#trans harlock
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Random art dump of some of my favorite characters that I've drawn as queer/trans. Enjoy. (I thought I had more saved on my phone, but couldn't find them...) I'm going to stop procrastinating now and finish the second chapter of my fic... Hopefully.
#fanart#kenshiro#gay kenshiro#queer artwork#queer artist#dracule mihawk#trans mihawk#transmasc hanzo#transmasc mihawk#hanzo shimada#captain harlock#trans harlock#trans artwork#trans artist#I know I posted two of these before but I'm still so proud of them and thought I would throw a bit of spotlight on them#my artwork#my art#digital art#art dump
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happy pride month 🏴☠️🏳️⚧️🏳️🌈
(Photo edit)
#captain harlock#leijiverse#leiji matsumoto#space pirate captain harlock#harlock#albator#photography#trans#trans pride#pride month
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So, was anyone gonna tell me that being aroused when the bladder is full is a thing that happens to afab folks because of how the clit is structured internally or did I have to look it up on google in order to find that out after reading a fanfic depicting that?
#afab anatomy y'all#minors dni#nsft#i swear it always happened when i was holding it in in the car on my way home from work#and it perplexed me and i thought it was a psychological thing or something#this is why good sex ed that isn't abstinence only is important folks#i was reading a tochilock smutfic with trans!harlock and came across this and it sounded familiar#which is what prompted me to finally look it up
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The Science Fiction and Fantasy Poetry Association recently released the poems that made it to the finalist stage for consideration for the 2024 Rhysling Awards for Short and Long Speculative Poems of the year. Congratulations to all of the nominees! This will be the 46th year these awards have been conferred!
Short Poems (50 finalists)
Attn: Prime Real Estate Opportunity!, Emily Ruth Verona, Under Her Eye: A Women in Horror Poetry Collection Volume II
The Beauty of Monsters, Angela Liu, Small Wonders 1
The Blight of Kezia, Patricia Gomes, HWA Poetry Showcase X
The Day We All Died, A Little, Lisa Timpf, Radon 5
Deadweight, Jack Cooper, Propel 7
Dear Mars, Susan L. Lin, The Sprawl Mag 1.2
Dispatches from the Dragon's Den, Mary Soon Lee, Star*Line 46.2
Dr. Jekyll, West Ambrose, Thin Veil Press December
First Eclipse: Chang-O and the Jade Hare, Emily Jiang, Uncanny 53
Five of Cups Considers Forgiveness, Ali Trotta, The Deadlands 31
Gods of the Garden, Steven Withrow, Spectral Realms 19
The Goth Girls' Gun Gang, Marisca Pichette, The Dread Machine 3.2
Guiding Star, Tim Jones, Remains to be Told: Dark Tales of Aotearoa, ed. Lee Murray (Clan Destine Press)
Hallucinations Gifted to Me by Heatstroke, Morgan L. Ventura, Banshee 15
hemiplegic migraine as willing human sacrifice, Ennis Rook Bashe, Eternal Haunted Summer Winter Solstice
Hi! I am your Cortical Update!, Mahaila Smith, Star*Line 46.3
How to Make the Animal Perfect?, Linda D. Addison, Weird Tales 100
I Dreamt They Cast a Trans Girl to Give Birth to the Demon, Jennessa Hester, HAD October
Invasive, Marcie Lynn Tentchoff, Polar Starlight 9
kan-da-ka, Nadaa Hussein, Apparition Lit 23
Language as a Form of Breath, Angel Leal, Apparition Lit October
The Lantern of September, Scott Couturier, Spectral Realms 19
Let Us Dream, Myna Chang, Small Wonders 3
The Magician's Foundling, Angel Leal, Heartlines Spec 2
The Man with the Stone Flute, Joshua St. Claire, Abyss & Apex 87
Mass-Market Affair, Casey Aimer, Star*Line 46.4
Mom's Surprise, Francis W. Alexander, Tales from the Moonlit Path June
A Murder of Crows, Alicia Hilton, Ice Queen 11
No One Now Remembers, Geoffrey Landis, Fantasy and Science Fiction Nov./Dec.
orion conquers the sky, Maria Zoccula, On Spec 33.2
Pines in the Wind, Karen Greenbaum-Maya, The Beautiful Leaves (Bamboo Dart Press)
The Poet Responds to an Invitation from the AI on the Moon, T.D. Walker, Radon Journal 5
A Prayer for the Surviving, Marisca Pichette, Haven Speculative 9
Pre-Nuptial, F. J. Bergmann, The Vampiricon (Mind's Eye Publications)
The Problem of Pain, Anna Cates, Eye on the Telescope 49
The Return of the Sauceress, F. J. Bergmann, The Flying Saucer Poetry Review February
Sea Change, David C. Kopaska-Merkel and Ann K. Schwader, Scifaikuest May
Seed of Power, Linda D. Addison, The Book of Witches ed. Jonathan Strahan (Harper Collins)
Sleeping Beauties, Carina Bissett, HWA Poetry Showcase X
Solar Punks, J. D. Harlock, The Dread Machine 3.1
Song of the Last Hour, Samuel A. Betiku, The Deadlands 22
Sphinx, Mary Soon Lee, Asimov's September/October
Storm Watchers (a drabbun), Terrie Leigh Relf, Space & Time
Sunflower Astronaut, Charlie Espinosa, Strange Horizons July
Three Hearts as One, G. O. Clark, Asimov's May/June
Troy, Carolyn Clink, Polar Starlight 12
Twenty-Fifth Wedding Anniversary, John Grey, Medusa's Kitchen September
Under World, Jacqueline West, Carmina Magazine September
Walking in the Starry World, John Philip Johnson, Orion's Belt May
Whispers in Ink, Angela Yuriko Smith, Whispers from Beyond (Crystal Lake Publishing)
Long Poems (25 finalists)
Archivist of a Lost World, Gerri Leen, Eccentric Orbits 4
As the witch burns, Marisca Pichette, Fantasy 87
Brigid the Poet, Adele Gardner, Eternal Haunted Summer Summer Solstice
Coding a Demi-griot (An Olivian Measure), Armoni “Monihymn” Boone, Fiyah 26
Cradling Fish, Laura Ma, Strange Horizons May
Dream Visions, Melissa Ridley Elmes, Eccentric Orbits 4
Eight Dwarfs on Planet X, Avra Margariti, Radon Journal 3
The Giants of Kandahar, Anna Cates, Abyss & Apex 88
How to Haunt a Northern Lake, Lora Gray, Uncanny 55
Impostor Syndrome, Robert Borski, Dreams and Nightmares 124
The Incessant Rain, Rhiannon Owens, Evermore 3
Interrogation About A Monster During Sleep Paralysis, Angela Liu, Strange Horizons November
Little Brown Changeling, Lauren Scharhag, Aphelion 283
A Mere Million Miles from Earth, John C. Mannone, Altered Reality April
Pilot, Akua Lezli Hope, Black Joy Unbound eds. Stephanie Andrea Allen & Lauren Cherelle (BLF Press)
Protocol, Jamie Simpher, Small Wonders 5
Sleep Dragon, Herb Kauderer, The Book of Sleep (Written Image Press)
Slow Dreaming, Herb Kauderer, The Book of Sleep (Written Image Press)
St. Sebastian Goes To Confession, West Ambrose, Mouthfeel 1
Value Measure, Joseph Halden and Rhonda Parrish, Dreams and Nightmares 125
A Weather of My Own Making, Nnadi Samuel, Silver Blade 56
Welcoming the New Girl, Beth Cato, Penumbric October
What You Find at the Center, Elizabeth R McClellan, Haven Spec Magazine 12
The Witch Makes Her To-Do List, Theodora Goss, Uncanny 50
The Year It Changed, David C. Kopaska-Merkel, Star*Line 46.4
Voting for the Rhysling Award begins July 1; a link to the ballot will be sent with the Rhysling Anthology, as well as with the July issue of Star*Line. More information on the Rhysling Award can be found here.
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My June Reads
Storygraph introduced auto-generated graphics for sharing our reads by the month, which makes it much easier to do a review, and here I am! Sorry it's kinda pixelly, the settings on Storygraph aren't perfect yet but they're planning to add functionality.
I've been posting on the Duck Prints Press Book Lover's Server for a while, so everyone knows there that the answer to "how do you read so much?" is the library, but just to be clear, if it's a graphic novel, I got it from one of three libraries - either my local system, @queerliblib, or the Japan Foundation Library. The last two are both free-throughout-the-US Libby libraries and they've both been awesome.
Prose books, I usually own.
Anyway. Onward! My June reads:
How to Love: A Guide to Feelings and Relationships for Everyone by Alex Norris (graphic novel, short self-help stories about how to be in relationships, how to be alone, etc., all very inclusive.
Blue Flag Vol. 1 - 2 by Kaito (manga series about modern high school and a young man and his best friend - who has a crush on him - and a young woman and her best friend - who has a crush on her. poly vibes.)
The Tea Dragon Festival and The Tea Dragon Tapestry by K. O'Neill (graphic novels, very fluffy fantasy slice-of-life with various queer rep)
Squad by Maggie Toluda-Hall and Lisa Sterle (graphic novel, modern with magic, wlw high school student discovers that fitting in with the cool kids means becoming a murderous werewolf)
Clementine vol. 1 and 2 by Tille Walden (graphic novel, post-apocalyptic set in the same 'verse as The Walking Dead about a wlw amputee surviving against the zombies.
A Thousand Hopes, A Thousand Risks by Kelas Lloyd (short story, fantasy, pre-mlm between a young merchant and a god)
Ride On, Shooting Star by J. D. Harlock (short story, science fiction, a space courier wants to retire)
Deadendia vol. 1 by Hamish Steele (graphic novel, modern with magic/horror elements, about a trans male teenager who runs away from home and moves into a haunted house at an amusement park)
Giant Days vol. 2 by John Allison and Whitney Cogar (graphic novel, modern college setting, about the somewhat silly lives of the main characters)
Yona of the Dawn vol. 1 by Mizuho Kusanagi (manga, fantasy, about a young princess whose kingdom gets taken over by someone she thought a friend)
In the Dark vol. 3 by Jin Shisi Chai (danmei novel, mlm, last of three volumes - I read the other two in May - about an undercover drug cop who returns home after six years undercover)
The Grandmaster of Demonic Cultivation manhua vol. 6 by Mo Xiang Tong Xiu (manhua version of the MDZS novel, mlm, historical cultivation about a fraught political situation)
The Fox Maidens by Robin Ha (graphic novel playing on story of the fox maiden Gumiho in Korean mythology, with a side of wlw)
My Hero Academia vol. 9 - 12 by Kohei Horikoshi (manga series about teenagers at a high school for superheroes)
Frontera by Julio Anta and Jacoby Salcedo (graphic novel about a young man crossing the border between the US and Mexico illegally, and about the mlm ghost who helps him)
My Lesbian Experience with Loneliness by Nagata Kabi (autobiographical manga about a young lesbian in Japan trying to figure out her identity and find companionship)
Solo Leveling vol. 1 - 2 by Chugong (a manwha series set in modern fantasy Korea, about a young man is terrible at "hunting"...until he isn't)
Haikyu!! vol. 5 - 6 by Haruichi Furudate (manga series about young men who play high school volleyball)
Little Birds by Anaïs Nin (a collection of short erotic stories with lots of trigger warnings applicable and a few dashes of wlw, originally written in the 1930s and 1940s)
To Strip the Flesh by Oto Toda (manga collection of short stories, with the longest/most involved being about a young man's journey coming out as a trans man)
Shubeik Lubeik by Deena Mohamed (graphic novel exploring three stories of Egyptians getting first-grade wishes in a modern-with-magic world, includes NB rep)
Limerence by Jiang Zi Bei (danmei novel, mlm, about a young college student who breaks up with his boyfriend and ends up falling for his ex's roommate.)
Our Colors by Gengoroh Tagame (manga about a young Japanese gay man coming our of the closet and making friends/finding a mentor in an older gay man)
Silent Hearts vol. 1 by Jing Shui Bian (danmei novel, mlm, modern high school setting, lots of disability rep though not for either member of the main couple)
Rainbow! vol. 1 by Sunny (modern, maybe with magic, about a young woman with a tough life and the people around her; wlw implied in the future?)
Out of Left Field by Jonah Newman (real-life-inspired graphic novel about a young gay man navigating high school)
Escape From St. Hell: My Trans Life Levels Up by Lewis Hancox (autobiographical graphic novel about a young trans man with severe anxiety)
This was the most pages I've read in a month all year, and the second most individual books. There's actually one more book not pictured, as it wasn't on Storygraph and I opted not to add it.
Happy reading, y'all.
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My fave is trans (and autistic)
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Captain Harlock said Trans Rights
#Captain Harlock#SPCH#Dimensional Voyage#I hc various version of Harlock as a trans guy and /no one can stop me/#I spent way too much time on a dumb meme yolo
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O Manifesto Assexual
O texto abaixo é a tradução de uma transcrição (por Siggy) do “Manifesto Assexual”, escrito pelo grupo “Feministas Radicais de Nova Iorque” (NYRF). Este Manifesto não é definitivo nem representa necessariamente a própria comunidade Assexual, é apenas um pedaço de nossa história e por isso julgo importante que seja acessível para não-falantes de inglês. Disto isto, este blog não compactua como o movimento do Feminismo Radical com suas políticas trans-excludentes e traz este texto apenas por ser um documento antigo utilizando os nossos nomes, reafirmando a nossa existência antes do século XXI. (O artigo adicional escrito por Siggy fornece uma breve discussão da validade desse texto)
Vou deixar um link desse mesmo texto em Docs para maior facilidade de compartilhamento. Inclui traduções dos links citados também em Docs para não precisar adicionar vários posts para concluir este. :)
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O Manifesto Assexual (1972) foi recentemente encontrado por Caoimhe Harlock no Twitter Ele está disponível em pdf. Eu o transcrevi abaixo para maior acessibilidade. O formato simula o do original, com exceção da localização da nota de rodapé da primeira página. O Manifesto Assexual também foi citado no livro Honestidade Sexual (1974) de Shere Hite; eu também transcrevi a parte citada, apontando o que foi deixado de fora. Sinta-se à vontade para usar isto da forma que quiser.
-- Siggy, 22/06/2019
Eu escrevi um artigo explicando um pouco do contexto do Manifesto. --Siggy, 08/09/2019
O Manifesto Assexual
Lisa Orlando, Conferência Assexual, NYRF *
* Em setembro de 1972, o Conselho de Coordenação das Feministas Radicais de Nova Iorque formaram conferências com base na similaridade entre orientações sexuais. Cada conferência pretendia explorar as atitudes pessoais e políticas dos membros sobre suas sexualidade e meios de comunicar essas perspectivas para o público. Barbie Hunter Getz e eu percebemos que não nos sentiríamos confortáveis em nenhuma das outras conferências sugeridas (heterossexual, lésbica, bissexual) e formamos uma própria a nós. Dessa conferência resultou em um artigo revisado no "Manifesto Assexual". A pluralidade do artigo ter sido mantida não implica que todas as opiniões expressas nesta versão final reflitam necessariamente as opiniões de ambas coautoras originais.
© 1972, Lisa Orlando
I. Origem e Definição
Nossas experiências com sexualidade não foram congruentes com os nossos valores feministas. À medida que fomos mais conscientizadas sobre o assunto, começamos a entender como o sexo permeava nossas vidas e a de outros. Nós categorizávamos nossas relações com base no sexo ---- amigos ou amantes. Estávamos num processo de constante "análise", por mais sutil ou subconsciente que fosse, com toda nova pessoa, aceitando ou rejeitando-a como possível parceira sexual, mesmo que nunca pretendêssemos envolver-nos sexualmente. Rejeitávamos arbitrariamente grupos inteiros de pessoas como sendo impróprios para relações íntimas porque assumíamos que tais relações, por definição, necessariamente incluíam o sexo. Muitas vezes escolhemos passar tempo com pessoas apenas com base em sua disponibilidade sexual (como um cenário de bar). À medida que nos conscientizamos disso em nós mesmas, nos tornávamos dolorosamente conscientes de como estávamos sendo objetificadas pelos outros.
A assexualidade é um resultado dessa conscientização. É um conceito que começamos a empregar no intuito de comunicar ----- não apenas em nosso modo de ser, mas também através da linguagem ----- nossa luta para nos livrarmos do sexismo em nossas vidas pessoais.
Neste artigo usamos os termos "sexo" e "sexual" para descrever qualquer atividade cujo um objetivo seja a excitação genital ou o orgasmo. Afeto físico e sensualidade (incluindo beijos) não são, por essa definição, sexuais a menos que sejam especificamente direcionados ao objetivo de excitação genital.
Escolhemos o termo "assexual" para nos descrevermos porque tanto "celibatário" quanto "antissexual" possuem conotações que gostaríamos de evitar: a primeira implica uma ideia de sacrifício para algum bem maior, a segunda, que sexualidade é algo degradante ou inerentemente ruim de alguma forma. "Assexual" como nos referimos, não significa "sem sexo", mas "não relacionar-se sexualmente a ninguém". Isso, é claro, não exclui a masturbação, mas implica que caso uma pessoa possua sentimentos sexuais ela não necessitaria de outra pessoa para essa expressão. Assexualidade é, simplesmente, a sexualidade autossuficiente.
II. Filosofia
Nossa filosofia de assexualidade surgiu de nossas éticas pessoais, as quais foram reformuladas pela nossa consciência feminista. Para nós, assim como para muitas outras mulheres, feminismo significa mais do que apenas a luta contra o sexismo. Significa "sororidade" ----- uma nova forma de nos relacionarmos, possivelmente uma nova forma de viver. A moralidade feminista, nesse ponto da história, pode apenas ser definida como antiética pelos valores opressivos da nossa sociedade (por ex., competição, objetificação). Em um nível pessoal, é refletido em nossas convicções que: devemos tentar nos relacionarmos com os outros em sua totalidade o máximo possível e não enxergá-los como objetos existentes apenas para a satisfação de nossas necessidades; não devemos explorar os outros ----- isto é, usá-los de forma "injusta ou imprópria" ----- ou permitir que sejamos nós mesmos explorados ou aqueles que respeitamos. Adicionalmente, acreditamos que é responsabilidade de todos nós examinar nossos comportamentos, determinar como eles foram condicionados por ideais sexistas, e mudá-los caso não sejam adequados aos nossos padrões.
Como feministas nós condenamos a exploração sexual de mulheres por homens, sem percebermos que nós também usávamos outros "injusta ou impropriamente". O sexo interpessoal não é um padrão de comportamento instintivo; é o comportamento que aprendemos a usar para a satisfação de uma necessidade (para o orgasmo) que podemos facilmente satisfazer para nós mesmos. Chegamos à conclusão de que usar os outros dessa forma é exploratório e percebemos que, ao permitir que outros façam o mesmo conosco, estávamos consentindo com a nossa própria exploração.
Em uma tentativa de sermos honestas com nós mesmas, tentamos determinar quais as nossas reais necessidades. Vimos que temos necessidades de afeto, acolhimento, contato com a pele, coisas que fomos ensinadas a satisfazer através do sexo interpessoal. À medida que começamos a satisfazer essas necessidades em nossas "amizades", nossa necessidade e interesse pelo sexo diminuiu. Também percebemos que tínhamos necessidade de intimidade, uma noção que sempre vimos como "satisfeita" pelo sexo. Em retrospectiva, percebemos que nós, assim como os outros, usávamos o sexo como um meio de enganar a nós mesmas, como uma forma de evitar a proximidade real em vez de alcançá-la.
Nós lutávamos contra o nosso condicionamento de diversas maneiras, especialmente com a questão dos papeis, mas ainda evitávamos examinar o condicionamento básico que moldava nossas sexualidades. Não é fácil sequer especular sobre a natureza de uma "sexualidade ideal" (influenciada pelo sexismo), mas nós estamos certas de que isso não ocuparia nossas vidas tanto como ocupa essa sociedade. Nós vivemos em uma cultura de "adoradores de fetiche" que pensam em sexo com atenção extrema e irracional. Assim como muitos de nós fomos condicionados a direcionar nossa energia para a preparação de fartas refeições, criando um fetiche a partir de uma mera necessidade de evitar um confronto com o vazio em nossas vidas como mulheres, de modo que fomos condicionadas a buscar satisfação sexual de maneiras sinuosas e exageradamente complexas. Desde o nosso envolvimento com o feminismo, nossas vidas tornam-se progressivamente mais significativas e não mais sentimos necessidade por fetiches.
Ao examinarmos nossas experiências em relação com nossos valores, tomamos a assexualidade como um partido e como um estado de ser concomitantemente. O sexo interpessoal já não é importante para nós, já não vale o papel distorcido e muitas vezes destrutivo que desempenha nas relações. Já não define as nossas relações nem de forma alguma constitui as nossas identidades. Como mulheres assexuais, nós não (1) buscamos, iniciamos, ou continuamos relacionamentos com a intenção de experienciar o sexo interpessoal, (2) usamos outros para a satisfação de nossas necessidades sexuais ou permitimos que sejamos usadas, (3) tentamos satisfazer outras necessidades (por ex., de afeto, acolhimento, intimidade) através do sexo interpessoal, nem (4) percebemos os outros com base em seu potencial, ou falta desse, como parceiros sexuais. Em suma, nossa assexualidade reflete a rejeição do sexo interpessoal enquanto esse não atender às nossas condições: que ele seja congruente com os nossos valores e completamente escusável e desnecessário a nossas relações.
III. Política
Fundamental à libertação das mulheres é a destruição do sexismo, cuja uma das manifestações é a exploração sexual de mulheres por homens. A assexualidade é um passo para alcançar esse objetivo a nível pessoal, uma vez que elimina o meio pelo qual os homens nos oprimem. Através da assexualidade, nós excluímos o sexo como uma meta e, essencialmente, sequer com uma possibilidade em quaisquer relações que possamos ter com homens.
Devido à cultura patriarcal, que resultou na institucionalização do sexismo, o comportamento exploratório - padrão em tal cultura - criou uma grande dificuldade para que mulheres conceituem suas próprias formas independentes e mais humanizadas de se relacionarem. A maioria das mulheres reflete, consequentemente, em suas relações entre si, alguns dos padrões de comportamento exploratório característicos de nossos opressores masculinos. Uma área onde a opressão das mulheres por mulheres pode ocorrer é, mais uma vez, a sexual; essa opressão também deve acabar para que possamos ser verdadeiramente livres. Através da assexualidade, rejeitamos o sexo como uma meta em nossas relações com mulheres, evitando assim a objetificação sexual, exploração e opressão de nossas irmãs. Aqui, também, nós rejeitamos qualquer possibilidade de sexo que não se encaixe dentro das nossas condições, nos prevenindo, assim, da opressão e exploração sexual.
Destruir os mitos básicos de uma determinada cultura é minar suas fundações. A cultura patriarcal, baseada na diferenciação pelo sexo, construiu alguns dos seus mitos mais persistentes em torno da sexualidade. Acreditamos que é da maior importância que o feminismo se direcione à exposição e destruição da atual mitologia patriarcal que, através de ilusões, reforça nossa opressão. Os mitos mais responsáveis pelo papel distorcido que o sexo desempenha na vida das mulheres são:
(1) O sexo interpessoal é essencial, uma vez que o impulso sexual é uma força poderosa na vida humana e, se insatisfeito (através do sexo interpessoal), tende a produzir infelicidade ou, possivelmente, doença,
(2) É importante que qualquer excitação sexual seja sempre e/ou imediatamente satisfeita,
(3) O sexo é essencial para a proximidade em uma relação, nenhuma relação é completa sem ele,
(4) A maior proximidade das partes em uma relação ocorre durante o sexo e/ou o orgasmo,
(5) As necessidades de afeto físico e sexo são basicamente as mesmas,
(6) É quase impossível expressar satisfatoriamente afeto fisicamente sem também a excitação sexual,
(7) Mulheres que têm pouco interesse no sexo interpessoal, ou que raramente, se não nunca, atingem o orgasmo, são de alguma forma inadequadas.
Embora todos esses mitos possam não ser credíveis para todas as mulheres, algumas acreditam em alguns deles algumas vezes.
Finalmente, vemos um conflito entre, por um lado, o tempo e a energia necessários para nossa luta como feministas, e, por outro lado, o tempo e a energia necessários para desenvolver e manter relações em que o sexo é uma meta. Se usarmos nossa energia de forma eficiente, uma escolha se torna presente: lutar contra o sexismo ou lutar por sexo satisfatório. Embora se possa dizer que virar as costas a um problema não é resolvê-lo, pensamos que a veracidade desta afirmação é relativa à importância do que se coloca como problema. Se víssemos o sexo interpessoal como importante, a assexualidade seria uma desculpa; uma vez que não vemos, é antes um meio de retirar a nossa energia de uma área que sentimos a estar desperdiçando.
Vemos a assexualidade como um "estilo de vida alternativo" eficiente para mulheres revolucionárias, mas não afirmamos que "a assexualidade é revolução.” Nós nos chamamos de "mulheres auto-identificadas", mas não exigimos que todas as feministas adotem este título. Nossa declaração é simplesmente esta: como resultado de analisar a natureza de nossa sexualidade e recuperá-la dos equívocos sexistas que a rodeiam, somos capazes de formar e manter relações de uma forma que reflete os nossos valores e é eficaz em nossa luta de libertação. Para nós, a assexualidade é um compromisso para desafiar e, em última análise, destruir os conceitos infundados, relacionados ao sexo e às relações, que sustentam e perpetuam o patriarcado.
(Cópias adicionais deste artigo podem ser obtidas por 25 centavos americanos em New York Radical Feminists, Box 621, Old Chelsea Station, N. Y., N. Y., 10011. Este "Manifesto" não é a última palavra sobre assexualidade: é apenas um começo. Comentários e críticas são bem-vindos.)
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Prometo voltar a programação normal, eventualmente haha :)
Não pretendia que o blog se tornasse sobre história, sempre me interessei mais em trazer contos de vivência, mas às vezes é necessário trazer esse tipo de conteúdo.
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With 2021 nearing and my url approaching expiration date, I rebrand
@trans-man-captain-harlock-2k20 → @kammthaar
#transition will happen somtime between now and the first week of 2021#i swear it's not a nonsensical url#broadcasting my misery
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I was going through my old doodles and this one is definitely a bit older, but I'm really proud of it. Also a random contribution to the lack of sexy Captain Harlock on the interwebs. I have improved a bit, I'd like to think, since I doodled this beautiful boy, but here he is.
ETA: this particular design was based off of the 2013 CGI movie, hence all the scars. Well, most of the scars anyway... 👀👀👀👀👀
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Leon is the one who made me go “wait, trans Harlock? …ohhhhh… OHHHH TRANS HARLOCK!!”
remember to thank and appreciate your local Artists Who Gave You The Trans Headcanon <3
recent doodles n stuff
I’ve got a backlog of stuff to post, I’m more active on Twitter and Instagram (missilemarz on both)
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ANOTHER rp ad? is this guy stupid? (yes, anyway...)
heyyooo i'm kain im 21 (22 in august) and im nb, bi, and love to smash my ocs together in a number of intricate or shallow ways. i've got adhd so i ramble and you're gonna see exactly how. also while im here, if you dont support the BLM movement, etc, then stay out of my inbox!
i'm looking for partners: who are 18+, preferably closer to my age and willing to be a little goofy, a little stupid in ooc. i like befriending my partners so we can feel comfortable confronting each other in an attempt to find a middle ground. i would also prefer you not strictly play sub and/or bottom characters. i get it, i do, but i play strong switches and i prefer doubling up on roles, worst case. playing dom is uncomfortable at times for me. again, prefer, it's not a deal breaker, but consider it. i prefer replies that vary wildly in length. if a lot is happening, and theres a lot to say, long posts are cool, and i can do MANY paragraphs. but if theyre looking out a window, im not writing you a manifesto on their trauma in the process. i'm a very train of thought/action type writer. if you'd like examples just let me know.
i'm looking for a lotta types of rps: !!M/M or NB romance is all ill do !! cyberpunk, medieval, sci-fi/space are big faves. nsfw for the sake of nsfw (and i can get weird if that tickles your particular pickle), romance for the sake of romance, etc, also big faves. slow burn will be the death of me one day. gay and repressed victorian boys? modern magic worlds, enemies/rivals to lovers... ive got a ton of real specific story ideas in the works, usually attached to certain ocs. feel free to ask me to list them and i will. ive a thing for slow burn romance mixed in with heavy plot i also love darker elements (not looking for taboo weird shit) like violence, gore, etc. i dont mind a little dark media, and im open to discussing boundaries.
i have a WEALTH, and i mean a wealth of ocs, made and in the making. i do lean towards NB/trans ocs. i love. love. monster boys. monsterfuckers (handshake emoji) me. were one and the same. i also do play some canon material, namely stardew valley (sebastian or a farmer), destiny, captain harlock... thats mostly it as of now.
anyway, this is a lot of typing, but if you think we could work something out consider adding me. my discord may change! if it does, send me a message on tumblr instead. i will do pretty much any medium besides email and tumblr/tumblr dms. ive tried skype, kik, discord, and even some good ol forum rps back in the day. my discord (at the time of writing) is: salacious crumb#0413 my tumblr is: @necrocrunk
#oc rp#multiple paragraph#para#semipara#oneline#short term#long term#messenger#tumblr#smut rp#submission
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harlock is trans! thank you for the commission, @tochilock !
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Recent Patreon Releases: New Queer Short Stories and Art from Duck Prints Press!
On alternating Thursdays, we release brand-new, usually queer short stories on Patreon for our backers there! Backers also get access to our back catalogue of Patreon release stories (100 and counting!) with how many they can access dependent on backer level. At the low end, $3/month backers get immediate access to 50 stories. It’s always a great time to become a Duck Prints Press Patreon supporter!
Check out our most recent four releases…
How the Story Ends by Genevieve Maxwell
modern with magic, hauntings, sapphic vibes
Excerpt: Bethany gathered a reasonable pile of books in her hands, their pages filled with so many memories. She smiled with warmth recalling her favorite scenes and passages. She set the pile on one of the middle shelves against the left-hand side, angling the last book in the hopes they wouldn’t all slide down before she could get the next batch placed. Bethany didn’t own bookends, as her personal library contained more than enough books to fill the shelves. Bethany turned back to the box for more books. Whump.
Available to backers at the $10/month level and higher.
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Last Boat to Heaven by Max Jason Peterson
surreal apocalyptic magical realism with horror and death themes and a trans main character
Excerpt: I knew that the end of the world was near when I woke one morning with my dead love in bed beside me. She hadn’t been gone long, so it didn’t seem strange to wake to her smile, that languid arm along my shoulder. Love doesn’t die, just fades away, and this one was fresh, so near I knew that one morning I would cut myself shaving, a bit too deep under the chin, and they’d find me on the floor. “Hello,” said my Brynn, eyes bright beneath sandy bangs. “Wake up, lover.”
Available to backers at the $10/month level and higher.
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Tainted by J. D. Harlock
fantasy with horror vibes, family feels, enduring The Terrors together
Excerpt: The cold night had stretched on for longer than anyone in the lone cottage could remember. Windows had been bolted up with whatever the family could get their hands on, and every single hole and crack in the makeshift roof was carefully blocked with leftover pots and pans. Those who believed it was better to sleep through the whole affair retired early, hoping rest would ease their minds, but they found little comfort in the straw beds and animal-skin pillows they now had to get accustomed to. This left Umm Kamila and her granddaughter, Nahla, by themselves in the parlor—the former humming hymns she recollected from a childhood that felt so long ago, the latter fidgeting with a contraption she had found in the last scavenge with the children of the other families stranded in their village.
Available to backers at the $7/month level and higher.
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Tough Job, Sweet Reward by Samantha M. Piper
sapphics! in! spaaaaaace! (and having sex)
Excerpt: Cam dropped her towel and reached for the drawer that held their sleep clothes, but Mads’s hand darted out to stop her with a touch to her upper arm. “Ah ah ah,” Mads said softly. Cam frowned in confusion. “First things first, I think you need a bit of self-care after the day you had.” Mads trailed her fingers down Cam’s arm. “And since I know you won’t take care of yourself properly, I’ll do it.”
Available to backers at the $7/month level and higher.
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We also recently released the November art reward for our backers at level $5/month and higher!
Samhain by Aceriee
Image is a trim of a larger piece.
Aceriee had this to say about the inspiration behind this piece: The illustration is (very) loosely inspired by an Irish myth about Morrigan and Dagda meeting on Samhain. Handfasting is an old tradition and Samhain represents new beginnings and rebirth. It’s also a day where the veil between the worlds are at their thinnest making it a perfect time to start something new while honoring lost loved ones.
Different versions available to different backers; all backers have access to at least one!
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Patreon backers at the $10/month level and $25/month level who also back our current Kickstarter campaign for A Truth Universally Acknowledged: Queer Fanworks Inspired by Jane Austen’s “Pride and Prejudice” will also get bonus extra merch: 5 notecards + envelopes featuring a fourth rainbow Pride peacock design by A. A. Weston!
Support a queer indie press in these difficult times. Become a Duck Prints Press Patreon backer today!
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HPHM Data mined spoilers part 2 🤩
-Ismelda gets expelled for trying to take over Hogwarts with dark magic😱🧙🏻♀️🖤
-Talbott gets added to the friends list but is insanely hard to level up cause he only shows up to hang out with you 20% of the time🧑🏽🦅❌
-Rakepick is revealed as R and kills Merula 🤪💪🏻✅✅🤩(R said someone was gonna die that year)
-Diego is nearly expelled for doing fortnite dances on the great hall tables🤯🧒🏽🕺🏽
-Barnaby does really well on his O.W.Ls😁😁🦉✔️
-Rowan comes out as trans-species and tells you that they identifies as a tree. Not a rowan tree, but a redwood tree.👩🏽🧑🏾➡️🌲
- Hagrid starts questioning why Fang has still been a puppy for the past 5 years🤔🐶5️⃣⁉️⁉️
-New character is introduced in a timed sidequest! His name is Tom Harlock and is from vine 🤪🤙🏻🌴🌿🌿👱🏻♂️
- Ben reveals that his full name is “Eggs Benedict Copper” but goes by his middle name👦🏼➡️🍳
- Sickleworth develops the ability to eat bees and then proceeds to eat every bee within a 10 mile radius from Hogwarts. Dumbledore gets mad at him for this and takes 1000 points away from Slytherin.😡🧙🏻♂️💭🐍🚫🦁✅
-Angry Slytherins riot and try and overthrow Dumbledore and resurrect Phineas Nigellus Black 🤬🐍🐍🐍🐍🐍🐍🐍🐍🔜🔪🧙🏻♂️
#hogwarts mystery#harry potter#hogwarts#hp#harry potter hogwarts mystery#hphm#hphm spoilers#sickleworth#rakepick#rowan khanna#ben copper#barnaby lee#talbott winger#diego caplan#ismelda murk#merula snyde
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The MizFists
(I finally found all of the perfect face claims for the crew, yay)
(under read more because the image sizes are HUGE and mismatched in sizes in the ugliest way and i’m too lazy to edit them)
Name: Peter aka Attrossity Face Claim: William Moseley Age: 78 20 Race/Ethnicity: White British Swede Occupation: Singer, Rapper, Writer, YouTuber, Model, Acrobatics Performer, The MizFists’ Social Media Specialist Fast Facts:
Has bachelor’s degrees in marine biology, political science, and civil engineering. Took dance classes during uni to alleviate stress.
Certified noir enthusiast.
Favorite place to hit up is the Lion’s Den, a student-run café/eatery.
A little too obsessed with death.
Learned about NWA in the early 90s, has been in love with rap ever since.
Name: Naseem Okoye aka Nazz aka Bet Chaker Face Claim: Tre Melvin Age: 25 Race/Ethnicity: Swedish patrilineage, Nigerian matrilineage Occupation: Rapper, Actor (Stage, Film, Voice), Children’s Play Director Fast Facts:
Took his mother’s maiden last name because his father was a piece of shit.
Discovered his love of theatre after dealing with bullying and his parents’ divorce and majored in it.
Was raised in an Islamic community, but is now agnostic.
Hates raising his voice because his childhood was full of shouting matches between his parents.
Met Ashira through Mike, and sometimes jokes that it was the best and worst thing to happen to him.
Name: Tarsha Salander aka Nefertiti Face Claim: Angelica Ross Age: 26 Race/Ethnicity: Black Swede (possible Jamaican and Ethiopian lineages) Occupation: Rapper, Singer, Cosmetics Salesperson, Tour Manager Fast Facts:
Is a trans woman and loves literature about transgenderism.
Survived a hard street life and is dodging a stalker ex/trafficker from that former life.
Can do a reallllyyyyy cool death metal growl, and was even asked to be a metal rock band’s lead vocalist once upon a time.
Wants to start her own cosmetics brand someday.
Has a pet hamster named Ghibli.
Name: Adel Falk aka Cassius Face Claim: Tom Harlock Age: 24 Race/Ethnicity: Irish Swede Occupation: World Literature Graduate student, Rapper, Music Producer, Literature magazine Staff Writer Fast Facts:
Has a secret crush on Tarsha that everyone knows about.
Moonlights a lot as a DJ because the lit magazine he works for doesn’t pay shit.
Prefers to stay home and read or knit for his downtime.
Got into hip-hop to piss off his dad, but stayed because it opened a whole new culture to him.
Cannot get enough of Mama Okoye’s and Obinna’s cooking, and even has a notebook of some of their recipes.
Name: Mikoula Al Hamoud aka Mike aka Mickey V Face Claim: Theo Rossi Age: 26 Race/Ethnicity: Third-gen Syrian Swede Occupation: Rapper, Librarian, Practically The MizFists’ Public Relations Officer Fast Facts:
He and Ashira used to grow up together, and went to the same mosque as children; used to have a crush on her but now sees her as a sister.
He loves being an older brother figure; it’s why he adores Naseem’s little sister, Addie, and tolerates Peter’s less-than-stellar behavior.
Can quote all the lines of the Rocky movies (Rocky V is his favorite).
Has a daughter out-of-wedlock that resulted in his being shunned from his family and the Orthodox Muslim community, which made it easy for him to become agnostic, too.
Was going to pursue a Master’s in literature (which was how he met Adel) before he discovered he loved rapping and rap battles more.
Name: Tommy Englemann Face Claim: Calum Worthy Age: 23 Race/Ethnicity: German matrilineage, Swedish patrilineage Occupation: Music producer, Karlstad Uni Student, Part-Time Grocery Worker Fast Facts:
Is pursuing a Bachelor’s degree in psychology with a focus on music therapy.
Will probably never stop being on edge around Peter after witnessing his freakout.
Doesn’t need glasses, he just likes the aesthetic.
Was drawn to producing music because his mother was a DJ in Berlin nightclubs before she moved to Sweden and had kids.
Volunteers at a cat cafe on Saturdays (his allergies hate him for it).
Name: Ashira Okoye aka Sheer Face Claim: Leem Lubany Age: 27 Race/Ethnicity: Second-gen Palestinian Swede Occupation: Stay-at-home Mother, Poet, Writer, Honorary MizFist (Graphic Designer, Merch Artist and Seller Fast Facts:
Philosophy and Poetry double major.
Is working on a few rocky relationships (including one with her mom)
Can be honest to the point of making people cry.
Has her own journal of lyrics she started writing after being inspired by her husband.
Used to love gross horror movies; after her first pregnancy, she no longer could stomach gore.
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