#trailer link leads to

[ex0rin]

Frank Grillo in the STUNTED trailer thanks to @crownofhatred for posting & sending me the link!

[southsidestory]

the new House of the Dragon trailer *sent* me!

a short list of my favorite things:

Rhaenyra looking as regal as can be in Daddy's crown while Aegon sweatily tweaks on the Iron Throne

Lucerys Avengers, Assemble!

every. single. thing. that Alicent wears

speaking of Alicent, HOTD's preeminent depressed mom seems in danger of walking into a body of water and not coming back out... which isn't allowed, because she and Rhaenyra haven't made out (onscreen) yet.

Granny Vhagar just don't give a f*ck

Fire!!! Blood!!! I'm 50% here for the dragons tbh

Aemond.

I have to tag @sintari for #4

[peachy-lemon83]

Just got done watching the special cut for link click season 2 (https://youtu.be/k9irEE9sgTs?si=vVSL3dBpex11USFs) from what I can tell it’s basically a 30min summary of season 2 (episodes 1-8) with only one new clip (at least only one that I noticed they’re might be more) and for those that want to know where the new clip is, it’s 6:09, right after Qiao Ling isn’t being possessed anymore (if you want to know what it is; it’s a call between Qian Jin and Li Tianchen).

However that’s not the part I wanted to talk about. No the part I wanted to talk bout (which includes small spoilers for episode 9, be warned!)

So what I noticed while watching episode 9 (which honestly could be an animation error or it could mean something pretty big) is that after the window is broken from the previous episode we come back to Cheng Xiaoshi in Lu Guangs body, standing in front of the kitchen area, right after he threw the kettle. But if you look behind him, the kettle is sitting right there. Just like it was when we saw it while the police were looking in the room. And yesterday I just thought, “oh maybe he grabbed it from somewhere else” or “it was a pitcher instead of a kettle” but while watch the special cut it shows the scene where he specifically picks up the kettle from that counter and throws it. So either this is an animation error (which I highly doubt it because why would they put the specific moment of him grabbing it and weighting it in his hands in the 30min summary if it wasn’t important) or it could mean that changing the past is harder then they made it seem. Which also ties in with all these almost caught but they just happen to look away moments that keep happening.

It would not surprise me a single bit if Cheng Xiaoshi decides not to step on the boat but something like Li Tianchen grabs him and pulls him on the boat, or he just somehow ends up there anyways.

[renarots]

The ability to evacuate is a privilege and I’m sick of people applying Florida logic to the Appalachians right now. Yes it is horrible for those who couldn’t in Florida but the people in the Appalachian’s had no warning. People still have “dial up” there, 55.9% of the population is under the poverty line. “I’ve been seeing warnings for a week” no you haven’t the warnings were for Florida and Georgia, even then it wasn’t supposed to hit the apps like this at most flooding but they would recover. When hurricane helene took that turn it was too late to even warn others before dams broke. The infrastructure is not meant to take this beating especially given the storm they had the week before causing all of the waterways to be full already. Towns are wiped out, towns that relied on tourism and coal mining to bring in revenue are gone. My great aunt and uncle lived in a trailer off a plot of land and were so happy they finally got a clean running water system hooked up two years ago. They have one tiny little old android that they have to travel about an hour in town to use so they can call us up. They lived off a fixed income because any sort of job was two hours away at least and they’re getting older they can’t just travel that much anymore. My great uncle can’t walk without his cane and my great aunt is getting there too. They always joked about taking me home with them and I would always say when I got older they would come live with me because I knew how rough it was for them but they couldn’t just leave. I haven’t been able to contact them in over 48 hours and the highways leading out after the one hour evacuation notice was given was shut down. Most places are air rescues only because there is no other way for them to be rescued. To add on as well that they deployed FEMA in many of the places affected but yet there is barely any coverage and radio silence from our government. No national guards are here to rescue them they are left to fend for themselves. People are drowning, being electrocuted, some didn’t even stand a chance. These are human beings who have been prayed on for generations the least you can do is show some fucking sympathy. I don’t care what you have to say family’s are being devastated. I wouldn’t wish anything like this to happen to anyone so if you find yourself in your bed at night I hope you know that out there, there are families who are grieving all they have lost and you are cozy at home with running water, electricity and a warm bed and you feel an ounce of guilt for even thinking that.

A link to ways that you can help. Keep Appalachia in your minds do not look away.

[stanwixbuster]

do you think richard ayoade knows that his face is now perpetually tied to game industry discourse

[softpascalito]

I Healing Hands I Marcus Acacius I

Summary: Acacius returns home with an injury—and you try to care for him. But his ideas of healing (and baths) are a little ... different. Especially when you finally have some time to yourselves.

Pairing: Marcus Acacius x F!Reader Rating: Explicit / MDNI Word count: 2.3k Tags: Explicit, Smut, Hurt/Comfort, Vaginal Fingering, Vaginal Sex, Creampie, Handjobs, Nipple Play, Dirty Talk, Bathing/Washing, Blood & Injury, Secret Relationship, Mention of Period-Typical Violence, Mention of Period-Typical Slavery, Not historically accurate

AO3 LINK // Masterlist

notes: i can't believe i wrote smut about romans. anyway, i can't wait to see the trailer, enjoy the porn <3

domus - a type of house dulcissima - sweetest anaticula - little duck (affectionate) subligaculum - a type of underwear (i had three years of latin so i absolutely know what i'm doing)

The domus he lives in sits on the edge of Palatine hill, a small house that feels more welcoming to you than any palace could. The atrium is decorated with a variety of plants, the green colors peaking through the columns that line the sides of the open space. You’ve come to know the details of this place well, from the feel of the stones below your feet to the artistically created, coffered ceilings.

As you let your gaze wander over the sunlit atrium, you find yourself looking at the small statue that sits in the middle of a small fountain, both almost hidden by the plants around them. The water below reflects the merciless sun above and sends small reflections of light dancing across the open space. The form of Apollo stands still, frozen in a heroic movement with one arm raised and his head held high.

The god of music, of truth, and most importantly, of healing. You always think your presence in this house must please him, because since being here, you have felt more healing than you have known before.

You hear Acacius before you see him, his breath coming in a little shorter than you’d like. His footsteps sound through the atrium and you catch glimpses of him as he passes behind the columns on the other side. Even from a distance, the way he’s holding himself tells you he’s hurt, not to mention the dirt on him and his armor. The golden details usually shine in the sun—now they look almost ancient, covered in grime.

You sent a silent prayer to Apollo, your eyes briefly flying back to the statue. When you turn back towards Acacius, he has rounded the corner, making his way over to you, though much slower than he usually would. A small sigh leaves his lips as his eyes land on you and you can see his body deflate visibly.

“Acacius.”

You’re by his side in an instant, attempting to let him prop himself up on you, to use your body to support his. Instead, he wraps his arms around you and pulls you into a hug. You wrap your own arms around him, a hand finding his hair and attempting to brush through it—only to find it matted with blood. He must feel you tense next to him, a sharp breath escaping you as your fingers feel over his scalp, trying to locate the wound.

“Not mine,” he mumbles under his breath. He pauses for a short moment. “I promised I would come back.”

“You always do and yet I dread the day you will break that promise,” you say, a sad smile playing around your lips. You pull back enough to look at him, taking in the small cuts on his face and the deep lines between his brows that you want to smooth out until he looks as peaceful as he does in his sleep.

He does not protest when you try to take some of his weight on you, silently wishing you could take his worries too, and lead him away from the atrium and towards the small bath that is off to the side. You maneuver him through the small archway that is framed by beige columns on either side and into the middle of the room, the scent of the bath salts filling your nostrils as soon as you take a deep breath.

Acacius lifts his right arm—and immediately screws his face up in pain. You send a stern glance his way. “Let me do that.”

You nudge his arm to the side just enough to reach the leather strings that hold his armor together, slowly working your way through them until you can easily slide the dark leather off him, shaking your head weakly when you see how caked with blood and dirt it is. When you’ve placed the armor on one of the stone benches that line the wall, you move on to his braces and his shoes—and finally, the undercloth, taking it off just as carefully and leaving him in just his underwear.

And then, you suddenly see the reason he’s holding himself the way he is.

A nasty cut marks his right side, just below the ribs. You swallow hard, reaching out and tracing the dried blood around it with a motion that comes naturally. You feel Acacius shift under your fingers, bringing his own hands towards yours and wrapping them around it. They fit perfectly, his grip strong despite his injury.

Your gaze is drawn back to his face by the movement and he smiles weakly. “It looks much worse than it is, dulcissima.”

He’s not wrong. He’s definitely had worse injuries, including the time he barely made it to the atrium, instead collapsing into your arms just behind the entrance to the domus. But, quite frankly, it doesn’t mean you don’t worry.

“It stopped bleeding halfway here,” Acacius adds, correctly interpreting your silence.

“Why didn’t you clean yourself at the baths? They would’ve tended to your wound.” You search his face as you speak.

“I wanted to be with you.”

You sigh disapprovingly at his response, though you can’t deny you like to have him close too, especially when he’s injured. Which, with him, feels like it’s every other day.

He leans down to you, pressing a gentle kiss to your lips, mumbling. “It really does not hurt all that much anymore.” His arm sneaks back around you, though his hand is now wandering much lower than it did before.

You bite your lip, trying to give him another stern look but you can feel the way you begin to falter as he smoothes circles into the fabric of your tunic. “Acacius, your servants—”

“They are busy,” he assures you, dragging his lips over your cheek and towards your earlobe. “Besides, if any of them attempted to talk, I’d have their heads.”

You listen into the silence that follows, almost determined to catch a pair of feet approaching or a voice in the distance. But the only sounds that reach your ears are those of the small fountain in the atrium and Acacius’s breath against your skin.

“We won’t be disturbed,” he hums and you sigh in defeat, reaching down to undo his subligaculum, the soft fabric falling away to reveal the trail of dark hair that leads down towards his cock. You’re only mildly surprised to find him already half-hard.

“Let me clean you first at least,” you mutter, leading him further into the room and towards the small bath embedded in the tiled floor. You sit him down at the edge of it, letting him dangle his legs into the warm water. You reach for a cloth, wet it slightly and get to work. You start with his arms, watching as the dirt and blood starts to come off, revealing the tanned skin underneath.

You hear Acacius sigh above you and you feel his eyes on you, the soft gaze he looks at you with so different from the one he carries on the battlefield. His hands begin wandering again, dipping below the thin fabric of your tunic and you are just reaching down to wet the cloth again when he manhandles you into him, placing you comfortably on his lap.

You tense for a split moment before he catches your lips in a kiss—and then you hear yourself sigh as the protest inside you makes space for a fire that’s rapidly building in your lower abdomen. You can smell him, his sweat mixed with a hint of blood, you can feel the dirt rubbing off on you but you don’t care. You just want him.

His voice is a growl. “Merda, get out of that thing already.”

You obey, crawling off him and slipping the tunic off your body, carelessly letting it fall to the dirty floor. You see Acacius’s eyes raking over your body, taking in every curve like he’s seeing you for the first time rather than the hundreth.

“You are as beautiful as the gods, my dulcissima,” he mumbles, pulling you back onto his lap, one hand securely placed on your back to keep you from falling into the water behind you.

He’s careful not to lean on his bad side as he sneaks his free hand between your bodies, dragging it down ever so slowly until he reaches your mound, his index finger drawing a few circles around your bundle of nerves before moving on, a smile spreading over his lips when he finds wetness waiting for him between your legs.

You feel your breath catch in your throat as he inserts a finger without warning, the size of them always taking you slightly by surprise. His moves are shallow, never quite pulling his finger out completely but always keeping you on that delicious edge. When he adds a second one and starts curling them, he has you whimpering almost immediately.

“Marcus, please—”

“I thought I was Acacius to you. Just to make sure you do not—how did you put it—slip up,” he mumbles, a smirk on his face. The groan you intend to sound annoyed comes out much more desperate than you would like.

“You know we have to be careful—” you try to start, but with his fingers inside you, your brain simply does not work the way it usually does.

“One of these days, I’ll make you my wife,” he mumbles into your ear, his voice so low you can barely hear it. Without taking his eyes off yours, his thumb finds the spot that, combined with his words, almost drives you over the edge. “And you’ll live with me and we can make as many babies as you want.”

It catches you off-guard, but not in an unpleasant way. It’s just a fantasy, one that may very well be unattainable, but you like to let your mind drift there regardless. Judging by the twitch his cock gives against your skin, you’re clearly not the only one who does.

At that thought, you manage to hold off a bit longer and reach for him in return, enjoying the way his breath catches in his throat when your hand wraps around his attention-starved cock. His gaze flies down, to your bodies already so intertwined, touching each other impatiently. And you know he craves it as much as you do—to be even closer, to feel the weight of him nestled inside of you.

“You are so dirty,” he whispers, withdrawing his hand and making you whine at the loss. He wipes at some of the dirt on your thigh, mixing it with your own juices.

“And you seem to rather enjoy that,” you mumble back, squeezing him slightly. An affirmative chuckles leaves his throat before he lifts you up and lowers you into the small bath in front of him, the warm water immediately soothing your body.

He follows a moment later, stepping into the blue mass. A few petals swirl around on the surface, stirred by your movements in the water as he pulls you close again, his body seemingly all around you as he wraps you in his arms. Then he lowers his head, trailing kisses over your collarbone and down your skin until he reaches your chest, grazing his teeth over your hardened nipple.

“Marcus—” you whine, impatiently pressing your body into his, attempting to get any friction, a task made even harder by the water around you. “I want you inside, please.”

“Always so polite, Anaticula,” he mumbles into your skin but he does satisfy himself with one more nip at your skin before pulling back. “Is that what you want?”

You nod impatiently and feel him lining himself up below you, gently directing you towards the far edge of the bath, where he immediately braces himself against the wall for support with you in his arms—and just a moment later, you can feel him sink into you.

Your bodies mold together, his cock making you feel so deliciously full and complete. You can hear him grunt as he begins to thrust into you gently, his hands on your hips as he guides you onto him again and again, making you moan into his neck as you cling on, half a mind not to touch his injury.

Acacius groans your name, his movements speeding up slightly. “Come on, I want to see your pretty face, dulcissima.” You pull back enough to see him and press your forehead against his. Your thumb comes up to wipe a spot of dirt off his face and brush over his beard, the hairs of it more gray than dark, like they were when you first met, and for a few moments, you both just stare at each other as the water around you ripples with your movements.

“Let go for me.” It's just a whisper—and one you don’t think you could ignore if you tried. You feel the wave wash over you, your vision going weak as you fall apart—knowing that Acacius will hold you close until you’re put together again. You barely notice that he follows suit, spilling himself inside of you with whispered promises of all the things you’ll have one day.

You stay intertwined in the water like that for a while. Eventually, you begin to gather some in your hand and let it run down Acacius’s scalp, beginning to wash the dried blood out of the gray-streaked hair.

“You are going to let me put a proper bandage on your cut once we get out,” you state, earning a loyal nod from him. His eyes are searching yours again, carrying the soft look you know is reserved for you.

“I did come back,” he whispers, voice thick with emotion and you suddenly feel tears pricking at the corners of your eyes.

“I know.”

You kiss him softly and he kisses you back just as softly as you curl into him, inhaling his scent and pulling him close and ever closer, determined to let noone take you from him.

thank you for reading! feel free to follow my socials or leave a comment if you want more of slutty roman men <3

[coeur1816]

Rhaenyra Targaryen will lead the way

Yes, I know what happens in the book, but I'm still hopeful that in the show things will be different, especially because we'll probably get to see her in the second season fighting. I'm still in awe with the new trailer!!

Prints of this drawing are available in my store, the link is in my profile

[toxicanonymity]

raider masterlist

dark!Joel x f!reader | updated: August 29, 2024: calling him daddy

moodboard by @milla-frenchy 🖤 a rb will not stay up-to-date.

SUMMARY: He's a bad guy, and you're his good girl. Joel saves you from bad men, but claims you for himself. His persona starts to crack, but he gets even more possessive. You're his world, and he'll do anything to keep you. Emotional slow burn but smut the whole time. WARNINGS: 18+ canon-typical violence, noncon via implicit threat, evolving to enthusiastic dubious consent (stockholm syndrome), depraved use of praise and pet names (sweet pea, baby), unsafe P in V, exhibitionism, extreme possessiveness, dark fluff (🖤), angst, and more. NO USE of Y/N, No physical description of reader.

Spotify: raider, sweet pea (smut) Optional reference: trailer floor plan

Carter masterlist

main story

Note, non-bold links in this section were written out of order and may contain spoilers or references to future events. their placement in this list is based on timeline.

Raider: (Mar 24, 2023) - He "saves" you, then has his way with you but is kinda sweet about it. Joel POV (Oct 3, 1k)

Failed Rescue (Apr 8 - 1.9k) Your bf tries to save you. Joel makes him watch then keeps you.

Stash House (Apr 11 - 850)- Joel takes you to the stash house and shows everyone you're his. Wash Bin 🖤 (Aug 27, 1k) Shooting Practice Drabble(Jul 28, 1.6k)

Failed Escape (Apr 23, 4k)- Joel saves you from FEDRA, bathes you, amd edges you.

J. Miller (May 19, 2k) - Joel labels you with his switchblade and claims all your holes. dark. Can be skipped.

Home (May 29, 1.3k) - Joel makes dinner at home, cleans your chest, and tucks you in. 🖤

Company (Jun 9, 2.2k) - Joel brings home a girl to distract his men. dark. Extra Scene - angst.

Close (Jul 3, 2.7k) - close call with other raiders. You-almost-died sex, and later, tender sex 🖤

Gun Hug (Jul 31, 3.7k) - Joel traps 2 bad guys with some help and kills them while you. . .🖤 If you want him (1.5k) - he holds out to see🖤

Night Air (Aug 30, 3.5k) - Joel is brutal with a bad guy and his POV reveals some feelings. 🖤 Bonus blurb, wakeup pwp drabble

Hunger (Sep 29, 7k) - Joel takes you on a trek, comforts you, kills a guy, and gives you head. 🖤 He's only human (1.1k) - 👱‍♂️Carter POV, overlaps w/ hunger.

Bodies (Dec 3, 7.8k) - Strangers show up and cause a shitstorm, but Joel takes a big step. 🖤 Raider POV

No cliffhangers. Bulletin from Tox

more (drabbles, etc)

🔥 smut

Trying to use him (800) (riding) 🔥

House meeting drabble 🖤

You get sick at night drabble 🖤

He goes down on you (oral f) 🔥

If you touched his scar

if men had hurt you in the past

if you got your period 🖤

magazine and makeup 🖤

yoga pwp drabble piv 1k 🔥

boots drabble (oral f receiving) 🔥

graveyard blurb (spice)

if you bit his arm drabble (p in v) 🔥

If you snapped (emotional spice) 🖤

face sitting on sofa 🔥

being bad, looking good (2.8k, smut) 🔥

Van ride drabble (800) 🖤

sleeping beast (<1k), PWP 🔥

If Joel was sick 🖤

If you were annoying

cutting his hair 🖤

waking up on top 🔥

tired 🖤

waking up on top again 🔥

Sweet pea overhears Joel 🔥

Choking on his dick (600) 🔥

his birthday 🥺

if she called him daddy 🔥

Note: not all content is linked. Asks can lead to lore, snippets, and previews or hints of future plot points, etc. which are not added here.

Headcanons (not written like fic)

If another man has his way (Q&A)

dacryphilia - evolved update (Q&A)

if you had scars or tattoos (Q&A)

👱‍♂️raider carter Qs, face claim (Q&A)

sweet pea by herself

If you sketched Joel and Jack

Apple picking 🖤

Responding to a Nightmare

accidentally hurting her

Analysis (#raider!analysis)

why does he keep her

why did he snap (in Company extra scene)

his eye contact

his affection / feelings, trajectory 🖤

falling for sweet pea

his self hate and her feelings

the dog and joel's concern for you

awareness of growth / why keep her

Raider Tommy

Birds of prey (2.6k)

Art, etc.

Mattress by esquire magazine

Stitches by @not-a-unique-snowflake-blog

collage by @milla-frenchy

lose control edit by @survivingandenduring

🌸 sweet pea mood boards by various

6 month collage by milla-frenchy

6 month cake by not-a-unique-snowflake-blog

🌸 sweet pea cosplay from night air

👱‍♂️carter mood board by @romana-after-dark

pts. 1-3 rb mood boards by @iamasaddie

night air gif by not-a-unique-snowflake-blog

raider/sweet pea collage by milla

sweet pea's pup by @dark-scape

want it that bad gif by @dark-scape

Bodies gif by not-a-unique-snowflake-blog

👱‍♂️carter mood board by milla-frenchy

Then and now drawing by @romana-after-dark

Raider/sweet pea drawings by @lumoverheaven

our stars moodboard by milla

raiding edits by gasolinerainbowpuddles

under the anger by iamasaddie

🎥 Trailer (video) by @carminepoison

birthday sketch by @lumoverheaven

In love w raider by @milla-frenchy

✨ checks that you're ok 🐺 by milla

If I've left yours off please lmk I prob tagged improperly

Back to Joel Masterlist

Fic recs: other raiders

🖤 If mine or another writer's work has inspired yours, it's always better late than never to share / shout-out 🖤

[felassan]

Dragon Age: "In #DragonAge: Vows and Vengeance, you'll get to meet all our companions before they joined the Veilguard - including a gentleman necromancer 💀 Subscribe and listen wherever you get your podcasts. Premieres August 29: [link]" [source]

This tweet mentions that the moments of the companions' lives depicted in the podcast are from times prior to them joining the Veilguard and therefore the events of the game.

Text in the notebook reads:

"Something's gone wrong. The dead stir more easily than they should."

Maybe we are looking at Emmrich's notebook here? ^^ it sounds like something isn't right in the Grand Necropolis and with the Veil/the dead in general. (I wonder if this is part of the reason why in the release date reveal trailer, there are giant undead skeletons causing a stir). In Nevarra/the Mortalitasi, they believe that when someone dies a spirit is pushed out of the Fade into the mortal world. In exchange, they invite those spirits to inhabit the empty bodies left behind. This is common orthodoxy for the Nevarran populace. when a spirit leaves the Fade, it crosses the Veil. when the Veil is thin (or weak or damaged..), demons and spirits can escape more easily into the waking world. once they do, they sometimes possess corpses. since we need to guard the Veil in this game and there's a Veil-tearing Lyrium dagger around (plus who knows what else Ghil and Elgar'nan and whatever else are doing to it..), it makes sense that if the Veil is damaged/at risk, more dead would stir and more easily than they should do. (in TN, Lord Penrick Karn's funeral procession was interrupted by his corpse's premature possession). you can see why a Mourn Watcher like Emmrich would be motivated to join a group dedicated to guarding the Veil.

The anatomical drawings here track, Nevarra has unrivalled knowledge of anatomy. <- DA:TV spoilers at link.

The notebook also reminds me of Grim Anatomy.

These numbers look to appear twice on the pages:

"7197 | 3.85715 7198 | 3.85721 7199 | 3.85727 | 6 7200 | 3.85733 | 6"

What do they mean? could it be a calculation, or a code?

And can anyone make out what the flowing script on the left hand page says? ^^ I wonder what language it's in? Whether it corresponds to a spell? it also reminds me of this exchange from the 'Meet The Companions' panel at SDCC, as it relates to Emmrich:

"Lucy: And I hear as well that Emmrich gets, I mean, you’re all gonna get some fantastic lines, but I hear that Emmrich has some quite spectacular ones. You, Nick, you and Ashley, I would love to hear about the process of, was it difficult to get like some of those tongue-twisters, and? Ashley: Yeah, Sylvia the lead writer basically was like, ‘Ash, you’re gonna need a dictionary for all of the sessions with Emmrich’, it’s like, 'Okay!’. And we get there, you just nailed them all, like 'shduhfejdkjjdhdjdhfjehfjkhehe into the Fade’. Nick: Well, I don’t know if I nailed them all, that’s very kind of you. But, there was some serious tongue-twisters there, and, but it’s great, it’s great to be in the booth, and to be given a challenge like that, and. Yeah, it’s fantastic, I mean that’s what I love to do, so it was great to be just gifted that."

[source]

[carolmunson]

the boy is mine | a writing exercise

excuse me, can i please talk to you for a minute? do you know somebody named...y-you know his name. oh yeah, definitely, i know his name. well, i just want to let you know that he's mine. no, no, he's mine.

hi, this is carol and i wanted to create a fun blurb writing exercise a la @superblysubpar and @chechelia considering the current state of the eddie munson x reader fandom. i, personally, can barely stand the seemingly never ending infighting between writers and groups on here. whether it be writing style or characterization, it seems everyone sort of has a problem with everyone. (not me tho, i truly am vibing). in the words of monica and brandy 'you need to give it up, had about enough'. -- so instead of leaving, i wanted to try something fun, fresh, and cute to bring us together. we all have our own eddie munson head cannons that we hold near and dear to our hearts. but i think that's part of what's fun about fandom, there's a little something for everyone. so this exercise is a way for us to all be on the same playing field -- same prompt/dialogues we have to use. only written how your personally HC eddie, our og guy (no au versions pls). i loved how this manifested on cece's old blog because it was so fun to see what people came up with. below is the dialogue and prompt as well as the best way to participate. yes, if you are a steve girl you can participate lol. if you are someone who has me blocked and/or vice versa and would like to participate, please send your link to a friend so i can add it in an upcoming masterlist.

the scene: a romantic night in at the trailer. props included/mentioned (in passing or can hold bigger meaning): a throw pillow, vanilla frosting, a small notebook. dialogue included (can be manipulated slightly if needed, can be placed in any order): - "i ran out of like, nice cups, is this okay?" - "aw, don't be like that. that's not even true." - "and you like that?" - "if you don't stop, we're gonna have a problem." these don't have to be sexy. they don't have to lead to anything. it's just a romantic night in -- and it can end in anything. angst, fluff, smut, alien invasion. who cares! i just wanna see how you'd write in your world with YOUR eddie. so we can see all of our eddies!

to participate, please write a blurb or ficlet titled 'the boy is mine (____'s edition)' and tag me so that i can add you to the upcoming masterlist. share each other's ficlets. enjoy how they differ and how they are the same. what do we all think is true? what do we differ on? i think this could be really cool.

here's a list of people i'm tagging from different 'x reader' groups to spread the word -- but everyone feel free to do it, please! share with your friends, encourage your friends to do it too: @loveshotzz @chechelia @abibliophobiaa @aphrogeneias @jo-harrington @bewilderedbunny @impmunson @queenimmadolla @oneforthemunny @superblysubpar @sweetsweetjellybean @rebelfell @crappymixtape @lesservillain @courtingchaos @bettyfrommars @somnambulic-thing @bimbobaggins69 @blueywrites @lonelysatellites @wroteclassicaly @wheels-of-despair @rip-quizilla @upsidedownwithsteve @powderblueblood

[violettwrites]

company of misfits — tp!daryl

a/n: thank u nonnie for sending this request in !! i absolutely love writing the tp!trio honestly, their banter is some of the best. even when reader is in a bad mood 🥺

i hope you enjoyed, and i hope i did your request justice ! if you guys did enjoy, please don’t forget to like, reblog, and/or comment, and give me a follow if you want to see more of my work ! i always appreciate the support ! and as always, my ask box is open ! i will link it below

summary: reader has a bad day, and the dixon brothers know just how to make it more bearable.

requested: anon requested; hii dear!! could you write some fluff in the tp!daryl au, where reader has a bad day and is in a very bad mood, and the brothers notice that and try to cheer them up? (they have no idea what to do but they are trying their best)

word count: 1,011

warnings: swearing, alcohol

resources: divider by @/adornedwithlight

➵ masterlist

➵ ask box

you trudged up the dirt path through the trailer park, the weight on your shoulders from the day hanging heavy as you made your way towards your trailer. the sun was high in the afternoon sky— and having just worked a ridiculously long shift at the local diner, you were just done with the day; even though it wasn’t over yet.

as you neared your trailer, you noticed the dixon brothers outside theirs, beers in hand as they chatted lazily. daryl was the first to notice you, his blue eyes immediately trained on your figure. he noticed how your shoulders were slumped, your face showed no emotion, and he could just tell you had a shit day. he had seen that look on you before. merle, oblivious as ever, was busy recounting some story from his time in lockup. but daryl nudged him with his foot, nodding his head towards your figure as you made your way into your trailer— praying your dad wasn’t home, because that would just add to the mountain of shit on your shoulders.

both daryl and merle stood up and made their way towards your trailer, letting themselves in. they knew your dad wasn’t home, because they had seen him leave earlier in his old pickup. where he had gone? they didn’t bother to ask, because why would they speak to a piece of shit like him. your head turned when you heard the door open, spotting the two dixon brothers, and the corner of your lips quirked ever so slightly. you enjoyed their company, but you didn’t really want to be around anyone right now.

“hey, sunshine, what’s eatin’ at ya?” merle was the first to speak— like always —his usual grin plastered across his lips. you didn’t respond, just shrugged your shoulders a little as you plopped onto the couch, head tilting back as you looked at the ceiling. the two brothers followed your lead, sitting down on either side of you, and you internally groaned. they wouldn’t give up until you told them what was wrong.

daryl looked to his brother for guidance, a pointed look on his face as his eyes flickered from merle, to you. “you think i know how to deal with shit like this?” he mouthed back to daryl, and the younger dixon rolled his eyes, directing his attention back to you. he didn’t know how to handle situations like this either. feelings weren’t his strong point.

sighing in annoyance, merle spoke up. “what’s the problem? yer face looks like ya lost a fight with a wasp next.” the analogy made your brows furrow as you looked at merle. he always said some odd shit that you never understood.

“just had a bad day, alright?” you muttered, crossing your arms across your chest as you stared forward, eyes trained on the blank screen of the television in front of you. merle rubbed the back of his neck, looking to daryl for backup this time.

daryl sighed softly, and tried a softer approach. “anything we can do to help?” his voice was quieter, less teasing than his older brother’s.

you shook your head, but the gesture was half-hearted. you didn’t want to burden them with your problems that seemed so large, yet so minuscule at the same time. “not unless you can fix the world in the next five minutes,” you scoffed a little, chewing on your bottom lip.

merle, always the smart ass, grinned widely. “well, darlin’, i ain’t no miracle worker but i could try.”

before you could retort, he disappeared from the living room of your trailer, straight out the door, leaving you and daryl in confused yet curious silence. he watched you figdet with your hands, sensing you were on edge— but he didn’t know how to fix it.

“you don’t gotta talk about it,” he said finally, his voice low, “but you don’t gotta deal with it alone either.”

you looked over at him, wondering when he had become so wise. but there was something earnest in his expression that made your heart soften— just a little. merle returned before you could say anything back though, a bottle of whiskey and a few cups in his hands. “aight, so maybe i can’t fix the world, but i sure as hell can make it go down a bit smoother.”

you watched as he messily poured the liquid into the cups, handing the first one to you as he gave you a wink. “it’s like medicine, but the fun kind.”

you couldn’t help the small smile on your lips, despite yourself. “you think whiskey is gonna solve my problems?” you asked, looking up at him with an amused look.

merle clinked his cup against yours, an eager grin on his lips. “no, but it’ll make ‘em real fuzzy for a bit, an’ sometines that’s all ya need.”

daryl rolled his eyes, but spoke up anyway. “he’s right, y’know? ‘bout makin’ thinks fuzzy.” and you wondered when both of those boys had become so wise in their odd little ways. maybe it was because they knew how to handle bad days without having to confront their issues. they just forgot, in a sense.

for the first time that day, the weight on your shoulders felt a little lighter. it wasn’t the whiskey or the dumb jokes merle kept making, and it wasn’t daryl’s quiet, steady presence at your side. it was all of it together— their clumsy, awkward attempts at cheering you up that actually worked. you took a long drink, feeling the burn of the alcohol chase away that lingering frustration.

“thanks,” you spoke, glancing at the two ot them. “i needed this.”

merle clapped you on the back, grinning like a fool. “that’s what we’re here for, sweetheart! doin the lord’s work, one drink at a time.”

daryl shook his head, but you saw the faintest hint of a smile tugging at the corners of his mouth. he didn’t need to say anything more. just being there, sitting with you in the fading light, was enough.

[cleolinda]

The Scariest Movie I Ever Saw in a Theater: The Ring

I'll tell you up front that the story I'm going to tell you is about "The Ring (2002)," in the sense that it is about The Ring in the year 2002.

See, I don't know what The Scariest Movie Ever is. A quick google says that the consensus is The Exorcist (I haven't seen it, because I never felt like scheduling a day to freak myself the entire fuck out). But horror is specific, and not just to a person, but to a time and place, even. When I saw The Shining as a teenager in a well-lit living room with other people, I didn't even really flinch, but I bet it would play very differently to me now. I don’t think The Ring is at the top of anyone’s list, but twenty years ago, I had a personal interest in it—at the time, I was running a dinky little Geocities site devoted to movie news. Links curated and compiled from all the other, bigger sites I followed—basically, it was the linkspam format I have used on multiple platforms, including here on Sundays. And so, as someone who followed theatrical releases pretty closely for two or three years, I saw the trailer for The Ring, and I immediately knew it was going to be huge.

To locate you in time, this was just after three self-satirizing Scream movies and the Overcomplicated Serial Killer films of the '90s. The Ring was something completely different: chill aqua-blue color grading a good 5-6 years before Twilight; a mournful Hans Zimmer score; no jokes, no quips; and a slow, inexorable sense of doom. Grief, even, given that the movie begins with the death of the main character's niece. What immediately struck me about the first trailer was 1) the melancholy of it, and 2) how much it doesn't explain. Onscreen, you get the title cards,

THERE IS A VIDEOTAPE IF YOU WATCH IT SEVEN DAYS LATER YOU DIE

Concise! Understandable! A woman (Naomi Watts) is freaking out upon discovering that her young son has just watched it! Admirable job setting up the premise and the stakes of this entire movie in thirty seconds flat, without even any dialogue. That's all you need to know, and thus, the remaining minute of the trailer can do whatever it wants, and what it wants to do is be fucking weird. Echoing voices, TV static, a closeup of a horse's eye, ladders, a girl with dark hair, people reacting to things we don't see, drippy doorknobs, rain. Characters don't give us the whole plot in convenient soundbites of dialogue (like they do in a later trailer); we just hear lines, overlapping, murmured out of context—

did you see it in your head? she talks to you... leading you somewhere... showing you the horses... you saw it. did you see it in your head? she shows me things. Everyone suffers.

That you saw it has lived in my head ever since, and not once have I charged it rent. But the "best" part is Naomi Watts screaming at the end, because you don't hear her voice; you only hear this heartless telephonic beeeeeeep. It's 2002 and I'm watching this trailer, thinking, I have no idea what the fuck I just saw. This is going to be huge.

And it was, to the tune of $249 million on a $48M budget.

At risk of recapping what you might already know, Ringu, aka Ring, is a media franchise that spiraled out from a trio of Koji Suzuki novels into Hideo Nakata's film Ringu (1998), a landmark of Japanese horror, plus several other movies, some TV series, many comics, and even a couple of video games. The overarching story is about a murdered girl/vengeful ghost named Sadako Yamamura whose rage and pain have created a cursed video tape, you watch it and you die unless you pass the tape around like a virus, seven daaaaays, etc.

The "ring" in question is the rim of a well. Keep that well in mind.

The movie I saw is the U.S. remake, which itself had two sequels. (The iconic Sadako is now named Samara Morgan. Keep her in mind, too.) Director Gore Verbinski moved from The Ring to Pirates of the the Caribbean (!), and so Hideo Nakata himself would direct The Ring Two. I... honestly have only seen the first one. And I was right, it was huge, and it kicked off the American J-Horror Remake genre, for better or worse. But what gets forgotten about The Ring is its marketing campaign, which I followed pretty closely for my doofy little news site.

It was inspired.

The story of The Ring is partly the story of the sea change in the media landscape—how we watch movies. And the story of its marketing is a picture of the very last years before social media changed the wilderness of the internet into something that feels so big, like a billion people could see anything we say, and yet so small—only a tame handful of places to say it, owned by three or four companies, and corraled by algorithms.

Back around 1997-1998 or so, I worked at a video store (Movie Gallery, where the hits were there then, guaranteed) for about a year and a half. By the time I left, we had started adding DVDs to the VHS tapes on the shelves, but we hadn't replaced the entire stock. Video stores might have transitioned fully to DVD by 2002, I'm not sure, but people still commonly had both VCRs and DVD players in their homes. And I remember that The Ring was sold in both formats when it eventually hit home video. Which is to say—you know the analog horror genre today? Marble Hornets, Local 58, The Mandela Catalogue?

Analog horror is commonly characterized by low-fidelity graphics, cryptic messages, and visual styles reminiscent of late 20th-century television and analog recordings. This is done to match the setting, as analog horror works are typically set between the 1960s and 1990s. The name "analog horror" comes from the genre's aesthetic incorporation of elements related to analog electronics, such as analog television and VHS, the latter being an analog method of recording video.

Okay, but this is just what home media was like, and 2002 was at the very tail end of that—boxy black VHS tapes that degraded with time and reuse were just how we lived. At the same time, I'd been using CDs for music since about 1991, and all our software installs came on CD-ROM discs; a "mixtape" by that time had shifted to mean a rewriteable CD rather than a cassette tape. In college, I—well, I'll plead the Fifth as to whether I downloaded mp3s via Napster, but I was also taping Mystery Science Theater 3000 on VHS over the weekends. It was Every Format Everywhere, All At Once, and we kept half a dozen kinds of players around for them. Here in 2023, we stream and download everything invisibly, unless we choose to engage in format nostalgia. (I've already run into the problem of Apple Music deleting songs I really liked, due to this or that licensing issue, because I was really only renting them.) The year The Ring hit theaters was the edge of a last shimmering gasp of physical media where iTunes had only come into being the year before, and iridescent discs were still mostly what we used, but cassettes, both video and audio, were still viable. And so, people did not think it was terribly weird when they started finding unlabeled VHS tapes on their windshields.

Movieweb, quoting TikTok user astro_nina:

"Their marketing strategy was essentially 'let's get this tape viewed by as many people as possible without these people being aware of what this is, sort of raising intrigue," she says. One way they achieved this was by airing the tape, which allegedly marks its viewers for death within seven days, as a commercial with no context. The video would air between late-night programming "with no words, no mention of a movie, for like a month...so people would run into it and it would just go on to the next thing, and people would be like, 'what the f--k is this?'"

I remember seeing the Cursed Video as an unexplained ad at least twice, by the way. That TikTok also indicates that DreamWorks straight-up sent copies of the tape to Hot Topic stores, as well as planting them under actual movie theater seats. While running my movie site, I heard at least one story of someone finding a tape on the sink counter of a restroom at a club. Did the marketing department actually plant tapes in bathrooms—or did a freaked-out recipient leave it there, hoping to dodge the "curse"?

(I haven't embedded the Cursed Video here, by the way—but I could have. If you'd like to see the American take on it, you can watch both the full version and the shorter variant that appeared in the movie itself. A text description of what the fuck you're even looking at is here [content note for both: blood, insects, animal death, body horror, and suicide by falling]. The original version from the Japanese film is shorter, and it's eerie rather than gruesome.)

BUT WAIT, THERE WAS MORE: DreamWorks had something of an alternate-reality campaign going with a handful of in-character websites. This was only a year after Warner Bros. ran the groundbreaking "The Beast" ARG for A.I.: Artificial Intelligence: "Ultimately, fifty websites with a total of about one thousand pages were created for the [A.I.] game." (I lurked in the Cloudmakers Yahoo group.) Marketing for The Ring did not go anywhere that in depth, nor did it need to; it was both a smaller film and a smaller story. I saw at least two “personal” websites (seemingly amateur and a little tacky, like my own), but the one I particularly remember was about someone who owned/trained horses? I'm not sure if it was meant to be the actual Anna Morgan character—Samara's mother—or maybe someone who had noticed that the Morgans' horses were disturbed? I'm not even sure anyone even remembers this but me. Reddit users dug up a few other archived websites, but they're about Sadako, the curse and/or videotape; they aren't as subtle or character-oriented as the site I remember. (Honestly, I wonder if weird shit like "What Scares Me" or "SEVEN DAYS TO LIVE" were made by fans rather than a marketing department, but who knows.)

[The “About” page from Seven Days to Live on the Internet Archive.]

[The entirety of An Open Letter on the Internet Archive. “UPDATE” is a now-blank pop-up. I would bet $5 that it was originally a pop-up of the cursed video.]

I need to point out here that Facebook did not exist in 2002. It would not exist for another two years, and Twitter wouldn't exist until 2006. Even MySpace was not a thing until the next year. I didn't start my Livejournal until October of 2003. What we had, for the most part, were independent forums and blogs. We also had Creepy Internet Fiction like "The Dionaea House" and "Ted the Caver"; their use of the blog format, of people out there seemingly living their lives until something fucked up went down, gave the stories the shape of reality. And it helped that these blogs had comment sections, sure—sometimes more story unfolded there—but for the most part, an author could "abandon" a blog, and you'd just find the story there via word of mouth. Like the Ring blogs I remember, it wouldn't seem strange if no one replied to you, whereas today, you'd have to hire a writer to sit on Twitter, or Reddit, or even Tumblr, and interact with people in character. Could you do something like The Ring's mysterious, weird-ass blogs today? Would anyone even notice?

So: It's 2002, my head is full of Alternate Reality and eerie images and you saw it, and I'm hype as hell to go out and see The Ring. I'm perfectly happy to go see movies by myself, so I went in the early afternoon (best time to get a good seat). The movie ended up being a sleeper hit, and the first weekend, the public was still sleeping on it, so there were only 7-8 other people in that theater, grouped in maybe two clusters. I was off in my own little pool of darkness in the upper right quadrant. Functionally, once the lights went down, I was alone.

Despite some middling reviews at the time, The Ring is something of a horror classic nowadays. If you want a scary movie this Spooky Season, check out The Ring. Or don't, because it nearly killed me.

We're at the last, I don't know, third of the movie? And Our Heroine has tracked down the origin of the Cursed Videotape to some creepy mountain motel or whatever. SPOILER, it turns out that it was built over the Cursed Well (everything in this movie is cursed) that Our Villain was thrown into—that's why Sadako/Samara is a vengeful wet murder ghost crawling out of TVs now. While investigating this decrepit hotel room, intrepid journalist Rachel and her, who is it, her ex-husband? her kid's dad, idk, discover the well under the creaky old floorboards. And then, wouldn't you know it,

NAOMI WATTS FALLS INTO THE WELL

NAOMI WATTS FALLS INTO THE FUCKING WELL

THAT'S WHERE SAMARA'S BODY IS

[The rather slapstick moment when Rachel falls into the well. Does not include what actually happens next.]

I go absolutely rigid in my seat. Naomi Watts is splashing around this dark-ass death swamp of a well and I know, with as much certainty as I have ever known anything in my life, that Samara is about to pop up in all her pasty, waterlogged glory. All the sad creepy dread, all the desperation to figure out what the fuck all that shit on the tape was and stop Samara from killing Rachel's son, all the horrible contorted victim faces, all the alternate reality I’ve been soaking in, it has all come to this. I have to leave the theater. I cannot be having with this. I have to be gone from this place. My legs do not work. I cannot feel them. I am frozen. I want nothing more in this life or any other to get up and leave this cavernous pitch-black room, and I cannot. I start praying for death. I want you to understand that I am not trying to be flippant or humorous. This is genuinely what went through my head. I was too scared to even think, "You know, you could just pray to pass out or for motion to return to your limbs or something." No, I sat there in The Ring thinking, Please for the love of all mercy just let me cease being.

You know that scene in Mulholland Drive (also starring Naomi Watts)? Winkie's diner and the EXCRUCIATING tension? It was a little like that, except I wasn't watching it, I was experiencing it, and Samara was my dirt monster out behind the diner.

Except that the jump scare didn't actually happen. I mean, yes, Rachel finds Samara's body down there, but—I don't remember exactly, please don't make me go watch it again to tell you what actually happens. It's played more sympathetically on Rachel's part, as I recall, and she and her ex get Samara's body out so that she (Samara) can have a proper burial.

And then it turns out that this is not the end of the movie. It turns out that Rachel has Fucked Up.

I think I was relatively okay through the rest of it, although the climax is Samara emerging from a TV in her full glitching swampy glory to scare [SPOILER] to death. I don't recall praying for death twice. There's a point when you're so exhausted from fear chemicals that you're like, yeah, this might as well happen. Bring it, Soggy. I did have a hard time prying myself out of that seat afterwards, though, and my mom says that when I got home, I had the classic thousand-yard stare. How was the movie?

"It was great," I said, and I meant it.

I've seen things that were objectively scarier (I watched much of The Haunting of Hill House from behind a pillow, to be honest), and it's not like I've never experienced fear in real life. But I respect when a movie that can make me feel so intensely, and there's something weirdly precious about the way horror is a safe roller coaster, as it's often been said. So I love telling the story about The Time The Ring Nearly Killed Me—a movie that actually made my body stop working—and I love thinking of how embedded in a specific time and place that movie was for me. The last gasp of VHS when the Cursed Videotape still seemed plausible; the way the internet was still wild and weird and free; where I was in my life, keeping up so avidly with all the movie news, and finding myself in such a little pool of darkness early one afternoon. It's the scariest movie I saw in a theater; that's the alchemy of circumstance.

[wynnyfryd]

Trailer park Steve AU part 23

part 1 | part 22 | ao3

cw: alcohol, recreational drinking

Steve fusses with his hair in the side mirror again, tugging awkwardly at his borrowed clothes. He feels stupid, standing here fidgeting in the parking lot like some kind of nervous freshman, but half of Hawkins seems to be here tonight and Robin’s got him dressed like a loser — worn green flannel and a ripped black tee with a faded picture of The Smiths. Jesus. “Did you really have to dress me like this?” 

“What? You look cute!” 

“I look like I raided Jonathan Byers’ closet.”

“No, you look like someone a certain neighbor is going to be drooling over all night.” Steve’s grateful for the dark then; for the blush it hides on his cheeks. “It’s not my fault you don't know how to make a deal; if you wanted to borrow a specific shirt, you should have said so before we shook on it.”

“Besides,” she ignores him when he rolls his eyes at her, “you wouldn’t even let me smudge eyeliner on your lower lash line like I wanted to, so I really don't feel like you’ve earned complaining privileges.” 

“I’ll complain if I fucking want to,” he grumbles under his breath. He runs a hand through his hair one more time, then forces himself to look away from the mirror. Rolls his shoulders back and down. “He’s not even here, anyway.”

“Ah-ha! So you did check.” She links their arms together, starts dragging Steve across the uneven gravel, her ankles wobbling in her low-heeled boots. “‘Just looking for a good parking spot,’ my ass. God, I’m always so right about everything. I'm, like, cosmically correct. I should really play the lottery next time I visit my grandparents..."

“Uh huh.” He’s not sure what luck and correctness have to do with each other, but sure.

She stumbles over a rock; pushes into his side, grinning, “I’m serious! I’ll play the lottery, and I’ll win big, and then you’ll see. Might even split my winnings with you if you’re nice to me.” 

“I’m literally so nice to you all the time, but okay. Can’t wait to take half your earnings when you get ten bucks off a scratcher.” 

“Hey, five bucks is five bucks! That’s like an hour and a half of our lives.”

Jesus Christ. “That’s just depressing.”

They walk arm and arm down the narrow footpath to the party — ferns brushing their calves, dry dirt beneath their shoes kicking up tiny clouds of dust — and as the path opens up Steve sees the place is packed. More packed than the overstuffed parking lot let on. There are people scattered over the picnic grounds in groups of fours and fives, a full dance floor under the main pavilion; a DJ set up at the front with food and drink stands to the side; a giant bowl of spiked punch; a tower of solo cups; a couple of coolers filled with beer.

In the surrounding grass he sees more tables, more people. A couple of guys he remembers from swim team rally around an arm wrestling match; another group plays beer pong on a brown fold-up table that they definitely stole from someone’s church. There's a circle of burnouts playing hacky sack behind a tree.

The bonfire burns brightly on the hillside in the distance, and beyond that he spots the faint glow of trail lights leading up to a bridge under the falls. 

Part of him wants to follow the trail. Shake Robin off, pretend like he’s going to take a leak. Find a nice rocky overhang to camp under for a while.

Listen to river sounds. Gentle slosh; cricket buzz.

Maybe he gets drunk up there alone. Maybe he just enjoys the solitude; lies on a rock on his belly by the icy river’s edge, swirls his hand in frigid water and doesn't dream of dark brown curls.

“Steve?” Robin nudges him. “You good?”

Another, much less annoying part of him reminds him that he’s Steve Goddamn Harrington. He knows how to have a good time at a party.

Who cares if he feels too old to be here, or if it’s weird to see so many faces that used to call him Captain or King? Who cares that he's one smudge of eyeliner away from looking like a full-blown new wave art freak?

He’s not about to slink off to do depressed weirdo wallflower shit when the DJ’s playing Wham!

“Yeah.” He squeezes her shoulder. “You want a drink?” 

“Yes, please.” 

—

The drinks are strong.

Steve’s pretty sure the punch bowl is a lot more hunch than punch, but there’s still no sign of Vickie, and Robin’s getting that sad little stress wrinkle between her brows about it, so Steve says bottoms up and starts chugging. 

They wince their way through two cups each. Robin plugs her nose on the second one like she’s about to do a high dive, and Steve laughs and takes her hand, leading her into the crowd just as Take on Me comes on. The lights all blur together as they shimmy and shake and twirl, moving like a couple of dorks, but Steve’s having a great time. Bobbing his head to the beat; a big, dumb grin on his face as he moves his hips. Robin shouts “Watch this!” over the music, and the next thing he knows they’re competing to see who can bust the worst dance move. 

He brings out all the big guns, the full-groan dad maneuvers.

The sprinkler, the lawn mower, the fucking disco finger. 

Robin answers with a sloppy attempt at the robot, so he makes up a new move he calls be kind, rewind, and she laughs like a horse and pretends to walk down a flight of stairs.

She’s crouched into a goofy lunge, two steps into the ascent back up, when the song fades out and a ballad takes over. The crowd presses in to slow dance; Robin steps on someone's toes.

“Hey, watch it!” the person hisses.

Robin startles hard; knocks herself off-balance when she tries to stand up straight, babbling, "Oh, my god, I'm so sorry! Are you- are you okay? I'm such a klutz, oh, my god, I'm—"

Steve snatches her up under the armpits; puts her back on her feet. Then he looks up and realizes who exactly she just stepped on. 

Well, shit.

—

part 24

tag list part 1 below the cut, let me know if you want me to add you tomorrow (21+ only, please confirm your age if you're asking to be tagged)

@a-little-unsteddie @ahsokatanoss @aliea82 @alyelf @anne-bennett-cosplayer @aol19 @awolfstudio @bambibiest @bananahoneycomb @bookbinderbitch @bronwenmarie @cheonsazu @cinnamon-mushroomabomination @courtjestermunson @cuips-not-cute @dauntlessdiva @dawners @dontwasteyourchances @eddie-munsons-missing-nipple @eriquin @estrellami-1 @fandomfix8 @gregre369 @griefabyss69 @grtwdsmwhr @hallucinatedjosten @hellion-child @hiimlevi @honoragreyskull @hotluncheddie @jackiemonroe5512 @kas-eddie-munson @kingelyx @lifeisacrisis @littlebluejane @marvel-ous-m @melonmochi @messrs-weasley @milklechee @mrsjellymunson @mugloversonly @munsonslure @nburkhardt @nerdyglassescheeseychick @notsopersonalcharlie @novelnovella @nuggies4life @phoenixtheone @questionablequeeries @runninriot

[angstflayer-council]

July Drabble #3- Make Him Pay

“Make him pay.”

Words inked in grey on Steve’s arm since he was born, the last words he’d ever hear his soulmate say. For a long time, the words didn’t make much sense to Steve, they sounded like someone angry, will someone hurt Steve’s soulmate killing them? Will Steve die making them pay?

Now Steve knows about monsters.

The worst part of the words on his arm is that they’re a curse, you won’t know you found them until it’s too late.

Maybe that’s a good thing, it makes you cherish the one you love.

Steve had hoped he had been wrong, that the words wouldn’t be linked to the hell below them.

Hope didn’t stop the words falling from Eddie’s lips.

Steve wanted to beg him to say something else, anything else, one more joke, one more goodbye, anything to stop Steve from losing him.

Want didn’t stop Robin gently pulling his arm and leading him away.

Robin knew, she was the only other person that did, she knew she was walking with Steve to his death or would be bringing him back to Eddie’s.

As Steve’s head slammed back against the wall, vines pulling tightly around his neck, Steve was almost glad, he wished to be the one to go first, the kids would be fine with Eddie.

Wishes didn’t stop them getting free, it didn’t stop Vecna falling with Steve still standing.

Steve didn’t even wait for the girls; he dropped his axe and ran back down the stairs and through the woods, praying he was wrong.

Prayers didn’t stop the fate he knew awaited back at the trailer.

As the door opened though, Steve thought maybe hope and want and wishes and prayers did fix everything because Eddie was in front of him smiling.

The joy he felt didn’t last long because Steve was confused, Eddie should be dead. Was he not Steve’s soulmate, the thought was more heartbreaking than he’d been prepared for.

“You’re supposed to be dead?”

The shock on Eddie’s face was understandable, he’d surely been expecting a happy reunion after their victory.

Steve pulled down his sleeve, exposing his wrist to Eddie who in turn traced the now black words, proving Eddie was his soulmate.

The boys shared a look of confusion.

“But how is that possible,” Eddie said but Steve felt everything click into place.

“Oh Eds, I think I got my last bad hit to the head.”

Make him pay may be the last words Steve ever heard Eddie say, but their sign language gets better every day.

[blasphemousclaw]

a kind of lazy trailer breakdown

I’m interpreting this opening as describing “the beginning” of Marika’s reign, her Golden age, for which she paid a horrible price: committing a “betrayal” that resulted in these mountains of bodies… it looks like maybe the killing of some creature (whose… eye we can see? maybe? who knows) might’ve given her the ability to create a rune embodying her reign? but in creating her realm of gold, that which lay outside of it was cast in shadow… or something

following the creation of Marika’s order was a war so despicable that it was kept a secret… it seems to have taken place within the realm of shadow, which may have been either created or cast into shadow at the moment Marika’s “Gold arose?”

Messmer is the one leading the “purge,” and it’s likely he’s acting within Marika’s interests since it’s heavily implied he’s her son. I wonder if this “purge” is something that must take place in order for Marika’s “Gold” to keep existing? especially because the creatures being “purged” have a lot of resemblance to the Omen and to the Crucible… forms of life that are demonized in Marika’s lands.

lastly, as Messmer’s flame burns, the buildings seem to turn to ash that floats up to this twisted tree seemingly bleeding gold. could it be feeding the tree somehow? is this tree the sinister “shadow” of the Erdtree itself? are they somehow linked through life force? does this golden arc within the tree represent Marika and the birthplace of her Order?

so many questions… Marika has some explaining to do

[warblogs17282]

So, one of the background artists for HB released the courtroom background, and it contains a few quite significant details I'd like to base a theory around in this post.

Warning for potential HB spoilers.

We've all been thinking that it's Stolas who is gonna be put on trial based on what we saw in the trailer, but based on what we know from the courtroom background, I'd like to submit the possibility that it's BLITZ getting put on trial.

My evidence? It all comes down to very similar imagery between the courtroom and Apology Tour.

But first, let's talk about why Blitz could be sent to trial.

It's most likely going to involve the arrangement between Stolas and Blitz that they had before, and what happened as a result of that arrangement being put in place, more specifically,

the DHORKS getting clear cut evidence of demons existing,

and because of them having said evidence, they were able to get more funding from the government, allowing them to create a somewhat successful portal to hell. Which is, as you imagine, a pretty huge fucking problem for the demons.

Now, back to the imagery.

In the courtroom, we see what is very clearly a chopping block based on it's shape and the blood splatter on the chopping block.

And in Apology Tour, we see Verosika chop Blitz's head off the cake.

Included with this scene is a 'chopping' sound effect, which is the common link between the two images, the chopping board and Verosika chopping Blitz's head off the cake, which the similar imagery between the two could point to that scene in Apology Tour foreshadowing future events.

Following this train of logic, it leads us to one brutal conclusion.

Blitz could very well be sentenced to death in his trial. (Obviously the show isn't gonna allow him to be killed, since he's the main character, but my point still sands)

Assuming this theory ends up being correct, it has the potential to recontextualize two key lines in the trailer.

Vassago - "Where is Stolas anyways?"

If it's Blitz's trial, that adds an additional question to us, that being, 'Why is Stolas needed at Blitz's trial?' Is he supposed to be there to give testimony? And then, about what exactly? Regarding the arrangement between him and Blitz? Regarding the meeting with Asmodeus about why Blitz should get an Asmodean Crystal?

Blitz - "Get ready for a life on the run gang!"

This line could very well be unrelated to my theory, but if it is related, Blitz getting sentenced to death could very well be why him and the rest of IMP are on the run now, that or they're trying to avoid getting sentenced at court in the first place.

Which begs the question, are these scenes related to my theory?

Just who are they? Are they humans? Are they hell's version of police?

And, are they trying to capture Blitz and maybe the rest of I.M.P as well? Leading to I.M.P getting destroyed in the process of them attempting to do so?

Truth be told there's a lot of guesswork in this theory, but it's simply another possibility I cannot shake from my mind at all.

Off topic but the things around the cameras at the trial really remind me of Satan for some reason.