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#trolls just brings the passion outta me
thatbennybee · 21 days
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Viva and Branch are kinda weird to me i feel like they get along only in one front and thats safety they both kinda have a similar story in terms of They Saw Their loved one leave them behind or die in front of them and they both in some terms secluded themselves but Viva seemed happy with it seeing how her colors aren’t muted or anything if anything as we saw she is still like Poppy
Branch was secluded by his choice and he was miserable while Viva was happy in her own little cage yet seeing them interact (while just for a little) i don’t really see how they get along outside of probably paranoia
If i can put it in words lets say Branch and Viva can both do Ballet Street Style lets say Viva and Branch (Grey) both do it perfectly but stay in a spot not letting them go and move but when Branch got his colors he uses more space being more free while Viva stays still (if that makes any sense)
Idk i just dont feel like Viva fits sure i love Poppy has family but i hate that she’s… there like she was added like last minute
No... Viva definitely fits, she was just rushed. Viva is a parallel to Poppy in the same way that JD is a parallel to Branch. ☝️🤓 It's quite clear she is.
Viva is the result of not having someone like Branch in her life to make her see that her way of life, while temporarily effective in keeping other safe, was still not being free nor happy. JD is the result of what Branch would be like without meeting someone like Poppy. Someone who was headstrong enough to change their worldviews. Viva and JD didn't have that person.
The whole point of Branch and Viva having that one candid moment was important.
We have no idea if Viva was grey at some point or not, but regardless, that's not a fair point because the entire Pop Village went great for a short period of time and they're all fully vibrant, including Poppy. Branch was grey for like 20 years and has permanent effects from it, big difference.
Viva could've been grey and just gained them back like anyone else. I don't see how that's a point. 🤔
Moving on—
Branch wears his heart on his sleeve and openly talks about the bad things in the world, Viva hides hers so she doesn't have to think about the bad things and forces herself to think only about the good.
Poppy does the same thing in Trolls 1 and tried to force positivity through Trolls 2 and both times, it backfired. The difference is that Poppy had negative reinforcers that changed her behavior and thought process, while Viva was somewhat given positive reinforcers to stay where she was.
By that, I mean that she believed that hiding and staying that way would keep them safe. It was effective, yes, but she wasn't growing or changing because she was essentially proven correct. Meanwhile Poppy had a mindset that only worked within her sheltered bubble of life, but when her worldview was challenged, she had no idea how to handle it and choked.
Viva chokes too when they all leave her and her worldview is shattered when told that life outside isn't how she remembered it.
Branch is pretty candid when talking to viva and how he heavily relates to her, but shows her that there's other ways for her to grow. I don't see how Branch healing mentally would make it so Branch & Viva couldn't get along.
I think having someone who understands your fears better than anyone else world actually make it easier for them to bond and for Viva to heal in a way that is healthier than refusing to talk about it.
Branch and Viva could bond in ways other than safety, it's quite clear that Branch has no problems being silly or having a good time when he wants to.
He literally says it directly to Viva that he used to fear the world like she does, but he doesn't anymore. He's not that same person overly obsessed with safety and fear of the unknown. He just knows when it's a time to be serious and when isn't and he can take it easy.
Poppy has learned this lesson herself considering how she was quick to see that Viva wasn't being serious and focusing when asking her important questions. Viva just didn't really get the air time to learn the right lesson and it sucks. :[
Anyways, Branch having a level head and having a more serious approach than his peers doesn't mean he can't just have a good time and I feel like that could actually be a really good lesson for Viva to learn. You can want everyone to be safe, but also know when to reel it back and see that everything will be okay.
I think him and Viva would get along really well once she stops putting on the persona of being overly happy when she's not and is honest about what she's been through. I think he'd be able to find creative and familiar ways to bring her back into Pop Troll society without overwhelming her. They're all survivalists after all. :]
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badnovels · 6 years
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Did I miss the porn!Peeta fic posting? Because there are few things that would upset me more than if I missed one of your fics about a porn!Peeta. Just that phrase makes me tingly. #everlark #it'sbeensolong #butnorush #lyingtho
No, you haven’t missed anything! It’s below the cut. 
“He’s being a real bitch today,” Glimmer complained. She left a trail of her namesake across the floor as she stalked down the hallway. Her beautiful face, heavily made-up to appear flawless on screen, was mutinous. Her body was covered in a sheer peignoir that was dripping glitter as she walked, and her surgically enhanced breasts pointed rosy-tipped nipples at Katniss, which she studiously tried to ignore as she replied to an email on her phone.
“Sorry.” Katniss shrugged and finally met the other girl’s eyes. She slipped her phone in her back pocket and sighed. “You know I don’t control him. No one can.” 
To say that Peeta Mellark was an unstoppable force was an understatement. That anyone believed she had any real sway over him was laughable on a good day, but today wasn’t going to be a good day, because yesterday? Peeta caught her doing something she’d sworn never to do.
He hadn’t spoken to her since. 
And considering he didn’t go one hour without texting or calling or giving her some sort of order…well. Katniss wasn’t about to start making any demands on his schedule. He’d sent her one line this morning: studio @ nine. When she’d arrived, he was sequestered in a room that was already shooting a scene, and she’d been loitering in the hallway like a troll ever since. 
“Oh, whatever,” Glimmer said with a derisive frown. “You’re his precious…” Katniss stared at her. “…personal assistant,” she finished with a little more respect. “You could at least give us a heads up. I hate when he crashes in like this.”
“Look. He owns the production company,” Katniss said. She drank deeply from the tepid cup of coffee in her hand and grimaced. Peeta liked it sugar-sweet and full of cream, the opposite of her preference, but she needed fortification this morning if she were going to deal with a confrontation with temperamental talent. “He can show up whenever he wants.”
“Yeah, but I thought he was above all…this…now.” Glimmer gestured vaguely with her hands. “He can just sit back and relax while we make money for him on our backs.”
She choked during her next long sip. “You make him sound like a pimp.”
“If the shoe fits! It’s ridiculous how he storms in here-” The words cut off like a scratched record, and Katniss didn’t have to turn to know why.
“For your information,” Peeta said, taking the coffee cup from Katniss’ hand without acknowledging her. “A pimp wouldn’t pay you nearly as well as I do.”
“I didn’t mean…I just meant…” Glimmer stammered, backing away.
“Maybe if you put as much passion into your scenes as you do talking shit about me, we wouldn’t have to do so many reshoots,” he said. His trademark blue eyes were cold.
“I’m sorry, sir.”
“Go cry it out in the dressing room,” he said. “When you come back, I expect you to be professional and ready to nail your scenes. Literally.”
Glimmer fled. Katniss cleared her throat.
“That was unnecessary, don’t you think?” She tried as hard as she could to sound normal.
“Don’t even start,” Peeta warned, his voice low. He lifted the cup and glared at the lip gloss-stained rim. “You had to drink my fucking coffee?”
“I drink it every morning. Out of spite.”
“Why’d you do it?” he asked suddenly, throwing the half-full cup into the trash.
“Well.” She chewed on her lip and looked at the wall behind him. “I really didn’t know you were that serious about your coffee.”
“Don’t.”
Katniss exhaled and closed her eyes. She couldn’t believe he was actually going to bring it up. Why couldn’t they just quietly go about ignoring unsaid things? It worked for them. 
“Do you really have to do this right now?” she mumbled, turning away. She had a hard time meeting his eyes. “Let it go.”
“I had one request. One rule,” Peeta said, grasping her arm and pulling her back toward him. “Look at me.”
She reluctantly did as he asked, her face burning.
“I asked you not to watch my films,” he said slowly, “because of this. Right here.”
“This, what?”
He gave her a resentful look, his handsome face showing the true depth of his anger. He didn’t look like a polished, successful entrepreneur at that moment. He didn’t look like the funny, humble man that he was sometimes with her in private, a hard-won intimacy and friendship she’d developed as the person who looked after his every need for the past three years. Peeta now looked like the raw, brutish person who fought his way up from a dodgy, orphaned childhood, where he transitioned from a homeless teen to an edgy adult film star who specialized in controversial, rough kink.
“This. Where you can barely talk to me. Where you treat me like I’m something to be ashamed of,” he said, voice hard.
“Jesus!” she exclaimed. “Do you really think I’m that much of a prude? I work for the owner of a porn company.”
“You’re my assistant because you had no choice,” Peeta reminded her with a curl of his upper lip. “You’d be on the first flight outta LA if you’d had any other options. You took this job because you were broke and desperate, and Prim begged me for the favor.”
“That’s really low.” Disbelief flared, taking the place of embarassment. “Don’t bring my sister into this.”
“Why not?” he taunted her, his beautiful smile unkind and cruel.
“Because…” She was speechless with anger and confusion and hurt. This was all spiraling so out of control. They were breaking every one of their rules, even the unspoken ones.
“Just say it.” He stepped into her space, crowding her against the wall. “It’s because I fucked her? Years ago? Aw.” He was all faux-solicitousness. “It was just for the movies, sweetheart.”
Katniss’ vision blurred. “No.” The sudden outrage made her shake, and another emotion, something sharper and brighter and painful, made her eyes burn. “Because you dragged her into this shit.”
His laugh was a bitter, brittle thing. “Now we get to the truth. The shit.” He was so close now that their foreheads were practically touching. “The disgusting porn industry that Katniss Everdeen is so far above. Who cares that it pays your bills every month.”
She pushed him, but he didn’t move. Peeta was big, and hard, and though he didn’t have a reason to keep his body in the same peak physical condition he needed back when he starred in the movies that he now produced, he was just as buff as he’d ever been.
“You’re putting words into my mouth. She’s my baby sister. I wanted…I wanted something else. I wanted her to go to school. To be a doctor. And then she met you, and the next thing I know, she’s banging people on screen and changing her name to Rose Deen.”
“I didn’t make her do anything. She asked me for a foot in the door. And she’s successful. She’s happy,” Peeta gritted out. “Prim’s my friend. I’d never hurt her, not then. Not now.”
“It doesn’t hurt that you’re making a heavy profit off of her now, either,” she said meanly, regretting it instantly when a flash of hurt that swiftly turned to anger crossed his face. God, envy made her a bitch. “Wait-”
“It’s fine.” He gave her a blank look, the kind he sent to people who didn’t matter. “It’s time to watch the dailies. You’re coming with me.”
“But I don’t do that,” she protested feebly, flustered from both the request and what she had just said to him. “Finnick usually does that with you.”
“Okay. You can do it. Or you can quit. It’s up to you,” he said, staring at her. He wasn’t throwing a tantrum. He wasn’t being a dick. He was matter-of-fact, like he didn’t care whether she walked out of the studio doors or not.
“All right,” Katniss muttered, shoving her hands in her pockets. “Look. I’m sorry. I know you’ve been good to Prim. And that it was just business.”
“Don’t be sorry. Do your job.”
Peeta turned on his heel and stalked down the hall. She struggled to keep up with him, ignoring the sympathetic grimaces that actors and crew members gave her as she hustled past. Normally she was on the other end of this particularly unpleasant stick, the one to give reassuring looks to the people that Peeta blistered on a daily basis.
Finnick turned and stared at them when Katniss trailed behind Peeta into the editing room.
“Boy. You two look like you’ve been through some things,” he observed. His copper hair gleamed to perfection, and his skin shone with good health under the same lights that made Katniss look like a hag. She hated him, and not just because of his beauty. It was for the same reason she harbored a secret, horrifying little anger at her own sister: Finnick had once gotten to touch Peeta Mellark, even if it was on film.
Katniss glared at him while Peeta examined something on one of the screens. 
“Hmm.” Her nemesis took a bite from an apple and leaned back in his computer chair, addressing Katniss. “Exactly why am I being blessed with your presence, tiny?”
“Ask my demon overlord.” She plopped down on the couch that was against the wall and then frowned. “I’m not sitting on any DNA right now, am I?”
“Casting couches are in the room next door,” Finn said with a leer. “It’s where you did your interview, actually.”
“Ugh! Shut up.” For a moment she forgot she was in a fight with her boss. “Peeta! Tell him to stop lying.”
“Don’t torment my assistant,” he said curtly. Then he sat down next to her on the couch, his thigh touching hers. “That’s my personal privilege. Now roll on the footage from this morning.”
Finn cast a doubtful look her way that was mixed with disdain. She knew he mostly considered her an annoying little prude who got in the way of his friendship and personal time with Peeta, but to hell with him. She was here because she was asked and she wasn’t going to be intimidated by the likes of a former porn star named King Badcock.
“Yeah…um.” Katniss gestured at the bank of screens, refusing to be cowed by Finn. “Play it.”
And then something happened.
What ensued was the most uneasy two hours of her life. She’d seen her fair share of cock and vagina before, especially as Peeta’s employee, but this was raw and up-close and technical. And it was discussed in great detail, paused and analyzed, all while the heat from Peeta’s body was touching hers. She couldn’t explain it, couldn’t even put it into words, but hearing words like ‘cum shot’ and ‘squirting’ dropped from such a beautiful mouth in such a dry, deadpan voice was doing something to her that no amount of actual porn had ever done. So she sat there in quiet, squirming agony while Peeta and Finn talked around her.
Her leg was jiggling with nervous energy when Peeta landed a heavy hand on her knee.
“Like I was saying,” he said as if nothing had changed. “Zoom in right there, Finn. Yeah.”
Katniss stiffened and looked at his profile, but he just continued to speak to his partner. His fingers were there, splayed on her skin, and it was somehow the most vulgar sight she’d ever seen. He might as well have been nine inches deep in her pussy, she was so turned on– turned on and furious at herself for her reaction.
“Peeta.”
He and Finn both turned to look at her, their expressions odd. She could only imagine what they saw. She was hot, and if she wasn’t sweating she soon would be. Any second she was going to come right out of her skin. 
“Yes?” he asked.
“I need.” She stopped and started and rubbed her face, stuttering. “I need…I need to talk to you.”
He stared at her. Saw something in her countenance. Then he looked at Finn. “Get out.”
“You serious?” Finnick said, visibly annoyed. “You called me into the studio early, talking shit about being on a time constraint. And now-’
“Get. Out.”
He got out.
“Well?” Peeta finally asked in the long moment that followed Finnick’s departure.
“I…” She tripped over her tongue.
Silence. Then, “You look like you want be fucked.” This was delivered coolly, deadpan, but he couldn’t quite hide the undercurrent of something like astonishment.
“You’re so arrogant,” she said, her hand shaking. Katniss stood, but his strong hands found her hips, and he pulled her down to sit on his lap. She wasn’t even surprised. It was a Wednesday afternoon and she was sitting on Peeta Mellark’s denim-covered erection, and it felt as natural as breathing.
“Do you?” he asked into her ear. “Just say the word. Say anything, Kat.” She held back a moan. “I’ll be your dirty little secret. Your nasty, trashy porn star.” He bit the shell of her ear and Katniss squeaked. Squeaked. “I’ll be whatever you want, just tell me what you want.”
“I want you,” she whispered. And she really did. Despite the history with her sister, the fact that she worked for him, that they could barely go a day without bickering…she wanted Peeta Mellark with an intensity that scared her. 
She thought he’d explode into action at her words. If it had been one his movies, he’d have torn her dress straight down the back. He’d rip her underwear with his bare hands and pound into her, then and there.
Instead, it was a painfully slow seduction that followed. He lifted her up, turned her to face him, and looked at her.
“You’re so damn pretty,” he said almost angrily. He fingers were at contrast to his voice, gentling gliding over the rise of her cheekbones. “I don’t understand…I don’t know why it feels like this. I’ve seen so many beautiful women. Nicer women.”
“Charmer.”
“I don’t want beautiful. Or nice, I guess,” he said. “I want you. With your sour patch tongue and mean eyes and sweet lips…god, your fucking lips.”
Peeta kissed her. His tongue swept her mouth, and she allowed it, giving back the energy he was infusing into her. His hands ran down her arms as if to give her warmth, but then they were working on the buttons of her shirt-dress, both nimble and leisurely at the same time. Her bra came off and then his clever mouth was pressing kissing down her jaw, nipping the sensitive space between neck and shoulder, and then pulling gently at her sensitive nipple, worrying it with his straight white teeth.
When he pulled his head away she almost cried.
“Come back,” she said, and he laughed in disbelief before scrubbing at his face.
“Can’t believe I’m saying this. But. I don’t wanna do you here,” he said. With his blond waves and flushed face, he suddenly looked more like a fallen angel rather a hardened businessman.“That seems…I don’t want to.”
“Where, then?” Katniss panted, staring up at him with frustration and bewilderment.
Peeta didn’t speak for a long moment. Instead, he helped her back into her bra, kissing her every time she started to protest.
“Let me take you on a date.” His expression was a mix of grumpy, horny defiance and a dash of what she’d swear was vulnerability. “A good one. We can fuck all night long after that.”
“Why?”
He closed his eyes as if praying for inner peace. “Because I like you. I like you and I want to do it right. For once. Prove to you I’m not the man you think I am. That I can be a better man.”
“I don’t think you’re a bad man, Peeta.” She touched his cheek. “I thought…I don’t know. I’m not anything like what someone like you’d be interested in.”
“You kidding?” He gestured toward his still-raging erection. Then he stopped and shook his head. “Let me show you…just…” He held up his finger and pulled out his phone, the one she spent an hour setting up before painstakingly explaining to him how to use it for two more. He tapped on it for a moment and then thrust it at her. The background photo was a picture of Katniss, tipsy and beaming a rare smile after drinking too many margaritas at a wrap party a few months back.
Katniss blinked in pure surprise, completely at a loss. “But you’re my boss” was all she could think to say.
He gave her the squint-eyed stare she had grown to know so well. “You’re worrying about that now? You were dry humping me not ten minutes ago.”
She huffed, purely for show. “Do you wanna date me or not, asshole?”
Peeta laughed. “There’s my girl.”
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asundizzay · 8 years
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DRAFT BOX: FOTO FAIL FRIDAY: FROMANCE.
I wanted to take the non-traditional route in approaching this belated Valentine’s Day post by ignoring the standard conglomeration of hearts & love, and photographing nouns that relate to some of my favorite rom-coms/rom-drams/rom-com-drams, because i’m a low-key sucker for sappy things (cheesy). I was out all day hoping to photo some movie thangs and nerds fighting the storm with their umbrellas, but nope, just got wind-slapped all around (stray branches included )–the rain didn’t start pouring until I got home because of course. 
* UPDATE (02/21): THIS IS NOW  A TBT OF A FOTOFAIL OF A COMMERCIAL HOLIDAY THAT HAPPENED ONE WEEK AGO LOL HOW. *
**UPDATE (02/22): LOL it’s Wednesday. But this is finally complete. #WhyNotWednesday **
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500 Days of Summer ( 2009 )
Rachel Hansen: Just because she likes the same bizzaro crap you do doesn’t mean she’s your soul mate.
Tom and Summer were two separately flawed characters whose bittersweet union was doomed from the start. For the longest time, I saw Summer as the b-word who carelessly wrecked Tom’s heart, when in reality, Tom’s insufferable sense of entitlement and manipulative nice guy complex subtly revealed that he’s actually kind of a jerk. Except for that whole dance number to Hall & Oates You Make My Dreams and showing Summer his favorite spot and drawing painstakingly detailed buildings on her arm. That was cute. Another thing that saved this film for me was presenting the nonlinear “boy meets girl” narrative in the dude’s perspective, forewarning the audience that this is not a love story, and allowing these two imperfect humans to individually see a happy ending: Summer marries someone she truly wants, with whom she shares a genuine connection,  and Tom is refreshingly presented another “season” to start anew, with someone potentially better suited for him. Additionally, a mind-blowing color theory visually demonstrates how these two were simply not made for each other, which can be found here.
cute score: 6 ( eh cute, JGL A 10 tho )
photo: Water Court at California Plaza on the upper level of  Tom’s favorite spot in Angels Knoll, Los Angeles, 2009. 
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13 Going On 30 ( 2004 )
Matt: You can’t just turn back time.
Jenna: Why not?
In this essentially female version of Big, Jenna Rink’s 13 year-old self wishes to be thirty, flirty and thriving after some dudes and mean girls (which premiered the same year!) ruined her birthday party. On cue, magic dust spins her into an It’s A Wonderful Life-type alternate reality where she is living the dream as a rich, successful editor for her favorite fashion magazine. She reconnects with her childhood BFF, Matt, and they ultimately catch feelings faster than a winter cold. But aw dip, chocolate chip, Matt is hella engaged and about to be married, and now conflicted because Jenna has finally reciprocated his feels, but you know, commitment and whatever. A string of miscommunication and conflict occurs, then Jenna shows up to Matt’s wedding where he’s like, LOL, look  I’ve always loved you but the past can’t come back yo. Upon hearing this, she cries with intense regret, wishing she could just be 13 again for a do-over. The same magic dust gradually falls (for effect), and the scene reverts to her birthday party where she enthusiastically chooses Matt ( who grows up looking like Mark Ruffalo ) over the 80s cool kids, and their story ends all sweetly with the pair eating their favorite childhood candy on the lawn of a pink house, interestingly designed like her dream house, figuratively implying that her deepest wish has come true (or not). 
cute score: 8 ( hecka cute  the Thriller moment is still awkward for me tho and omg look Mark Ruffalo didn’t even want to do it lol click here )
photo: New York Public Library, setting for magazine’s ‘Class of 2004′ photoshoot, NYC, 2012
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10 Things I Hate About You ( 1999 )
Patrick: Yeah, and is she worth all this trouble?
Cameron: Well, I thought she was, but you know, I…
Patrick: Well, she is or she isn’t. See first of all, Joey is not half the man you are. Secondly, don’t let anyone ever make you feel like you don’t deserve what you want. Go for it.
A modern take on Shakespeare’s  The Taming of the Shrew ( the numerous Shakespeare references / allusions make sense now )  introduces us to the Stratford sisters, their strict father with the winning punchlines, awkward Cameron with the sidekick BFF,  the “obligatory cool kid slash model” Joey, and resident bad ( bad bad bad ) boy, Patrick Verona doing bad boy things with a bunsen burner. So here’s the thing: Bianca really wants to date Joey but she can’t date anyone until her shrewd AF sister dates, which prompts her to set up the whole “this bet gets outta hand” premise that heavily spawned in 1999. Obvious villain Joey pays Patrick to win Kat’s heart and sing “Can’t Take My Eyes Off Of You”  on the bleachers to win my heart, then he inevitably falls for her. In a callback to She’s All That, Kat eventually finds out about everything leading to the tearful read  of the eponymous (these are clearly over 10 things ) poem in class, as Patrick looks on like man I done fcuked up yo. But wait, he gets Kat the guitar she’s been wanting, insists that his feels for her are hella real and all is forgiven. Also, Cameron finally gets Bianca, and she punches Joey (whose nose spray ad is now ruined) thrice for herself, her sister and Yung Cameron. Oh yeah, and Cameron’s BFF ends up finding a Shakespeare lover just like him, lol, nerds. 
cute score: 9 ( super cute, everyone gets who they want and the real bad boy gets what he deserves! They had a band on the freakin’ roof dude )
photo: Fremont Troll, where Cameron and Bianca talk and stuff, Seattle, 2009
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A Case of You / Comet ( 2013 / 2014 )
Birdie: Success is a myth. Love’s the only true currency. After all this is done, all that really matters is how and who you loved.
———–
Dell: Why does it feel so impossible to let you go?
Dell: It’s an addiction, you know. That’s all it is.
Dell: It’s a biochemical addiction. It’s so stupid.
Dell: If you think about it relationships are all totally narcissistic.
Dell: Basically, you’re just looking for someone who’ll love you as much as you love yourself. That’s all it is.
———–
Two Justin Long movies for the price of fun. 
I’ve probably checked off so much of this dude’s filmography that I can easily tell you that one of his many underrated roles would be a cameo as George Harrison in the equally underappreciated Walk Hard: A Dewey Cox Story. I know… comedy is understandably the toughest genre to press onto humans, so to each his own. These two films fall in that hit or miss category–on one end, you have Sam, an author who meets a barista and quickly becomes infatuated with her, even more so after creeping reading her Facebook profile and mimicking those interests in order to attract her attention, eventually using her as a muse for his story ( A Case Of You ),  and on the other, you have Dell and Kim caught in a classic case of star-crossed lovers whose rocky relationship is dreamily depicted through a non-linear narrative of parallel universes, reminiscent of Eternal Sunshine Of The Spotless Mind  ( Comet ). Despite his ridiculous Facebook faux pas, Birdie admits that she was adding  random items to her profile to see if Sam would change, and to no one’s surprise, she still liked him anyway because if a connection is real then it’s real, and it’s extremely important, to like, just be yourself because there’s more to a person than what they choose to display on the Interwebz. And Dell and Kim continue to sail through different universes, with Dell wishing to live in a permanent world where they end up together 💔. 
cute score: 3  ( So much fighting–whether with oneself, another person, or the world, das not dat cute. ). 
photo: Light trails, space, and time to represent chaotic nature of the parallel universes in Comet, NYC, 2015 
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Begin Again  ( 2013 )
Dan: You can tell a lot about a person by what’s on their playlist.
Greta: I know you can. That’s what’s worrying me.
I’ll throw in Before We Go, Friends With Benefits, or even Lost In Translation into this mix of getting to know a person as you explore a new city together–whether platonically or romantically, it’s still awesome. This particular love story focuses on the protagonists’ mutual love for music rather than feelings towards each other–though their respectable relationships with his estranged wife and her ex-boyfriend still romanticize the plot. Dan Mulligan, a formerly successful record executive drunkenly discovers Gretta James, a newly independent songwriter reluctantly singing in a low-key bar thanks to pre-late late show James Corden. He sees great potential, she doesn’t believe in herself, I mean how could she, her ex-boyfriend slash songwriting partner is none other than recent singing sensation, AdamN Levine Dave Kohl. After Dan’s business partner Yasiin Bae/Yasiin Bey/Mos Def   Saul initially rejects Gretta from their record label, the pair take matters into their own hands and decide to produce their own album together, using local talented musicians backed by the sights and sounds of New York City and the result is pure magic like fireworks in your ears, the visual “wow that’s so glorious” part not the actual “boom boom” noise part, because you would totally go deaf. This is a story about how music can bring people together (production, collaboration, Dan reconciling with his wife ) or tear them apart ( Dave cheating on Greta ), seek forgiveness ( Dave singing Lost Stars, Don Henley singing The Heart of The Matter [not in this movie, that song just popped up in my head as I wrote that lol] ), or drive passion ( Violet dreams of becoming a guitarist/ Gretta’s career kicking off ). Music is love, music is life, and Gretta’s album sells hella copies from its online release, and things are looking up for Dan and his life. Dan in real life. After encountering a series of failures/contemplating suicide, discovering Gretta, producing this album, and making amends with Saul, his wife and daughter, I guess you can say that Dan (as well as Gretta? ) was given another chance to fairly begin…again. 
cute score: 7 (  Dan drunkenly composing a song in his head, The headphone splitter scene tho, das kinda cute )
photo: Times Square, the scene stealer of the headphone splitter scene tho, NYC, 2012
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Eternal Sunshine of the Spotless Mind ( 2004 )
Clementine: Meet me in Montauk. 
It’s 3:41 AM and my body hates me. Especially my eyes.  Okay, so two contrasting personalities, Joel and Clementine, meet on a train and immediately connect like 4, only to learn that they are former lovers and Clementine had erased her memories of Joel after some petty argument, and Joel’s like ‘wtf bro’ and decides to erase his memories of her. The familiar surrealistic non-linear narrative that I heart so hard navigates through Joel’s head space, intercut between scenes of sadness and anger,  to happier times until the final memory where everything crumbles to the ground like dust in the wind, as he tries to hold onto his last moment with Clementine, after realizing that he still loves her. Other story lines, connect, Kirsten Dunst finds out she had her memory of the doctor erased and she gets mad upset, like ‘i’m gonna show everyone (who has undergone this procedure) their memory erasure records’ upset.  Elijah Wood is just super devious. COTDAMN MARK RUFFALO IS ALSO IN THIS MOVIE LOL WTF YO. The scene restarts and Joel and Clementine, meet on a train and immediately connect like 4, only to learn that they are former lovers and they’re like “oh whaa” and think that maybe starting over would be a good idea or it might be the same but they go for it anyway and who knows what those two are up to now probably making sure that they don’t forget about each other amirite lol omg it’s already 4. 
cute score: 2 ( Comet before comet was comet, not dat cute, but like Comet, beautiful cinematography is a 10)
photo: Imagine this human’s hair is orange, you know, like Clementine, ArtWalk, San Diego, 2014
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honorable mentions: Garden State. Ryan Gosling & Ryan Reynolds’ things. Scott Pilgrim Vs The World. High Fidelity. Say Anything. John Hughes’ things. 
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