#tons of practice...

[vitamimesea]

made my own sonic and shadow ref sheet bc i still struggle with drawing them

[theartingace]

Finally, after at LEAST a month of puttering around with it, my design for the King In Yellow!

[duck-hell-woo-oo]

Realized I never shared these drawings from a few months ago. Liquidator is probably the one I’ve had the hardest time figuring out so I did some study’s of him awhile back.

[adriancatrin]

katara sees her brother and bff approaching something that can make them happy and says no interruptions

based on this photo from the live action cast

[daguerreotyping]

Absolutely stunning post-mortem daguerreotype of a young man with killer cheekbones and haunting eyes, c. 1850

[jamieedlund]

Thank you all for the kind comments and support on my thesis! As promised, I will now be slowly answering up all of the asks that have been pickling in my inbox since 2022 🥒

Slowly.

[poorly-drawn-mdzs]

MDZS x Warrior Cats AU (part 1): That boy can meow!

Names and a huge inspiration credits to @clintbeefwoods!

(part 2)

[shorelinnes]

bang chan: railway

[canisalbus]

hi i ride motorcycle year round and wanted to chime in. for vasco's small around-town trips he'd probably be fine with his ears free, but for longer trips at higher speeds or when its cold out he'd want them protected. probably by tucking them under his chin into the collar of a jacket and then putting a scarf or bandana on. also goggles would be helpful if a full helmet wasn't wanted. since they're in europe and around italy specifically he could have a nice ducati (fast rockety sport bikes) or a cafe racer (much more like a motorized bicycle but they can still have a lot of power) a cafe racer would offer a lot of seat space for machete to be thoroughly uncomfortable in lol

i love your ocs they're great thanks for all the cool art :)

.

[g00seg1raffe]

So there was a post a while back about Ben Solo always being told "don't do (x), that's how uncle luke lost his hand" when he was a kid - and I raise you: Elrond and Elros being told "don't do (x), that's how Maedhros lost his hand"??

Like, at Amon Ereb when the twins were newly acquired and refusing to eat their vegetables and Maglor is Mag-mothering them until Erestor, feral half-sane clinically depressed anarchist Avari hostage/patient/infiltrator and Certified Little Shit, hits em with:

"I would listen to the Lord Maglor, winyamor, he well knows the dangers that come to young elflings who don't eat enough vegetables - after all, that's how his brother lost his hand."

Elrond looks conflicted. Elros squints suspiciously. "Truly?"

Erestor, practically comatose since the massacre but ultimately saved from Fading by the biological compulsion to fuck with you, lays a hand over his heart. "I would never lie about such a thing! Just what do you take me for? This is a true tale and a grave warning - the Lord Maedhros' hand was tragically lost in the days of his youth, whilst he was still growing as you are. He refused to eat his vegetables and so, cruelly deprived of the strength it needed to grow strong, his body started to fall apart! First his fingers, then his thumb, and then his palm and wrist - all turned blue and dropped off!"

"No!" Elrond gasps. Elros looks both terrified and impressed. Maglor's face is scrunched up into something that the twins probably interpret as pained - at reminder of the horrors of limbs falling off! - but is actually just him busting a rib trying not to laugh.

"Yes!" Erestor cries with relish. "And it never grew back. All because he didn't eat his vegetables. Isn't that right, Lord Maedhros?"

Maedhros, a looming terror at the head of the table, scarred and solemn and impenetrable as his fortresses, narrows his eyes consideringly at the unfolding shenanigans and the rascal behind it. His conclusion? Fuck it. He gives a slow, solemn nod. Completely deadpan and exaggeratedly formal, because it may have been centuries since he last had his brothers smothering laughter at political dinners but the Finwëan sense of humour, once caught, is not an ailment easily cured.

Maglor conceals his wheezes behind his goblet as Erestor nods sagely to the wide-eyed twins, who suddenly seem a sight more interested in their vegetables.

[fidgetspringer-art]

Outfit studies!

[lost-looking-for-the-one-piece]

I think that it's very funny that Luffy is kinda universally loved throughout the OP fandom but I've never met a writer who hasn't struggled to high hell trying to write his POV. I've noticed that you don't see a lot of fics from his pov, and if he does have one, it's usually only a small section. It's so hard to get into this guy's head. Something complexity in simplicity something.

[im-smart-i-swear]

kuron voice do i look like i was born yesterday

[skyblueartt]

@pippipoffin AW THANKS! Hate the guy but I love drawing him- I think '1980s businessman evil serial killer dad who wears purple' is an aesthetic that is just...somethin else lmaooo, 10/10 no notes. this bitch KNOWS he's handsome but I also imagine he's eerily charming so yayyy

[foldingfittedsheets]

What’s funny to me is that I was pulling my 20 for 20 sale images to actually post to Instagram and I get noticeably better at pet portraits as I’ve continued, just like. Dang. It’s almost like practice continues to have tangible benefits….

[not-poignant]

Do you have any advice for writers looking to work on their sentence structure? I find myself repeating the same kind of sentence over and over, finding it challenging to diversify and keep flow. No worries if you don't feel like answering.

Hi anon!

So I would say the main thing is to find examples of how you want to be doing your sentences. Like, writers who use varying sentence lengths in their writing.

Then, look at one of your own paragraphs where everything is the same length, and practice shortening or lengthening some of those sentences. If you're already writing, you have examples of your own you can practice rewriting.

You can start experiencing firsthand that longer sentences can feel like a run-on thought, or someone spiralling out of control, or feel like infodumping etc. Short sentences can feel like a hard stop, making a point, increasing pacing.

Not all paragraphs call for highly variable sentences. But it does help to have variety!

Recognising that you are writing the same kind of sentence is honestly a huge part of the battle, and the fact that you're noticing means you're already probably trying to think of ways to solve it. From there, it's finding the examples that you most want to emulate.

Practice reading those sentences aloud. How does it feel to read different sentence structures / lengths? And don't forget to look at music, which is a good example of changing things up.

The thing to keep in mind as well is that if your writing disrupts flow, sometimes that's deliberate! A one word sentence to make a reader pay attention at that sudden 'O.O' moment, or a really long sentence to make a reader feel overwhelmed and like they're spiralling down with a character, etc. means you can vary your flow. Things shouldn't feel 'constant and the same.'

Sometimes it can help to think about what you're wanting your readers to be feeling in the moment. If it's intense and choppy, you probably want faster sentences and less attention to specific detail, like a character who can't take everything in, you might focus more on physical sensations, like a heart thundering, etc. If it's languid and relaxed, you might have longer sentences, and more descriptive prose.

A lot of the time the sentences and structures we use play into how we want a reader to feel, and how the experience of reading achieves that.

You can get on the ground experience with that by going back over your favourite things that you've read by other authors - whether that's fanfiction, or webtoons, or novels etc. Think about how the scene is being delivered to you. Sit down with the source text and think 'well this made me feel really excited, what sentences / what was happening here to cause that?' or 'this section felt really slow, why did this feel really slow?' Sometimes you might not know at first, other times you'll know straight away!

Sometimes you'll also see places like 'I'm pretty sure the author wanted me to feel this way during this scene, but instead I felt like *this* - I wonder why it was different and what created that in the writing.'

Also, consider exploring the wonderful world of good poetry. Poets are the masters of sentence structures and fragments, and using very few to create very big feelings and images. It doesn't hurt to start exploring some poetry basics to see the masters at work, and I really do feel like studying and writing poetry myself really helped my prose a ton.