#transform into tenant

[puppychase]

Everyone writing mirage as cool and seductive is so wrong. He calls his bf “bro” and “dude” and he’s always unserious. One earnest moment and he’s turning into a Porsche and driving away out of embarrassment

[metatheatre]

looking up from my 4 1/2 hour g**d *mens playlist: i'm going through something

[transingthoseformers]

I will never let anyone forget the fact that transformers g1 was 100% cold war propaganda and how damn long that was actually

Sit there and think about how many of the cartoons you tumblr boomers and millennials (affectionate) were about war, good guys v evil, nuclear and weapon-ey themes, and "oh no not the communists"

They were really grooming you guys to be not only ready for a draft but enthusiastic about it

[vindaloo-softtech]

CallCentr8 is a complete WebRTC-based multi-tenant contact center solution that supports high call volumes and provides core features such as call scripting and disposition management, ACD, IVR, call recording, and real-time reporting. The software supports advanced call distribution methods and easily integrates with third-party business tools.

[opencommunion]

"Like all foreigners, the Jewish settlers sailed first to Alexandria, took a ferry to Jaffa, and were taken ashore by small boats. This mundane arrival at the shore appears in the settlers’ statements as aggressive and alien treatment: ‘Aravim Hetikifu Ottanu’ – ‘the Arabs assaulted us’ – is the phrase used to describe the simple act of Palestinian boys helping settlers to small boats on the way to Jaffa; they shouted because the waves were high and asked for baksheesh [tips] because this was how they managed to live. But in the settlers’ narrative they were assailants. Noise, presumably a normal feature of life in the Jewish townships of Eastern Europe, becomes menacing when produced by Palestinian women wailing in the traditional salute of joy to the sailors returning safely home. For the settlers this was the behaviour of savages, ‘with fiery eyes and a strange garroted language.’ Whether the topic is their language, their dress or their animals, reports back to Europe concerning the Palestinians were all about unpleasantness and weirdness. ... Again and again, Zionist settlers behaved as a people who had been insulted – either objectively in the form of a physical attack, but more often simply by the very presence of Palestinians in Palestine. ... The Zionist settlers instituted retaliation for ‘theft’, which was how they characterised the rural tradition of cultivating state land, a practice that was legal under Ottoman law. Picking fruit from roadside orchards became an act of robbery only after Zionism took over the land. The words shoded (robber) and rozeach (murderer) were flung about with ease when Palestinians involved in such acts were described. After 1948 these terms would be replaced with ‘terrorist’ and ‘saboteur’. ... Cleansing the land of its farmers and tenants was done at first through meeting in the Zionist madafa and then by force of eviction in Mandatory times. The ‘good’ Palestinians were those who came to the madafa and allowed themselves to be evicted. Those who refused were branded robbers and murderers. Even Palestinians with whom the settlers sometimes shared ownership of horses or long hours of guard duty were transformed into villains once they refused eviction. Later on, wherever Israelis would control the lives of Palestinians, such a refusal to collaborate would be the ultimate proof for Palestinian choice of the terrorist option as a way of life. ... Following the 1967 war ... both Israeli academics and Israeli media commonly used the term ‘terrorism’ when referring to any kind of Palestinian political, social and cultural activity. ‘Palestinian terrorism’ was depicted as having been present from the very beginning of the Zionist project in Palestine and still being there when academic research into it began in earnest. This characterisation was so comprehensive and airtight that it assigned almost every chapter in Palestinian history to the domain of ‘terrorism’ and absolved hardly any of the organisations and personalities that made up the Palestinian national movement from the accusation of being terrorists."

Ilan Pappé, The Idea of Israel: A History of Power and Knowledge (2014)

[saintobio]

blank canvas: the epilogue.

pairings. ryōmen sukuna, fem!reader

genre. past lovers, angst, opposites attract

tags/warnings. mentions of toxic relationships, purple hearts-ish themes, maybe some heartache

notes. 2.4k wc. i said it’ll come in a few days, but i had free time so here it issss!

part 1 | part 2 | part 3

TWO YEARS LATER

Tonight was Yuki and Choso’s going-away party. 

Their decision to migrate to another side of the world was because Yuki had always talked about wanting to live abroad, and so when Choso was offered a once-in-a-lifetime job opportunity in another country, it became the perfect chance for them to make that dream a reality.

So despite your apprehensions, you couldn’t miss the chance to see Yuki one last time and accepted her invitation to the party.

The evening was alive with laughter and chatter as their families and friends gathered to celebrate their bittersweet departure. Among the crowd, you spotted some familiar faces who exchanged greetings with the couple, as well as some strangers you had never seen before.

But one person was conspicuously absent. 

It had been two years since you had seen Sukuna, and the thought of potentially running into him again filled you with a strange mix of anticipation and dread. However, deep down, you knew he wouldn’t be there. There was no chance of him ever showing up because you hadn’t heard from him since that fateful night. The apartment you once shared together now housed a new tenant, and the tattoo shop across the street had transformed into a record store. Neither Yuki, nor Choso (even Yuuji), had mentioned anything about Sukuna since then, possibly avoiding any mentions of him to you out of his request. He had simply disappeared, evaporated from existence, leaving behind nothing but a fading memory.

As you scanned the room with a forlorn smile, your thoughts were interrupted by Yuki’s cheerful voice. “Y/N! So glad you could make it! I thought you weren’t gonna come, too.”

Your first instinct was to hug her tightly. “Of course, not! You know I can’t not see you before you go.”

“Aww.” She embraced you tighter before pulling away with a sad smile. “I’m gonna miss you so much. You’re like a little sister to me.” 

Indeed, and she was the big sister you never had. Things would feel different without her here, but you supported her decisions and would always wish her the best in her future endeavors. So, despite the distance you two would soon have, you gave her a reassuring pat on the back. “We can still keep in touch. And maybe, I’ll pay you a visit there, too.” 

“Honestly, I would love that!” she enthused, “Please do, even if I have to harass Getou and Gojou about it.” 

You chuckled as she mentioned the duo’s name and spent the next few minutes with you chatting for a bit, catching up with your life, talking about your future plans. It was amazing how much can change in two years, and how some things can also stay the same. Like your friendship. And this bond that you would never find with anyone else.

For now, the night was still young, and you knew Yuki still had many more guests to accommodate, so you didn’t want to take all of her time. Eventually she did excuse herself to greet more guests, and you found yourself standing by the kitchen island, absentmindedly stirring your cocktail.

As you stood in the corner of the room, surrounded by the chatter and laughter of the party, you felt a sudden jolt run through your body as loud voices boomed across the room. They were Yuuji and Choso’s exuberant greetings cutting through the air, drawing everyone’s attention, including yours.

“Nii-san!”

“There he goes, Mr. First Lieutenant!” 

Your eyes widened as you saw the figure they were addressing with playful salute—a man in a crisp military uniform, standing tall and confident. It took you a moment to recognize him, but when you did, your heart skipped a beat.

It was Sukuna.

He looked different, transformed almost, his demeanor more composed, his smile softer yet still retaining the undeniable aura of masculinity. He looked a lot more muscular than the last you remembered. His hair, now dyed back to its natural color, was neatly trimmed. You recognized that the uniform he wore was of the Japan Self-Defense Forces, adorned with badges and insignias that spoke of his achievements. The reckless, wild look in his eyes had been replaced by something steadier, more focused.

It wasn’t just the sight of him that made your heart skip a beat—it was how different he looked. 

“That’s so cool!” Yuuji raved about his older brother’s badges, his starry eyes genuinely intrigued at the sight of Sukuna in a uniform. 

Choso, on the other hand, was pulling him in a hug in an emotional jest. “Dammit. You said you couldn’t make it!” 

“Don’t cry now,” Sukuna teased, patting the younger brother’s back. He seemed to be genuinely having fun teasing his brothers. “Had to pull some strings. I was on duty, but do ‘ya think I’d let you go without seeing you?” 

You felt a pang of nostalgia in their interaction, but also recognized the visible difference in the way your ex-boyfriend spoke to others. He was genuinely happy. He was all smiles. He was the healthiest version of himself, both physically and emotionally.

It was clear to you that Sukuna had turned his life around, and it was evident that he was doing well in his field of work. The man you once knew, who had been consumed by his reckless way of life, was now standing tall and respected as an honorable member of the military.

When you said you had never met Sukuna again in your lifetime, that was true. Because the Sukuna you knew was no longer here. It was an entirely different man, changed for the better, just not for you. 

As if sensing your gaze, Sukuna turned and your eyes mirrored each other’s surprise. For a moment, the world around you seemed to fade away, as if you were characters in a movie screen seeing each other for the very first time. It was as though your eyes were the camera, and he was the actor. You could say you were starstruck, your heart thumping so loud that you could hear it vibrate through your ears. 

Two freaking years, and Sukuna still had that effect on you. 

You didn’t know what to do. You found yourself at a loss, the red cup in your hand now shaking from the sudden surge of anxiety. Your mind was a whirlwind of conflicting thoughts, a kaleidoscope of heavy emotions, a tornado of nostalgic bliss, leaving you feeling adrift in a sea of memories. 

You wondered if Sukuna hated having to see you here. And if so, should you leave to spare yourself—or perhaps him—from any potential discomfort?

Caught in this internal struggle, you felt paralyzed, uncertain of what to do next. But then, you saw a flicker of recognition and regret in his eyes. 

Before you could even contemplate your next move, Sukuna was already excusing himself from his brothers. Their knowing looks exchanged in silence spoke volumes, indicating they were aware of where he was headed. The realization then hit you like a wave. Sukuna, your ex-boyfriend of two years, was coming toward you, and you were suddenly faced with a decision between confronting the past or making a quick escape.

“Y/N,” he greeted with a boyish grin, his voice deeper, more controlled. The bad boy persona he used to carry was completely gone. 

“Sukuna,” you replied, struggling to keep your voice steady, a complete opposite from his confidence.

There was a moment of awkward silence before he spoke again. “You look great.”

“Thanks,” you meekly replied, clearing your throat and gesturing to his uniform, “You, too. Military suits you. I never saw that coming.”

He smiled in agreement, seemingly happy about his current appearance. You had never seen this kind of bliss from him before, like he was filled with content and a sense of self-worth. He was proud, and truth be told, you were, too. 

“It’s been a good change. It gave me structure, purpose,” he paused, taking a red cup from the kitchen island nearby, “I finally got something ‘better’ to do with my life, huh?”

You smiled softly, not missing the implication of his last statement. “I’m happy for you. Really.”

“Thank you.”

“Of course.” 

“Mhmm.” 

The minutes that followed were some of the most agonizing of your life, not because of Sukuna, but because of the overwhelming awkwardness that enveloped the two of you. It felt as though you had nothing else to discuss, knowing full well that delving into your shared past was a territory you could never comfortably navigate. However, Sukuna, always the more vocal one in your relationship, had finally broken the silence.

“Do you…” he began, leaving you on edge, anticipating his question, “Do you wanna get some fresh air outside?” 

Right. And with a smile, you nodded. “Sure.” 

— —

You were grateful for the opportunity to escape the stifling atmosphere of the party and find some solace in the cool night air. Both of you were at the front porch, sitting over the pavement talking about anything but your past. 

Sukuna excitedly talked about his time in the military, where you learned that he had enlisted two years ago and joined the army. After enlisting, he quickly excelled in the rigorous training required for the Special Operations Group (SOG). It didn’t surprise you that his physical prowess, sharp intellect, and determination made him a standout candidate.

“I actually completed advanced courses in counter-terrorism, reconnaissance, and combat survival,” he shared, his gaze set on the clear starry night above you. “Oh, and last month, I was deployed on a high-stake mission overseas. We extracted hostages from a conflict zone. Remember the action movies we used to watch? It was exactly like that. It was fun, thrilling.” 

You listened intently, an elbow propped on your leg as you absorbed the enthusiasm in his stories. Pride and joy swelled in your heart as you heard him talk about something he was passionate about, because it was a stark contrast to the old Sukuna who wouldn’t have shown interest in these things. And this time around, you felt like you were infatuated again, but with the new him. 

“I’m really proud of you.” Longingness dripping from your voice. “Very proud. And you’re First Lieutenant, too? Wow.” 

The compliment seemingly made him blush, a sight so rare to see that you haven’t seen it throughout your relationship. “I wanted to become a better man.” 

You felt a squeeze in your heart. You recalled the words he said that night at the parking lot, of him telling you that he had his own insecurities, too. That he knew all along that your uncertainties about him were rooting from his way of life. That he was aware that he couldn’t give you the life you deserved. 

“Y/N.” Your name rolled off his tongue in an affectionate manner. He soon rose from his seat, prompting you to follow suit, before turning to face you. “I forgot to mention.”

You swallowed hard. “Yeah?”

His smile was sweet and genuine. “I’m engaged now.”

Oh.

Of course. 

What did you expect?

His words settled in your heart like a suffocating shroud. Despite the ache in your chest, you managed a polite nod, concealing the storm of emotions swirling inside you. But you couldn’t contain it—the damn tears that pooled in your eyes. Please, not now. You turned away, hoping to shield your reaction from him.

But it was all too late. 

He was already pulling you into an embrace, the familiarity in his warmth only making you weaker inside. “You are and will always be my greatest love,” he whispered into your ear, pressing his lips against your temple, “And also my biggest regret.”

Damn it. You covered your face with your hands, feeling ashamed of the tears streaming down your cheeks. What an absurd twist of fate. You could have gone about your day without encountering him again, yet here you were, shedding tears over the same man who had broken your heart two years ago.

“When I say regret,” he continued, cupping your cheeks and smiling at you lovingly. He ran his thumb across your cheeks, wiping your tears away. “I meant regret of not being that man for you. I didn’t treat you the way you deserved, or respected your boundaries like I thought I did.” Sukuna’s charm had you holding your breath still, too enamored by his beauty under the moonlight. He used to be a man of a few words, and now he didn’t shy away from pouring out his raw emotions. “I’m sorry I was two years too late. I’m sorry I had to let you go and be with someone else. But you and I know that it’s for the best.”

You weren’t crying because you wanted to get back together with him. You weren’t crying because he had promised marriage to someone else. You were crying because it felt like he was the one who slipped through your fingers, the one that got away, the one who could have been your forever if circumstances had aligned differently. It was the regret of a lost possibility, the ache of knowing that in another universe, you and him could have shared a lifetime together, untouched by the mistakes of the past.

He had dreams of making you his wife, dreams of having your children, dreams of growing old with you.

But the old Sukuna was dead, replaced by the new Sukuna who was happy and free from love’s toxicity. You realized it was time to let go. Time to bury the past and instead celebrate the future. 

“Congratulations on the engagement,” you offered your well wishes, pulling away slightly to meet his gaze with your tear-filled eyes. “I hope she doesn’t find you a handful.”

He let out a soft chuckle, shaking his head. “No, no. I have to behave or else I’m a dead man,” he joked. “She's in the army, too.”

“Well, I’m glad you met her, Sukuna. You deserve it,” you said, your voice filled with genuine warmth as you wiped your lachrymose eyes. 

Gratitude and comfort shone in his gaze. “And I’m glad you found your peace, Y/N. You always deserved better.”

You smiled in appreciation of his words as he helped you dust off your pants. Just then, your phone buzzed in your pocket, briefly taking your attention away from the current scene. “Uh, I think I need to go,” you hesitated, glancing back at the house. “But I think Yuki’s pretty busy.”

“It’s fine,” he assured. “Do you want me to call you a cab or?”

“No, it’s okay,” you replied, shooting him a grateful expression. “Satoru’s on his way to pick me up.”

He nodded, smiling. “Cool.” You were surprised when he offered his hand, a gesture to finally close whatever remained between you two. “It was nice seeing you, Y/N.”

You shook his hand and gave him a playful salute. “Likewise, First Lieutenant Ryomen Sukuna.”

As he returned to the party, immediately attacked by his friends, there was no hint of yearning or longing in him, as if the poignant exchange with his ex-girlfriend had never occurred. He was back in the scene in a fluid motion, laughing, catching up with his loved ones, telling stories about his life. No heartbreaks, no painful memories.

While as you stood there, knowing you had shared respect and love for each other, you were happy that there was a sense of closure in seeing Sukuna as the man he had become. You had both grown, both changed, and in that moment, you knew that your story, though painful, had led you two to where you needed to be. 

That your love’s canvas, once blank, now held colors to complete the portrait.

[ithebookhoarder]

Could you write an Anthony Bridgerton x wife!reader fic? They are newly weds and the reader wishes to pamper Anthony while he is bathing. He’s a bit cautious about it at first because he is not used to such affection. Thank youu I love your writing a lot especially the truth or dare fic.

In Your Hands (Anthony Bridgerton x Wife!Reader)

A/N: First of all, thank you so much! And I hope you like this. Thanks for sending this ask in, luckily I was already toying with a few Bridgerton ideas thanks to the new trailers so this came surprisingly easy.

Also, if any of you guys enjoy my work, or just feel like it, then consider buying me a cup of coffee here: https://ko-fi.com/ithebookhoarder ☕️

Warnings: Nudity references, the start of sexy-times, alcohol 

Masterlist

Anthony was someone who hated routine. After all, as much as he was devoted to the day to day duties that came with being the head of his family, if he had his way he would escape the city and the ton, choosing instead the peace and tranquility offered by the countryside, at Aubrey Hall. He dreamed of being able to be just a brother, son and - as of recently - a husband. 

Only married a few months, your new husband was keen to seize each and every opportunity to escape his duties when they appeared - whether it was sneaking off for long rides in the countryside, or making an early exit from whatever social gathering you both had been forced to attend as the new Viscount and Viscountess Bridgerton; Whatever allowed you both to be alone and back in one another’s arms (usually sans clothes) as soon as possible, was a good idea to him. 

It was no surprise then, that there was one part of his daily routine that Anthony actually relished: bathing. 

Oh, yes. There was little more in the world that could bring your fully-grown husband such child-like joy as being able to soak in a tub of steaming hot water for an hour or two. The sight always made you smile as you entered your bedroom: Anthony, half asleep, looking as if the stress had physically melted away. 

It was your favourite sight - and not just because of the exquisite view it granted you of his sculpted form - but because of how calm and peaceful he looked. It was as if he had transformed back into the mischievous and carefree boy you’d first fallen in love with all those years ago. Back when your only concerns had been not tripping on your skirt at your presentation, making sure you were actually asked to dance at a ball, and surviving the social season without embarrassing your family or getting yourself roped into some scandal. 

Whilst you knew neither you nor Anthony would ever change a single thing about your life together, you knew it came with a cost. In fact, today it had been enduring hours of talks with local tenants, the family’s book keeper, estate managers, and even several possible suitors looking to secure some kind of marriage contract with one of his younger sisters. (You’d been informed by several members of the household staff that those meetings had been remarkably swift, however, with each unfortunate man looking rather dejected as they were shown from the house). 

If you’d been able to spare him the pain or share his burden you would have, but unfortunately you’d been occupied with matters of your own. Being the lady of such a grand estate came with duties of its own, and you were quite done looking over seating arrangements, replying to correspondence, and paying social calls for one day.  

Still, at least you’d both survived to tell the tale - no wonder Anthony looked half asleep. Then again, maybe it had something to do with the open bottle of whiskey that sat on the table beside the tub. You knew without looking at the label which bottle it was, having smuggled it out of the library yourself to enjoy together. 

“Anthony Bridgerton!” A fake gasp of horror escaped your lips as you appeared in the doorway, a hand pressed to your chest. “You are a sneak and a traitor. That whiskey was for me too, you know.”

“And a good evening to you too, my love. Never fear, there’s plenty to share,” he teased, head relaxed, tipped backward as he took a sip from the glass in his hand. Your eyes were transfixed on the hollow of his throat, watching his Adam’s apple bob as he swallowed. “Besides, I would apologise but I simply couldn’t wait a minute longer. Not when I couldn’t feel my back from sitting at that desk all afternoon.”

The moan that escaped his lips was almost sinful as he sank a little lower in the water.  

“Well, you’re forgiven. You look far too content for me to even dream of being mad,” you sighed, drawing close and perching on the rim of the tub. Anthony handed over the whiskey glass with a soft smile, letting you take a sip of your own before you placed it back onto the table. 

You could feel the warmth seep into your bones immediately, even if that was also likely in part to your proximity to the tub and your naked husband. 

“Do you want me to wash your hair?”

Anthony’s eyebrows rose at the question, the surprise written across his face. “What?”

“You heard me,” you teased, reaching up to run your fingers through the soft strands of hair atop his head. “I can wash your hair, and get your back for you. Unless you’d rather do it yourself, or I can ring for someone?”

“What? No, that’s uh, that’s not necessary,” he chuckled, visibly flustered - which was amusing and perplexing. After all, it wasn’t as if you two hadn’t seen and touched every single inch of the other in the weeks since your wedding. However, he looked almost confused at the idea that you would offer such a thing. “You don’t have to do that.”

“But I want to,” you soothed. “Let me take care of you, for once. Husband.”

It was probably below the belt to purr his title like that, but you knew how that one little word had the power to reduce the great Viscount Bridgerton to a puddle. That, along with the warmth of the water and the buzz of the whiskey, made him almost pliant to your every whim. Still, you knew him well enough to recognise the lingering hesitation in his eyes as he nodded in agreement. 

He very rarely let his guard down or allowed anyone to assist him in any way. You sometimes believed that had the servants not been dependant upon their work to make a living that Anthony would have dismissed them long ago and tried to run the entire estate single handedly just to prove he could. That he was worthy of the title he bore, and that he was every bit as great a man, brother, and husband as his father. 

It appeared he was the same way when it came to letting himself be taken care of and it made your heart ache for the man you loved. 

Pressing a triumphant kiss to his lips, you swiftly manoeuvred yourself, pulling up a stool and grabbing a jug from the dresser.  

“Just relax… trust me,” you murmured, waiting until he did as he was bid. The gesture alone said volumes, more so than any words ever could. 

Waiting until his eyes were shut, you reached for the soap, tilting his head against your chest as you began to massage the mixture into his scalp. Yet again, your husband seemed to transform into a cat, purring with every touch in a way that made it suddenly very difficult to resist the urge to strip off and join your husband in the water instead. 

“Enjoying yourself?” You giggled as Anthony barely managed more than a groan in reply. 

It was taking every ounce of your self control to focus your attentions solely on Anthony, and not on the way his body seemed to be reacting to your ministrations. Thankfully, you were able to last long enough to finish the job, using the jug to rinse the water through his hair, making sure to angle his head upwards so the water ran off him instead of into his eyes. 

But you were only human; the minute you were done washing the last suds from his scalp you made your move. Sliding off the stool, you knelt beside him and reached out to caress his cheek, causing him to open his eyes almost sleepily. Leaning forward you planted a soft, delicate kiss to his lips, causing him to groan in response.

Without saying a word, his hands rose, twisting their way into your hair as he deepened his kiss. It was clear what he wanted next. 

“Now, wife,” he growled, pulling back just long enough to reach down and tug teasingly at the tie of your dress-robe. You could feel the warmth of his touch as his wet body began to dampen the material. “I think it’s your turn to let me take care of you… so you’d better get in here, before I drag you in here.”

[wetterroomba]

Autism corner

[lassieposting]

Been thinkin about Astarion + vampire biology so have some headcanons and the bits of game lore they're based on

Dialogue establishes that Cazador has been successfully passing himself off as a regular noble for centuries, and Astarion confirms that while he's considered a bit reclusive, he does mingle with the upper class of Baldur's Gate and has a property specifically for hosting fancy events.

Vampires are camouflage predators, whose primary hunting strategy is to blend in with their prey until the perfect time to strike. Their ecological niche is not a particularly safe or stable one - they live hidden in plain sight, usually in sizeable cities, for easy access to prey, but they know that if they are discovered they will be rooted out and killed or driven away. They are rarely able to get away with attacking in public, where city guards might rush to the aid of a screaming victim - they have to isolate their target before killing it. The ability to blend in, to be overlooked by their target, until it is too late is essential.

Cazador is, as far as we know, the only true vampire in Baldur's Gate

This is because true vampires are aggressively territorial. Like most apex predators, they eat a lot, and need substantial territories to support them - even moreso if they have a partner or spawns. Ascendant!Astarion would need to hold onto the entire city, as Cazador did, to be able to feed himself and Tav without raising suspicion.

True vampires are relatively rare, but there are more of them than there are cities, so it's not uncommon for one to set up in an occupied city and try to oust the sitting resident. The challenger usually believes himself to be as strong or stronger than the current tenant: these territorial disputes usually end in at least one death, so they're not to be entered into lightly.

Astarion is very obviously a vampire: his fangs are visible, as are his bite scars; he's so pale multiple people comment on it; his eyes are red, etc.

Astarion is not a healthy vampire.

This is a man who has been kept on the knife's edge of starvation and tortured regularly for 200 years, and to another vampire, that would be clear from the state of him: Astarion is a camouflage predator who is so malnourished he is no longer able to blend in.

Tav will get an up-close look at his transformation over the course of the game and during the years afterwards: the more healthy and well-fed Astarion becomes, as his body catches up on its immense energy deficit and begins to recover, the better he will be able to mimic a living elf. His skin will be able to bleed, or blush, or bruise, none of which he's capable of while actively starving. Hia fangs will retract until he needs them, not invisible but less obvious - having them out all the time is a response to severe deprivation; he's so hungry his body can't risk losing prey to the split second it takes Cazador to snatch a rat back, so he's permanently in bite mode, hyperaware, ready to strike. Some body functions will come online that he didn't even know he had, the ones that are supposed to help him blend in - his eyes will start producing pigment to look darker, less scarlet and more burgundy, to be more easily mistaken for brown; his lungs will make him breathe automatically even though he doesn't need it, he'll start being able to eat normal food without getting sick again, though he still won't get any nourishment from it; he'll heal faster. He'll even be able to get drunk, though he'll burn through it very quickly. As it stands, all those extra systems have been shut down by his starving body - they're useful, but nonessential, and he needs every single bit of energy funnelled into just keeping him alive and functional.

There is probably an intentional bit of psychological warfare against the spawns on Cazador's part here - him starving them strips them of their natural defences, and every time he makes them leave the mansion to hunt, they have to do so knowing that they're poorly hidden and vulnerable. But it's established that true vampires treating their spawn poorly or outright abusing them is A Thing, so it's not the only reason - he sees them as property rather than people, he keeps them weak so they won't plot against him, he's acting out his own trauma from Vellioth on them, he just wants to - but it does feed into it.

Astarion can, at one point, identify old blood as belonging to the player character. He also gets excited at another point if an enemy character runs away, stating, "Now it's a hunt."

He says that "even stale, [he'd] recognise that bouquet anywhere." This confirms a few things for us:

He has a vastly superior sense of smell capable of identifying individuals by scent and - since he can tell who the blood belongs to even after some time has passed - following scent trails.

This confirms that although city-dwelling vampires may primarily hunt via luring a victim to a secondary location before killing it, they still have the "stalk down and chase" predator instinct. Since Astarion can't lure wildlife anywhere, this is almost certainly how he's been hunting to supplement his diet when he's not using the player as his personal caprisun.

The fact that he can scent out prey before killing it means he has this ability all the time - he can smell blood while it's still safely inside the owner's body.

So scent is probably relevant to how vampires process the world. The more time each companion spends with him, the more he gets used to their scent, starts associating it more with safety and camaraderie than with a potential meal, and so he becomes more relaxed around them. As he learns to link the player's scent with love and comfort and trust, the more likely he is to retreat to their tent over his own when he's injured or afraid or having a trauma moment. When he's fond of someone, something of theirs will go conveniently missing - he's moving their scent into his little safe space, it's comforting for him. He can tell when his lover is hurt or aroused or frightened - though not which of the three applies - from a distance, because his sense of smell can pick up the spike of adrenaline rushing into their bloodstream.

But that also means that he can never feel like he's got any distance from Cazador while he's living in the mansion - even if the man isn't in the same room, the entire place reeks of him, and it makes Astarion feel like Cazador is breathing down his neck all the same. Ascendant Astarion would have a really, really hard time sticking it out in that mansion with stale Eau de Cazador all over the place. It means that he's put instantly on edge by the faint scent of one of his siblings as he walks through the lower city - when seven vicious, territorial apex predators are confined to a single small dormitory, several hours a day, seven days a week, 365 days a year, fights are going to be nasty and frequent, and although Cazador wouldn't allow them to kill each other, considering how many of his siblings refer to him as weak or a runt, Astarion probably didn't win them very often. So. Having a highkey advanced sense of smell is a mixed bag.

[linghxr]

10 movies I watched in Chinese class

This post is the unofficial sequel to 10 iconic Mandopop songs from Chinese class. No one asked for it, but I watched to chronicle what I could remember before more fades from my memory! I saw these movies in Chinese class in high school and college, and I had to do some sleuthing to find some names.

The synopses are from IMDb, revised by me. I put links to watch for free on YouTube when I was able to find one, but they might not work in your country.

1. 《和你在一起》 Together (2002) A violin prodigy and his father travel to Beijing, where the father seeks the means to his son's success while the son struggles to accept the path laid before him.

Watch on YouTube

2. 《谁的青春不迷茫》 Yesterday Once More (2016) Lin Tianjiao, the top student in her class, is struggling to cope under intense academic pressure. After she is nearly caught cheating on a test, she befriends Gao Xiang, a free-spirited slacker.

Watch on YouTube

3. 《活着》 To Live (1994) Based on the novel by Yu Hua, four generations of the once-wealthy Xu family experience the difficult changes of the Chinese Civil War, the Great Leap Forward, and the Cultural Revolution.

Watch on YouTube

4. 《喜宴》 The Wedding Banquet (1993) To satisfy his parents, Gao Wai-Tung, a gay man in a fulfilling relationship with his partner Simon, marries his female tenant Wei-Wei. Things get out of hand when his parents come to visit.

5. 《饮食男女》 Eat Drink Man Woman (1994) A widowed chef lives with his three grown daughters, who each experience ups and downs in their lives and romantic relationships as they leave the family home.

Watch on YouTube

6. 《哑孩儿》 Dumb Child* (2016) After graduating from college, Fang Yan takes a job as a teacher in a rural area of China. There she meets a young girl named Yaya who doesn't attend school due to her hearing impairment.

Watch on YouTube

*Dumb as in mute. It's not a great English name...

7. 《重返20岁》 20 Once Again/Miss Granny (2015) A 70-year old woman living unhappily with her son's family is magically transformed into her 20-year-old self. She befriends her grandson and decides to fulfill the dreams of her youth.

Watch on YouTube

8. 《北京爱情故事》 Beijing Love Story (2014) Different generations look at love, romance, and commitment, all from a uniquely Beijing perspective. All 5 couples and stories are intertwined a la Love Actually.

9. 《蓝风筝》 The Blue Kite (1993) The lives of a Beijing family throughout the 1950s and 1960s, as they experience the impact of the Hundred Flowers Campaign, the Great Leap Forward, and the Cultural Revolution.

Watch on YouTube

10. 《青春派》 Young Style (2013) Struggling with romantic woes after his plan to confess to his crush goes awry, Ju Ran fails the college entrance exam (gaokao) and is forced to repeat his last year of high school.

Watch on YouTube

[mostlysignssomeportents]

Podcasting “Capitalists Hate Capitalism”

I'm touring my new, nationally bestselling novel The Bezzle! Catch me in Torino (Apr 21) Marin County (Apr 27), Winnipeg (May 2), Calgary (May 3), Vancouver (May 4), and beyond!

This week on my podcast, I read "Capitalists Hate Capitalism," my latest column for Locus Magazine:

https://locusmag.com/2024/03/cory-doctorow-capitalists-hate-capitalism/

What do I mean by "capitalists hate capitalism?" It all comes down to the difference between "profits" and "rents." A capitalist takes capital (money, or the things you can buy with it) and combines it with employees' labor, and generates profits (the capitalist's share) and wages (the workers' share).

Rents, meanwhile, come from owning an asset that capitalists need to generate profits. For example, a landlord who rents a storefront to a coffee shop extracts rent from the capitalist who owns the coffee shop. Meanwhile, the capitalist who owns the cafe extracts profits from the baristas' labor.

Capitalists' founding philosophers like Adam Smith hated rents. Worse: rents were the most important source of income at the time of capitalism's founding. Feudal lords owned great swathes of land, and there were armies of serfs who were bound to that land – it was illegal for them to leave it. The serfs owed rent to lords, and so they worked the land in order grow crops and raise livestock that they handed over the to lord as rent for the land they weren't allowed to leave.

Capitalists, meanwhile, wanted to turn that land into grazing territory for sheep as a source of wool for the "dark, Satanic mills" of the industrial revolution. They wanted the serfs to be kicked off their land so that they would become "free labor" that could be hired to work in those factories.

For the founders of capitalism, a "free market" wasn't free from regulation, it was free from rents, and "free labor" came from workers who were free to leave the estates where they were born – but also free to starve unless they took a job with the capitalists.

For capitalism's philosophers, free markets and free labor weren't just a source of profits, they were also a source of virtue. Capitalists – unlike lords – had to worry about competition from one another. They had to make better goods at lower prices, lest their customers take their business elsewhere; and they had to offer higher pay and better conditions, lest their "free labor" take a job elsewhere.

This means that capitalists are haunted by the fear of losing everything, and that fear acts as a goad, driving them to find ways to make everything better for everyone: better, cheaper products that benefit shoppers; and better-paid, safer jobs that benefit workers. For Smith, capitalism is alchemy, a philosopher's stone that transforms the base metal of greed into the gold of public spiritedness.

By contrast, rentiers are insulated from competition. Their workers are bound to the land, and must toil to pay the rent no matter whether they are treated well or abused. The rent rolls in reliably, without the lord having to invest in new, better ways to bring in the harvest. It's a good life (for the lord).

Think of that coffee-shop again: if a better cafe opens across the street, the owner can lose it all, as their customers and workers switch allegiance. But for the landlord, the failure of his capitalist tenant is a feature, not a bug. Once the cafe goes bust, the landlord gets a newly vacant storefront on the same block as the hot new coffee shop that can be rented out at even higher rates to another capitalist who tries his luck.

The industrial revolution wasn't just the triumph of automation over craft processes, nor the triumph of factory owners over weavers. It was also the triumph of profits over rents. The transformation of hereditary estates worked by serfs into part of the supply chain for textile mills was attended by – and contributed to – the political ascendancy of capitalists over rentiers.

Now, obviously, capitalism didn't end rents – just as feudalism didn't require the total absence of profits. Under feudalism, capitalists still extracted profits from capital and labor; and under capitalism, rentiers still extracted rents from assets that capitalists and workers paid them to use.

The difference comes in the way that conflicts between profits and rents were resolved. Feudalism is a system where rents triumph over profits, and capitalism is a system where profits triumph over rents.

It's conflict that tells you what really matters. You love your family, but they drive you crazy. If you side with your family over your friends – even when your friends might be right and your family's probably wrong – then you value your family more than your friends. That doesn't mean you don't value your friends – it means that you value them less than your family.

Conflict is a reliable way to know whether or not you're a leftist. As Steven Brust says, the way to distinguish a leftist is to ask "What's more important, human rights, or property rights?" If you answer "Property rights are human right," you're not a leftist. Leftists don't necessarily oppose all property rights – they just think they're less important than human rights.

Think of conflicts between property rights and human rights: the grocer who deliberately renders leftover food inedible before putting it in the dumpster to ensure that hungry people can't eat it, or the landlord who keeps an apartment empty while a homeless person freezes to death on its doorstep. You don't have to say "No one can own food or a home" to say, "in these cases, property rights are interfering with human rights, so they should be overridden." For leftists property rights can be a means to human rights (like revolutionary land reformers who give peasants title to the lands they work), but where property rights interfere with human rights, they are set aside.

In his 2023 book Technofeudalism, Yanis Varoufakis claims that capitalism has given way to a new feudalism – that capitalism was a transitional phase between feudalism…and feudalism:

https://pluralistic.net/2023/09/28/cloudalists/#cloud-capital

Varoufakis's point isn't that capitalists have gone extinct. Rather, it's that today, conflicts between capital and assets – between rents and profits – reliably end with a victory of rent over profit.

Think of Amazon: the "everything store" appears to be a vast bazaar, a flea-market whose stalls are all operated by independent capitalists who decide what to sell, how to price it, and then compete to tempt shoppers. In reality, though, the whole system is owned by a single feudalist, who extracts 51% from every dollar those merchants take in, and decides who can sell, and what they can sell, and at what price, and whether anyone can even see it:

https://pluralistic.net/2024/03/01/managerial-discretion/#junk-fees

Or consider the patent trolls of the Eastern District of Texas. These "companies" are invisible and produce nothing. They consist solely of a serviced mailbox in a dusty, uninhabited office-building, and an overbroad patent (say, a patent on "tapping on a screen with your finger") issued by the US Patent and Trademark Office. These companies extract hundreds of millions of dollars from Apple, Google, Samsung for violating these patents. In other words, the government steps in and takes vast profits generated through productive activity by companies that make phones, and turns that money over as rent paid to unproductive companies whose sole "product" is lawsuits. It's the triumph of rent over profit.

Capitalists hate capitalism. All capitalists would rather extract rents than profits, because rents are insulated from competition. The merchants who sell on Jeff Bezos's Amazon (or open a cafe in a landlord's storefront, or license a foolish smartphone patent) bear all the risk. The landlords – of Amazon, the storefront, or the patent – get paid whether or not that risk pays off.

This is why Google, Apple and Samsung also have vast digital estates that they rent out to capitalists – everything from app stores to patent portfolios. They would much rather be in the business of renting things out to capitalists than competing with capitalists.

Hence that famous Adam Smith quote: "People of the same trade seldom meet together, even for merriment and diversion, but the conversation ends in a conspiracy against the public, or in some contrivance to raise prices." This is literally what Google and Meta do:

https://en.wikipedia.org/wiki/Jedi_Blue

And it's what Apple and Google do:

https://www.theverge.com/2023/10/27/23934961/google-antitrust-trial-defaults-search-deal-26-3-billion

Why compete with one another when you can collude, like feudal lords with adjacent estates who trust one another to return any serf they catch trying to sneak away in the dead of night?

Because of course, it's not just "free markets" that have been captured by rents ("Competition is for losers" -P. Thiel) – it's also "free labor." For years, the largest tech and entertainment companies in America illegally colluded on a "no poach" agreement not to hire one-anothers' employees:

https://techcrunch.com/2015/09/03/apple-google-other-silicon-valley-tech-giants-ordered-to-pay-415m-in-no-poaching-suit/

These companies were bitter competitors – as were these sectors. Even as Big Content was lobbying for farcical copyright law expansions and vowing to capture Big Tech, all these companies on both sides were able to set aside their differences and collude to bind their free workers to their estates and end the "wasteful competition" to secure their labor.

Of course, this is even more pronounced at the bottom of the labor market, where noncompete "agreements" are the norm. The median American worker bound by a noncompete is a fast-food worker whose employer can wield the power of the state to prevent that worker from leaving behind the Wendy's cash-register to make $0.25/hour more at the McDonald's fry trap across the street:

https://pluralistic.net/2022/02/02/its-the-economy-stupid/#neofeudal

Employers defend this as necessary to secure their investment in training their workers and to ensure the integrity of their trade secrets. But why should their investments be protected? Capitalism is about risk, and the fear that accompanies risk – fear that drives capitalists to innovate, which creates the public benefit that is the moral justification for capitalism.

Capitalists hate capitalism. They don't want free labor – they want labor bound to the land. Capitalists benefit from free labor: if you have a better company, you can tempt away the best workers and cause your inferior rival to fail. But feudalists benefit from un-free labor, from tricks like "bondage fees" that force workers to pay in order to quit their jobs:

https://pluralistic.net/2023/04/21/bondage-fees/#doorman-building

Companies like Petsmart use "training repayment agreement provisions" (TRAPs) to keep low-waged workers from leaving for better employers. Petsmart says it costs $5,500 to train a pet-groomer, and if that worker is fired, laid off, or quits less than two years, they have to pay that amount to Petsmart:

https://pluralistic.net/2022/08/04/its-a-trap/#a-little-on-the-nose

Now, Petsmart is full of shit here. The "four-week training course" Petsmart claims is worth $5,500 actually only lasts for three weeks. What's more, the "training" consists of sweeping the floor and doing other low-level chores for three weeks, without pay.

But even if Petsmart were to give $5,500 worth of training to every pet-groomer, this would still be bullshit. Why should the worker bear the risk of Petsmart making a bad investment in their training? Under capitalism, risks justify rewards. Petsmart's argument for charging $50 to groom your dog and paying the groomer $15 for the job is that they took $35 worth of risk. But some of that risk is being borne by the worker – they're the ones footing the bill for the training.

For Petsmart – as for all feudalists – a worker (with all the attendant risks) can be turned into an asset, something that isn't subject to competition. Petsmart doesn't have to retain workers through superior pay and conditions – they can use the state's contract-enforcement mechanism instead.

Capitalists hate capitalism, but they love feudalism. Sure, they dress this up by claiming that governmental de-risking spurs investment: "Who would pay to train a pet-groomer if that worker could walk out the next day and shave dogs for some competing shop?"

But this is obvious nonsense. Think of Silicon Valley: high tech is the most "IP-intensive" of all industries, the sector that has had to compete most fiercely for skilled labor. And yet, Silicon Valley is in California, where noncompetes are illegal. Every single successful Silicon Valley company has thrived in an environment in which their skilled workers can walk out the door at any time and take a job with a rival company.

There's no indication that the risk of free labor prevents investment. Think of AI, the biggest investment bubble in human history. All the major AI companies are in jurisdictions where noncompetes are illegal. Anthropic – OpenAI's most serious competitor – was founded by a sister/brother team who quit senior roles at OpenAI and founded a direct competitor. No one can claim with a straight face that OpenAI is now unable to raise capital on favorable terms.

What's more, when OpenAI founder Sam Altman was forced out by his board, Microsoft offered to hire him – and 700 other OpenAI personnel – to found an OpenAI competitor. When Altman returned to the company, Microsoft invested more money in OpenAI, despite their intimate understanding that anyone could hire away the company's founder and all of its top technical staff at any time.

The idea that the departure of the Burger King trade secrets locked up in its workers' heads constitute more of a risk to the ability to operate a hamburger restaurant than the departure of the entire technical staff of OpenAI is obvious nonsense. Noncompetes aren't a way to make it possible to run a business – they're a way to make it easy to run a business, by eliminating competition and pushing the risk onto employees.

Because capitalists hate capitalism. And who can blame them? Who wouldn't prefer a life with less risk to one where you have to constantly look over your shoulder for competitors who've found a way to make a superior offer to your customers and workers?

This is why businesses are so excited about securing "IP" – that is, a government-backed right to control your workers, customers, competitors or critics:

https://locusmag.com/2020/09/cory-doctorow-ip/

The argument for every IP right expansion is the same: "Who would invest in creating something new without the assurance that some­one else wouldn’t copy and improve on it and put them out of business?"

That was the argument raised five years ago, during the (mercifully brief) mania for genre writers seeking trademarks on common tropes. There was the romance writer who got a trademark on the word "cocky" in book titles:

https://www.theverge.com/2018/7/16/17566276/cockygate-amazon-kindle-unlimited-algorithm-self-published-romance-novel-cabal

And the fantasy writer who wanted a trademark on "dragon slayer" in fantasy novel titles:

https://memex.craphound.com/2018/06/14/son-of-cocky-a-writer-is-trying-to-trademark-dragon-slayer-for-fantasy-novels/

Who subsequently sought a trademark on any book cover featuring a person holding a weapon:

https://memex.craphound.com/2018/07/19/trademark-troll-who-claims-to-own-dragon-slayer-now-wants-exclusive-rights-to-book-covers-where-someone-is-holding-a-weapon/

For these would-be rentiers, the logic was the same: "Why would I write a book about a dragon-slayer if I could lose readers to someone else who writes a book about dragon-slayers?"

In these cases, the USPTO denied or rescinded its trademarks. Profits triumphed over rents. But increasingly, rents are triumphing over profits, and rent-extraction is celebrated as "smart business," while profits are for suckers, only slightly preferable to "wages" (the worst way to get paid under both capitalism and feudalism).

That's what's behind all the talk about "passive income" – that's just a euphemism for "rent." It's what Douglas Rushkoff is referring to in Survival of the Richest when he talks about the wealthy wanting to "go meta":

https://pluralistic.net/2022/09/13/collapse-porn/#collapse-porn

Don't drive a cab – go meta and buy a medallion. Don't buy a medallion, go meta and found Uber. Don't found Uber, go meta and invest in Uber. Don't invest in Uber, go meta and buy options on Uber stock. Don't buy Uber stock options, go meta and buy derivatives of options on Uber stock.

"Going meta" means distancing yourself from capitalism – from income derived from profits, from competition, from risk – and cozying up to feudalism.

Capitalists have always hated capitalism. The owners of the dark Satanic mills wanted peasants turned off the land and converted into "free labor" – but they also kidnapped Napoleonic war-orphans and indentured them to ten-year terms of service, which was all you could get out of a child's body before it was ruined for further work:

https://pluralistic.net/2023/09/26/enochs-hammer/#thats-fronkonsteen

When Varoufakis says we've entered a new feudal age, he doesn't mean that we've abolished capitalism. He means that – for the first time in centuries – when rents go to war against profits – the rents almost always emerge victorious.

Here's the podcast episode:

https://craphound.com/news/2024/04/14/capitalists-hate-capitalism/

Here's a direct link to the MP3 (hosting courtesy of the Internet Archive; they'll host your stuff for free, forever):

https://archive.org/download/Cory_Doctorow_Podcast_465/Cory_Doctorow_Podcast_465_-_Capitalists_Hate_Capitalism.mp3

And here's the RSS feed for my podcast:

http://feeds.feedburner.com/doctorow_podcast

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/04/18/in-extremis-veritas/#the-winnah

[memories-of-ancients]

The Sad Fate of Roman War Veterans and How the Punic Wars Destroyed the Roman Middle Class

There's no question that Rome's victory over Carthage during the Punic Wars drastically changed the Roman Republic. Perhaps the most apparent change was Rome's ascendancy from a smaller power in Italy to the dominant power in the Mediterranean. In other words, a big fish in a small pond, to a big fish in a literal big pond. In the span of 120 years Roman territory expanded by vast amounts followed by further Roman expansionism resulting in Roman territory stretching from Spain and North Africa in the west to Greece and Anatolia in the east.

While the Punic Wars would transform Rome into an (e)mpire militarily, it also transformed Roman socio-economic structures. The early Roman Republic had no standing professional armies. Instead to wage war Rome used a militia system with citizen soldiers who were called up as needed. Since the state had no role in equipping soldiers, it was up to soldiers to equip themselves. Roman lower classes were exempt from military service since they could not afford weapons, armor, or supplies while the Roman upper class served as officers or elite cavalrymen. Thus, the responsibility for providing the rank and file infantry of the army fell to the Roman middle class. The Roman middle class consisted of some skilled artisans and small business owners, but by far most of the Roman middle class were farmers who owned small plots of land.

Up until the Punic Wars, this system worked fine as war was a small, short, local event that occurred within the confines of central and southern Italy. A Roman soldier didn't have far to travel from home as the enemy was within easy marching distance away. War was also a seasonal affair where the fighting occurred on the off season, then a truce was called so that soldiers could tend their farms during the growing season, with the war resuming once the crops were harvested. Now Roman soldiers were expected to be shipped to far off places such as Africa, Spain, Greece, Macedonia, and Anatolia. Whereas before wars were short seasonal affairs, now wars seemed to last forever with no recesses so that soldiers can tend their farms. Both the first and second Punic Wars nearly lasted two decades each. And war was everywhere as the Punic Wars involved multiple fronts all over the Mediterranean. No longer were Roman wars short, small, localized affairs. In the meantime while soldiers were away fighting, their fields were fallow and their businesses had fallen into disrepair. The Republic tried to mitigate the financial strains of the Punic Wars on its soldiers by paying a stipend. However it was not enough to prevent financial disaster. When the war ended and Rome's veterans returned home in triumph, they were broke and impoverished.

In order to make ends meet or pay off debt, most had to sell off their land to wealthy landholders, who consolidated that land into large estates and plantations. Many who sold their land became tenant farmers on the land that they had previously owned. Others moved to the city and tried to eek out a living as a laborer, however the price of labor was plummeting as Rome had taken tens of thousands of slaves during the Punic Wars and were taking tens of thousands more in various wars across the Mediterranean. War veterans found that there was no place for them in Roman society. Their farms and businesses were gone, and there was no need for their labor due to the sudden influx of slaves. Wealthy Roman elites had taken control of most of the Republic's land and wealth while a large percentage of the middle class were booted into poverty.

The result of everything I have previously described was a massive and ever growing rift between the rich and the poor as wealth became more and more concentrated at the top. This event became a hot button issue in Roman politics with Roman government being dominated between two unofficial political parties; the optimates, or those who supported the interests of the Roman elite, and the populares, or those who supported the interests of the common Roman. The clash between the optimates and populares led to increasing political instability resulting in the rise of demagogues and dictators. Civil war became common, and eventually the Roman Republic fell, giving rise to the Roman Empire.

[literaryvein-reblogs]

Writing Notes: Horror

Horror is a genre within creative writing that relies on one thing: instilling a sense of fear in the reader.

The horror genre is multifaceted—there is a kind of horror for every kind of person.

For some, the most effective scare is the idea of being trapped in a haunted house. For others, it’s being chased by a serial killer on Halloween.

Some of the best horror comes from scary things that can manipulate an audience’s feelings, creating a sensation of uneasiness and fear that stretches beyond consciousness and permeates deep within the psyche.

Horror writing is sometimes categorized within the broader category of thrillers, but not all horror follows the thriller structure.

Classic horror fiction—whether expressed as a novel, novella, short story, or film—will tap into topics that reliably frighten most humans.

Common topics include ghosts, werewolves, vampires, zombies, serial killers, murderers, and the fear of the unknown.

These horror tropes can often devolve into clichés.

A downside of horror’s popularity is that many horror books and movies recycle old content in non-creative ways, but when properly executed, horror stories can thrill audiences and even provide commentary on the human condition.

Horror Subgenres

1. Apocalyptic - In this subgenre, the world is ending or society is collapsing. When this happens, it’s usually because of some creature, demon, or religious event (while climate-oriented apocalypses are more sci-fi).

2. Body Horror - Involves the mutilation, experimentation, or violation of the human body. It can focus on disease, dismemberment, infestation, sexual acts, or a complete transformation of the physical form.

3. Comedy - Horror and comedy seem so at odds with each other, but they work so well together (kind of like spice and chocolate). A trademark of comedy horror is how the protagonist somewhat stumbles through the story, arriving at the end through luck and ridiculous happenstance rather than skill or growth.

4. Cosmic/Lovecraftian - With its origins largely attributed to H.P. Lovecraft, cosmic horror makes us feel small against a threat that is ancient, massive, and incomprehensible. Cosmic horror looks at intergalactic entities, ancient gods, the machinations of the universe, and how helpless we are against it all.

5. Dark Fantasy - Another crossover, this time with the fantasy genre. In dark fantasy, you have elements of magic, fictional creatures or worlds, and everything else that makes fantasy great, plus you add in a good dose of scares. This can also involve other subgenres, like body horror.

6. Dark Romance - Another crossover genre, dark romance takes the feel-good romance genre and makes it horrific. While this subgenre can simply include morally questionable characters and a grittier tone than most romance, it can also include kidnapping, forced confinement, BDSM, psychological and physical abuse, and sexual violence or sex where there is no consent. Bear in mind that it still needs to include the tenants of romance stories, though.

7. Extreme Gore - Not for the faint of heart, this subgenre includes books that have detailed torture scenes or otherwise disturbing and depraved acts. This genre is all about shocking your audience with how awful your characters act or are treated.

8. Folk Horror - Embraces urban legends and folktales. These range from old pagan gods in the woods to weird rituals performed by isolated groups or villages. Sometimes there is a supernatural element to them, even if the “supernatural” is simply perceived or believed by some characters (e.g., Midsommar).

9. Found Footage/Documentaries - Though this subgenre is more common in films than books, found footage and documentary horror stories are about a crew of people recording their experiences, usually unaware of the true danger they are about to face.

10. Gothic - The great-grandparent of modern horror, gothic horror is the brooding, atmospheric genre containing what most of us would consider classics (e.g., Dracula and Frankenstein). Sometimes you throw in a dash of romance, but these tales tackle topics like death and mortality.

11. Post-Apocalyptic - After some world-ending disaster, how horrifying have things become? Post-apocalyptic horror shows us a world without rules or structure. It can contain unrealistic elements (zombies, demons, etc.) or realistic possibilities (cannibals, gangs, and so on).

12. Psychological - Places the spotlight on trauma, mental health, manipulation, phobias, and everything else that causes you to become stressed and anxious. Home invasion stories (i.e., The Strangers) fall under this subgenre.

13. Slasher - Involves violent horror that is more about a single killer stalking and eventually killing a group of people (traditionally targeting teens and using a blade). This subgenre isn’t necessarily as violent or gory as others, but uses suspense to make the reader hold their breath.

14. Splatterpunk - Is known for its disregard of limits when it comes to violence—both physical and sexual. Gore and depravity are grossly abundant.

15. Supernatural/Paranormal - Some folks separate these two subgenres into different categories, but there is so much overlap that they’re basically the same. If you have to, think of supernatural horror as stories that involve werewolves, witches, vampires, and other monsters. Paranormal horror, on the other hand, involves ghosts, demons, and haunted houses.

Tips for Writing Horror

1. Read more horror. There’s no better way to understand what a good story looks like than to read one for yourself. Read as much as you can so you are aware of what other horror writers are doing.

2. Focus on your own fears. Much like comedy, horror benefits from authenticity. So get personal: If you can scare yourself, you can probably scare an audience.

3. Create three-dimensional characters. Write characters whose character flaws feed the action of the story. All good literature and film contains well-wrought characters with desires, emotions, and a backstory. The more human you make the characters of your story or screenplay, the more their missteps and bad choices will resonate with an audience.

4. Recognize that the real can be scarier than the surreal. Sure, you can make up an army of googly-eyed bad guys or plant a severed head in your main character’s bed, but will you really scare your reader? Not necessarily. In most cases, psychological horror sticks with audiences far longer than a jump scare or gross-out moment in a slasher film. Toying with people’s real-life fears tends to scare them much more than just grossing them out.

5. Use the environment. Scary movies and television shows can use jump-scares as an easy way to frighten an audience, but writing scary literature requires its own method of manifesting fear. Setup your environment in a vivid way to fully immerse your readers into your setting. Vividly describing an enclosed space can elicit feelings of claustrophobia. A dark and quiet house becomes more frightening when a character suddenly hears the creak of an upstairs floorboard. Being an outsider in an unfamiliar place, like a small town with no cell phone service and where everyone knows each other, is already unsettling—and if you add a malicious paranormal force to such a setting, you can enhance the feeling of isolation and ramp up the anxiety of the scenario.

6. Write longer sentences. You can heighten your readers’ fear by writing paragraphs with longer sentences. Periods provide natural pauses for readers to take a breath, but if you stretch out your sentences, you build anticipation for the reader—which they might not even realize until they reach the end of the sentence. By using tactics like this, you immerse the reader into your horror story, making them feel what the main character feels and creating a heart-pounding connection.

7. Make your readers breathe faster. Whereas long sentences can amplify the intensity of a story, short one-sentence paragraphs can force your readers to take more frequent breaths while following your narrative. Crafting abrupt lines builds tension in your scary story writing, making the readers’ eyes move more quickly down the page searching for the relief that the protagonist is safe. This can make your audience breathe faster, contributing to the feeling of panic and anxiety.

8. Leverage fear of the unknown. Fear of the unknown is a common theme that can be tracked throughout many of the best stories in horror fiction and horror movies. When there is something that negatively affects us that we cannot control or properly identify, it creates a feeling of panic and dread. Teasing your readers with something not quite definable or a bad guy no one knows how to stop can increase the level of tension and fear when writing horror stories.

9. Lean into dark imagery and your readers’ collective imagination. Consider what images might be frightening to a reader (and yourself). How much of a description of a clown do you need in order to make a reader feel uneasy? How large and grotesque does a rat need to be? Leaving some of these images more general than specific will allow a reader to fill in the blanks with what is most horrifying to them. Example: If you read the word beast, what do you see in your imagination? Most words carry connotations and personal connections. Allow your words to work for you to create the maximum scare.

10. Want tension? Sprinkle in some foreshadowing. Foreshadowing is a powerful tool in your writing arsenal, but it is particularly effective in horror, especially when writing in third person. Foreshadowing is when an author alludes to a future event by showing us something now. The key to foreshadowing is to use it sparingly. We want to up the tension and the fear our readers are experiencing while they yell at the oblivious protagonist not to open the door. We don’t want the reader to know every single thing that’s going to happen. 

11. Focus on the moment where things shift. You should consider a pivotal scene in your story idea and try to build around that scene or that moment where the plot actually “shifts.” Sometimes that could be reflected in a realization by the protagonist. Other times it can be represented in some type of ironic twist at the end. By looking at that singular element of your story idea, you cut away the fat so that the reader is left only with the most resonant part of the story.

12. Establish the mundane. Mundane is just a fancy way of saying normal, but the message still rings true. Most story structures tell you to start by establishing the Ordinary World: what our protagonist’s normal life is like. This is important for showing us how important the larger conflict is, because it threatens the protagonist’s normal. In horror, establishing the mundane is arguably more important. In a story where connecting with the character and empathizing with them over the godawful stuff you, the author, put them through, the reader needs to understand just how bad life has gotten. Then you can take both your characters and your reader from a place of comfort and familiarity and plunge them into whatever shadowy hell you’ve concocted.

13. Choosing your POV. By choosing to write your story from a first-person perspective, you are putting the reader exactly where your character is. There are 2 types of third-person POV—limited and omniscient. It is advisable to stay away from omniscient. Part of writing a good horror story is withholding information from the reader, which third-person omniscient doesn’t really allow for. Considering the pros and cons of the different points of view, choose the right one for your story.

14. Avoid clichés. Clichés are boring and predictable, and a horror scene that is predictable is likely to not be scary. A good horror story can still use familiar horror tropes, but a great horror story makes them its own. Look beyond the obvious when trying to write a scary scene—what is something readers wouldn’t expect? How can you surprise them with fear? Use enough of the existing tropes to be identifiable as horror, but make sure you insert your own originality into the mix. One of the reasons people gravitate to genres in general is because they have certain expectations for what should happen in the story. Look for ways to flip archetypes on their heads.

15. Practice. If you’re struggling to get a handle on writing a good story that’s scary, practice with story prompts (see some sample prompts below). Writing prompts can expand your range of thinking and open up new avenues of imagination that you hadn’t thought of before.

Horror Writing Prompts

A scary doll comes to life.

A scene from a nightmare comes true the next day.

Days go by, and your parents don’t come home.

You feel yourself slowly becoming a monster.

Your friends start to disappear, and no one else notices.

You’re lost in the woods, and you don’t know how you got there.

You’re inhabited by a ghost that controls you and makes you do crazy things.

You have no reflection in the mirror.

The teacher is a monster, but no one will believe you.

You hypnotize your brother, and you can’t snap him out of it.

A fortune teller reveals that you are evil.

Someone follows you home, and it’s your exact double.

You find a diary that tells the future.

Every time you wake up, you’re a different person.

Your parents explain that you are actually an alien from another planet.

You know someone is watching you day and night from the house across the street.

You realize you are shrinking.

While reading a scary book, you realize that you’re a character in it.

Someone is living in your mirror.

Everyone knows the new neighbors are vampires, and the kids invite you over for a sleepover.

All the cats in a small town vanish in the middle of the night….and all that remains is a set of big, scary teeth smashed into a car door.

A group of friends takes on the zombie apocalypse.

Strange things start happening after the grandfather clock starts to speak.

You finally meet your child’s imaginary friend. Who turns out to be a serial killer.

When a local police officer goes to investigate the haunted house down the street, he finds a young girl who died decades ago.

Sources: 1 2 3 4 5 6 ⚜ Writing Notes & References

[fuckyeahgoodomens]

SFX Magazine Issue 368, August 2023

THEY’RE BACK – AND THIS TIME THEY’RE IN ALL-NEW TERRITORY. NEIL GAIMAN TALKS RETURNING FOR SEASON TWO OF GOOD OMENS

THE RASCALLY DEMON Crowley (David Tennant) and the neurotic angel Aziraphale (Michael Sheen) put aside their differences to pull off one doozy of a Hail Mary and prevent an impending Apocalypse in Good Omens’ first season. The task cemented the pair’s unconventional friendship. So what are divine beings, who have fallen out of grace with both Heaven and Hell, to do for an encore?

The answer lies with archangel Gabriel (Jon Hamm), who shows up unannounced on the doorstep of Aziraphale’s London bookshop. Suddenly, Aziraphale and Crowley are caught up in a caper of biblical proportions – but also a more intimate tale.

“It’s a mystery,” showrunner Neil Gaiman tells SFX. “It kicks off a story that doesn’t have giant consequences for the universe, even if it does have consequences for Aziraphale and Crowley. We have a lot of the marvellous Jon Hamm, who is the angel Gabriel and turns up at the beginning stark naked, carrying a cardboard box with no memory of who he is. In the same way, it is about Aziraphale and Crowley having to get involved with humanity in a way that they haven’t before.

“They get dragged in slightly against their will to try to sort out the love life of Aziraphale’s tenant,” he continues. “Her name is Maggie [Maggie Service] and she runs the record shop next to the bookshop. You’ll see the coffee shop over the road, which is Nina’s [Nina Sosanya]. The relationship between Maggie and Nina is one that Crowley and Aziraphale try to fix, and mess up, because they are not good at human relationships, even if they can do miracles.”

Truth be told, Gaiman never originally intended this arc to serve as Good Omens’ second instalment. The TV series was based on Gaiman and Terry Pratchett’s 1990 novel. The two collaborators had partially hashed out the details for a sequel to the fantasy comedy, late one night in a hotel room. This, however, is not it. Gaiman instead plotted a new narrative that could provide the connective tissue between the first season and a theoretical season three, if it happens.

“Because the hypothetical season three exists, there is a story that is there, and I didn’t feel that we could drive straight from season one into that,” Gaiman explains. “I knew what the stakes were. I knew what the parameters were. I also knew that I had David and Michael. I had the angels from plot number one.

I had demons from plot number one. And with anybody that I wanted to bring back, but didn’t have room for right now, I did not have to bring them back as themselves. “I had absolutely nothing for Madame Tracy to do in this plot, but I would be damned if Miranda Richardson wasn’t going to be in this. She is one of my favourite people in the world. She is hilarious and is so good. And I knew I was going to have a new demon replacing Crowley as Hell’s representative in London/ the UK. Miranda’s demon Shax is the best demon you could want.”

It’s late February 2022 and SFX is in Edinburgh for a set visit. A soundstage in Pyramids Studios has been transformed into a street in Soho. The visible local stores include the aforementioned book, coffee and record shops, as well as a magic establishment. In the middle of them all stand Aziraphale and Crowley, the latter in close proximity to his classic Bentley. It’s close to the end of the six-episode season, so exactly what the duo is discussing constitutes a spoiler. We can say, however, that Aziraphale has picked up the pace. Time is of the essence as Shax marshals her forces to descend on Aziraphale’s store and retrieve Gabriel.

“This is really Shax’s first time out on Earth,” Gaiman explains. “She is working very diligently and very hard in Hell for a long time. Now she is on Earth, trying to figure it all out. She’s just discovering what Crowley has known for 6,000 years, which is that if you’re a demon and come up with a brilliant plan to screw up the lives of humanity, people will get there first and do worse than anything you could have imagined! She’s coming to terms with that.

“She is having to deal with the first crisis on her watch, as well, which is the disappearance of the archangel Gabriel from Heaven. It would be fair to say that by the end of the story, she is leading as much as she can get from Hell’s requisition department – a legion of Hell – in an attack on a Soho bookshop.”

When audiences catch up with Aziraphale again, he’s enjoying his time among humans. He owns most of the block in a Soho neighbourhood, and he’s meddling in Nina’s love life. Meanwhile, Crowley has been living in his car, with his plants sitting on the back seat. He’s grumpy about his current status quo, but frequently hangs out at Aziraphale’s. The duo began as antagonists, but their history and blossoming relationship will be fleshed out in flashbacks.

“One of the enormously fun things I came up with is the idea of minisodes,” Gaiman explains. “They are 25-minute-long episodes within the episode. We have three of them over our six episodes. Each of them is like one of those chunks of episode three [in season one]. Whereas the longest one of those was four or five minutes, if that, these are full stories.

“You get to have the story of [put-upon Biblical figure] Job, and you learn Aziraphale and Crowley’s part in the story. Then writer Cat Clarke takes us to Edinburgh in the 1820s for a tale of body-snatching and attempted murder that the boys get involved in,” he adds.

“Finally, Jeremy Dyson and Andy Nyman reunite the League Of Gentlemen in a Nazi-period story that takes place very shortly after the episode in the church. That one was the only one I said had to be there, because I fell in love with our Nazi spies in the church. I kept thinking, ‘What would happen if they essentially came back as zombies, with a mission from Hell to try and investigate whether or not Crowley and Aziraphale were actually fraternising?’”

Gaiman admits that one of the greatest challenges has been filming Good Omens simultaneously with his upcoming show Anansi Boys. The two shoot within throwing distance of each other, but are both timeconsuming endeavours.

“If I could go back in time, I would go back to 16 September 2020, when Douglas Mackinnon [co-producer] and I got the phone call from the Amazon bigwigs to say, ‘We have good news for you and interesting news for you,’” Gaiman recalls. “‘The good news is we are greenlighting both Good Omens and Anansi Boys. The interesting news is you are going to have to do them both at the same time.’

“I would go back to then and I would throw myself on the call and say, ‘Neil, don’t! This is unwise.’ That we are doing them both together is great. The amount of sleep I am not getting is monumental and monstrous.

“It’s a little bit like childbirth, in that I managed to forget all the things that drove me nuts about the first one. Having said that, I managed to fix all the things that really drove me nuts making season one, which is great. We just have a whole new set of problems making season two…”

The Odd Couple - David Tennant and Michael Sheen talk character and sets for season two

Crowley and Aziraphale come off as the best of frenemies at times. Where do they stand with one other now?

DT: They are indeed. What’s different in season two is because of what happened at the end of season one, they no longer have head offices that they have to report to. They are in a very different position. Whereas before they were trying to get away with things, now they are kind of free agents.

MS: Although sort of fugitives as well. They are sort of in-between. But this amazing life they have created over a millennia, they are now able to enjoy in a slightly different way. They are not having to put on a front for their respective teams. There is a different kind of freedom.

DT: While at the same time being cut off, so they are also strangers in a strange land.

MS: That kind of connects them in a slightly different way. They have always been the only two beings who could understand each other’s position. Now they are pushed even closer together.

Now that they have the run of the place with no obligations, does that bring its own set of problems, being cut off?

DT: They have this sort of uneasy relationship. They are not entirely cut off from their head offices. Indeed, their head offices are quite keen to exploit that sort of adjacent connection, as we will see as the story unfolds. They exist in this grey area, neither the supernatural nor of the Earth.

MS: By the time we pick up their story in this series, they have appeared in time where they were kind of let alone a bit more. When we pick the story up, they are being bothered again.

The depth and the richness and the detail of what we are seeing on set here in Edinburgh is mind-blowing. How is it for you having it all in one place now, rather than having filming scattered around the UK?

MS: It’s completely changed the experience of doing it. Just being indoors… The Soho set on the first season was freezing cold.

DT: I was in a car park. Even inside the bookshop I was exposed to the elements! There’s a greater percentage of the show set here. There was a practical imperative to making it a manageable environment. If we had been in a car park, the elements might have impinged our ability to film.

Hellraiser - David Tennant is Crowley

You and Michael know these characters inside out. Do you have a shorthand?

It’s a hard thing to be objective about. Although I didn’t know Michael that well before we shot season one, it was always easy and exciting working together. It’s well-oiled now, for sure. It’s certainly fun to come to work. We enjoy bouncing off each other.

How comfortable are they about becoming involved with Gabriel?

I suppose Aziraphale is a much more enthusiastic detective. We are very much voting for the spin-off called The Azirafiles, which will follow this! As with most things, Crowley is reluctant to get involved or to exhibit any kind of energy or enthusiasm about very much. He is dragged kicking and screaming into this. Necessity forces him to get involved, whereas Aziraphale rather likes it.

Where does Crowley hang out these days?

He spends a lot of time in the book shop. He only has one friend. He can only have one friend. That is the great liberation, and also the great prison, that they find themselves in. They have no one else. They have come to rely on each other more than they ever did. And more than they care to admit.

Crowley is a rock star, in a way. Were there any particular musicians that inspired you?

Not consciously, no. The look was assembled accidentally during the first costume sessions. The Crowley of the book is of the mode when the book was written. He is more kind of Wall Street, the way he is described. We just decided that Crowley should always be of the moment he’s in. We were just trying to find a look that we felt fitted.

Divine Being - Michael Sheen is Aziraphale

How has knowing your characters better informed this series?

The first series was the first time we really properly worked together. It feels like we haven’t stopped working together since. Everything that has happened in-between plays into coming back to these characters. I am sure it is all feeding into it. It’s very difficult for us to know how that is informing the characters and their relationships.

With the flashbacks to various points in Earth’s history, is there a period of time Aziraphale enjoys the most?

One of the most enjoyable things for the audience and us is moving through different historical periods. It’s a great source of joy, and people thoroughly enjoyed that episode in the first series, so that has been expanded on in season two. But in terms of which Aziraphale enjoys the most, I think it’s not actually a period of time that we’ve seen him in on this series.

He would have been happiest at the end of the 19th century, in the Victorian era, which is considered the golden age of magic. He would have loved being with the greats like Harry Houdini. He loved the Victorian period. It was a great period of time for philanthropy and doing good works in a municipal way.

How has it been going from something dark like The Prodigal Son to a more whimsical show?

That’s the nature of an actor’s job. You go from one thing to another. In some ways, it’s even more useful to have big differences between the characters. What tends to happen, and I think most actors feel this way, is if you are playing one character for a long time, part of you yearns to play the bits the character doesn’t have. There’s a naivety and an innocence about Aziraphale. But at the same time, underneath that, there is eons of knowledge and experience.

[deliciousangelfestival]

New Light | B. Barnes

Character: Neighbors!Bucky Barnes x Female!Reader

Summary: Y/N meets a mysterious neighbor in a stuck elevator.

A/N: I live in an apartment and often encounter different people. I wish I could start a conversation like the reader 😭

Main Masterlist || support: Ko-fi

Thank you to anyone who gave a like, reblog, and left a comment. It motivated me to write more. 

Y/N had become a recognizable presence in her apartment building, exchanging greetings with familiar faces each time she entered the lift.

One tenant, however, remained an enigma—Bucky. Tall and always clad in a large black hoodie, he never uttered a word during their encounters.

One evening, after a long day at work, Y/N stepped into the lift, and to her surprise, Bucky entered just before the doors closed.

As the elevator ascended, an unusual silence settled between them. Y/N, feeling the need to break the ice, finally spoke up, "It's been a long day, hasn't it?"

Bucky, still maintaining his stoic demeanor, nodded in agreement. The hum of the elevator provided an awkward backdrop to their brief exchange.

As they continued in silence, the lift abruptly stopped, causing them both to shift their attention to the sudden halt.

"It's probably just a minor glitch," Y/N reassured, attempting to ease the tension. She reached for the Ring button, pressing it to summon help.

The building security's voice crackled through the speaker, providing assurance that maintenance were on their way.

With a shared glance, Y/N and Bucky exchanged a subtle acknowledgment of the situation. Y/N tried to strike up a conversation again, "So, Bucky, do you live on the same floor as me?"

Bucky, though initially hesitant, replied with a simple nod. The conversation was slow to develop, yet Y/N persisted, asking about his day and interests.

Bucky, gradually opening up, revealed snippets of his life. "I work from home most days, I'm a graphicdesigner," he admitted, his mysterious aura starting to unravel.

In turn, Y/N shared stories from her workplace, finding common ground in the challenges and triumphs of daily life.

In the middle of their conversation, Y/N noticed subtle movements within Bucky's hoodie. Curiosity getting the better of her, she finally asked, "Is everything okay in there?"

Bucky hesitated for a moment before revealing a small, furry face peeking out—the source of the movement. To Y/N's astonishment, Bucky introduced her to Alpine, his cat.

Y/N was awestruck when she caught sight of an incredibly adorable cat. Its fluffy fur and playful antics immediately captured her attention, eliciting a warm and delighted smile.

Approaching cautiously, Y/N couldn't resist commenting, "Alpine is such a sweetheart! Does he always greet everyone like this?"

Bucky, Alpine's owner, looked pleasantly surprised as he replied, "Actually, Alpine is usually quite reserved. He doesn't warm up to strangers easily."

Feeling a bit special, Y/N observed as Alpine continued to display an unexpectedly friendly demeanor, rubbing against her legs. Bucky chuckled, "This is a rare sight. Alpine doesn't usually take kindly to newcomers."

The atmosphere shifted as Bucky eagerly shared stories about Alpine's quirky habits and endearing antics.

Initially taken aback, Y/N found herself engaged in a lively conversation with Bucky about their shared experiences as pet owners. "Alpine loves to climb onto my shoulders when I'm working on my laptop," Bucky chuckled, his reserved demeanor giving way to warmth.

Sensing Bucky's willingness to share, Y/N asked about his hobbies. "Besides graphic design, what do you do for fun?"

Bucky cracked a faint smile, "I'm a bit of a movie buff, and I like taking Alpine for walks." Y/N's eyes lit up, "Really? I love movies too, and I've been meaning to explore the nearby parks."

As they exchanged stories and discovered shared interests, the once awkward elevator space transformed into a comfortable setting for connection. Bucky, now more animated, even shared amusing anecdotes about Alpine's adventures, eliciting laughter from Y/N.

Y/N thought Bucky was a scary person, but it turns out he's not. She sees him in a new light.

In the end, as the building security announced that they had successfully repaired the elevator.

Relieved, Y/N couldn't help but express gratitude for the unexpected camaraderie. Before parting ways, Bucky suggested, "You know, since we've become elevator buddies, how about we walk Alpine together to the park sometime?"

Genuinely pleased by the idea, Y/N smiled and replied, "I'd love that!" The invitation marked the beginning of a new chapter in their connection.

Author Note:

Hey friends,

If you've been enjoying the content, I've set up a Ko-fi account. Your support through tips would mean the world and help me keep creating. Only if you feel like it!

Here's the link: Ko-fi

Thanks a bunch for being fabulous followers!

Tag list:

@thezombieprostitute

@scott-loki-barnes

@rebeccapineapple

@ordelixx

@winters1917

@kandis-mom

A/N: I'm sorry I couldn't tag everyone because I wrote and edited this on my phone.

[hyoriiijiie]

Hi, I don't know if you're doing any requests at the moment, but if you are, can you do an Alastor x Reader where Reader and Alastor were Ex-lovers from their past life, and then they meet again, when Charlie decides to host a Halloween speed dating event, and the two are paired together?

I loved your request, I hope you like it. ♡

Between masks and shades

Alastor x Reader - Halloween date

Tags Ex-lovers, Speed dating, Halloween decorating, Awkward conversations, memories, masks, Alastor is not good with his feelings, resolutions, a bit of angst.

The darkest season of the year was beginning to make its way into the underworld. The air thick with malice, it seemed to tremble with anticipation, as if even in this corner a rare thrill was allowed with the arrival of Halloween.

Amidst the loosely controlled chaos, Charlie, Princess Morningstar, glimpsed a unique opportunity - what better time than Halloween to unite the hotel's inhabitants in something different? While convincing them would not be easy, she knew she could excite anyone with enough conviction.

So the idea was born; a Halloween party with a twist, something that would allow the damned souls, if only for one night, to rest in peace from their eternal woes. And its main attraction would be a "Speed Dating" event, an opportunity for ghouls, lost souls and other hotel tenants to establish a connection, a spark of humanity, or at least a fleeting distraction in the midst of purgatory.

Festive posters began to appear in every nook and cranny inside and outside the hotel, covered in cobwebs and smiling pumpkin drawings. They said in big, bold letters, "Find your soul mate! Halloween Speed Dating Event." You found yourself standing in front of one of those posters, looking at it with a mixture of curiosity and skepticism. Since your arrival, fitting in had been a painful process.

This place, with its crushing atmosphere, seemed to mock your attempts to live in peace, leaving you mired in frustration. But above all, what kept a spark alive in your heart was the memory of someone special. A love lost in life, a face that kept appearing in your dreams, so clear you could almost feel its presence. That love, irreplaceable and taken away from you, was the only thing that still made you resist in the midst of the gloom. And without realizing how, you were already walking into the hotel lobby, the festive decorations absorbing you in their charm.

Pumpkins glowed with an orange glow, and autumn leaves seemed to float with a life of their own, giving the space an enchanted air. You had the feeling that the hotel itself was breathing. Suddenly, a floating tray glided towards you, with a decorated mask and next to it, a card, it looked like something custom-made. The startling glow called to you, and engraved in incandescent glare could be read, "To know true love, you must know the soul."

You took the mask, feeling the smooth texture under your fingers, and put it on, noticing how it fit your face perfectly, almost transforming who you were into someone else. It was then that a cheerful voice echoed through the room.

—Welcome! — A glowing figure at the front of the room exclaimed. It was Charlie, his hair contrasting dramatically against a golden mask and a red dress that seemed to glow with his enthusiasm. —Thank you all for participating in this event. The dynamic is simple; ten minutes per appointment. As the bell rings, they switch tables and continue to get to know each other.

Some residents looked around with the same mix of skepticism and curiosity as you, but Charlie's energy was contagious, filling the room with unusual anticipation.

The tables were arranged in small circles around the room, each decorated with candles, offering a warm ambiance in the midst of what for many was a rather uncomfortable gathering.

With the mask on your face and a slight tremor in your chest, you approached your first table. Your first encounter was with a demon with an arrogant bearing, who seemed in his element. He wore a flashy outfit, crossing one leg over the other as an arrogant smirk played across his lips.

— I suppose you've already noticed —he said, leaning towards you —that I'm not exactly the discreet type. Eternity is best enjoyed when you don't limit yourself.

He spoke of himself with a confidence that bordered on haughtiness, recounting his exploits with an almost disinterested looseness in your response. His eyes sparkled with a mischievousness that was intended to be seductive, but in reality only generated discomfort that bordered on displeasure. Nevertheless, you listened to him with a polite smile, but your mind was far away from there, wishing the minutes would run out.

This is definitely not my type. you thought.

Finally, the bell rang and you hurried to change tables, letting out a sigh of relief. In front of you, you found a petite, vibrant figure, whose single eye glittered with a mixture of excitement and nervousness. Her voice was quick and high-pitched, almost a torrent of enthusiasm that seemed to overflow from her.

—This is kind of exciting! I can hardly wait to meet you! — she exclaimed, her words flowing with an energy that was hard to follow. — Did you know I love cleaning, I could spend hours organizing things and looking for bugs!

Her enthusiasm was so palpable that, while endearing, it began to overwhelm you. You struggled to keep up with her chatter, but each passing second increased your confusion, caught up in her maelstrom of words.

Despite your good intentions, every second of that conversation felt like a messy whirlwind of words and energy. The bell rang again, releasing you from that strange appointment, you felt an immediate indescribable relief. After just two encounters, you were exhausted and decided you needed a break.

The bustle of the tables, the hurried interactions, and the unusually lively tone of the event were beginning to wear on you. You got up from the table, sketching an apologetic smile, and slipped into the shadows of the lobby hoping to find the restroom or some secluded corner to regain your composure.

However, as you walked down a dimly lit hallway, something caught your eye. A slightly ajar door. Curiosity got the better of you and, without thinking too much, you pushed it, inside, a small room could be glimpsed. And right in the center of the room, a demon was sitting in a velvet armchair.

He held a newspaper and beside him rested a steaming cup of tea on a delicately carved small table. He was elegantly and neatly dressed, accentuated by the red of the dress. Instantly you knew who he was; infamous radio demon. He was such an enveloping and disturbing presence at the same time, he made the air in the room feel charged with a barely contained intensity.

He seemed oblivious to the bustle of the event in the hall, immersed in an absolute tranquility contrasting with the frenetic atmosphere of speed dating. He didn't look up when you walked in, so immersed in his reading or perhaps... as if he had been waiting.

—Well, well... you seem to have found something much more interesting than speed dating —commented a deep, resonant voice, full of strange musicality. He lowered the paper with a smile that had the clear purpose of disarming anyone who confronted him, a sly, calculated smile.

You felt the air in the room grow thicker. Alastor's calmness, his relaxed posture and his gaze that seemed to see beyond appearances, was disconcerting. There was something about his presence that not only unsettled, but created a kind of almost hypnotic fascination.

— I didn't expect to find something like this at the event...—You finally answered, your voice sounding more fragile than you would have liked.

Alastor tilted his head, studying you with a curiosity that was hard to decipher. His smile never disappeared, and there was a spark of amusement in his eyes. Though you had heard of Alastor and knew on good authority of his fearsome reputation, you were unprepared for the intensity of his presence in person. His look...everything about him projected a sweet, veiled menace beneath a layer of impeccable politeness.

All the rumors had not been exaggerated; he was absolutely dangerous. And yet, seeing him at that moment, wrapped in unnerving tranquility, made you feel captivated by the enigmatic atmosphere that surrounded him.

You noticed a soft melody, a jazz that seemed to emanate from the walls. The subtle melody, one that added an unexpected calmness to the space, as if this little corner was protected from the hustle and bustle. Your senses relaxed enough to make you forget, for a moment, where you really were.

Calmly, you decided to sit across from Alastor, in a delicate balance between curiosity and caution. It was then that you noticed that he was not wearing a mask, unlike the attendants, but in his case, he didn't need one. His very presence was shrouded in a mystery that not even a mask could intensify. Subtly, he finally slid the paper away, the amusement on his face was carved in an appraisal, a subtle communication of asking himself what to do with you.

— I don't remember seeing you anywhere, which makes me wonder...are you lost, my dear? — he uttered, his voice further emphasizing the resonance that achieved an electrifying static around him. It was a rich, melodious, enchanting voice.

Despite his question, you still felt you were in the speed dating frame, you forced a polite smile, trying to answer naturally.

—No, I'm not lost, I guess. I just took a break from the main room and, without realizing it, ended up here. I guess it's my turn... right?— You replied with slight doubt settling in your tone. Alastor, on the other hand, raised an eyebrow, amused at your response.

"Your turn?" he repeated, as if he found the very idea extremely hilarious. Curious, he thought, watching you with an intensity that made you feel naked.

—My dear —He continued, with that smile that now seemed to widen just a little more. —Sorry to disappoint you, but I'm not part of that little speed dating show. I don't usually get involved in such... ephemeral activities. —His voice deepened as she uttered that last word, as if reminding him of how insignificant he found such events. Then he paused, allowing you to process his words.

— But I must admit, I was intrigued. How did you get here? —You looked at him carefully.

Now somewhat more alert, you looked at him intently. His every word, his every pause, seemed carefully chosen, like a game in which only he understood the rules. There was something about that controlled calm that you found disconcerting. Still, your polite nature held you steady.

— Well, I wasn't looking for anything in particular. I'm simply following my intuition, and that brought me here...— you said, with a studied but sincere naturalness.— And here we are.

Alastor let out a soft, resonant laugh, one that seemed to drift through the air like the jazz melody that filled the room, enveloping the words in a subtle undercurrent of irony.

— Oh, of course... here we are. — he repeated, settling back in his chair, his interest clearly piqued by your words. His eyes narrowed just slightly, flashing with that teasing sparkle as he continued, —So, what do you think of this evening? I should imagine you've had some... rather memorable encounters.— The mocking tone and innuendo in his voice brought to mind some of the more flamboyant characters you had met that night.

You thought of the arrogant demon and the chaotic Nifty, and a wry smile tugged at your lips.

—Memorable is a good way to describe it. —you admitted sincerely. — Although, to be honest, I'm not sure this kind of event is my thing.

Alastor watched you silently, with a look that, oddly enough, seemed to soften. There was something akin to approval in his eyes, as if your answer had fulfilled some unseen expectation.

—Wise choice,— he commented, leaning a little closer, letting a hint of satisfaction show in his tone. —The true meeting of souls rarely happens in ten minutes... and certainly not in a room full of masks.— Leaning forward, his gaze deepened, as if in that moment he could see beyond your words, into some corner of you that he was barely aware of having shown.

— I'm surprised, then, that you haven't run off yet.— he added, in a kind of subtle challenge that made you raise your chin in intrigue. You looked back at him, searching his expression for some clue beyond his words.

—And why haven't you? —you replied, returning his challenge with the same intensity.Alastor interlaced his fingers calmly, never taking his eyes from yours, as if analyzing every nuance in your expression before answering.

—Ah, my dear,— he replied at last, his voice dark and melodious.—I don't run away from anything. I simply observe, I enjoy myself... and, on occasion, I find something or someone worth a closer look.

Again, the silence became dense and palpable, but far from being uncomfortable, it felt like a space suspended in time, an intangible place where you both lingered in that delicate game of words and glances. The soft music seemed to dissipate, blurring reality and making you feel that, for the first time in the night, you were in front of someone -or something- that really captured your attention, daring you to stay, to discover what else was behind his invisible mask.

—So...— continued Alastor, leaning in a little closer, his eyes like dark mirrors in which you seemed to lose yourself, — What are you really looking for in this little game?

Under the spell of the soft music and the intensity Alastor exuded, you let the moment take hold of you. The atmosphere was a refuge amidst the chaos, a corner of introspection where, for an instant, the frenetic event around you ceased to exist.

You found yourself questioning what you were really looking for, a question so elementary and simple, but which at that very moment felt immense.Without knowing why, you caught yourself reflecting out loud. The words flowed as if they were waiting for that exact moment to be released, loaded with an almost painful honesty.

—I don't know...— you said, with a hesitation that was more real than you had felt in a long time, — I'm not here looking for someone, or love, if that's what you mean. — You hesitated for a second, but in the end you decided to lower your gaze, looking at the texture of the table as if in it you could find answers.— But something, I don't know what, brought me here.

The confession slipped from your lips like a whisper, a secret released as much to yourself as to him. It was a thought you had not articulated before, and as you said it aloud, you were overcome with a sense of relief, yet also uncertainty.

The silence that followed was so palpable that you could almost touch it, but in an unexpectedly comforting way. It was a dense silence, but far from being uncomfortable; it was the kind of pause that, far from filling you with words, seemed to invite you to immerse yourself even more in that unique and sincere exchange. In the semi-darkness, the light barely managed to bring out the gleam in Alastor's eyes, who did not look away from you.

His eyes watched you with an intensity that, for the first time, you did not perceive as a power play or a calculated maneuver. Behind his enigmatic smile there was something deeper, a spark of genuine interest that puzzled you, as if your vulnerability had resonated with something he understood in his innermost being.

You didn't know what it was exactly, but in his silence and the way he looked at you, you sensed an unexpected connection.Alastor barely tilted his head, studying you with that captivating curiosity, as if he was valuing every word, every pause. His eyes, dark and enigmatic, never left yours, and in that moment you felt that he also showed you, perhaps unintentionally, a part of his true self.

—It is not common to find sincerity in the midst of a night of disguises.— he finally commented, his voice low and rich in nuance, each word spoken with a cadence that seemed to carry a special weight.

That calm that surrounded him, that strange peace he exuded, made you feel that he understood, even if he didn't say so explicitly.

For a second, the melody seemed to intensify around you, enveloping you both in an intimate and unreal space, a corner away from the world. The music and the gloom seemed to protect that confession, as if they had shared something sacred and Alastor had received it with a silent but profound respect.

He slid his hand, slowly, toward the center of the table, an implicit invitation, an offer of connection beyond words. He watched you with that same unfathomable intensity, his gaze like an abyss inviting you to enter unreservedly. And then, in that melodious, resonant voice, he spoke again:

— Sometimes, my dear...—he whispered, as if sharing a secret, — what we find is more important than what we seek.

His words hung between you, and you realized that, on that strange night, in that secluded and mysterious corner, you had found something more than a stranger. You had found a dark mirror in which you reflected yourself, and though you found it disturbing, you could not look away.

Now, immersed in the crushing and enveloping atmosphere, you found yourself watching him with a new intensity. Every detail about him, from his suit to the subtlety of his gestures, took you back to buried memories, images of a time that was once yours, but already seemed faded in your memory. There was something about his elegance that, as you looked at him closely, evoked a feeling in you, a sense of familiarity.

That thought, as regretful as it was revealing, made you feel an irresistible impulse, an urge to break the spell and voice aloud the suspicion that was hovering in your mind. With a subtle effort not to appear too intrigued, you muster your courage and allow the words to flow.

—Tell me…—you began, noticing that your voice was soft, almost a whisper— in life, were you… also from the thirties?

The question was direct, but there was a naturalness in the tone that seemed to be that of someone who recognizes a reflection in another person. As you asked it, your eyes remained fixed on him, waiting for some reaction, something that would confirm what, deep down, you already sensed. Because he not only seemed to be out of tune with that modern era; his bearing, his manners, that elegance carefully woven into every gesture... everything about him evoked a time that had been left behind, and that, somehow, you both shared.

Alastor let out a low, resonant laugh, a sound that spread through the room like the echo of an old radio crackling, almost tangible in the gloom around them. The laughter was brief, but in it you sensed something that seemed more than mere amusement: there was a spark of recognition, as if he had been waiting for that question and was pleased that you had taken the first step to ask it.

—Ah, wow...— he replied, without losing his characteristic enigmatic tone.— Very perceptive. Yes, I come from that era, and I must say that it is a pleasure to know that my essence has not been forgotten, even in these... accelerated times.

His words carried with them a kind of covert nostalgia, a hint of melancholy that, though barely perceptible, made you feel that you shared something more than a common era. He too seemed to remember that time with a mixture of disdain and longing, as if what you had both left behind was something unattainable, but indelible.

Alastor would look at you with a renewed intensity, that same spark of genuine interest in his eyes that you had sensed before, but now even sharper. It was as if, in that simple confession, he had allowed you to glimpse a part of his being, a fragment of the person he had been in life. The tension between you became more intimate and meaningful, as if that small revelation had created an unspoken bond, an understanding that transcended time and space.

— And so do you, I see...— He continued, in a tone that seemed to slide like a dark caress.

Alastor did not look away, and in his smile there was a subtle satisfaction, an almost pleased expression.Alastor's statement took you by surprise, shocking your perception and bringing back memories you had long since relegated to oblivion.

Although you had met many personalities in hell, each from different eras, rarely had anyone immediately noticed your origin, especially in a place and at a time like that. Most souls, like you, adapted to the dizzying pace of modern times; but Alastor, on the other hand, seemed absolutely adamant about renouncing his roots, that 1930s essence that permeated his every gesture, his every look.

His revelation awakened in you a torrent of contradictory sensations. You had forgotten what it meant to be recognized by the era that, in life, defined you. You had become so accustomed to the present time that, strange though it was, the past felt distant. But now, in front of him, those memories took shape again, and a part of you recognized yourself in that deliberate nostalgia, in that resistance to the expiration of what once was.

Alastor kept his eyes on you, watching you with an intensity that seemed to scan beyond appearances. His smile, even more enigmatic now, contained a kind of quiet satisfaction, as if the fact that you shared that time had solidified a special bond. He seemed pleased, perhaps because, somehow, seeing in you an ancient essence reaffirmed his own.

—Curious, isn't it?—he commented, leaning slightly towards you, just enough for his words to come through as an intimate whisper.— There's something about those times that's impossible to forget. Although... I guess some people just decide to leave it behind.

His tone was a challenge, an invitation to explore the background of what he had left behind. And though you were tempted to reply, to offer a defense for having adopted the rhythms of the present, deep down you knew that would be an incomplete explanation.

In the reflection of his words there was a truth you could not deny: perhaps you had left that era behind in an attempt to fit into modern eternity. But as you looked at him, so steeped in his original essence, you wondered if, at some point, you had lost something fundamental in the process.

Yourself...

The jazz in the background changed to a slower tempo, as if the atmosphere itself sensed the intimate, melancholy tone of the conversation. The music seemed to envelop them in a cocoon of shadows and dim lights, a refuge where both could exist in the limbo of their own memories.

You decided to break the silence, feeling it was time to accept that truth he seemed to see so clearly.

— I think that, with time, one forgets what was... or, at least, decides to leave it behind so as not to become a prisoner of it.— you said, with a sincerity that surprised both you and him. You watched his face, looking for some sign of disagreement or approval, but Alastor simply looked at you, his expression thoughtful and unperturbed.

His recognition brought with it an unexpected flash: a blurred image of someone you once loved. A man who had shared a life with you before oblivion, someone whose features now seemed to reverberate in Alastor's face. His presence, his gaze, even the echo of his voice, seemed to evoke a strange familiarity, like a distorted reflection of that ancient love. Thoughts fragmented in your mind, mingling with past emotions, buried memories and contradictory feelings that, until then, you had not known still inhabited you.

Alastor, for his part, also sensed that disturbance in the peace he had carefully maintained over the years. Since you entered the room, something about you had captured his attention in a way he could not understand. He felt a persistent murmur, an echo of sensations that he had decided to bury some time ago, and that now seemed to crack the heart of indifference he had built around himself. That voice inside him, faint but constant, seemed to murmur to him that in you there was something more, something that was not limited to this night.

They were both silent, caught in that intangible connection that spoke to them of a past that could not be ignored. The notes seemed lower, deeper, like a whisper from their own unconscious, and the gloom of the room felt like a sanctuary where they could confess truths they had preferred to forget.

Finally, you dared to break the stillness, your voice barely a whisper, a truth torn from your soul without permission.

— You... you remind me of him.— the words escaped before you could stop them, revealing more than you had intended to share. Alastor narrowed his eyes, and for the first time, a spark of vulnerability peeked into his gaze. Not irritating; the sly expression that always disappeared, and in its place appeared something you hadn't seen before, a kind of recognition and an inner struggle that was evident to him.

—Him...?— he repeated, quietly, as if that revelation also disarmed him.The echo of your words seemed to reverberate in the room.

In his mind, Alastor also recognized something eerily familiar about you, something he had overlooked, perhaps deliberately. Memories crowded into his mind: images of someone who had also meant something important in his mortal life, of a time he had left behind, or so he had wanted to believe. But now, in front of you, it was as if that illusion of detachment was beginning to crumble.

Every word, every gesture, every glance seemed to open a small crack in the wall he had built around himself, revealing pieces of a past he had sealed with his own contempt.

Your words, almost whispered, echoed like a forgotten echo, unearthing emotions buried so long ago that you hardly knew they still belonged to you. A flurry of questions and feelings swirled in your mind, confused, uncontrollable. On impulse, your hand moved almost of its own accord, bringing your fingers to your mask. You felt each centimeter revealed expose a part of you that you had learned to hide, as if, in that moment, you were forcing yourself to face the truth you had tried to evade.

Alastor did not look away. Your every move seemed to capture his undivided attention, his eyes burning with an anticipation he could not mask. As you dropped the mask, you could see his face change subtly, reflecting emotions that seemed to find themselves for the first time in his cold, calculating presence. With every millimeter you revealed, you felt him approaching not in distance, but in time, as if you were both about to unveil something shared, a truth that had been waiting in silence.

When the mask finally fell, your eyes met his. You felt naked, exposed, and yet there was a serenity in the connection that formed in that meeting of gazes. Your eyes, now vulnerable, reflected an unfathomable melancholy, the same melancholy you found in his gaze that is only seen between two souls that share the same weight. It was a deep sadness, a mark of time and the lives they had left behind. In those eyes of Alastor, you recognized something more than a simple affinity; you saw a reflection of yourself, a familiar shadow, as if in some corner of the past their destinies had intertwined.

The room hung in a dense silence, filled with an unconfessed understanding, a recognition that both of you could barely hold. Alastor's gaze remained fixed on your naked face, free of masks, vulnerable before him. It seemed as if his eyes devoured every detail, seeking confirmation in every feature that could bring back the fragments of his dormant memory. In a corner of his being, a spark of nostalgia flared, timid flames that threatened to consume him in the storm of what he once was.

You, however, felt a violent bewilderment. Every scattered fragment of memory in your mind began to fit into patterns that were painfully familiar. You stood motionless, caught between disbelief and the bitterness of revelation. This demon before you, this being known for his cruelty and malice, bore in his eyes the reflection of a lost time that, in some corner of your soul, still burned like embers. His eyes, that very specific way with which he looked at you, brought up memories you thought buried, faces and sounds that now emerged with a clarity that stunned you.

Finally, you broke the silence with a broken and fragile voice, holding your head as if the intensity of those memories were tearing you apart.

—It can't be... you... is it really you?—you whispered, your tone full of bewilderment and pain.

Alastor, whose sharp smile seemed to be his trademark, now transformed it into a crooked line, full of bitter irony. There was pain in his face, yes, but also a hint of relief, a tacit acceptance that lent an unusual gravity to his presence.

—Oh, my dear...— he replied, his voice tinged with a mocking sadness, like a joke that only he understood.— In hell, everything is possible, don't you think. Perhaps this reunion was inevitable.

The tone of his words was so soft that the ironic notes seemed to envelop a heartbreaking truth, a confession to the media. That slight mocking smile, a shield against pain, blurred on his lips as he looked at you, and in the silence that followed, you both seemed to sink into the bitter irony of a love that had begun in secret and now, in hell, showed itself naked and without escape.

His fingers approached yours, trembling, but determined. It was a barely perceptible touch, but with the weight of a repressed eternity.

—After so much... is this all? — you murmured in a broken voice, a thread of resentment in your tone.—You were just a shadow in my memory, a love I never fully knew, someone who disappeared just like that, leaving me with nothing... Was that all for you?

Alastor held your gaze, your eyes now charged with a somber intensity, a restrained pain. Still, his fingers closed around yours, and his words came out low, laden with a sincerity that few had ever heard from him.

—You don't know how much I was waiting for this moment,— he whispered, and the confession was so unexpected, so raw, that you felt your own thoughts freeze. That soft voice, free of the radio effect that characterized him, was the same of the man you had loved, the one who spoke to you in whispers when all was silent. For the first time in an eternity, you felt that the man you loved was really in front of you, that the lost love still had a voice.

A sigh escaped your lips as a lone tear slipped down your cheek. The reality of his absence, of his departure, hit you with renewed force.

—And you don't know how much I feared you would come to remember all this.—he added, almost in a whisper, as if the weight of the confession might crumble him. It was a truth wrapped in fear, in years of darkness, in a loss he never admitted.

The room seemed to hold its breath as they were both caught in the echo of a love that had been interrupted by death, by time, by decisions neither could change. The void he left in your life now seemed to have been filled, but not without the scars of the past.

— Everything was so dark...— you whispered, your voice shaky and barely audible.— When I lost you, it was as if everything went out. As if only shadows and cold remained.

Alastor, without looking away, let his fingers caress your face with an almost sacred reverence, as if he still feared to lose you. In a soft, steady whisper, he replied:

—That darkness, that cold... they were the only thing that could have brought us here. Perhaps only from the shadows can I see you again.

His tenderness, so unexpected and genuine, caused your lips to trace a fragile smile, full of sadness and resignation. You both knew that the road had been dark and full of mistakes, and yet, in this strange destiny, you felt you had returned to the place where you had always belonged: together.

— When I lost you... how could I have imagined that I would see you again, and like this? —You confessed in a voice that seemed to contain a lifetime of pain, of unexpressed love.

He stepped back a little, understanding the weight of your resentment, of the doubt that still throbbed in your chest, and held you firmly, with the assurance of someone who was not going to let you go again.

—Cher... in life we didn't know how to escape. But here we are, and this time, no one can force us apart.— The promise in his words was so firm, so absolute, that they both felt in that instant that hell had brought them together as much as it had separated them.

The room, the time and the darkness seemed to vanish in the embrace that followed.

Everything you had lost and searched for over the years now enveloped you in an impossible relief. It was as if the weight of all those moments lived in each other's absence dissolved in a single instant, as if the eternity you shared in hell was the only truth you had been searching for.

And so, in the silence of the infernal night, they found in the silence of their own pain the only possible peace, and reflection of one in the other, the end of a love that had always been eternal.

Their souls had been searching for each other, until the end of eternity.

Night had fallen softly, covering New Orleans with a blanket of melancholy. The cobblestone streets echoed to the sound of dry leaves blown in swirls by the autumn wind. The air smelled of recent rain, a perfume of damp earth that already seemed part of the city's atmosphere of mystery and nostalgia.

In the distance, in a dark and discreet corner, stood a small old library, its facade barely illuminated by the dim glow of the lamps. Its appearance was that of a refuge forgotten in time, a place that few noticed and where those who sought it could find a secret peace. Here, far from the gaze of others, was where you and Alastor used to meet, two souls caught in a strange spell of proximity and distance.

As you entered, your heart beat faster than usual, as if anticipating something your mind could not yet name. You closed the door carefully, letting the silence settle around you, and your eyes roamed the shelves and shadows until you found the familiar figure of Alastor, in the background, by a window.

He was standing with a book in his hands, immersed in a dim light that seemed to accentuate the enigmatic air of his essence. He was dressed, as always, in his elegant, impeccable suit, and as he looked up at the sound of your footsteps, a sharp smile - so his, so full of secrets - illuminated his face. You felt a tingle in your chest, an unconfessable emotion that he always managed to awaken in you.

At first it was his voice that attracted you: that magnetic softness, enveloping, like a whisper full of power. But as time went by, you had been caught by something deeper and less understandable, something that bordered on the spiritual, as if on a hidden level you were irremediably united.

—Ah, finally. I thought you weren't coming today,— he said with that warm tone he used only for you, but there was something else in his voice, a hint of anticipation, as if tonight was different.

You walked towards him with a shy smile and stopped just a breath away. You took the book he was holding and, out of the corner of your eye, you felt his gaze fixed on you, intense, as if he was looking to read something you had not yet said.

—And what would you have done if I hadn't come?—you asked in a playful tone, though with a slight tremor in your voice. Something about him had changed in the last few days, he had become more distant, more elusive, and that aroused in you a growing uneasiness.

Alastor held your gaze, his expression serene but his dark eyes shone with something indecipherable, something that seemed to hold all the words he would never say. Slowly, he slid his hand over yours, removing the book and setting it aside.

—You would have left me here, alone... thinking of you.— he murmured, his voice barely a whisper laden with a weight you didn't understand.

A thick silence settled between the two of you, and before you could react, Alastor wrapped an arm around you, pulling you to him. It was a gesture that on the surface was casual, but deep down, it felt like an anchor, as if he was trying to hold on to something that, somehow, he was already letting go.

At that distance, Alastor's scent surrounded you: a mixture of smoke, mint and something darker, something undefined that filled your senses. In that instant, the world seemed to vanish, leaving only that space between the two of you, like a bubble suspended in time.

—I know almost nothing about you, Alastor...—you whispered, with a mixture of curiosity and sadness. Every time you tried to know something deeper about him, about his secrets, he slipped through your questions like a ghost, like a mystery that never let itself be revealed.— Why don't you ever talk about yourself?—you asked softly, hoping, almost begging, that this time he would let you see the man behind the enigma.

Alastor lowered his gaze, his expression becoming somber, but the smile lingered on his lips, a smile that never reached his eyes, as if behind it lurked shadows that were not yours to understand. She seemed to be torn between the words she wished to say and those she could not allow herself to reveal.

— Perhaps... some secrets are better left that way, my dear. Things are less... charming when they come out in the open.— His tone held an almost imperceptible bitterness, but you noticed the trace of pain she was trying to hide. He turned his gaze to the window, where the reflection of the two of them was projected in the gloom.— Sometimes... I like to think that as long as you're with me, nothing else is needed.

That confession was almost inaudible, but there was a fragility in his words that you had never seen in him before, a crack through which you barely managed to peek. You raised a hand and, with a delicate gesture, touched his cheek, forcing him to look you in the eye.

—No matter what you hide... The only thing that matters... is this moment.—you said with unexpected firmness. It was not so much a truth as a desperate promise, one that protected you from the certainty that someday he would vanish from your life like a dream.

For an instant, Alastor's face softened, and his fingers traced the outline of your face, as if he were trying to etch every detail into his memory. The world, the secrets, the danger... all disappeared in the touch of his lips, in a kiss that felt more like a farewell than a beginning.

You clung to him, feeling the warmth of his body, while he held you with a restrained intensity, as if, at that moment, you were the only thing that really mattered to him. Neither of you spoke of the inevitable, but in the silence of that small library, you both knew that that night would be your last.

Soon after, you said goodbye with a smile, and he, promising to return. You left before he did, but stood on the corner, watching him walk away. His footsteps echoed down the cobblestone street, and with each one, it seemed to you that he was taking a piece of your soul with him.

The next morning, rumors spread like a shadow over New Orleans: the infamous Bayou killer had fallen in a confrontation, felled by a burst of gunfire. You heard the news like a distant echo, never suspecting that the man they spoke of in horror was the very man you had secretly loved, the man who held in his breast darker secrets than you could have imagined.

In time, the memory of him began to fade into the shadows, like a dream you clung to in vain. It was only years later, in another time and another world, that you met him again, in the place where you were both destined: a corner of hell where souls crossed by darkness meet again, united by a cruel and unbreakable bond that not even death could break.

That time, you understood that destiny had sealed them together forever, with no possibility of redemption, no possibility of escape.

Omg.

This story was too sentimental for me, but after all, I loved the ending. I actually thought first of the scene of them being human and then moved to the moment of their reunion at speed dating, and I think it was a good result.

I really had this story ready, but due to time issues I delayed it too much, however, I hope you like it as much as I do. I also wish you a Happy Halloween, Hahahaha, bye ♡