#to warp out
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noisy-weasel · 2 years ago
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Absolute moronic decision to put dlc doors in the game when you don't have the dlc because the first time I tried to enter the derelict distillery i didn't even read the text because all I saw was I couldn't enter and so I assumed it was another dlc and I'm on boss cell 2 and have never even been to the fucking area
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kayleerowena · 5 months ago
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TRUE LOVE IS POSSIBLE ONLY IN THE NEXT WORLD, FOR NEW PEOPLE / IT IS TOO LATE FOR US
a redraw of an old piece! 💀 tip jar | patreon | print shop
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glxybld-mustdie · 21 days ago
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mentally i’m here
⬇️⬇️⬇️
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please take me back to 2005 i need to go to this tour like i need to breath
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d3molition-lov3rs · 3 months ago
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modern day romance has nothing on whatever the fuck was going on on pete wentz's livejournal
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amaiitastic · 2 months ago
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Pete Wentz, Bert McCracken, and Frank Iero all in one place in a month? The Way Brothers should be scared for their life.
It’s time to repent for all the hearts they shattered in 2005-2008
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starry-bi-sky · 4 months ago
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Out of Context Stuff for a Danyal Al Ghul au i haven't posted - Pit Beast Danyal
Damian, 13: Look, Danyal, -- I am so sorry for everything that happened between us in the League, I hope you can forgive me.
Danny, 10 (allegedly): (has been secretly plotting to murder Damian this whole time, is still gonna do it obvs, but is going to make it significantly less painful now)
Danny: I-- of course, older brother. :]
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Bruce: what do you have there, Damian?
Damian:
Danny: (a hulking 10ft pit beast standing beside him, growling idly with ram horns gouging out his eyes and a second set of horns jutting into the air, spines down his back, and a long, spiked tail with an animalistic, skull-like face)
Damian, who smuggled him in (they've made amends): a smoothie, father
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Damian: this is my little brother Danyal, i murdered him when he was five. He festered in rage for the last half-a decade, took over a League mountain base in Switzerland, murdered everyone inside and then tried to murder me when I went to investigate with Drake.
Danny: hello!
Damian: we're cool now
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Damian: thoughts on resurrection
Danny, (a full ghost): i will succeed in murdering you if you try it
Damian: we'll put a pin in it then
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Danny (still instilled with League values): why don't we just murder him??
Damian, on patrol (Danny followed him): we don't murder people, Danyal
Danyal:,,,,are you sick, Dami?? Have you been possessed? Why not!?
(There is raucous laughing through the comms)
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Danny, five, pre-death: Dami! :D
Danny, dead, vengeful: Older brother (:
Danny, post-forgiveness: Dami! :]
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For some actual context: Danny is fully dead in this au, its a result of the classic DPxDC Demon Twins "death duel" trope but instead of Danny getting revived, he stays fully dead. Danny was five, Damian was seven. His ghost lingered though, and due to the proximity of the pits his ghost steadily absorbed the ambient energy it was letting off. The pits are not corrupted ectoplasm in this au, it's just liquid ecto.
Which means Danny's corruption from an angry and hurt little ghost boy to an unrecognizable monster is from his own doing. It's a result of him stewing in his hurt and anger for years, it physically warped him. He's very powerful. Danny can travel between League Bases but chose a small, out-of-the-way base in the Swiss mountains to fester in and then just. Never Left.
His influence steeped into the very foundations of the building, allowing him to transform and warp the rooms and hallways for his own bidding, Meaning he could turn it into a seemingly unending labyrinth if he so wished to, and block the entrance.
Eventually, blinded (both metaphorically and physically) by his own rage, Danny grew powerful enough to appear physically in the living realm and attacked everyone in the base, slaughtering them all and leaving the base abandoned. He attacks anyone who dares enter -- whether that be other league members, or the unfortunate hiker who stumbled across the base. His conscious is steeped into every nook and cranny of the building, there is nowhere you can hide where he can't find. Nobody leaves without his explicit say so. Nobody ever does.
Him appearing as ten years old before Damian in the skits above is his own physical doing. First it was to prevent Damian from being suspicious of him. Damian initially thought Danny was revived with the pits, he was too busy with his own training afterwards to notice that Danny never showed up again, and when he did notice, he assumed it was because Danny was too ashamed of his loss to face him. He'd always forget to ask about him.
Then it becomes a personal choice to appear as ten. It's how old he would've been had he been alive.
danny forgiving Damian is kinda for an offshoot branch of the main au. Whereas the main au takes the form of a ps4 first person horror game where Damian and Tim are investigating the Base for Plot Reasons. There's no sign of the rumored "monster" living inside until the end, where Danny, who was found inside the Base and has been happily "helping" them look around, manages to persuade Damian into splitting off from Tim in order to "show him something."
This something turns out to be Danny revealing that he never really forgave Damian for that fight, and he reveals through a horrifying transformation, that he was the monster the whole time. Which the game subtly hints at throughout as Danny's strange behavior becomes harder to ignore.
First from his insistence to only refer to Damian as "older brother" (when before the duel he always called him Damian or Dami), to him right off the bat denying the existence of a monster when questioned. ("There's no monster here, older brother. It's just me.") To other various things, like his knowledge of the outside world not matching up to modern times or things going on with the league outside of the base, or what happened to the other league members.
This whole idea was inspired by the song "Scylla" from Epic the Musical, with Danyal being the voice of Scylla as well as Odysseus, while Damian stands as Eurylochus. The instrumentals after Scylla says "hello" is him turning into the pit beast, and Scylla's "drown in your sorrow and fears" part is danny, as the pit beast, snarling at Damian while he attacks him.
There's a Good Ending, a Bad Ending, and a True Ending. The Bad Ending results in Damian being killed by Danny, it happens when Damian decides not to question or suspect Danny and treats him kindly. The Bad Ending is a cutscene, where Danny kills Damian quick and painlessly.
Meanwhile the Good Ending is Damian killing Danny. This is a boss fight, and it happens when Damian treats Danny coldly and suspiciously the whole time. Danny as a result, decides to make Damian's death painful as he had planned to, which is why it's a boss fight because it only causes him to double down on his anger.
The True Ending is Damian escapes with Tim. It happens when you treat Danny warmly up until the last minute, where when Danny proposes to Damian that he wants to show him something, Damian goes to talk to Tim and finally, reluctantly agrees that something is off with Danny, and that he'll be careful going in. It starts off with the boss fight until a third through, where it then changes to a cutscene where Tim manages to get the door open and Damian escapes out. It's then a chase scene down a never-ending hallway as the building actively works to keep you trapped inside. But you eventually make it to the exit so long as you avoid all the projectiles and doors.
Remember when I mentioned that Danny only lets people leave when he wants them to? That's where the treating Danny kindly throughout the game comes into play. It causes him to second guess himself and, eventually, reawaken and strengthen the love and admiration he had for Damian prior to his murder. It's why in the Bad Ending he kills Damian quickly -- because by then, he loves him enough that he doesn't want him to suffer, but is still so consumed by his rage and need for vengeance that he kills him anyways. That quiet part is what allows Damian (and Tim) to find the exit, because some part of Danny still loves Damian enough that he wants him to live.
The True Ending ends with a cutscene of Damian and Tim tumbling out into the snow/grass outside of the base. Damian looks up back to the entrance to see Danny standing there. But rather than a ten year old boy, there's a little five year old Danyal Al Ghul instead. He stares at Damian emotionlessly, blood seeping from his chest, staining his clothes, and little, bloody sword in his hands and tearstains on his cheeks, before he turns away and disappears back into the building.
#dpxdc#danny fenton is not the ghost king#danyal al ghul au#danny phantom#dpxdc crossover#dp x dc#dp x dc crossover#dpdc#pit beast danny#danyal al ghul#dpxdc au#damian and danny forgiveness route is kinda like a post-true ending idea where damian decides to return to the base and find a way to help#danny.#and also because nobody in that fucking family processes grief in any kind of sane way he is also plotting a way to resurrect his dead#brother with the lazarus pits. he just needs to find where he was buried. and also hopefully get danny's permission. he's gonna do it anywa#but it'll be nicer if danny agrees to it beforehand. that way danny isn't angry with him when he eventually revives him#also if tim dies at any point during the game you have to restart to your last save point. there's not many opportunities for him to becaus#danny is honestly not that interested in him but its still there. some details for the game: danny's pit beast model has the highest#resolution out of everything there. meanwhile his human model has the lowest. he also lacks a shadow and his voice carries a strange echo#that's subtle enough to sound like an accidental audio mistake. his voice gets more warped as the good ending progresses and becomes more#human during both the true and bad ending. it indicates his forgiveness and growing care for damian. while in the good ending he gradually#grows more pissed.#danny has shit eyesight as a result of his eyes being gouged out for years. but since he's literally one with the building he doesn't#need any help walking through it. he can travel it with his eyes closed. if he's anywhere else though he needs to be holding onto something#he also has one eye covered in bandages in his ten year old form because he can't get that eye to heal and look human.
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archiesoniconline · 1 month ago
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Sonictober 2024 Day 24! Theme: Tempo. In order to time travel on Little Planet, you need to get into a good rhythm of running fast, smashing robots and avoiding obstacles all at once. Piece of cake for the fastest thing alive in the past, present and future!
Art by @miitarion
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fvaleraye · 3 months ago
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limbus company is a wild game. you play as a nonbinary amnesiac who got their head cut off and responded by replacing it with a flaming wall clock, whose second job is to (ineffectually, at first) be the manager of a group of people on a bus and whose first job is to revive and heal them anytime anything happens, which is all the time. your party is comprised of a dour scientist who has a habit of speaking in poetry, a mysterious white haired genius implied to be in a constant mental discord call with different versions of herself across multiple universes, an autistic woman who named her shoes after a fictional horse and turns into an ancient and powerful vampire if they're ever taken off, a swordswoman who speaks a third of her mind in acronyms and loves to murder people "artistically", an autistic frenchman built like a fridge who refuses to be a person unless ordered to, a long haired rich pretty boy who accidentally pisses people off with his sheltered behavior half the time and pretends to be dumber than he is to purposefully annoy people the other half, a british thug whose entire plot could have been solved by just spitting it out and also turned into a wolf monster for a bit, a ginger who got bored of her office job and decided to get on a boat and hunt whales about it, a russian gambler whose mental health and self image are rapidly deteriorating while she is also getting progressively worse at hiding it, a young man who is really in over his head while also being very good at killing people who also is weirdly good at translating the earlier mentioned swordswoman's acronyms, a kiss-ass former military woman who would probably kill everyone else in the party if she thought she could get away with it, and a german former-soldier who got a mutant bug arm and intense ptsd and depression. there's also the all powerful guide who tells you where to go who is legally not allowed to be too helpful and is also perpetually sick of your shit, and the strange girl who drives the bus you all ride in without a license or a lick of training. also the bus looks like a train. add onto the fact that most of the characters and their backstories are references to classic literature, and you have what is possibly the world's MOST dysfunctional dnd party.
we love this fucking game.
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sorrowlikefalling · 2 months ago
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r.i.p. 2005 pete wentz you wouldve loved casual by chappell roan
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toalltheangels · 5 months ago
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Pete is one of my favorite poets ever (maybe I'm just emo)
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snailtrain · 11 months ago
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Happy new year!!
Hehe, continuation of last week's card!
@nocturnalsleuth's tags inspired me u_u
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majimasleftasscheek · 2 days ago
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kazumaji week 2024 - comfort
he's a gremlin but a lovable one 🥺
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amielot · 7 months ago
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Uno Reverse
Bonus:
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@arialerendeair keeps giving me ideas to springboard off of XD
final image was referenced from Calvin and Hobbes :3
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ariadne-mouse · 5 months ago
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This feels like both a statement of potential obviousness, but also a prediction because hey, we're only 2.5 hrs into Episode 1: I don't think Downfall will reveal either the gods or the Aeorians to somehow be uniquely evil, or that the desire on either part to destroy the other is somehow uniquely more justified or deserved.
Like in Episode 1 here we're getting a very strong dose of the shitty things Aeorians are doing to other mortals in their pursuit of control and power - we already knew they were a warmongering surveillance state, and as things get worse on Exandria it's grimly unsurprising that the people on the ground are increasingly treated as disposable. But Aeor is still a city full of people seeking safety in a land torn open by the gods' battles, desperate to survive by any (increasingly ugly and sinister) means. And the gods in turn are afraid for their survival, and are acting accordingly in seeking Aeor's Downfall (immense collateral damage) - all while and the versions of them in the party here have lived mortal lives & hardships, have families, communities. They have lived in the desolation their own godly battles have created. We don't see them portrayed as lofty divine abstracts, not even necessarily in the intro, where they are confused, afraid, and seeking safety from danger.
For Ludinus to think this "footage" is in his favor against the gods, and the complexity of the lore being what it is and the cast being the storytellers that they are, I think it must be the kind of series of events you can look at and see the humanity (using that word deliberately) for good and ill in all parties involved - and leave again with your biases if they're strong enough. Very curious what we will learn. I expect to weep. I can't wait.
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d3molition-lov3rs · 2 months ago
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your favourite lyricist's favourite lyricist
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staticbluue · 9 months ago
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Data gets to be a little sparkly :) as a treat :))
This started as perspective practice, but then I drew his arm really well and couldn't cover it up, so I opened it instead. Now I realize it looks like a phalloplasty incision hmmmm...
I love drawing wires and cables 💙💙💙💙💙💙💙💙💙💙💙💙
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