#tumblr quality does me so bad
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le0lg · 1 year ago
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drew this w my fingers cuz i didnt pack my apple pencil w me nd it kinda ugly but its ok cuz it was js 2 pass the time lol
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cak31ssuperi04 · 1 year ago
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fun fact: Them
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fvedyetor · 1 year ago
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heyo yokohama, tell me what's that sound~
go read @pepper-steam-milkshake's fic right now omg its so good
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jtownraindancer · 1 year ago
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Burn Gorman as A Drunken Desert Desperado
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flamingothing · 3 months ago
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tag ramble
#not to sound like an attention seeker But does it sometimes feel like you're work is ignored if you're not already like. a big creator#this is about gifmaking yes. again -_- i do this every few months#im just dejected a little i feel because i think my gifs are good. i am very proud of them. i think they are good quality and i like my#colouring etc etc. Which is why i want people to see them. because i like them so much :D#but it feels like there's nooooo point if you're not already like. big. doing numbers. it feels like there's a wall between me and 90% of#other gifmakers and idk what it is#like what is itttt. am i not personal enough on my account? i don't think it's that. it's an interest focused acct like everyone elses#i make text post sometimes with thoughts and stuff#i try and interact with other people's gifs and stuff. i keep adjusting my queue time cuz i feel bad when stuff takes a bit to#come out and i want them to know their work is seen and i like it#outside of like. tkd lol. i gif stuff i know people like. well i gif it for me of course but i know other people on tumblr like it#and then i scroll thru the network tag for that group and every post around mine is doing numbers and mine is just. there#idk sorry for whining i guess. im just sad. i like my gifs too much If i liked my stuff less i'd care less i know#i appreciate the tags i get from friends. i really do. and i know that should be enough for me#but i also have this little ache all the time >_>#been gifmaking for 15 months now and ive yet to crack the secret
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lusalemaart · 1 year ago
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🥛🍔
#really getting fucking tired of tumblr not compressing my file itself. like it ruins the quality but it wont#automatically resize my massive fucking files!? gotta do it myself?? ugh. the lack of usability across all social media platforms is just#getting so hard to stomach anymore. nothing is functional. people get their accounts removed for no logical reason. im exhausted.#and yet i still want all my shit in a collective place -_-#ugh.do you ever look at something and are like. holy shit i painted this.damn. unfortunately it doesnt happen very often but when it does?#almost always my vent boy. why. why is that?why cant i paint anything half decent except this emo boy with a mullet?whatever. also. kinda#random but.not actually random. related actually.idk if this is just me but like. sometimes there are Articles in ur living space that just#exist. like u just accept they exist even tho u have no recollection of attaining them. im talkin clothes specifically rn. like i have this#aqua-green robe with blue trim that ive had as far back as i can recall...except i cant for the life of me remember where it came from! its#almost like it spawned in my closet one day.i just. accept it.like. dont get me wrong. it cozy. its quite physically held up for decades.#i wear it all the damn time. but ive no mortal clue how it got here. ive no memory of receiving it.also ngl i had way too much fun renderin#his beard.like u cant tell bc i apply about a million overlay layers and filters respectively to my finished works. ultimately covering up#hours + hours worth of finely rendered details each drawn individually by hand. deeming my efforts useless in the end bc i cover it up but.#trust me. i took some time with that beard.beard gang beard gang.mullet beard gang.dirty smelly mullet beard man. hello yes my name is#80 y/o who is 32/33 years old. how are you today? im personally doing terrible.good talk. WHAT CAN I SAY i just think the emo grown ass man#with boatloads of physical AND emotional trauma is neat. MY HANDS LOOK LIKE THIS SO HIS DONT HAVE TO *camera pans to a fucked up little set#of discolored claws skin translucent as alll hell. no muscle.atrophied beyond repair. also a bit of dirt is caked under the brittle + ridge#unhealthy nails. cuts and scraped take approx 3 months to heal bc the nerve functioning is That Bad*.#botdbs#fk#on a final note. I drew these about a week ago. I was literally only listening to cheeseburger in paradise the whole time. Then I learned#today that Jimmy Buffett passed away yesterday. broke my heart a little. i was just drinking my coffee from my margaritaville mug too.#Rest in peace legend. I hope heaven has so many cheeseburgers.#so many cheeseburgers in literal paradise.#Makin' the best of every virtue and vice. Worth every damn bit of sacrifice. to get a. cheeseburger in paradise.
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ladybyakuya · 6 months ago
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| HIGH IN LOW PLACES + natsuki seba & yoichi nagumo.
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+cw. — fem!reader, headcanon + scenarios format, canon typical themes and elements, mention of alcohol and drinking,ex.plicit smut{ mention ofunprotected, oral acts }, slight angst and fluff.
+wc. — 2k.
+syn.— how do they generally spend their off day ? Is it any different when you're with them?
+notes. — my sk days debut post. yay! yay! i just caught up with it and im still making memes in my head ( yeah, its that bad </3)tap the banner for better quality </3 cuz tumblr made it so whack after upload. the title is from a song by beach weather ( one of my recent favs ). i have some more wips on sk days but lets see if the starts align or they go against me. wanted add two more characters but i got carried away while writing. so next two for next weekend ig. if you catch my favoritism, then good. go ahead & exploit it ;) | redirect to blog navigation.
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✦ natsuki seba : 
The sun has not even kissed the horizon yet. It is still afternoon. Natsuki was busy building one of his work-in-progress weapons as usual even though it was an off day. The JCC is not exactly asleep but is surely a little doused today. JCC never sleeps. You are in his dorm room, waiting for him to finish his work at least to a certain stage and then have lunch with you but you doubt he is barely aware of what time it is. You are not exactly hungry, at least not for those wet soggy noodles but you do miss him even though he is right in front of you. There are times when you have to feed him lunch so that he can keep working. The dorm room is small for two but given the habits of you two, it always works out, somehow. You sleep when he is working while he sleeps when you are busy or out to get something. But currently, sleep is nowhere to be found at the banks of your eyes.
“Natsu, come eat with me,”
Seba turns his head at first and gives you a look; a look that clearly states: “Are you mad?” Do you know how ridiculous you sound? His eyebrows grow closer while his lips pucker forming a pout and then he goes back to working again. He is mocking you. He is working while you sit idle and flip through a porn magazine from his collection. It’s funny because the porn magazine is not his. It is from Shin. He was just looking out for him. Shin thought it was highly uncanny how a guy could make weapons all day and night, and be obsessed with something so odd that one forgets to masturbate. Doesn’t even have the urge? Or better does his curious side not think about such self-pleasurable prospects? Well, what would Shin know?
“Natsu, come eat me out,” 
At first, he looks up from the device he was working on and then spares a glance at you.
You make yourself busy flipping through the pages of that lewd magazine. He is staring. You can feel it.
He goes back to work again but a second later he puts the miniature parts from his hand beside the device and turns his chair towards you rubbing his chin as his elbow stands on the hand-rest of the chair. He is considering it. Holy Shit. You did not mean that.
“Really? Can I?” There is a thin layer of sneer laced underneath his voice.
You closed the magazine and stood up, keeping it on his table. He looks at the cover and a chuckle escapes from his chest probably remembering how he got it or why you ordered him to eat you out; not that he would mind . . . his eyes are back on you again. “Now that I’ve your attention. Finish your lunch and then work on your project.”
“I’m going out to meet someone,” You try to leave but he grabs your wrist pulling you back in front of the bed. 
“You're lying.” he snorts out a chuckle.
“You know,” Natsuki gets up and takes slow steps towards you as you back away cornering you as he still holds your hand. “eating you out . . . that might just be the thing I need to finish my project.”
Wait. what?
Before you can ask anything he just puts you on his shoulders, walks to the bed throwing you on the mattress. For someone who is a weapon engineer, who does not spend time on fieldwork he sure has a lot of strength.
“I didn’t mean it. I just wanted to get your attention that’s all.” you try to protest but it does not faze him, not even a little.
“Well you did a good job.” Grabbing your ankles he pulls you towards the edge of the bed before getting on his knees. He points to the cup noodles. “And, i’m not eating that.”
He pulls down your panties and shorts simultaneously. You do not stop him because you crave him as much as he needs this to de-stress or that’s how he would put it. Spreading your legs he places a trail of tender kisses along your thighs threatening your sanity, threatening the urge to push him away but you simply do not want to do that. You want this: him worshipping you like he used to. The moment his lips graze your entrance you arch back, hands resting on the mattress and crumpling the sheets as Seba gets more devoted to the cause. You put one of your legs over his shoulders as he buries his face deeper inclining his face a little to lap his tongue against your pussy lips. You bite your lower lip roughly before a whisper of words comes out of your mouth, “Ya know, you should return those magazines to Shin,”
“What?” he asks; nose glistening with your arousal, wet lips, cherry cheeks, and excited eyes. A curvature appears along your lips as you run your fingers through his hair and tug at it revealing his forehead forcing his eyes to close just for a second. He is still waiting for your response. 
“Nothing. Get to work,” you say and he listens to it like a good boy.
✦ yoichi nagumo.
“Is it that tasty?” Nagumo asks drinking an o-choko full of sake from your share. His face distorts feeling the strong fizziness. “How can you drink this?” his voice spikes up as he gulps it down. He hates it, hates this, that how you on every weekend would to go Sakamoto stores and buy liquor to drink out your misery. What a waste! He does not understand why you would spend your weekends drinking, especially when he is here. Sakamoto would often tell you to stop drinking but what’s the point? You nod like a good girl, buy some cup noodles and chips and after the store closes Shin arrives with the booze. Shin is knocked out on the floor already. But he is still keeping up with you not that he enjoys it but he is looking for an opportunity to make you stop and in that process, he ended up taking a few shots. He hates it, he hates this. He hates how you make drinks. It stings on his tongue. This is not because he wants to spend his off day with you. He rarely gets a day off and he can not go that to waste, can he now?
“Wanna fuck?”
You look at him with heavy eyes and a flustered face for a few seconds. “No.”
He is stone-cold sober. He is not even that drunk, to begin with. You are. You are still so dizzy and slumber threatening your eyes but you force them open divulging, “Too much work.” Ah! The slur. The slur in your voice. His head tilts as a smile breaks on his face like a plague.
“I’ll do the work.” Nagumo insists. “All of it.” His voice is low, slow. He wants to get through to you. “I’ll make you feel so good.” He does not want you to dismiss his words as just a drunken haze or something like that. He is already neck-deep in guilt for being unable to give as much time he wants, as much as the time you demand and crave from him. He can not sabotage your security but he would not deny that he likes meeting with you in secret; gives him some sort of thrill he thinks. “I promise,” he mumbly adds.
But he does not want to overdo it or wear you out. He can’t. He won’t. He is a good when he is with you. “Woah, careful.”
After moving the bottles and cups aside, now you are all on your fours crawling towards him like a cat. He can see your boobs, the nipples— everything. Wait, is that his tank top? He must have left it when he came to you here last time. He can’t remember when but he remembers he lost that one black tank top.
As you reach, your face inches away from him you lean for a kiss but he sways away. It instantly ruins your mood. He is smirking now as you are pouting. It turns into a snort. “Shin’s still here,” He points at the boy sleeping on the couch. You glance at the boy and then look at Nagumo. He is confused. You are impatient. Fuck it.
You hold on to his shoulders trying to get into his lap, legs sprawled apart and as you make yourself comfortable your legs get clamped around his waist. He does not lose his balance but rather helps you with it.
“Babe, Shin’s still here,” Nagumo repeats making you remember.
“Don’t care,” you shout and Nagumo covers your mouth with his palm while his index finger stills over his lips shushing you. You nod. It seems he got through to you.
You do not allow him to dodge him anymore.
You lean into his hand that is still over your mouth, nuzzling against his palm. He shoves his fingers into your hair, his index finger grazing behind your ears igniting your skin with goosebumps. His thumb roughly stretches across your bottom lip before you kiss the tip of it but he swats his hand away before you could suck on it; grabbing his other arm and you slide it under the blacktop. Nagumo does not squeeze your boobs. Not yet. He does not want to do it, not like this. Last time, both of you were sober and now both of you are drunk: you on alcohol and him on you. You buck your hips trying to get closer to him. 
“God Nagumo, why are you being like this? You said you'd do all the work. . .”
because it's amusing. The fact that you are scolding him with a whispering tone is making him tremble in mirth. He is barely holding it; you are frustrated, drunk, and horny. God! What is he going to do with you? Can he really hold himself back? Maybe he should not have proposed the idea in the first place. His hands are stretched, settled on the floor as he watches you: intently, nervously.
“Kiss me.”
And your lips instantly dance against his in a frenzy yet his hands are still on the floor. Even in this state, you manage to unbuckle his belt with one hand as the other works on the buttons of his shirt. It turns him on how swift you are too. You would be very skilled in his line of work. Maybe you are, too skilled that he did not even notice. Nah! you can't be a spy.
“Put it in” you command this time breaking the kiss. Nagumo was just starting to get to the good part of the kiss only to get deprived of it. He does not waste a second to abide by your said words. If he did, he might have to walk out thinking out the possibilities of how odd it was for a first meeting with you.
Strong hands against the plush of your hip as he adjusts his cock to your entrance. He pushes aside your panty before rubbing it against your entrance. Your hands squeeze the muscles of his shoulders.
“Without . . . condom?”
So, is that why he was delaying it? You thought he didn't want this but mentioned it for the sake of pity and now he is trying to get on your nerves to wake Shin up.
Your brain freezes after such a flow of info. You give him a nod.
Nagumo swallows before his cock goes inside without rubber. It's electric: the feeling of your flesh around his.
“Take me to that room,” you gasp out the words.
“What?”
“I said what I said.”
You become so handful when drunk not that he minds. He takes you to the room kicking back the door behind you to close before crashing onto the bed.
The next morning Shin has to buy a pair of black trousers for Nagumo and he does it without even questioning. He really does not wanna know what happened after he took you inside the room.
@underratedcharactercorner
@interstellar-inn
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sunny-knight · 22 days ago
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What Kind Of Monster Was He?
A @forgettable-au fan (colored) animatic
MINOR BLOOD WARNING!
*Was he the kind to do too much, or not enough?
…OK, SO WHAT HAD HAPPENED WAS-
I had planned to finish this into a full fledged animation, but a lot of the parts I did end up finishing just didnt live up to what I imagined…I waited for more motivation to happen, but it just didnt so HERES THE COLORED ANIMATIC CAUSE IM REALLLY HAPPY WITH WHAT I HAVE and ive sat on posting this for like a 2 weeks 😭 which is an eternity in my time
Im gonna post the unfinished “finished” part on my side account @o-sunny-day though! and probably have people yell at me cause it actually isnt that bad AND IT TOTALLY ISNT I just… art. You get it. ENOUGH YAPPING! ITS TIME TO YAP!
except not yet, MORE BACKGROUND INFO HUCDHUC- but its background info on explaining the lore…
The explaining is much less expansive than in Dear My Dear just because I didnt work on it long enough to think every bit of it through. This is just a clean, nicer looking, and colored version of the very first storyboard.
I usually think about and put more effort into the little stuff while making the FINISHED bits since ive had so much more time to think about that in all the preppin n sketching.
BUT I liked the explaining format I did for Dear My Dear so im sticking with it!
The main idea for this was to do a study of Wingdings’ character from what we’ve been given, mainly focusing in on the expectations he puts on himself because holy shit the lyrics for this works so stupidly well it makes me mad LOOK AT THIS???
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its ridiculous. i love it. I didnt know Jack Stauber helped write Forgettable AU???? woww!!! ANYWHO thats the gist of it, not much context is needed past that. Onto the sillies!!!! (per usual excuse the shitty quality of the pngs idk why Tumblr does that-)
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Did you know love? Will you rest in peace?
Wingdings and Sans holding hands as kids, before turning to a casket like appearance for adult WD. The flowers hes holding are pretty important too, Marigolds to represent grief, Lilys, new life, and Forget Me Nots for this lovely little line I found when looking up good flowers to use-
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“a promise to always remember” ….stop that.
That actually also has a double meaning in this case too. 1, ofc the forgetting of Wingdings. But ALSO Wingdings forgetting something himself. Forgetting who he is. Almost like a Zuko ATLA situation.
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Did you have a family?
Who knows where theyre parents are, but this is HAPPY TIME and we’re gonna assume they were so awesome and very kind but had to leave or went to a farm in the sky for whatever reason.
The colors here I had a lot of fun with. Their parents had warm colors but the boys have cold, still with warm accents. Its said they more or less raised each other being very independent as shown in the second part with them running out the door by themselves.
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How was the view from the shelf? Did you ever believe in yourself?
Before, we started with the beginnings. The good things, the only thing Wingdings cares to even recall. Now we’re seeing his life really start to turn upside down- making first contact with The Player :D
He’s hesitant to reach out, but is intrigued, before getting a rushing revelation of his reality and how it isnt “real”
Rather than feeling crushing existential dread, he more feels pressured to be BETTER, to figure a solution, to do something. Thats what white represents here
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WHAT KIND OF MILK WERE YOU?
We then switch to more examples of how Wingdings is taking this pressure (not well) The soft tones of yellow that were shown before, turn to way brighter, intensifying that feeling that he should be fine, he should be happy, drowning in success of being the Royal Scientist.
But he just desperately wants to just go back to a time of nice coldness.
The warm vs cold tones in this I had so much fun with, coldness is supposed to represent hostility usually, while warm is nice and happy. (same with Black and white. Scary, relieving,) But these points often contradict each other, its hard to tell what you’re feeling vs what you’re supposed to be feeling. Just like Wingdings!
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WHAT KIND OF LIFE DID YOU LIVE THROUGH?
The white lab coats, the expectations, theyre on all of them. But Wingdings has essentially become his expectations.
He questions what life he wants to live, one being himself and alone (speaking in wingdings) or not himself and with company (speaking in a “normal” font) Still, he frames it in past tense as he believes theres no going back now, based on what he knows.
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“One of the last happy moments they had together” stop that. (i cant find a link to when that was said but I know it was once, about them taking a photo together….)
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DID YOUR LIFE RUN RICH WITH CALCIUM?
Calcium….bonesss :3 Hehehehdhehfhehehheheheh still dont know why he has holes in his hands so we’re movin on
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DID THEY LAUGH AT YOU OR DID YOU LAUGH AT THEM?
Compared to the childhood Wingdings remembered, heres the sadder, bleaker, more realistic version. He always thought they were laughing at him but… maybe they werent.
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DAIRY BELOVED. YOUR DAYS ARE GONE,
It doesnt matter now though. Because in the NOW, Wingdings has become consumed by his expectations of himself, seeing this has the “only option” to do the only thing that he feels will give his life meaning and purpose, establishing connection with THE PLAYER
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But the grocery list goes on…
And yet life continues on without him, and his room is transformed into a more livable space now that someone is…living in it. Always hurts so much making the differences between Wingdings and Papyrus’ room. It feels like making something out of the man Wingdings COULD HAVE been. Because honestly thats just what Papyrus is,
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Thank you to my bestie @fruitytrip for helping me with all of my art in general but especially the storyboarding on this :3 <3
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kisseobie · 10 months ago
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p1harmony and the coquette boyfriend trend
pairings: ot6 p1harmony x reader
warnings: none
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based on this tiktok trend
a/n: just a cute and silly little reaction (while i work on tumblr girls) inspired by @yunhoszn 𐙚 this trend is sooo over but who gaf if i wanna put a bow on my piwon’s biceps i should be able to like… also piwon as a whole give me the vibes of that picture of the rotc kid saluting with the caption “me when a bad bitch tell me to do something” so i tried to emulate that here too LMAOO
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౨ৎ keeho
i already know kyo’s chornically online ass was made aware of this trend even before it actually took off, was going to bring it up to you, but being the stubborn man he is, opted out of doing so because he thinks it should be you begging him to let you tie him up in a little bow!! and he’s so real for that!! goes as far as reposting every single video following the trend he comes across, and starts humming the lana del rey song whenever your near so he can hopefully telepathically send you signals that he wants you to put a bow on his bicep and show him off!! his approach is a bit unconventional but low and behold it somehow works, and when you do ask him to film that tiktok he annoyingly pretends he didn’t even know about the trend in the first place, as if you didn’t pick up on his very obvious signs. says shit like “why a bow? but omg you’re soooo obsessed with me!” (and you are!)
౨ৎ theo
i imagine you bring it up to him and he’s just confused as to why that’s a trend and what its supposed to mean, and even when you explain it to him he still doesn’t get it. you show him examples and he still doesn’t get it. ask you meaningless questions like “why put a bow on me? what does the bow represent? i’ve never heard of this type of couple trend?” but his questioning doesn’t mean that he’s opposed to it!! quite the opposite actually, he’s very endeared over the fact that you want to make a tiktok with him despite your relationship being fairly new. i do think he would rather have little bows in his hair rather than the usual tie around the bicep, please put him in pigtails and call him your pretty princess because it’s what he deserves! you two end up laughing the entire time you style his hair and film the video, and it’s little moments like these that make your relationship oh so sweet
౨ৎ jiung
literally will do anything you ask for him because once he’s locked in, he’s locked in. when you timidly bring it up to him he’s gonna nod at you with big eyes and his little concentrated pout, reassuring you with no hesitation that yes, he would love for you to wrap him in a pink bow, and no, you don’t have to be embarrassed to ask him for anything. i honestly think ji has a bit of a possessive side if his radio conversation with keeho about his future gf dancing up on other men is anything to go off of, and the fact that you want to claim him as your on the internet, even if it is for a silly little trend, makes his heart happy and feeds into that quality of his. once you’ve filmed the tiktok, with one of his pretty fingers adorned with a singular pink bow, he gives you a kiss on the cheek and keeps the bow on for the rest of the day, even if he has practice later. this experience leads him to spending more time on tiktok despite his grandpa personality, and he searches for other couple videos you two can make together in the future :] just so sweetie pie
౨ৎ intak
honestly just like keeho he’s on tiktok all the time and gets behind trends pretty quickly, so when intak begs you to do this new trend he keeps seeing on his for you page you aren’t surprised. honestly, you had also been wanting to participate in the trend, partly because it’s cute and partly because tak has gorgeous arms, but you kept it quiet because you wanted him to work for it! it’s pretty amusing actually, he ends up forcing you to come along with him to the gym when he works out much more often just so he can lift heavy weights and flex his arms for you. he just wants you to deem his biceps worthy of being wrapped in a bow!! please don’t tease him for too long because he will have a permanent sad puppy look on his face for the rest of the month. when you finally cave and wrap his arm in a bow he is sooo cheesed. had this goofy grin on his face and flexes his muscles which results in him accidentally splitting the bow in two, which both pisses you off and turns you on at the same time?
౨ৎ soul
literally is so pliable under your hands, much like jiung he will let you do anything to him with little to no complaints or even acknowledgement. he simply exists to make his girlfriend happy! you don’t even ask him to film the video because you already know the answer will be yes (in the form of a strange sound), so you get to work as soon as you make way into his dorm room. you stay true to shota’s reputation of being slightly abnormal by wrapping the entirety of your roll of ribbon around his entire body, mummifying him from head to toe and topping it off with a delicately tied bow at his ankles. he doesn’t complain throughout the entire process, even if you’ve interrupted his gaming sesh with seob. when you film and publish the ridiculous tiktok, you point your phone towards him so he can appreciate the fruit of your labor, and when he finally does get to see the video for himself he lets out the biggest laugh that puts an equally big smile on your face
౨ৎ jongseob
you both actually discover the trend together! you two have a routine of cuddling up and scrolling through one of your for you pages, alternating phones each night depending on your battery levels. tonight, jongseob has your back against his chest as he scrolls through your tiktok when the trend first pops up on the screen, and you both get intrigued and scroll through the let the light in sound on tiktok to watch more. you don’t say anything to him but seob can tell you want to participate, and he ends up sweetly informing you that “we can do this trend if you want! i don’t have ribbon on me right now though..” and with that your eyes light up. the two of you end up buying ribbon at the craft store the next day for the sole purpose of filming that video, and you both rush to his dorm afterwards to film the tiktok. you end up settling on wrapping the dainty ribbon around both of his arms and torso, the pair of you refilming several times to get it “just right”. just like the other boys, seob is just happy to please his pretty gf!
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© kisseobie, please do not repost my writing!
ʕ•̫͡ 𐙚
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hotvintagepoll · 9 months ago
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Propaganda
Greta Garbo (Camille, Anna Karenina, Queen Christina)—Enigmatic and alluring and made me bisexual. The perfect example of the eroticism in silent films that literally transcends text. Could literally not change anything about her expression but you knew by looking at her eyes what she was thinking. She’s so gorgeous.
Audrey Hepburn (My Fair Lady, Sabrina, Roman Holiday)—Growing up, Audrey Hepburn desperately wanting to be a professional ballerina, but she was starved during WWII and couldn't pursue her dream due to the effects of malnourishment. After she was cast in Roman Holiday, she skyrocketed to fame, and appeared in classics like My Fair Lady and Breakfast at Tiffany's. She's gorgeous, and mixes humor and class in all of her performances. After the majority of her acting career came to close, she became a UNICEF ambassador.
This is round 5 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
Garbo:
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A cold-ass Swedish WLW Sphinx. Had plans to murder Hitler that she never got around to. "She will remain always a child of vikings, moved about by a snowy dream."
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First of all, she's on the money; that's how much of a treasure she is. She's beautiful in such a distinct way you need very few lines to draw her. (Drawing by Einar Nerman) She managed to be mesmerizing in both silent and sound films. She kissed a woman in Queen Christina (and probably several more in real life). She was super dry and really funny in Ninotchka. She got the hell out of Hollywood and stayed out, living for almost 50 years after her retirement.
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Garbo is one of the many reasons why I'm gay. If you haven't seen Queen Christina please do, She is so gender in that film. Also her accent makes it sound like she's always talking in cursive and it's so hypnotic (or at least I think so).
She's a gay introvert, like all of us here on Tumblr.
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Probably a lesbian, absolutely a mood when she retired
Mysterious and aloof, charismatic and enigmatic, with beautiful androgynous characteristics, Garbo is undoubtedly the most eccentric and unique Hollywood vintage star. Her aversion to fame and stardom makes her even more desirable to the audience, and her insane chemistry with the camera, an actress one of a kind! Her particularity and her oddity is what discerns her strongly from her hollywood co workers at the time, noone was like her and would never be like her. I think, to the utmost extent, that she deserves the title of the hottest vintage star, even though that would be an understatement of what she is!
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SO gorgeous, her thick Swedish accent makes will turn your brain into pudding
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Audrey Hepburn:
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"She may be a wispy, thin little thing, but when you see that girl, you know you're really in the presence of something. In that league there's only ever been Garbo, and the other Hepburn, and maybe Bergman. It's a rare quality, but boy, do you know when you've found it." - Billy Wilder
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Raised money for the resistance in nazi occupied Hungary. Became a humanitarian after retiring. Two very sexy things to do!
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where to begin......... i wont her so bad. i literally dont know what to say.
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My dude. The big doe eyes, the cheekbones, the voice. The flawless way she carried herself. She was never in a movie where she wasn't drop dead gorgeous. Oh, also the fact she raised funds against the Nazis doing BALLET and she won the Presidential Medal of Freedom for her humanitarian work.
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"It’s as if she dropped out of the sky into the ’50s, half wood-nymph, half princess, and then disappeared in her golden coach, wearing her glass slippers and leaving no footprints." - Molly Haskell
"All I want for Christmas is to make another movie with Audrey Hepburn." - Cary Grant
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I know people nowadays are probably sick of seeing her with all the beauty and fashion merch around that depicts her and/or Marilyn Monroe but she is considered a classic Hollywood beauty for a reason. Ironically in her day she was more of the alternative beauty when compared to many of her contemporaries. She always came off with such elegance and grace, and she was so charming. Apparently she was a delight to work with considering how many of her co-stars had wonderful things to say about her. Outside of her beauty and acting ability she was immensely kind. She helped raise funds for the Dutch resistance during WWII by putting on underground dance performances as well as volunteering at hospitals and other small things to help the resistance. During her Hollywood career and later years she worked with UNICEF a lot. Just an all around beautiful person both inside and out.
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No one could wear clothes in this era like she could. She was every major designer's favorite star and as such her films are time capsules of high fashion at the time. But beyond that, she had such an elegance in her screen presence that belied a broad range of ability. From a naive princess, to a confused widow, to a loving and mischievous daughter, she could play it all.
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Look at that woman's neck. Don't you want to bite it?
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exlibrisseverus · 1 year ago
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The torn bond of friendship
The silence between us every time we meet makes my heart ache.
You avert your gaze just so you don't have to look me in the eye. I know that you don't hate me. But to be honest, I'd rather have your hate than your pity.
You wish things had gone differently. But I can't change for you the way you would like me to. Nevertheless, you are important to me.
(You always will be.)
[I tried to put myself in his shoes and that's how these few lines came about. The background in the illustration is a photo I took, it's the view from my window.]
The artist's commentary – psychological aspect/my two cents…
->
Nobody is perfect, no human being is.
Especially not adolescent teenagers who literally have almost no idea about life. Who lack empathy, compassion, maturity, experience and so many other things. All of us have certainly lost a friend at some point in our childhood or adolescence. Close friendships at a young age and the experiences associated with them can have a strong influence on our behavior later in life. All of a person's first intensive relationships with family, friends, etc., whether positive or negative, shape their world view and character immensely.
We can't expect a young person to be flawless and perfect. Maturity comes with years and experience. It is not uncommon for children and youth to be self-centered and egocentric, but that does not make them bad people. To a certain extent, selfishness is even important. As we grow up, we learn to act autonomously, make decisions and form our own opinions. It is clear that we can make mistakes during this process and possibly hurt others. We all make mistakes on our journey through life, that is part of growing up. That is a part of this life.
I have to remind myself each time that they were practically still children as at that time.
Sorry for my poor English, it’s not my native language. I do my best though. Thanks for reading 🖤
(Additional edit 10.02.2024 Tumblr confuses me a little bit, i was wondering why my previous image lost it’s quality after uploading. It took me too long to draw and i need to show the details. Anyways for better detailed view -> I’ve split the artwork. 😌)
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ivoreene · 2 years ago
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kinda last minute but.. happy birthday to nanamin!!!! :] I LOVE HIM SO MUCH
close ups under the cut vvvv
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tumblr does not like the size of my images so a lot of them are compressed down.... higher quality ones on my twt and insta...... i know its bad practice but i want it crispy >:( JLKFDSFSDJKLKJSDF
debating just going on hiatus after this but i know i cant stay away... esp w season 2 TToTT might take a week off or something (even though the algo on twt will kill me LOL)
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nitrowyverine · 8 months ago
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I thought playing Obscura would help me get rid of my brain worms. no, it just gave me new ones. For Obscura, specifically.
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I'll be adjusting the format from my TOUCHSTARVED expanded thoughts post. Brain dump after the cut!
[Demo/CH 1 spoilers are included]
(Header Image from Itch.io page! All images in this post are either from there or the Rotten Raccoons tumblr page)
Design/gameplay thoughts:
In full honesty without fluff: this game fucks immensely.
The setting for Obscura might be my new all-time favorite, like, ever. Mystery underground scandalous marketplace??? Under a mountain???? it's a diverse and vast city that's still elegantly contained and claustrophobic, but in a spicy way. The worldbuilding and flavor is excellent. I really want to run a TTRPG in a similar setting now, since its an area with so many possibilities.
CH. 1/the "demo" has a LOT of meat on it. It's got different endings, variations, a whole soundtrack. Speaking of sountrack-
Obscura is also one of the few games I've put on the soundtrack to just to vibe to. The soundtrack is SO good, and sets such a strong mood/tone. I think it complements the game perfectly.
Allot of people have mentioned it, but I am also a fan of the Safeword pause menu. It's a nice and comforting touch, especially when the game can get so intense. It lets players take a breather if they need it, but also doesn't interrupt the intensity/mood of the game for someone who doesn't want a break from the narrative.
Now, onto character specific thoughts!
Cirrus:
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IN MY HOUSE WE DON'T BELIEVE IN NOT STARTING OUT STRONG
Shout outs for having your asexual option in the dating sim be. The kinkiest guy there
Cirrus is a bit too intense for me, however, that is NOT a bad thing in the slightest. I think his route is well done for those who are up for his brand of intensity.
I might still play his route because. damn this boy's issues got me curious about his backstory. ($10 on mommy issues)
I had the hardest time getting to Cirrus's good end during my playthrough because having pretty much any self-preservation instinct around Cirrus gives you a bad/neutral ending. He's the only one I had to pull the guide out to get the best ending. (I think I'm just too sassy)
I get medusa vibes from Cirrus. The snake imagery is more likely tied to the lunar church, but his staunch reluctance to take his own mask off makes me wonder (this is mainly referenced in asks answered by the Rotten Raccoon studios). Refusal to let people see his eyes + snakes + power + slightly unnatural abilities to influence is, something.
I am shaking this man like a snowglobe WHAT IS YOUR DEAL I MUST KNOW MORE
(I am. metaphorically shaking him like a snowglobe. I would never shake this man im terrified)
CONCLUSION: Most likely to shame you for your anime choices. Least likely to be normal about it when you ask for help peeling an orange.
Keir:
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HERE COMES BIG MAN
yeah he's tied for favorite right now. the slow burn in his plot is just too good? big man....freckles...secret soft side...im weak
he's so nice I keep forgetting. He kind of kidnaps you? not even kind of he just drags you off the street and goes "you live in my house now". Even Griff calls MC a stray early on. My man really said "Here's a convenient lost human I'm dragging them home now"
oh my GOD they were ROOMATES
I definitely was too nice to him in my first playthrough until I realized he does need (and want) to be sassed to death.
this man is like 6'6 and the canon-ish Vesper height from the CG is 5'4. THE HEIGHT DIFFERENCE. This kills the man (me)
The sprite of Keir's ears blushing SENDS ME INTO A FRENZY
I quite liked the gameplay style of Keir's route. I was so focused and invested as soon as I realized I needed to remember specific directions to save the heist group during timed decisions
Something I haven't seen discussed yet: I'm mega curious about the dagger Keir has on his outfit. It's specifically pointed out in text that it's high-quality, and I vaguely remember an ask that Rotten Raccoons answered that said it's a status symbol. (The dagger also just looks SO cool. and....it looks like Francesco's...?)
(My bet is that he either 1. stole it. or 2. got it from Oleander during their tryst (WHICH WE ALSO NEED TO TALK ABOUT-))
CONCLUSION: Most likely to be gifted a "WORLD'S BEST DAD" mug from his similarly-aged peers. Least likely to live down that one time he ate soap because he thought it was edible.
Francesco:
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someone keep the "silver dust" away from this lad im scared
Originally, I was least looking forward to playing Francesco's route since I just wasn't interested in his initial concept. After playing his route though? It was excellently done, and I genuinely had fun. It was refreshing to have a character more naive than Vesper, so more cultural aspects were explained and we got a good alternate perspective on the marketplace. Also, it got REAL spicy in new and exciting ways the other chapters didn't. I'm really looking forward to the next chapters with his route!
I totally love the contrasts in his design and his character. He's got both bright red and blue highlights in his design, his outfit is very pointy and angular while his hair/smile is soft and flow-y.
And in his personality, he's both sweet and open, but extremely cagey about some information, and quite pragmatic when he wants to be. I think he's way smarter than he lets on.
that doesn't mean I don't want to bridal carry him and tuck him into bed at night after a all-nighter party
I do think Fran's slightly looser demeanor could lead to him being even more brutal than the other LI's. Remember that one anime clip (Found it, it's this one from Danshi Koukousei) where a group of friends wants to fight for fun, but one of the friends asks why they need rules in a fight? And said friend is shown like secretly holding a rock and was ready to use it? that's Fran. He would not have chill and does not heed the rules.
"Protect the boy", but mostly to prevent him from tasting blood. Because if that happens we're all fucked
CONCLUSION: Most likely to eat that M&M off the ground because you dared him. Least likely to beat the puppy allegations.
Oleander:
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Oleander is tied for favorite with Keir. Oleander is just *chefs kiss* LOOK AT HIM. inscrutable......
Somewhere in an ask answered by Rotten Raccoons studio, they mentioned that for Oleander's route, they were going for a "Sexy boss situation that doesn't feel like a work safety violation". They hit that right on the nose; there's intrigue and a power imbalance, but in a non-restrictive or terrifying way.
I love being involved in the business part of his route. I keep making decisions like "Hmm yes my primary goal is to romance Oleander. But what would be the smartest business move here? How do we advance our agenda?"
Also, I do love playing a sexy evil secretary in a vn. love having a job and being evil at it AND being paid money. 10/10
That dance scene is everything I could have ever wanted no notes
I am fascinated to find out more about what he's been up to since his last trek into the marketplace. Seems like people are trying to kill him all the time anyway, so what would be enough to cause him to leave?
he's like an angler fish, but the lure is his booba
I relate to Oleander in that. I have too many online usernames because I can't stick with one. People get my 800 online names mixed up often. He has the same problem, we're basically twinsies
This man is pretending to be a himbo like his life depends on it (It probably does). He's too smart though, I know for a fact he has at least three different schemes going at any given time.
CONCLUSION: Most likely to be able to help you properly lace a corset (this man knows the boot-to-the-back necessity of the process). Least likely to be allowed to be banker during monopoly night.
Vesper:
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black mask enjoyer 4 life
(all three are good I just wanted to say which one I picked. And to add my conclusion section)
CONCLUSION: Most likely to get their shit rocked by a falling piano. Least likely to survive an argument about pineapple on pizza.
Concerns:
With how separate the four routes are, the game could potentially feel like four separate visual novels all in one universe. Maybe I haven't played enough VN's, but there is a feeling of separation between the routes.
In the very beginning of the game, when you're picking your route, I wish there was a bit more heads up/information between who you're picking. For example, I had a rough idea that going into the church is where you'd find Cirrus, but only from information outside the game. I didn't know sticking around for the brawl would push you into Kier's route. It's overall pretty vague to which route you're going based on only in-game information.
Misc thoughts:
Vesper: "How are you going to keep me?? ;)" Keir and Oleander: "crimes" Vesper: "Wh-" Keir and Oleander: "you're an accomplice now congrats we're in this together. wanna get drinks"
catch my socially anxious ass wanting to be under the mountain and wear masks so I don't have to make eye contact with strangers all the time. at least its a fun thought to have when I mask for covid
OKAY FRANCESCO AND KEIR'S DAGGER MATCH? AND ARE RED/BLUE LIKE FRANCESCOS OUTFIT? DOES IT MEAN ANYTHING??? probably not but I do like the pretty knives....
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For real, I got the brain worms for this game, I'm on the edge of making a big ol playlist. the headcannons? They go on my friend. they go on. I'm laying awake at night thinking about what each character would order at a coffee shop
by the time I publish this post. I did start working on the playlist
yes, I've also designed my own vesper, its such a prime opportunity for character design.
Obscura also may or may not have inspired me to get involved with an otome jam game team, more on that in the future possibly.....
OVERALL: I got the first chapter/demo of Obscura for free from Itchio/steam. High marks for writing, sound, art, game design, all of it! I am on the edge of my seat waiting for CH2.
TL;DR: If you haven't played it, and love spicy and dark stories, go play it! Part one is free! and fantastic.
Itch.io
Steam
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k9emote · 27 days ago
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IMPORTANT !!
(Goob uses it/they)
Recently there's been a big clash between me and @sinfvlemotes because I was under the impression that it was blatantly copying me.
Turns out it wasn't actually copying me, but instead getting info from a creator who WAS. But I'll get into that in a second
To all my audience, though I've voiced a lot of frustration today, Goob is not a bad kid. They took inspiration from someone in a completely innocent manner and that person just so happened to be tracing/copying me. It's not their fault at all and we have made up through my bf as the willing messenger man. I have no bad blood with it and wish itself well as they have promised to find their own style. I believe that it's similarities to me were unintentional, and I ask that only love be sent their way. I apologize for the misunderstanding and Thank you Goob for taking down the posts on our conflict <3
On to this part of the post! I have been directly copied by a creator called @notebook-mojis
They coincidentally deleted everything today due to being caught ! They claim Goob "dragged them into drama" because it was honest about who it had taken inspo from and didn't know they were copying me.
Notebook, stay far away from Goob! It is your fault you are being called out for direct copying, not theirs. The fact you tried to pin anything on it in dms is outrageously unfair. I know why you deleted your server today and are going on defense.
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The blatant copying is insane. The style is copied to a point. I'd say some of these are straight up traced. Just because you're running and deleting everything now that this has been brought to my attention does not mean you can't be held accountable.
If I had higher quality pngs of these emotes I'd colorpick and compare because some of these straight up look like they're from my color pallets.
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The amount of people on this website who just fail to respect others boundaries makes me livid. I am not okay with being referenced. stop.
Not only did this creator straight up trace/copy me, they accused ME of tracing others and had a huge blacklist paragraph on me in their server. From the bottom of my heart, fuck you.
I cannot keep going through this.
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canary3d-obsessed · 4 months ago
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Restless Rewatch: The Untamed Episode 41, part two
(Masterpost) (Pinboard)  (whole thing on AO3)
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Warning! Spoilers for All 50 Episodes!
Nie Mingjue and the Terrible Horrible No Good Very Bad Day
Empathy continues, jumping to Meng Yao and Nie Mingjue's encounter in Nightless City. Once again, let's look at how we saw it the first time around.
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In Episode 22, Nie Mingjue unwisely decided to do a stealth advance push on Nightless City, as if "stealth" and "Nie Mingjue" ever belonged in a sentence together. After his inevitable capture, Meng Yao rocks up and says hey.
We cut away to the battle outside and then come back inside where NMJ hits MY with a palm strike.
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Meng Yao actually expresses anger for once, knocking NMJ over with a kick, and yelling at him for being rude in front of MY's new boss, Wen Ruohan.
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NMJ comes after him again but Wen Ruohan gets involved and the fight turns into NMJ vs. WRH until Nie Mingjue is knocked out. He ends up on the floor surrounded by dead or unconscious Nie cultivators; we don't see, at this time, how they got that way.
(More behind the cut!)
In Episode 41: the encounter in front of Wen Ruohan starts the same way, but Meng Yao taunts Nie Mingjue, fondles his shoulder, and then kills a couple of his wingmen.
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Meng Yao--Wen Yao?--has never looked better. He's still rocking Nie braids and Nie colors - with a nice snake pattern trimming his robe. I'd like to say this is evidence of his snakey nature, but the idea that snakes are bad and sneaky is a biblical concept, not a Chinese one.
Anyway the important thing about his look here is that his makeup is gorgeous and his demeanor is totally confident. Unfortunately I can't find the tumblr post that talks about his sassy ex-boyfriend energy in this scene, but it was a wise observation.
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Nie Mingjue's sidekicks provoke Meng Yao into killing them - one by insulting the hall they're in, and the next by calling him 走狗-- literally "running dog," but Viki translates it as "lackey."
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"Lackey" is a little insulting but it's basically a job description, whereas Meng Yao's reaction to being called "running dog" is more like the way people react to being called "boot licker" in English. I'm not saying it should be translated this way, however - feet have a whole lot of meanings across cultures. I think it could have just been translated "running dog" because by 41 episodes into this show, we have learned that calling someone a dog is rude and insulting, thank you Wen Chao.
Anyhoo, after Meng Yao kills the second dude he asks if anyone else wants to call him 走狗, and Nie Mingjue immediately does. Meng Yao just smiles and has his own lackeys bring Baxia, in a fancy box, to him.
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Then he fondles the blade while explaining that he's been spending some quality time with it. Nie Mingjue watches helplessly, unwilling to beg but afraid of whatever's going to happen.
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Meng Yao tells him that his Dad's sword was better than his, and asks him to guess how many times WRH will have to strike Baxia to break it. I'm saying "strike," but Viki translates it as "smack" and Netflix translates it as "spank," with questionable results. How many times WILL Wen Ruohan spank it, I wonder?
Meng Yao taunts him some more: Wen Ruohan broke NMJ's father's saber and sent it back to him, which caused him to die of anger. He says this while getting up in NMJ's space and putting on an expression of ecstacy.
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NMJ hits him, since that's his solution to everything; Meng Yao gets mad and kicks Nie Mingjue to the floor. It's not clear to me why Meng Yao talks so much shit if he doesn't want to get hit.
Aftermath
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The confrontation where Xichen protects Meng Yao is the same as episode 23, up to a point. Nie Mingjue wakes up in Lan Xichen's manly arms and has a moment of happiness before seeing Meng Yao standing by holding Baxia.
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NMJ goes to attack him but Lan Xichen protects Meng Yao and explains his whole spying gig -- calling him A-Yao, which has gotta chap Nie Mingjue's ass.
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Lan Xichen can block a blow from Baxia one-handed. Hot.
There's a nice parallel here, where Meng Yao uses Lan Xichen as a human shield, similar to Wei Wuxian using Lan Wangji to protect him from Fairy in Episode 34.
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Wei Wuxian is, of course, way more handsy about it.
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Meng Yao passive-aggressively tells Lan Xichen that he didn't explain his actions because that big meanie Nie Mingjue wouldn't have believed him anyway, and then he kneels in front of Nie Mingjue. That's as much as we got of that whole encounter, in Episode 23.
In Episode 41, after Meng Yao kneels, he explains his situation and said that he only said all that dickish stuff to Nie Mingjue to gain Wen Ruohan's trust, and he's sorry about hurting his feelings.
Nie Mingjue says how about you kneel to those dudes you killed.
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Lan Xichen tells Nie Mingjue that yes, A-Yao did horrible things, but I believe that in his heart he… we don't hear the rest because Nie Mingjue interrupts by destroying a lantern, but we don't need to hear the rest because it's the same thing Lan Xichen says all the fucking time; it's become his core belief in the years since.
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Meng Yao is surprised that it's the lantern that died and not him, but Nie Mingjue is in an impossible situation. Meng Yao has recruited Xichen so completely to his side that if Nie Mingjue wants to stay friends with LXC, he has to accept Meng Yao . You can see in his face that he knows he's beat.
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Continued in part 3!
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linkspooky · 9 months ago
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The Supreme King Judai vs. Dark Deku: How To Do a Dark Deconstruction of your Shonen Hero!
Think of this as less me complaining about My Hero Academia, and more me taking a closer look at the writing of the Dark Deku arc and why it failed to achieve what it set out to achieve.
I like to look at writing on a deeper level than Thing Bad, and Thing Good. Imagine a story is a car engine that won't start, in order to find the problem you've got to disassemble all the pieces and look at them one by one to see what pieces aren't working. That's the kind of criticism I'm talking about, break storytelling down into different tools like parts of an engine, plot, world, characterization, ideas, actions and consequences and then look if the author is using those tools effectively to sell a story.
In other words we're talking about the difference in ideas and execution. All works of fiction have ideas, even bad anime can have good ideas inside of it. The idea in question is Judai's case is can exploring the dark side of a hero. Can a hero's positive qualities also lead them down a dark path? Yu-Gi-Oh Gx answers this in a satisfying way, and My Hero Academia I'm going to argue does not.
IDEAS VS EXECUTION
One piece of writing advice I heard from Brandon Sanderson of all people that always stuck with me is "Ideas are cheap. You can always come up with more ideas."
All works of fiction have ideas and themes no matter what the Game of Thrones guy say, but some works are better at communicating their ideas than others. I want to quote a Homestuck Ending analysis of all things to explain what I'm talking about.
When you are a writer you can write anything you want. But if you want to write a story that people want to read you have to follow the rules of good storytelling. There are reasons why storytelling rules exist. A story is a bond between author and reader, readers to other readers. It is a communication between humans and humans work in a certain way. Storytelling rules are rules of communication. Rules for handling expectations and saying what you intend to say without it being misheard. Rules for tugging at emotions and pulling heartstrings in a good way rather than a bad way. Storytelling rules are lessons learned by authors of the past that failed to communicate what they needed to. They are not that subjective.
Chief among these rules is buildup and payoff. In fact one of the most basic techniques of storytelling is foreshadowing, in screenplays you usually foreshadow one important twist, then add a reminder so the audience doesn't forget, before finally paying it off.
To simplify build up and pay off I like to refer to it as question and answer. Usually a story will ask its audience a question, and usually by the end that question is answered, unless the point is to leave that question unanswered / ambiguous.
Character arcs are examples of buildup and payoff too, a lot of characters, especially in serialized media are sold on their potential future development. Here's an example, how may people got invested in Dabi years in advance because of the Dabi is a Todoroki Theory? That's an example of good buildup and payoff, because the author sewed just enough hints to build up an audience expectation and then paid it off. People became invested in the story, because they thought their investment and theories would pay off eventually and it did - so hooray!
Both MHA and YGOGX dedicate an entire arc to trying to deconstruct their main protagonist. They also seek to deconstruct the "Hero Complex" or "Saving People Complex" that each protagonist has, and ask the question if those traits are really a good thing.
This post puts it better than me so I'm going to quote tumblr user rhodanum.
‘Hero complex’ or 'saving people complex’ — an obsession with rescuing people in the face of danger, often to the exclusion of all higher thought processes. All too prevalent among shounen main leads, especially hot-blooded shounen main leads. Yuki Judai is certainly no exception. What is interesting in his case is that the writers follow the consequences of his rash, reckless, often thoughtless actions all the way to their heartbreaking logical conclusion. For those not fully in the know, it involves spiky black armor, an army of sycophants and a fall from grace that caused as much damage as a thermonuclear bomb. Don’t make perky, happy shounen protagonists snap, people. First rule.
I'm going to quote another video too, to add onto the above quote. It's from this video, starting at around 39:52
"GX is kind of famous among fans for taking its happy protagonist and stripping him down to all of his worst qualities. And that's fun. So Judai is a character who's really interesting. He's definitely open to a lot of interpretation, and you know we're gonna be leaning on my interpretation of him. Sorry. It's my video. I think he's commonly referred to a "very typical shonen protag" probably one of the most shonen protag of the yu gi oh protagonists. He is headstrong and loud, and (makes punching noises while air boxing), he is a type of character who's like I'm gonna be the best and brings everyone along on the ride. He's the kind of protagonist that everybody loves him they're all fighting over him, and Yu Gi Oh Gx really puts him up on the pedestal, of like THIS GUY. THIS GUY DOES IT ALL. Then season 3 rolls around and dares to ask: but what if that's selfish behavior?"
That's the question both MHA and YGOGX are asking in Dark Deku arc and Season 3 respectively, what if all of those behaviors that make them the typical hot blooded shonen protagonist are actually selfish? Is their hero complex really a good thing?
Each arc is tasked with exploiting the main character's flaws, until they reach their emotional breaking point and lowest point in the story. Let's see how each story treats their main character and from comparing that I want to make a point about what makes effective storytelling.
The Supreme King Haou Arc
Instead of recapping the entire arc to you, I'm going to touch upon what ideas the story setup in regards to Judai's character and how it paid off those ideas. What are the questions the story asks and what answers does it give us?
I'm going to focus on the two questions I outlined above. Is their hero complex a good thing? and What if this is selfish behavior?
Yu-Gi-Oh GX is an anime where instead of using super powers, the main characters fight each other with a magical trading card game. Besides that fact there's a lot of similarities between GX and MHA. They both take place in an academy setting where the main characters learn about using their quirks, and playing the card game better respectively. It is a shonen battle anime where almost everything is solved with a shonen fight, they just use cards instead of flashy superpowers. The main characters are all students who have to grow up and enter the adult world.
Judai and Deku are both characters that deconstruct the "hero complex" of shonen main characters. Judai is themed entirely around heroes, he has an elemental hero deck where every hero is based off a hero that appears in popular culture, he is the best duelist in the school and the one everyone calls on to save the day over and over again. As stated above he is the most Shonen Protag to ever Shonen Protag, he's a warrior therapist who makes friends and saves the day because he's really good at the card game, and will always show up to fight for his friends.
For the first two seasons Judai is built up on this pedestal of the ideal Shonen Protagonist, and praised by basically every single character for being "childish" and "pure of heart" however when Season 3 comes around the narrative stops heaping endless praise on him and starts to challenge him. However, this doesn't come from nowhere there are signs of these personality flaws of Judai, they just get swept under the rug the first two seasons.
There are several moments such as the climaxes to season 1 and season 2 where Judai fails to grasp the stakes of the situation, saying things like "Oh, this card game is really fun" when he's dueling with lives on the line. Judai in fact has a pattern of "only wanting to duel for fun", he fights because it's fun to him not because it's the right thing to do. However, he's continually forced into high stakes situation where he has to fight for others just because he's the strongest character - and constantly having to carry that on his shoulders starts to weigh on him after awhile. Judai will show up to fight and save his friends every single time they need him, and that's the source of his hero complex because after a certain point his friends start relying on him too much.
In general he also doesn't have deep thoughts of what heroes are, he admires heroes but it basically boils down do "Heroes are cool." He's kind of like Goku where he doesn't really fight for any idea of justice or to save others, just for the thrill of fighting itself. He also has a tendency to be insensitive to other people's feelings and take things for granted. For example, in Season 2 like three of his friends get possessed and Judai doesn't even do anything about it for half a season because he's too busy participating in the dueling tournament.
In general though it's a pattern of Judai only wanting to "duel for fun" and him being forced to duel to save others instead, and be responsible for other people. Judai will show up to fight for his friends, but even then he falls back on just "dueling for fun" because always having to fight for others is too much responsibility to put on his shoulders.
There's a lot of hints of Judai's flaws, but they also tend to get brushed off because shonen protagonists are just like that. Like, Judai can say some insensitive things to his friends sometimes and be oblivious to their feelings, well he's just a book dumb shonen protagonist. Judai should be taking this fight seriously, well he's just being a happy go lucky shonen protagonist, etc. etc. A lot of these things are also just swept under the rug as him just being a child, a boy-at-heart like most shonen protagonists are supposed to be.
However, season 3 starts looking at Judai not as a shonen protagonist but as a person, and it all starts with the suggestion that maybe Judai remaining a child at heart is a bad thing, especially when his friends around him are all growing up. It all starts with the introduction of this guy right here - Johan Anderson.
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Johan shares many things in common with Judai, he can see spirits, he's a duelist who loves to duel, he has a strong connection with his cards. However, the more you compare them the more you notice that Johan has a lot of things that Judai lacks. They are so similiar that they become almost instant best friends, but even then Johan himself notices there are a few things off about Judai's behavior.
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Sho: Bro... I thought you would have something to say to me. Johan: He seems lost. I think he just wanted you to give him some advice. Judai: SHo will be fine. Johan: Judai, you're colder than I thought.
It takes someone completely new to the dynamic between Judai and his friends, who likes Judai but hasn't spent the past two seasons idolizing him to realize that some of his behaviors are kind of off. That Judai isn't really the most empathic, or even that good at understanding other's feelings.
Johan is the one to point this out because he has the emotional intelligence that Judai lacks. We've been told Judai is our shonen protagonist for two seasons, only for the real shonen protag Johan to step up out of nowhere and show them how it's done. Johan is good at seeing other people's emotions, and he becomes a near instant pillar of emotional support for Judai. More than that, he also is the first person to treat Judai like an equal, he never asks Judai to save him like all of Judai's friends do, if anything they both save each other.
Johan also exists to show what Judai is lacking, mainly a reason behind why he fights.
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Judai: I do it because it's fun. Or because of the surprise and delight, I guess. Well, I guess that comes down to "because it's fun", huh? Sorry, I guess that's an awkward question to ask out of nowhere. Johan: What's wrong, Juadi? Judai: Nothing, really. Johan: I have a proper goal. Judai: Don't tell anyone. Even if people don't have the power to see spirits, they can still commune with them. That's why, for those people as well... (I want to be a bridge between humans and spirits).
Judai is someone who will always show up to save his friends when he is asked, but he doesn't really have a concept of what being a hero is or the repsonsibilities it entails, he just admires heroes in a pure hearted way. Johan on the other hand has a reason to fight and that's to help humans and card spirits get along, and Judai expresses admiration for Johan because he has a goal.
At the same time this is happening, Judai gets picked apart by two villains for his lack of reason for fighting. Judai has been praised to death for two seasons for being pure of heart, but now the villains are challenging him by saying he has no "darkness of the heart". That without it the reasons that Judai fights are superficial and frivolous.
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We have something that you lack. Judai: That I lack? Yes the darkness of the heart that slumbers deep within a duelist. The burden that a duelist bears in his heart. Judai, you have none of that. Judai: A burden in my heart. I have nver, not even once, dueled for myself. I doubt someone like you, who only thinks of himself could udnerstand that. Judai: What would be fun about a duel like that? It isn't fun at all! You must bear other's expectations while remaining strong. That is what it means.
Judai is a bit of a blood knight, he will be dueling with his friends lives on the lines and stop to go "Wow, this duel is really fun" and it's usually just dismissed a shim being a shonen protagonist until suddenly it isn't.
I'm gonna draw a deliberate parallel between Deku and Judai here that I'll reference later on, they both don't understand "darkness of the heart" and they need to understand it in order to grow as people.
There's also the underlying notion that being a hero is not all it's chalked up to be, to be a hero, to fight for other people's sake means also taking on their suffering. As noble as that may seem suffering is suffering.
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Cobra: Fortune would never smile on a fool like you who fights while prattling on about enjoying duels. Cobra: You are certainly a talented duelist. But you have one fatal flaw. Judai: A fatal flaw? Cobra: Yes, your duels are superficial. Someone who fights with nothing on his shoulders, cannot recover once he loses his enjoyment. What a duelist carries on his shoulders will become the power that supports him when he's up against the wall! Cobra: But you have nothing like that! Those who go through life without anything like that cannot possibly seize victory. Cobra: But I know that nothing I say will resonate with you... because you have nothing to lose but the match. Judai: I... Cobra: Afraid aren't you? Right now, you have nothing to support you.
In the context of this scene, Cobra has told everyone that he's currently enacting his evil plan out of the vain hope that he can somehow revive his son from the dead.
As insane as "I think I can revive the dead" is as a motivation, fighting for the sake of your dead son is a much stronger motivation than "I think duels are fun."
Judai doesn't have an appropriate answer as to why he fights when he's questioned by the villains, and instead of coming up with his own answer he relies on the answer Johan provided for him.
Johan: You idiot. Why are you so shaken Judai? You think you have nothing on your shoulders? Give me a break! You always bear other's expectations on your shoulders. When you have other people's expectations riding on you, it means they've trusted you with their hopes! Don't you always carry those? If you lose what will happen to us here?
Johan's words snap him out of it, but this isn't Judai coming up with an answer himself it's just taking the one that's provided for him.
This is also the point where we get start to develop an answer to our question. Is Judai selfish?
In action he's not. His actions are selfless. Judai is always fighting for others, even when he only wants to duel for fun. He will show up and fight if you ask him too.
However, in motivation he is selfish. His motivations are selfish. Judai isn't fighting out of some selflessness, but because fighting for the sake of other people gives him a purpose. He keeps fighting for his friends, because he's built all of his friendships around being the one to solve their problems. It's why he Johan's answer suits Judai so well, because he thinks that's how friendship works that he has to keep carrying everyone's burden for them.
Not only does it lead to unhealthy friendships (he sees his friends as burdens) but also it's unhealthy for Judai himself (he can't keep carrying other people's burdens without getting weighed down).
Judai's hero complex, this pressure he feels to save everyone around him arises from two things, it gives him friends when he'd been a lonely child before that, and it gives him purpose. Playing the hero is how he made all of his friends, and now it's how he keeps them.
However, in spite of doing all this to keep his friends, Judai's relationship with his friends is so all give and no take that he's practically fighting alone until Johan shows up. Judai doesn't form a healthy and stable relationship with Johan however, Johan just becomes a crutch.
In Summary:
Judai's actions are selfless.
His motivations are selfish.
Judai's purpose is to carry everyone's burdens on his shoulders.
Judai's friends exist to be saved by him.
The following arc is roughly divided into four sections. Everything I've covered above happens in the first section the Cobra Arc.
Cobra Arc
Zombie Survival Arc
Dark World / Supreme King Arc
Oh Shit, Yubel's Back
The cobra arc is the introduction and it sets up the basic ideas of Judai's character that I listed above, in addition it focuses on the question of if Judai is selfish, and the idea that being a hero is a burden. There's also the third question where Judai is called to understand darkness of the heart, something Deku will also be called to do.
The Zombie Survival arc is an arc where the school is teleported to another dimension and they have to survive for several days with a limited food supply, everyone fighting, and an outbreak of zombies.
The main setup of this arc is to show how everyone is working well together as a team, even in a high stress situation. Alexis, Judai, Misawa, Kenzan, all pull together with the help of new students Johan, Austin O'Brien and Jim Crocodile Cook.
However, I'm brushing over this arc because Judai doesn't actually do much this arc. If you analyze who does what, it's mainly Johan and Austin O'Brien who are in charge of the entire school. Johan demonstrates leadership skills, calls on everyone to pull together in a time of crisis, and most importantly emotionally supports Judai all throughout.
Even when Judai is confronting the main villain of this scenario Yubel, it's Johan who shows up to support Judai, and it's Johan who wins the duel at the sacrifice of his own life. Everyone gets through the zombie arc unscathed, but it's because Johan is the hero of this part of the arc, not because of anything Judai really did.
Judai who having gone on so long carrying other people's burdens to the point where he's made saving others his purpose, has for the first time experienced someone helping him carry those burdens only to disappear and Judai does not react well to it.
This is when the story has finished setting up all the dominoes that are about to fall. We have one mini-arc drawing attention to the dark side of Judai's personality and how he doesn't understand his own darkness, and one mini-arc showing Johan being a much more effective hero and leader than Judai, demonstrating everything Judai lacks.
You Either Die a Hero, or You Live Long Enough...
Yadda yadda you know the rest. A character being undone by the same traits that made them a hero, is classic tragedy 101. It's called the Hamartia or the fatal flaw. A character's greatest strength in some situations can be their greatest weakness in others. The Supreme King Arc is a masterclass in showing how the traits Judai had that led to his success in the first season, can lead to his total ruin, and even to him becoming the villain of his own story.
Hero and Villain are much closer than you'd realize, and this becomes especially true in the relationship between Judai and Yubel. Judai shares an extremely close relationship to his antagonist foil, just like Deku does with Shigaraki.
However, in Judai's case he's the reason that Yubel turned evil. While it's not entirely his fault, Judai's decision to abandon Yubel when he was a child, made Yubel go through ten years of painful torture all alone, which is the reason behind their current madness.
To summarize Yubel and Judai's story briefly. Yubel is a card spirit, the thing that Johan wants to serve as a bridge between card spirits and humans. Judai had an incredibly close relationship with Yubel as a child, but Yubel was overprotective and used their powers to harm anyone who came near Judai. Judai launched Yubel into space hoping the righteous space rays of justice would calm Yubel down (I know that sounds stupid just go with it) but instead Yubel was hit with the light of destruction a corrupting force that made them endure years of torture. They called out for Judai's help in their dreams only for Judai to eventually forget about them with a psychologist's intervention. Eventually the satellite they were trapped in made it's way back to earth, and they almost died burning up on re-entry. When they finally crawled their way back to Judai, they found Judai had been living the past ten years happy and surrounded by friends, while they had been tortured in space and nearly died all alone.
At which point Yubel snaps, hard.
While it's not Judai's fault entirely because he was a child and he didn't know what was going to happen, he still made the decision to abandon Yubel and stuck them in that situation. Judai's actions creaeted Yubel, and now Yubel is here broken and hurt and determined to hurt all of Judai's friends.
Judai doesn't know how to cope with the guilt or responsibility for either of these things. Both for creating Yubel, and for the fact that because of Yubel Johan might now be dead.
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I'm the one who made her what she is!
This is where the show starts demonstrating that understand in darkness of the heart is necessary, because Judai can't understand two things, number one the fact he might have hurt Yubel, and two how to deal with the sense of responsibility he feels towards Yubel becoming what they are, and for Johan's apparent death.
He just feels a lot of guilt, and as someone who's only been the carefree hero up until this point he doesn't know how to deal with that guilt.
Judai makes a very similiar decision to Deku. He decides to go out and hunt for Johan by himself, leaving his friends behind so he won't risk their safety. Unlike Deku however, his friends immediately follow and insist on coming along.
This is when the problems start appearing, because the second everyone enters the Dark World to look for Johan, the show starts demonstrating clearly how different Judai's leadership is from Johan.
All of Judai's flaws start popping up, he's tactless, self-centered, and doesn't consider others feelings, and most importantly of all he doesn't look before he leaps. These behaviors that could earlier be swept under the rug, just become aggravated in a high stakes situation where everyone's lives are on the line. Judai came together with everyone to look for Johan, but he keeps acting like he's alone.
Another user's meta post here summarizes Judai's actions in the Different Dimmension, more succinctly so I'm going to quote them.
Shit Judai’s friends signed up for when they went into the Different Dimension with him:
searching for Johan
working as a team
deciding as a group what risks they’re willing to take
risking their lives together, on an even playing field
Shit Judai’s friends didn’t sign up for when they went into the Different Dimension with him:
having their input thoroughly ignored
being left behind while their friend recklessly charged ahead
having essential information kept from them (Judai didn’t tell them about the fatal consequences of dueling in Dark World)
being kept from dueling without their opinion on the matter ever being taken into account
having their physical, mental and emotional well-being be completely ignored by the de-facto group-leader
being relegated to secondary importance in comparison to Johan, in Judai’s eyes
having their group leader outright break the promises he made to them
To name a few things Judai does while in the different dimmension. Almost immediately after entering the dimension he runs away from the rest of the group, forcing Austin O'Brien to follow before anyone has even gotten their bearings or investigated where they are. Make an agreement with everyone to rest and wait for Dawn to search for Johan, only to run off into the middle of the night without telling anyone. Run off ahead of the group leaving several of their members behind, and when O'Brien tells Judai that members of their group are missing and that he should go back and search for them, Judai asks O'Brien to just do it instead.
Judai doesn't see the flaws in this behavior because it's how he's been acting all along, he always runs off into danger head first and he always fights on his own. Judai's never been good at considering the feelings of others though because he's a tad socially impaired, so he just doesn't seem to notice everyone's growing concerns with how he's acting.
Once again we are asked the question, is Judai's behavior selfish?
Judai deliberately abandons his friends three times, and the third time everyone stops to discuss his behavior.
Kenzan: True, we did come to this world to save Johan, saurus... Fubuki: He did find some minor clues as to Johan's whereabouts, so I suppose it's only natural, but... Asuka: But right now, I feel something is different about Judai. Menajoume: That's right. He got us all riled up about this, and now he's totally forgotten the comrades who came along with him. Kenzan: That's really irresponsible, Saurus. Fubuki: I don't mean to be a wet blanket, but I wish he'd realize the anguish he's putting us through. Asuka: Judai isn't doing this for Johan or us now. It's for himself. He just seems to be rushing forward, headlong, to forget the responsibility he bears on his shoulders.
The answer now is yes, his motivation is selfish because it's no longer about saving Johan, but just to stop himself from feeling guilty.
The stress of the situation is aggravating Judai's worst qualities yes, but Judai's always thought about himself first before others, he's always viewed his friends more as burdens / people to be saved rather than equals.
This all leads to a situation where Judai messes up big time. The same way he abandoned Yubel, he abandons the rest of his friends to run ahead and search for Johan.
They are all kidnapped - and it's Austin who notices they are missing Judai isn't even paying attention. Austin says they should head back and look for the others, but Judai asks Austin and Jim to handle that alone so he can keep searching for Johan.
Jim: The others haven't arrived yet. Something might have happned to them on the way. Judai: I see. Sorry, but could you go back and fetch them? Jim: What? You mean you don't care what happens to them? Austin: Don't forget these are the friends that are in this with you. To fulfill our objective in this dimmension we need everyone working together. You wait here until we return. Judai: Okay, I will.
Austin and Jim agree to go back and search for the others, if Judai promises to wait for them here instead of going on ahead. A promise which Judai immediately breaks.
Which is how Judai walks right into a trap.
Judai abandons his friend so they get kidnapped. He doesn't go back to look for them, so he misses out on a chance to save them. He doesn't wait for Austin and Jim to come back, and because of that he wanders all alone into a trap.
That trap is a sacrifice ritual where the leader Brron challenges him to a duel, and every time Judai attacks one of his friends are sacrificed. Judai is forced to attack and each friend dies one by one.
Judai didn't want to attack, he didn't choose to sacrifice his friends, but he did make every decision leading up to that. The trap was easily avoidable if he 1) didn't leave his friends behind 2) went looking for his friends after they were left behind or 3) waited for Jim and Austin to come back.
Judai didn't mean to sacrifice his friends, but it's a result of his own bad decisions. It's the culmination of an arc where he's been selfishly taking his friends for granted. It's a consequence for Judai just choosing to recklessly barrel forward because he can't cope with his guilt.
Judai's lack of darkness of the heart really dooms him here, because he was blind to his own flaws until it was too late. This isn't even the part where Judai does the bad thing, Judai's careless actions lead to four of his friends dying but he doesn't learn from his mistakes. He snaps, hard.
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Judai: But at least I avenged them. Sho I'm really glad you're alive. Sho: Those words... they're just lip service. Bro... bro, you're selfish. Before now, I thought of you as the sun. Someone who gave others energy and made the impossible possible. But, I was wrong. All you care about is getting your way. You don't care who you sacrifice. You'll do anything in the name of your goal. Avenging them won't bring back the people you sacrificed. You're just dueling to satisfy yourself. Judai: O'brien! Austin: I thought I told you to wait. Judai: Are you saying what I did was wrong? Austin: Think it over for yourself. Judai: Why? What did I do that was so wrong? I... I did the right thing! And yet... everyone keeps leaving me! What... What is wrong with me? Supreme King: Yuki Judai. To be willing to be evil to defeat evil. This world exemplfiies survival of the fittest. It must be ruled with power. Judai: Power? I don't have that much power... Supreme King: You hold the Super Polymerization card in your hand. Defeat the spirits that stand against you. Breathe their lives into it and complete that card.
After this point Judai decides to sacrifice everything else for power, and to complete the Super Polymerization card he's already sacrificed four friends four.
It's the culmination of an arc where Judai's only been praised for his strength and his ability to win duels. Where he constantly has been called to win duels to solve problems, until that stops working. When everyone is gone, all that's left is his strength. He had to keep winning to keep people safe, but even that wasn't enough, he was still missing something.
He knew he was missing something, that there was something wrong with him and he didn't know where to look.
Conclusion?
He needed power. If he had power, then he wouldn't have lost. If he had power then everything would have turned out alright. He didn't have the strength to carry everyone's burdens for them, that's why he lost, so what he needs is more power. He's been demanded to win, win, and win again so now winning is all that matters.
Now we have our second question: Is Judai's hero complex a good thing?
That's a definite no, because the pressure to always win, to always save everyone and carry their responsibilities has now completely broken Judai. To the point where he now believes that the only thing good about himself is that he's powerful, but he now is willing to sacrifice others to gain more power.
My name is the Supreme King.
Now here's the best part about Judai actively having a villain arc.
He does bad thngs. He does a lot of bad things.
It turns out when you're abandoned and left alone to suffer you do bad things, crazy that, I'm sure Yubel would have a lot to say about that.
Judai is also not being possessed in this scenario. They state it several times. You could say he's Shadow possessed in a Jungian sense. The supreme King is the symbolic embodiment of all of Judai's flaws that he's been ignoring until now. You could say Haou is representative of Judai's subconscious that has been repressed for so long until all those flaws finally surfaced, and that the Judai we see on a day to day basis is his ego, that the relationship between the two is a metaphor for conscious and subconscious.
Jim does a deep dive into Judai's mind, where we're shown a symbolic sequence of what the inside of his head looks like. Judai witnesses his friends appear in mirrors before they shatter one by one, all while he mumbles about how he needs to get stronger.
These are all storytelling devices to show Judai's fractured psyche, but Judai is still in control of his actions. Judai talks and responds to questions when he's addressed. Judai's friends confirm that it's still Judai, he's not a puppet or possessed.
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Misawa says later to Judai's face that he and the supreme king are the same person. Judai later is able to use the Supreme King's powers and maintain complete control, because the Supreme King isn't a split personality. Judai even says when Amon is sacrificing someone he loved for power, that he was doing the same thing as the Supreme King, sacrificing everything for power.
We later learn that the ritual that sacrificed four of Judai's friends was a part of Yubel's schemes, but that's the only thing Yubel set up. Judai made every bad irresponsible decision that led to his friends being captured. Judai was the one who snapped and decided to complete Super Polyermization after it was completed. Learning Yubel was behind the sacrifice ritual doesn't take away any agency from Judai at all, because Judai is responsible for his own decisions.
What it does do is create another parallel between them, because we learn the reason Yubel set up the sacrifice was to make Judai walk the same path that they did.
Judai is hurt, abandoned and isolated and in that situation he ends up lashing out at everyone around him in a similiar manner to Yubel. When Judai is put through similiar trauma, he doesn't overcome it in some heroic way because he's an innately good person, no he succumbs and behaves in ways that are incredibly similiar to Yubel.
Even when Judai's friends selflessly try to help Judai, he resists them every step of the way. He ignores their constant calls to him, their comfort, and he even fights them. Judai is eventually reached by the efforts of Jim and Austin combined, but they both die in the effort. Judai is saved because Jim and Austin were way better friends to him than he was to them.
Judai is effectively snapped out of his destructive spiral, but he's left alone with the sobering realization of everything he's done and the blood of two more friends on his hand.
When it's time for our hero to finally face Yubel, he no longer has the moral highground. Now when he faces Yubel it's not as hero and villain, they're just two sides of the same coin. Two people who when they were abandoned, lashed out and hurt everyone around them.
The question is no longer can Judai save Johan. The question now is whether Judai can live with the guilt he's carrying within him, and for that matter can Yubel live with the guilt of what they've done now too?
By this point Judai's been completely deconstructed. He's no longer the hero of the story, he's just a flawed person who needs to fix his flaws. He has the choice to live with his mistakes, and the biggest conflict now is whether he's going to save his villain foil Yubel, or strike them down in order to save the rest of his friends (the three that are left).
This also creates a much more compelling reason for Judai to save Yubel. Not just because Judai is responsible for Yubel's creation, but because they've both made the same mistakes, they have the same traumas and the same scars. Jim and Austin were willing to risk everything to save Judai even when he didn't deserve it, and didn't want it. Now is Judai capable of doing the same thing, of reaching Yubel the way he was reached, not for the sake of saving the world but for helping a friend?
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I just want to save my friend. That's all.
This is to me a very compelling setup for the challenge of whether or not Yubel can be saved. Judai's not really saving a helpless victim, he's not acting out of a sense of duty to sacrifice himself for the world, he's being challenged to save someone who suffers from all the same flaws that he does. Judai and Yubel are so similiar at this point it's really just Judai saving himself.
The Dark Deku Arc - Setup
This is the part where I'm actually going to praise MHA. Shocking I know. Season 1 and 2 of Yu-Gi-Oh GX are about 105 episodes in total. The Dark Deku arc begins at about episode 131 with Deku's decision to leave the hospital by himself to hunt down Shigaraki and AFO alone and try to understand villains better.
The 130 episodes up until that point are much better build up, than the first 105 episodes of Yu-Gi-Oh GX. To put it frankly GX is paced like ass. There's far too much filler, and because of that the plot points the anime is trying to make are delivered less efectively. In fact 105 is a good example of what I said above, that ideas are one thing and execution are another.
Season 2 especially is a season filled with good ideas and weak execution due to pacing. Here's one I use as a go-to example. There's a character named Edo Phoenix who's on a quest to find who killed his father. The ending of his plotline is he discovers that in a twist, the man who adopted him is the one who killed his father, and he's been encouraging Edo to investigate because it lets him spy on the police investigation and keep it off his tail.
That's a good twist - however that twist happens in the same episode that Edo's adoptive father is introduced. The audience is given literally no time to even get to know Edo's adoptive father, or get invested in their relationship so the twist doesn't hit at all. A better paced story would show Edo's relationship to his adoptive father early on, get you invested in them, only to pull the rug out from under you so you would feel the shock of that betrayal alongside Edo.
GX establishes its character cast, and yes the filler does give the cast time to breathe and they're all well characterized but because the plot around them is so poorly structured, none of the plot points really hit. Okay, Edo's adoptive dad is evil. Next! You can have good characters, but if you don't put them in a strong narrative framework that challenges them then those characters are just gonna kinda sit there.
The first 105 episodes of Yu Gi Oh GX does succesfully characterize most of the main cast, but it also feels like everyone's just goofing around. In comparison the first 135 episodes of MHA much more successfully builds an escalating conflict. Each new arc either introduces you to a new facet of the world, makes the amin characters more complex, or adds to the conflict.
We basically go from arc 1 "The hero high school is fun" to Arc 2 "The villains are a serious threat" to the Camp Arc "Oh shit, Shigaraki is learning and the villains are getting stronger."
When Bakugo is kidnapped at the end of the camp arc, the tension is ramped way up with the appearance of AFO, and All Might's retirement.
After that point we're introduced to the Overhaul arc, which not only again makes the League of Villains more complex and sympathetic, but also introduces the audience to All Might's more flawed side - the fact that All Might literally worked himself to death saving others and it still didn't work.
Then My Villain Academia -> The Villains are now a threat and they have an army.
Each arc builds on a previous arc, the characters and the world grow more complex, and it feels like you're learning about these complex issues alongside the characters. It just makes Yu Gi Oh Gx look like the silly card games show by comparison, by setting up this very layered world, and conflict, and heroes that challenge the protagonists on what it means to be a hero and what it means to be a victim.
Then all of that great setup.
We are side by side with the proagonist. We, like Deku now want to see if someone like Shigaraki can be saved. We, alongisde Deku want to better understand the villains and learn to see them as people. We want to know if the corrupt hero system can be salvaged.
However, these are too many questions so let's boil it down to two once more, because this is looking at Deku's character.
Deku and Judai are in some ways different as night and day. Deku is an introverted nerd and the victim of bullying, and he starts out with no quirk at all. Judai is a self-confident, charismatic prodigy who instantly seems to charm and befriend everyone around him. Deku desperately wants to be the hero and works his way up there, whereas Judai is just kind of thrown into the school hero because he's the best at dueling.
Judai is kind of a mix of Bakugo and Deku's traits, he's a self confident prodigy who always wins, but he's also someone obsessed with heroes and who has a hero-complex where he's continually forced to save others.
The Dark Deku arc, like the Supreme King Arc looks to take a darker, more introspective look at Deku's character, while also exposing Deku who is a sheltered kid to the a very grey on grey world. It also seeks to deconstruct Deku's suposed "hero complex". Despite the many differences between Deku and Judai I believe the two questions an be boiled down to the same thing.
Is Deku Selfish?
Is Deku's hero complex a bad thing?
These are the questions the series itself is asking in the deconstruction of Deku's character. Deku himself is asking if there's a better way to save villains tha just beating them down or outright killing them, but we'll discuss that later.
Just like Judai there is some setup before this to give a previously very one-note Shonen protagonist mor depth. Deku and Judai are both people who fit the determined, punchy, solve everything fist fight shonen protagonist to a T, on top of being the one to always show up to fight for their friends. Just like in the beginning of season 3, we do have some hints before this that there's something wrong with this attitude. That there's something about Deku that's not entirely there.
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There's a flashback of All Might talking with Bakugo where Bakugo discusses that the fact that Deku never takes cares of himself or factors himself into the equation when he always puts others first deeply bothers him and there's "something wrong with it" that's made him always push Deku away.
This flashback also leads into a scene where Bakugo pushes Deku out of the way of one of AFO's attacks, telling him to "stop trying to win this on his own." In an attempt to make Deku see that he's not fighting alone this time.
Deku has also been warned repeatedly about the way his power destroys his own body when he uses it, warnings he's repeatedly chosen to ignore. Saving others isn't just a goal for Deku, you could arguably say it's a method of self-harm and that's what unnerves Bakugo. Bakugo even gave a similiar speech in the past, about how someone like Deku shouldn't take all of the bullying that Bakugo has given him over the years and still try to be his friend afterwards. At this point it's not really like Bakugo's done anything other than tone down the constant insults a little bit, he hasn't apologized or anything but even this early in the manga Deku has a tendency to just let Bakugo's treatment of him go. It's not like they were super best friends forever before the bullying started either despite what the shippers might tell you. Bakugo is saying it's weird that this kid just takes it, and takes it, and takes it without fighting back like he doesn't care about how people treat him and Bakugo is right... that is weird!
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Deku either has such low standards for how he's treated that he just lets Bakugo get away with it, or he just doesn't hold a grudge when he is mistreated because his pain and his suffering just always matters less. Either way it's not healthy, and it could be indicative of a deeper problem hiding behind the surface.
Either way there's setup here, because on one hand you have everyone and their grandma praising Deku for his "drive to save others that eclipses all common understanding."
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While at the same time he's criticized by Bakugo for having no regard for others. This could be the setup for the character trait that led to his earlier success leading to his downfall later. In Judai's case, everyone praises his purity of heart, but then that purity is later criticized as childishness, naivete and a refusal to grow up.
As for Deku...
How can you protect others if you can't even bother to protect yourself? How can you save others if you can't save yourself? That's the question Touka asked of Kaneki in Tokyo Ghoul when she rightly called out his desire to protect everyone at the Anteiku Cafe as just a roundabout way of getting himself hurt by acting recklessly.
In Kaneki's case he's not trying to protect anybody, he's just picking battles against the doves and getting himself hurt. He's acting out a hero complex in the sense that if he feels like he didn't fight his friends battles for them like Judai then he wouldn't have any friends to begin with. That's why Touka also says "Besides that, everyone doesn't belong to you. You have no business protecting us."
Is Deku fighting for the same reason? Does he harm himself to protect others because he views himself to be worthless and the only way to demonstrate his worth is try and fight to save others?
We don't get an answer for that question. Judai thinks duels are fun, and he's really good at them, and because he's good at dueling he's made friends. He think to keep those friends he has to keep dueling for the sake of others.
Deku's not motivated by the idea of protecting or keeping his friends, that's a secondary motivation. All we have on Deku is that he feels a strong desire to save others, and that he worshipped heroes like All Might growing up but has a naive idea of what a hero is supposed to be. However, his lack of motivation could be the "something that's missing" just like Judai has.
The GX writers did some hardcore digging into Judai's character by focusing on how shallow he was in motivation compared to everyone else, and showing that to be a symptom of his childish naivete.
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There's also the potential parallel between All Might and Nighteye's breakup, and Deku's decision to leave all his friends behind to hunt for Shigaraki himself.
Even if Deku doesn't have a deeper motivation than just "an unnatural drive to save others" then you could show the effects of Deku walking down the same path that All Might did, the belief that he has to be the one to save everyone singlehandedly and if he rests for a single moment than someone might die, leads to him not only destroying his body, but also doing permanent damage to all of his social relationships.
Even if Deku's motivation isn't too deep, you could still have the traits that led him to earlier success now driving him to ruin as the story punishes Deku for his excessive selfishness.
This is also where we finally get back to Deku's goal of understanding Shigaraki, and contemplating whether or not it's possible to save villains without killing them.
I draw a parallel between this and Judai's enemies calling him out on lacking "darkness of the heart" and that without understanding that darkness he can't win.
Judai's lack of darkness of the heart means two things, he's not mature enough to understand the reason why his enemies are fighting, and he's also not mature enough to se the darkness in his own heart which is why he ends up blind to his own flaws and making pretty severe mistakes later on.
For Deku, it's mainly a lack of understanding of the motivations of the villains he's fighting again, villains he's only ever really beat down with his fists until now.
However, for Deku lacking darkness of the heart you could also re-contextualize that as meaning because of his idealization of heroes he's never once looked at the darker sides of hero society that might have driven people into becoming villains.
Deku's lack of inner darkness may just come from the fact that compared to the villains he's fighting against, he's gotten to live a pampered life. Without understanding that darkness, he can't be a full person because he'll still be a naive sheltered child, and not an adult wise to the way the world works and the moral greys he inhibits. Either way, it's just as necessary for Deku to gain an understanding of "Darkness of the Heart' as it is Judai.
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So here's all the setup for the start of Deku's Dark deconstruction arc. As different as these characters and scenarios you can still boil it down to those three narrative questions about Deku / Judai, is there behavior selfish? Are there hero compelexes a good thing? Do they need to understand darkness of the heart?
Before moving on I'm going to summarize Deku's setup as thus:
Deku's actions are selfless.
Deku's motivations are also selfless (a desire to save others).
Deku does not benefit from saving others in any way, if anything he actively harms himself in order to do so.
Bakugo finds this behavior incredibly disturbing.
All Might destroyed his body and burned all bridges because of similiar flaws to Deku.
So the answer to the first question is Deku selflish? No. Is his hero-complex a bad thing? Potentially.
While Deku himself decides that he needs to understand darkness of the heart in order to better understand villains. Deku is actually more set up to contemplate darkness of the heart than Judai is, because Judai charges into the dark world blindly with only the motivation of saving Johan not even caring for Yubel, while Deku has the explicit motivation of trying to understand the little boy inside Shigaraki.
DEKU LEFT THE HERO ACADEMY
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Deku begins the arc by leaving alone to go searching for Shigaraki, with hand-written letters addressed to all of his friends that tell the truth about One for All and also say Goodbye. He makes the deliberate decision to leave them behind so they don't get targeted alongside of him. It's a pretty classical superhero motivation, I need to cut myself out of my loved ones life in order to protect them. Of course this sort of ignores that everyone in his class has super-powers too, but you know heroes they're all such drama queens.
Is this selfish behavior?
This is going to be the only time I'm going to solidly answer yes. Deku clearly did not take his friends feelings into account. His desire to protect them, is more important than their own agency. They also might want to fight alongside him, they'd be upset if they saw him die or get hurt trying to protect them. Deku thinks of his own feelings of wanting to keep them safe and not being able to handle the emotional burden of protecting him, more than he does their own personal feelings.
This is also something that All Might did they permanently burned all of his bridges with his sidekick and friends, and deeply hurt his sidekick who was just asking him to take a break so he did not get himself killed and quit because he didn't want to watch All Might slowly kill himself by inches.
Deku is being selfish here, and later on when he does face his friends he even acts pretty condescending belittling them and insisting they can't fight on their own or keep up with him.
However, I need to ask a secondary question.
Is there any lasting consequences for this selfish behavior?
Besides the fact that it hurt his friends feelings for a little bit, no. I spent a much longer time covering this in Judai's sections because Judai's selfish behavior led to character conflicts. Judai disregarding his friends led to everyone starting to resent him in the Dark World, and their once tight-knit friend group further falling apart.
Judai on three seperate occasions makes impulsive decisions to run ahead without consulting with the group. The second time he outright lies to the group and sneaks ahead without them. THe second time all of his friends are captured when they go after him and try to follow him to give their support because they're worried about him. The third time he makes the decision to run ahead, he knows about the danger they're in and the risk of getting captured and he just blatantly ignores them. When Austin notices they're missing Judai doesn't even go looking for them because they're not a priority at this point - saving Johan is.
This is something that has very real and lasting consequences in the story, they're captured because of his recklessness, and sacrificed in front of his eyes. Even though they technically come back in season 4, the trust between Judai and his friends is all but gone and he's alone for a lot of Season 4.
Judai's decision to abandon his friends has direct and lasting consequences. He is being punished for his hero complex. Running ahead, and fighting alone against the bad guys is what Judai has always done and what's worked before, but now in a more complicated world it's not cutting it and Judai is being challenged for his flaws.
Deku hurts his friends feelings a little bit, but even in that case the focus is on how sad it is for Deku, how hard it must be to be a noble hero fighting alone.
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Deku's Mary Jane and Spiderman bullshit never impacts his friends directly, other than the fact that they find it slightly condescending. His "I need to keep secrets from my loved ones attitude" is challenged because his friends want to fight alongside him, but there's never any narrative punishment delivered to him. It's just solved with one fight scene and a character holding out their hands. Whereas, the consequences for Judai's rash actions last two seasons.
I call it "Mary Jane and Spiderman" Bullshit, because Spiderman keeping his identity a secret from all his loved ones is a big conflict in the comics. Something that got Gwen Stacy killed, because Peter Parker never told her his identity in order to protect her, and then that just ended up with Norman Osborne finding out about her anyway and kidnapping and killing her.
You might have heard of the "Death of Gwen Stacy" it's a pretty famous moment in comics. It's also a case where it shows that the Hero's failure to communicate honestly with their loved ones in the name of "Protecting Them" can actually get them killed.
There's even consequences in MHA itself for heroes choosing to sacrifice their personal lives to help complete strangers. Shigaraki literally made a whole speech about it. Kotaro Shimura is traumatized for life over his mother's decision to abandon him instead of giving up on being a hero. Nana Shimura believed she was doing something selfless in sending her child into foster care to keep him out of AFO's clutches, but that was shown to be wrong as AFO just found Kotaro's household and then destroyed him later on in adulthood anyway.
So in the story we are shown scenarios where choosing to abandon your loved ones in the name of "protecting them" can have disastrous and lasting consequences, but as for Deku himself, the decision to leave the school has basically no consequences whatsoever.
Well, Deku making the decision to fight alone is something that might lead to some consequences. After all, Judai's breakdown came about because he always felt the pressure to fight alone and carry everyone's weight on his shoulders until he couldn't.
Perhaps, with Deku fighting alone to protect everyone we'll reach a similiar breaking point. Just as Judai couldn't handle carrying everyone's burdens, looking for Johan, and leading his friends into the Dark World all that the same time and eventually broke down maybe we'll see Deku break down because he just like All Might can't carry the burdens of an entire nation - oh wait nevermind he's working with the Top 3 Heroes.
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Even the premise that this is Deku leaving the school, to become something like a vigilante wandering the countryside trying to fight AFO on his own is just incorrect because Deku is receiving government assistance right now.
In the Dark World it was really just Judai and his friends, so every single bad decision Judai made had consequences because they were well and truly alone. Deku has backup so he's not even really "alone" in the arc that's supposed to be about him fighting AFO and trying to understand Shigaraki alone.
ALL YOU'LL FIND IS BLOOD AND VIOLENCE
Let's briefly focus on questions two and three, is Deku's hero complex bad, and does Deku need to understand darkness of the heart?
Judai's hero complex was based on the idea that if he wanted to have friends he needed to fight for them and solve their problems for them.
Judai got in such an unhealthy negative feedback loop, that he had to carry his friends burdens in order to maintain his friendships with them, but at the same time he couldn't receive any help from them because he made their friendship all about him carrying their burdens. He was operating underneath an amazing pressure to always win until he lost. The very thing he did to try to maintain his friendships, keeping his friends at arm's length and fighting alone is exactly what ends up driving them away and leaving him alone.
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But, still...! They're all... They're all gone. There really was something missing in me. But what is it? What was missing? What should a duelist burden themselves with?
Judai paradoxically fights alone in order to keep his friend group together, which only ends up with him losing four friends and being abandoned by the rest when they're disappointed for him in his selfish behavior. Judai screams out why, realizing he did something wrong here, that something went wrong because he's been winning duels, he's been fighting the same way he did before only to end up with the worst option possible. The realization that he is truly alone breaks him down entirely.
Judai's hero complex unwravels when simply charging ahead to fight doesn't work for him anymore, because the situation becomes more complicated than that. Darkness of the heart can mean many things. Judai not understanding his own personal flaws. Judai not seeing how his flaws are affecting others. Judai not looking at other people's emotions, he doesn't hear or respond to criticism when his friends start trying to tell him how is selfish decisions making is making them feel.
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I can't just stay and wait. All this time I've run on instinct, never second-guessing myself. If I just stand still now... I'm sure I won't be able to start running again. And I won't be able to get to Johan.
Judai's hero complex has a clear source - he believes he has to keep running ahead and fighting for his friends the same way he always has in order to keep those friends and if he stops he'll lose everything / succumb to the guilt he now feels about being uanble to save Johan. His Hero Complex also has clear consequences, him running ahead without thinking gets all of his friends kidnapped and used in a sacrifice ritual that could have been avoided if he had made different choices.
Spiderman kills Gwen Stacy because Peter Parker deciding to not tell her about his secret identity to protect her backfired and made her an easy target to the Green Goblin.
Heck, Spiderman's entire character is about how the burden of being Spiderman and his Hero Complex constantly sabotages any attempt he makes at having a personal life. Miguel O'Hara's catchphrase in the incredibly popular Spiderman movie is that "Being Spiderman is a sacrifice" and he's not wrong either.
SO, is the narrative punishing Deku's hero complex in any way?
Well, the one warning he did receive that if he kept fighting he'd lose permanent loss of his arms turns out to not matter anymore because his body is just stronger now.
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So, even the phyiscal toll of fighting alone that's a consequence for Deku doesn't actually apply here.
I keep talking about consequences but what do I actually mean? Am I talking about strictly punishment? Do bad things need to happen to characters in order to get their lessons?
Not necessarily.
When I say "consequences" I mean in terms of actions always having consequences in a story. The best stories are succinct, that means you basically cut down in as many frivolous details in a story as much as possible so everything that happens onscreen is something that matters and contributes to the whole. Therefore, every action should have a consequence directly seen onscreen in story. Stories are all actions and consequences, the choices the characters make should have direct impact on the plots and the other characters because it makes those choices seem like they matter.
If the story constantly draws attention to the fact that Deku is afraid of ducks, but the story takes place on the moon and there are no ducks living on the moon then that's a wasted plot thread because there are no consequences. If a character does something bad, other characters should discuss it, or it should negatively impact them in some way.
When Judai decides to run ahead without all of his friends for the first time after they all agreed on a plan, the result is the next episode they all start talking about their shared doubts with Judai when he's not around. If they all just swept Judai abandoning them under the rug, then Judai running ahead and leaving the others alone doesn't feel like an impactful character flaw.
There's no lasting consequence for Deku's hero complex. It doesn't drive him to any kind of breaking point like it does Judai.
I think the reason why is because there's no real moment of failure for Deku. When he tries to ask Muscular why he fights, and Muscular rejects him and says that he was just born evil and has no deeper motivations, Deku's not frustrated at all.
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Deku who feels a "unnatural desire to save others" isn't really bothered by the fact that Muscular insists that he can't be saved and that they can only fight. Despite this technically being a failure, Deku has failed to talk a villain down, failed to find a way other than fighting and also failed to understand the darkness in someone's heart it's of little consequence because it's not framed as a failure.
Deku just punches Muscular, back to the drawing board.
There's another manga called Choujin X running right now, where the main character is on a similiar quest trying to see if there's a way they can save the big bad Sora Shihouhin, and when he is forced to fight against a villain who won't back down, de-escalate, or listen to reason he has a complete emotional breakdown.
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This is the reaction of someone who's genuinly invested in the idea of saving the villain, and frustrated with the reality that he might not be able to save her, that he can't talk to the villains or convince them to back down. Tokio's not even characterized by an unnatural desire to save others like Deku is, so why is he the one breaking down and not Deku someone apparently so selfless that he wants to save the mass murderer that's trying to destroy society?
If Deku's desire to save others is so strong why doesn't he show frustration at being unable to talk down, or understand Muscular?
Judai is stuck in a negative feedback loop where he's forced to fight for others, because he believes he has no worth to his friends otherwise. All we're told of why Deku feels the need to save everyone around him is that he's just like that, he just feels like saving everyone no matter who they are the moment they come into view.
If we're choosing to characterize Deku that way, then number one he should be attempting to save everyone, and number two the stress of having to save everyone is something that should get to him. His "Hero Complex" should be what's breaking him down at the moment. The unnatural desire to save everyone around him that led him to so much success should be what's punishing him this arc.
Judai felt pressure from two aspects, first the pressure to carry everyone's burdens, and second the lack of understanding of darkness of the heart. Unlike Judai who doesn't want to understand darkness and who avoids it as long as possible, Deku goes into this arc actively seeking to understand how his villains think.
Deku and Judai also suffer from a lack of darkess in their own hearts. This leads to them having empty motivations. Judai has a childish desire to enjoy fun duels. Deku has a childish desire to save everyone. Neither of them have tried to grow or change or even question those motivations in any way and because of that they're stunted people.
Judai doesn't know why he fights. He doesn't question why he fights. He just takes on the burdens of others to give him something to fight for. This all together leaves Judai blind to his own personal darkness, and also because of that blindness he can't grow in any way because he never evaluates himself, he never looks at himself and tries to change.
When he's on his knees and at his breaking point he screams at the top of his lungs, "WHY? WHAT AM I MISSING? WHAT DID I DO WRONG?" simply because Judai's never thought about these things.
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Deku's asked these same questions both in the Dark Deku arc, and hundreds of chapters later he's asked what he's planning on doing as a hero in order to make things better and Deku never materializes an answer.
Pre-Dark Deku Arc, during Dark-Deku Arc and Post Dark Deku arc, Deku always solves his problems by recklessly jumping in and saving others. There's never any point where he's punished or criticized for this behavior in any significant lasting way. He never has to self reflect and develop a reason on why he wants to save others, or eve think about how he's going to save others, he can just keep acting as the rash, impulsive hero.
Judai and Deku are both characters who are empty, and lacking in motivation but Judai is ruthlessly criticized for that until he reaches his breaking point and is forced to look at his motives.
This once again comes from a lack of failure on Deku's part. Deku never fails the way that Judai does. There's a scene where you could have easily had Deku fail. The entire Nagant vs. Deku fight where Deku fails to give her any substantive answers to his questions.
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Imagine if Deku's simple philosophy of always extending a helping hand failed here. Imagine if Deku actually got deeply ivnested in the idea of saving Lady Nagant, and did his beset to talk and reach out to her but his answers weren't enough and because of that she just chooses something like suicide. Imagine he has her by the hand, and she's dangling off of the roof and he thinks that his impressive move to save her should have been enough - he's reached out a hand like always. He thinks this should have won her heart over, by showing her that someone still cares in all of her despair.
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Then, Nagant in one final spiteful move lets go. The person he heard her entire backstory, the person maybe he once was a huge fan of her when she wasa hero, the person he wants to save the same way he wants to save Shigaraki chooses to let go and fall to her death because dying would be better than living in whatever kind of corrupt world that Deku is trying to build.
This could be Deku's Gwen Stacy moment. Spiderman carelessly webs Gwen Stacy whe she's falling to catch her and for a moment he thinks he's saved her because he's overconfident and has caught people falling like this a thousand times, only to find out he's snapped her spine. His overconfidence, his hero complex making him believe everything magically would work out led Gwen Stacy to her death. This could show the simple act of just offering a hand out to someone in need isn't enough, without empathy and understanding.
Instead, AFO just blows Nagant up in Deku's face.
Except, that isn't even a failure bcause Nagant turns out to be just fine! There's no point in blowing up Nagant except for the spectacle of it, because she turns out to be fine five minutes later and even shows up to fight in the next arc.
There's no consequencs to anything that happens in this scene. Deku doesn't suffer any consequences for being blind to the faults of society. (He's working right alongisde a killer cop just like Nagant and he doesn't even care.) Deku isn't forced to reflect on what saving people or making society better would even mean. He also isn't punished for his lack of understanding the way that Judai is.
Afterwards, Deku denies help to a very mentally-ill Overhaul, who is apparently not one of the villains that Deku wanted to save. There's a whole buch of asterisks on that "Deku wants to save everyone***" goal. This also isn't framed or used to paint Deku in a bad light because Overhaul is unworthy of salvation in Deku's eyes for hurting Eri.
Is this action part of an arc? Is Deku reaching his limit with trying to sympathize with villains only to see people like Overhaul and Muscular fighting him every step of the way and telling him they don't want to change?
Nope, this scene is never brought up again.
Deku never fails, and he never does anything wrong. Even when there are situations where you could argue he does do soemthing wrong, like denying the armless, mentally ill Overhaul help - he's not painted as being in the wrong.
The entire arc is supposed to be about criticizing the protagonist for their hero complex, and their lack of understanding of the darkness of the world but for Deku there's no criticism to be had here.
Compare this to the sacrifice ritual in the Supreme King Arc, where not only does Judai fail to save his friends, but the friends that survive ruthlessly tear into him aftewards for his selfish behavior. THe actions of one protagonist matter, have consequences in the story and are criticized. The actions of another protagonist have no real consequences and are never criticized.
The whole mansion blows up and... nothing happens. No one's injured in the explosion. It may as well have not happened in the story because there are no consequences for Deku just continually choosing to blindly run ahead like his hero complex tells him to.
There's evena moment where Deku winds up in a similiar situation to the dark ritual. After receiving information from Nagant, he blindly wanders into a mansion in Haibori woods believing it to be AFO's base, only to find out it was a trap and AFO was waiting for him to blindly charge in all along.
THAT'S WHAT MAKES US HEROES AND VILLAINS
This is where I'm going to talk about another big similarity between Deku and Judai, and also the biggest point of divergence in the Dark Deku and Supreme King Haou arcs.
Deku and Judai are both character foils with Shigaraki and Yubel respectively. This is where I'm going to praise MHA again, surprising everyone.
The foiling between Shigaraki and Deku is masterful. They both started out in relatively the same place, as boys with dreams to become heroes who were softly told no by their parents. Tragedy struck Shigaraki and he killed his family on accident and wound up alone wandering the street for days until he was found by AFO.
They're both the students of the greatest hero and villain of the last generation. They both end up being surrounded by a group of close Nakama that they want to protect. They're both continually challenged to grow up, and show how they're going to be better than their predecessor for the hero and villain sides respectively. They both have to prove they are worthy successors. Shigaraki has all the heroic spunk and determination that Deku has but on the villain's side, and while Deku loves heroes, Shigaraki is hero society's critic wants to bring down the hero system that didn't save him.
You get the feeling that Shigaraki really is Deku just in a different situation, a same person on the opposite sides of the conflict kind of character foiling.
As the biggest Yubel stan here, in some ways the foiling for Shigaraki works better than the foiling for Yubel because Shigaraki isn't just Deku's foil, he's the foil for all of society. Yu-Gi-Oh Gx takes place in a society run where everything centers around card games, it's not really that deep. In My Hero Academia you have that 100 episodes of great setup where Deku is not only learning to look at the darkness within himself, but also the darkness within hero society around him.
Judai's narrative as much as I love it, is entirety about Judai.
Not only could Dark Deku arc develop Deku's character, it could also say something deeper about the world it's taking place it, because Deku has all these connections to Shigaraki, who also kind of represents the orphaned boy failed on all levels by the society around him.
Shigaraki is the shadow of -> Deku, but also Shigaraki is the shadow of -> all of society.
Yubel is the shadow of -> Judai, and only relates to Judai's personal growth.
Yubel is Judai's personal villain, and was created by his actions as a child. His decision to abandon Yubel into space, led to Yubel being tortured and their later madness.
Yubel is also Judai's shadow. They carry all the same flaws, but those flaws are obvious in Yubel and repressed in Judai. Yubel's belief is that Judai is someone who purposefully enjoys hurting their friends, and that's how he shows his love. While that's twisted it's not hard to see how Yubel came to that conclusion. After all, Yubel loved Judai so much only for Judai to abandon them and turn a blind eye to their suffering. In the Dark World, Judai abandons his other friends continually in order to search for Johan, and they wind up suffering too.
While Judai doesn't sadistically enjoy hurting others as Yubel put it, there's an element of truth to Yubel's criticism. Judai does abandon people, Judai isn't as empathic as he seems to be. When Judai is subjected to the same kind of isolation and abandonment that Yubel has endured for the past ten years, Judai loses his mind a whole lot quicker and starts lashing out at everything around him the same way Yubel has. Judai without the love of his friends starts to hurt everyone around him in his lashing out, the same way that Yubel desperate for love starts to inflict pain on the people she loves. Even before the ritual happened, Judai was unwittingly hurting his friends with his own selfish behavior.
Yubel's stated criticism is "of Judai is "Anguish and sorrow born from loneliness. That is the nature of love as you taught it to me" and further beyond that "When you forgot about me, I suffered. It's hot. It hurts. I am in pain. Why? You know how much I love you? Why did you do this to me, Judai? In that moment I realized that was how you showed love. Because you loved me, you hurt me and made me suffer."
That sounds crazy, but hasn't Judai been hurting the people he loved for his own selfish reasons this entire arc? Is it that crazy then to conclude that neglect and abandonment must be how Judai treats everyone he loves, so surely he loves me.
One of the biggest criticisms of this arc is how Judai's behaviors impact his relationships, so of course his most personal villain and foil is his jilted ex nonbinary dragon lover. On a less joking note, when Yubel was displaying troubling behavior as a child, Judai's first response was to abandon them. Which is ironic for someone like Judai so paralyzingly afraid of being abandoned that he became everyone's workhorse and worked himself to death solving their problems for them. Who when abandoned by those friends finally, snaps just as hard as Yubel did when they were abandoned.
Do you see the parallel I'm drawing here? Judai is slotted into the spot of the protagonist who's friends with everyone he meets, who loves and fights for his Nakama. Yet under closer scrutiny he's shown that he doesn't really understand what love or friendship is or how to give and receive love from others in a healthy way. His antagonist is his former childhood best friend, who is obsessed with love and demands that Judai love them back. Judai's lack of understanding of relationships and love takes a dark twist with Yubel, their shadow, foil and antagonist.
These are once again very personal challenges to Judai, society doesn't really factor into this equation. Though, Judai is somewhat challenged as a hero because there's an irony to Judai plunging into the world to save his best friend Johan who he's known for like three weeks, but not really lifting a finger to save the antagonist of the arc Yubel who he's known since childhood and is personal responsible for putting through torture.
That hypocrisy there too, is a personal challenge to Judai that paints him in a less heroic light. He wants to save Johan and ignore Yubel because it's easier, because saving Johan relieves him of his guilt. He doesn't even know what to do about Yubel, so he doesn't try and falls back on his previously established behavior of playing the hero.
The hero is really just a mask for Judai at this point, something the story has ripped right off of his face by the time it comes to face Yubel.
There are two ways in which Yubel serves as an ultimate foil to Judai.
Yubel acts like a callout post to all of Judai's flaws
Yubel represents a dark path Judai could have taken.
This second one is what Shigaraki and Deku have in Common with Judai + Yubel. There's something deeply tragic about the idea that while Deku was making friends, getting taught by a loving teacher like All Might, Shigaraki was all alone being pushed by a ruthless manipulator like AFO into becoming the worst villain.
Judai and Yubel's lives follow the same tragic parallel path. They began in the same place as childhood friends, but after abandoning Yubel, Judai spent the next ten years growing up, making friends in a healthy and safe envirnoment while Yubel the one who was abandoned was alone in space desperately crying for Judai to come save them only to be ignored because Judai has long forgotten them.
However, there's a striking difference there too. Yubel is created directly by Judai's neglect and actions. Whereas Shigaraki is created by the neglect of all of society, it's not Deku's fault directly.
#1 Shigaraki acting as a callout post to Deku's Flaws
However, this is where Shigaraki's callout post comes in. Shigaraki gives a long speech on how the existence of heroes itself, creates villains like him.
"You heroes pretend to be society's guardians. For generations you pretended not to see those you couldn't protect and swept their pain under the rug. It's tainted everything you've built. That means your system's all rotten from the inside with maggots crawling out. It builds up little by little, over time, you've got the common trash all too dependent on being protected. And the brave guardians who created the trash that need coddling. It's a corrupt, vicious, cycle. Everything I've witnessed. This whole system you've built has always rejected me. Now I'm ready to reject it. That's why I destroy. That's why I take power for myself. Simple enough, yeah? You don't understand because you can't understand, that's what makes us heroes and villains."
To break it down simply, heroes look away from the faults in their society, they intentionally ignore the people they cannot save, and when those people turn into villains the heroes beat them down hard. The villain attacks then convince the common people of the need for heroes, and the cycle perpetuates itself. This is all powered by the people's blind, uncritical faith in heroes.
Deku is a person who has that same blind, uncritical faith in hereoes, and until this point has never thought of Shigaraki as anything more than a villain to be punched until he stops. Which is why this is still a callout post that applies to Deku, because Deku's blind admiration for the Hero System is part of the problem that enables the very flawed hero system.
Deku does not understand darkness of the heart, therefore Deku does not understand that heroes could possibly be bad, and he could possibly be supporting a bad system until he's slapped in the face with it.
However, is there a lasting consequence for Deku's blind support of the hero system?
Nope.
I just described up above what could have been a consequence, if Lady Nagant refused to have faith in Deku since he didn't back his words up with action.
Deku also clearly does not want to break away from the corrupt hero system that created Shigaraki, because the heroes that he brought along to fight with him are Endeavor, Hawks and Jeanist, a child abuser, a state sponsored murderer, and a guy who makes bad puns. He doesn't change any of his bahavior that enables the corrupt system to stay in power.
Not teaming up with the Top 3 heroes, and deciding to go full vigilante would have at least have been breaking away from that system.
This circles around to a big underlying problem in this whole arc in that Deku isn't really doing anything different from what he was doing before, and he's not punished for his character stagnancy either.
So we're left with.
#2 Shigaraki represents a dark path that Deku could have Taken
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This is where Judai / Yubel succeeds and Shigaraki / Deku falls flat on its face.
When pushed to his absolute limit after failing repeatedly, Judai snaps. With no friends left he decides that all that matters is power. This path seems natural for him because we've already seen what being abandoned and left alone can do to a person and how it twisted Yubel. The story hints again and again at Judai's blood knight tendencies, and that he thinks the only thing he has of value to offer others is strength by fighting for them.
He loses his friends and the fighting is all he has left.
At the point of despair he decides to just embrace power. If he cares about nothing more than strength, at least that will give him some sense of control over his life after the out of control tragedy that happened to him.
"Yuki Judai. In order to defeat evil, one must become evil. In a world with the law of the jungle at work, one must rule with power." "Power? I don't have that kind of power." "In your hand lies the super polymerization card. Defeat any spirits who may oppose you, and combine their lives into it to perfect the card."
Supreme King is just a villain persona that Judai adopts to as a protetive blanket for all the hurt and pain they've gone through, just like ding, ding, ding, the villain persona Shigaraki Tomura is for Shimura Tenko.
Judai snapping under such intense pressure shows us that if even the faultless hero can snap, then how much can we blame the villain for snapping under similar circumstances? Maybe the reason both the hero and the villain fell is because they're both equally human and to fall down is human.
Deku never falls down as hard as Judai does. He doesn't even fall down and scrape his knee. There's no instance where he fails to save anyone. There's no instance where his actions hurt anyone. There's no instance where he takes things too far and hurts a villain. I kow it's unlikely for Deku to turn into a villain, but he could have at least gotten so frustrated he turned into a punisher style vigilante! Is that too much to ask?
There's not even a single moment where Deku goes too hard in a fight and injures or even kills a villain. They could have pulled an "I thought you were stronger" moment like in Invincible.
I don't know why this is called the Dark Deku arc because there's no darkness in Deku's heart for him to exploit, nor is he actually called to better his understanding of the darkness in others hearts. Judai understands Yubel's darkness because by the end of his personal arc he's been there, he's not the hero he's the atoner. He can either punish Yubel, or hold a hand out to help Yubel atone.
Deku's arc might as well be called the "My Little Pony Friendship is Magic Arc" because he never does or confronts anything dark. His worst crime is not showering. All that isolation and his repeatd failures in hunting AFO down should have worn Deku down, but it didn't because he's just that special of a boy!
Deku's hero complex also is completely uncriticized from beginning to finish. Judai's hero complex is an unhealthy behavior that utterly destroys him. Deku's hero complex is a job interview flaw.
FRIENDSHIP IS MAGIC
Just to hammer my point in I'd like to compare these two scenes. One is in the middle of the Supreme King Arc, the sacrifice ritual scene where all of Judai's friends are blaming him for the fact that they're about to be sacrificed while he's still trying to save them.
The second is the climax of the Dark Deku arc, where all of Deku's friends are showing up to fight him and convincing him to accept their help.
Just look at how vastly different these two shows treat their shonen protagonists when it comes to his flaws.
For the ritual sacrifice scene. This is immediately after Manjoume wakes up to find that he has been chained and kidnapped with Judai standing right there.
Judai: Sit tight! I'll save you soon! Manjoume: Wait, is he dueling? JUdai you damned idiot! Weren't you going to save Johan with us!? Getting yourself all flared up. You didn't even stop to think about us at all, did you? Judai: That's not it. Manjoume: That's just how you are! You were the only one in your kingdom from the get-go. We were the idiots for getting all motivated with you and feeling some sense of friendship with you being like that!
Then Judai watches helplessly as Manjoume dies. His other friends don't fare much better.
Kenzan: Big Bro? Why'd you want to save Freed's comrades when it meant sacrificing us-don!? Judai: You're wrong. That's not it. Fubuki: It's painful. This pain isn't just physical. It's the pain of a friends' betrayal that I have tearing my soul. apart. Asuka: I'm being betrayed and sent away by you. To think that I'll have to bear a sadness like this.
All of Judai's friends die spitting on him and telling him what a terrible friend he is and that this is all his fault. Which it is, because his decision to abandon them got them captured and led up to the sacrifice ritual.
Now, what scathing criticisms do our heroes have to give Deku after he left them all behind to fight Shigaraki alone?
Denki: Midoriya! We get that all for one is really importnat but you got something even more important in your life! Me and you we aint'g otta ton in common, but you're still a friend! Even if we gotta force this friendship down your throat. TodorokI: What a look you have on your face. Is this resposnibility so much that you can't let yourself cry? Seems like a burden you should share with the rest of us. Uraraka: The thing is Deku, we don't want to be protected by you and reject who you are and what you're doing, we just want to be with you (this part is narration).
Deku is told that none of his friends are mad, they want to be by his side no matter what, and that it's okay for him to cry.
I should also mention how underdeveloped this supposed nakama group is in the manga itself. The entirety of Season 3 of GX is tha the bond between Judai and his friends are more shallow then it appears, but he's also spent two whole seasons bonding with a group that consists of: Asuka, Sho, Kenzan, Fubuki, Manjoume. That's six people total including Judai who serve as is primary friend group. Their friendship is more unhealthy than it appears, but Judai has spent the past two seasons hanging out with one small friendgroup.
Meanwhile the entirety of Class 1-A shows up to tell Deku how much they love him and how much he means to them, and Deku's hung out with maybe like... four of them?
You have one bond shown to be how shallow it is, and one shallow bond treated like it's the deepest, most loving friend group in all of fiction. Deku doesn't even receive some lgiht criticism for how inftantalizing it was for him to abandon them for their own protection, because no one resents Deku or is capable of holding any negative or critical emotions towards him whatsoever. He's just told how much everyone loves him and wants him to come home.
And yes, Judai also does get two characters sacrificing themselves to try to reach him when he's the Supreme King.
However, as I stated above Jim sacrifices himself to help Judai because that's who JIm is as a person. Austin does it after Jim fails, both to honor his friendship with Jim, and also because of someone who got scared and ran he feels like he has to confront the darkness of the heart.
Jim and Austin O'brien's sacrifice is also a sacrifice. They died trying to save Judai, and Judai has to wake up with the knowledge that not only did he kill a bunch of people in his quest for power, he killed two more friends who were only trying to help him.
At the end of the arc, Judai has woken up with the knowledge that he has done bad things that can't be taken back and he's barely better than Yubel at this point.
At the end of the Dark Deku arc, Deku gets a speech from Uraraka about how amazing and selfless he is, and how he never gives up and how he always pushes forward, and how everyone at the UA shelter should appreciate him more.
The Supreme King arc exists to criticize Judai. The Dark Deku arc does nothing but flatter Deku from beginning to end.
Judai's hero mask is ripped off and he's forced to be a person. Deku's hero mask stays on, his hero complex is unchallenged, and he's praised for being teh greatest hero evarz.
I often get accused of not liking MHA simply because I expect it to be a different story than what it is. That I want it to be darker, when it's a more optimistic shonen manga.
However, here's my secret. I hate edgy superheroes. I don't like watching stuff like The Boys because it gets too dark for me. The oly reason I read invincible is because my friend told me that Omni-Man got a redemption arc. My favorite DC Superhero is Superman. My favorite Superhero of ALL TIME is Spiderman.
The thing about Spiderman though, is that it is hard to be Spiderman. The entire point of Peter Parker's character is that he has a terrible work/life balance and constantly loses people around him because being Spiderman is a sacrifice. The story doesn't bend over backwards to praise Spiderman as being a selfless hero, in fact it points out what a loser he is constantly. Peter Parker's friends are always frustrated with him and he's a wreck of a person.
Yet, the fact that being Spiderman is such a sacrifice and he keeps choosing to make it, shows what kind of person Peter Parker is, and that's just a person who does whatever he can to help out.
Even Peter Parker, the nicest, most well-intentioned boy ever has the Symbiote arc. One of the most famous arcs in comics dealing with Peter is when he lets Venom graft onto his suit, and even though the symbiote makes him violent, and makes his behavior change he spends the longest time not wanting to peel it off because the power boost the symbiote suit gave him made his life that much easier.
Dark Deku is an obvious reference to the Venom Suit, but a completely shallow reference because Dark Deku acts exactly the same as regular Deku the only reason he looks like that is he forgot to take a shower.
Superhero stories don't need to be Dark Deconstrutions, but they do need to be SOMETHING. They need to say something about the character. The problem with the Dark Deku arc isn't that Deku didn't experience a villain arc.
It's that nothing of consequence happened in the entire arc. Nothing changed. The story asked us if Deku's hero complex was a bad thing, and then it didn't deliver any answer. The story asked us if Deku needs to understand darkness better and then didn't answer that.
These are ideas that the audience promised were going to get answered. We were told Deku was going to get his development this arc that he was going to be pushed to the edge. The entire premise of this arc was that it was supposed to better help Deku understand Shigaraki and Hero Society only for Deku to not learn about either of those things.
Deku's learned nothing. We've learned nothing. Nothing has changed in the story itself. The only thing we've accomplished was wasting a lot of time that we could have been using watching Yu-Gi-Oh GX!
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