#trento

[wgm-beautiful-world]

Castello e lago di Castel Toblino, Trentino, ITALIA

[scavengedluxury]

Carrier pigeons of the Austro-Hungarian Army in their protective equipment in case of a gas attack, Trento, 1917. From the Budapest Municipal Photography Company archive.

[rennebright]

トレント by カフェナミ [Twitter/X] ※Illustration shared with permission from the artist. If you like this artwork please support the artist by visiting the source.

[a-titty-ninja]

「トレントさん」 by リベタリカLivetarica | Twitter

๑ Permission to reprint was given by the artist ✔.

[livesunique]

Castel Toblino, Madruzzo, Trento, Italy

[allthingseurope]

Trento. Italy *by Linda R

[calicirro]

VILLAGE

riva del garda, italy

fujifilm x-h2

XF10-24mmF4 R OIS WR

camarón

ISO 3200 | 36 mm | 1.3 ev | ƒ 4.5 | 1/250 s

red spire

ISO 1600 | 36 mm | 0.3 ev | ƒ 11 | 1/800 s

cowboy

ISO 1600 | 36 mm | 0.3 ev | ƒ 10 | 1/800 s

10.8.2023

[aimlessimagination]

Photographer: Giulio Gröbert

[life-spire]

Trento, Italy (by Dajana Reçi)

See more of Italy | Europe.

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[brumaire18]

A photographic workflow

Since I really love reading about other people's workflow, here is mine. I decided to test my Agfa Selectronic Sensor S. Therefore, I put in 24 exposures of Fomapan 200 that I bought on a roll and fed into a spooler. I also bought the film magazines. This saves money. I photograph essentially in black and white for three reasons: the first is that an element of complexity is removed from the equation, namely color. The second is economic: color film costs an inordinate amount of money. For color, I prefer to use my Canon Powershot G10. Finally because with black and white it is easier to be in control of the process from start to finish. Loading the camera, I took a ride to the northern outskirts of the city, Trento, where all the administration buildings are located. It was a cold and overcast day, the weather forecast had announced snow. Back home I pulled out the film tail using another piece of slightly wet film. At that point I inserted the magazine into my Lab-Box, which allows development in bright light, hooked the film tail, closed the lid, and loaded the film into the spiral. At this point I prepared the developing liquid, 300 ml of caffenol, which I now use all the time and with consistent results, for developing black and white negatives. I used this recipe: https://filmdev.org/recipe/show/11645https://filmdev.org/recipe/show/11645 When development was finished, I hung the film to dry. Once dry I digitized it using a Sony a7 digital camera with a 50mm macro lens from Pentax, mounted with an adapter. The camera is mounted on a moving column, while the negative is held thanks to a Lomography gadget that also produces the necessary backlighting. The camera is connected with a USB cable to the PC, which-thanks to a remote control-allows shooting from a distance, without touching the device. After capture, the negatives are processed in Darktable (open source). Images are retouched to fine-tune brightness and contrast, although in general only a few steps are required.

[vintageski]

Monte Bondone d'Inverno Trento - Ristorante Norge - 1968

[wgm-beautiful-world]

Castel Beseno - ITALIA

[scavengedluxury]

Carrier pigeons of the Austro-Hungarian Army and their protective equipment in case of a gas attack, Trento, 1917. From the Budapest Municipal Photography Company archive.

[tuttalamiavitarb]

Muse

Nella scorsa settimana sono stato per lavoro al muse di Trento. Esperienza sempre restitutiva recarmi a quelle latitudini.

Io lo prenderei esempio x come si fanno le cose per bene.

Punto primo

Raramente ho trovato posti dove la gente e così felice di lavoraci.

Punto secondo

Quando entri in una struttura con un biglietto "tecnico",

resto del mondo

normalmente qualcuno ti chiede, scusi ma lei chi è?

Perché è Qui?

É sicuro di dover rompere il cazzo proprio qua?

Al MUSE

Lei ha 2,5 ore per terminare la visita, buona permanenza. Non si azzardi a mangiare un cazzo mentre fa la visita. Il giardino botanico è gratuito, lo guardi alla fine

E adesso siuova che c è gente raus.

[thunderstruck9]

Umberto di Lazzaro (Italian, 1898-1968), Sorvolo della città di Trento [Fly Over of the City of Trento], 1940s. Oil and gouache on board, 27 3/4 x 19 3/4 in.

[ashes-16-al-wallpapers]