#turns out she's sad

[talesfromskycountry]

"I know you", said the Gull. "I see you at night, standing with the lantern. Who are you waiting for?"

[chloesimaginationthings]

The day FNAF Charlie Emily was shut out..

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[sforzesco]

something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.

it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.

and love. it's also about love. even when you had nothing, you had love.

on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.

edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.

Perseus, Daniel Ogden

Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet

[pocketgalaxies]

The silver color of the thread begins to fill with more golden light. (requested by @overnighttosunflowers)

[heartorbit]

mira monday is upon us

[pouletpourri]

pomnis

[bibliosims]

because i'm currently working on my own save file with certain townies already madeover, i decided to do the suggested townies from worlds i don't own ! to everyone who mave a suggestion, thank you !! ily ♡

thank you to @hauntedtrait for creating this challenge ! also, this template was directly inspired by @/literalite's version

[merlins-strawberriesandroses]

The thing no one ever considers while writing up character analyses about Merlin is that. he must have been sooooooo sleepy.

[o3o-lapd-o3o]

(part ???? of this ongoing thread/universe/au?)

(buckle yourselves in this is a long one!) (will be two parts as my brain wouldn't stop coming up with more nonsense as per usual)

*not long after telemachus met his dad's enemy 'friend', the god of the seas poseidon, for the first time*

*poseidon has fled (gods don't flee they briskly walk away) left to go back to the sea*

*odysseus, penelope & telemachus are having dinner*

telemachus: *smiling while retelling the meeting to penelope* -and he was so nice! father is so lucky to have him as his friend-

odysseus: *slightly chokes on his food at poseidon still being referred to as his friend*

telemachus: *looks at odysseus* -father are you ok?

penelope: *who knows odysseus' real relationship with poseidon*

penelope: *hasn't had much entertainment in 20 years*

penelope: *wants to stir the pot some more* ignore your father my dear, please continue telling me all about his friend

odysseus: *looking at penelope*

odysseus: *under his breath* penelope why?

*dinner continues with poseidon being the subject much to odysseus' dismay*

telemachus: *enjoying the family dinner*

telemachus: *gasps*

odysseus & penelope: ???

telemachus: we should have a big family dinner! father you can invite lord poseidon! i'll invite athena!

telemachus: *happy with himself for thinking of such an idea*

odysseus: *doesn't want to shoot down his son's idea, but also DOES NOT WANT TO SPEND ANY MORE TIME WITH POSEIDON*

odysseus: *scrambling for an excuse* son, he's a god and surely is very busy an-

penelope: *with a devilish grin* -and i'm sure will make time for his friend! what a wonderful idea telemachus! i'll let the palace cooks know!

penelope: off you go dear husband~ go and let your friend know~

odysseus: it's evenin-

penelope: first thing tomorrow then!

odysseus: *sighs in resignment* yes my love

telemachus: great! i can't wait to tell athena-

*athena appearing out of nowhere*

athena: i heard my name and came.

odysseus: athena?!

telemachus: athena!!

penelope: oh lady athena!

athena: *smiling whilst looking at telemachus* what would you like to ask me telemachus?

telemachus: oh yeah! we're going to have a big family dinner! father just needs to invite his god friend-

athena: *confused as she's odysseus' god friend* but i-

odysseus: *panicked* wait-

telemachus: -lord poseidon!

athena: *wide-eyed in shock*

athena: *slow blinking* did you say odysseus' friend is p-po- my uncle?!

telemachus: *nods and smiles* yeah, i thought you knew!

odysseus: *wondering how he'll explain this whole situation to athena*

odysseus: *under his breath* well now she knows...

penelope: *laughs to herself*

(to be continued!)

(okay i know i said in the reply to the ask i'd post the dinner scene, but my brain wouldn't stop throwing stuff for me to add in the run up to dinner. so there WILL be the dinner scene, but that will be in another post... tomorrow? -depending on how my work day goes-)

[bumblingbabooshka]

The worst trope in the universe is when someone accuses character A, who is part of a real or fantasy or coded minority, of doing something bad and everyone's like "That's just your prejudice against [real or fantasy minority]!" and it turns out character A actually did do that bad thing and everyone else was stupid for not believing they did that bad thing.

[totsandnuggsrebloggs]

Some Things I Screenshotted From W2H2 Part 1 While Watching Frame By Frame

Spoilers below

Fucking Somic

I thought Jonathan was the one with the nice ass.

nice. (1312 = ACAB)

Love the chords chart in the background and the book that read "Weeds, Invasive Plants of The Midwest" but what caught me off guard about this scene is that Jonathan just has like, a scalpel??? In his pencil holder??? Facing sharp side up!??? I mean like, I cant judge, I also have a scalpel but i store it in a fucking sterilized box!? I dissect mushrooms with it what is he doing with it??? Dissecting flowers????

I think this is meant to be a 3 leaf clover but it could also be a sticky hand?

I saw it earlier but this is a better pic of those little dinosaur or maybe monster finger puppets you'd get from arcade display cases.

Dolphin.

Yesssssssssssss- wait what is that?

Oh my god funckin Sonic 2

The end.

[likeafantasy]

[dimension-20-every-introduction]

Everyone Introduced in Dimension 20's Fantasy High: Junior Year episode 17

[dolls-self-ships]

had the idea of a human au for my chicken run self insert (and all the characters really, more to come on that) for a while now and I’m so glad I finally was able to fully get their designs out on paper (or I guess screen)

[longelk]

ok um. indulgent of me. but drawing request could you draw the most euphoric moment of a potential kaycee's transformation into mothman or werewolf (or otter) (or leshy)

i know what you are