#tribe magazine

[awwfulsounds]

t.A.T.u Tribe Magazine CD Sampler promo disc Italy 2003 (x)

[cartermagazine]

Today We Honor A Tribe Called Quest

Queens, New York natives Q-Tip, Phife Dawg, Jarobi, and Ali Shaheed Muhammad of Brooklyn, formed A Tribe Called Quest in 1985. The group is one of hip-hop’s most legendary, beloved and revered groups of all time.

Easily recognized for their unique approach to rap music by employing jazz infused soundscapes to Afro centric rhymes, ATCQ was largely responsible for the popularity of a new genre that dominated the East Coast sound of the early 1990s.

CARTER™️ Magazine

[raijin-tribe]

Monthly FT Magazine Vol. 7 - Part 4 A TEAM DEVOTED TO LAXUS: THE RAIJINSHUU

And here they are!! Laxus' personal bodyguards and closest friends, the Raijinshuu!!

Honestly, this page spread was the main reason I bought this magazine in the first place... and the reason I ended up buying all the other magazines as well! (I mean... what's a collection if I don't collect the whole set?)

I'm actually surprised at how thorough this is! Information about the Raijinshuu is already pretty limited, but the magazine does a great job of covering what IS known. Even something small like Bickslow wanting to own a puppet theater is included, which the only other time I've seen mentioned was in the Vol. 16 special edition booklet; Sorcerer Weekly No. 38.

Source: Monthly FT Magazine Vol. 7 Raws Translated Using: DeepL (Disclaimer)

[chevanlier]

THE RAMPAGE FROM EXILE TRIBE’s F4 FOR MINI JAPAN MAGAZINE, JUNE 2023

credit: 0616kanta_luv on twt for some of the scanning.

[samurairobotics]

Flipside magazine cover May/June 1998

[somekindafairy]

Pansy Division (and cover)

MAXIMUM ROCKNROLL #109 June, 1992

[mia-seth-adventures]

Celtic Tribes 50BC

[soupy-sez]

A Tribe Called Quest in Hip-Hop Connection magazine, November 1991 via @CoededMarshall on Twitter

[musicmags]

[hopkei]

Yagi Yusei x GIANNA

[opalalmighty]

[ethan---ng]

J Dilla for Vibe Magazine (1996)

[raijin-tribe]

Monthly FT Magazine Vol. 7 - Part 5 I LOVE YOU, LAXUS!!

A page spread featuring Laxus' popularity as a character! Not only do the Raijinshuu love him, but he gains the respect and admiration of many characters in the series! His popularity within the fandom is remarkable as well!

Though his actions from his introduction through the Battle of Fairy Tail were misguided, he has grown a lot as a character and still remains one of the strongest members in Fairy Tail. He has definitely made a name for himself, outside of his grandfather's legacy. And, this is just my opinion, but I can totally see him being the Master of the guild one day. (With Freed as a loyal advisor, of course.)

Source: Monthly FT Magazine Vol. 7 Raws Translated Using: DeepL (Disclaimer)

[grrl-operator]

A Tribe Called Quest

[oldcountrybear1955]

Seven Tribes Magazine Vol.2 2014 - Jhanelle Castillo photographed by Shamayim

[dustedmagazine]

Black Belt Eagle Scout—The Land, the Sea, the Sky (Saddle Creek)

Photo by Nate Lemuel

The Land, The Water, The Sky by Black Belt Eagle Scout

Katherine Paul taps a deep connection to native American traditions in this third full-length, weaving landscapes and lore into songs the artist wrote while retreating homeward to Swinomish tribal lands during the pandemic. Yet while Paul is grounded in, as the title says, The Land, the Sea, the Sky, they mostly eschew obvious sonic references to an indigenous heritage. These songs blister and spiral and swirl in early 21st century guitar-centric, indie-fashion.

Consider, for instance, “My Blood Runs Through This Land,” whose white-noise clouds of distorted guitar part for radiant dream-pop descants and reverb-thundering drums. The touchstones are obliterating shoegaze of the MBV variety layered over with Cocteau Twins-ish incantations. It rocks pretty hard, though in an inchoate, vision-haunted way, as does “Sedna,” a song about a mythical ancestor who sacrifices her fingers to bring the ocean’s bounty to her people.

“Sčičudᶻ (a narrow place)” is gentler, more translucent, its title taken from an island connected to the mainland by a thin strip of land near Paul’s tribal home. The lyrics run more confessional, however; a lover observes the loved one dancing. Paul sings in a whispery soprano, flickering, but all the sounds around them are bold and clean—a thunderous bassline, an arching long-noted guitar solo, the pummeling of definitely-not-tribal drums.

“Fancy Dance” is maybe the live highlight, a song that imagines a Swinomish girl dancing furiously at a tribal gathering. It finds the throughline between that girl and the rebels of punk and Riot Grrrl, celebrating the pounding, bouncing, obliterating exhilaration of loud music in any culture.

Paul invites fellow Phil Elverum to sing a few lines in “Salmon Stinta,” a lovely, temperate outing framed by muttering guitars, wavering, hard-to-pin down synth vibrations and breathy vocals. (Paul was close to Elverum’s now deceased wife Geneviève Castrée .) The two of them join in gentle, wordless “ba-bahs” and then Elverum shyly picks up the narrative of fish returning home to breed.

“Spaces,” near the disc’s end is similarly soft and serene, filled out with interweaving string parts, though flaring, at intervals with wild slides of guitar. It is here, though, that we finally get an inkling of the music that must have surrounded Paul as a tribal child, just as the woods and animals and water did. Both their father and mother sing on the track, their dad in a striking wordless vibrato that sounds nothing like indie rock. In an album where Black Belt Eagle Scout celebrates their home, that’s the song where they finally let the listeners into the house.

Jennifer Kelly