#tripofobia

[cerebrodigital]

Si crees padecer tripofobia, no vayas a Google Images a buscar "tripofobia".

Te explicamos porque sucede esto: https://cerebrodigital.net/entendiendo-tripofobia/

[cristina-lv2001]

Proyecto 1: TRIPOFOBIA

Bocetos escogidos:

Procesos de la obra:

[marederia]

☞De gifs favoritos que no recuerdo de donde saqué <3

[anitaencinales]

Parecido a la tripofobia, nunca como la tripofobia.

[vazula]

*∵ 𝗔𝗭𝗨𝗟𝗔 𝗞𝗬𝗨𝗡𝗚 de # 𝗠𝗔𝗕𝗢𝗠 participa de la misión 004.

[empanadasdehumita]

todas las almendras de la barra de chocolate estaban concentradas en ese cuadradito

[akriet]

Beavis junji.

Un fanart de beavis version cursed junji ito con su toque tripofobia

[crimsonwing]

Day 21: Body horror (CW: Trypophobia)

The followers of the Church of the Eye of God worshipped the Lunar Rift, staring at it directly in unending prayer.

Blessed they feel for the effects of their fast, with newfound eyes who can see the beyond. --- Día 21: Horror corporal (Advertencia: tripofobia)

Los seguidores de la Iglesia del Ojo de Dios adoraban a la Grieta Lunar, viéndola directamente durante sus incesantes oraciones.

Bendecidos se creen, pues su ayuno ha dado fruto, teniendo ahora nuevos ojos que ven más allá de lo posible.

[ask-sergayvich]

ADM,como é a forma de ataque do Niko

E vc pode fazer top 5 curiosidades sobre o Nikolai

ADM: Niko agora tem essa espingarda aqui:

Uma Winchester 22.

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Fato 1 - Depois de descobrir que o Shiro e a Millene gostam de desenhar, ele começou a roubar coisas de desenho pra eles. Ele até tentou desenhar com eles, mas ele fica puto por não conseguir fazer um desenho bonito suficiente.

Fato 2 - Ele é extremamente perfeccionista. Se ele vê alguma coisa minimamente torta ele vai ficar nervoso.

Fato 3 - Ele tem tripofobia (engual eu). Buracos com coisinhas dentro dão ânsia de vômito nele.

Fato 4 - Ele gosta de fazer origamis de estrelinha pro Lucas, mesmo sabendo que ele não consegue ver elas. É um hábito que ele tinha com a Anna também. Ele acha essas estrelinhas bonitinhas.

Fato 5 - Mesmo tendo estudado inglês por um tempo, pra poder se comunicar com os outros proxies, o sotaque dele ainda é muito forte. As vezes é muito complicado entender o que ele fala.

[anonymousbeeblurr]

TRYPOPHOBIA WARNING

AVISO TRIPOFOBIA

I'm going to use this to make the character

Vou usar isso pra fazer o personagem

[magdalunatica]

Mi escuela. Técnica arte abstracto geométrico 🎨🧑‍🎨😋

Interior: Educación Andrógina según Knowles

Aquí superando mi tripofobia 🤢

[shinsoukover]

Te amo arroz con leche ojalá no me dieras tripofobia

[cristina-lv2001]

TRIPOFOBIA

Es el miedo o repulsión generado al mirar o estar cercas de una figura geométrica, hoyos muy juntos o muy pequeños.

Las personas que presentan esta fobia presentan altos niveles de ansiedad por ende siempre tratar de evitar el objeto fóbico.

Hipótesis sobre la posible causa de la TRIPOFOBIA

Puede que esté fobia venga de los miedos incubados de nuestros antepasados.

Nuestro cerebro se va al límite de su capacidad de procesamiento en las imágenes que provocan la tripofobia.

Es un miedo irracional

Este no puede causar un peligro físico a la persona que lo padece.

Síntomas de las personas

Niveles de ansiedad muy altos

Taquicardia

Palpitación

Tensión

Deseo de marcharse

Vomito y mareo

Tratamiento

Cognitivos - conductores

Se estudian las causas, se diseña un programa de investigación dirigido a ayudar a exponerse sin los muéveles de ansiedad.

Técnicas de desactivación psicológica

Terapias de relajación control cognitivo

Bocetos

Bocetos para una pintura

Bocetos para una escultura

[earthquack25]

New OC

~{Caramel}~

Details!

Personality:

“Little brother” (annoying)

Loyal

Nerd with technology

Sarcastic

Not taking things seriously

Smart but stupid

Introvert

Tripofobia

Likes:

FUZEtea (drink)

Pizza

Gaming

Drums

Minecraft

Rock music

Animals

Dislike:

Movies

Wasps

Spicy food

Soda

Welcome Caramel to The comics

@carmel15 Enjoy the suffer :]

[xhelladirectoryx]

//Greetings! My name is Seth, but you can also call me Kakashi. I'm 35 years old and I’m from Brazil. I've been roleplaying for 11 years. About 4 years on forums, other websites, and 7 years on tumblr.

I work at school so that’s mean pretty busy most of the time. So slow activity and most online on the weekends.

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Trigger themes mentioned in this blog in the vast majority will be death, gore, murder, weapons, alcohol, smoke, suggestive sexual themes and religious themes. If you have a specific trigger feel free to remind me. Personal triggers are lolicon, pedophilia, incest, rape, tripofobia. I ask that you tag these topics appropriately, please. As smut post too.

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Any images or art don’t belong to me, obviously, but to their rightful owners.

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These rules are not absolute. There might be changes, updates, or something removed at any moment. Thanks for reading this.

[scenariopubblico]

#FICFest: 9 maggio

***English Below***

La scena si è aperta con due spettacoli che hanno condiviso la terza serata del #FICFest: T.R.I.P.O.F.O.B.I.A. e Cu’ mancia fa muddichi.

Nel foyer di Scenario Pubblico, prima dell’inizio della performance, ci siamo domandati cosa questi titoli stessero suscitando nella mente degli spettatori, ricevendo diversi riscontri a caldo. Quello che ci ha colpito di più è stato: <<Uno spettacolo che ti ipnotizza>>.

T.R.I.P.O.F.O.B.I.A.  è una creazione della Compagnia IVONA, di cui Pablo Girolami è direttore artistico e coreografo, interpretata dai danzatori Guilherme Leal e Lou Thabart.

❓❓MA COS’È LA TRIPOFOBIA?❓❓

La tripofobia è la paura dell’uomo nei confronti di gruppi irregolari di piccoli buchi o protuberanze. La creazione si ispira a questa peculiare paura, che ha portato altre suggestioni come, ad esempio, l’immagine del rospo del Suriname. Quest’ultimo, nel processo di creazione, ha determinato la scelta di utilizzare in scena delle coppette che i danzatori applicano sul proprio corpo durante la performance; concretizzando fisicamente la paura.

L’obiettivo della performance è quello di partire dalla tripofobia per indagare l’irrazionalità della mente e il comportamento dell’uomo nei confronti delle paure. Uno spettacolo, infatti, che lascia appesi ad un filo di tensione conducendo tutto il pubblico, in maniera incisiva, a confrontarsi con il ricordo delle sensazioni che nascono dalle proprie paure.

È presente una straordinaria attenzione al dettaglio che possiamo ritrovare nelle qualità di movimento usate, come: staticità e compulsività, fluidità e convulsione. Anche nel disegno luci, un quadrato bianco proiettato sul pavimento, è possibile cogliere particolari minuziosi. Entrare all’interno del quadrato luminoso, infatti, significa mettersi in contatto con le proprie paure.

Cu’ mancia fa muddichi

è il titolo della seconda performance, un proverbio della tradizione siciliana legato al concetto: chi fa delle azioni commetterà degli errori… dove errore può essere sinonimo di possibilità, produttività, crescita.  

La creazione è di Dario Rigaglia, giovane artista di origine siciliana, nominato da Danza&Danza Miglior Ballerino Italiano all'Estero 2016, vincitore del bando ACASA 2022/2023. Per il #FICFest ha portato in scena la sua prima produzione come coreografo e danzatore.

Lo spettacolo si è aperto con una registrazione di un breve testo pronunciato da Rigaglia, dove emerge un invito al rischio e a non aver paura di tentare e commettere errori. Uno spettacolo che coinvolge umanamente, che offre uno spunto di riflessione riguardo le aspirazioni che ognuno di noi ha.

Il coreografo, immerso nel profumo di arance e terra, lascia la libertà di viaggiare all’interno del tema scelto per la performance. Il movimento virtuoso del danzatore ha mostrato il ventaglio di possibili sfumature che caratterizzano una scelta: da quelle più oscure e cupe, a quelle più brillanti e colorate.

Il #FICFest prosegue oggi, 10 maggio, con Satiri di Virgilio Sieni, in scena alle 20.45 presso il Teatro Sangiorgi di Catania.

A domani con la prossima pagina del Blog!

Credits Redattore: Matilde Bianchi Reporter: Martina Adelfio Media: Iolanda Longo Revisione: Sofia Bordieri

🪂🪂🪂🪂

The stage opened with two shows that shared the third day of #FICFest: T.R.I.P.O.F.O.B.I.A. and Cu' mancia fa muddichi.

In the foyer of Scenario Pubblico, before the start of the performance, we asked what these titles were stirring in the minds of the audience, receiving several feedbacks. The one that struck us the most was, <a show that mesmerizes>.

T.R.I.P.O.F.O.B.I.A. is a creation of IVONA Company, of which Pablo Girolami is artistic director and choreographer, performed by the dancers Guilherme Leal and Lou Thabart.

❓❓WHAT IS TRYPOPHOBIA?❓❓

Trypophobia is a man's fear of irregular groups of small holes or protuberances. The creation was inspired by this peculiar fear, which brought other suggestions such as, for example, the image of the Surinam toad. The latter, in the creative process, determined the choice to use cups that the dancers apply to their bodies during the performance, in order to physically concretize the fear.

The goal of the performance is to start from trypophobia to investigate the irrationality of the mind and human behavior towards fear. A performance that leaves you hung by a thread of tension, leading the whole audience, in an incisive way, to face the memory of the sensations that arise from their own fears.

An extraordinary attention to detail can be found in their quality of movement, such as: stillness and compulsiveness, fluidity and convulsion. Even in the lighting design, a white square projected onto the floor, minute details can be captured. To enter inside the light square, in fact, means to get in touch with one's fears.

Cu' mancia fa muddichi

The title of the second performance is a traditional Sicilian proverb related to the following concept: those who do actions will make mistakes … but mistake can be synonymous with possibility, productivity, growth.

That's the first production as choreographer and dancer for Dario Rigaglia, a young Sicilian-born artist, named Best Italian Dancer Abroad 2016 by Danza&Danza and winner of the ACASA 2022/2023 call for applications.

The performance opened with a recording of a short text spoken by Rigaglia himself, an invitation to risk and not to be afraid of trying and making mistakes. A humanly engaging performance that offers food for thought regarding the aspirations each of us has.

Between the scent of dirt and oranges, the choreographer lets freedom travel, showing the range of nuances that might characterize a choice: from the darkest and gloomiest, to the brightest and most colorful.

The #FICFest continues today, May 10 at 8.45 p.m., with Virgilio Sieni's Satiri at the Sangiorgi Theater in Catania.

We'll see you tomorrow with the next Blog news!

Credits Redaction: Matilde Bianchi Reporter: Martina Adelfio Media: Iolanda Longo Text revision: Sofia Bordieri Translation: Luca Occhipinti