason he wants woman, as the most dangerous plaything. – Friedrich Nietzsche • The true object of all human life is play. Earth is a task garden; heaven is a playground. – Gilbert K. Chesterton • The very essence of playfulness is an openness to anything that may happen, the feeling that whatever happens, it’s okay… you’re either free to play, or you’re not. – John Cleese • The world is open for play, that everything and everybody is mockable, in a wonderful way. – Robin Williams • There are children playing in the streets who could solve some of my top problems in physics, because they have modes of sensory perception that I lost long ago. – J. Robert Oppenheimer • There are times when I love to play all kinds of complicated games in painting. But this is one case when I need to be fairly straightforward. I’ll just try to paint the man, his intelligence, his amiability and his stature, maybe paint him fairly close to humor and try to get it just right. – Nelson Shanks • There is for many a poverty of play. – Donald Woods Winnicott • There is something about seeing real people on a stage that makes a bad play more intimately, more personally offensive than any other art form. – Anatole Broyard • There is work that is work and there is play that is play; there is play that is work and work that is play. And in only one of these lies happiness. – Gelett Burgess • There’s such a sense of theatre in getting glammed up; it’s like putting on a play or short film. – Felicity Jones • There’s that thing that can happen to you when you meet somebody and you don’t consider them extraordinary at all and then they do something like play the cello or write amazing poetry or sing and suddenly you look at them completely differently. – Yvonne Prinz • There’s very little to be said for learning a piece note by note, reading the rhythmic markings, practising the fingerings and following your instructor’s suggestions, if you haven’t any idea how the music will eventually sound and feel. If you learn a piece mechanically, you may have to ‘unlearn’ it before you can play it with expression and feeling. – Barry Green • They said I couldn’t play anything but an English boy. I knew I could. So I went to New York. – Roddy McDowall • This is the real secret of life — to be completely engaged with what you are doing in the here and now. And instead of calling it work, realize it is play. – Alan Watts • Those who’ll play with cats must expect to be scratched. – Miguel de Cervantes • To learn to play seriously is one of the great secrets of spiritual exploration. – Rachel Pollack • To start your life as a character of 120 years when you are in your late thirties, and then go back in time about 20 years later to play the same character who is your own age then, its very complicated, but very interesting. – Ian McDiarmid • To stimulate creativity one must develop childlike inclination for play and the childlike desire for recognition. – Albert Einstein • To truly laugh, you must be able to take your pain, and play with it! – Charlie Chaplin • Tony Vigorito has grown a cult following of thousands for one reason – his stuff is fun to read… It’s… filled with the freshness and the freewheeling independence that made his reputation… This book is the ‘work’ of one of the least pretentious and most enjoyable to read novelists at play in America today. – Kris Saknussemm • Usually most characters I play are quite realistic. – Virginie Ledoyen • Very often the effort men put into activities that seem completely useless turns out to be extremely important in ways no one could foresee. Play has always been the mainspring of culture. – Italo Calvino • We are never more fully alive, more completely ourselves, or more deeply engrossed in anything than when we are playing – Charles E. Schaefer • We can’t all be Einstein (because we don’t all play the violin). At the very least, we need a sort of street-smart science: the ability to recognize evidence, gather it, assess it, and act on it. – Judith Stone • We could play them through the week, and then the weekend we could play the black joints. I learned to be very versatile and learned to love it. So it stays with me even up to now. – Little Milton • We don’t play slow and we don’t play fast, we play half fast – Louis Armstrong • We don’t stop playing because we grow old; we grow old because we stop playing. – George Bernard Shaw • We learned about honesty and integrity – that the truth matters… that you don’t take shortcuts or play by your own set of rules… and success doesn’t count unless you earn it fair and square. – Michelle Obama • We live in a world of entertainment in full color with a lot of fast action, a world in which many children grow up thinking that if it isn’t fun, it is boring and not worthwhile. Even in family activities we need to strike a balance between play and work. – Joe J. Christensen • We often say that psi is like musical ability: it is widely distributed in the populate, and everyone has some ability and can participate to some extent – in the same way that the most nonmusical person can learn to play a little Mozart on the piano. On the other hand, there is no substitute for innate talent, and there is no substitute for practice. – Russell Targ • We tend to think of the Faustian man, the one who fabricates, manipulates, seduces and ends up destroying. But the new image will be man the creator, the artist, the player. – Jean Houston • Well, I am very happy that I was able to play a part in bringing music from the streets onto the radio and into modern culture, I worked very hard and always believed in the sounds I was creating. – Ice T • Well, I play Jews and parrots. Parrots are how I’ve branched out. – Gilbert Gottfried • Well, it’s a marvelous night for a Moondance With the stars up above in your eyes… And I’m trying to please to the calling Of your heart-strings that they play soft and low And all the night’s magic seems to whisper and hush And all the soft moonlight seems to shine in your blush… One more Moondance with you in the moonlight On a magic night – Van Morrison • What if not just women, but both men and women, worked smart, more flexible schedules? What if the workplace itself was more fluid than the rigid and narrow ladder to success of the ideal worker? And what if both men and women became responsible for raising children and managing the home, sharing work, love, and play? Could everyone then live whole lives? – Brigid Schulte What we play is life. – Louis Armstrong • When I play from my mind I get in trouble. – Stevie Ray Vaughan • When I started off many years ago, I made a determination that there were certain roles I didn’t want to play. – Joe Morton • When I tour I’m going to countries to play music for people. My presence in a country is not an endorsement or a condemnation of that country’s policies. My presence in a country is an effort to connect with people through playing music. – Moby • When the band plays fast, you play slow; when the band plays slow, you play fast. – Miles Davis • When you play a match, it is statistically proven that players actually have the ball 3 minutes on average … So, the most important thing is: what do you do during those 87 minutes when you do not have the ball. That is what determines wether you’re a good player or not. – Johan Cruijff • When you play, play hard; when you work, don’t play at all. – Theodore Roosevelt • Whoever wants to understand much must play much. – Gottfried Benn • With passion pray. With passion make love. With passion eat and drink and dance and play. Why look like a dead fish in this ocean of God? – Rumi • Without this playing with fantasy no creative work has ever yet come to birth. The debt we owe to the play of the imagination is incalculable. – Carl Jung • Work and play are words used to describe the same thing under differing conditions. – Mark Twain • Work consists of whatever a body is obliged to do. Play consists of whatever a body is not obliged to do. – Mark Twain • Working with Sturges was like working with a guy who wanted to have a party all the time. He was very serious about his work, but in between shots, he was fun and we would play games. – Eddie Bracken • You have to know 400 notes that you can play, then pick the right four. – Miles Davis • You have to learn the rules of the game. And then you have to play better than anyone else. – Albert Einstein • You play to win, to get that World Series ring, All-Star games and whatever comes with it. – Nick Johnson • Your government has problems…my government has problems. I can’t be a judge. All I can do is be an ambassador of love. I’m a musician, not a soldier, and if I’m invited to a place in order to play and bring love, I’ll always accept the invitation. – Meshell Ndegeocello • Your money is like your willy, it only grows if you play with it – Len Goodman • You’ve achieved success in your field when you don’t know whether what you’re doing is work or play. – Warren Beatty

jQuery(document).ready(function($) var data = action: 'polyxgo_products_search', type: 'Product', keywords: 'a', orderby: 'rand', order: 'DESC', template: '1', limit: '4', columns: '4', viewall:'Shop All', ; jQuery.post(spyr_params.ajaxurl,data, function(response) var obj = jQuery.parseJSON(response); jQuery('#thelovesof_a').html(obj); jQuery('#thelovesof_a img.swiper-lazy:not(.swiper-lazy-loaded)' ).each(function () var img = jQuery(this); img.attr("src",img.data('src')); img.addClass( 'swiper-lazy-loaded' ); img.removeAttr('data-src'); ); ); );

jQuery(document).ready(function($) var data = action: 'polyxgo_products_search', type: 'Product', keywords: 'e', orderby: 'rand', order: 'DESC', template: '1', limit: '4', columns: '4', viewall:'Shop All', ; jQuery.post(spyr_params.ajaxurl,data, function(response) var obj = jQuery.parseJSON(response); jQuery('#thelovesof_e').html(obj); jQuery('#thelovesof_e img.swiper-lazy:not(.swiper-lazy-loaded)' ).each(function () var img = jQuery(this); img.attr("src",img.data('src')); img.addClass( 'swiper-lazy-loaded' ); img.removeAttr('data-src'); ); ); );

jQuery(document).ready(function($) var data = action: 'polyxgo_products_search', type: 'Product', keywords: 'i', orderby: 'rand', order: 'DESC', template: '1', limit: '4', columns: '4', viewall:'Shop All', ; jQuery.post(spyr_params.ajaxurl,data, function(response) var obj = jQuery.parseJSON(response); jQuery('#thelovesof_i').html(obj); jQuery('#thelovesof_i img.swiper-lazy:not(.swiper-lazy-loaded)' ).each(function () var img = jQuery(this); img.attr("src",img.data('src')); img.addClass( 'swiper-lazy-loaded' ); img.removeAttr('data-src'); ); ); );

jQuery(document).ready(function($) var data = action: 'polyxgo_products_search', type: 'Product', keywords: 'o', orderby: 'rand', order: 'DESC', template: '1', limit: '4', columns: '4', viewall:'Shop All', ; jQuery.post(spyr_params.ajaxurl,data, function(response) var obj = jQuery.parseJSON(response); jQuery('#thelovesof_o').html(obj); jQuery('#thelovesof_o img.swiper-lazy:not(.swiper-lazy-loaded)' ).each(function () var img = jQuery(this); img.attr("src",img.data('src')); img.addClass( 'swiper-lazy-loaded' ); img.removeAttr('data-src'); ); ); );

jQuery(document).ready(function($) var data = action: 'polyxgo_products_search', type: 'Product', keywords: 'u', orderby: 'rand', order: 'DESC', template: '1', limit: '4', columns: '4', viewall:'Shop All', ; jQuery.post(spyr_params.ajaxurl,data, function(response) var obj = jQuery.parseJSON(response); jQuery('#thelovesof_u').html(obj); jQuery('#thelovesof_u img.swiper-lazy:not(.swiper-lazy-loaded)' ).each(function () var img = jQuery(this); img.attr("src",img.data('src')); img.addClass( 'swiper-lazy-loaded' ); img.removeAttr('data-src'); ); ); );

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equitiesstocks · 5 years ago

Text

Play Quotes

Official Website: Play Quotes

<span data-mce-type="bookmark" style="display: inline-block; width: 0px; overflow: hidden; line-height: 0;" class="mce_SELRES_start"> (adsbygoogle = window.adsbygoogle || []).push();

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