#to try to parse out everyone’s actions and make a little tiered list of who’s problematic & who’s not is to miss the point entirely

[lwjesbian]

genuinely stop being able to have thoughts when i come across ppl who hate & revile jiang cheng it’s like….………. how are u interrupting this so wrong …… u are so.. this is so. i . he is …….and THAT was so.. but ur just…… hhghgahsgshghhaghghg abt to start biting ppl…!!!. anyway jiang cheng and i walk our dogs together every sunday and then go to therapy & get smoothies afterwards

[crowdvscritic]

round up // OCTOBER 20

Hubie Happy Halloween, friends! I’m not sure what October’s been like for you, but here’s a quick summary of my month:

Re-acquainting myself with my collection of (mostly gray and navy blue) sweaters

Ordering an embarrassing—like, I lost count kind of embarassing—number of lattés

Alternating between enjoying the ombré of the fall trees and cozying up with the first logs in the fireplace

Revisiting all-time favorite stories like The Scarlet Pimpernel by the Baroness Orczy, the extended Lord of the Rings movie trilogy, all three seasons of Stranger Things, the 1995 Pride and Prejudice miniseries, and several Harry Potter movies

In short, this month has been all about finding joy in the little things, which is the essence of our search for coziness in autumn. Since these monthly Round Ups only focus on pop culture that’s new to me, that means this month’s list is shorter than usual, but many of the movies and shows feel like warm blankets I’ll return to again. Though, as you’ll see, a few are not…

October Crowd-Pleasers

Enola Holmes (2020)

A movie so charming, I’m on the verge of rewatching even though it’s only been a few weeks. (It’s a rare occurrence for me to return to something so quickly.) It lets a stacked cast of performers known for dramatic roles flex their comedic muscles, including Henry Cavill, Sam Claflin, and—most spectacularly—Millie Bobby Brown. You can read my full review of the new Netflix movie at ZekeFilm. Crowd: 9/10 // Critic: 8/10

Murder, She Wrote (1984-96)

This entry comes with a bit of an asterisk* because Kyla and I watched this murder mystery procedural in 2018 for our podcast, SO IT’S A SHOW? At the time, I was open to watching more episodes, but it was never so easy as with the launch of the Peacock streaming service. All 12 seasons are available in the free tier, and I never thought a show about murder—and in the procedural format, which I don’t typically love—could be so enjoyable. Angela Lansbury’s mystery writer/amateur detective Jessica Fletcher has become a non-ironic role model for me—I aspire to be as gracious, intelligent, humble, uncynical, and assertive. Also, who says I’m not aspiring to spending my 60s writing, traveling, and solving crimes while wearing a fabulous collection of cardigans?

The Return of SNL

When Saturday Night Live returns in the fall, I always squeak out during the premiere’s opening credits, “My friends are back!” It’s a silly thing to say about an ever-rotating group of people I’ll never meet, but when you’ve been watching Kenan Thompson do his thing for close to two decades, you can only be delighted to see him after months of absence. While the “At Home” episodes this spring were a treat I didn’t think possible, it’s even better to have my friends back at it in their usual environment with the high production value of Studio 8H. These were the skits that made me laugh the most month:

“VP Fly Debate Cold Open,” mostly for the Jeff Goldblum tribute (4602 with Bill Burr)

“New Normal” (4602)

“Dr. Wenowdis on Weekend Update” (4602)

“Enough Is Enough,” a bit which explains my feelings about almost all celebrity political takes (4602)

“Canadian News Show” (4603 with Issa Rae)

“Election Ad” (4604 with Adele)

“The Bachelor” (4604)

For more on how this season has come together back in the studio, you can read the Vulture interview with Lorne Michaels about it.

Coach Carter (2005)

A based-on-a-true-story movie about an unconventional basketball coach (Samuel L. Jackson) who wants his players (including a baby Channing Tatum) to succeed on more than just the court. It’s a straight-down-the-middle story that shares DNA with many of the inspiring sports movies that came out in the wake of Remember the Titans, but it’ll scratch that itch if that’s what you’re looking for. Crowd: 8.5/10 // Critic: 7.5/10

Double Feature — Early ’90s Halloween Classics: Edward Scissorhands (1990) + The Addams Family (1991)

Both of these movies start at Christmastime, but both are spooOOooky movies in their bones. Not all Halloween movies are Tim Burton movies, but all Tim Burton movies are Halloween movies, including Edward Scissorhands (Crowd: 8.5/10 // Critic: 8.5/10). Tim Burton is hit-or-miss for me, but I was pleasantly surprised at how moving this idiosyncratic fairy tale was. Johnny Depp is at his most tortured as a Frankstein’s monster whose inventor (Vincent Price) gave him scissors for hands, Dianne Wiest finds the heart and comedy in your local Avon representative, and Winona Ryder is a queen. The Addams Family (Crowd: 8.5/10 // Critic: 7/10) might be even more idiosyncratic. I’ve never watched the TV series, so it took me a minute to warm up to its twisted sense of humor (“Are they made from real Girl Scouts?”), but once I did, I started laughing as often as my nostalgic parents.

The Magic iPod

A nostalgia kick you didn’t know you wanted. I have no idea why or how this site exists, only that it brings me joy. Try mashing up “Ms. New Booty” with “A Thousand Miles,” “Get Low” with “Float On,” “Tipsy” with Bring Me to Life,” “99 Problems” with “All Star,” “Country Grammar” with “Complicated,” or any other combo that brings your favorite songs from your first iPod together.

Hubie Halloween (2020)

You know those dumb movies that just hit you in the right spot? Adam Sandler has a knack for those kind of movies, and Hubie Halloween fills the void of Halloween fun you’re probably missing this year. Sandler plays Hubie, a not-very-bright do-gooder with a very big heart whose self-proclaimed purpose is to keep everyone safe in his hometown of Salem. But there are spooOOooky threats on Halloween night this year, and only Hubie and his thermos (which rivals a Swiss army knife in all its functions) will be able to save it. Don’t miss it you’re like me and love a good celebrity cameo and a Hollywood-designed Halloween costumes. Crowd: 9/10 // Critic: 6/10

Double Feature — Are We Sure These ‘80s Movies Are for Kids? Gremlins (1984) + Who Framed Roger Rabbit (1988)

After seeing Gremlins (Crowd: 8.5/10 // Critic: 7/10), I know why parents were clamoring for the PG-13 rating—this movie may be short on the scares for adults, but I have no idea what I’d do for a tyke not expecting the cuddly Gizmo to spawn homicidal ghouls. In what may be the most ‘80s movie I’ve watched yet, we get a legit bonkers story, both in premise and execution—and it might also be a brilliant and scathing satire of consumerism? Perhaps another spoof of consumerism: Who Framed Roger Rabbit (Crowd: 8/10 // Critic: 8.5/10), which creates an impressively specific world that’s part animation, part live action. It’s a parody of classic film noir with no shortage of innuendo or just plain weirdness—its artistic achievement makes it worth watching, but since when have kids cared much about any of those things?

Double Feature — So-Bad-They’re-Good Action Flicks: Gone in Sixty Seconds (2000) + Abraham Lincoln: Vampire Hunter (2012)

If Gremlins is one of the most ‘80s movies, then Gone in Sixty Seconds (Crowd: 8/10 // Critic: 5.5/10) is one of the most Nicolas Cage movies. He’s a good guy caught on the wrong side of the law in a ridiculous plot engine where he has to steal 50 cars in less than a week. His pent-up frustration lives just below the surface, and his performance is so committed, you’re not sure if he’s knows  the dialogue and plot twists are zany—in fact, you’re not even sure he’s acting at all. Also committed to whatever the heck it’s doing is a movie that’s exactly what it sounds like, Abraham Lincoln: Vampire Hunter (Crowd: 8.5/10 // Critic: 6/10). An over-qualified cast (Mary Elizabeth Winstead, Anthony Mackie, Rufus Sewell, and more) just goes for it in a story with the premise that Abe Lincoln fought oppression caused by slavery and by immortal blood-suckers. I think my favorite part is when a vampire throws a pony at our 16th president—I couldn’t make this up if I tried.

October Critic Picks

Triple Feature — ‘60s Horror Classics: Village of the Damned (1960), The Haunting (1963), Night of the Living Dead (1968)

In Village of the Damned (Crowd: 8/10 // Critic: 8/10), everyone in a British village passes out at the same time for hours, and weird events continue for years, centering around a mysterious group of children. In The Haunting (above, Crowd: 8/10 // Critic: 9/10), a group is studying events at a haunted house, but it may be the house that’s in control. And in Night of the Living Dead (Crowd: 8.5/10 // Critic: 9/10), the zombie genre dawns with a group huddled away from the undead in a farmhouse. All of these are thoughtful, well-made films, but I recommend them with asterisks* because I’ll never watch any of these groups again. The Haunting made me scared of bumps in the night as I was falling asleep, and Night of the Living Dead gave me zombie-filled nightmares. If you’re looking for a dose of heebie jeebies, these are the movies you’ll be needing!

2001: A Space Odyssey (1968)

I’m not sure I understood any of it, but I think I liked it? If you don’t mind a film that feels more like poetry than a plot, this visual stunner is worth the long runtime and straight-up weird sequence of scenes. Fortunately, I was prepped for my viewing with the help of Turner Classic Movies host Ben Mankiewicz and writer/director Brad Bird, who selected as part of this season’s Essentials lineup. While Bird loves the film, Mankiewicz admitted it’s not one of his favorites because it’s such an obtuse head-scratcher. Both acknowledged it’s an important one to cinema, so unless The Tree of Life is still making your brain hurt almost a decade later, it’s worth trying to parse through a story that covers the dawn of man, man’s fight against machine, and, um, a lot of other things I couldn’t explain if I tried. Crowd: 5/10 // Critic: 10/10

The Trial of the Chicago 7 (2020)

If you’re a fan of Aaron Sorkin’s idealist monologues and ideological pitter-patter, then pause your latest binge of The West Wing to watch his latest writing/directing outing, now streaming on Netflix. Based on the true story of protesters who clashed with the police outside the Democratic National Convention in Chicago in 1968—which, yes, doesn’t seem to difficult to imagine these days—it captures the spirit of a wild trial about political activism, healthy debate, fairness in government, and even the importance of grammar. If you watch it and think there’s no way this really happened, be sure to read up on the real trial to see how the film toned down the judicial circus. While this Oscars season will be unusual, we can predict this film will be in the awards conversation. Crowd: 9/10 // Critic: 9/10

Also in October…

My fellow ZekeFilm writers and I collected our favorite Halloween movies and TV specials for your enjoyment. Not-a-spoiler-alert: My pick is not very scary. In fact, it’s a zom-rom-com I’ve only come to love more since reviewing it upon its release.

Though Kyla and I always talk about Gilmore Girls on our podcast, we don’t just talk about the murder mystery TV shows it references like Murder, She Wrote. This month we talked about an ‘80s prime time soap full of shoulder pads and catfights as well as a ‘70s movie starring Rocky and the Fonz. Then we decided there were so many confusing pop culture references in an episode we couldn’t pick just one, so we researched a mish mash of topics like Punk Planet magazine, workout guru Jack LaLanne, singer Blossom Dearie, Manson cult member Leslie Van Houten, and a whole lotta board games.

540 movies and counting! You can follow real-time updates in what I’m watching in quarantine on Letterboxd.