#treplev

[davidtennantgenderenvy]

Look at these and tell me we were not robbed of David Tennant doing Chekov

[mist-the-wannabe-linguist]

A neat thing I've recently learned is that one relatively popular song in my country, Nina by the singer Tomáš Klus, is actually from a quartet of songs inspired by the play The Seagull by Anton Pavlovich Chekhov. During his studies Klus himself would often star in the play and said it has been a major influence on his career.

In the play there is a two year gap between Act III and Act IV, and these four songs are about what the singer imagines the four main characters - Trigorin, Nina, Arkadina and Treplev - have been going through during this two year gap.

A kind of fanfiction in song, if you will.

Lyrics translated to English exist for Trigorin, Nina and Treplev, unfortunately I couldn't find a translation for Arkadina.

[benvoolioo]

good lord this line makes me experience shrimp emotions

[bloody-finley]

two chibis for my translation project of a play called The Seagull ! 💕(Moscow Art Theater edition)

these two are heroine and hero in the play !🥺🤲

I know nothing about Russian so the words in the pictures are completely machine-translated …😢

[mmhawkes]

A question to any of my friends who like theatre — regardless of if they have ever been in a play at all — what are ten characters you would want to play? This is not about acting ability or traditional suitability for the role. Just characters whose lines you would love to deliver.

For me: Hamlet, Mark Antony (in Julius Caesar, not Antony and Cleopatra), Rosalind (As You Like It), either Benedick or Beatrice (Much Ado About Nothing), Guildenstern (Rosencrantz and Guildenstern Are Dead), Treplev (The Seagull), the Narrator in Joseph and the Amazing Technicolour Dreamcoat, Orpheus (Hadestown), Scripps in The History Boys, and the Stage Manager in The Habit of Art.

[musicwithoutborders]

Manos Milonakis, Treplev's Waltz, 2020

[dullahandyke]

God I wish I could do presentations instead of all of my essays, they're soooo much easier.... I could Talk abt treplev's role in the seagull as both figure of hope and ruin

[ale10ander]

the seagull is about a guy getting emotionally and romantically cucked by the same dude.

His mom is like "hey let's go hang out with your uncle, it'll be great" and our boy Treplyov is like "I don't really want to, but I guess?" and mom is like "oh btw i'm bringing my new boooooyyyyfriiiend"

So Treplev comes around and is like "hey i'm a writer, can i put on a play for everyone?"

I shuold mention at this point 2 things: 1. mom's new boyfriend is a famous writer. 2. There's also a pretty young actress (Nina) hanging out Uncle Pyotr's estate.

So Treplev is like I'ma impress Nina with my play. he puts it on.. And basically everyone laughs at him and is like "Bro what the hell is this?" Treplev: It's ART, you wouldn't understand!

Mom's boyfriend is like "hey you want me to tell you how writing ACTUALLY works?" And treplev is like seriously get lost. Then he decides to woo Nina the only way he knows how: by killing a bird and giving it to her as a gift. You see, Treplev learned romance from a cat.

Anyway Nina is REPULSED by this gift so she goes away and talks to the famous writer. He gives this baller line:

Idea for a short story: A young girl, like you, has lived on the shore of a lake her entire life. She loves the lake, the way a seagull does, and she's happy and free like a seagull. But a man happens along, sees her, and destroys her because he has nothing better to do.

Nina, naturally falls in love with him. So now this writer is banging both Treplov's mom AND the girl he wants.

Then there's another THREE WHOLE ACTS of everything falling apart in exactly the way you'd expect

[aramielles]

Il y a quelque chose chez Tchekhov qui est magnifique, et que mon cher professeur de français a très bien qualifié. Il le décrit comme un « désespéré à l’énergie prodigieuse », et c’est ce qu’il est. Quand on y pense, il y a des thèmes qui reviennent toujours dans ses pièces : l’amour et la persévérance du travail, et le sentiment de ne jamais voir cet accomplissement, mais qu’y participer amène le bonheur. Chez lui, le travail c’est l’objet de réussite d’un bonheur qu’on ne verra jamais, mais qui sera profitable au monde. Jamais ses personnages ne seront heureux au moment où ils sont écrits, car ils ne sortiront jamais de leur désespoir. Mais leurs états d’âme et leurs luttes acharnées permettront à la beauté du monde. Dans quasiment toutes ses pièces, il dit « dans deux cents ou trois cents ans », « dans mille ans » / « la vie sera incroyablement belle ». Les malheurs que les personnages vivent les empêchent de voir à quel point le monde est beau, et seul l’avenir trop lointain portera la marque de leur misère transfigurée.

Il y a aussi les amours qui échouent, et pourtant la beauté de ces échecs les transfigurent et les subliment. Beaucoup de critiques et de théoriciens disent par exemple que Verchinine est « pitoyable », mais ce mot est mal choisi. Il inspire la pitié et il est à plaindre, mais pas dans son sens péjoratif. Dans cette même veine, alors Vania et Trigorine le sont aussi. Les hommes jeunes ou dans la fleur de l’âge sont toujours idéalistes, encore si l’on peut dire, mais les vieillards sont nostalgiques du passé et réalistes. Les femmes, elles, désemparées et désillusionnées et j’ai envie de dire, Nina est l’exception parce que malgré sa vie, elle continue à garder sa force et sa foi dans le théâtre.

Avec @kaantt on disait justement que les personnages de Tchekhov étaient profondément humains. Ils le sont car ils échouent constamment, ils répètent leurs erreurs et vivent dans des illusions de vie meilleure malgré leur malheur. Treplev pense qu’il est bon auteur, Elena pense être une bonne épouse et mère, Verchinine pense qu’il peut se laisser aller dans son amour pour Macha parce qu’elle seule lui apporte une véritable compréhension de son être, Lioubov s’enferme dans son déni de la vente de la cerisaie… et lorsqu’ils prennent la parole dans les monologues, à partir du moment où ils la prennent, leur parole est vouée à l’échec car elle est formulée. Ils ne s’écoutent pas eux-mêmes, et les autres non plus. La prise de parole annule la pensée elle-même. C’est une mise à nu, un dévoilement pudique mais qui ne s’adresse qu’au spectateur.

[snailsnfriends]

hi, snail! I hope you're well. I just finished reading chekhov's 4 major plays and I can absolutely see the watsonian reason why cwilbur named his crossbow after the literary device named after the man - like 3/4 of the characters in those plays are depressed. in particular I think he'd kin (/j) treplev from the seagull

HELLOOOOOOOO!!! LMAO he's a sad little guy. I think it's also because of the literary device. if you have a gun in your story, it has to be fired at some point. cwilbur is dramatic like that. I hope you have the BEST DAY!!!!

[shinydixon]

https://www.tumblr.com/storiesbyrhi/715466803080511489/a-lesson-on-always-finding-the-source-of-an-image

I saw this on Joe's tag and i wanna share a story 🗣️

That was the most weird thing happened to me in this fandom. Apparently Pinterest thinks this is Joseph and the side account of bestofjq posted that first photo and said hey guys fyi this is not Joseph and i was SHOCKED because he's an actor from my country and WHAT'S HE DOING ON THE JOSEPH TWITTER 😂

I was a fan of him and we even met after one of his plays. And another weird coincidence: He was playing Treplev from Checkov's The Seagull, like Joe did in LAMDA. Turns out we have our own Joe Quinn here akjskdj

IT'S AMAZING THO HAHAHAHAHAH

[gulindede]

2023-2024 sezonu tiyatro bakiyesi;

1. Altın Elma, Olası İşler, Bergama Tiyatro Festivali, 11 Ağustos 2. Deli Bayramı, DasDas, 

Bergama Tiyatro Festivali, 11 Ağustos 

3. Afet & Diana, BGST , 

Bergama Tiyatro Festivali, 12 Ağustos

4. Kral Übü, Sarı Sandalye,  Bergama Tiyatro Festivali, 13 Ağustos 

5. La Reprise, NtGent, İO Festivali , 9 Eylül

6. Gılgamış, Platform 0090, 15 Eylül, Io Festivali 

7. A night with thick&tight, Fringe Festivali, 16 Eylül

8. My favorite person, Fringe Festivali, 18 Eylül

9. On Wednesday We Wear Pink, Fringe Festivali, 20 Eylül

10. Kaçak Çay Performansı, Fringe Festivali,, 23 Eylül 

11. Bunker+Vault&Reprise, Fringe Festivali, 23 Eylül

12. Disko Topu, Lemur Company, 30 Eylül

13. Ölümün Tersi Arzudur, Kadıköy Emek Tiyatrosu, 7 Ekim

14. Cırcır Böcekleri, İtler ve Biz, Art12, 8 Ekim

15. Selmin Zeki Hanım, Moda Sahnesi, 13 Ekim 

16. Aşık Shakespeare, 19 Ekim

17. Cafe Müller,  İstanbul Tiyatro Festivali, 25 Ekim

18. Geçen Yaz Birdenbire, İstanbul Tiyatro Festivali, 30 Ekim

19. Büyük Zarifi Apartmanı, İstos Sahne, 1 Kasım

20. İO, Terzopoulos, İo Festivali, 3 Kasım 

21. Annemden Kalan Gül Ağacı Masa..., Ba Tiyatro, 4 Kasım

22. Ayazmanın Yılanı, Tiyatro Poyraz, 5 Kasım

23. Düğün, İstanbul Tiyatro Festivali, 7 Kasım

24. Kel Diva, Oyun Atölyesi, 8 Kasım

25. Çifte Cinayet, İstanbul Tiyatro Festivali, 14 Kasım

26. Baklava Cumhuriyeti,  İstanbul Tiyatro Festivali, 17 Kasım

27. Kabuk, İstanbul Tiyatro Festivali, 19 Kasım

28. Kız Kardeşler, İstanbul Tiyatro Festivali, 21 Kasım

29. Mon Amour, İstanbul Tiyatro Festivali, 26 Kasım

30. Çirkin, Dolkun Production, 2 Aralık

31. Dans Adrenalin, Mdt, 

33. Othello, Moda Sahnesi, 4 Ocak

34. Parrhesia 2, Echoes&Kast, 7 Ocak

35. Heybesini Çiğneyen Katır, KadroPa, 8 Ocak

36. Uykusuz Bir Rüya Salim, D22, 15 Ocak

37. Takım Yıldızları, Kaos Sanat,  22 Ocak

38. Geçen Gün, Kundura Sahne 28 Ocak

39. Tarihte Yaşanmamış Olaylar, Kadıköy Boa Sahne, 29 Ocak

40. 39,5 Basamak, Tiyatroadam 8 Şubat

41. Kırmızı Küre, Devlet Tiyatrosu, 18 Şubat

42. On Adımda Unutmak, Studio Oyuncuları, 18 Şubat

43. Treplev, Decolage Art Space, 20 Şubat

44. Sivrisinekler, İBŞT,2 Mart

45. Slava��s Snowshow, 3 Mart

46. Sonbahara Son Güller, Devlet Tiyatrosu, 6 Mart

47. Ben çoktan gidersiniz sanmıştım, 6 Nisan

48. Öbür, Proje Difüzyon, 16 Nisan

49. Gong, gong Sahne, 19 Nisan

50. Kaza, Köpek, Kahvaltı ve Yumurta, NKT, 20 Nisan

51. O Taraf Bu Taraf Şu Taraf, NKT 21 Nisan 

52. Dıkşın, Moda Sahnesi, 24 Nisan

53. Tanrıdan Öğrendiğim Şeyler, Moda Sahnesi, 29 Nisan

54. Sortiee, 5 Mayıs, İO Festvali

55. Sendrom, Fact Tiyatro, 8 Mayıs

56. Öteki Venedik Taciri, Kumbaracı50, 12 Mayıs

57. Hatırlarsanız Mahremiyet Demiştik, Artalan Kolektif, 18 Mayıs

58. Cimri, BeReZe, 20 Mayıs

59. Titus Kompleks, DasDas, 31 Mayıs

60. Çarpışma, Devlet Tiyatroları, 4 Haziran

61. Soğuklar, Nomad&Echoes, 10 Haziran

62. Bu Bir Aşk Hikayesi, Mono Vino, 7 Temmuz

[zombinafonfrankenstein]

Reading "The Seagull". That's amazing how much non-creative coded both Trigorin and Treplev are. Treplev should be in club, Trigorin should fishing on the lake, but instead they're destroying themselves while everyone only notice their money and popularity. Why didn't they teach it in school?

I also heard they're both self-insert. What if Chekhov was non-creative too?

[benvoolioo]

had quite a bad meltdown today in front of my mother and somehow in the middle of it i thought wow this is such konstantin treplev behaviour right now anyway i think that is indicative of something extremely silly with my brain

[ditmr]

Acabo de sentir cómo me invadió una certeza:

Amo mi profesión por encima de él

Así que no me saldré del proyecto y seré Masha y él Treplev Esto será una anécdota bizarra que tal vez sólo yo recuerde

[ultibeauty]

Anastasia Treplev