#trailer de boda

[anayka05ymewtwo06]

Trailer Teaser despues del Arco paldea panamá especial: Amor Kalos. La Boda de 2 legendarios

Protagonistas Legendarios:Yveltal y Xerneas

Dato

Tambien son protagonistas de paldea panamá Arco 4 parte 2:Basado en Espada y escudo y escarlata y purpura exceptuando que no estan en Paldea programadamente por Motivos de The Pokémon Company.

Sinopsis:

En este caso Rosa Xerneas y Ruby Yveltal (Como no tienen genero.) Rosa Xerneas es una Xerneas Compasiva apasionada alegre amorosa

Sexo: Femenino por el pokécuento

Ruby Yveltal un Yveltal serio pero apasionado. Solo tiene ojos para su amada Rosa Xerneas lucha hasta mas no poder para proteger a Su Amada Xerneas Respetando los vinculos como legendarios de la creación y la destrucción

Sexo: Masculino

(Aunk no tienen genero se trata de una historia de amor de estos legendarios de Kalos.)

Posdata:Allá the pokémon company con su foking joda si no les gusta.

[somosorigen]

Trailer Oficial: Abigail

¿Que puede salir más desastroso que quedarse encerrado en una casona de un millonario?, quedarse encerrado con una niña bailarina vampira… Así es, los responsables de Boda Sangrienta regresan con otra historia de terror y muerte: ABIGAIL. Continue reading Trailer Oficial: Abigail

[fantasmitasolo]

Drama

ese drama " the last immortal " parece muy interesante por lo que eh visto en los trailers y se pone mas bueno porque al parecer hay una boda y la prota parece que rechazara al novio

digo parece por como se vio el trailer , bueno seguire vagando en busca de mas dramas picantes

[mqfotografo]

MQ Fotógrafo Fotógrafos y vídeos de bodas en Sevilla, Huelva, Cádiz y Córdoba.

Vídeo de Boda de Ana y Dani en Isla Cristina, Huelva. Ceremonia y celebración en Espacio Capitana de Isla Cristina.

vídeo de boda, bodas en Huelva, Bodas Isla Cristina, vídeo de boda en Huelva, video de boda en Isla Cristina, Espacio capitana, mejor video de boda en Huelva, fotógrafo de boda en Huelva, Trailer de boda, boda en Espacio Capitana, video de boda en Espacio Capitana

[video-bodas]

video de boda en masia miñerola

[arilise]

Ok, aún no se publica la publicación que quería porque no cargan los enlaces, así que:

VAYAN A VER LOS YOUTUBES DE BEEMOOV!! PUBLICARON TRAILER DEL FUTURO DE CDM!! NUEVOS EPISODIOS Y MÁS!!

GO TO SEE BEEMOOV'S YOUTUBES!! THEY PUBLISHED A TRAILER ABOUT THE FUTURE OF MCL!!! NEW EPISODIES AND MORE!!

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Para CDM Vida Alternativa: 2 episodios nuevos, INCLUYENDO EPISODIO DE BODA!!

For MCL Alternative Life: 2 new episodes, INCLUDING THE WEDDING EPISODE!!

Para CDM en el Amor: EPISODIO DE LA LUNA DE MIEL!

For MCL Love Life: EPISODE OF THE HONEYMOON!

CDM Nueva Generación?

MCL New Gen?

Tenemos CDM para rato 💖💖

[fazfilmes]

Já diz o velho ditado e nós reinventamo-lo: "boda molhada, boda abençoada e depressa iluminada”. O amor e a alegria da Vera e do Tiago, e os ténis hipnotizantes da noiva, foram a luz que o São Pedro escondeu.

Fotografia: Paulo Pinto Fotografias

FAZ FILMES 2017

[thecinelovers]

Película: Melancholia (Melancolía) Director: Lars von Trier País: Dinamarca Año: 2011 Género: Drama. Ciencia ficción | Drama psicológico. Bodas. Justine (Kirsten Dunst) y su prometido Michael (Alexander Skarsgård) celebran su boda con una suntuosa fiesta en casa de su hermana (Charlotte Gainsbourg) y su cuñado (Kiefer Sutherland). Mientras tanto, el planeta Melancolía se dirige hacia la Tierra... Trailer: https://www.youtube.com/watch?v=LIYiCMD9E68 Película Online (HD): https://ok.ru/video/1448658209493 2da Opción: https://ok.ru/video/90731383368 3ra Opción (Doblada): https://ok.ru/video/2093732596425  FESTIVALES: 2011: Premios del Cine Europeo: Mejor película, fotografía y diseño de producción. 8 nom. 2011: Festival de Cannes: Mejor actriz (Kirsten Dunst) 2011: Premios Cesar: Nominada a Mejor película extranjera 2011: Premios Independent Spirit: Nominada a Mejor película extranjera 2011: Círculo de Críticos de Nueva York: 4 nominaciones, incluyendo a mejor película 2011: Asociación de Críticos de Los Angeles: Nominada a Mejor actriz (Dunst) 2011: Asociación de Críticos de Chicago: nom. mejor actriz (Dunst) y fotografía 2011: Premios Goya: Nominada a Mejor película europea 2011: Premios David di Donatello: Nominada a mejor película de la Unión Europea 2011: Premios Gaudí: Nominada a Mejor película europea

Recomendación por Marcos Keinke

[emvisual]

Retrato de una mujer en llamas. La sinopsis sería: "Marianne es una pintora que recibe un encargo muy especial: retratar a Héloïse que acaba de salir del convento y va a casarse. Este retrato de bodas tiene que realizarse sin que ella lo sepa, por lo que Marianne la investigará a diario." el trailer: https://youtu.be/R-fQPTwma9o

[somosorigen]

Trailer Oficial: Mi Gran Boda Griega 3

La familia Portokalos viaja a Grecia para asistir a una reunión familiar en un viaje conmovedor e hilarante lleno de amor, giros y sorpresas. Continue reading Untitled

[unoymediobodas]

TRAILER BODA | PAO & FER

Desde el momento que empezamos en el mundo de las bodas, decidimos ofrecer un servicio más personalizado que transmita la energía de cada boda a la que asistiéramos. con el compromiso de entregar más allá de un lindo videoclip, un video que verdaderamente resuma la hermosa celebración del amor de cada pareja.

Hoy compartimos la historia de una de esas parejas, Fer y Pao, a quienes conocimos hace 4 años en la boda de la hermana de Pao  Ahora que ellos también decidieron confiar en nosotros para documentar su boda, fue aún más especial para nosotros realizar este video.

Cámara: Jonatán Ruiz y Kenty Aguirre 

Audio de la capilla: Ricardo Reyes Huaman

Asistencia: Daniel Linares Chávez

Edición y postproducción: Andrea Quiroz Linares

[video-bodas]

video de boda en San Patricio Alginet - Ampa & Cris 2019

[cinetecabelladonna]

Belladonna of Sadness, 哀しみのベラドンナ

Titulo original: Kanashimi no beradonna

Año: 1973

Duración: 1h 26min

Dirección: Eiichi Yamamoto

Guion: Yoshiyuki Fukuda, Eiichi Yamamoto

Música: Masahiko Satô

Montaje: Masashi Furukawa

Producción: Tadami Watanabe

Productora: Mushi Productions / Nippon Herald Films

Distribución: Nippon Herald Eiga

País: Japón

Gestada durante seis años, propone una reinterpretación psicodélica de la historia de Juana de Arco. Con influencias de las obras de Gustav Klimt, logra crear un hipnótico mundo de fantasías visuales y sonoras plagada de simbolismos.

Junto con Las mil y una noches (1969) y Cleopatra (1970) forma parte de la trilogía “Animerama” ideada por el padre del manga Osamu Tezuka, una serie de películas que experimentaron con la animación buscando una alternativa madura al cine de Disney. La película está basada en The Sorcerier, texto del historiador Jules Michelet que relata la venganza de una bella joven convertida en hechicera tras un pacto diabólico.

En la Francia de fines del siglo XIX, un malvado señor feudal viola a Jeanne de Belladonna, una campesina en su noche de bodas y les arruina la vida a ella y a su marido. Después de que finalmente sea desterrada de su aldea, la joven hace un pacto con el Príncipe de las Tinieblas para obtener habilidades mágicas y vengarse, desatará sus fuerzas ocultas a través de su propia sexualidad para luchar contra el poder establecido. La animación es acompañada por una sorprendente banda sonora de psych rock japonés.

TRAILER 

PELÍCULA 

[ojolalli]

[|Tom y Jerry***] 2021 Completa en Espanol Latino ((Gratis))

# Tom y Jerry 2021 pelicula completa espanol — online gratis, Tom y Jerry 2021 | Descargar — Pelicula Completa [HD-1090p]

5 de marzo de 2021 / Animación, Comedia, Aventura Dirigida por Tim Story Reparto Chloë Grace Moretz, Michael Peña, Ken Jeong Nacionalidad EE.UU.

ver ahora==> http://ver.yess-movie.com/movie/tt1361336/tom-jerry.html

SINOPSIS Tom y Jerry, el gato y el ratón más populares de la historia de la animación, vuelven a reencontrarse. Pero, en esta nueva adaptación en una ubicación distinta, ya que Jerry se ha instalado en el mejor hotel de Nueva York, el cual está preparando “la boda del siglo”. La llegada del ratón está causando ciertos incovenientes que pueden arruinar este gran acontecimiento. Por ello, Kayla (Chloë Moretz), la planificadora de este evento, decide contratar a Tom para atrapar a Jerry. De esta forma, comienza una batalla sin límites entre el gato y el ratón que podría destruir la carrera de Kayla, la boda e, incluso, el hotel. Esta película, dirigida por Tim Story, mezcla de imagen real y animación está basada en los personajes de los clásicos dibujos animados, creados por William Hanna y Joseph Barbera. Esta película de animación de los creadores de Del revés (Inside Out) (2015) y Up (2009), está producida por los estudios Pixar y Disney. Tags: Tom y Jerry pelicula, Tom y Jerry estreno, Tom y Jerry libro, Tom y Jerry trailer, Tom y Jerry reparto, Tom y Jerry estreno españa, Tom y Jerry cartelera, Tom y Jerry cinepolis, Tom y Jerry descargar libro, Tom y Jerry online latino, Tom y Jerry online subtitulado, Tom y Jerry pelicula 2021 Tom y Jerry 2021 pelicula completa en espanol latino, Tom y Jerry 2021 pelicula completa en espanol, Tom y Jerry 2021 pelicula completa en espanol 2017, Tom y Jerry 2021 pelicula completa en espannl para ninos, Tom y Jerry 2021 pelicula online, coco Tom y Jerry 2021 pelicula completa en espanol latino, Tom y Jerry 2021 pelicula mexicana completa, Tom y Jerry 2021 pelicula animada completa en espanol, coco Tom y Jerry 2021 pelicula completa en espanol, Tom y Jerry 2021 pelicula animacion, el Tom y Jerry 2021 pelicula completa en espanol, Tom y Jerry 2021 pelicula completa en espanol latino, Tom y Jerry 2021 pelicula online latino, Tom y Jerry 2021 pelicula cuando se estrena, Tom y Jerry 2021 contagio pelicula completa en espanol, pelicula completa de coco Tom y Jerry 2021 en espanol repelis, Tom y Jerry 2021 pelicula doblaje, Tom y Jerry 2021 pelicula disney, pelicula completa de Jugando con fuego, pelicula de coco Tom y Jerry 2021 completa, pelicula completa del Tom y Jerry 2021 para ninos, videos de Tom y Jerry 2021 pelicula completa, pelicula completa de coco Tom y Jerry 2021 en espanol, pelicula completa de coco Tom y Jerry 2021 en espanol latino, THE STORY After graduating from Harvard, Bryan Stevenson (Michael B. Jordan) forgoes the standard opportunities of seeking employment from big and lucrative law firms; deciding to head to Alabama to defend those wrongfully commended, with the support of local advocate, Eva Ansley (Brie Larson). One of his first, and most poignant, case is that of Walter McMillian (Jamie Foxx, who, in 62, was sentenced to die for the notorious murder of an 2-year-old girl in the community, despite a preponderance of evidence proving his innocence and one singular testimony against him by an individual that doesn’t quite seem to add up. Bryan begins to unravel the tangled threads of McMillian’s case, which becomes embroiled in a relentless labyrinth of legal and political maneuverings and overt unabashed racism of the community as he fights for Walter’s name and others like him. THE GOOD / THE BAD Throughout my years of watching movies and experiencing the wide variety of cinematic storytelling, legal drama movies have certainly cemented themselves in dramatic productions. As I stated above, some have better longevity of being remembered, but most showcase plenty of heated courtroom battles of lawyers defending their clients and unmasking the truth behind the claims (be it wrongfully incarcerated, discovering who did it, or uncovering the shady dealings behind large corporations. Perhaps my first one legal drama was 624’s The Client (I was little young to get all the legality in the movie, but was still managed to get the gist of it all). My second one, which I loved, was probably Primal Fear, with Norton delivering my favorite character role. Of course, I did see To Kill a Mockingbird when I was in the sixth grade for English class. Definitely quite a powerful film. And, of course, let’s not forget Philadelphia and want it meant / stand for. Plus, Hanks and Washington were great in the film. All in all, while not the most popular genre out there, legal drama films still provide a plethora of dramatic storytelling to capture the attention of moviegoers of truth and lies within a dubious justice. Just Mercy is the latest legal crime drama feature and the whole purpose of this movie review. To be honest, I really didn’t much “buzz” about this movie when it was first announced (circa 206) when Broad Green Productions hired the film’s director (Cretton) and actor Michael B. Jordan in the lead role. It was then eventually bought by Warner Bros (the films rights) when Broad Green Productions went Bankrupt. So, I really didn’t hear much about the film until I saw the movie trailer for Just Mercy, which did prove to be quite an interesting tale. Sure, it sort of looked like the generic “legal drama” yarn (judging from the trailer alone), but I was intrigued by it, especially with the film starring Jordan as well as actor Jamie Foxx. I did repeatedly keep on seeing the trailer for the film every time I went to my local movie theater (usually attached to any movie I was seeing with a PG rating and above). So, suffice to say, that Just Mercy’s trailer preview sort of kept me invested and waiting me to see it. Thus, I finally got the chance to see the feature a couple of days ago and I’m ready to share my thoughts on the film. And what are they? Well, good ones….to say the least. While the movie does struggle within the standard framework of similar projects, Just Mercy is a solid legal drama that has plenty of fine cinematic nuances and great performances from its leads. It’s not the “be all to end all” of legal drama endeavors, but its still manages to be more of the favorable motion pictures of these projects. Just Mercy is directed by Destin Daniel Cretton, whose previous directorial works includes such movies like Short Term 6, I Am Not a Hipster, and Glass Castle. Given his past projects (consisting of shorts, documentaries, and a few theatrical motion pictures), Cretton makes Just Mercy is most ambitious endeavor, with the director getting the chance to flex his directorial muscles on a legal drama film, which (like I said above) can manage to evoke plenty of human emotions within its undertaking. Thankfully, Cretton is up to the task and never feels overwhelmed with the movie; approaching (and shaping) the film with respect and a touch of sincerity by speaking to the humanity within its characters, especially within lead characters of Stevenson and McMillian. Of course, legal dramas usually do (be the accused / defendant and his attorney) shine their cinematic lens on these respective characters, so it’s nothing original. However, Cretton does make for a compelling drama within the feature; speaking to some great character drama within its two main lead characters; staging plenty of moments of these twos individuals that ultimately work, including some of the heated courtroom sequences. Like other recent movies (i.e. Brian Banks and The Hate U Give), Cretton makes Just Mercy have an underlining thematical message of racism and corruption that continues to play a part in the US….to this day (incredibly sad, but true). So, of course, the correlation and overall relatively between the movie’s narrative and today’s world is quite crystal-clear right from the get-go, but Cretton never gets overzealous / preachy within its context; allowing the feature to present the subject matter in a timely manner and doesn’t feel like unnecessary or intentionally a “sign of the times” motif. Additionally, the movie also highlights the frustration (almost harsh) injustice of the underprivileged face on a regular basis (most notable those looking to overturn their cases on death row due to negligence and wrongfully accused). Naturally, as somewhat expected (yet still palpable), Just Mercy is a movie about seeking the truth and uncovering corruption in the face of a broken system and ignorant prejudice, with Cretton never shying away from some of the ugly truths that Stevenson faced during the film’s story. Plus, as a side-note, it’s quite admirable for what Bryan Stevenson (the real-life individual) did for his career, with him as well as others that have supported him (and the Equal Justice Initiative) over the years and how he fought for and freed many wrongfully incarcerated individuals that our justice system has failed (again, the poignancy behind the film’s themes / message). It’s great to see humanity being shined and showcased to seek the rights of the wronged and to dispel a flawed system. Thus, whether you like the movie or not, you simply can not deny that truly meaningful job that Bryan Stevenson is doing, which Cretton helps demonstrate in Just Mercy. From the bottom of my heart…. thank you, Mr. Stevenson. In terms of presentation, Just Mercy is a solidly made feature film. Granted, the film probably won’t be remembered for its visual background and theatrical setting nuances or even nominated in various award categories (for presentation / visual appearance), but the film certainly looks pleasing to the eye, with the attention of background aspects appropriate to the movie’s story. Thus, all the usual areas that I mention in this section (i.e. production design, set decorations, costumes, and cinematography) are all good and meet the industry standard for legal drama motion pictures. That being said, the film’s score, which was done by Joel P. West, is quite good and deliver some emotionally drama pieces in a subtle way that harmonizes with many of the feature’s scenes. There are a few problems that I noticed with Just Mercy that, while not completely derailing, just seem to hold the feature back from reaching its full creative cinematic potential. Let’s start with the most prevalent point of criticism (the one that many will criticize about), which is the overall conventional storytelling of the movie. What do I mean? Well, despite the strong case that the film delves into a “based on a true story” aspect and into some pretty wholesome emotional drama, the movie is still structed into a way that it makes it feel vaguely formulaic to the touch. That’s not to say that Just Mercy is a generic tale to be told as the film’s narrative is still quite engaging (with some great acting), but the story being told follows quite a predictable path from start to finish. Granted, I never really read Stevenson’s memoir nor read anything about McMillian’s case, but then I still could easily figure out how the movie was presumably gonna end…. even if the there were narrative problems / setbacks along the way. Basically, if you’ve seeing any legal drama endeavor out there, you’ll get that same formulaic touch with this movie. I kind of wanted see something a little bit different from the film’s structure, but the movie just ends up following the standard narrative beats (and progressions) of the genre. That being said, I still think that this movie is definitely probably one of the better legal dramas out there. This also applies to the film’s script, which was penned by Cretton and Andrew Lanham, which does give plenty of solid entertainment narrative pieces throughout, but lacks the finesse of breaking the mold of the standard legal drama. There are also a couple parts of the movie’s script handling where you can tell that what was true and what fictional. Of course, this is somewhat a customary point of criticism with cinematic tales taking a certain “poetic license” when adapting a “based on a true story” narrative, so it’s not super heavily critical point with me as I expect this to happen. However, there were a few times I could certainly tell what actually happen and what was a tad bit fabricated for the movie. Plus, they were certain parts of the narrative that could’ve easily fleshed out, including what Morrison’s parents felt (and actually show them) during this whole process. Again, not a big deal-breaker, but it did take me out of the movie a few times. Lastly, the film’s script also focuses its light on a supporting character in the movie and, while this made with well-intention to flesh out the character, the camera spotlight on this character sort of goes off on a slight tangent during the feature’s second act. Basically, this storyline could’ve been removed from Just Mercy and still achieve the same palpability in the emotional department. It’s almost like the movie needed to chew up someLa Navidad mágica de los Jangletime and the writers to decided to fill up the time with this side-story. Again, it’s good, but a bit slightly unnecessary. What does help overlook (and elevate) some of these criticisms is the film’s cast, which are really good and definitely helps bring these various characters to life in a theatrical /dramatic way. Leading the charge in Just Mercy is actor Michael B. Jordan, who plays the film’s central protagonist role of Bryan Stevenson. Known for his roles in Creed, Fruitvale Station, and Black Panther, Jordan has certain prove himself to be quite a capable actor, with the actor rising to stardom over the past few years. This is most apparent in this movie, with Jordan making a strong characteristically portrayal as Bryan; showcasing plenty of underlining determination and compelling humanity in his character as he (as Bryan Stevenson) fights for the injustice of those who’s voices have been silenced or dismissed because of the circumstances. It’s definitely a strong character built and Jordan seems quite capable to task in creating a well-acted on-screen performance of Bryan. Behind Jordan is actor Jamie Foxx, who plays the other main lead in the role, Walter McMillian. Foxx, known for his roles in Baby Driver, Django Unchained, and Ray, has certainly been recognized as a talented actor, with plenty of credible roles under his belt. His participation in Just Mercy is another well-acted performance that deserve much praise as its getting (even receiving an Oscar nod for it), with Foxx portraying Walter with enough remorseful grit and humility that makes the character quite compelling to watch. Plus, seeing him and Jordan together in a scene is quite palpable and a joy to watch. The last of the three marquee main leads of the movie is the character of Eva Ansley, the director of operations for EJI (i.e. Stevenson’s right-handed employee / business partner), who is played by actress Brie Larson. Up against the characters of Stevenson and McMillian, Ansley is the weaker of the three main lead; presented as supporting player in the movie, which is perfectly fine as the characters gets the job done (sort of speak) throughout the film’s narrative. However, Larson, known for her roles in Room, 6 Jump Street, and Captain Marvel, makes less of an impact in the role. Her acting is fine and everything works in her portrayal of Eva, but nothing really stands in her performance (again, considering Jordan and Foxx’s performances) and really could’ve been played by another actress and achieved the same goal. The rest of the cast, including actor Tim Blake Nelson (The Incredible Hulk and O Brother, Where Art Thou) as incarcerated inmate Ralph Meyers, actor Rafe Spall (Jurassic World: Fallen Kingdom and The Big Short) as legal attorney Tommy Champan, actress Karan Kendrick (The Hate U Give and Family) as Minnie McMillan, Walter’s wife, actor C.J. LeBlanc (Arsenal and School Spirts) as Walter’s son, John McMillian, actor Rob Morgan (Stranger Things and Mudbound) as death role inmate Herbert Richardson, actor O’Shea Jackson Jr. (Long Shot and Straight Outta Compton) as death role inmate Anthony “Ray” Hinton, actor Michael Harding (Triple 2 and The Young and the Restless) as Sheriff Tate, and actor Hayes Mercure (The Red Road and Mercy Street) as a prison guard named Jeremy, are in the small supporting cast variety. Of course, some have bigger roles than others, but all of these players, which are all acted well, bolster the film’s story within the performances and involvement in Just Mercy’s narrative. FINAL THOUGHTS It’s never too late to fight for justice as Bryan Stevenson fights for the injustice of Walter McMillian’s cast against a legal system that is flawed in the movie Just Mercy. Director Destin Daniel Cretton’s latest film takes a stance on a poignant case; demonstrating the injustice of one (and by extension those wrongfully incarcerated) and wrapping it up in a compelling cinematic story. While the movie does struggle within its standard structure framework (a sort of usual problem with “based on a true story” narrations) as well as some formulaic beats, the movie still manages to rise above those challenges (for the most part), especially thanks to Cretton’s direction (shaping and storytelling) and some great performances all around (most notable in Jordan and Foxx). Personally, I liked this movie. Sure, it definitely had its problem, but those didn’t distract me much from thoroughly enjoying this legal drama feature. Thus, my recommendation for the film is a solid “recommended”, especially those who liked the cast and poignant narratives of legality struggles and the injustice of a failed system / racism. In the end, while the movie isn’t the quintessential legal drama motion picture and doesn’t push the envelope in cinematic innovation, Just Mercy still is able to manage to be a compelling drama that’s powerful in its story, meaningful in its journey, and strong within its statement. Just like Bryan Stevenson says in the movie….” If we could look at ourselves closely…. we can change this world for the better”. Amen to that!

[thecinelovers]

Película: Gone Girl Director: David Fincher País: USA Año: 2014 Género: Intriga. Thriller |  Thriller psicológico El día de su quinto aniversario de boda, Nick Dunne (Ben Affleck) informa que su esposa Amy (Rosamund Pike) ha desaparecido misteriosamente. Pero pronto la presión policial y mediática hace que el retrato de felicidad doméstica que ofrece Nick empiece a tambalearse. Además, su extraña conducta lo convierte en sospechoso, y todo el mundo comienza a preguntase si Nick mató a su esposa... Adaptación del best-seller "Perdida", de Gillian Flynn. Trailer: https://www.youtube.com/watch?v=P_OAQ2jh6g4

Película online (doblada): https://ok.ru/video/1832032864884

NOTA: Disponible en Netflix

FESTIVALES:

2014: Premios Oscar: Nominada a Mejor actriz (Rosamund Pike) 2014: Globos de Oro: 4 nominaciones incluyendo Mejor director 2014: Premios BAFTA: 2 nominaciones incluyendo Mejor actriz (Pike) 2014: National Board of Review: Mejores 10 películas del año 2014: Satellite Awards: 7 nominaciones incluyendo Mejor película 2014: Sindicato de Productores (PGA): Nominada a Mejor película 2014: Sindicato de Guionistas (WGA): Nominada a Mejor guión adaptado 2014: Sindicato de Actores (SAG): Nominada a Mejor actriz (Pike) 2014: Critics Choice Awards: Mejor guión adaptado 2014: Asociación de Críticos de Chicago: Mejor guión adaptado. 4 nominaciones 2014: Círculo de Críticos de San Francisco: Nominada a mejor guion adaptado

[somosorigen]

Trailer Oficial: Love Weddings & Other Disasters

Trailer Oficial: Love Weddings & Other Disasters

Una comedia romántica que nos habla sobre personas que trabajan en el mundo de la planeación de bodas, el como intentan crear el día perfecto para sus clientes y a la vez encontrar a la persona indicada de forma inesperada. Continue reading