#tsuki ai

[a-nime-----i-mage]

Uzaki Tsuki

I received a request to make her into Uzaki's mom, so I quickly added it in. Please share more feedback! Thank you.

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[hagumihanamoto]

kagen no tsuki

[animepopheart]

★ 【Tsuki】 「 家族 」 ☆ ✔ republished w/permission ⊳ ⊳ follow me on twitter

[lordofwaifus]

Tsuki Uzaki 🖤🖤

Anime: "Uzaki chan wa asobitai!"

More on my Patreon !!

[hanore]

[tiferet]

kagen no tsuki ai yazawa

[towascat]

[apinkylemon]

[littlestarkei]

Hyde & Chiaki Kuriyama in Kagen No Tsuki (2004)

[pumpkin-and-mayo]

i love her foreshadowing

[shoujo-memory]

Kagen no Tsuki by Yazawa Ai

[animehouse-moe]

Monthly In the Garden With My Landlord, Volume 1: Surprising Charm

Based on the just the synopsis, I'd say I was curious about this series, but I don't know if I was ever fully sold by it. Because of that, I'm very glad that I ended up picking it up regardless, as there's a lot of charm and energy that this first volume brings, making it a series centering around adult romance that I think quite a few people will enjoy, and for quite a few reasons that I'd love to illuminate.

Let's start with the idea of the story. Asako Suga is a manga editor that was just dumped by her girlfriend, leaving her in an apartment full of memories and firsts that are tied to her now ex. Because of that, in a spur of the moment decision she decides to move into a house that's being rented for pennies on the dollar and seems to have nothing wrong with it. That is, until she moves in and finds out that her 19 year old Landlord, and ex-idol, is living there with her.

I think it's an idea that a lot of people could be turned off by, but here me out on it. It's actually really fun, and well executed. Asako, and Miyako (the ex-idol-now-landlord) have just the right balance of comical and shallow traits as they do deep and impactful ones.

Sure, Asako might be a sucker for a pretty face, and that might have played into sticking around. But, she's more than that. She doesn't immediately fall in love with Miyako because she's pretty, but rather she struggles to maintain an appropriate amount of distance from this young adult, largely because Miyako struggles to be an adult.

And really, that idea itself opens up the story so much.

Asako and Miyako struggle to form deep relationships with people. Asako falls under the stereotype of being suckered in by looks, and Miyako is in the position where looks is all that people care about. Neither are able to directly connect with someone and form a deep and emotional bond, not even in the romantic sense necessarily.

I mean, the manga itself addresses that as Miyako takes to calling Asako onee-san a whole bunch, which perfectly highlights their beginning relationship. Miyako relies heavily on Asako, while Asako is babying Miyako.

The idea of romantic feelings is present, don't get me wrong, but it's absolutely an undertone to the pair forming a deeper relationship that extends past superficial tendencies. Because of that, I really hope that in future volumes they struggle with the expression of those feelings and they struggle with how it changes the shape and form of their relationship.

Anyways, let me share my love for the art. It's got a very light feeling, but that doesn't diminish the feeling of it or the detail in any fashion. It's still very present and strong, but it's not not got a heavy lineweight or strong shading or lighting and whatnot. I guess you might call it "flat", but I don't really think it's a bad thing.

I think the only thing I could really complain about is the environment art, since there isn't too much of it, but that's par for the course with a lot of manga these days. What's good though is that the mangaka fills that vacancy very comfortably. Subtle screentones that fill gaps, intelligent paneling and focus, and mindful layouts that work to really fill panels and use negative space. It's not anything incredible, but it does plenty to be aware of the gaps in backgrounds.

I think most important though is their willingness to break molds. They really don't restrict their characters to the confines of panels, routinely breaking out from those lines or existing entirely separate from them, or even having them partially cut off from them.

Speaking of characters, these designs are really damn good. The level of detail and uniqueness they carry is really great, and something that I think can be very rare to see.

Just look at the smaller details, Miyako's eyes are a different shape to Asako's (which are then also different to Hatomori's, who is a supporting character). Then look at the noses and mouths as well. Asako generally has a more squared off mouth, while Miyako's is rounder. Similarly, Asako has a more prominent nose while Miyako has overall softer and rounder features, but has larger/more prominent eyes.

It's really great design language that is very rare to see in a lot of series these days.

Even better is the expressiveness of these designs though. Character acting has a prominent role in a series like this, and Yodokawa's designs work wonders in regards to that. They work great both in terms of subtle and extreme moments, which creates a really nice feel to both ends of the first volume.

Also, the design sense and posing? Absolutely sublime. Yodokawa really has considered everything about these characters. Asako tends to wear more plain and "typical" outfits, while Miyako brings more energy and style, and all of Miyako's outfits are just so pretty.

Really, there's not much of an end to how much I enjoy the various pieces of this first volume. There's so much that I'm not doubt leaving out a considerable bit of charm and quality from this post, so I really recommend people give the manga a try. It's promising to bring a much more friendly and positive adult romance story, but not without depth or emotion. The art is endlessly engaging and fun, very stylish and well utilized, and the characters are such a treat. Just read it if you can.

[h-ironos]

❝   𝚃𝙷𝙴𝚈   𝙷𝙰𝚅𝙴   𝚂𝙾𝙼𝙴𝚃𝙷𝙸𝙽𝙶   𝙸   𝙲𝙾𝚄𝙻𝙳   𝙽𝙴𝚅𝙴𝚁   𝙷𝙰𝚅𝙴   ╱   𝙰   𝚂𝙾𝚄𝙻   .   .   .   welcome   #DROID00732_TSUKI   .   .   not   quite   HUMAN,   not   quite   MACHINE.   a   study   in   the   line   between   humanity   and   ai,   repressed   emotions   for   survival,   the   struggles   of   co-existence,   and   the   discovery   of   self.   heavily   inspired   by   quantic   dream's   DETROIT   BECOMES   HUMAN   &&   imogen   heap's   HEADLOCK. 

[sekaiichi-happy]

Kagen no Tsuki ☽ vol. 1 - 3 

[hanore]

[tiferet]

kagen no tsuki ai yazawa