#todd bryanton

[timsplosion]

Made a suggestion for the Tomska/asdfmovie pride shirt this year. Turns out they already had a plan (go see what they got, cos they got options) but it's officially Pride month, so enjoy these gay and trans cows!

[anx13ty-astr0naut]

"Hey tumblr can u help me; and don't give me any of that sexual nonsense" - @ethicalwolfpainter OK! So, Edd’s birthday is coming up and I wanted to make a drawing with alot of the people that helped make Eddsworld what it is now- The only problem is I don’t know whose name goes to what Edd-sona in this image. (I think the one in the very top left is Matt Ley) I’d really appreciate it of you guys could lend me a hand and help out on this one, please send in an ask telling me whose who and all that.  EDIT: I couldn’t find the names of everyone and there was alot more people than I thought- I don’t think I can finish it. Thanks for the help though! ^w^

[rosettadesigns]

Hoot All Your Problems Away

May 14, 2016 | Payson, AZ Nikon D5300 | AF-S DX VR Zoom-Nikkor 55-200mm f/4-5.6G IF-ED ISO 640 | 175 mm | 0 EV | ƒ/5.3 | 1/250

[crashzoomtoon]

Crash Zoom is back in this new short! Just in time for the Wint... er......... whoops... Written & directed by Thomas “TomSka” Ridgewell and Eddie “Eddache” Bowley Storyboarded by Ben “Wonchop” Smallman Animated by Billy Crinion Backgrounds by David Kalev-Roy and Jonti “Weebl” Picking Music & Sounds by Todd Bryanton and Dan Pugsley Voices by Alice-Ann Stacey, Thomas Ridgewell, Patrick McKinley, Eddie Bowley, Ben Smallman, and Nahya Ahmad Edited by Eliiot Gough

[deepredradio]

Distorted

Story: Lauren zieht mit ihrem Mann Russell in ein luxuriöses und hochgesichertes Appartementhaus. Inmitten von ebenso erfolgreichen und wohlhabenden Nachbarn scheint alles perfekt zu sein. Doch schnell merkt Lauren, dass irgendetwas nicht stimmt mit dem Gebäude und seinen Bewohnern. Als sie bei ihrem Mann kein Gehör findet und der sie für paranoid hält, spürt Lauren im Netz den Cyber-Experten…

[ponapisach]

"Ghostland", pomimo niezłego poziomu ześwirowania, trzeba traktować jako projekt ambitny. Pascal Laugier zaryzykował, bo opuścił kilkukrotnie konwencję, przeniósł środek ciężkości i, gdy zaczynałem obawiać się o rozwiązanie fabularne, uderzył z zupełnie nieoczekiwanej strony. A usypianie czujności wyszło twórcy wyjątkowo dobrze, już na poziomie kreowania świata. Główna bohaterka, miłośniczka horrorów, otacza się taką samą stylistyką. Plansze tytułowe "Ghostland" to wyrazy uznania dla Lovecrafta (w filmie jest zresztą całkiem sporo odniesień do dżentelmena z Providence), na półkach w dziedziczonym domu znajdziemy całą masę upiornych lalek, na stacji benzynowej tanie horrory. Horror wypełnia świadomość Beth, ale i jej najbliższych (w końcu i naszą!). Gatunkowe schematy mieszane są z klasą, a cierpliwość widzów zostanie należycie nagrodzona. Finał pokazuje dobitnie z jakiego nurtu wywodzi się Pascal Laugier i z jaką siłą potrafi ugryźć francuska ekstrema. Kinowa niespodzianka! "Ghostland"

[johnnymundano]

The Strangers: Prey at Night (2018)

Directed by Johannes Roberts

Written by Bryan Bertino and Ben Ketai

Based on characters created by Bryan Bertino

Music by Todd Bryanton

Country: United States

Language: English

Running Time: 85 minutes

CAST

Christina Hendricks as Cindy

Martin Henderson as Mike

Bailee Madison as Kinsey

Lewis Pullman as Luke

Damian Maffei as Man in the Mask

Emma Bellomy as Dollface

Lea Enslin as Pin-Up Girl

Mary Louise Casanta as Aunt Sheryl

Ken Strunk as Uncle Marv

Rachel Kuhn as Waitress

Leah Roberts as Young Mother

Preston Sadleir as Officer Brooks

Gabriel A. Byrne as Young Son

(I took the images from IMDB because screengrabs were not possible. It was more possible in fact that the events in this movie were based on real events.)

In this tardy sequel to The Strangers (2010) a lightly dysfunctional family are stalked by the titular characters on a deserted campground. It’s based on a series of true events; probably that time I got lost, aged 8, in a caravan park near Whitby; cried my little eyes out. The Strangers: Prey at Night is about as good a horror movie as it is a document of actual events: not very. The actors are good though, and there’s a better horror movie hidden within The Strangers: Prey at Night; one about talented actors who sign up for a horror sequel, only to find themselves trapped in a lifeless cliché machine; haemorrhaging credibility with every second spent inside its blandly derivative guts. It’s testament to the professionalism of everyone playing the marginally troubled family that they don’t just roll their eyes and tut in every scene, and instead actually grace this thing with actual performances.  

In what feels like a calculated rebuff to all those mentally decrepit “Yo, yo, yo! Women Who Weigh More Than An Acorn Can Still Bring the Sexy, Y’all Boot-tay!” articles she inspired, Christina Hendricks wears more clothes than anyone else in the movie. She might even wear more clothes than everybody else in the movie put together, it’s even entirely possible that as the movie goes on she accumulates more clothing with every passing minute; her early exit being the only thing preventing her from, by the movie’s end, being a giant pile of clothes from which some muffled acting might occasionally rise like so much emotive steam. Bailee Madison smokes and wears sleeveless Ramones tops which is filmmaker shorthand for Troubled Yoof, admittedly she is good at being surly and screaming, and since little else is required of her she doesn’t disappoint. Lewis Pullman as good son, Mike, has to make being good interesting, which he manages despite looking like he’s only about 8 years younger than his dad. But then dad is played by Martin Henderson whose arms suggest he has thrown himself into an affair with his Nautilus machine in a mid-life attempt to avoid aging; he’s kind of like Sam Shepard crossed with He-Man. Like no dad anywhere, outside of California, basically; but his buff ruggedness does mean his impotence during his weepy death scene is almost upsetting.

Like any good horror movie The Strangers: Prey at Night is full of upsetting things, but it’s a bad horror movie because all the wrong things are upsetting. Like Johannes Roberts’ direction which gives the proceedings all the urgency of booking your dental check-up, and a dominant air of  lurking menace rivalled only by the suspicion that you have put some colours in with the dark wash. Basically, people running haphazardly around a camp site in the mist is not intrinsically suspenseful.  Admittedly, things do pick up briefly in a swimming pool scene in which Johannes Roberts brings all the tricks he has enjoyed in other movies to bear in a sequence where everything almost works. Unfortunately, less like a director and more like a miserly chef eking out his stolen dough, Johannes Roberts doggedly rolls all these same elements out into the movie surrounding this one decent scene, resulting in a shallowness that struggles to retain your attention except via irritation. I promise you will become more tired than you could ever have previously conceived by the facile device of ironically juxtaposing a terrible pop song with an act of violence. Johannes Roberts is so fond of this manoeuvre he should surprise it with a bunch of flowers and see if romance blossoms.  

The Strangers themselves aren’t very good either, which is kind of a giant flaw in a movie  which revolves around their antics inspiring terror. The movie is regrettably inconsistent in their presentation. Sometimes it’s clear they are supposed to be just humans and so they just walk up to people or just step out of somewhere, which can work, and has been working since at least Halloween (1978), but it doesn’t work here. Sometimes it doesn’t work to a comedic extent; there’s a bit where Bag Head steps behind a cabin and then emerges from the other side, but barely any time has passed so he must have run around the back of the cabin and then straightened his clothes and stepped out pretending he hadn’t had to run. Other times though, Bag Head is practically unkillable, and keeps on coming, resurrecting again and again until the final coup de grâce. And that’s for no other reason than that’s just because it’s how movies like this have to end. Which is just lazy, but then The Strangers: Prey at Night is nothing if not lazy.

[nyahben]

9 and 10!

9. three songs that get you in the Christmas Mood- uhhh todd bryanton/lildeucedeuce’s rendition of carol of the bells, feels like christmas - p!atd, humbug - owl city10. three favourite Halloween/spooky songs- bloody tears - castlevania, baby you’re a haunted house - gerard way, scattered and lost - celeste ost (not exactly a halloween song, but it’s from a spooky level in the game sooo yeah)

[saturdaynightmatinee]

CALIFICACIÓN PERSONAL: 7 / 10

Título Original: Surveillance

Año: 2008

Duración: 93 min

País: Estados Unidos

Director: Jennifer Lynch,

Guion: Jennifer Lynch, Kent Harper

Música: Todd Bryanton

Fotografía: Peter Wunstorf

Reparto: Julia Ormond, Bill Pullman, Pell James, Ryan Simpkins, French Stewart, Kent Harper, Kyle Briere, Hugh Dillon, Gill Gayle, Michael Ironside

Productora: Film Star Pictures

Género: Crime, Drama, Mystery

https://www.imdb.com/title/tt0409345/

TRAILER:

[chicagoindiecritics]

New from Every Movie Has a Lesson by Don Shanahan: MOVIE REVIEW: Endless

(Image courtesy of Quiver Distribution)

ENDLESS— 3 STARS

LESSON #1: PLEASE BE REAL— For wishful reasons beyond the exploitative ones, people want to believe in ghosts. They would be alright with even the creepiest voyeur version or novelty of that to be real. Why? Because the existence of ghosts would mean there’s something else out there after our inevitable deaths. A tangible afterlife creates massive spiritual implications that stir so many. Molding their fictional clay, movies love plucking that particular heartstring, and the new streaming film Endless follows that convention.

Circle back to the notion of what is wishful. Extending love that was lost will always be the #1 answer on any spirit of the dead Family Feud survey poll. That coveted desire is so strong because the pain of grief is even stronger. That’s automatic drama of the human condition rich for uncomplicated storytelling. That’s all you need from Endless, yet it blooms to more as it waxes poetically.

Riley Jean Stanheight (Alexandra Shipp of the X-Men franchise and Love, Simon) is a Clear Lake, California high school graduate from a well-off family (parents Richard and Helen played by Ian Tracey and Catherine Haggquist) with high prospects of going to college on the other side of the country in preparation to be a straight-laced lawyer. She’s head over heels for a wrong-side-of-the-tracks type of guy by the name of Chris Douglas (Nicholas Hamilton of It). He’s a prouder and more bohemian dreamboat living with a stressed single mother Lee (a mature Famke Janssen). Sharing motorcycle rides and lakeside embraces as socioeconomic opposites, they deeply connect through their shared artistic sides.

Tragedy strikes when an argumentative exchange after an alcohol-fueled party leads to an automobile accident. Thinking he’s standing at Riley’s hospital bedside, Chris realizes he’s dead and no one can see him. Illuminated by simple effects with light and dust by Vance Irvine, he’s one of many lost spirits in between life and whatever is next. Jordan (DeRon Horton of Dear White People), a fellow teenaged spirit that has been dead since 1987, guides him through his new eternal situation while he longs for Riley. Jordan’s origins and the police investigation conducted by Investigator Jenkins (Patrick Gilmore of You Me Her and Travelers) are detracting subplots along the way.

LESSON #2: SPECIAL CONNECTIONS AND SPECIAL PLACES— Chris’s pining and trailing proximity creates little moments where Riley is convinced of his continuing presence while expressing unsaid regrets. Like a true 21st century character, rather than solely wondering and pining herself, she’s Googling soul mates, spiritual studies, and going to locations she and Chris shared. Shipp and Hamilton have a lovely chemistry of a pitch perfect wavelength when those moments open up.

LESSON #3: UNBURDENING GRIEF— The most impressive quality of Endless is its approach to dealing with death. Whimsical romance set to ethereal piano may appear to be the forefront, but the sense of sorrow is appreciably very real. The mind’s way of coping leads to conduits of imagination and creative outlets (fantastic original art by Jim Cliffe, Dianne B. Shannon, and Marius Bream fills the picture). Flash floods of emotions ranging from fault, blame, and acceptance overpower wills and this little indie grants those moments attention and care for the teens and adults in this narrative. Its answer to it all is the quaint inspiration: “You don’t have to join them when they are always there.” “Live for them” is another.

In a very committed performance, Alexandra Shipp weathers the wringer of those highs and lows with alluring strength and grace. The filmmaking team of Midnight Sun and Step Up Revolution director Scott Speer and writers Andre Case and O’Neil Sharma create an ambiance that is not too sexy, not too passionate, and not too lofty. It’s medium without a medium. An excellent vibe for all of this comes from music of Todd Bryanton and Nik Freitas supported by a Laura Katz-supervised soundtrack featuring songs from Paper Lights. 

From its modest sources, Endless has a clean and polished air about itself in taking on topics normally too sparkly or too saccharine to take seriously. Folks, it’s still ghosts. Melodrama is a given. Yet, proper care and portrayal is still given to the emotional toll of true loss for those still living and loving.

LOGO DESIGNED BY MEENTS ILLUSTRATED (#903)

Permalink

from REVIEW BLOG – Every Movie Has a Lesson https://ift.tt/2Y607z0 via IFTTT

from WordPress https://ift.tt/3h1YsSA via IFTTT

[songwriternews]

New Post has been published on SONGWRITER NEWS

New Post has been published on https://songwriternews.co.uk/2019/11/i-like-trains-asdfmovie-song/

I LIKE TRAINS (asdfmovie song)

Pre-Order Muffin Time on Kickstarter (https://www.kickstarter.com/projects/bigpotato/muffin-time-the-random-card-game) Wear the t-shirt! http://sharkrobot.com/asdfmovie Get the song on iTunes (http://bit.ly/TrAiNs1) or Amazon (http://amzn.to/TRainS) Animated by Joshua ‘Zeurel’ Palmer (http://youtube.com/zeurel) Music by Todd ‘LilDeuceDeuce’ Bryanton (http://youtube.com/lildeucedeuce) Directed by Thomas Ridgewell (http://youtube.com/tomska)

LYRICS:

I LIKE TRAINS

Hey! Have you heard of the I Like Trains kid? He’s pretty cool, but I think there’s something wrong with him I don’t know if he’s cursed, or if it’s something with his brain But the only thing he ever says is:

I LIKE TRAINS

From birth the I Like Trains kid never spoke a word Not even to his parents, not a single sounds was heard But on the first day of school the teacher asked his name All he did was smile as he said:

I LIKE TRAINS

They put him on some Ritalin to see if that would help The doctor found the perfect dose and asked him how he felt He stared at the doctor with that same creepy smile And the I Like Trains kid said:

“I feel great!”

He got a fancy job and he straightened out his life He met a nice girl who he asked to be his wife As they stood at the altar, and prepared to say their vows He put a ring on her finger, and he said:

I LIKE TRAINS

Got bad grades? I like trains! Awkward date? I like trains! Don’t like trains? …

I LIKE TRAINS (double chorus)

TomSka Shirts (https://tomskashop.com/) Twitter (http://twitter.com/thetomska) Facebook (http://fb.com/thetomska) Tumblr (http://thetomska.tumblr.com) Secondary Channel (http://youtube.com/darksquidge) source

[julex93drawings]

Dibujo basada en una idea de Patrick Loayza (PatricX Punchers)

Luna cantando Bip Bip I'm Sheep, junto al compositor Todd Bryanton y su personaje Todd Bryanton LilDeuceDeuce. El tema es algo pegajoso pero juzgen ustedes yo solo contribui con el dibujo.

Drawing based on an idea by Patrick Loayza (PatricX Punchers)

Luna singing Bip Bip I'm Sheep, next to the composer Todd Bryanton and its personage Todd Bryanton LilDeuceDeuce. The subject is somewhat sticky but you judge I only contribute with the drawing.

[largemouthbassnation]

asdfmovie9

Pre-Order Muffin Time on Kickstarter ( ass-duff-moo-vee-nine – More asdfmovie! asdfmovie t-shirts ( download the song ( Animated by Ben ‘Wonchop’ Smallman ( the asdf book (

Written and Directed by Thomas Ridgewell ( Music by Todd ‘LilDeuceDeuce’ Bryanton ( Featuring Chloe Dungate ( Mark Fischbach ( Dodie Clark ( Phil Lester ( Dan Howell ( Edited by Elliot Gough (

TomSka Shirts ( Twitter ( Facebook…

[rojter-youtube]

Polubione na YouTube: asdfmovie12 https://youtu.be/UsVWkAq1s0U Pre-Order Muffin Time on Kickstarter (https://ift.tt/2Ppr9iI) ass-duff-moo-vee-twelve - More asdfmovie! https://www.youtube.com/playlist?list=PL3A5849BDE0581B19 Animated by Ben ‘Wonchop’ Smallman (http://youtube.com/wonchopanimation) asdfmovie merch (http://tomskashop.com) get the song (http://bit.ly/asdf12dk) Written and Directed by Thomas Ridgewell (http://youtube.com/tomska) Co-Written by Eddie ‘Eddache’ Bowley (http://youtube.com/eddache) Music by Todd ‘LilDeuceDeuce’ Bryanton (http://youtube.com/lildeucedeuce) With guitars by Joachim "Torzelan" Sandberg (https://youtube.com/user/torzelan) Anime Opening by Kavil "CooliSushi" Collins (http://youtube.com/user/coolisushi) Featuring Jim ‘Caddicarus’ Caddick (https://www.youtube.com/channel/UCOkL7q2SeGZeZuj22njMYEA) Chloe ‘ScarfDemon’ Dungate (http://youtube.com/scarfdemon) Jack ‘Jacksfilms’ Douglass (http://youtube.com/jacksfilms) Zach Fuller (http://youtube.com/zachxfuller) Jirard ‘The Completionist’ Khalil (https://twitter.com/JKCompletesIt) Silas 'ProBluesPlayer' McDonnell (http://twitter.com/ProBluesPlayer) Eileen 'EileMonty' Montgomery (https://www.youtube.com/user/EileMontyVA) Olly 'PhilosophyTube' Thorn (https://www.youtube.com/channel/UC2PA-AKmVpU6NKCGtZq_rKQ) and Rik Bowley (http://twitter.com/rikbowley) Art is Dead (the asdf book) (http://amzn.eu/9MeoROd) Twitter (http://twitter.com/thetomska) Facebook (http://fb.com/thetomska) Tumblr (https://ift.tt/Yjwu4n) Secondary Channel (http://youtube.com/darksquidge)

[olivierdemangeon]

    Synopsis : Suite au décès de sa tante, Colleen et ses deux filles héritent d’une maison. Mais dès la première nuit, des meurtriers pénètrent dans la demeure et Colleen doit se battre pour sauver ses filles. Un drame qui va traumatiser toute la famille mais surtout affecter différemment chacune des jeunes filles dont les personnalités vont diverger davantage à la suite de cette nuit cauchemardesque.

Origine du film : Canada, France Réalisateur : Pascal Laugier Scénariste : Pascal Laugier Acteurs : Crystal Reed, Anastasia Phillips, Emilia Jones, Taylor Hickson, Mylène Farmer, Rob Archer, Kevin Power Musique : Todd Bryanton Genre : Horreur Durée : 1 heure et 31 minutes Date de sortie : 14 mars 2018 (France) Année de production : 2018 Sociétés de production : 5656 Films, Inferno Pictures Inc., Logical Pictures, Mars Films Distribué par : Mars Distribution Titre original : Ghostland Notre note : ★★★★☆

Notre commentaire : “Ghostland” est un film d’horreur franco-canadien datant de 2018, écrit et réalisé par Pascal Laugier, à qui l’on doit également “Le Secret” (2012). Les acteurs principaux sont Crystal Reed, qu’on a pu voir dans “Too Late” (2015), Anastasia Phillips, qu’on a pu voir dans “Don’t Talk to Irene” (2017), Emilia Jones, qu’on a pu voir dans “Brimstone” (2016), Rob Archer, qu’on a pu voir dans “Kick-Ass 2” (2013), Kevin Power, qu’on a pu voir dans “Les Cavaliers de l’Apocalypse” (2009), et Mylène Farmer que l’on connaît essentiellement comme chanteuse.

L’histoire proposée par “Ghostland” est à la fois simple et compliquée. De plus, il est difficile d’être plus explicite, car cela me ferait directement basculer dans le spoil. Pour faire simple, disons que c’est un film d’horreur du type home invasion, où deux psychopathes s’invitent au sein d’une famille, tuent généralement les parents pour vivre durant quelque temps avec les enfants, habituellement des adolescentes, en les séquestrant, pour les frapper, les violenter.

Nous ne sommes pas, bien entendu, devant le chef-d’oeuvre du siècle, mais il n’y a que peu de critiques à adresser à ce métrage. Pascal Laugier est rare, ce métrage n’étant que sa quatrième réalisation depuis ses débuts en 2004. Avec “Ghostland” il assume aussi bien la réalisation que l’écriture du scénario. Et son scénario est justement très très bien écrit, en jouant avec le spectateur. Ce que l’on croit être le présent ne l’est pas, et ce que l’on croit être des flash-back, ne le sont pas non plus.

L’ambiance est particulièrement soignée. En effet, il y a beaucoup de tension, à la fois lorsque l’on suit ce qui est présenté comme étant l’attaque initiale, où les protagonistes de cette intrusion font preuve d’une extrême violence physique, que l’on peut d’ailleurs qualifier de barbarie, mais également de la grande détermination de la part des victimes, notamment la mère de famille Collen (Mylène Farmer), de ne pas se contenter d’être de simples martyrs, défendant sa progéniture, bec et ongles. Mais également lors de la partie séquestration, où l’angoisse est palpable, durant la très longue séquence de jeu de poupées.

On retrouve également, dans ce “Ghostland”, un excellent travail au niveau des décors. Colleen et ses deux filles viennent s’installer dans la maison de la tante récemment décédée de cette mère de famille. Cette tante avait un goût très old style pour la décoration de sa maison, ce qui donne un côté très séculaire à l’ambiance, limite poussiéreux. La proposition au niveau des choix de l’éclairage est également très judicieuse afin d’installer l’atmosphère particulière. Dans la première partie, le réalisateur nous propose quelques jump-scares astucieusement orchestrés, tout en étant familiers. Cependant, Pascal Laugier a l’intelligence de ne pas en abuser, et fait basculer son récit vers le survival.

Reste donc la distribution et le jeu d’acteurs. Bien qu’Anastasia Phillips et Crystal Reed offrent de superbes prestations, alternant entre angoisse, peur, terreur, épouvante et finalement détermination et volonté de survivre, c’est bien entendu la performance de Mylène Farmer que nous avons scruté avec le plus grand intérêt. On savait déjà, à travers ses nombreux clips, qu’elle avait une véritable aisance à jouer la comédie, mais il faut avouer qu’à travers “Ghostland” elle nous aura bluffé. Son jeu est très maîtrisé dans la fluidité, dans la simplicité avec une énorme dose de naturel. Elle incarne donc une mère de famille très contemporaine, douce et aimante avec ses deux filles. Bien que particulièrement malmenée lors de l’assaut des deux malades mentaux, elle dispose d’une série de scènes différentes lui permettant d’exprimer différentes facettes du caractère de son personnage.

À noter également la très bonne prestation de Rob Archer, véritable force de la nature, mesurant 1m98 pour 130 kilos, fortement grimé à l’extrême pour l’occasion, dans un rôle sans texte, ne s’exprimant que par des grognements. L’acteur arrive à faire passer non seulement de l’effroi, de la répugnance et de la terreur, mais également certaines émotions propres à un être complètement dérangé.

En conclusion, “Ghostland” est un très bon film d’horreur, disposant d’une histoire qui bascule dans le survival, mais qui s’offre un développement très original. L’intrigue est basique, mais la tension est très forte et l’atmosphère est à la fois anxiogène et terrifiante. L’horreur est à la fois dans la situation et dans le visuel, notamment à travers une violence physique assez explicite, à la limite de l’insoutenable. Le travail sur les décors, la musique, les quelques jump-scares, et les personnages est très bien orchestré. La bande originale est plaisante et la distribution offre de très bonnes prestations même si c’est la performance de Mylène Farmer qui nous aura le plus séduit. Un divertissement très captivant et très engageant, d’une belle fluidité, que l’on peut confortablement suggérer.

  Bande-annonce :

GHOSTLAND (2018) ★★★★☆ Synopsis : Suite au décès de sa tante, Colleen et ses deux filles héritent d’une maison. Mais dès la première nuit, des meurtriers pénètrent dans la demeure et Colleen doit se battre pour sauver ses filles.

[iliveworldnews]

// Visit EnchantedLifePath.com Donate To Enchanted LifePath Alternative News & MediaClick To Subscribe To Enchanted LifePath TV On YouTube The 10th Dimension

https://youtu.be/uhiT_nIuI38 View Video on YouTube Rob Bryanton is an author, with a popular science/philosophy book about the nature of reality, called “Imagining the Tenth Dimension”. Famous science fiction author Greg Bear (winner of both the prestigious Nebula and Hugo awards) had this to say about Rob’s book: “A fascinating excursion into the multiverse?clear, elegant, personal, and provocative”. Author and research scientist David Jay Brown called Rob’s book “one of the most brilliantly conceived and mind-stretching books I have ever read”. The companion video channel for the book, has attracted over 16 million views from around the world since its launch. Since 2009, Rob has been diversifying Talking Dog into the exciting new worlds of AR, VR, and now Mixed Reality. With past projects for Legendary Pictures, the Mayo Clinic, and the RCMP, and the opening of one of Canada’s very first Virtual Reality Arcades (thegridvr.ca), Rob is excited to be living in a science fiction future he never thought would happen within his lifetime. He has also made his first record at twelve, and was host/music director of a 1974 CBC-TV music series at the age of twenty. Nominated ten times for Canada’s Gemini Awards, five times in the category “Best Original Music Score for a Dramatic Series”, and five times for “Best Sound for a Dramatic Program”, Rob supervised the sound and co-composed the music for all six seasons of the hugely successful Canadian television series “Corner Gas”. He lives in Regina with his wife Gail, and they have two grown sons, Todd and Mark. THA Talks has continued to grow as a weekly/fortnightly produced podcast series of interviews indulging in topics generally considered marginal, strange, controversial, or esoteric and occult. Standing by the idea of creating a platform where people can share their views free of judgement. “Free thoughts and Open Minds” is more than a tagline; it’s the principle behind the project. http://thatalks.com/ http://ift.tt/2E5w52m http://ift.tt/eA8V8J News, Trending, Truth, Video, YouTube February 06, 2018 at 12:45PM