#today is a day for Insane Metas. please don’t get mad at me. this is something i’d never in a million years post on r/gallifrey they would

[dandelionjack]

something about the fairies taunting jack with rose petals no less. something about the toymaker covering the unit hq in rose petals while he gets shot at. you’ll never get away from the sound of the woman that loves you blessed you with the curse of eternal life

jack loses everybody he loves over and over again and as a reminder of that, rose petals.

the doctor loses everybody he loves over and over again and as a reminder of that, rose petals.

tell me that doesn’t sound remarkably similar to the way fifteen describes the goblins to ruby. the goblins are part of the toymaker’s “legions” — ancient and mysterious entities from the dawn of time, slipping in through the cracks in reality, stimulated by human belief and superstition. goblins abduct little children for their own ends and so do the “fairies”. you don’t know where the chicken or the egg is, where history ends and mythology begins: did the folklore emerge from sightings of the real creatures, or did the creatures coalesce like an egregore because of the proliferation of the folklore about them, a manifestation of humanity’s deepest fears come alive ever since the toymaker changed the rules of the game?

but was it the toymaker? could this all be a chain reaction, kickstarted billions of years ago (or only nineteen, depending on how you look at it) when one headstrong young woman looked into the time vortex and turned herself into a literal deus ex machina, defying all laws of reality, raising the dead and disintegrating the death-bringers? could that have been the moment (lol.) when it all began to unravel?

i haven’t seen classic who. what do i know. but maybe it wasn’t the line of salt at the edge of the universe. maybe it was one girl, seeing everything that ever was, everything that will ever happen, anything that ever could be. the fairies haven’t stopped pursuing jack ever since: he’s the living evidence of her miracle. they slaughter his entire train carriage but they don’t touch a hair on his head. other children are the fairies’ chosen ones, yes, but jack is the chosen one of their goddess. the bad wolf

i wonder who that jonathan groff character in the upcoming series is.

[gothamdetected-a]

an idiots guide to gotham.

sim, i hear you say, what the hell are you doing? it’s gotham. everyone knows gotham. batman’s hometown. arkham asylum. what more is there to know?

surprisingly, a lot. 

for example, did you know that the it has been described as "Manhattan below Fourteenth Street at eleven minutes past midnight on the coldest night in November." which i think is one of the coolest descriptions of an aesthetic ever. thanks dennis. anyway, there’s a lot more to this city and it’s mad confusing history than first meets the eye, so in true sim fashion, i’m here to whoop dc into shape and attempt to make sense of it all. in the immortal words of coldplay “oh take me back to the start.”

as a geography nerd, i’d like to begin way way back. like continent forming era. star wars’ a long long time ago has got nothing on this. because really, why is gotham so plagued with crime and corruption? why is it perpetually cloudy and gloomy and dark? why is this tiny patch of american coastline continually the stage for insane events while everywhere else around it seems perfectly fine and chilling. 

it’s because of cthulu. 

well, kind of. seriously. apparently trapped beneath the actual earth of gotham is a lovecraftian-esque being who’s been chilling for 40,000 years. yeah, bet you didn’t know that. it even takes to calling itself “doctor gotham” after long enough, but that might just be a writer taking the piss out of dr manhattan, which honestly, im here for. so there’s some ancient slumbering god just poisoning what will become gotham, with it’s “evil essence” or whatever. there is a native american tribe who lives in the area - the miagani. in a croatoan-like fashion, they mysteriously disappear one day: no one knows exactly what happened to them, but there’s speculation of black magic and an insane shaman who goes all caesar on them and tries to develop a tyrannical rule, but they seal him in a cave and flee only to be slaughtered by a neighbouring tribe/a mysterious natural disaster. already this place is giving off the Not Good Vibes.    

some time later a bunch of colonists arrive, one of whom is named hiriam arkham. he tries to build a chapel, but it ends up being the site of a murder and so that idea is abandoned. the colonists later accidentally open the cave and release Deacon Blackfire (nasty shaman man), who is fairly immortal, definitely a shithead, and also becomes a batman adversary and a black lantern corp member/zombie in a few hundred years. fun. the colonists are never seen again. wonder what happened there.   

so the ground keeps being corrupted and drawing the nasties to it. one of these nasties is a norwegian mercenary, captain jon logerquist, who lands there circa 1635 with his crew, feels the heeby jeebies vibe and goes ah yes. this is where i shall settle. utter weirdo. so suddenly we have a city being formed - you guessed it, gotham city, also known simply as gotham. and everything is fairly chill for a while. the city is known to be a hideout for ruffians and smugglers, has a fairly higher proportion of stabbings and burglaries, but other than it being a bit of a lawless wasteland, it’s not, you know, any stranger than other pre-civil war american towns. at some point war for independence ( 1775–1783 ) rolls through, and there’s a fairly large battle that is long and bloody and doesn’t look like is going to be won so the founding fathers decide to do something extra stupid, and summon a bat-demon. yes, literally, a bat-demon. that they think will help them turn the tides of the battle. instead they realise it can’t be controlled, panic a bit, and end up trapping it beneath gotham, nice and snuggled next to fucking cthulu’s cousin. so gotham is now especially Cursed, and also starts gathering a large number of bat colonies in it’s underground cave system, because they’re all coming to worship this demon thing or w/e. 

next step is the civil war ( 1861-1865 ), and this is the first time we get a cobblepot in town - colonel nathan cobblepot to be precise. a couple of generations happen, and the town is growing into a city - at this point five of the families truly “found” gotham as a metropolitan and industrial hub, building bridges to connect the islands and forging the path to gotham as it is today. these five families are the cobblepots, the elliots, the crownes, the kanes and the waynes. these eventually become known as gotham’s oldest lineages, and it’s wealthiest, forming the future of gotham high society. however the cobblepots eventually end with penguin, and thomas elliot gets salty and becomes hush ,and the kanes and waynes decide to start dressing up as bats so it’s more like a cautionary tale than anything. 

around this time (1870), ra’s al ghul builds wonder city beneath gotham’s old town, and around a naturally occurring lazarus pit under the city. wonder tower becomes a spectacle of the gotham skyline, their equivalent to the empire state or big ben. eventually the project is abandoned, especially after mysterious disappearances, rumours of madness and strange sounds of rioting emerging from the nearly completed project. also occurring in this decade is the conversion of arkham manor into the elizabeth arkham sanatorium (which would later become arkham asylum) under the then heir, amadeus arkham. elizabeth commits suicide, a serial killer murders the rest of the family, save amadeus, who then goes mad and begins dabbling in the occult and experimenting on patients, eventually becoming one himself. despite all this, arkham asylum remains open, setting the scene for this to be one of the most tragic and fucked up buildings in america. 

another generation goes by and the wayne family produces solomon wayne, who will eventually become an incredibly important figure to gotham, partly because he is a judge and has a courthouse named after him and all that, but mostly because solomon wayne is the man who hires cyrus pinkney. who? you ask. literally the man responsible for gotham’s fucked up architecture. solomon wayne commissions him to create what he calls “gotham style” around 1890, and pinkney, heavily influenced by both cubist/surrealist design and the gothic revival, is the bastard who ensures everything has a gargoyle slapped on it and that gotham cathedral could literally be home to dracula. every inch of the city is covered in hidden meanings and mysticism, because, if you haven’t already guessed, pinkney was a bit nuts, but solomon wayne seems mighty pleased by this and it does actually boost gotham’s industry and cause people to relocate to it from the surrounding area. pinkney’s final piece de resistance is the statue the lady of gotham (officially named Justice opens her eyes to the world ) in the gotham harbour, yet another new york parallel. 

however as a result of booming capitalism and continued gentrification, gotham develops extreme poverty, with several areas of the city, specifically around the docks, the bowery and the narrows, becoming slums. crime levels continue to rise, and many writers take inspiration from chicago and new york mobs in the 30′s and 40′s, drawing parallels and creating organised crime, mafias and gangs. families like the maronis, falcones and thornes begin to take over the city, shaking down businesses for “protection” developing protsitution and drug running rings, importing weapons etc. gotham becomes seen nationally as a dark foreboding metropolis, where the ultra-rich one percenters drink champagne in their ivory towers while the poor of the city suffer and die. city planners also take this opportunity to go absolutely nuts, and build bomb shelters, underground highways, crazy sewer systems, you name it. after all, no one cares right? it’s gotham. by the time the cold war comes to a head, the city is literally riddled with layers of alleys and tunnels and walkways, all over burdened by the watchful eyes of giant bronze statues and stone grotesques.

then, thomas and martha wayne appear, and really start trying to change the city. they develop philantrophic interests, help to create the monorail, encourage the other wealthy elite of the city to care about the rotting corpse of gotham. change is slow, but it happens. the city starts to brighten up, vaguely, and the waynes become heralded as gotham’s saviours, becoming more than a household name. of course, they get shot, in an alleyway, by joe chill, and that same night batman is born. it takes him like 20 years to actually appear in the city, but boy when he does appear, he goes ham. this isn’t a batman meta tho, so i’ll keep it light on his backstory and involvement. 

batman tackles corruption in the city, purging the gcpd, bringing criminals to justice etc, all while bruce wayne makes his lauded return and begins trying to change things in the same way that his parents did - investing in the city, creating public services, developing grass roots projects in the worst affected areas of gotham. however, this city is quite literally Cursed and it all goes very wrong very quickly. 

first, ra’s al ghul unleashes the clench (also known as Ebola Gulf A virus) into gotham high society, and through the contagion storyline, a LOT of gothamites die. i think it’s like 40% but don’t quote me on that. the whole city is quarantined, but batman manages to save the day! hooray! wrong. the second disaster happens in the cataclysm arc - a 7.6 richter earthquake (although in my professional opinion this should probably be measured using the mercalli scale because you have to take into account the density of population etc in the area, but whatever, dc don’t study earthquakes like i do :/). as a result of these two events happening literally within months of each other, the entire city is declared a “no man’s land” by the US government. most civilians are evacuated, it is cut off from the mainland by destroying bridges and creating a military blockade and left to literally rot. no central government is applicable, no services are available, and very quickly gangs take over, carving up the city between them. imagine the purge but never ending. that’s gotham. huntress and oracle and the remaining scraps of the gcpd try to keep some kind of order, while bruce fucks off to petition the government into not being dicks and fixing the city rather than abandoning it.  eventually, he comes back, batman battles a lot of people, luthor donates enough money to save the city and gotham is rebuilt and repatriated as part of the us. 

then the next big events include: 

• henri ducard as ra’s al ghul tries to cover the city in fear toxin after teaming up with scarecrow. the narrows is especially targeted. 

• steph accidentally starts a gang war after going through batman’s stuff unsupervised. for a while black mask rules gotham.

• hugo strange convinces the gotham city council to let him have old gotham, which he converts into arkham city. eventually wonder tower explodes and the “city” is shut down, cut off from the rest of gotham. 

• scarecrow successfully releases his fear toxin over gotham via the cloudburst system. most civilians have already been evacuated, but the city is thrown into ruin and chaos.   

these are just the biggest points though, and the ones which help to tie film, comics and games together. my favourite part of gotham i haven’t even talked about yet. but i’m gonna. here we go. 

gotham is chronologically removed. 

obviously time progresses there, but there is a immense sense of timelessness. gotham does not move on with the rest of the world. there’s a huge mash of different eras and styles. there are airships in the sky and maglev monorails on the ground, people use typewriters alongside touch screen laptops, buildings are either twisted gothic nightmares or glistening modern skyscrapers. the time frame that should be obvious from the setting is completely ambiguous. and it’s brilliant, because really it means that the time is not important. it could be set anywhere, anywhen. gotham looks almost the same in the 40s as it does in 2020, and it means that batman and these events can be slotted into pretty much any decade. batman can be born in 1939 or 1969 or 1999 and it still all works. it’s a mash up of modern expressionism and constructivism and art deco and gothic revival and surrealism and space-age futurism and industrialism and honest to god i could literally talk about this all day. but i mustnt so i shall stop now.  

basically the tldr here is that i have a fetish for urban decay, gotham was fucked from day 1 due to some bullshit evil god beneath it, and literally house prices must be so low, because who the hell would want to live there. 

[jcmorgenstern]

@superohclair oh god okay please know these are all just incoherent ramblings so like, idk, please feel free to add on or ignore me if im just wildly off base but this is a bad summary of what ive been thinking about and also my first titans/batman meta?? (also, hi!)

okay so for the disclaimer round: I am not an actual cultural studies major, nor do I have an extensive background in looking at the police/military industrial complex in media. also my comics knowledge is pretty shaky and im a big noob(I recently got into titans, and before that was pretty ignorant of the dceu besides batman) so I’ll kind of focus in on the show and stuff im more familiar with and apologize in advance?. basically im just a semi-educated idiot with Opinions, anyone with more knowledge/expertise please jump in! this is literally just the bullshit I spat out incoherently off the top of my head. did i mention im a comics noob? because im a comics noob.

so on a general level, I think we can all agree that batman as a cultural force is somewhat on the conservative side, if not simply due to its age and commercial positioning in American culture. there are a lot of challenges and nuances to that and it’s definitely expanding and changing as DC tries to position itself in the way that will...make the most money, but all you have to do is take a gander through the different iterations of the stories in the comics and it’ll smack you in the fucking face. like compare the first iteration of Jason keeping kids out of drugs to the titans version and you’ve got to at least chuckle. at the end of the day, this is a story about a (white male) billionaire who fights crime.

to be fair, I’d argue the romanticization of the police isn’t as aggressive as it could be—they are most often presented as corrupt and incompetent. However, considering the main cop characters depicted like Jim Gordon, the guys in Gotham (it’s been a while since I saw it, sorry) are often the romanticized “good few” (and often or almost always white cis/het men), that’s on pretty shaky ground. I don’t have the background in the comics strong enough to make specific arguments, so I’ll cede the point to someone who does and disagrees, but having recently watched a show that deals excellently with police incompetence, racism, and brutality (7 Seconds on Netflix), I feel at the very least something is deeply missing. like, analysis of race wrt police brutality in any aspect at all whatsoever.

I think it can be compellingly read that batman does heavily play into the military/police industrial complex due to its takes on violence—just play the Arkham games for more than an hour and you’ll know what I mean. to be a little less vague, even though batman as a franchise valorizes “psychiatric treatment” and “nonviolence,” the entire game seems pretty aware it characterizes treatment as a madhouse and nonviolence as breaking someone’s back or neck magically without killing them because you’re a “good guy.” while it is definitely subversive that the franchise even considers these elements at all, they don’t always do a fantastic job living up to them.

and then when you consider the fetishization of tools of violence both in canon and in the fandom, it gets worse. same with prisons—if anything it dehumanizes people in prisons even more than like, cop shows in general, which is pretty impressive(ly bad). like there’s just no nuance afforded and arkham is generally glamorized. the fact that one of the inmates is a crocodile assassin, I will admit, does not help. im not really sure how to mitigate that when, again, one of the inmates is a crocodile assassin, but I think my point still stands. fuck you, killer croc. (im just kidding unfuck him or whatever)

not to take this on a Jason Todd tangent but I was thinking about it this afternoon and again when thinking about that cop scene again and in many ways he does serve as a challenge to both batman’s ideology as well as the ideology of the franchise in general. his depiction is always a bit of a sticking point and it’s always fascinating to me to see how any given adaptation handles it. like Jason’s “”street”” origin has become inseparable from his characterization as an angry, brash, violent kid, and that in itself reflects a whole host of cultural stereotypes that I might argue occasionally/often dip into racialized tropes (like just imagine if he wasn’t white, ok). red hood (a play on robin hood and the outlaws, as I just realized...today) is in my exposure/experience mostly depicted as a villain, but he challenges batman’s no-kill philosophy both on an ethical and practical level. every time the joker escapes he kills a whole score more of innocent people, let alone the other rogues—is it truly ethical to let him live or avoid killing him for the cost of one life and let others die?

moreover, batman’s ““blind”” faith in the justice system (prisons, publicly-funded asylum prisons, courts) is conveniently elided—the story usually ends when he drops bad guy of the day off at arkham or ties up the bad guys and lets the police come etc etc. part of this is obviously bc car chases are more cinematic than dry court procedurals, but there is an alternate universe where bruce wayne never becomes batman and instead advocates for the arkham warden to be replaced with someone competent and the system overhauled, or in programs encouraging a more diverse and educated police force, or even into social welfare programs. (I am vaguely aware this is sometimes/often part of canon, but I don’t think it’s fair to say it’s the main focus. and again, I get it’s not nearly as cinematic).

overall, I think the most frustrating thing about the batman franchise or at least what I’ve seen or read of it is that while it does attempt to deal with corruption and injustice at all levels of the criminal justice system/government, it does so either by treating it as “just how life is” or having Dick or Jim Gordon or whoever the fuckjust wipe it out by “eliminating the dirty cops,” completely ignoring the non-fantasy ways these problems are dealt with in real life. it just isn’t realistic. instead of putting restrictions on police violence or educating cops on how to use their weapons or putting work into eradicating the culture of racism and prejudice or god basically anything it’s just all cinematized into the “good few” triumphing over the bad...somehow. its always unsatisfying and ultimately feels like lip service to me, personally.

this also dovetails with the very frustrating way mental health/”insanity” or “madness” is dealt with in canon, very typical of mainstream fiction. like for example:“madness is like gravity, all it takes is a little push.” yikes, if by ‘push’ you mean significant life stressors, genetic load, and environemntal influences,  then sure. challenge any dudebro joker fanboy to explain exactly what combination of DSM disorders the joker has to explain his “””insanity””” and see what happens. (these are, in fact, my plans for this Friday evening. im a hit at parties).

anyway I do really want to wax poetic about that cop scene in 1x06 so im gonna do just that! honestly when I first saw that I immediately sat up like I’d sat on a fucking tack, my cultural studies senses were tingling. the whole “fuck batman” ethos of the show had already been interesting to me, esp in s1, when bruce was basically standing in for the baby boomers and dick being our millennial/GenX hero. I do think dick was explicitly intended to appeal to a millennial audience and embody the millennial ethos. By that logic, the tension between dick and Jason immediately struck me as allegorical (Jason constantly commenting on dick being old, outdated, using slang dick doesn’t understand and generally being full of youthful obnoxious fistbumping energy).

Even if subconsciously on the part of the writers, jason’s over-aggressive energy can be read as a commentary on genZ—seen by mainstream millennial/GenX audiences as taking things too far. Like, the cops in 1x06 could have been Nick Zucco’s hired men or idk pretty much anyone, yet they explicitly chose cops and even had Jason explain why he deliberately went after them for being cops so dick (cop) could judge him for it. his rationale? he was beaten up by cops on the street, so he’s returning the favor. he doesn’t have the focused “righteous” rage of batman or dick/nightwing towards valid targets, he just has rage at the world and specifically the system—framed here as unacceptable or fanatical. as if like, dressing up like a bat and punching people at night is, um, totally normal and uncontroversial.

on a slightly wider scope, the show seems to internally struggle with its own progressive ethos—on the one hand, they hire the wildly talented chellah man, but on the other hand they will likely kill him off soon. or they cast anna diop, drawing wrath from the loudly racist underbelly of fandom, but sideline her. perhaps it’s a genuine struggle, perhaps they simply don’t want to alienate the bigots in the fanbase, but the issue of cops stuck out to me when I was watching as an social issue where they explicitly came down on one side over the other. jason’s characterization is, I admit and appreciate, still nuanced, but I’d argue that’s literally just bc he’s a white guy and a fan favorite. cast an actor of color as Jason and see how fast fandom and the writer’s room turns on him.

anyway i don’t really have the place to speak about what an explicitly nonwhite!cop!dick grayson would look like, but I do think it would be a fascinating and exciting place to start in exploring and correcting the kind of vague and nebulous complaints i raise above. (edit: i should have made more clear, i mean in the show, which hasn’t dealt with dick’s heritage afaik). also, there’s something to be said about the cop vs detective thing but I don’t really have the brain juice or expertise to say it? anyway if you got this far i hope it was at least interesting and again pls jump in id love to hear other people’s takes!!

tldr i took two (2) cultural studies classes and have Opinions

[raging-violets]

Fictober 2019 // Day 31 // By: Rhuben

Prompt Number: #31, “Scared, me?” Fandom: The Flash (DC TV) Rating: E Warning: None

“Come on,” Barry said, rubbing his hands together excitedly, “we don’t want to miss a minute of this.” He then spread his arms open wide and turned to face the stalls, games, and stages set up in the middle of Central City Park.

With the sun slowly setting, all the orange, red, blue, and purple lights stood out, adding to the creepy ambience of the spider webs stretching from tree branches and roofs to the food stalls, the fog machines that slowly pumped clouds into the walkways, and the music that played in the background of all the noise.

“Fried Corn on the Cobwebs,” Cisco read aloud a sign they passed, brushing his hair back behind his ears. “With your choice of marshmallow, chocolate, or strawberry webs.” His nose wrinkled. “Now that’s scary. I wonder how that’d taste?”

“We’ll find out sooner or later, hey,” Averey said, “because I plan to try everything form one end of the park to the other.” She nudged Barry in the side with her elbow. “Reckon that’s the only way to fill Barry’s stomach tonight, yeah?”

“Please,” Barry scoffed, “I don’t have the money for that.”

“Barry,” Iris reminded him, “you won S.T.A.R. Labs.”

“Ok, I don’t have enough money on me to cover that.”

Caitlin made a noise of surprise behind the map that covered her face. “They’ve got some STEM centered events this year,” she said with a smile. “Mad scientists, you can make your own lava lamps, too. We should check that out.”

“But first,” Barry declared, jabbing a finger into the air, “the hypnotist.”

Eddie groaned, rolling his eyes. “You don’t actually believe that, do you?” he asked. “That people can be hypnotized?”

“We’ve faced metahumans that could turn into gas,” Cisco pointed out to him, “and a hypnotist is something you can’t wrap your mind around?”

“A real one?” Eddie repeated. “No. It’s not possible.”

“No one’s going to be able to hypnotize anyone just by watching a pocket watch swing back and forth in front of them,” Caitlin said with a scoff, “but it has great success in psychological therapy practices. You can really reach those memories and feelings that one has repressed.” She shrugged her shoulders. “You’re not focusing on an object, but you are being guided with verbal cues.”

“Only one way to find out, yeah?” Averey said, holding her hand out for the map. Squinting against the darkening light, she dragged her finger over the paper. “Mr. Bliss’s show is right at the end of this path.” She then lifted her head and grinned at Eddie, using one hand to clap him on the shoulder. “And I think we’ve found our volunteer.”

“No way,” Eddie protested.

“Scared?” Averey asked.

“Scared, me? Ha!” Eddie crossed his arms over his chest. “Not a bit.”

“There really is nothing to be scared of,” Caitlin said with a smile, “many have described it like sleeping. Only you’re aware of what’s going on, and you’re more susceptible to persuasions than you normally would be.”

“I’m not scared,” Eddie insisted. “I just think it won’t work.”

“Only one way to find out, right?” Iris asked, her eyebrows lifting.

Eddie sighed through his nose, looking around at all of his friends. They were all smiling expectantly or smirking at him. In that moment, he would rather chase down an insanely strong, strung out druggie than even set foot anywhere near a hypnotist. Not that he ever really believed people could be hypnotized, but he didn’t want to think what it was that he would wind up doing or saying.

He was a respected member of the Central City Police Department. He didn’t want to be the one to bring any sort of embarrassment to his friends and co-workers. Or to give them any more reason to make comments about him. His “keeping score” of arrests didn’t exactly go down well, even if they didn’t know the full reason behind it.

And he wasn’t exactly looking to spill any deep secrets.

“I’d like to see Barry do it,” he managed to get out.

Caitlin looked stricken. “I don’t think that’s a good idea,” she said, “think of the implications.”

“He could reveal his identity as the Flash,” Iris agreed.

“He doesn’t exactly have the greatest track record with not telling people on a normal basis anyway, this one” Averey said flatly. She then rounded on Barry. “There’s a reason why it’s called a secret identity, yeah?”

Barry made a face at her before turning his head away, almost practically pouting.

“And you have mentioned it a time or two when you’ve actually gotten drunk,” Cisco added. He put a hand over his face before cupping his chin with his hand, upper lip curling slightly. “Luckily, everyone else was more sloshed than you were so I don’t think they noticed.” He then shrugged, lifting his hand in the air. “If you’re going to chicken out, I’ll volunteer when asked. Why not?”

“Yeah, me too,” Averey said, “sounds like a good time to me.”

“Then let’s go,” Barry declared, leading the way down the path. “It’s just a lot of fun, right? I mean, could you imagine a meta that could do something like this at will?”

“Don’t give anyone any ideas,” Eddie said. “I just want a day to relax. I’m not looking to arrest anyone today.”

“You want to relax,” Cisco asked, squinting at him, “at a Halloween Haunt?”

“I know the difference between the scream of someone in trouble and someone being scared,” Eddie reminded him. “Besides, if anything were to happen, we’d be fine.” He pointed at Barry, “Flash,” then he pointed at Averey, “Visionary,” and then placed a hand to his chest, “police.” He sighed. “Nothing better happen.”

“Who knows?” Cisco said with the best creepy voice he could muster, “scary things are bound to happen on Halloween night.” He rubbed his hands together, tilting his head back. “Mwahahaha.”

“Like the Mick Rory carving a pumpkin with a flame thrower?” Eddie asked, craning his neck to look further down the path. “And getting grumpy that the kids are doing a better job?” They all watched as Mick Rory huffed and snarled, shoving a Twizzler into his mouth, taking a large bite, and chewing dejectedly as the kids at the table turned their pumpkins towards him.