#toy Beatles records

[houseofcatwic]

Beatles Fan

[alice-renee]

Mail’s here~🤍💫

[gardenwalrus]

The deleted quarry scene in Help! (as mentioned in this interview)

— Paul McCartney in the Bahamas on the set of Help!, 28 February 1964

[This can be found in the original trailer for Help! - the rest of the footage was destroyed]

"But there are some good scenes from the film. There are shots of us in a disused quarry, using it as a race track. We found it when we were waiting for the technicians. We were screeching around it like mad. Well, they filmed it slyly and put it in the film. Just like that."

- Paul McCartney interview with Norman Jopling, Record Mirror (May 1965)

When John returned from the Bahamas, he told me that the Beatles, on one of their days off, had each rented a Cadillac. After chasing one another around��Nassau at speeds exceeding one hundred miles per hour, they wound up in an unused quarry, where they proceeded to play “bumper cars.” “It was a terrific feeling,” enthused John (who had only passed his driver’s test a few weeks earlier). “Smashing up all those shiny new limos.” The game ended when the last vehicle had been rendered immobile, whereupon John, Paul, George, and Ringo returned to their living quarters on foot, leaving four utterly demolished limousines to languish in the quarry. “So we're going to get some fucking big bill for that one of these days,” John remarked nonchalantly. But the bill never arrived.

- Pete Shotton, John Lennon: in my life (1983)

We rented sports cars which we used to drive around the island, I think they were Triumph Spitfires and MGBs. And as the police were all in the movie, we ever had any trouble with speeding. One day we found a disused quarry and started driving madly around it; skidding, doing doughnuts, going up the sides and spinning out. We made Dick Lester come and set up the camera so he could film us. He shot it with a fish-eye lens and it looked amazing: a big golden quarry with blue and red cars - like little toys - going round the bottom and up the sides. It was never used in the film, but we could sure use it now. We've since found that they destroyed all that footage. People were so short sighted in the old days, it was that 'they'll never last' concept.

- George Harrison in The Beatles Anthology (1995)

A few months later in February of 1965, Chuck Brinkman and I were invited to join the Beatles in the Bahamas where they were filming “Help”. [...] “The Boys” with their well known mischievous streak decided to have some “fun” by wrecking the MG sports car they had been provided. Together they lifted the rear of the car up on two cement cinder blocks, one below each side of the back bumper, and then took delight in starting the motor, laying a brick on the gas peddle and pushing it off the cement blocks for the unattended car to gather speed crashing into a solid cement wall. This was done over and over until the MG no longer could “make the trip” to the wall. With each crash “the boys” leaped for joy squealing in delight cheering on the death of the MG.

- John Rook, KQV radio station director (x)

[cursedcatvibes]

WORLD RECORD!

re4r!incel roommate leon x roommate reader

word count: 3.6k

summary: Incel leon who thinks he’s above women and thinks he’s an alpha male. he’s an absolute piece of shit too.

tags/warnings: 18+ minors DNI! Smut, many many mentions of misogyny. He literally can’t find the clit. P in V, he wrapped it before he tapped it! Incel 😧. quick mention of abuse but it’s not super relevant to the plot. not proofread!

a/n: not much to say other than i cringed so bad trying to write leon’s character, but i was committed, i looked through incel forums on reddit and even got chronically online real quick. also i’m on vacation! so i’m not able to write as much as I want! :( i’ll probably post small drabbles but i will most likely have another full story up in a month considering I cranked out a whole 7k page fic and then now a 3k one. DONT QUOTE ME! Also maybe agent leon x agent reader next. @gettingsilly (my sweetheart who was so hyped about this! here you go my love!)

songs:

pussy - rammstein (highly recommend them)

behind blue eyes - limp bizkit (fun fact; this was the og title of the story!)

rape me - nirvana (this was going to be a non con but i changed my mind)

norwegian wood - the beatles (literally burns the woman’s house down cause she don’t want him😭)

happy reading!

｡ﾟ•┈୨♡୧┈•ﾟ｡

Handsome. Is the first thing that came to mind when you first opened the door to greet your new roommate, Leon. 

-

The rent was getting out of hand these days and you figured it was a way better deal to split the rent instead of living paycheck to paycheck damn near.

The only downside were the horror stories about roommates and even just random strangers too. It made you feel a bit queasy, but what else could you do, a recently single woman and at the ripe age of 25, technically you were in your prime for all types of creeps and weirdos to try and pull something, especially if you live alone.

So you bit the bullet and put up a craigslist ad, putting it at the back of your mind for now while you went back to getting rid of your ex-boyfriend's belongings. 

You only remembered about it when someone responded to it and after a few messages back and forth you gave the address to him and told him he could move in tomorrow. Feeling a bit proud of yourself for even being able to organize such an arrangement.

-

The first thing you noticed was how absolutely built he was, he definitely went to the gym and it made you feel a little insecure for a brief moment, before you stepped to the side to allow him to enter. “Welcome to your new home!” You beamed, happy with what you’ve done to the place. Completely missing the way his eyes ran up and down your body lewdly. 

He only wanted to have a girl roommate because he figured she would give it up easily or at least flaunt her body off to him, much to his dismay you were wearing a hoodie and sweatpants, not a single ounce of skin showing where he could sculpt your body out. “Prude.” Is what ran through his mind.

“Thanks.” He replied stiffly. “Where is my room at?” Leon asked as he looked around, he was kinda pissed off you didn’t show him any goods. He hated girls who didn’t show off their body, but he hated girls who showed off too much, thought they were just whores looking to get some attention.

So what if he catcalled them? Obviously they were dressing like that for attention and got all pissy when he gave them that attention.

You were oblivious to Leon’s degrading thoughts, too focused on trying to make sure he didn’t try to kidnap or murder you. When he spoke about where he would be staying you perked up and showed him the room while also giving a quick tour of the apartment.

You were even sweet enough to help him unpack all his things once they were all brought in! He owned some interesting objects, a bit uncomfortable to watch him unpack as he had a whole box dedicated to just sex toys. Fake pair of tits that were way too big to even be comfortable on a woman, fake mouth, fake ass, and multiple fake pussy’s. That wasn’t even the worst part of it. 

It got all too freaky when he pulled out hentai figurines that had little to no clothes on, all in lewd poses with lewd expressions on their faces, more specifically ahegao. You could feel the initial attraction from him sizzle down to a mere speck of a flame.

How could someone just own all this stuff so casually, flaunting it like it was a toy race car collection? But Leon didn’t care, fictional cat women were so much better than real women. They couldn't reject him or deny him sex. (Because they quite literally couldn’t, they're inanimate figures.)

He had the straightest deadpan expression on his face and you got the heebie jeebies thinking about what he could’ve possibly done with all these weird toys.”So,” You cleared your throat awkwardly, suddenly feeling like every object of his you touched was just icky. “Where did you say you lived before this?” You asked curiously.

Leon glanced over at you, wondering if you were gonna pull your hoodie off and finally show him your tits if he answered all your questions, he was growing frustrated. Dammit woman! Show him something! He thinks this is the longest he had gone without jerking off or watching a porno. If you weren’t gonna entertain him sexually why were you still bothering him?

“My mom’s. She said something about me needing to move out because I'm too old.” He grumbled out, this gave you a major ick, didn’t this guy say he was 27? He wasn’t struggling to get money when clearly he can afford expensive sex toys and other items. “Oh, I’m sorry to hear that.” You replied quietly, to which Leon grunted in acknowledgment.

Once you finished the box you were unpacking you decided the best course of action was to just walk away from this conversation. “It seems like you can handle the rest on your own, I don’t really wanna break any of your computer monitors and stuff.” You said as you stood up from the floor and brushed your hands against your pants.

 “Okay.” Leon hummed, disinterested in  conversation. All he really wanted to do was hurry up and set his computer up so he could jerk off in peace. You leaving his room was a bonus. He didn’t want to be downright rude and kick you out, after all, he is totally a nice guy. Plus he got the opportunity to stare at your ass as you walked out, he could see it jiggling underneath your sweats which was enough to rile him up.

-

You wish you could say it improved from there but unfortunately it did not at all. It only seemed to worsen. Like who the hell is watching porn from the moment they wake up to the moment they fall asleep. It’s all just yucky. The loud and over exaggerated moans that were definitely done for performance and not real. 

The only time Leon would leave his room was to eat or grab some water, he always looked so dazed too, it made you wonder what he was doing in there, you’ve never seen him go to work so it made you curious. 

Leon on the other hand was always so dazed or flustered in the face from the amount of jerking off he does all day. He once ran his dick dry enough to start cumming clear, rubbing himself raw damn near. It’s not like he tried not to get laid, he definitely did. But it never worked.

The way he carried himself was creepy, flaunting the fact he was a nice guy who could give a girl a good time. News flash! If you have to say you’re a nice guy, you're definitely not. Girls often avoided him in middle school and that followed him throughout highschool and even college. So he naturally drifted towards animated women.

He was hot but his personality quite literally sucked, it's like he would attract women because of his looks and as soon as he started speaking they lost interest. But you? You still greeted him every time he came out of his room with a polite smile on your face, offering to cook him something but he always declined because the mere thought of having a woman do something trivial such as cook for him like a traditional woman should, made him hard on the spot.

He had the normal views on life, such as all men do. Women are baby makers, they belong in the kitchen, they should treat their man like a king. It’s not like anyone could change his opinion either. He’s so far into the rabbit hole that his other incels praise him like he was a god, thus only further bursting his massive ego. 

-

You didn’t think much of Leon, not in a harsh way, you just didn’t really know that much about him because you two never spoke like that. All you did know was that he watched porn, maybe a bit too much that was considered normal. It's not like you're shaming him because you watch porn too, but you have some decency, a bit of dignity and pride.

Yet your opinion of him instantly sours when one day he comes out of his room, which reeked with the smell of cum and sweat, the room was humid too, which confused you when you first noticed it. He wore an angry expression on his face as he stomped, yes, like a toddler would, towards the fridge to guzzle down a can of soda. 

You, sitting on the couch mindlessly scrolling through your phone waiting for the time to pass on your off day, you planned to go to a club and slut yourself out to help remind yourself that you’re in fact hot and your ex missed out. Yet when he slammed the fridge door closed that caught your attention, perking your head up like a puppy.

“Uh, you alright?” You asked aloud, watching his eyes snap towards you with a frustrated huff. He figured if you put up with him this long then you must see the same misogynistic views he does about women. “No!” He scoffed out, dragging himself to sit on the couch next to you, like directly. Knees touching and everything.

This piqued your curiosity, maybe you could learn something about him? “What’s wrong?” You questioned as you shut your phone off, sitting up a bit straighter now, putting some distance between the both of you on purpose by grabbing a throw pillow.

Leon then started to rant and you’ve never been more disgusted and horrified in your life before. “I’ve been talking to this really hot chick and we were hitting it off, even had phone sex once or twice but when she asked me who my ideal woman was she ghosted me! Like what's wrong with saying women belong in the kitchen, or doing laundry, or even just cleaning. Women are only here to serve us alpha males.” 

Your nose scrunched up while your face morphed into genuine horror mixed with disgust. Is this seriously his mindset? It must be a joke or something of the sort because no way in hell. “Is.. is this a joke?” You asked, feeling puzzled as you looked around for a hidden camera. Out of all the people you got stuck with, you got stuck with an incel of all people.

Leon stared at you with the most serious face he could muster, he wasn’t kidding, in fact he was getting a bit upset that you were thinking he was joking. “Women are what's wrong with this world! You’re all too soft and so ditzy. You all think men’s feelings are a joke.” He grumbled, crossing his arms over his chest and you swear you can make out a dried cum stain on his clothes. 

You felt so sick and also tickled, you’ve never heard someone or have been around a real life incel before and unfortunately this one came in the form of a super hot guy that wasn’t looking so hot anymore 

“Ew..” You stood up from the couch and stuck your tongue out slightly. “Is that how you see women? No wonder why she ghosted you, you’re a fucking incel.” You scoffed out, to which Leon got offended. “So?! What’s wrong with that?!” He shouted, the tips of his ears turning pink. It was different being scolded by a woman in person rather than over the phone because  he knows they can't hurt him physically but rather verbally. Plus it’s much easier to insult someone online versus real life.

“Do you actually hear the words leaving your mouth?” You questioned, staring him down intensely. Leon tried not to shrink in on himself, it reminded him of his mom telling him that he had done something wrong and now he was in trouble. So he doubled down and sat up straighter too, staring up at you. 

“Yeah, and what about it? Why do women get so butthurt over every little thing?” Leon grunted out, rolling his eyes like a little kid would. You were just astonished that he was willing to keep going even after being confronted with the fact, but you weren’t oblivious to the way his ears were turning red from embarrassment. “Fine, if that’s how you’re gonna be.” You murmured as you sat down on the coffee table right in front of him. His eyes follow your form curiously. If he was being honest the only reason why he actually moved in with you was because he thought you were really hot from your profile picture and even the photo you sent of yourself to prove that you were real, per his request. He jerked off to both photos for hours. (Plus his mom really did kick him out.)

Leon went to question you in hopes of turning the table around to make it backfire on you. Yet as his mouth opened to make another snide remark about women you spoke up first. “Let me be the first one to tell you this, and I mean this too.” You paused as you stared right into his eyes. “No woman is ever gonna have sex with you if you have this mentality and mindset.” You watched his eyes widen a bit and felt some joy come from it.

Leon balled his hands up into fists in genuine anger, a deep part of himself knew she wasn’t lying but the other part was so adamant on her being wrong. Obviously she didn’t know what she was talking about, women never do. “You’re a liar. You’re just jealous.” He scoffed out, narrowing his eyes into thin slits.

You were absolutely not lying.

Far from it actually.

The closest Leon had came to a pussy is on a computer screen, let’s face it. No woman on earth would wanna sleep with such scum such as him, not even prostitutes themselves want to take on such a tedious task. They’d rather kill themselves or have their pimp abuse them than sleep with him.

“Really, name 5 women you’ve had touch you in a romantic way.” You countered, staring into his eyes with an intense expression. Leon opened his mouth to try and smugly name a woman until he realized the answer was 0, he had no names because no one wanted him like that.

It was a blow to his ego and it showed on his face. If he wasn’t such a loser with terrible opinions along with his shitty personality then you would’ve felt bad but you didn’t. It was his own fault.

“That’s not fair.” He grumbled, staring up at you with a slight hurt look on his face. He wanted to get back at you. Make you regret and eat your words. How? Well that problem was quickly answered as he grabbed your wrist and pinned you beneath him on the couch. A yelp leaving your mouth at the sudden movements.

“What the—“ You were suddenly cut off by Leon’s hand slapping over your mouth, he smelled of cum and sweat, it made you wanna gag and throw up on him. “I bet I can make you cum so hard you’ll forget that you were mean to me.” He hissed, his fragile ego was broken because of you!

You furrowed your eyebrows before rolling your eyes. “Whatever.” You said underneath his palm, voice coming out muffled.

Leon smirked and moved his hand off your mouth, gazing lustfully at your body. He seemed confident but on the inside he was screaming at himself. He’s never touched or seen a woman in such an intimate manner in real life. This wasn’t a screen this time.

He gulped and hooked his fingers on the waistband of your sweatpants, he was determined to make you cum if it was the last thing he ever did.

Once he removed your sweatpants he found you commando beneath it. His breath caught in his throat, your mound was glistening beneath the light in the living room. It wasn’t even wet because of him, but he was dumb enough to not know the difference. He stared in awe before looking back up at your face when you cleared your throat awkwardly. “You gonna stare or what?” You questioned.

Leon shook his head before putting his hands on you, gently rubbing your inner thighs. Making you think that for a brief moment he might actually know what he was doing, right up until he pressed his thumb against your lower lips and started rubbing them.

Completely missing your clit.

He felt so aroused and a bit cocky now that he was touching your pussy, his eyes laser focused on your face to see if it was feeling good. He even tried dirty talk too. “Yeah? Does that feel good? I bet it does.” Literally hyping himself up.

You found it hilarious and decided to nod, stifling a laugh as you let out a fake over exaggerated moan he hears in his crappy pornos. Leon let out a soft groan at the sound, his hips bucking up into the air while his cock twitched.

Now, Leon had seen enough porn to know that he needed a condom and lube, obviously they never showed the actors prepping the girls' pretty cunts, they just stuck it in. Spoiler alert, foreplay is hot! None is not.

While Leon ran to his room you took the opportunity to finger yourself, even if you were sure he wasn’t packing much you wanted to be somewhat prepared for a small stretch, you groaned silently, throwing your head back in pleasure, clearly favoring your hand over Leon himself.

When you heard his footsteps you quickly pulled your hand away and watched as he excitedly took his pants off. Wow, so much for knowing how to pleasure a woman. It was funny to watch him struggle to keep it together when he kneeled back between your legs.

“I’m gonna put it in now.” Leon announced, squirting a generous amount of lube on your cunt before (attempting to) rolling on the condom. (You definitely had to help him. The last thing you wanted was to get knocked up by some dimwit.)

He put some lube on his cock, jerking off a bit while looking down at your pussy. Not your face. When he stopped masturbating he slapped the tip of his dick against your clit a few times, your body jolting in pleasure at the sudden sensation.

This immediately boosted his ego and you were in awe he was able to make you feel partially good. He was just daydreaming of how tight and warm your hole was going to feel. His dick wasn’t that big either, it was average length, average size, average balls. Just.. underwhelming and average.

“What’re you waiting for?” You murmured, snapping him out his trance briefly before he cleared his throat. “J-Just trying to brace you for my cock, it’s big right?” Leon questioned, feeling a bit insecure but he wanted you to make him feel better, feel like a man. That was a woman’s purpose after all.

“Yes (no).” You sighed out breathily, keeping up your act, dragging your nails down his body gently, causing him to shudder and nod with a smug look on his face. He pushed himself in fairly easily, considering your ex-boyfriends cock was much bigger and overwhelming, accidentally clenching down around Leon’s sad excuse of a penis which riled him up, thinking you had came.

You definitely missed his dick and now was stuck with some crappy one attached to a misogynistic freak. A soft sound of discomfort left your lips and Leon took it as a sign that you were enjoying it. You must love it! He was so confident in himself!

So confident that after 5-6 thrusts he spilled inside the condom, talk about a minute man. He was a millisecond man. His whole body spasmed from euphoric bliss, he had never cum this hard in his life before, burying his face in your neck, sloppily kissing at your skin because he couldn’t kiss for the life of him.

You were stunned someone could cum so quickly, that had to be a world record or something. Quickest man to cum after sticking it in or some random ass title, you hadn’t realized you had zoned out about the Guinness record book until Leon pulled his cock out from inside you, feeling good about himself.

He was panting softly from the intensity of his orgasm, leaning back against the couch to gaze at your pretty pussy, he wanted to eat you out too, wanting to show you he was good orally too.

“Was it good? Did you cum too?” Leon said as he stared into your eyes, wanting to hear you sing his praises and take back your harsh words that hurt his feelings. Almost like a puppy waiting for its owner to praise them for pissing outside the house instead of inside.

You grabbed your clothes and put them back on, smirking as you stared him dead in the eye. “No, I didn’t cum.” You snickered as his face dropped, kissing his forehead quickly. “Sucks to suck, Leon.” You said casually, getting up to go to your room and nap.

Leon sat on the couch stunned beyond relief, his cock kicking against his thigh as he watched you.

He swore under his breath that you were lying and you did cum, after all, delusion is key, and delusion is what made him become your roommate to begin with.

[underthecitysky]

I finally watched the Rupert and the Frog song (We all Stand Together). I still see people (mostly older, mostly on Facebook) dunking on “the frog chorus” and it’s just so clearly an outdated notion for it to be lame for a musician to make content explicitly for children. It’s so common now for artists who’ve become parents to make something their kids will enjoy. Jack White sang a song with the muppets on Sesame Street because he loves his fucking kids. It’s so normal now.

I get where Mary Had a Little Lamb released as single by a rock band went down wrong .. but this is creative, whimsical content explicitly *for* kids. The SONG, in particular, is beautifully composed, imaginative. Lovely! I keep listening to it.

He was 20 years into his career. The Beatles were never Led Zeppelin. It’s hard for me to wrap my head around people still being so weird about this. He such a well rounded musician; it’s all like an exploration in another part of his creativity. There are elements of the classical composing that would come later… and the playful, experimenter who made Robber’s Ball (my beloved), McCartney II, the Fireman records.

But anyway, watching this today reminded me of this moment from Behind the Scenes of BBC Radio where someone presented Paul and Mike with their childhood Rupert book. The title page filled in by their parents reads “This book belongs to Paul McCartney and Michael McCartney”.

It was either Paul or Mike who said they didn’t get many gifts as kids and for Christmas they’d usually get one toy addressed to Paul and Michael from Father Christmas. It makes me really consider why this Rupert project was so important for him that he held onto it for 15 years, always sort of considering ideas for it. There were those RAM era songs that were specifically for the “Rupert project”. It comes up so much in the McCartney legacy book.

Then there’s the element of the frogs and his history with frogs, from growing the tadpoles in his own hand made frog pond in the backyard and checking on them every day until one day they were frogs that hopped away. Then there was the dark, frog killing episode that shocked his brother and he probably felt some shame about.

But here, in this story, there are guard frogs on duty protecting their mostly undisturbed world. Happy and content, it’s the frogs that create this magical chorus.

There’s even a father and son frog pair who’ve come to see this event that only happens every couple of hundred years.

The father is rather Jim McCartney-esque with his pipe and 1940s style hat and manner. There’s a moment where the son inadvertently annoys his father and instantly recoils like he’s about to get hit and momentarily it looks like the father is considering it but gets a hold of himself.

But later, wrapped up in the music together, the father hugs his son.

I don’t know what I’m saying exactly but I think there’s some exploration of his childhood here and something about Rupert and the frog chorus that’s particularly meaningful to him.

Maybe he’s reconciling the dark, frog killing episode of childhood with the vegetarian, animal lover he’d become by giving the frogs their own hero’s story. Rupert, Jim, the threat of violence, the presence of love, the frogs he loved but also was violent toward.. and music at the center of everything. Unifying, healing. We all stand together.

For anyone interested, the full BBC clip is here

The full Rupert short is here

[brynnterpretations]

THE BOYS' MUSIC TASTES ☻

Click each character's name to see a custom-made playlist for them with song-to-song transitions!

Annie January (Starlight)

Since she was thirteen, Annie has religiously listened to female-led pop-punk such as Alanis Morissette, Garbage, No Doubt, Veruca Salt, and Hole. Even when she was, by all extents, "a good Christian girl" who was expected to shut up and sit pretty, Annie held a fierce nature that she expressed through her music tastes. To avoid being exorcised from her mother (half-joking-half-not-joking), hid her CDs in her old toy chest at the foot of her bed. She keeps them on a neat shelf in she and Hughie's apartment to this day.

Billy Butcher

Billy is an OG punk fan, particularly of the British variety, with his favorite bands being The Clash, Sex Pistols, Dead Kennedys, Ramones, and Black Flag. Ever the rebellious spirit, Billy's music reflects that, and has since he was a child; when times with his father were particularly rough, he'd head down to the nearby record stor with his little brother and haunt the aisles looking for something of interest, where he found his to-be all-time favorite band, The Clash.

Frenchie

Frenchie enjoys psychedelic-rock (and just straight psychedelic) music in both French and English, with some of his favorite artists being The Mystery Lights, Juniore, The Brian Jonestown Massacre, The Limiñanas, and Allah-Las. At first influenced by his heavy-stoner friend group in middle school, Frenchie began developing his own tastes into what they became to this day through a lot of house-shows, concerts, and drugs: per the name, the bands he's into are intertwined with social drug use.

Hughie Campbell

So, obviously, Billy Joel — but, believe it or not, Hughie does listen to other music. He loves '80s and '60s music, specifically Daryl Hall & John Oates, The Beach Boys, Elton John, The Monkees, and TOTO. His music taste came from either the radio (Eagles, Wham!) or his Dad (The Animals, The Beatles), and Hughie prides himself on having an old-school taste in music, no matter how mainstream the bands may be.

Kimiko Miyashiro

Kimiko loves jazz (particularly its "bebop" subsection) and R&B from the '40s, '50s, and '60s, with a particular love for Ella Fitzgerald, Etta James, and Billie Holliday. When she was unfettered from the Shining Light Liberation Army, Kimiko didn't have much music to choose from besides an old Waklkman she swiped from a snoozing man on the streets of Brooklyn. For the next few years, she wore the Walkman and its headphones thin. Currently, she owns a sick vinyl player with an impressive catalogue of Dinah Washington records.

Marvin T. Milk (Mother's Milk/M.M.)

If it isn't obvious enough from his shirts, old-school rap. Growing up in Harlem, M.M. was both surrounded by the rap scene and deeply connected to the values it held (and continues to hold) of Black strength, resilience, and culture. From childhood to adulthood, M.M. has broadened a diverse taste in '80s to '90s rap and hip-hop from mainstream to obscure, and especially loves Public Enemy, Boogie Down Productions, and Run—D.M.C.

[thislovintime]

During the filming of 33 ⅓ Revolutions Per Monkee, November 1968.

Peter leaving The Monkees, post 3 of 3.

“I just basically think that I wasn’t feeling a part of it anymore already by that point, I’d already felt like I was odd man out, and of course I quit almost immediately thereafter.” - Peter Tork, Headquarters radio, 1989

“I’d always had deep doubts, ever since the session for ‘Last Train To Clarksville.’ I walked in there with my guitar and Tommy Boyce and Bobby Hart looked at me with derision and scorn, like, ‘Guitar in your hand, you fool!’ That was the end of it for me. Right there I was done with The Monkees in large measure. I struggled against it with some success at one point. But after Headquarters nobody wanted to be a recording group anymore. I did what I could, but I didn’t feel like there was any reason for me to be there anymore. I wanted to be in a rock group.” - Peter Tork, Head 1994 liner notes

“While we were making the TV Special, knowing I was not going to be there any longer, I just thought to myself — I don’t have to worry about this thing — and I just let everything slide off my back.” - Peter Tork, NME, January 25, 1969

“We never thought of replacing him — there’s only one Peter Tork in the world.” - Michael Nesmith, Melody Maker, March 1, 1969

Q: “So, when you left, did you want to be known as the former Monkee or did you want to erase that part of your past —” Peter Tork: “I tried to erase it.” Q: “— and start anew.” PT: “I tried to erase it completely.” Q: “How do you do that?” PT: “Well, you just don’t do anything connected with it, just absolutely refuse to have anything to do with it.” - NPR, June 1983 (x)

“Headquarters was by far the best album in the sense that it was us. It was honest, it was pure, and we had a great time. Peter says that the reason he quit was because after we did this album, we decided we weren’t going to be a group anymore. It broke his heart, because Headquarters was the whole reason why he’d become one of The Monkees.” - Micky Dolenz, Headquarters 1995 liner notes

“[Micky] did a great job [drumming] on Headquarters. [But] he wasn’t going to do it again, and there was nothing you could do [to change his mind]. We had to go back in the studio. He said, ‘Peter, you can’t go back.’ Eddie Hoh did the drumming [on Pisces, Aquarius, Capricorn & Jones Ltd., save for ‘Cuddly Toy’]. Chip [Douglas] got him ‘cause he could read [music]. The result is that you get directed stuff, there’s no group interaction, which is why I wanted the group to be on the album in the first place. You listen to Beatle albums and one of the things that makes them great is that they have found ways to use who they have to get what they want without asking anyone to do what they couldn’t do. That’s what makes group music happen. That’s all I ever hoped for, and I had it for like a minute on Headquarters.” - Peter Tork, Pisces, Aquarius, Capricorn and Jones Ltd. 2007 liner notes

“[Peter] admits he harbored a lot of bitterness for many years. The main bone of contention was the TV show’s producers insistence that the band members not play their own instruments. [...] ‘I was devastated at first. I originally approached The Monkees in terms of my own desire to be part of a genuine pop-rock music group. I felt like it was a professional slight to me. Like I was being excluded.’” - The Bellingham Herald, August 5, 1996

“Peter wasn’t satisfied musically [with The Monkees]. He’d been led to believe he could express himself musically. He was frustrated.” - Davy Jones, News-Press, May 14, 1977

“‘I was mostly interested in the Monkees as a musical entity,’ Thorkelson commented. ‘We didn’t fully realize that potential, and I felt ripped off.’” - The Bowling Green News Revue, May 24, 1979 (x)

“We’re all sorry to lose Peter but it was all very friendly and I personally can understand what is going through his mind, He’s a clever guy, you know, and he gets kinda restless sometimes. You should see the books he plows through… real deep stuff with words about a mile long.” - Davy Jones, Monkees Monthly, February 1969

“Peter and I were the bulk of the playing ability because we were musicians. But when Peter left it rather unnerved Davy and [Micky] — and I changed my mind [about quitting]. After all, the personal appearances were pretty well satisfying, the music was fun, and the whole thing was fairly lucrative. And Davy and [Micky] left alone would have been in real trouble.” - Michael Nesmith, Disc & Music Echo, September 19, 1970

“If the truth be known, the day Peter quit was probably the happiest day of Mike’s life. They’d never really gotten along, right from day one. Mike had always perceived of Peter as untenable, and they’d always been adversarial, if not outright combative. Finally he was out of the way. Now Mike could get on with doing what he had always wanted to do, make the Monkees his group. And I was happy to go along. I respected Mike and his music and was quite prepared to go along for the ride. [...] I saw Peter’s abdication as a minor setback at most. Basically, I think the three of us really thought that would be able to go on, just as we had before, and nobody would even notice there were only three people on stage instead of four — after all Peter didn’t sing on many of the songs anyway. How naive. […] I suppose it depends on whom you talk to, but as far as I’m concerned, the day Peter quit was the day the music died (apologies to Don McLean).” - Micky Dolenz, I’m A Believer: My Life of Monkees, Music, And Madness (1993)

[brillliantcorners]

+++++++++++ KAWS is an American graffiti artist and designer known for his toys, paintings, and prints. Born Brian Donnelly on November 4, 1974 in Jersey City, NJ, KAWS graduated with a BFA from the School of Visual Arts in New York and went on to work in animation. “When your whole art is based on the lettering you choose, you kinda figure out what ones work together. I just liked the shapes of the k, a, w, s,” he explained of his moniker. Having started as a graffiti artist in New York in the early 1990s, KAWS began reworking advertisements in his distinctive style. Pop Art and culture permeate his cartoonish Companion series of figurines, which bear a resemblance to the works of  Takashi Murakami.KAWS worked together with Nike in 2017 to produce an Air Jordan 4 shoe and has done multiple collaborations with the clothing brand Uniqlo, continuing to blur the boundaries between fine and commercial art. The artist is also known for his large scale public installations, such as 2019’s KAWS: Holiday which was installed in the Hong Kong harbor during Basel Hong Kong. In 2019, THE KAWS ALBUM (2005) sold at auction for a record $14.8 million, breaking his previous record of $2.7 million which was set in 2018. This work is a take on the Beatles' famous 1967 album cover for Sgt. Pepper's Lonely Hearts Club Band, but instead replaced with characters from The Simpsons with the artist's signature Xs drawn across their eyes and skull. After years in the industry, KAWS gained approval from his peers in the street art world and more recently prestige from the museum and gallery worlds. Today, his work can be found in the collections at the High Museum of Art in Atlanta, the Modern Art Museum of Fort Worth, and the Rosenblum Collection in Paris. KAWS currently lives and works in Brooklyn, NY.

[torchlitinthedesert]

Transcript under the cut.

Paul

"Life had just started to get a bit messy when Linda became pregnant with Mary. Allen Klein [the American business manager] was involved iwtht he Beatles and, over the year, things seemed to get more chaotic and worrying. Then, the miracle: our Mary. The chaos got pushed to one side and all I cared about was being a dad. But there was still a lot of unpleasantness flying around, so in the end I said: "Let's get out of here, go to Scotland and be a family." It wasn't planned, but Mary came at exactly the right time. She changed my perspective to a degree where I could look at what was happening with the Beatles and think, "Does it really matter?"

If you were a dad in the late 1960s, you were part of taht first wave who got involved with the whole process of pregnancy and birth. One afternoon I remember going down to the local Family Planning Association and picking up a booklet called You Are Having A New Baby. I loved reading it: "At this-many-weeks, your baby will be as big as an orange." And then being there at the birth! In my dad's day, that would have been unheard of.

My first solo album came out in 1970 and I decided to use one of Linda's photos of me and Mary on the cover. This tiny head poking out from the inside of my jacket. These days you wouldn't do it because it feels dangerous to put pictures of your kids out there, but back then we weren't bothered. A lot of musical acquiantances warned me that being a dad would change my professional life. You can't take kids on tour, you can't have them in the sutdio. My professional life did change because I was no longer in the band, but I was still writing and recording. For the first Wings tour in 1972 we simply packed a load of nappies and toys and took the kids with us.

Later, when they were at school, I'd have a word with the headmaster. "Look, we'll be away for six weeks and I don't relish the thought of getting a call in Australia saying something happened to one of the kids." The school gave us a list of the lessons they'd be missing and we took a tutor with us, which the kids hated. They saw it as a six-week holiday. Like all parents, we were dreading the rebellious teens, but the most rebellion we had from Mary and Stella was having to listen to Wham! all day long. Looking back, I guess that wasn't too bad.

In 1998 Mary and the kids lost their mum and I lost … Linda. I knew it was my job to be “strong Dad who keeps it together”, but you can’t do that the whole time unless you completely hide your feelings. Eventually my emotions started leaking out. That’s when the roles were reversed and the kids rallied round me. We got through it, but we all struggled because she was the glue that held everything together.

Linda would have been so happy to see how far vegetarianism has come since we started the food business [in 1991]. And now Mary’s continuing the tradition with her own vegan cooking show. Yes, I’m proud of what I’ve achieved musically, but I’m also proud that Linda played such a big part in bringing vegetarian food into people’s homes.

Christmas and new year were a big family thing when I was a kid, so I keep the tradition going. Me and Nancy [Shevell, whom he married in 2011] like to go to Mary’s, the grandkids running around with their new toys. I do it for them as much as me — I want them to experience the same joy I felt at their age. That connection with family is what keeps me sane. I’ve got my fingers crossed for 2022. Like everyone, I’m hoping we’ll get a chance to do some of the things we’ve missed out on, see the people we love. It’ll be nice to have a bit more normality.

Mary

My earliest memories are split between London and the farm in Scotland. The excitement of city life versus absolute solitude. It was still exciting but in a different way: riding ponies, climbing trees, helping Mum in the kitchen. And the sound of Dad’s guitar.

It makes me laugh now, but there were some afternoons when we’d be watching cartoons and Dad would wander over with his guitar. He’d sit down and start playing this beautiful music, messing around with melodies and songs. We’d all give him an evil stare. “Dad, we’re watching telly. Go in the kitchen.” One time he said: “Do you know how many people would love to be sitting here now, listening to me play guitar?” I just shrugged. “But we can’t hear The Wombles.”

Being a vegetarian family in the late 1970s marked you out as different. Everybody said it was all Mum’s idea and she’d forced Dad to stop eating meat, but they did it as a team. I remember them discussing recipes and Dad saying he still wanted something he could slice for his Sunday roast. Mum was always excited about cooking and she inspired me. Dad’s pretty good in the kitchen — he’d make a great sous-chef. If you ask him to sort out the mashed potato, it’ll be the best you’ve ever tasted. He’s meticulous, just like he is in the studio.

Of course people made fun of Mum and Dad for being veggie. They made fun of Mum for a lot of things, saying she wasn’t a real musician, she wore odd socks and charity-shop jumpers. The real problem was that she didn’t fit the mould of the woman they wanted Paul McCartney to marry. They wanted someone who went to all the chichi parties, but Mum was more interested in feeding the animals on the farm.

Mum and Dad insisted we went to the local comprehensive school, which made me feel a bit awkward at the time. I’d be in school for a term, then off on tour. When I came back, all my friends had made new friends. Now, when I look back, I realise what a smart move it was. It kept us grounded.

Dad was almost too enthusiastic when it came to helping with homework. On my own I could knock it off in half an hour but Dad would get out the encyclopaedia, he’d be cross-referencing and drawing graphs. The teachers must have got suspicious when I gave in these ridiculously detailed essays. Dad said education changed his life and he wanted to pass that love of learning on to us.

I look at Dad and think, after all he’s been through, how has he managed to stay in one piece? He has found a way of keeping a level head, no matter what else is happening in his life. My own personal theory — I’ve not talked to Dad about this — is that he needs normality because that’s what inspires him. Real life and real people. That’s where all the music comes from.

Every year that goes by I seem to find a new level of admiration for what Dad has achieved — and Mum too. My husband and I have this game where we try to get through a day without coming across a reference to Dad or the Beatles. What usually happens is that I get to around nine o’clock, then something comes on the radio or I see an ad for the new Beatles documentary.

I do listen to the Beatles at home, but it’s the Wings stuff I play the most. Mum’s not around any more, but when she’s doing her backing vocals I can still hear her and Dad together. There’s a song called I Am Your Singer — that always gets me. “When day is done, harmonies will linger on.”

[haxyr3]

How Prefixes Modify Verbs

Hello dear Russian learners, 

Working on the quick guide to Russian prefixes took me much more time than I expected, but I can finally say that I am about to finish it. There are only two prefixes left to describe. 

In the meantime, I decided to show you how prefixes modify verbs. For example, you all know the verb писать, to write. If we add prefixes to it, it will change its meaning, sometimes even cardinally. Here you are.

Написать - you know this verb too. It is a perfective version of писать, you use it to say that the writing is finished.

Я почти написала книгу! - I almost have the book written!

Описать - means to describe, to portray. The prefix о- on the most abstract level means "all around". Описать - is when you put together the features of a person or an object into a whole picture, you describe something or someone "all around".

Я не могу описать всей красоты Великих Озёр! I can't describe the beauty of the Great Lakes!

Переписать - means to rewrite, to copy. Пере- often means "re-", doing something again. Лев Толстой переписал Анну Каренину, но остался недоволен результатом. Leo Tolstoy rewrote Anna Karenina, but was dissatisfied with the result.

Списать - means to write off or to plagiarize.  

Он списал у меня контрольную работу!  He cheated off my test paper!

Прописать - means to prescribe. This is what doctors do when you need some medicine. 

Врач прописал ей аспирин. The doctor prescribed her aspirin.

Расписать - has several different meanings. It can mean to describe something in great detail, or to give very detailed instructions, but it can also mean to paint (a toy, a Russian nesting doll, etc.).

Она расписывает каждую матрёшку три-четыре часа.  She paints each matryoshka for three to four hours.

Выписать - means to sign out, to write out, to discharge. The prefix вы- almost always means "out", right?

Её выписали из больницы, ура!  She's out of the hospital, yay!

Записать - means to write down, to record, or to enroll.  

Здесь легендарная группа The Beatles записала свой последний альбом. This is where the legendary band The Beatles recorded their last album.

Надписать - means to make an inscription, to label, to write something above something else. This is how the prefix "над-" - over, above - modified the verb. 

Он надписал нам обручальные кольца.  He inscribed the wedding rings for us.

Исписать - means to cover something with writings or to use up (a pen or a pencil).  The prefix ис- usually means "to exhaust resources", so when you exhaust a paper and/or a pencil, you can say,

Я исписала блокнот и карандаш!  I wrote out a notebook and used up a pencil!

If you want to understand more about prefixes and how they modify verbs, join me on April 19th, 7 pm EDT, for an online workshop dedicated solely to verbal prefixes.

[posttexasstressdisorder]

Sunday, 12-08-24, 2pm Pacific

'Afternoon all, Mr. Baggins back with our Afternoon Stack of Classic Wax. This afternoon we pay tribute to the man who stood for everything my generation fought for, because today marks the 44th anniversary of his being gunned down by a CIA psyop'd christian nationalist. Yes, I still miss and revere John Lennon. I'm starting this off with my favorite of John's tracks off Magical Mystery Tour, issued as a single before the album. "Let me take you down..."

John was the first of The Beatles to begin putting out solo material, and he was quite early and prolific. Released in 1969, here is the first official record made by a soon-to-be-Ex-Beatle, made in a Canadian hotel room with a host of celebs and hangers-on (including Petula Clark and Joni Mitchell!), issued in the last months of 1969, this became the protest song of our generation:

John had his demons, toying with heroin in the last days of The Beatles; here is his second single, his song about withdrawal. It was the first of the singles for the "A" side to be labeled "PLAY LOUD" and Yoko's "B" side labeled "PLAY SOFT".

By the time the decade changed, John had issued his Plastic Ono Band album, and keeping with the tradition of issuing singles that were not on any albums, in February 1970, he gave us one of his most indelible hits, also labeled "PLAY LOUD": Instant Karma!

By the beginning of '71, everyone had listened to the Plastic Ono Band album, with it's rawness and power hitting everyone in the face...no hyper-produced sound. No studio fuckery. Just raw, stripped-down, emotive beyond belief, rock and roll. The main takeaway was that John had gone through Art Janov's "Primal Scream" therapy, and had begun dealing with his demons for real. The biggest demon? His mother. She didn't want him, she didn't raise him. But he loved her. This next single, which was issued in the last days of 1970 and became a hit in '71, was one of the things that came out of the Primal Scream therapy sessions.

When this next single blasted out of the radio for the very first time, I got goosebumps. It activated something deep in my soul that has never gone dormant since. This became yet another potent protest anthem of my generation, and it is still as powerful today as it was nearly 54 years ago, when I first heard it.

By this time, John was recording what would be his biggest album of the '70s, which gave us yet another "Anthem of The People", the title cut, "Imagine". his gentle ode to world peace, Issued on a mysterious "white apple" label, never seen before or since, that matched the label on the album, which was issued September 9, 1971.

And John and Yoko gave us a Xmas song at the end of '71 which is still the only Xmas song I can stomach. It also was another "Anthem for the People", easy to sing en-masse at protests: "Happy Xmas (war is over)". It was issued on GREEN see-through vinyl! I remember actually crying when I first heard it come out of the radio all those years ago...the tears just came. That's how you know a record is MAGIC!

And while John has been vilified for his earlier treatment of his ex-wife Cynthia, he had been dealing with his demons and changing. He put out this next single, which would be his only single in 1972, as an anthem for women's rights. It was controversial for having the "n" word in the title. I remember he and Yoko going on Dick Cavett's show to promo it, performing it live. That interview and performance are still out there on youtube, recommended viewing!

Then came 1973, and John and Yoko began having problems, which John enshrined in his next album with the title cut, "Mind Games". It was his first single for '73, and became a ubiquitous top ten hit.

That's, sadly, all the space we have for this Afternoon Stack of Classic Wax! I will probably have a second installment for the rest of John's hits, and some of my favorite "John songs" from The Beatles. It's difficult for me to articulate just what John meant to me, I've tried with my pinned post, which is a long read, but might give y'all some idea of how much John influenced me, and my sub-generation.

This is Mr. Baggins signing off for now, I'll return at 7pm Pacific with a set of music to soothe your achin' nerves and help ease us all into a good night.

Until then, be kind, babies, be kind.

Baggins out.

[noelleusesthisasaficdump]

Lovey

As much as he loved his daughter, he wanted to smother her with a pillow, sleep was a rarity now that she’s lived with them and learned that screaming her head off is the way to be fed or changed.

Four in the morning. Four in the fucking morning.

“Flora Katherine, I’m getting up. You will get what you need. Little brat” he muttered the part about her being a brat under his breath. Knowing she oddly understood when he was being grumpy towards her.

Wayne was home, he held a warm bottle out to the teen father, Eddie muttered a thanks and rushed back into his room.

She ate but whimpered as he started putting her down to go back to sleep.

“Okay Bug, wanna hear a song?” He remembered his mom singing him many Beatles songs growing up “Hey Jude…”

She fell back asleep before he finished the song and they slept like that, Eddie holding her close to his chest and her drooling onto him.

They woke up only a few hours later for Eddie to get ready for work. He did his routine and laid Flora in Wayne's bed so he could get ready and then got her ready.

They had been rotating her onesies in and out for the last two weeks and Wayne had told him to get her some things while he was on break today when they said goodbye to each other

On the way to the mall Flora slept like a dream and it was silent. Eddie walked in like normal and said hello to the old ladies playing bridge like usual, they cooed over Flora and he continued on to Scoops.

He got to work opening and fell into routine, this summer would be good, he’d deal less and maybe be able to take Flora and do fun things with her like the pool. By the end of it all he would maybe have enough saved up to rent an apartment and she could have a nice life until they left Hawkins.

Eddie constructed a life for her in his head, thoughts of taking her to the playground and bandaging her scraped knees. One day she would ride a bike and he could teach her how to drive when she’s older.

He would do everything for her.

“Morning Eddie” Robin walked in and they fist bumped like normal.

“Hey Robin”

“Good morning baby” She cooed at Flora who was slowly waking up from her slumber. Having Flora in his baby carrier helped with the tips a lot. Robin helped get her into the device and they started the finishing touches on opening up shop.

Steve came in later than Eddie, Robin opened most days, claiming even thought she wasn’t a morning person, that she liked opening the shop because it wasn’t as busy in the morning

The trio got through the rush easily since they had developed their routine. Then before long Eddie noticed he could take his break, he only had 30 minutes to grab food for himself, eat, and get his little girl some new clothes

“Shit.” Steve turned to Eddie with a look of concern “I have to get food during the lunch rush and then run to get Flora some new clothes, we’re running out of clean onesies fast these days” Steve held his hands out, in an offering

“I can take Flora if you run and grab her some onesies, I’d recommend a 3-6 month one, maybe some socks for when it gets cold back here.” Eddie gave him a blank look “My cousin has a baby.”

Eddie bowed slightly in a thankful gesture, before running out into the mall in a full sprint, hoping to knock out the shopping before getting food so he would be able to eat while it was still warm.

The mothers in the Bye Bye Baby gave him enough weird looks for a lifetime as he was grabbing multiples of different colored onesies and socks, grabbing some toys for good measure, slapping everything down on the counter while showing his mall discount and slapping the money down.

Looking down at his watch told him that he was only 8 minutes into his break.

New record.

After running with the bag of baby things to the food court and cutting many people in line Eddie had time to run into the back and scarf down his Chinese food without going over his 30 minutes for a break.

“Dude. You should be on the track team, or football team” Robin looked at him in awe

“I’m a drug dealer, well I was, I know how to run and dodge” Eddie said with a mouthful of fried rice. “But I played football for a year in middle school, I broke my elbow so my uncle said no to another season. Too broke for all the injuries.” Steve handed Flora back, her wide eyes looking up at her dad as he shoveled food into his mouth and bounced her.

“You got her a lovey?” Steve’s voice broke the sound of food and Floras giggling as she was bounced

“That’s what it's called? I just called it a jojo when I was little. I thought it would be nice, I had one when I was a baby and had it forever, a little piece of me she can have when I finally find someone to watch her while I work” Eddie closed up his to go box and tossed it away in the trash before playing with Flora a little bit.

Robin signaled that the break was over and Eddie went back out front.

The rest of the Friday rush went smoothly and they were all able to go home before midnight for once.

[reckonslepoisson]

Pandemonium Shadow Show, Harry Nilsson (1967)

Harry Nilsson loved the Beatles and they loved him, and that’s all very audible on 1967’s Pandemonium Shadow Show, my introduction to Nilsson’s life and works. His first record of a formative streak on RCA Victor, it’s slick and easily digestible if more conventional and less explorative than his best.

Pick: ‘Cuddly Toy’

[bijouxcarys]

I know this is a bit late, but I’ve been meaning to share my Spotify top 100 songs from 2023. So uh… here it is lol

Whole Lotta Love - Led Zeppelin

Baba O’Riley - The Who

Sunshine Of Your Love - Cream

The Sound of Silence (Acoustic) - Simon & Garfunkel

Let’s Live For Today - The Grass Roots

Immigrant Song - Led Zeppelin

Paint It, Black - The Rolling Stones

Sweet Emotion - Aerosmith

California Dreamin’ - The Mamas & The Papas

Cherry Bomb - The Runaways

Voodoo Child (Slight Return) - Jimi Hendrix

Eat The Rich - Aerosmith

Dazed and Confused - Led Zeppelin

(Don’t Fear) The Reaper - Blue Öyster Cult

Wig Wam Bam - Sweet

Kings and Queens - Aerosmith

You Shook Me - Led Zeppelin

Great King Rat - Queen

Born To Be Wild - Steppenwolf

Last Child - Aerosmith

April Come She Will - Simon & Garfunkel

Tie Your Mother Down - Queen

Barracuda - Heart

Dream On - Aerosmith

Jungle Boogie - Kool & The Gang

You’re So Vain - Carly Simon

Touch Me - The Doors

Pink - Aerosmith

The Riddle - Gigi D’Agostino

Ramble On - Led Zeppelin

All Day and All of the Night - The Kinks

Dude (Looks Like A Lady) - Aerosmith

Around The World (La La La La) - A Touch Of Class

I Was Made For Lovin’ You - KISS

Another Brick in the Wall, Pt. 2 - Pink Floyd

Magic Touch - Aerosmith

Rebel Rebel - David Bowie

My Generation - The Who

EAT ME - Demi Lovato, Royal & the Serpent

Cheese Cake - Aerosmith

Drowse - Queen

Good Vibrations - The Beach Boys

Off To The Races - Lana Del Rey

Walk This Way - Aerosmith

Cum on Feel the Noize - Slade

I Get Around - The Beach Boys

Layla - Derek & The Dominos

Mrs. Robinson - Simon & Garfunkel

The Hustle - Van McCoy

SKIN OF MY TEETH - Demi Lovato

Piece of My Heart - Janis Joplin

Super Freak - Rick James

Rasputin - Boney M.

Bad Reputation - Joan Jett & the Blackhearts

Love In An Elevator - Aerosmith

You Know You Belong To Me - Queen

Dancing in the Moonlight - King Harvest

Here Comes The Sun - The Beatles

Sedona Sunrise - Aerosmith

You Can’t Hurry Love - The Supremes

Hold the Line - TOTO

Time of the Season - The Zombies

I Want To Hold Your Hand - The Beatles

Bass Slut - S3RL

Born To Die - Lana Del Rey

Seven Seas Of Rhye - Queen

Taste of India - Aerosmith

House Of The Rising Sun - The Animals

(I Can’t Get No) Satisfaction - The Rolling Stones

Son And Daughter - Queen

29 - Demi Lovato

Happier Than Ever - Billie Eilish

Pretty Rave Girl - S3RL

Tarzan & Jane - Toy-Box

The Fairy Feller’s Master-Stroke - Queen

A Building Panic (Album Suite) - James Horner

Drop Dead Gorgeous - Aerosmith

Oxytocin - Billie Eilish

I Can’t Live With You - Queen

Debil - DJ Blyatman

Big Ten Inch Record - Aerosmith

NDA - Billie Eilish

Now I’m Here - Queen

No More Mr. Nice Guy - Alice Cooper

Janie’s Got A Gun - Aerosmith

Therefore I Am - Billie Eilish

The Logical Song - Scooter

Crimson and Clover - Joan Jett & the Blackhearts

Crazy - Aerosmith

HEAVEN - Demi Lovato

Alone - Heart

L’Amour Toujours - Gigi D’Agostino

Angel - Aerosmith

All Along the Watchtower - Jimi Hendrix

FREAK - Demi Lovato, YUNGBLUD

my strange addiction - Billie Eilish

Sight For Sore Eyes - Aerosmith

Purple Haze - Jimi Hendrix

Brighton Rock - Queen

Bring It on Home - Led Zeppelin

[gayleviticus]

assorted thoughts on the two new doctor who episodes (spoilers below)

space babies

Weird concept but I think it worked. i dont think the token political allegory had a ton of depth but the stuff about stories is interesting enough i feel like i need to think abt it a little bit

my biggest issue is it feels like the doctor and ruby do a very jarring 180 on sparing the bogeyman at the end. like, i think in some ways it was predictable, but it happens so abruptly after they show zero concern for the bogeyman even knowing the truth of its origins I was super confused. like, i was just content to dismiss it as literally a pile of snot and not a living being.

ironically given the pro-choice vibes in the episode, this actually reminded me a little of kill the moon, where the episode doesn't spend any time actually fleshing out what the Bogeyman is, whether it has consciousness, its degree of sentience etc, the characters just decide killing is bad.

since this episode doesnt try to make a moral dilemma of it it feels less bad than kill the moon (altho I think unfair moral dilemma is a very deliberate choice on KtM's part to make you empathise w Clara aginst the Doctor) but I think it makes the 180 more baffling given the episode seems so uninterested in the Bogeyman as an actual being? if that makes sense?

the devil's chord

to be honest, while it was a fun watch at the time, this felt like an episode that ran out of ideas midway and the more I think about it the more I sour on it. at least scripting wise - i do think this was a very strong episode presentation wise!

Based on this and the Giggle I genuinely don't think RTD knows how to write godlike adversary; both these stories generally collapse into just 'godlike enemy hams it up and does goofy things while the doctor tries random stufff to save the day.' Like, as soon as Maestro turned up it felt as if the thread of narrative logic snapped and it just became a random events plot. And I felt the same with the Toymaker.

I think the issue is that these episodes overplay the power differential so much the Doctor doesn't have any kind of plan - but because these godlike entities like to toy w their victims it means neither the protagonist or antagonist are really driving the plot? i think the fact Maestro read as hammy rather than threatening also didn't help.

I also think these episodes don't set up clear enough rules. If you're going to have godlike aliens with gimmicks confronting the Doctor, the obvious appeal is that it's a story about manipulating the rules of the game to come out on top. It's like dealing with the Fey - or even Weeping Angels; the tension is in figuring out how to rules lawyer the godlike alien out of existence. But instead too much is made of the Doctor not knowing the rules and not attempting to discover the rules and it becomes boring. And if you take that aspect away what actually is the appeal of Doctor vs godlike alien?

They should have played devil went down to georgia during the music battle smh

The Beatles saving the day felt cheap, but it would have been incredibly cheap if they weren't real life people. Like can you imagine any other Doctor Who episode where one-off characters dismissed in the first 10 minutes save the day?

ngl while the ending song was fun and not lyrically terrible... it did feel like the lyrics were ironically the same kind of thing as the bad songs they were lampooning at the start of like, just perfunctorily rhyming random things together? idk. i guess it wasn't as pedestrian but i found it a bit funny

both

i feel like these episodes had a bit more of a return to a kind of procedural investigation format of Doctor Who - characters turn up to a new location and slowly have to piece together what's going on, the rules. which we also had previously in Wild Blue Yonder tbf, but i think it's interesting.

I like how there were moments where Ruby takes charge and says something a bit Doctorly - like when they enter the recording studio in devil's chord she says something like "Right, let's go!" and leads the way. It's a small touch but it just subtly chips away at the dynamic where the Doctor is always In Charge yknow?

Space Babies riffing on End of the World and Devil's Chord riffing on Pyramids of Mars for exposition scenes is perfectly justifiable (esp in the latter case given Pyramids of Mars is like 50 years old now), but I did definitely feel w those scenes that I'd seen it all before? Like, it's one thing to reuse a tropey scene because it's an efficient way of moving the story along, but I felt w both those scenes as soon as I knew what was going on I'd seen it all before. Nothing new. I could go to the toilet for a couple minutes

The magical realism is interesting (the handling of godlike beings aside) but i especially like the ideas of memories, songs hidden in Ruby's soul, and the snow appearing - that's very cool!

[kcyars99]

The 2024 MTV Video Music Awards are on Wednesday night!

let’s be clear, since debuting in 1984(that’s 40 years ago!) The video music awards (or vmas for short) had some outrageous and iconic moments that we will never forget. Here’s a list from each year

1980s

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Radio City Music Hall, site of 12 VMAs, including the first

1984: at the first MTV Video Music Awards in 1984, Madonna performed her hit "Like a Virgin" wearing a combination bustier/wedding gown, including her trademark "Boy Toy" belt. During the performance, she rolled around on the floor, revealing lace stockings and a garter.[7] Cyndi Lauper spoke in "Exorcist-esque gibberish" to explain the VMA rules right before winning the Best Female video for "Girls Just Want to Have Fun".[8] David Bowie, the Beatles and director Richard Lester were rewarded with the first ever Video Vanguard Awards for their work in pioneering the music video. The Cars' "You Might Think" won the very first video of the year, beating out Michael Jackson's "Thriller" and Herbie Hancock's "Rockit".[9]

1987: At the 1987 MTV Video Music Awards, Peter Gabriel won ten awards, including the Video Vanguard Award and Video of the Year for his video "Sledgehammer", holding the VMA record for most Moonmen in a single night.

1988: At the 1988 MTV Video Music Awards, Michael Jackson appeared for the first time. A pre-recorded live performance of Bad was shown."[10] He was also awarded the Video Vanguard Award,[11] which was later renamed in his honor.

1989: Comedian Andrew Dice Clays appeared at the 1989 Video Music Awards to promote his new movie, The Adventures of Ford Fairlane, earning a "lifetime ban" from the network when he introduced Cher with some of his recently notorious nursery rhymes that contained vulgar language and references.[12] After performing with Tom Petty, Guns N' Roses guitarist Izzy Stradlin was assaulted by Mötley Crüe lead singer Vince Neil, leading to a verbal battle between Neil and Guns N' Roses lead singer Axl Rose.[13]

Jon Bon Jovi and Richie Sambora turned out a stripped-down acoustic performance of the Bon Jovi hits "Wanted Dead or Alive and "Livin' on a Prayer", and in the process possibly provided the inspirational spark for MTV Unplugged.[14][15]

Paula Abdul was nominated for six awards, picking up four wins. She performed a seven-minute medley of her singles "Straight Up", "Cold Hearted", and "Forever Your Girl".[14]

When Madonna won the Viewer's Choice Award (sponsored by Pepsi-Cola) for her "Like a Prayer" video, she thanked Pepsi-Cola in her acceptance speech "for causing so much controversy". Pepsi-Cola had paid Madonna $5 million to appear in a commercial that would predominantly feature the world premiere of "Like a Prayer"; the commercial, titled "Make a Wish", depicted Madonna drinking Pepsi and watching a home video of her eighth birthday. The tone that the commercial sought to convey sharply contrasted with the music video. When Pepsi executives saw the video, they yanked the advertisement after only two airings, in an attempt to dissociate themselves from Madonna.[16] She also gave one of the most memorable performances of her hit "Express Yourself", as a preview of what would become her Blond Ambition World Tour.[14]

1990s

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Nirvana performing at the 1992 MTV Video Music Awards

1990: at the 1990 MTV Video Music Awards, Madonna performed her single "Vogue", which featured Madonna and her backup dancers dressed in an 18th-century French theme, with Madonna bearing great resemblance to Marie Antoinette. The performance consisted of both a dramatic historical reinterpretation of "Vogue" as well as her dramatically becorseted breasts.[17]

1991: during the award show the MTV Video Vanguard Award was renamed to the Michael Jackson Video Vanguard Award from then on, in honor of his contributions to the culture of music videos[18] by changing them from a mere promotional tool featuring musicians playing instruments and singing, to a "short film" with a storyline. His video "Thriller" influenced and changed music videos into what it is like today.[19]

A conflict between Poison's Bret Michaels and C.C. DeVille culminated in a fistfight at the 1991 MTV Video Music Awards. DeVille was fired and replaced by Pennsylvanian guitarist Richie Kotzen.[20] Paul Reubens had his first public appearance, during the opening montage, following an arrest for lewd-conduct earlier that year. Taking the stage in costume as Pee-wee Herman, he received a standing ovation, after which he asked the audience, "Heard any good jokes lately?".[21] After his appearance, Van Halen made their television debut, performing "Poundcake". Metallica was another highlight of the performances with "Enter Sandman".

Prince and The New Power Generation performed their sexually charged song "Gett Off" on a Caligula-esque set, with Prince dressed in a yellow mesh outfit which infamously exposed his buttocks. His trousers were parodied numerous times throughout the following year, on the sketch comedy TV series In Living Color, and even at the following year's VMAs by radio shock jock Howard Stern. It also marked the final TV appearance of Kiss with Eric Carr prior to Carr's death in November 1991.

1992: in the 1992 show, MTV requested Nirvana perform "Smells Like Teen Spirit", while the band itself had indicated it preferred to play new songs "Rape Me" and "tourette's". Network executives continued to push for "Teen Spirit" but finally offered the band a choice to play either "Teen Spirit" or "Lithium", which the band appeared to accept. At the performance, Nirvana began to play, and Kurt Cobain played the first few chords of the song, "Rape Me", much to the horror of MTV execs, before continuing their regular performance of "Lithium". Near the end of the song, frustrated that his amplifier had stopped functioning, bassist Krist Novoselic decided to toss his bass into the air for dramatic effect. He misjudged the landing, and the bass ended up bouncing off of his forehead, forcing him to stumble off the stage in a daze.[22]

Backstage and before the show, Guns N' Roses vocalist Axl Rose challenged Cobain to a fight after he, his wife, Hole lead singer Courtney Love, and Nirvana bandmates Krist Novoselic and Dave Grohl egged him on. At the end of Nirvana's performance, while Cobain was trashing the band's equipment, Dave Grohl ran to the microphone and shouted "Hi, Axl! Where's Axl?" repeatedly. Guns N' Roses' video for the ballad "November Rain" won the MTV Video Music Award for best cinematography. During the show, the band performed "November Rain" with singer Elton John. Because of the dispute Rose had with Cobain, moments before the "November Rain" performance, Cobain spat on the keys of what he thought was Axl's piano. Cobain later revealed that he was shocked to see Elton John play on the piano he had spat on.[10] During the commercial break, the Alien 3 Pepsi commercial was shown.

Radio host Howard Stern appeared as Fartman, Stern's radio superhero, wearing a buttocks-exposing costume obviously inspired by Prince's outfit from the previous year. Stern was a presenter for best hard rock/metal performance with actor Luke Perry (after several other celebrities turned him down).

1993: at the 1993 MTV Video Music Awards, Madonna opened the show in a gender-bending performance of her song "Bye Bye Baby", in which Madonna and her two backup singers, dressed in tuxedos and top hats, danced with women in corsets in a choreographed, highly sexual routine.[23]

RuPaul and Milton Berle, who had conflicts backstage, presented an award together. When Berle touched RuPaul's breasts, RuPaul ad-libbed the line "So you used to wear gowns, but now you're wearing diapers."[23]

Rapper Snoop Dogg presented the Best R&B Video award with Dr. Dre and George Clinton. At the time, Snoop was wanted in connection with the week-old drive-by murder of an L.A. gang member.[23]

Janet Jackson closed the show with her performance of "That's the Way Love Goes" & "If".

1994: at the 1994 MTV Video Music Awards on September 8, months after a profanity-laced appearance on the Late Show with David Letterman, Madonna was announced to present the award for Best Video of the Year. She came out, arm-in-arm with an unannounced David Letterman, to a wild ovation. At the microphone, Letterman told her "I'll be in the car. Watch your language", and left.[24]

Recently betrothed couple Michael Jackson and Lisa Marie Presley received a standing ovation as they walked on stage hand-in-hand. After turning to the audience and proclaiming, "And just think, nobody thought this would last", Jackson grabbed Presley and kissed her.[25][26]

1995: at the 1995 MTV Video Music Awards, Hole perform the song "Violet" from their major-label debut album Live Through This. This was one of the first major televised performances given by frontwoman Courtney Love following the death of her husband Kurt Cobain and the death of her band's bassist Kristen Pfaff in 1994. Before beginning the song, Love dedicated the performance to her husband and different people in the entertainment industry who had recently died: "This is for Kurt, and Kristen, and River, and Joe, and today Joni Abbott, this is for you." Abbott worked in the Talent Relations department at MTV and had recently committed suicide.[27] The song ended with Love throwing her guitar, knocking the microphone stand into the crowd and pushing over speaker-boxes with bandmate Eric Erlandson before exiting the stage.[28] Love also caused a stir when she interrupted a post-ceremony interview with Kurt Loder and Madonna by throwing her make-up compacts at the singer as they broadcast outside the awards venue.[29]

Michael Jackson performed for over 15 minutes to a medley of his main songs, including "Scream", and danced his signature moves, including the robot, moonwalk and the relatively unknown "Bankhead Bounce". While Slash accompanied Jackson and played guitar on "Black or White and the beginning of Billie Jean".[30] This performance was voted by the public as the Best VMA Pop Performance and Most Iconic VMA Performance in 2011 with more than half the votes.[31][32]

TLC was the big winner of the night won four awards, including "Viewer's Choice", "Best Group Video", and "Video of the Year" (Waterfalls).

1996: at the 1996 MTV Video Music Awards, the four original members of Van Halen received 20-second standing ovation when they made their first public appearance together since their break-up in 1985.

Several weeks later, the public learned that Van Halen would not reunite with Roth. Roth released a statement apologizing to fans, stating that he was an unwitting participant in a publicity stunt to sell more copies of the greatest hits album, Best Of Vol. 1, and that he had been led to believe that he was rejoining Van Halen. The following day, Eddie and Alex Van Halen released a statement, stating that they had been honest with Roth, and never led him to believe that he had been re-hired.[citation needed]

During British band Oasis' performance at the show, lead vocalist Liam Gallagher made rude gestures at brother Noel as he was playing his guitar solo, then spat beer all over the stage before storming off.[33]

Alanis Morissette performed "Your House", a hidden track from her bestseller album "Jagged Little Pill".

The recently reunited Kiss closed the show with a special concert aired from the Brooklyn Bridge.[34]

Tupac Shakur made his final public appearance before his murder.

1997: at the 1997 MTV Video Music Awards, Pat Smear announced that he was leaving Foo Fighters halfway through their performance and presented his replacement, Franz Stahl, who had been a member of the band Scream with Dave Grohl.[35]

The Spice Girls, who won the best dance video award to the for their music video "Wannabe", who wore a black strap on their left arms as a sign of grief because of Diana, Princess of Wales's death prior to the event.

While accepting the MTV Video Music Award for Best New Artist Video that year for "Sleep to Dream", Fiona Apple appealed to her audience not to be enamored of celebrity culture. She proclaimed, "this world is bullshit" and quoted Maya Angelou, saying "go with yourself". Though her comments were generally greeted with cheers and applause at the awards ceremony, the media backlash was huge. Some considered her remarks to be hypocritical, however she was unapologetic: "When I have something to say, I'll say it."[36][37][38]

Shock-rocker Marilyn Manson performed the song "The Beautiful People", as the grand finale, and the video for this song was nominated for "Best Rock Video" and "Best Special Effects", marking one of the most significant performances for the band.[39]

1998: at the 1998 MTV Video Music Awards, during the original broadcast of the show, a commercial faded in the Nine Inch Nails NIN logo on a black screen while playing a combination of music that started as a solo piano piece and morphed into an electronic/industrial beat (which would later found out to be the songs "La Mer" and "Into the Void", which share many melodic components and can be considered variations on a theme) and ended with Trent Reznor screaming "Tried to save myself, but myself kept slipping away" and the word "ninetynine" in the trademark NIN reversed-N font. This was only shown once during the original broadcast, was edited out of all repeats.

Geri Halliwell attended the event, one of her first public appearances since she left the Spice Girls.[40]

At the red carpet, actress Rose McGowan was wearing a see-through dress, no bra, and a thong,[41] while Mariah Carey and Whitney Houston poked fun at their rumored rift by wearing lookalike chocolate brown dresses by Vera Wang. In an attempt to outdo each other, the singers tore off pieces of their dresses to reveal minidresses then staged a faux catfight that left the audience in disbelief. "People thought Whitney and I had some kind of beef", explained Carey.[42]

1999: Lil' Kim showed up at the 1999 MTV Video Music Awards with an entire breast exposed and only a small pasty over the nipple. Kim's outfit became even more controversial later when she appeared on stage with former Supremes member Diana Ross and Mary J. Blige to present the Best Hip-Hop Video award, and Ross reached over, cupped her hand under Kim's exposed breast and jiggled it while Kim laughed.[43]

During the following acceptance speech by the Beastie Boys, group member Ad-Rock addressed the instances of rape and sexual assault that occurred in the crowd at the recent Woodstock 1999 concert event. He pleaded to other musicians in the room to make a change in the way they treat fans at concerts; to pledge to talk with promoters and security to ensure "the safety of all the girls and the women who come to our shows".[44]

Afeni Shakur and Voletta Wallace, the mothers of the recently deceased Tupac Shakur and The Notorious B.I.G., met for the first time at the ceremony.[45]

Britney Spears made her debut appearance on the show, performing her single "...Baby One More Time" and later introducing NSYNC for "Tearin' Up My Heart".

Ricky Martin took the stage of the ceremony to perform his singles "She's All I Ever Had" and "Livin' la Vida Loca".[46]

TLC won Best Group Video for "No Scrubs", receiving a standing ovation from the audience and artists. For the second year in a row, the Backstreet Boys took the Viewer's Choice Award for "I Want It That Way", a song they performed during the broadcast.

Before presenting the final award, a group of drag queens paid tribute to Madonna wearing her most iconic outfits with a medley of her hit songs. Madonna herself then appeared onstage and remarked, "All I have to say is that it takes a real man to fill my shoes." She then introduced Paul McCartney, who presented the Video of the Year to "some guy called Laurence Hill" (Lauryn Hill).

2000s

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Kanye West taking the microphone from Taylor Swift at the 2009 MTV Video Music Awards

2000: at the 2000 Video Music Awards, Limp Bizkit won the award for Best Rock Video. As vocalist Fred Durst spoke, Rage Against the Machine bassist Tim Commerford climbed onto the scaffolding of the set. Durst egged Commerford on, saying "Stage dive, dude" and "Take a dive", finally ending his speech with "and [Commerford]'s a pussy 'cause he won't jump". Commerford and his bodyguard were sentenced to a night in jail. RATM vocalist Zack de la Rocha reportedly left the awards after Commerford's stunt. RATM guitarist Tom Morello recalled that Commerford related his plan to the rest of the band before the show, and that both de la Rocha and Morello advised him against it immediately after Bizkit was presented the award.[47][48]

Eminem performed his two singles "The Real Slim Shady" and "The Way I Am". The performance began with Eminem's single "The Real Slim Shady" which started outside the Radio City Music Hall on 6th Avenue, Manhattan. Eminem continued his performance into the arena and was followed by a hundred Eminem 'clones' wearing white tank tops and baggy jeans with bleached blonde hair.[49]

Napster co-founder Shawn Fanning co-introduced Britney Spears. Fanning wore a Metallica T-shirt, much to the displeasure of Metallica drummer and anti-Napster advocate Lars Ulrich. Britney performed "(I Can't Get No) Satisfaction" and her newest smash hit "Oops!... I Did It Again", which gained media attention mostly due to Spears's ripping off a tuxedo to reveal nude-colored performance attire. At performance's end, VMA co-host Marlon Wayans proclaimed, "Girl done went from 'The Mickey Mouse Club' to the strip club."[50]

At the end of Christina Aguilera's performance, Durst walked onstage and performed part of his band's song "Livin' It Up" with Aguilera. After eliciting charged reactions from his fans, Durst stated: "I already told you guys before, I did it all for the nookie, man."[51] The feud died weeks later. Aguilera denied Durst's statement, saying Durst "got no nookie".[52]

Aguilera and Spears disproved rumors of a rivalry when they came onstage, holding hands, and introduced Whitney Houston. Houston, who had been targeted by the media for erratic behavior, canceled appearances, drug use rumors and being busted for carrying marijuana at a Hawaii airport just a few months prior, came out to a standing ovation and introduced an award to Eminem with husband Bobby Brown, who was recently let out from jail. Houston revealed more erratic behavior, jumping up and down saying "free" in reference to Brown's recent jail release. Aaliyah would win two MTV Video Music Awards for Best Female Video and Best Video from a Film for "Try Again".[citation needed]

2001: at the 2001 Video Music Awards, Britney Spears performed her single, "I'm a Slave 4 U". while dancing in a very revealing outfit, the performance featured the singer in a cage with a tiger and briefly dancing with a real albino snake on her shoulders. The inclusion of a tiger and a snake in the performance bought a great deal of criticism from PETA.[50][53]

U2 had been set to perform a medley including "Elevation", "Beautiful Day" and "Stuck in a Moment You Can't Get Out Of". The riser they were performing on lost power and MTV had to cut to several minutes of promos while everything was set up again. They lost power again and finally the band was lowered to the ground and performed without the riser. After the performance, lead singer Bono explained that MTV "forgot to pay the electricity bill".[54]

Michael Jackson made a surprise appearance at the end of NSYNC's performance of "Pop". Surrounded by members of the group, Jackson performed some of his trademark dance moves to Justin Timberlake's beatboxing.[54]

The show paid tribute to the R&B singer/actress Aaliyah, who was supposed to present an award but died two weeks before from a plane crash. U2 paid tribute to punk-rock singer Joey Ramone, who died of lymphoma 4 months before.[55]

2002: in 2002, the VMAs took place on Michael Jackson's birthday, and as a tribute, Britney Spears introduced him saying she "considered him the artist of the millennium". Jackson said, "When I was a little boy growing up in Indiana if someone told me I'd be getting 'the artist of the millennium award,' I'd have never believed it."[56] A year later, at the 2003 VMAs, this was parodied by presenters Fred Durst and Jack Black, with Durst stating that Black was the "funniest man alive".[50][57]

The Hives and The Vines both performed on the night after the sudden garage rock revival during the year, with rumors spreading around that it was to be 'battle of the bands' performance. Once The Hives performed, singer Howlin' Pelle Almqvist said to the crowd "I know you want us to play more, but that's all the time we have for so you can turn off [your TV] now",[58] just before The Vines came on the bigger stage to perform their hit single "Get Free", ultimately destroying their set after their performance.

Triumph the Insult Comic Dog appeared and had a confrontation with Eminem. Eminem had a confrontation with Moby, who had called the rapper's music misogynistic and homophobic. By that time, there were multiple boos from the crowd. The Best Male Video award was given to Eminem right after the confrontation with Triumph and Moby, and when Eminem went to stage to pick up the award, in the middle of his speech, he challenged Moby to fight if he continued to boo him.[59]

Justin Timberlake made his solo performance debut on the show, performing his single "Like I Love You".

Tionne "T-Boz" Watkins and Rozonda "Chilli" Thomas, the surviving members of the top-selling R&B trio TLC, made their first television appearance since the death of bandmate Lisa "Left Eye" Lopes.[59]

Shakira took the stage of the VMAs to perform her single "Objection (Tango)".

Christina Aguilera shocked the audience by wearing a skimpy outfit and heavy makeup, with a dirty look removing her good-girl image.[60] She was part of an awkward moment at the awards when presenting the Best Male Video Award to Eminem, who had insulted her in 2000.[61]

Canadian artist Avril Lavigne won her first award ever as Best New Artist in a Video, getting the record for the youngest artist so far to win this award at the age of 17. She kicked off the 2002 VMAs with a "Complicated" / "Sk8er Boi" pre-show performance and together with Lisa Marie Presley they gave the award for Best Female Video to Pink who was under the effects of alcohol during her acceptance speech.[59]

Axl Rose unveiled the new lineup of New Guns N' Roses. The band's set was the show's finale, and although the performance was meant to be kept a secret, some New York radio outlets announced the performance earlier in the day. The band played a set consisting of "Welcome to the Jungle", "Madagascar", and "Paradise City".[62]

2003: at the 2003 Video Music Awards, Madonna played a groom kissing her brides, Britney Spears and Christina Aguilera, on stage. The gender role-reversal and lesbian theme instantly made front-page headlines. The three singers performed a medley of her classic hit, "Like a Virgin", and her then latest release, "Hollywood", with a guest rap by Missy Elliott. A quick camera cut to the reaction of Justin Timberlake, who dated Spears until 2002, also gained media attention.[63] The design resembled Madonna's performance of "Like a Virgin" at the 1984 VMAs: the same wedding cake set, wedding dresses and "Boy Toy" belt worn by Madonna 19 years ago now adorned Aguilera and Spears.[64]

Beyoncé opened her performance by descending upside down from the rafters at Radio City Music Hall. Knowles performed "Baby Boy" as she was gently lowered to the stage, dressed in harem pants. She was later joined by Jay-Z as they performed their duet "Crazy in Love". The performance marked Knowles' solo debut.[65]

2004: the 2004 MTV Video Music Awards were held at the American Airlines Arena in Miami, Florida. This was the first time the awards show was held outside of New York City and Los Angeles. It was the first video music awards to not have a host.[66]

2005: at the 2005 show, Green Day returned, taking home the Best Rock Video, Best Group Video, and Video of the Year Moonmen for "Boulevard of Broken Dreams", which they performed during the broadcast. They also took the Viewer's Choice award for "American Idiot".

The 2005 VMAs were the first to have a performance in Spanish, when Shakira performed her single "La Tortura" with Alejandro Sanz. It was also the first time that Spanish-language videos were nominated at the awards.[67]

Also at the show, while introducing the reggaeton spot, Fat Joe made a disparaging comment about G-Unit: "I'd like to tell the people home I feel so safe tonight with all this police protection courtesy of G-Unit...". Later in the show, after G-Unit's performance, 50 Cent directed profanities at Fat Joe which were edited out before the shows airing although some broadcasts played the uncensored version of the show.[68] Reggaeton artists Daddy Yankee, Tego Calderón and Don Omar performed.

Actress Eva Longoria caused a stir when she appeared barely dressed to introduce Mariah Carey.[69] Gwen Stefani and Snoop Dogg won best dressed female and male and received prizes to donate to a charity of their choice.[70]

Kelly Clarkson performed a high energy version of her song "Since U Been Gone" barefoot wearing a graphic belly top and capri pants. Clarkson moved through the crowd during the performance, which culminated in the singer getting sprayed with water. By the end of the song, she and a portion of the audience were soaking wet.[71] R. Kelly performed his rap opera, "Trapped in the Closet".[67]

Animated duo Beavis and Butt-head appeared in several Viewer's Choice award skits, saying to "Vote to put Beavis and Butt-head back on MTV!".[72] Rather belatedly, the TV show returned to MTV in 2011.

2006: Justin Timberlake opened the 2006 Video Music Awards performing his singles "My Love" and "SexyBack". The awards were distributed evenly widespread all genres, as hip-hop, pop and rock artists alike all won Moonmen. 2006 was also the first time that viewers voted for all the performer's categories (Video of the Year, Best Male Video, Best Group Video, among others, except professional categories).[73]

When Panic! at the Disco won Video of the Year for "I Write Sins Not Tragedies", a man calling himself Sixx jumped onstage claiming that MTV had denied him his own TV show.[73] Hosted by Jack Black, there were also performances by Shakira with Wyclef Jean, Beyoncé, Christina Aguilera and The Killers.

2007: the 2007 Video Music Awards was opened by Britney Spears performing her comeback single "Gimme More". To many, Spears failed to live up to the pre-show hype. She wore black sequined lingerie and put in less energy than her previous performances.[74][75] The performance was called "career crippling".[43]

Kid Rock and Tommy Lee were involved in an altercation during Alicia Keys's performance. Lee was sitting with magician Criss Angel when the two went to visit Diddy, who was sitting close to Kid Rock. Kid Rock allegedly punched Tommy Lee in the face. The two were broken up, and both were escorted from the resort. Angel was removed a short time later.[76]

2008: the 2008 Video Music Awards were opened by Britney Spears which welcomed everybody to the 25-year anniversary of the Video Music Awards. Barbadian singer Rihanna opened the show with her song "Disturbia" in a very revealing black leather outfit. After 16 nominations, Britney Spears finally won her first VMA, taking Best Female Video, Best Pop Video, and Video of the Year for "Piece of Me", considered as Spears' comeback.[citation needed]

Host Russell Brand commented on Democratic presidential nominee Barack Obama, begging the audience to vote for him. Brand called President George W. Bush a "retarded cowboy" and claimed Bush "wouldn't be trusted with a pair of scissors in Britain".[77]

Russell Brand also made comments on the Jonas Brothers for wearing purity rings. Brand later faced criticism for his swipes at the trio. He confirmed his apology at the MTV Video Music Awards 2009 by saying "I upset the Jonas Brothers last year, I had to say sorry to them and they forgave me. They had to, they're Christians." During her introduction of T.I. and Rihanna's performance, Jordin Sparks, who also wears a purity ring, defended the boy-band by saying "It's not bad to wear a promise ring because not everybody, guy or girl, wants to be a slut." Sparks was in turn criticized for implying that those who do not wear purity rings or do not abstain are promiscuous.[78]

2009: at the 2009 Video Music Awards, singer-songwriter Taylor Swift won Best Female video for "You Belong with Me". During her acceptance speech, rapper Kanye West unexpectedly showed up on stage. Taking the microphone from Swift, he announced "Yo Taylor, I'm really happy for you, and Imma let you finish, but Beyoncé had one of the best videos of all time. One of the best videos of all time!".[79][80] MTV cut away from the stage (showing Beyoncé with a shocked and disapproved look) after West gave the microphone back to Swift and giving the middle finger to the audience as they started booing him off stage, and so Swift did not finish her speech. West was removed for the rest of the show. However, when Beyoncé won Video of the Year for "Single Ladies (Put a Ring on It)", she called Swift back on stage to "have her moment" (finishing her speech from winning Best Female Video). In an off-the-record portion of an interview the following day, President Barack Obama called West a "jackass" for his antics.[81] During a post-interview, Jay-Z admitted West was wrong to go on stage, but he thought people were overreacting to the incident.[82]

Madonna opened the show talking about her experiences with Michael Jackson. After her speech, a Michael Jackson tribute commenced, including Janet Jackson performing the duet "Scream". The show closed with a sneak preview of Michael Jackson's This Is It movie.[83]

At the show's red carpet, Colombian singer Shakira and American singer Pink attended with the same dress. Both singers took it humorously and posed together for the paparazzi.

Lady Gaga later performed her song "Paparazzi" and shocked the audience when she appeared to bleed out on stage. It was actually a contraption in her outfit.[84] Beyoncé performed her song "Single Ladies (Put a Ring on It)" with over two dozen female dancers dancing with her.[85] Pink performed her single "Sober" while doing a trapeze act during the entire performance while singing live.

Rapper Lil Mama jumped on stage as Jay-Z and Alicia Keys performed "Empire State of Mind".[86] Lil Mama later apologized.[87] During an interview with New York Radio DJ Angie Martinez, Jay-Z said that he thought the unrehearsed move was something similar to the West and Swift incident.[87]

Beyoncé, Lady Gaga and Green Day were the big winners of the night, with three awards each.[85]

2010s

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The standing inflatable KAWS moonman at the 2013 MTV Video Music Awards

The redesigned moon man by Jeremy Scott at the 2015 MTV Video Music Awards

2010: at the 2010 MTV Video Music Awards, Taylor Swift performed her song "Innocent", while Kanye West performed "Runaway" with Pusha T giving a stellar performance on the MPC2000.[88] Eminem, who performed at the show, did not receive his awards in person, as he had to leave immediately to perform with Jay Z at The Home & Home Tour in New York City the next day.[89] Additionally, will.i.am's "blackface" outfit sparked controversy among African-Americans.[90] Florence + the Machine performed "Dog Days Are Over".[91]

Lady Gaga won eight awards, including Video of the Year, Best Female Video, and Best Pop Video for "Bad Romance"; she also won Best Collaboration for "Telephone" with Beyoncé. Upon accepting her Video of the Year award, Gaga wore a dress made entirely of raw meat, which drew criticism from PETA.[92] While accepting her Video of the Year award, Lady Gaga announced the title of her next album, Born This Way, and sang the chorus of its title track and lead single. Justin Bieber won Best New Artist, making him the second youngest Canada-born artist to ever win a VMA (first being Avril Lavigne in 2002).[93]

Overall, the show grabbed 11.4 million viewers—the largest audience for an MTV Video Music Awards since 2002, and until 2011's new record.[94]

2011: the 2011 MTV Video Music Awards returned to the Nokia Theatre in Los Angeles, California. In the entire history of the show, this was the third time no host was scheduled, although Kevin Hart, who would receive the position a year later, delivered an opening monologue.

Lady Gaga opened the show dressed as her alter ego Joe Calderone, delivering a monologue and then performing her single "You and I" from her album Born This Way. She was joined on stage by Queen band member and guitarist Brian May.

The tribute to Britney Spears included performances by young talents, who danced to various hit singles by Spears including "...Baby One More Time" and "Till the World Ends". After the tribute, Lady Gaga went onstage to present Spears the Michael Jackson Video Vanguard Award.[95] While accepting her award she and Gaga (dressed as her alter ego Joe Calderone) teased a kiss. Spears rejected the exchange saying, "I've done that already", referring to her liplock with Madonna at the 2003 show.[96]

During Kanye West and Jay Z's surprise performance of "Otis", a man attempted to rush the stage but was quickly taken off by security.[97]

Katy Perry and Kanye West won the Award for Best Video for a Collaborative Single. As they went onstage to receive the award, Perry made a reference to West's incident with Taylor Swift two years back. This was the first award Perry won in four years of being nominated.[98]

Prior to her performance, Beyoncé announced on the red carpet that she and husband/rapper Jay Z were expecting a child. Straight after Beyoncé finished performing her song "Love on Top", she also revealed again that she was pregnant by showing off her baby bump and rubbing it. That evening, Beyoncé set the record for the most mentions on Twitter per second (with 8,868) and helped this year's VMAs become the most-watched broadcast in MTV history, pulling in 12.4 million viewers.[99]

A tribute to late singer Amy Winehouse also took place; Russell Brand delivered a monologue on his thoughts on her, after which Tony Bennett previewed his collaboration with her for his album Duets II. Afterwards, Bruno Mars performed "Valerie" in her honor.[100]

Katy Perry won three awards including Video of the Year for "Firework", and Lady Gaga won two awards, including the new category Best Video With a Message for "Born This Way".[101]

2012: The 2012 MTV Video Music Awards aired live from the Staples Center in Los Angeles, California on September 6, 2012. British boy band One Direction was the big winner of the night receiving Best New Artist, Best Pop Video, and Most Share Worthy Video. Rihanna won the Video of the Year Award for "We Found Love".

2013: For the 2013 MTV Video Music Awards, MTV redesigned its moonman statue[102] for one year only due to the ceremony's being held in Brooklyn for the first time. Brooklyn-based artist KAWS used Michelin Man as inspiration to redesign the image of the renowned MTV moonman. Barclays Center, which served as the venue for the 2013 show, was decorated also by KAWS, themed around the redesigned moonman. The 2013 VMAs also marked the fourth time in the award show's history that a host had not been appointed for the annual event.[103] Lady Gaga opened the ceremony, performing her single "Applause". During the performance, Gaga changed three times on stage and gave a tribute to her past eras (The Fame, The Fame Monster and Born This Way). At the end, Gaga came on stage wearing nothing but a seashell bikini.

Miley Cyrus' performance of her song "We Can't Stop" featured the former Disney star entering the stage through a giant teddy bear wearing a one-piece bodice with a teddy bear design on it. The singer performed with a group of female backup dancers dressed as giant bears before singer Robin Thicke joins with Cyrus on stage to perform his single "Blurred Lines". Cyrus then stripped down to a nude-colored lingerie and proceeded to perform her signature twerking dance moves, simulating sex with Thicke and grabbing his crotch with a giant foam finger.[104] The unimpressed reactions of several celebrity audience members, including Rihanna and members of One Direction, also gained attention in the media.[105]

Justin Timberlake's "Mirrors" won Video of the Year, making him the first male solo artist to win this category since Eminem in 2002 with "Without Me". Timberlake also became the second artist to be honored with the Video Vanguard Award and win Video of the Year in the same night, after Peter Gabriel did it in 1987. To celebrate his Video Vanguard Award, Timberlake performed a 15-minute medley performance, which included a mini-reunion with his former band *NSYNC.[106] The set list of the most watched performance of the night[107] included hit singles from his first four solo albums, such as "Cry Me a River", "SexyBack" and "Suit & Tie".

2014: the 2014 show was held at The Forum in Inglewood, California. Miley Cyrus won Video of the Year for "Wrecking Ball" and got a young homeless man named Jesse to accept the award on her behalf. His speech was a call-to-action to help raise awareness to the homeless youth of America.[108] Ariana Grande, Nicki Minaj and Jessie J opened the show.[109] Beyoncé closed the show by performing a 16-minute medley of songs from her self-titled fifth studio album. After the performance, her husband Jay Z and daughter Blue Ivy presented the Video Vanguard Award to her.[110]

2015: the 2015 show was hosted by Miley Cyrus. Fashion designer Jeremy Scott redesigned the year's "moonman", marking the second time that the statue had been transformed.[111] Taylor Swift won four awards, including Video of the Year for "Bad Blood".[112] She presented the Video Vanguard Award to Kanye West, who ended his acceptance speech by claiming that he will run for president in 2020.[113]

Nicki Minaj ended her acceptance speech for Best Hip-Hop Video by passing the show back to Cyrus, saying: "And now, back to this bitch who had a lot to say about me the other day in the press: Miley, What's good?".[114] Minaj was referring to Cyrus' comments about how she handled "Anaconda" being snubbed for a Video of the Year nomination. Cyrus appeared stunned by Minaj's remarks and replied, "We're all in this industry. We all do interviews and we all know how they manipulate shit. Nicki, congratu-fuckin-lations."[114] The camera then cut back to Minaj who seemed to mouth back the word "bitch".[114] Cyrus closed the show by performing along with a group of drag queens who participated on RuPaul's Drag Race and surprisingly released her fifth studio album Miley Cyrus and Her Dead Petz for free.[115]

2016: the 2016 show was held at the Madison Square Garden in Manhattan. Rihanna performed four times during the show, including opening and closing the ceremony. After her final performance, Rihanna was presented the Video Vanguard Award by Drake, who declared, "She's someone I've been in love with since I was 22 years old."[116] While accepting her award, Drake leaned in for a kiss that Rihanna dodged.[117] Britney Spears returned to perform at the VMAs for the first time since her heavily criticized performance at the 2007 show.[117] Kanye West gave a seven-minute long speech covering different topics, including his feud with Taylor Swift.[118]

Beyoncé performed a 16-minute medley of her album Lemonade and won eight awards, including Video of the Year for "Formation".[117][119] She became the most awarded artist in VMA history with 24 moonmen, surpassing Madonna's previous record of 20.[119] The telecast saw a drop in audience for third year in a row.[120]

2017: the 2017 show was hosted by Katy Perry. Kendrick Lamar won six awards, including Video of the Year for "Humble", becoming the first artist to have won the award for a video he co-directed, while Pink was honored with the Video Vanguard Award.[121] Jared Leto paid tribute to Chester Bennington and Chris Cornell, who both died over the past three months.[122] The music video for Taylor Swift's song "Look What You Made Me Do" premiered during the broadcast.[121] Compared to the previous year, viewership was down from 6.5 million to 5.4 million viewers, making it the lowest viewed VMAs since Nielsen started measuring the show in 1994.[123]

At the start of Fifth Harmony's performance there were five silhouettes; one of them fell off the stage, referencing former group member Camila Cabello leaving the group the previous year.[124]

Logic performed his song "1-800-273-8255" along with Alessia Cara and Khalid. Their stage was outlined with survivors of suicide loss and attempts, who wore T-shirts that had the phone number on the front and the phrase "You Are Not Alone" written on the back. During their performance, Logic gave a speech about thanking the audience for giving him a platform to talk about the issues "that mainstream media doesn't want to talk about: mental health, anxiety, suicide, depression".[125] He further added, "I don't give a damn if you're black, white, or any color in between. I don't care if you're Christian, you're Muslim, you're gay, you're straight – I am here to fight for your equality, because I believe that we are all born equal, but we are not treated equally and that is why we must fight."[125] Following the performance, the National Suicide Prevention Lifeline experienced a 50% increase in calls.[125]

2018: Cardi B, the most nominated artist of the night, opened the 2018 show with a brief speech, holding a VMA like a baby.[126] While receiving one of her awards, Cardi B stated, "all the love.. it's genuine, it's beautiful, and that's something that God give me that you can't buy. B-tch."[127] Camila Cabello won Video of the Year for "Havana" and Jennifer Lopez received the Vanguard Award.[128] With Maluma among the performers as well, it marked the VMAs with the most Latin music artists present at the ceremony since the 2005 show.[129]

Before introducing Cabello's category, Madonna gave a tribute to the late Aretha Franklin. Most of the speech said the early origins of Madonna's career and was only tangentially Franklin-related,[130] which made critics describe the "bizarre" tribute as a "lengthy" anecdote about herself that involved Franklin's music.[131][132][133] Afterwards, Madonna explained that she was there to give the Video of the Year award as asked by MTV and to speak about some experience in her career with some connection with Aretha, not to make any kind of tribute.[134]

The viewership of the 2018 MTV Video Music Awards was down 9% overall and 15% in the important 18- to 49-year-old demographic group. The total viewership was 4.8 million.[135]

2019: the 2019 show was held at the Prudential Center in Newark, New Jersey. This was the first time the VMAs took place at the venue and in the state of New Jersey (it became the fifth state to host the show after New York, California, Florida and Nevada).

The show was hosted by Sebastian Maniscalco. Taylor Swift won three awards, including Video of the Year for "You Need to Calm Down".[136] She became the second artist and first female artist to have won the award for a video she co-directed, and the fourth artist to win the category twice overall.[137] Lil Nas X and Billy Ray Cyrus's "Old Town Road" won two awards, including Song of the Year.[138] Missy Elliott received the Vanguard Award introduced by Cardi B and performed a medley. The performance was heavily choreographed and the set pieces alluded to her music videos "The Rain (Supa Dupa Fly)", "Get Ur Freak On", and "Work It".[139][140] Shawn Mendes & Camila Cabello performed their hit single "Señorita" for the first time ever in a performance characterized for its kissing tension. Lizzo performed a set featuring her singles, "Truth Hurts" and "Good as Hell". During the performance she gave a short self-empowering monologue, and featured a figurative shadow of an oversized CGI rear end.[141][139] Normani gave a performance of her song "Motivation",[142][143] that featured her doing intense gymnastic styled choreography that echoed the music video.[144][145][146] Rosalía became the first lead Spanish act to ever perform at the VMAs, performing a medley of "A Ningún Hombre", "Yo x Ti, Tu x Mi" (alongside Ozuna), and "Aute Cuture".[147][148] She also won Best Latin and Best Choreography for "Con Altura", becoming the first ever Spanish act to win a VMA, for which she was congratulated by many personalities including Prime Minister Pedro Sánchez.[149]

Marc Jacobs received the inaugural MTV Fashion Trailblazer Award.[150]

2020s

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2020: The 2020 MTV Video Music Awards were held on August 30, 2020. The show was originally scheduled to take place at the Barclays Center in Brooklyn, New York City, but was moved outdoors because of security concerns caused by the COVID-19 pandemic.[151] Instead, the 37th annual ceremony would "highlight the boroughs in an exciting show and return to Barclays Center in 2021".[152] For the first time in its history the VMAs were simulcast on over-the-air television on The CW, which is jointly owned by MTV parent company ViacomCBS and AT&T parent company WarnerMedia.[153]

Keke Palmer hosted the show from a VR model of the infamous Manhattan staple, Empire State Building. The Weeknd won Video of the Year for "Blinding Lights", which he also performed as the show's opener. During his speech he showed support for the Black Lives Matter movement and demanded justice for Breonna Taylor and Jacob Blake.

Lady Gaga received the first-ever (and only thus far as of 2023) Tricon Award, introduced by Bella Hadid. After giving her speech, Gaga performed a medley of her songs, including "Chromatica II"/"911", "Stupid Love" and "Rain on Me", the latter performed with Ariana Grande. Grande also won four awards, including Song of the Year and Best Collaboration.

The show was dedicated to actor Chadwick Boseman, who died less than 48 hours before the ceremony due to colon cancer.

The redesigned moonperson trophy by Kehinde Wiley at the 2021 MTV Video Music Awards

2021: The 2021 MTV Video Music Awards were held September 12, 2021, at the Barclays Center in Brooklyn, New York City, for the first time in eight years.[154] The award show also served as a celebration of MTV's 40th anniversary. An opening monologue was delivered by Madonna.[155] Artist Kehinde Wiley redesigned the year's moonperson trophy, marking the third time that the statue had been transformed and the first from an artist of African-American descent.[156][157]

Lil Nas X won three awards for "Montero (Call Me By Your Name)", including Video of the Year and Best Direction. He became the second artist and first LGBTQ+ artist to win both categories for a video they co-directed. He jokingly thanked the gay agenda in his acceptance speech.[158]

Olivia Rodrigo and Justin Bieber also received awards in big categories, winning Song of the Year and Artist of the Year respectively. BTS won three awards, winning Group of the Year for the third consecutive time, in addition to Best K-Pop and Song of Summer for "Butter".[159]

2022: Taylor Swift announced the release of her tenth studio album Midnights during her Video of the Year award acceptance speech. Swift also became the first ever artist to win Video of the Year three times.

Nicki Minaj won the Michael Jackson Video Vanguard award that night and performed a 9-minute medley of her hits including "Anaconda," "Super Bass", "Monster", "Beez in the Trap", and her newest hit "Super Freaky Girl" along with other songs. The award was presented by five members of her fan club the Barbz. In her acceptance speech, Minaj shouted out multiple people who had inspired her and people who have given her big opportunities early in her career including Madonna, Eminem, Britney Spears, Lil Wayne, Drake, Taylor Swift, Beyoncé, Rihanna, and more who had help boost the popularity of her 2011 hit, "Super Bass". Minaj also said that she wished musicians Whitney Houston and Michael Jackson were there to witness her.[160] She also paid respects to her father, Robert Maraj, who died in a tragic hit-and-run accident in 2021. She said she wished people took mental health more seriously. Minaj thanked the Barbz, told the audience about her son, nicknamed Papa Bear, and announced her first greatest hits album, Queen Radio Vol. 1.

There were three co-hosts in the show, LL Cool J, Minaj, and Jack Harlow.

Harlow opened the show with a performance of his single, "First Class". The performance took place on an airplane with Harlow acting as an attendant. Several celebrities were seated in the plane including Lil Nas X, Saucy Santana, Avril Lavigne, and more. The plane "landed" at the award show and mocked a red carpet interview, with Harlow saying "Ladies and Gentlemen, Fergie!". Fergie had come out onstage to perform her 2007 hit "Glamorous" which "First Class" samples, marking her first televised performance since her controversial performance of "The Star-Spangled Banner" at the 2018 NBA All Star Game. The performance ended with Fergie and Harlow hugging.

Anitta becomes the first Brazilian singer to win the MTV Video Music Awards.

2023: NSYNC reunited for the first time in 10 years at the ceremony, to present the award for Best Pop, which was to Taylor Swift's "Anti-Hero". Swift acknowledged that she still has the 'N Sync dolls, referencing the "It's Gonna Be Me" music video, and they gave her friendship bracelets.

Shakira was awarded with the Michael Jackson Video Vanguard Award, performing a medley of her hits. She became the first South-American born artist to receive the award. Later, Shakira and Karol G won the Best Collaboration award, for "TQG", making the first time a Spanish-language video and a Latin female collaboration won the award.

Taylor Swift won Video of the Year for a second consecutive year for "Anti-Hero", making her the artist with the most wins (four) in this category.

We can’t wait to see what iconic moment happens on this year’s award ceremony.

Happy 40th anniversary vmas !

Oh and one more thing : Who do you think will take home the coveted video of the year award? Here’s the nominees:

we can't be friends - Ariana Grande

LUNCH - Billie Eilish

Paint The Town Red - Doja Cat

Houdini - Eminem

Snooze - SZA

Fortnight - Taylor Swift ft Post Malone