#together; we change the world.

[coddda]

I wish we could have met in some other way.

Lawlight Week Day 2: Soulmates

If you saw me repost and re-edit this several times uh No you didn't </3

Still frames/Individual gifs:

If you know what every frame is from you get a free cookie. by the way

[edorazzi]

Page 30 of my Miraculous Mentor AU comic A Matter of Trust! In which Bri decides to reach out to the two weirdest guys in her life (and I get to adapt my all-time favourite PV scene)! ❄️❤️

Index | Start | Prev | Next

Weekly updates each Sunday! You can also read ahead early on Patreon, and/or buy me a Ko-fi if you'd like to support my work! 💖

[mellosghosts]

tiny wolvie. if u even care

[mohntilyet]

Personal headcanon about the "you picked the wrong dellamorte" line, I don't think illario actually likes rook outside the context of them being someone close to lucanis. Like rook on their own isn't much to him, but when they meet it's yet another person talking about his cousin (why isn't he good enough for whatever job they're hiring for?) and on top of that they somehow bring him back from the dead (another whole can of worms for illario). Now he starts turning on the charm, but whether he's actually interested or this is just one more thing his cousin has that he doesn't and it gets under his skin, who knows. Either way, rook ignores illario, the guy who lives off his charm, and is instead interested in the guy who's never even dated before and thinks giving someone a knife is how to flirt. Infuriating

NO THANK YOU !! i am genuinely sorry if i have ever implied illario is into rook like i see some takes about it and unless it like ties into your rook's personal backstory i don't seriously think he's romantically jealous. at all. my enjoyment of that line stems from illario's pathological need to make it about himself and not see his strengths but what lucanis has, and therefore what he doesn't. he's annoyed enough to try and goad you in the middle of a fight about the 'wrong' dellamorte and completely blind to the fact that the venatori are at best, a stupid fucking alliance, and at worst, a cult that will devour the crows from the inside out and illario would have been the one to give them the keys. he sees lucanis make allies, needs his own, and instead of charming the other talons/houses as he should, he (probably spitefully) picks the venatori. or maybe he just thought it would be easier. ugh he makes me want to telekenetically throw him around

[folklouire]

TAYLOR SWIFT We Are Never Ever Getting Back Together | The 1989 World Tour

[poorly-drawn-mdzs]

We can’t keep doing this.

[First] Prev <–-> Next

[shhwsper]

trolls with tails is something i never knew i needed

[ships-n-bats]

I still absolutely love how Wolfwalkers ended.

Love that it still ultimately focused on Robyn and Mebh and how they leave their old world behind to find a new one, just for them, their parents, and the wolf family to live in peace, far away from the townspeople. How after all that drama and near-death experiences, they just get to rest in the caravan, protected by their respective parent and live together in the forest.

No more societal expectations. No more gender roles. No need to appease a bunch of people who really only want them dead for what they are. No focus on these two literal children to change a town’s whole mindset like so many other films do. No, the message was just these two girls finding their happy ending with their loved ones somewhere else and just cutting out that toxic environment all together.

Why waste energy trying to help a bunch of people they don’t even have any real attachment to, after all? Especially with people who actively forced roles they didn’t want onto them and mistreated them for being different? It’s just such a breath of fresh air to see a film that ends with the characters finding happiness and peace in their own little slice of heaven, rather than wasting time, energy, and emotions on trying to change others.

[girlishwhimsies]

i love looking at hot takes and realizing that some outsiders fans don’t realize that fandom is something fun. nothing is truly that serious at the end of the day.

[starii-void]

something about mei and mk being ‘the hero and the warrior’ except they’re more based

theres been a few instances of mei being upset about not being able to spend as much time with MK (the one i remember more vividly was her in s5 wanting to go on a ‘classic MK and Mei adventure!’ but im p sure there was an instance in s4 too that i cant recall) which lead to some thoughts

ive seen a lot of stuff about them and how mei might end up like macaque, bitter and abandoned by MK, like wukong did. but i just feel like it isnt true. so this is my future theory:

there’d be a build up of more instances like this. mei wants to do stuff with MK, but he prioritizes his hero training/duties. each time, she’s shown subtly being more and more upset until one day she snaps. she confronts him and is visibly upset, yelling at him.

but then, instead of snapping back (like Wukong did) he apologizes. maybe it can parallel the first fight they had in season 1 during the race somehow?

in the end, the two do what Wukong and Macaque couldnt, and make up. MK owns up to his mistake and they both get better. they have their own little adventures together, or something like that

and like that, it shows how they’re different from the Hero and the Warrior. it shows how Wukong and Macaque couldve turned out if theyd just put down their pride and communicated. it shows what they couldve been.

basically i just think they wouldnt turn out like macaque and wukong. ive seen a lot of people theorize that but they arent emotionally constipated enough for that to happen, plus we’ve seen them argue and make up on screen already.

also i think itd just make for some cool opportunities for art and visual parallels

[zinkysworld]

Makin an au where toons are just the norm dominant species and all the toons specifically in DW are just in one big poly, mostly to test the waters with every ship to find out which ones tingle the brain (NOT INCLUDING PEBBLE OR TOODLES SHIPS,,,, they just have a lot of dads now) Anyways first ship on the list would b these losers,, doing dandicus dancifers ships first bc look at him,,

[zarnzarn]

I found your writing on Ao3 while in the Athena tag, absolutely fell in love with odyathpen (odypenath?), came to tumblr to see if there was anything else in the tags here and found your blog. I’m in the trenches now and I blame you (thank you)

hHAHAHHAHA ANOTHER ONE!!!!!! THANK YOU KINDLY, SOON THERE EILL BE MORE!!!! WE ARE ALL IN THE TRENCHES TOGETHER!!!!!

also thank you!!!!

[tiny-smallest]

Sonic Movie Universe prediction: Robotnik is an orphan because of GUN

I think what was supposed to be, tonally, a silly throwaway line is actually winding up to punch us in the face later.

Bear with me.

I barely remember the first movie since it was so long since I watched it, but aside from one, maybe two, of the comic universes, this line is the first time we have ever gotten anything at all about Ivo Robotnik's personal backstory. And it's that he's an orphan. In a story series that explicitly sets him up with a human identity- none of that Eggman stuff as his identity, not even a whisper of the name until it's a silly insult Sonic throws out later- this movie bothers to give him a Normal Human Society Firstname Lastname and a job.

(Okay, so Robotnik isn't exactly a normal human surname. But it's established canon that is the family name so. Suspension of disbelief.)

A series that we know will later delve, at least a little, into the story of Professor Gerald Robotnik WHO IVO APPARENTLY, ACTUALLY, DEFINITELY KNEW IN THIS CONTINUITY, AS HE HAS A SPECIFIC GRANDPA NAME FOR HIM AND NEARLY CRIES.

The original line was a ridiculous rebuttal to Tom during the fight in the house during the first movie. "Rub that in my orphan face," he says in response to Tom sharing a detail of his childhood during Silly Action Scene Banter. While there is a sort of tension there since the movie universe makes no bones about Sonic being an actual child and he is confirmed to be an alien, thus making the danger present of government capture and experimentation very real and kind of horrific, the scene as it plays out isn't overly out of character for something you'd expect in a Sonic movie. And although Robotnik is the threat here, he plays a large part in also keeping the scene lighthearted because of how utterly he fails to respond like a normal human being to literally anything. The comment about being an orphan at least makes sense based on what Tom said, but it's still weirdly personal and, therefore, kind of inappropriate to say. Like dude back up you're trying to kill a child why are you sharing your trauma with me that's uncomfortable.

Which brings me to the obvious point of that line- it's not just to make the scene funny, it's to show us how set apart from other humans Robotnik is. This is a man who has no idea how to interact with anyone, like, absolutely nobody, and every single scene he's in reminds us of this, including this one.

Now that the third movie has explicitly drawn a line between Shadow's backstory and themes of pain and loss, and we see Gerald Robotnik weeping over what I think is Maria's body in the aftermath of the murder (jesus that's dark) I have to connect a few dots of my own.

The first movie had another piece of foreshadowing they threw at us, this one way more obvious: at the end of the first movie, a government agent is sent to speak with the Wachowski couple. He tells them that Ivo Robotnik has been thoroughly erased from existence. As far as any documentation of him ever existing on Planet Earth, there is none. He hasn't merely disappeared- it's like he never was.

If they did this to Ivo after this catastrophe it's not a stretch to think they did the same with Professor Gerald. Hell, I thought that after movie number one. "That has to come up later- we have a character the government explicitly turns on in this series. Like, as a major plot point. The defining moment in several characters' stories. No way does their ability to erase someone not come up later."

But now I think they went a step further.

They've already murdered a little girl and broken an old man in their efforts to contain the genius they were frightened of.

Personally, I don't think it's a stretch to think that Ivo Robotnik, very young himself at the time most likely, is an orphan because GUN decided to eradicate the entire family line in an effort to prevent anyone like Gerald Robotnik from ever existing again.

Except. The son survived. Well shit. Uh. Stick him in an orphanage and keep an eye on him, I guess.

And where does he end up as a adult? A branch of the government. Where they can keep an eye on him.

(More than that, if they did erase Gerald, Ivo clearly remembers him... so Ivo may have joined them specifically to look for traces of the grandfather he knows existed and who doesn't seem to have any records proving that whatsoever. But that's Ivo's motivations and we're talking about GUN's, so, moving on.)

It's likely based on his sheer intellect, assuming Ivo wasn't embellishing too heavily, that he didn't have to grow for very long before that brilliance was obvious. Though the government's decision to let him live was strategic, weighing the gamble of assassination with the gamble of him inheriting the genius and deciding that risking him having the same genius as his grandfather was better than trying to kill him at this point, the gambit ultimately failed. Even though he was more than likely still only a child, they'd let him live too long. In just a few short years he quickly became a very real threat to the government- as in, if given a reason, he could be a very real threat. And nothing Ivo does is ever subtle or quiet, so his genius was probably very loud, and there was likely lots of attention, making an assassination impossible, because if there would be too many questions before, there would be an insurmountable amount if he died or disappeared now.

So, since they couldn't kill him, they continued to keep an eye on him and took him on at the government when he was old enough with the intention of keeping their enemies closer. Except all of their caution still wasn't enough and he went rogue the first time he was presented with the opportunity to grab at power they didn't already have, power capable of things beyond their wildest imaginations- a monster of their own making.

Ivo, who never asked for what happened to him, very likely a victim of circumstances he had no hope of ever controlling, who responded to this trauma by making his choice that power mattered more than anything- more than morals, more than hurting people who are just like he was once. That shaping his own world after all the horrors he planned to do in pursuit of that may finally, finally "be enough."

(Be enough for what, exactly, Ivo. You never did explain that. "Who knows? Maybe that will be enough." Elaborate.)

Whether he knew the truth about why he had suffered or not, Robotnik made his choices. He stood at that crossroads that demanded he make a choice about what kind of person he was going to be in the face of all the pain and loss, and he made his choice. This movie is about Shadow making his.

If this movie really wants to beat us all to death it won't just draw comparisons between Sonic and Shadow, but Shadow and Ivo Robotnik.

(If this movie wants to exorcize our souls after we're dead, if it intends to be a trilogy and not make more movies in following the original vision for Sonic Adventure 2, it'll place Ivo at a new crossroads, and this time, he'll make a different choice.)

(Especially since Professor Gerald, in a much worse state of madness and malice than Ivo, who the movie is setting up specifically as someone Ivo loves, admires, and almost certainly misses, probably won't.)

[profoundmakerdreamerss-blog]

Tomarry AU where Harry and Tom grow up together during the war and end up starting a secret club together. It's a club for muggle-borns only; so that they can help each other survive during the war. This is an AU where Tom and Harry start club for children who has no home to return to. A world where they help each other so that they don't have to return to that place.

Imagine, them starting a club to just survive— imagine, them working together so that they make it — imagine all of them working together to figure out a way to just stay instead of retuning to a home that is no more. Just imagine, this club becoming something more, something bigger — something that will change the world one day.

[1-8oo-wtfbro]

au or not, if i see any universes where Sokka and Katara are separated for some stupid reason or another, im slashing your tires myself, while Katara steals your cat and Sokka steals your valuables

[byfulcrums]

i've been thinking about lesbian scott summers because the other day i made a jeanscott drawing where scott was a girl and like. how would it affect her, as a character, and how would it affect her relationship with other people (namely jean)?

scott's already canonically 'nervous' when it comes to his attraction to women. he's always like, "is this safe? it's not, it's not safe" until actively proven otherwise and EVEN THEN he's still like that (whyyy), and sure it might be because of his deadly eyes but add the lesbian into it. this shit takes place in the 60s, 70s, add the lesbian into it