#classic shoujo
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animenostalgia · 6 days ago
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Some sad news to share - Prolific shoujo manga artist & illustrator Macoto Takahashi has passed away at the age of 90 due to cancer. While he made several shoujo manga in the late 1950s & 60s, he soon decided to focus on illustration work, as he realized it was difficult for him to write stories for girls as a man. His highly detailed, fairy tale inspired & ultra-feminine style quickly became very influential to other shoujo artists at the time, helping further popularize trends that we now associate with classic shoujo manga style today. His work gained notice again in the 90s & 2000s when he started doing fashion illustrations for Lolita brands and magazine covers.
Rest in peace, Takahashi-sensei. You will be missed, and your beautiful art will continue to inspire!
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hotwaterandmilk · 9 months ago
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Series: Shoujo Kakumei Utena Artist: Saitou Chiho Publication: Ciao Magazine (06/1997) Source: Scanned from my personal collection
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aprilc0t · 3 months ago
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Scanned some Moto hagio sketches from the poe clan and the heart of Thomas
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animefeminist · 1 year ago
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Transmasculinity and queer sexuality in the works of Ikeda Riyoko
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Content Warning: Discussion of transphobia and suicide
Spoilers for Dear Brother, The Rose of Versailles, and Claudine
Ikeda Riyoko—perhaps the most famous member of the “year 24 group” that played a large part in creating the foundations of the shoujo manga genre—is often credited with laying the groundwork for depictions of queer characters in shoujo, and in particular with creating the archetype of the gender-bending heartthrob heroine, or “girl prince.” Building on earlier representations of butch or transmasculine characters in early shoujo manga such as Princess Knight, and the Takarazuka theater tradition of the otokoyaku male role actor, Ikeda’s enormously popular gender non-conforming heroes—Lady Oscar from The Rose of Versailles, Rei from Dear Brother, Julius from the Window of Orpheus, and the titular character of Claudine—helped to establish that there was a major mainstream audience excited to cheer for a hotheaded, androgynous tomboy with a heart of gold. Lady Oscar in particular has fingerprints all over the history of anime and manga, from a gender-bending cameo in Pokémon to serving as the inspiration for iconic characters like Tenjou Utena.
When I first read The Rose of Versailles last year, I expected its depictions of queer and transmasculine characters to be somewhat limited—after all, the comic was written for mainstream audiences and a mainstream publisher in the 1970s. But across Ikeda’s work, I was deeply surprised with the level of care and nuance with which Ikeda approaches transmasculine love stories. While there is obviously a lot about Ikeda’s portrayal of transmasculine characters that feels dated to modern audiences (for example, her comics often do fall back on “biological” ideas of women’s weakness and emotionality, and sometimes psychologize her character’s genders in uncomfortable ways), I was surprised by how much of these comics still hit for me today. What makes them work for me is both the extreme pathos with which Ikeda writes transmasculine character’s experiences of rejection—and, at rare moments, gender euphoria —but also the fact that her trans characters are not simply given a one-size fits all born-in-the-wrong-body narrative. Instead, they are each portrayed as unique individuals with varied personal relationships to their gender, their sexuality, and the historical context of the society they live in.
Read it at Anime Feminist!
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butterscotchhooves · 8 months ago
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“The Rose of Versailles” by Riyoko Ikeda, circa 1972.
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rosegardenscans · 1 year ago
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Hello everyone,
we are a scanlation group of classic shoujo enthusiats and we want to post updates here of our projects.
Some of you maybe remember the Rose Garden main site here on tumblr, sadly that one exists no more, but our group is still active.
We also have an discord server, so if you are interested on helping us with our projects, you are very welcome to join: https://discord.gg/wByzNR9pAT
Here is also our project site on MangaDex, where we post our projects: https://mangadex.org/group/da13a6a9-28f1-4e80-9ad5-74f239859632/the-rose-garden?tab=titles
These are our current projects:
Swan by Kyoko Ariyoshi, newest chapter: 55
The Allegory of Nijinsky (Nijinsky Guuwa) by Kyoko Ariyoshi, newest chapter: 1.4
Divine Love, Earthly Passion (Tenjou no Ai Chijou no Koi) by Tomoko Katou, newest chapter: 4
From Eroica with Love Tributes, newest chapter: 23
The Hotel on the Dangerous Hill (Abunazaka Hotel) by Moto Hagio, newest chapter: 1
Marie-Antoinette. La jeunesse d'une reine. by Fuyumi Soryo, newest chapter: 1
Legend of Hikari (Hikari no Densetsu) by Izumi Aso, newest chapter: 1
And we are also working on some more ;)
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bishiedoll · 2 months ago
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二人のしあわせ (Futari no Shiawase) by Eiko Hanamura.
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bowonmyhead · 1 year ago
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midonart · 1 year ago
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"There are two kinds of love in this world: a love of joy... and a love of agony"
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heartsblooming · 2 years ago
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finally sharing my classic shoujo memes with the public (cheers erupt from my crowd of adoring fans)
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napolka · 3 months ago
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I'm in love with @bumblebeescottage's Rockstar AU...
Would you go to Murat's glam rock concert?
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anisongoftheday · 5 months ago
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The Rose of Versailles Opening
Bara wa Utsukushiku Chiru by Hiroko Suzuki
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ammonitetestpatterns · 2 years ago
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yoshimi uchida, 銀河 その星狩り, published in the winter 1977 issue of ribon deluxe.
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yousei-no-mori · 2 months ago
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Relating to a character is nice and all until it's this bitch
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animefeminist · 1 year ago
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“An Inner Revolution Of The Japanese Women”: The Rose of Versailles As Feminist Historical Fiction
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It’s not an exaggeration to say that Ikeda Riyoko’s The Rose of Versailles is one of the most influential shoujo manga of all time. The18 volume historical fiction retells the story of the French Revolution through the eyes of a number of female protagonists, including Marie Antoinette and the fictionalized character, Lady Oscar. Many shoujo manga historians consider it to be a foundational text in the medium and Ikeda is often credited for popularizing  the sumptuous linework and stylistic expressions which shoujo manga is best known for today.  
Unfortunately, shoujo manga—like most media targeted towards women and girls—is often dismissed as frivolous and apolitical, which means that Rose of Versailles is often overlooked as a work of feminist historical fiction. However, Rose of Versailles is actually remarkably well-researched and it’s clear that Ikeda was dedicated to educating her readers about the history of the French Revolution by centering women in her story. Similarly to English-language commercial successes like Titanic and Hamilton, the Rose of Versailles uses the framing of genre fiction to allow modern audiences to connect with history. The Rose of Versailles makes the argument that women’s lives and the romance genre can be radical and revolutionary—and, in fact, they were always central to revolutionary movements.  
Read it at Anime Feminist!
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butterscotchhooves · 8 months ago
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“Claudine…!” by Riyoko Ikeda, circa 1978.
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