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#to the people who criticized this POV
lightdancer1 · 4 months
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Also since these same people think referring to the last 500 years of Middle Eastern history as different to European is bigotry:
Buddy, these guys literally ruled the region for 400 of those 500 years. They conquered it at Marj Dabiq outside the region of Mesopotamia, which was a battleground between Sultans and Shahs until the Sultans fell.
To the Ottomans the Arab world were Vilayets of specific regions with separate histories linked together in their modern form by Europeans merging these regions into single masses when they really weren't prior to that. The Arab world went straight from that to the maw of British and French colonialism, and from THAT to the hands of various ephemeral stripes of dictators who capitalize on most of a millennium of resentment by the old lords of upstart Turks who conquered them and the sheer audacity of the Ferenji in overturning the rightful order of the world even briefly.
If you're unaware that this is different to the conquering view of Europeans in the Americas, Russia, France, Spain, Portugal, Italy, and the UK, that these POV differences are immensely relevant to how these cultures work, and that the framework of 'we rule' versus 'we keep switching people who shoot us for offending them but not being shot' has an impact, you are too ignorant of the world to be worth discussing it with.
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jimmyspades · 7 months
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CRITICAL CARE (1997)
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crownedwille · 6 months
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I've come to the conclusion that loving young royals doesn't mean I can't be critical about it, maybe especially bc I love the show so much I have such strong feelings about it, good and bad and I can love parts of canon and agree with it and appreciate it but I don't have to love it all. I have accepted that it's okay if I don't accept the ending and I don't have to force myself to support it. It's okay to not agree with all of canon and it's okay to not side with all of the creators' intentions/views. Loving a show doesn't mean you have to take everything the writers say on face value and that's the only version that is allowed to exist. Canon isn't everything and fandom is about curating your own experience that makes you happy and not miserable. You don't have to dismiss canon in every aspect and ignore it entirely, that's certainly not what I want but there is a fine line between being canon respectful, allowing some parts to exist and sometimes, yes, you just have to say "fuck canon" and move on for your own sanity and wellbeing
#especically in the first two weeks of a new release everyone is feelings lots of intense emotions ranging from ecstatic to angry#everything in between is a part of it and i know i'm also feeling very strongly about it right now#i always try to stay levelheaded and rational and see things from an objective pov and be diplomatic about discourse#i don't want any of what i say drift off too much into meaningless hate instead of the constructive criticism it's supposed to be#but when you feel so strongly about something and sometimes you really just wanna say yeah i fucking hate it lol#but i always try to explain why and give understandable arguments and not just blindly hate on something#for example - I'm aware there are fans who have some problems with s2 and don't love the season whereas i do and it's my fave#and there is a difference between expressing some criticism and justified concerns which you can understand where it comes from#and those who are just like 'oh it's a horrible season. it was so shitty and we should get rid of it' which is dumb hate and just not true#and i can't support people like that and take them seriously#i can have my own issues with s3 from a subjective pov which can also include some justified criticism as well#but also still acknowledge it as a truly good piece of tv media and the quality is top notch#and that's why you have such high expectations and have critique because it is so good and sets such a high standard#yrtalk#with that being said i understand ppl not wanting to see any critic about it if they are riding the high of happy wilmon endgame#but that doesn't mean that i can't express my own opinions on my own blog and i will continue to do so#and maybe one day i will feel differently and accept or even like the ending who knows#but it doesn't have to happen. it's fine if it does but it's also fine if it doesn't
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Okay. So I talked briefly about it here but I just want to say this as well.
I think people are missing the point of a lot of discussion and criticisms surrounding the depiction of sexual assault in Hazbin.
And. Well. Based on multiple multi-day internet arguments between Hazbin’s creator and survivors of sexual assault, it seems like the creator may have missed the point as well…
Regardless of how the episode is widely received, the episode coming out isn’t going to magically “validate” or prove that the portrayal of sexual assault was well done.
It won’t prove that it was completely poorly done either.
It is something that is entirely subjective and whether or not it’s “done well” is also subjective.
I personally have a feeling on where I’ll stand when the episode comes out, but that is entirely my own opinion. It won’t take away from anyone else’s opinion. People may disagree with me or agree with me, but my opinion doesn’t somehow bolster or diminish their’s.
And based on the reaction of some of the Hazbin fans, and even the creator and team members, it’s really seeming like they believe they can prove the episode to be objectively “respectful” of survivors once it comes out.
That’s not something anyone gets to decide once and for all.
There will ALWAYS be heated discussions and disagreements on how sensitive topics should be depicted and handled in media and art. That is part of being an artist and making art about difficult subjects.
And it’s genuinely VERY frustrating to see people paint this as completely black and white. When you do so, you’ll end up speaking over survivors no matter what your intention is.
People are weird and messy and grey and contain multitudes upon multitudes. There are going to be survivors who deal with their trauma in all sorts of ways, and NO MATTER WHAT their opinion is on this particular portrayal, whether they think it’s handled well or not, they don’t need randos weighing in and telling them their feelings are wrong or invalid.
And, to be honest, I think it’s really gross to try and use someone’s personal trauma to try and justify your own opinions on whether a show is “good” or “bad”.
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I'm sorry but this just pisses me off (Not Hunt obviously, but Bryce)
Bryce rant incoming which you can just ignore and I'll probably delete later
But Bryce just puts all the blame on the Asteri. And yes ultimately they are to blame in the larger sense of things. But Bryce plays a direct role in leading them down the path that results in Hunt, Ruhn and Baxian being caught. It was her need to find out Danika's secrets with no thought to the consequences, her idea to go to the Eternal City. And she takes NO personal responsibility for it at all!
Hunt is blaming himself for everything that's happened. Even when it's not his fault at all. When we're in his pov he's constantly drowning in guilt, thinking about how he should of done more, he should of tried harder, he should of been better, how it's all his fault this happened and that his friends suffered.
And then Bryce does none of that. When we're in her pov she doesn't really show any major guilt. I can't think of any times when she blames herself like Hunt does. And I'm not saying she should be wracked with guilt. But a normal person, a good person, will usually feel bad and will feel guilty and blame themselves to some degree when something bad happens and people they care about are hurt, regardless of how big or small they're involvement is, or even if they're not at fault at all, case in point Hunt being wracked with guilt even when it's not his fault.
And to make it worse she acknowledges that Hunt warned them, warned her. But that she disregarded it and would of done it no matter what.
And then she has the audicity to say she doesn't regret it. And she thought they were on the same page. ON THE SAME PAGE!!?? Hunt made it clear in hosab that he didn't want to go down this road again, that he didn't want to get involved. YOU just didn't listen Bryce. And yeah Hunt's an adult, he can make his own decisions and he could of said no and not gone. But of course, OF COURSE!! he wasn't going to let Bryce go down that road alone, because he loves her, and doesn't want anything to happen to her, and wants to protect, so of course he would never desert her. But that doesn't mean he wanted to do it!
For Bryce to be that unaware of Hunt's feelings, when he explicitly stated them. For her to be that disconnected from her mate's feelings that she's surprised that he wasn't really on board is kinda unfathomable to me. Just that complete lack of awareness really does make her look quite selfish/self centered.
Anyway sorry, this post is a mess but I just had to vent
And then when Hunt mentions the consequences he and his friends faced, Bryce makes it about her pain. She's hurt that Hunt mentioned that they suffered. And the worst part is, Hunt then regret's it, he regrets saying something that hurts Bryce, because he cares about her and feelings. And she does not consider his feelings to the same degree
It just pisses me off
#honestly with bryce's lack of feelings of guilt her lack of consideration of other people's feelings and her lack of taking responsibility#for her actions i think sarah has unintentionally written her as kinda a bit of a sociopath#anyway like i said in a previous post *sigh* i miss hoeab bryce my beloved#hoeab bryce had gone through so much and had a lot of growth through the first book and had so much potential for more#but then it just stopped. went backwards even. in fact i think hofas bryce has gotten worse#she's had no development for 2 books now and the further i get into hofas more and more apparent it's become how flawed#and one dimensional her character is#her being in prythian and the acotar characters carried her early chapters but now that she's back in midgard her lack of growth and#maturity is starting to grate on me. literally every other pov character has had more development then her#in all the other character pov's they are constantly self reflection they feel guilt they blame themselves they consider the feelings#of those around them. they consider how their actions have affected those around them. they take responsibility for their actions#bryce's pov does not do that to the same degree. if at all#there's minimal critical thought. no self reflection. a lack of taking any responsibility for her actions and the consequences#she's really is a very flat character. what you see is what you get#and her 'sassyness' (that was fine at first when there actually was more to her character) which is supposed to come across as#witty funny badass who takes no shit ect. more and more is just comes across as annoying and immature#and often inflammatory in situations that require maturity sensitivity and tact#her disrespect for the ocean queen who is helping you and is super powerful and not someone you want to make#an enemy of was just unnecessary and not smart tactically#and this is super nitpicky but I'm getting so sick of bryce's clothes. please get her out of those ridiculous leggins and pink sneakers#they were fine when she was going to the nail salon and the gym but how am i supposed to take her seriously on a world saving#mission in those clothes. how am i supposed to take her seriously as a queen (ugh) conversing with the ocean queen#in those clothes#and I'm loath to say it because i love hoeab quinlar with my whole heart but hofas bryce doesn't deserve hunt#the devotion and consideration hunt has for bryce and her feelings is not returned to the same degree to him#anyway i was hoping to get my hoeab bryce back but it hasn't happened but hopefully the second half of the book#can turn things around for her#pleaseee
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funkytoes · 5 months
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everyone claims they want people to think more critically abt stuff in general, especially in this digital age, but i get the feeling most people (yes, even very left leaning people), while claiming that we all need to use our critical thinking skills more often, actually only actually want people to think "in a way that confirms their personal biases" and not like, y'know, what is required of people to ACTUALLY use critical thinking skills, which is, in fact, ironically, the Opposite of using critical thinking skills 🤔
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grishaverse-chaos · 1 year
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honestly the thing that pisses me off about darkl!ng fans is how they act like he's anti-monarchy!! he literally isn't lmao, he only dislikes the lantsovs because they're anti-grisha.
he never has anything to say about the actual concept of monarchy itself and yet people act like he's against the whole thing because it's a corrupt system
in fact, in the books, the position of darkl!ng is quite literally an inherited title that gives him control over the second army - I know they got rid of that in the show (they shouldn't have done that imo, because it highlights his greed and hypocrisy) but watching people act as if he's against the monarchy when he benefits from an inherited title is..... honestly hilarious tbh
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ishikawayukis · 7 months
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i do find it hilarious when whoever is adapting a thing says that they're not gonna do it play by play but rather a reinterpretation of the story in a way, and then people get mad because it's not a play by play but a reintepretation of the story
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basssiliskk · 11 months
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Meant to be taken as criticism not hate to any admins or other qsmp storytellers!!!
I feel like there's an ongoing issue with the way the main overarching lore is presented and that's how it reveals bits and pieces that only leave more questions than answers over a long period of time. The most obvious example is, of course, the current egg arc. It's been going on for months now and while we have a general idea about the issue (eggs ran away from something bad and are supposedly somewhere in this purgatory) we have no concrete answers.
In a way it makes it nearly impossible to casually watch the QSMP and keep up with the lore unless you use update accounts to rely on. With no steady progression of the story at a reasonable pace, you could skip checking in with the lore for a week, come back, and potentially miss a huge clue that was found days prior — because without new clues to add onto the recent one, any excitement has already died down.
To me it can come off as frustrating at times because instead of feeling like we're making progress, it's more like both us as fans and the characters are being strung along; just waiting for another cryptic clue that won't actually answer any questions. Not to doompost, but I seriously won't be surprised if by the end of the two weeks of purgatory we still don't even get a glimpse at any egg and there's actually another secret trial the residents have to pass.
I understand that the current arc likely had to make adjustments and schedule around the Brazil and Twitchcon trips, but this has been an issue with other arcs even before the eggs went missing. I hope eventually we start getting some actual understanding about the situation because there's a healthy balance between making no progress and showing all your cards at once that I know the admins are able to hit if they try.
(Before anyone objects I know purgatory gave additional information to some past clues today like the comic strip that was found and the weird alien-like structure that popped up at Luzu's place but that's one victory amongst countless other unsolvable mysteries. It doesn't fully clear them up either so I'll count it as another "more questions than answers" moment)
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ahalliance · 1 year
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i don’t get how people can complain about the writing “doing Martha dirty” when that same writing gives her an ending that addresses her treatement over the course of the season, allows her to finally put her to foot down, to establish her self-worth as an individual and to air out her grievances, and gives her the most respectful and satisfying exit from the TARDIS we’d yet seen in the show . like it’s one thing to dislike the direction the writing team took with her arc and to criticise it (perfectly fine) and another to somehow miss it entirely lmao . the ‘martha feels out of place, second best, and like a rebound’ is an intentional piece of writing that gets resolved by the end of the season . like that wasn’t smth they threw in for shits and giggles, it had in-story repercussions
#and if u don’t think those repercussions were Enough then that’s totally cool and smth to start a discussion over#but . don’t act as if they didn’t happen lmao??#i just . yells#like i have my own criticisms about the writing (giving the ‘i feel second best to this dude’s past love interest’ to the first POC#companion was . probably not the best of choices let’s be real#though there’s some leeway there as im assuming the character was written before audtions . but still . could have been reconsidered#idk i totally understand why people aren’t fans of the storyline itself (outside of how coherent the writing is) but i think it’s a shame#that many others just kinda seem to miss the point because it’s such a unique and interesting arc to give to a companion#i like fresh ideas!! i like the doctor Actually being portrayed at someone who is clumsy with relationships and emotional intimacy!!#i like it when his trauma spills over in ugly and complex ways like we see in season 3 in regards to his friendship with martha#and i like it even better when his accidentally cruel actions and mistakes get brought up and criticised by the narrative!! like it does in#the end of s3!! it’s so good!!#i enjoy 10 because he’s my favourite wet cat but also because he is allowed to fill up room like a real traumatised individual would#it’s like . okay i enjoy ‘ooo the doctor is the oncoming storm ooo he’s hurt and killed so many people ooo’#but it’s also good to See the actual ramifications of that shit you know . hearing about his legend status is always fun but damn man#is it satisfying from a character analysis POV to see him hurt the people around him . to see him treat his friends poorly on accident#because of his own character flaws . like that’s GOOD#and it just sorta irks me sometimes bc people will have this smug attitude of ‘well MY blorbo isn’t a rude piece of shit and is actually a#paragon of morality’ and like girl i don’t give a shit . that’s fine in small doses but it’s not what’s compelling#people tend to like interacting with ‘angsty traumatised edgy characters’ if their edginess is contained in a nice little box that doesn’t#overspill . fuck no give me the characters that are loud and ugly and unpleasant about their trauma THAT’S THE REAL SHIT#jay rambles#dw.txt#10.txt#marthaj.txt#sometimes u wanna treat the blorbo from your show like a real person sure but sometimes it is better to remember that they are fictional#and there to be considered as part of a bigger story and as an item to analyse . case in poiny#point#maybe i shouldn’t be surprised by this though since people still get hung up over rose quartz
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alhavaradawnstar · 1 month
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Dawnstar is literally just like The Thing but with falmer or something instead of aliens
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getawayheaven · 1 year
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saintobio · 2 months
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𝐓𝐇𝐄 𝐋𝐎𝐕𝐄𝐃 & 𝐓𝐇𝐄 𝐋𝐎𝐒𝐓. (final part to 𝐓𝐇𝐄 𝐒𝐈𝐍 & 𝐓𝐇𝐄 𝐒𝐈𝐍𝐍𝐄𝐑.)
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in the painful memory of what once was, sylus learns that love can't be bound where it was never meant to stay.
♱ pairings. sylus, fem!reader
♱ genre. angst, smut, boss/assistant, 18+
♱ tags. sylus's pov, reader is not l&ds!mc, sylus might be ooc, main story spoilers, razor's dance spoilers, nightplumes spoilers, lots of timeskip, fast-paced, unrequited love, profanity, petnames (kitten, sweetie), espionage, jealousy, brief smut, mentions of pregnancy/impregnation kink, mentions of accidents, suicide attempt, injuries, blood, usage of guns, usage of knife, killings, death, my own theories incorporated into the lore, sylus groveling bcos yall want him to
♱ notes. 9.5k wc. l&ds!mc is referred to here as 'diana'. THIS IS A REPOST of the original post i accidentally deleted. i already posted this several hours ago, so if you’re seeing this new one again, blame my dumbass 🤧 oh well life is life.
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Sylus had a part of him that wished things could be different. 
Ever since he turned away and left you that night at the alleyway, he didn’t really realize the chain of events his decision would set into motion. He simply underestimated how strongly your threats were backed by the grudge you had on him for bringing the hunter girl from Linkon into his base.
After all, you were just an assistant of his. And her, she was everything to him. It wasn’t just about the Aether Core, too—their bond stretched back into his distant past, into another planet where two of them ruled before the inhabitants of Philos came to ruin everything. Him and Diana had a connection he couldn’t sever no matter how much you had come to mean to him. And he spent years, centuries even, just to search for her. 
So, how could a mere assistant he had known for less than a decade have such entitlement to her role in his life? 
Eventually, days turned into weeks. Weeks into months. With your prolonged absence from the Onychinus base, Sylus’s business transactions and illicit deals had become increasingly unruly. He had grown too dependent on you as his right-hand woman, relying on your meticulous management to ensure all his illegal activities ran smoothly. Yet now, without your oversight, things were falling apart.
And while he was contemplating how to fill the void your absence had created, the office door slammed open. A subordinate soon rushed in, breathless and wide-eyed. “Boss, she’s betrayed us!” Luke exclaimed. “She’s gone to the Hunter’s Association. We got word that she was a high-ranking intelligence agent there!”
“A.K.A a spy!” yelled the other twin, Kieran, who looked equally hurt at your betrayal. “She fooled all of us. And here, we treated her like family.” 
That was how Sylus learned that you had left the N109 Zone, seeking refuge in Linkon City, and had exposed critical intel on Onychinus. At the time, rage naturally exploded within him. Didn’t he take good care of you while you were here? He had given you everything, trusted you, and you had thrown it all away. Four years of falling into his trap. Four years of being his partner in crime, his right-hand woman, his lover. People even saw you as the modern day Bonnie & Clyde. Sylus couldn’t understand the root of your betrayal, couldn’t imagine how letting you slip away from his grasp would cost him so much in return.
When you vowed to do everything in your power to kill Diana, was this just a part of your grand scheme? What other machinations were you orchestrating in your pursuit of revenge?
“She’s a wild animal on loose.” Sylus looked up at the twins, maintaining a calm yet ruthless mien as he sat on the couch. He might be idly tossing a coin like he didn’t care, but inside his brain was chaos ensuing. “Where’s she now? Any news?”
It was Luke who shrugged in response. “She hasn’t been seen anywhere, boss-man.”
“We suspect the Association is hiding her,” Kieran added. 
The hunter girl, Diana—the very girl you were jealous of, was sitting next to Sylus throughout the conversation. Their hands were connected by a strong energy linkage that was seemingly ignited by the Aether Cores in their bodies. They couldn’t separate themselves even if they wanted to. And God forbid you would have lost your mind tenfold had you seen their situation right now. 
“That g-girl,” gasped the hunter girl, eyes wide in bewilderment at what she was hearing. “Sylus, your assistant. She did all that? She was a spy from the Hunter’s Association?” 
Luke tilted her head at the girl, his beaked mask mocking her. “Oh, miss hunter! Haven’t you heard about the HIS? You should know them better than us.” 
“Well.. what is the HIS?” 
“Hunter Intelligence Services.” Sylus was the one who answered, releasing a deep sigh while rubbing his temples. “They’re top secret. Regular hunters wouldn’t have known about them, because they only deal with people like me.” 
Diana looked between him and the twins, rubbing her wrist before moving closer to the boss of Onychinus. Her close proximity allowed him to smell her familiar sweet scent. “Is she… after me? But I don’t understand. If she’s part of the Hunter’s Association too, then shouldn’t we be colleagues?”
Kieran cleared his throat. “Ever since you came—”
“Place a bounty on her head,” Sylus interrupted the twins, and also ignored the question of the girl next to him. She didn’t need to learn the history behind you and him, or why you chose to target her. “Make sure to bring Y/N back to me. Alive.” 
“Roger that, boss!” 
It was his last desperate attempt to draw you back to him. Now that you had the Hunter’s Association protecting you, Sylus knew that locating you wouldn’t be as simple. Otherwise, he would have easily captured Diana long ago. He convinced himself that the bounty was to punish you, but deep down, he knew it was because he couldn’t bear to lose you to his enemies completely.
~~
It took you a year to return to the N109 Zone.
Did you forget he had eyes and ears everywhere? He was the boss of that infamous No-Hunt Zone. Even if you leaked intel about his residences and the Onychinus base to the Hunter’s Association, Sylus still had a few tricks up his sleeve. He had hideouts in places that even you weren’t aware of, and the residents of the N109 Zone were loyal to him. Too loyal that they wouldn’t give any information to anyone no matter the consequences. 
And how foolish were you to forget about Mephisto’s existence?
“Caw! Caw!”
The mechanical crow’s eyes glowed with the same red hue as Sylus’s as it landed on his arm, projecting visions of you entering the underground fight club disguised in an Onychinus uniform. It was almost farcical that you thought you could infiltrate a place Sylus frequented unnoticed.
But then, the vision shifted to you speeding on a motorcycle with a truck in hot pursuit. Sylus quickly recognized the truck’s decals—it was the hitman he often employed for dealing with his enemies, now terrorizing you in a high-speed chase. Without hesitation, Sylus grabbed his leather jacket and mounted his own bike, racing to your location in sixth gear.
He arrived just a minute too late. And what was meant to be a dramatic reunion turned into a scene of you lying unconscious and injured on the road, while the hitman grinned nearby with an expression of triumph. If it hadn’t been for your helmet, Sylus would have been met with the gruesome sight of your shattered skull.
“Mr. Sylus!” the hitman exclaimed, jumping out of his truck with arms outstretched in petty victory. “Can I get the $500,000,000 in cash?”
As Sylus’s gaze fell on your unconscious, injured body sprawled on the ground, a surge of anguish overwhelmed him in ways he couldn’t understand. But it was quickly replaced by seething rage—rage that made him summon his black-red mist, enveloping the hitman in its dark tendrils.
“I said not to harm her,” Sylus growled, his red eye glowing ominously against the desolate highway backdrop. “You failed your task.”
“P-Please, Mr. Sylus! I thought you—”
Without another word, Sylus scooped you up in his arms while his mist dealt with the hitman behind him. The hitman’s desperate cries were soon drowned out by the expanding tendrils, which tightened around him until he was engulfed. Then, in a violent burst, the mist exploded, reducing the hitman and everything around him to dust.
Sylus brought you to his underground hideout immediately after. And an unfamiliar—or perhaps strange—pang tugged at his heart as he gently laid you in bed, his gaze lingering on the road rash you obtained from the crash. The injuries were severe, with patches of skin nearly stripped away in the most brutal fashion he could think of. He could only imagine the burning pain you had to endure as soon as you skidded along the gravel, and Sylus felt his own frustrations knocking at the door knowing that he didn’t have the power to extend his fast-healing abilities to you.
“Tch. My kitten’s reckless as always, riding without the proper gear,” Sylus grumbled, looking at your unconscious body. “You’ve never been one to follow the rules, have you?”
To make up for his inability to save you on time, he applied a potent medicinal ointment all over your body and placed you in an anesthetized state while you healed. His mist enveloped you like a protective shroud the entire time you laid in bed unconscious. Every single day, Sylus tended to your wounds, changing your clothes and bandages, and applying the ointments over your bare body. He even took special care to ensure the twins did not enter your room without his permission. 
Despite the care he showed, a persistent question echoed in his mind: Why am I doing this for you? You were his enemy, a traitor, and a woman who had betrayed him. It didn’t make sense. 
That afternoon, feeling suffocated from this internal conflict, Sylus decided to leave you in the care of Luke and Kieran while he went to Linkon. He knew he needed space to grapple with the feelings that were driving him to care for you in the first place.
He needed to see the real woman he should be caring for. 
Because you had not only exposed intel on Sylus and Onychinus to the Hunter’s Association, you also asked for them to isolate Diana so she would have no way to see or contact him. Who knew that mere feelings of jealousy would spark you to do such trivial things? 
Frankly, you were insane. You were dark and twisted like him. 
But in a way, it only underscored how similarly deranged the two of you were. Perhaps, in your madness, there was a strange compatibility—one that Sylus found unsettlingly fitting. The suggestion of you two being more a suitable pair than he and Diana gave him an unease that he couldn’t simply shake away. 
It should be her. Her. Just her and her alone. He dedicated his whole life into finding her, yet you came into his life to ruin the foundations he had built to meet the person he was supposedly destined for. He had repeated it over and over in his mind like a broken record—the voices in his head telling him to let you go, to hurt you, to make you suffer. 
However, as he stood across the pedestrian crossing, watching Diana from afar, a realization hit him like a cold gust of wind. There she was, oblivious to his presence on the other side, but the spark that once ignited in his heart whenever he saw her was gone. Now, his pulse remained steady and his heart stayed still.
With a wary glance around, mindful of any watchful eyes, he decided to pick up his phone and ring hers. It was a good thing he was able to seamlessly blend into the crowd, with his practiced nonchalance making him invisible among the throng of people. After all, he was Sylus Qin, the mastermind of Onychinus—disguise was second nature to him.
“Sylus?” Her voice came through the line, tentative and filled with a mix of emotions as she scanned the faces on the other side of the crossing.
“According to the conditions set by the Hunter’s Association, we shouldn’t be meeting again.” His voice was steady, almost detached, as he kept the phone pressed to his ear. “Or if not, you will be marked as a Tenebra.” 
Her eyes eventually found him amidst the walking crowd, keeping an expression on her face that showed both longing and forlornness. “Not the first time someone has been marked a Tenebra because of you,” she managed to slip in a snarky remark in her worried expression. “Are you hurt? Did they hurt you?” 
“Are you worried about me?” he nonchalantly asked, watching as she stepped off the curb when the light turned green. Each step was a step closer to him, but nothing changed the pace of his own heartbeat like it should have. Nothing stirred within him as it once did.
“You have the audacity to use a phone when you’re right in front of me,” she snapped, frustration flaring as she yanked the phone from his grasp. Without hesitation, she grabbed his arm, dragging him along with her to escape the dangers of being seen in public. They ended up in an alleyway, a place hidden from prying eyes, an irony that made Sylus chuckle under his breath. The alleyway. Why has that become such a memorable place to him? “Sylus, what’s so funny? I was so scared something happened to you! You couldn’t even call me back or text me the past few days?”
He remained expressionless as he observed her outburst. Strange. In her frantic worry, she reminded him of you, and it was a discomfiting parallel that sent chills down his spine. “I said I’d need to disappear from your life completely, so I have to tie up loose ends,” he began, each word seemingly a dagger to her heart. “We haven’t been able to resonate either way, sweetie. There’s no reason for us to keep meeting.” 
“No!” she adamantly denied the thought, pulling him into an embrace. “No, you’re not allowed to disappear just like that! We need to find a way to get—”
“It’s a dangerous gamble to be caught in my world,” he said in a low voice. 
But she was stubborn. “I’m already caught in it! So, please, Sylus, take me with you. Take me to the N109 Zone or wherever you’re hiding. I want to be where you are.” And in spite, she uttered words that made Sylus think twice about his perception of you. “It’s her fault that this is all happening. She’s a traitor to you and to the Association. Her loyalty isn’t with anyone but herself, Sylus. She’s the one who needs to disappear!”
~~
Back at his hideout, Sylus was careful to ensure that Diana remained oblivious to your presence in another room. He was already grappling with how to manage the situation—torn between the woman he loved and the woman he had wronged who, ironically, were both now under the same roof. The thought of you two crossing paths was a nightmare he didn’t want to deal with, so he gave strict orders to the twins, notorious for their loose lips and loud mouths, to keep Diana far from you.
Because when Sylus returned to your room, he knew you were awake. The dark classical music playing from the vinyl record had likely stirred you from unconsciousness. It had been nearly a week since the crash, but thanks to his meticulous care, your wounds had mostly healed, leaving only faint scars behind.
“You can’t hide from me forever.” Sylus hovered over you to whisper into your ear, summoning his protective black-red mist to slowly release you. “Wake up, kitten. We have unfinished business.” 
When you finally opened your eyes after what felt like an eternity, Sylus told himself it was natural to feel relieved, that it was only right for his heart to soften at the sight of you returning to consciousness. But as you awoke, the voices in his head—the damned, relentless voices—grew louder, mocking him, provoking him, and luring him into darker thoughts. His right eye began to glow like a flickering candle, and when he saw the fear on your face, the words that followed weren’t his own. They were driven by the unforgiving side of him he couldn’t control, a side that thrived on your terror. The beast that couldn’t be tamed. 
She’s a traitor.
Punish her. 
Hurt her. 
Devour her. 
While in a heated, dramatic exchange with you, Sylus was spewing words he didn’t mean. He was doing actions without regard. He was mocking your pain. Your jealousy. Your heartbreak. The drive to hurt you was strong in his head, but he fought desperately against it. The demon inside him that tried to consume his every thought. He tried to battle his own self just to protect you. 
“I betrayed you because of her!” 
His laughter died down, but the amusement in his eyes only deepened, replaced by the wicked smile on his face that enjoyed seeing you suffer. “It’s always been about her, hasn’t it? You see me with her, and you can’t stand it. It eats at you, makes you act out.”
You tried to move away, but Sylus pressed his foot firmly on your wrist. She betrayed you, Sylus. Punish her. 
“I’ve seen your struggle,” he continued, his voice soft but laced with corrupt satisfaction. “The way you watched me with her, the way it gnaws at you. It’s almost poetic, really.”
It wasn’t until you reached for the gun on his nightstand, pointing it at yourself, that Sylus snapped out of his dark trance. The horror in his eyes was a stark contrast to the sorrowful shine in yours as you stood there, sobbing in front of him. Each word you spoke was tailed with the pain of a heart shattered by everything he had done and said. 
“...All I wanted was your love,” you choked out with tears cascading down your face, “I j-just wanted you to love me. I turned my back on the H.A. for you. I left all my friends and family for you.” Your breathing was still for a moment, but your heart had already been blown into smithereens. “All I had was you. I loved you. I devoted all my body and soul into loving you, Sylus. Why c-can’t I have even a little bit in return?”
Even as his gaze softened and a flicker of regret passed across his face, you had already made your decision when your finger tightened on the trigger. The recoil jolted your wrist, but before the bullet could find its mark, Sylus’s hand shot out and expertly deflected your aim. Instead of ending your life, the bullet shattered a window, ricocheting off the glass and disappearing into the night.
“Are you out of your mind?!” Sylus roared, his voice a thunderous mix of fury and disbelief.
You were barely responding to him as he cupped your cheeks and forced your lachrymose eyes to lock into his crimson ones. It was as though you had already resigned yourself to reality, that ending your own life would have been a better option than being with the man you hopelessly loved. 
“Y/N,” Sylus tried to shake you awake, desperate for you to look into his eyes. “Y/N! Enough. Let’s end this game.” 
“...I was never playing one with you.”
Sylus was overwhelmed by a profound, indescribable pain that pierced his chest. It was a pain that mirrored yours but was infinitely more intense. “I warned you many times before to never fall in love with me,” he said in a low, softened voice, “It’s for the best, and it’s what will keep you safe. Why don’t you listen?” He longed to pull you into his arms, but the crushing reality was that he only now realized how deeply he cared for you. It was devastating that his awakening had come at the cost of your near-suicide, forced by a love he was unable to return.
Was it truly too late for him to come to terms with his feelings for you? Was it too late to accept that he had fallen in love with you rather than the woman he believed he was meant to be with?
His answer came in the form of a gut-wrenching realization. It manifested in the frantic voice of Diana—the woman he believed he loved, piercing through the haze of his thoughts by yelling, “Sylus, step back!”
“No!” he shouted, his black-red mist swirling to intercept the bullet.
But his efforts came too late. The bullet had already been set in motion, and it tore through the side of your head. 
It penetrated your skull with a cruel precision, not just once but twice. And the warmth of your blood seeped through his fingers as he caught your head before you fell onto the floor. 
Sylus’s mind raced with the enormity of what had just happened. His face grew ashen as he looked at your bloodied head and lifeless eyes, a wave of acid welling up his chest until he couldn’t breath. But the reason for his suffocation was because of his own guilt and grief. It was at the force of a sledgehammer when he was hit with the admission that he had always been in love with you. All along, despite your tangled mess, it was you who had captured his heart in this world.
His chest tightened, his breaths coming in ragged, broken bursts, while he held you close in his arms. And your last three words, your very last words of “I… love… you…” as you stared despairingly at him was icing on this bitter cake. 
No… no! 
He couldn’t fucking accept it. He was losing his mind, he was going insane. He was plunging into madness. Utter hysteria. “Y/N, please,” he begged, his voice breaking as your eyes, once full of life and light, were now glazed over with the sheen of death. “Don’t leave. No, I can’t let this happen!” For the first time in a long time, he once again felt hot tears leaving his eyes. It was an emotion so rare it only ever showed toward the people he deeply cared about. “I love you too,” he struggled to say. “I’m so sorry. I didn’t mean what I said back there.”
Sylus held you close, disregarding the blood staining his clothes while he was consumed by agony and regret. He had driven you to this, pushed you away, and then drawn you back into his orbit only to lose you forever. 
Though he may have conquered your heart, in doing so, he had only destroyed the both of you. The memory of your love and the warmth of your touch would haunt him for the rest of his days. And as he held your lifeless body, he knew that he would never be whole again.
But it shouldn’t be too late. No, it shouldn’t! He didn’t know if it was the hysteria or adrenaline kicking into him, but he had thought of an idea—no matter how immoral—that would return you back to him. He just couldn’t weigh which strong emotion he had to deal with first; should he grab the gun and shoot Diana out of anger? Or should he ignore her presence entirely and just focus on you?
Sylus chose to proceed with the latter as he carried you through the corridors of the base, his steps heavy with guilt and his shirt drenched in blood as you remained unconscious in his arms. The hunter girl had followed him in his spiritless steps, her eyes wide with confusion over his anguish.
“Sylus, why are you doing this?!” she demanded, grabbing his arm to halt his progress. “She would’ve killed you. That girl’s a traitor!”
Although he stopped in his tracks, he couldn’t really return her gaze. His eyes could only look at your lifeless ones. “That girl you shot in the head,” he spoke low and in despair, “is my woman.” 
Diana was horrified. “But… but you never said—” Before she could finish, the twins intervened, holding her back from pursuing Sylus further. “What about me?”
He had already turned away. “I’ll fulfill my promise to protect you from afar, but this is where our paths part. Do not come near me again.”
~~
Sylus stood over your unconscious body, his eyes bloodshot and tears-streaked, while his heart pounded with a mix of grief and desperation. He had summoned Philip and the finest surgeons he knew to his hideout, where you lay in a medical bed, exposed and vulnerable, as if you were a subject in a desperate experiment.
Philip arrived with a grim expression, his eyes scanning the scene with both skepticism and professional detachment. Sylus could barely contain his desperation as he demanded, “Do everything you can to save her. Even if it means infusing a high-grade protocore in her brain.” After all, he had plenty of that. Sylus had all the resources, protocores of the highest grade, each with their own purpose and capabilities.
Yet Philip hesitated, his face contorting with concern. “Mr. Sylus, you know I can’t do this. She’s gone. The best thing to do is accept—”
That was when Sylus’s composure cracked. He kicked the nearby chair out of rage, tears streaming down his face as he begged, “You’ve done it before. Do it again! Please, I need her to live!”
The sight of Sylus, usually so imposing and dominant, breaking down in front of him was shocking. Philip felt a pang of sympathy toward the Onychinus boss who was willing to do everything for a woman who was already dead. His hands trembled as he spoke, “I-I can try. But I’m warning you, Mr. Sylus… even if she survives this, there’s zero chance her memories will be the same. They may even become altered, and it will be out of our control.”
Sylus’s gaze never left you. “I don’t mind. Just do it.”
~~
Weeks later, Sylus found himself in a secluded alleyway, meeting with a deepspace hunter who was also an enemy of his from another planet. Of course, the atmosphere was tense as both men stood in front of each other, eye-to-eye, carrying a defensive stance from one another. 
They were never friends. But that day, they weren’t enemies either. 
“How’s she?” Xavier broke the silence first. 
Sylus answered with a low voice. “She hasn’t woken up, but she’s stable.”
“Why’d you ask to meet?”
“I want you to look after her,” the Onychinus leader began, his voice steady but carrying an undertone of desperation, “Speak to the Association about taking Y/N back and forgiving her for her betrayal. In return, I’ll step away from Diana’s life. She’s all yours. I just want Y/N to return to her normal life.”
Xavier’s expression was serious. “You’re forgetting you still have a bounty on your head.”
“And you’re forgetting you and your backtrackers destroyed the planet where I was living,” he replied in equal disdain, but only enough to trap Xavier into a wall of guilt and obligation.
“I’ll see what I can do,” said Lumiere—or, in his current form, the deepspace hunter, Xavier. “The HIS will be easy to convince. But what if she wakes up and wants to go back to the N109 Zone?”
Sylus felt a tug of deep sadness pulling at his heart. “She won’t. Her memories of me are gone for good.” 
~~
If this was his karma for hurting you, then it was definitely the worst kind. 
Sylus maintained a distant watch over you after you returned to Linkon, observing from afar as you rejoined your life with the support of the Hunter’s Association and former colleagues. Each day, he sent Mephisto to monitor your whereabouts, carefully tracking your interactions and daily activities. The mechanical crow often returned with glimpses of your life, which Sylus scrutinized with intense focus as if he were watching a movie. Each glimpse offered him a sense of relief, happiness even, at knowing how easy you were settling back into your old life. 
You had been officially dismissed from the Hunter’s Association due to a medical condition that rendered you unfit for duty, but they continued to cover your pension and provided free lodging—likely thanks to Xavier’s persuasive influence over the Association. The official story was that you had been sent on a dangerous mission where a Wanderer had placed you in a life-threatening predicament. The narrative praised your honor and dedication to the end. There was no mention of Sylus, Onychinus, or the N109 Zone. No hint of the life you had once led or the truth behind your memory erasure. 
Yet, in a bitter twist of irony, perhaps the story you were told may not actually be farther from the truth.
After all, Sylus was the dangerous monster that sent you to that life-and-death situation.
But at least now, you were well cared for. So much so that Sylus fought to contain his jealousy whenever Mephisto’s eyes relayed visions of you sharing lunch with a physician named Dr. Zayne. He struggled to mask his irritation as he saw the man drape an arm around your shoulders while guiding you out of the hospital or wrapping a scarf around your neck to keep you warm. He would often even drive you home and send you gifts that were masked as tokens of “recovery.”
Bullshit.
Sylus clenched his fist, his thoughts of jealousy consuming him. My girl, he thought in despair, my beautiful girl is cherished by other men, while he remained imprisoned in the desolate shadows of the N109 Zone, longing for you.
Eventually, Sylus felt an overwhelming urge to see you in person. After discovering that you had taken a job at a café in Bloomshore District, he convinced himself that observing you from a distance wouldn’t cause harm. He just wanted to be near you, to ensure your safety, and to protect you from any potential threats.
As he sat on a nearby bench, Luke joined him with a comment. “Boss, you said we needed to disappear from her life.”
Kieran, taking a seat on Sylus’s other side, added, “Do you think she’d recognize us if we walked into that café? If she doesn’t, I’ll give her a hard time with my orders ‘til she remembers us!”
“Ha ha! Let’s do that!” 
“Boss, let’s go!” 
“Leave her be.” Sylus took a deep breath, adjusting his sunglasses and setting aside his newspaper—part of his disguise—as he watched you through the café window. He noticed the subtle traces of familiarity in your actions, but the connections that once bound you were now distant memories. “...I’m just here to make sure no one’s bothering her.”
The truth was, he wrestled with his emotions each time he visited the café you were working at. He wanted to approach you, to speak to you, but he hesitated each time because of the fear of rejection and the pain of seeing you not remember him holding him back. There were so many what-ifs in his head that it drove him insane to think about. 
Because if anything, what if you were already seeing someone else? What if you were already in a relationship with that scumbag doctor from the Akso Hospital? 
It was petty jealousy that drove Sylus into stepping into the café. And the first time your eyes met since you resurrected, his heart initially froze, then raced uncontrollably. His heart swelled with hope as you looked up at him, but it was quickly replaced by the lack of recognition in your eyes the moment you spoke from the counter. 
“Hi. What can I get you?” you asked, treating him no differently than any other customer. 
Sylus was caught off-guard, but he knew he had to play the part. “I, uh, I’ll get an Americano. Large.” 
“Alright, sir. And your name, please?” you asked, following your routine without any real interest in the man before you. 
But in a way, this was a relief for Sylus. It confirmed that the protocore embedded in your head was functioning as intended, and that any dark memories from the past had been completely erased, even if it meant he was no longer part of your life. 
“Skye,” he said with a soft smile. “That’s my name.”
~~
There wasn’t a single day Sylus missed visiting the café. 
At first, he worried that his constant presence might seem odd, or that you might think of him as a stalker. But as the days passed, seeing you became an essential part of his routine. A day without catching a glimpse of you felt incomplete, almost maddening. Seeing you was like a drug he couldn’t get enough of.
Initially, you found his regular visits a bit strange, but gradually, the small interactions between you two evolved. Sylus began to appear at the café just when you needed him most—whether it was fixing a broken coffee machine, addressing rude customers, or simply offering a helping hand. These acts of kindness somehow transformed your view of him. What started as a customer-service relationship slowly became more personable, and in recent days, you often greeted him warmly and smiled whenever he walked in. If only you knew how badly it warmed his heart that he got to do things for you without making him feel like he was intruding in your life.
And to be honest, Sylus even felt like he might be—as Luke termed it—foolishly ”crushing” on you. 
“Who knew our boss-man could be a hopeless romantic~?”
There was a time when he visited the café, only to find out from your manager that you called in sick from work. Sylus knew where you lived, but going to your place uninvited was a different story. He had to put some boundaries no matter how worried he was for you. But that was when Mephisto became useful; the mechanical crow would simply fly off to your place and observe you from outside. Then, an idea to drop a box of medicines and chocolates at your balcony was something he had thought of at the last minute. 
Back in the N109 Zone, Sylus anxiously looked at his crow. “Are you sure she didn’t see you?” 
“Caw! Caw!” 
“Did she eat the chocolates?” he asked, exhaling a deep breath he didn’t think he was holding.
“Caw! Caw! Caaaw!” Mephisto responded, fluttering its wings as if to reassure him.
~~
And then, that day happened. 
The day Sylus finally gathered the courage to ask you out, fate had other plans. And what began as a simple gesture to offer you a ride home during a stormy night quickly escalated into something far more intense.
Because one moment, he was offering you a ride. The next, he found himself in your bed, having the most passionate sex he had ever had with someone. He wasn’t even sure if he could call it that, because it felt more like he was making love to you, even if to you, he was probably just an attractive guy you unexpectedly hooked up with. 
So, he had to make himself known. He had to hear his real name leaving your lips. “Sylus,” he breathed into your ear, hands tracing your curves, “Call me Sylus, kitten.” 
That night, he was an insatiable man who could only be satisfied by his woman. 
When he was buried far too deep inside you, he enjoyed the sight of ecstasy on your face and lavished at the sounds of your titillating moans with his every thrust. Not only did he miss the feeling of your walls tightening around his shaft, he also remembered how badly you used to want him to cum inside you. 
And so, he did just that. At his climax, he released hot spurts of seed into your womb, fulfilling a wish from the past that he used to deprive you of. 
But as the night progressed and the heat of the moment faded, the conversation shifted to a more profound and emotional terrain. Sylus wrestled with the urge to reveal the truth about his true identity—every painful detail and the secrets he kept from you. Yet, he knew that doing so would only complicate matters further and risk causing you more pain. The idea of hurting you again, after such a meaningful connection, was unbearable to him, especially now that you were still fragile as glass, ready to shatter at any moment. 
“Why do I get the feeling that I was the one who experienced a one-sided love before?” 
“No, you were loved. You were very loved. There was no one else,” he pressed, forcing you to believe the narrative with his rueful eyes staring back at you. “I was the one who wasn’t worthy of you… But I’d like to try and win your heart again this time. If you allow it.” 
“Sylus… I don’t know what to say. I’m sorry for not recognizing you before. I just… I lost a chunk of my memories, and I don’t know if it’s been altered or what, but…” He caressed your back as you took a deep breath. “I’ll try to remember, okay?”
“Please don’t.” He shook his head, crestfallen as he thought of the past that was rightfully erased. “And there’s no need for apologies, sweetie. There wasn’t anything you did wrong.” 
~~
Your relationship with Sylus remained unclear since that night. And it seemed as though the roles had reversed—now he was the one left wondering where he stood in your life. Because on the surface, it did seem like you were willing to work on building a relationship with him again, but every encounter you two had were always physical rather than emotional. 
Sylus found himself at your apartment frequently, three or more times a week, engaging in intense, passionate encounters. He had lost track of how many times you two could do it in a single night, exploring every possible position, in every corner of your home. He had tried his hardest to make you feel like he was the only man who was more familiar with every inch of your body than anyone else. Yet, despite the physical closeness, he sensed that the emotional barriers between you remained intact.
No matter how deeply intertwined your bodies became, the walls around your heart remained firmly in place, and Sylus knew that there was a part of you he still couldn’t reach.
That, and the fact that he was still seeing you interact a little too closely with that doctor from Akso. 
It somehow didn’t surprise you when Sylus’s car showed up outside the hospital to pick you up, and you got on with a guarded look. 
“How’s it for my kitten today?” Sylus asked as he secured your seatbelt, his lips brushing against yours in a quick peck. “You didn’t mention you’d be at the hospital.”
You shifted uncomfortably, avoiding his gaze. “Oh, I just... didn’t think I needed to inform you of my whereabouts.”
Dammit. He knew you weren’t officially together, but it hurt more than he cared to admit. And it didn’t help that Sylus’s pride couldn’t naturally take it, so he probed more. “That doctor. He’s not your neurologist, is he? It seems a little inappropriate for him to always be around you like that.”
“Well, I’ve known Zayne for a long time,” you merely replied, eyes focused on the view outside rather than the driver of the car. “I’d also appreciate it if you'd be less territorial over me, Sylus. I know you said we have a history together, but I don’t remember a thing, so… I hope you won’t rush me.” 
The Sylus you knew back then would have been enraged. Who were you to order him around? Who were you to tell him what he should and shouldn’t do over someone he rightfully owned? But he was a changed man now, and it was all because of you. You were the beauty that tamed him into a powerless beast.
“I understand,” Sylus replied, swallowing his pride as his hands tightened around the steering wheel, focusing on the road ahead. “I apologize.”
He heard you sigh beside him, and a part of him wondered if it was out of sympathy. But before he could dwell on it, you spoke up, your tone more serious. “I was at the hospital today because I had a pregnancy scare.”
Sylus hit the brakes at the red light a bit too abruptly, his heart racing in excitement. “Are you?”
“No, thank God,” you breathed out in relief. “But... can you please stop doing it inside? I really don’t like it. It’s not smart for me to get pregnant by a man I barely know.”
His chest tightened in a way he couldn’t describe. The old you nearly begged him for a baby so he could be yours forever, but he was aware that this version of you right now was not the same. It never would be, and that was the price he had to pay for love. 
“I won’t do it again.” Once again, swallowing his pride. “I’m sorry.” 
You still invited him to sleep at your apartment that night, and your reason being to work on the memories of him you had lost. Time and time again did Sylus tell you it was better you didn’t remember them, but he could also understand your dilemma when you told him that you always felt like a piece of you was missing ever since that “accident”. 
“And this ugly scar on my temple,” you pointed it out, settling into your side of the bed. “What kind of Wanderer did I fight for me to get a traumatic brain injury?”
Sylus placed a tender kiss on your scar. “Perhaps it was a heartless monster more terrifying than a Wanderer.” 
Like me. 
“Oh, well.” You pulled the sheets over your body, suggesting you two would have no action tonight. “Good night, Sylus.” 
“...Sleep tight, kitten.” 
You didn’t need to worry, though, because he wouldn’t have touched you even if you had explicitly asked him to. After hearing your words that afternoon—about not wanting to get pregnant by him and asking him to stop being so territorial—Sylus felt the need to pull back and be more cautious in his actions toward you. Your words had cut deep, but he understood you were only protecting yourself from a man who was, essentially, still a stranger to you.
And despite the sting, he had promised himself that he would be patient for the only woman he cared about.
~~
However, that same night was a different story. 
No, it was actually way past midnight when Sylus woke up from an agonizing scream that pierced the silence of the night, chilling him to the bone. Instinctively, his hand reached out to the side of the bed where you should have been, but the sheets were cold and empty. And then panic gripped him, forcing him to leap out of bed, his mind racing with a single horrifying thought: the protocore.
He darted outside of your bedroom and deeper into your apartment space, his eyes scanning every shadow, every corner. The image of you, eyes wild and frenzied, ravaged by the effects of the protocore, haunted him.
What if it’s happening now? What if I lose her for good?
The horrifying thought of the protocore making you berserk like a wild Wanderer was always there.
His heart nearly stopped when he saw you on the kitchen floor, curled up, your body wracked with sobs. Relief washed over him to have found you, but it was fleeting, replaced by a deeper, more insidious fear. He tried to approach you cautiously, his voice soft as he placed his hands on your shoulders, “Sweetie, are you okay?”
You flinched at his touch, and when you turned to face him, the sight made his blood run cold. Your eyes, usually so warm, were now wide and filled with tears—tears of terror, of anger. And in your trembling hand, you held a knife, its blade gleaming in the low light as you pointed it directly at his throat.
“Don’t come any closer!” you cried, your voice breaking at every word. Sylus froze, his breath catching in his throat as your sudden hostility surprised him. The knife’s tip hovered dangerously close to his skin, but it wasn’t the threat of violence that shook him—it was the raw, unfiltered pain in your eyes.
“Kitten, let’s talk about it calmly.” His voice was laced with cautiousness. 
“Stop calling me that!” You swallowed hard, your grip on the knife tightening. “You! I had a nightmare... about you. But it felt real, like a memory. You were torturing me at your base, laughing... and then, you shot me in the head.”
Sylus’s heart dropped into his stomach at hearing your altered memory. He felt his soul tear apart at the edges as he stared into your tear-streaked face. “It was just a dream. It wasn’t real, kitten.”
But you weren’t listening. “But is it also not real? That you…” You uttered each word with a threatening voice, “are the boss of Onychinus?”
The question hit him like a physical blow. He opened his mouth to answer, but the words were stuck in his throat and refused to form. He was trapped. The situation felt like a dead end—he could deny that your dream was a real memory, but admitting he was the leader of Onychinus would only validate that lie.
His silence alone was an answer to you. And your expression crumbled into one of betrayal at that. “You lied to me! You’ve been lying to me this whole time. How am I supposed to believe anything you say now?”
The anger in your voice enforced the stillness of Sylus’s breath. He knew he had no saving grace from this situation, but still, he took a step closer, his hands raised in a placating gesture. “Y/N, I never wanted to hurt you—”
“Get out!” you screamed, the knife shaking in your hand. The sight of you so broken, so shattered, tore him apart. “Get the hell out of my sight! I don’t wanna see you ever again, you monster!”
But Sylus couldn’t leave—not like this, not when you were hurting because of him. So in his desperation, he lunged forward, grabbed your wrist, and forced the knife into his own chest. The sharp pain radiated through him as he plunged the blade in and stabbed himself repeatedly, his face twisted in agony, but not from the physical pain. This was nothing compared to the torment of knowing he was the source of your suffering. Again. 
“Even if I can’t die,” he choked out, his voice ragged as he tried to absorb the stinging ache in his chest, “I’ll take all of this pain away from you.”
His own blood soaked his fingers, staining your hands as he released his grip on the knife. It fell on the floor as he stepped back, his heart aching more than his wounds ever could, but those wounds easily healed. The pain of losing you again, on the other hand, would never heal.
He looked at you one last time, seeing his monstrous reflection from your frightened eyes, before turning away. Sylus walked out of the apartment with heavy steps, feeling his soul crushed from your antagonism. He knew he had lost you—perhaps forever—and the realization was more than he could bear.
~~
A haze of cigarette smoke and the clink of glasses filled the air of the bar. Sylus sat alone at the counter, his new glass of whiskey untouched as he stared blankly into the amber liquid. The sting of alcohol was nothing compared to the numbness that had settled in his heart after that agonizing night with you. Every swallow of the hard liquor was a desperate attempt to drown out the torment of recent events, but the pain lingered, and it was damn persistent and unforgiving.
As he poured himself another drink, the muffled sounds of conversation around him blended into a dull roar. That was until a familiar voice cut through the haze—someone he wished he hadn’t come across.
“Sylus?” 
He looked up, squinting against the dim light, to see Diana standing before him. He hadn’t seen him for the past year or so. And surely, her presence was unexpected, but he felt a sudden tinge of irritation at the sight of her. While her, she looked both apprehensive and determined, as if she had just made a hard decision to confront him. 
“H-How have you been?” she asked the question as a conversation starter, but Sylus could see the faint hint of unease in her eyes.
He then straightened up, and his posture became stiff and defensive. “I told you it’s not wise for us to cross paths,” he said curtly, his voice slurred from the alcohol but still holding a note of finality. He didn’t want to engage, not with her, not tonight.
On the one hand, Diana’s eyes flickered with an emotion he couldn’t quite place—regret, perhaps. “I… I wanted to say sorry for what happened with Y/N. I didn’t realize how much she meant to you. Xavier… told me everything. About you and her.”
The apology was genuine, but the mention of your name was a fresh wound, and he felt the anger and sadness surge again, bubbling beneath his carefully maintained exterior. He wanted to lash out, to blame her for everything, but he swallowed the words, knowing it wouldn’t change a thing. In the end, this was all his doing and he couldn’t point fingers over the mess that he alone had created.
Sylus tried to stand up, the room spinning slightly as he steadied himself. “I’m leaving.”
But Diana stepped closer, her hand reaching out as if to stop him. He simply brushed past her, his movements unsteady but undeniably distancing from her. The desire to remain composed was slipping away, replaced by the harsh reality he faced every day since you were taken from him.
He made his way to the exit, pushing through the bar’s heavy door with a forceful shove. Sylus’s next move was to lean against the wall outside as the cool winter breeze blew on his face. 
“Boss.” Kieran’s voice held a note of concern as he and his twin steadied Sylus by wrapping his arms around their shoulders. “We’ll take you home.”
Luke glanced at his brother with a sad glint in his eyes before leading Sylus toward the car. “Maybe it’s time to let her go, boss.”
~~
February nights were the coldest. And it was supposedly the day for lovers, too. 
Unlike the couples that littered the riverside, Sylus stood alone, his breath forming small clouds in the frigid air. His dark coat offered little protection against the biting wind, but he stayed committed, his gaze fixed on the empty expanse before him. Four hours had passed since he had sent you the message, and each minute he stood there waiting for you felt like an eternity. The biting cold gnawed at him, but he was determined to wait even if he’d end up getting frostbite. It was the least he could do.
The frozen river’s surface glistened with a thousand points of light as the moon cast its silver glow over the landscape. And for the next thirty minutes that passed, he was still alone. 
She won’t be coming, said the voice in his head. Give up. 
As he prepared to leave, the ache of disappointment settled in his chest, and his heart skipped a beat as he recognized you, standing cautiously across him, your eyes wide and filled with both curiosity and trepidation. The sight of you, despite waiting in the cold for hours, instantly warmed his freezing body. 
“Thank you for coming.” He took a deep breath, his voice trembling slightly as he spoke. “I won’t keep you long.” 
You maintained your distance, wary of his next move. “Why did you want to meet?” 
With a slow, deliberate motion, he began to peel the scarf from around your neck, and he felt a prick in his heart seeing you flinch. “I’m not gonna hurt you.”
He waited until you allowed him to proceed, his fingers brushing against your skin in a touch that was both gentle and reverent. You looked at him with confusion, the chilly air fought by the warmth of your breath. Sylus was just carefully replacing the scarf with the necklace he had given you long ago, the red Beryl crystal catching the light and sending soft, radiant glimmers into the night. 
Do you even recognize it? 
“I’m just returning a gift, kitten.”
As he fastened the clasp behind your neck, he pressed a tender kiss to the nape of your neck, his lips lingering for a moment before he straightened. That small gesture of his was actually carried by the depth of his affection and regret. And, if you may, it was his silent apology for all that he did to you.
“Sylus…” 
His red eyes shimmered, intensified by the bloodshot whites. Sylus stared at your face with a mixture of love and ruefulness clouding his expression. He was looking at you like you were the most precious thing in the world. And he struggled to hold back the tears that threatened to spill, with his voice breaking as he feathered the snowflakes that rested on your hair. “Take care of yourself. Always lock your doors at night and stay warm.” He took the scarf Zayne gave you, and pulled out a new one from his coat. It was a silly scarf with kitten prints all over it, that he soon carefully wrapped around your face and neck. “Wear that whenever you can.” 
Your own eyes were large and rimmed with tears as though you were also hurting inside. “Why are you saying this?” you asked, keeping the weakness inside. “You sound like you’re saying goodbye.” 
Sylus’s gaze was suddenly directed back to the river, but it was only because he had to avoid looking at your eyes or he would lose it. “The Association managed to track me here in Linkon and they’re still after me. I just managed to escape, but I can’t stay here,” he explained calmly, “I only came back to this city because of you… But now, I have to disappear, so don’t worry about having me around. I won’t bother you anymore.”
Your eyes widened in shock, and the tears that had been pooling your eyes finally spilled over. “Are you crazy?” you cried, seemingly unable to comprehend the words he was spewing. “You’re leaving me?”
Sylus’s heart broke at the sight of your tears, but he had to restrain any weakness by giving in. Instead, he reached out, and his hand trembled as he wiped a tear from your cheek. “I love you, Y/N.” He wanted to be the first one to say it this time. “Even if you regain all your memories of me—good or bad—I want you to know that I regret every pain I caused you. Even if you hate me, I’ll still love you. Today, tomorrow, and in our next lives.”
Sylus took one last, lingering look at you, his eyes filled with a sorrowful haze that nearly blinded his vision. He turned slowly, walking away from the river’s edge, with each step causing distance from the love he was leaving behind.
And you, you stood there, the necklace around your neck feeling heavy as you watched him disappear into the night. A surge of emotion overwhelmed you, and without thinking, you sprinted towards him. You took quick, long strides just to reach him, pulling him into a tight embrace, and crashing your lips against his in a bittersweet kiss.
Both of you cried as the kiss deepened, and you were encasing each other’s lips in a tight lock. The intensity of your emotions poured out in this poignant, intimate moment. And frankly, Sylus had never been this emotional. No one had ever seen this fragile side of him that he had always kept hidden. After all, what dominant, cruel boss of Onychinus would spill tears over a woman?
But they wouldn’t understand it. They never would. 
When you finally pulled away, your eyes were red and swollen from tears. “Be careful,” you sniffled, barely unable to catch the breath you needed for the next. “Keep in touch if you can. And when I’m ready, I’ll find you.”
Sylus’s eyes were also filled with tears, but he managed a forlorn smile as he nodded. He reached out to brush a strand of hair from your face, his touch gentle despite the heaviness of the moment. “I’ll wait,” he promised softly, his voice breaking slightly. “I’ll wait for you, no matter how long it takes.”
“Until we meet again.”
As he stepped back, the distance between you seemed impossibly vast, but the promise in your eyes and the love in his heart made the separation bearable, if only just. And when Sylus turned away, his heart was heavy but full of the hope that one day, you would find each other again. That one day, this distant love would become a cherished memory that you would look back on as you grow old and wrinkled, yet insurmountably happy and content with the life you had lived. With or without him.
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stylonuridae · 1 year
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idk im personally not a big fan of the whole 'dni if you enjoy x media', not because there aren't problematic pieces of media out there that should be consumed and looked at through a critical lens, but because it just kinda automatically assumes that anyone who is interested in said media is unaware or unwilling to look at it through a critical lens. which i just don't think is fair
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stardustizuku · 7 months
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Unfortunately I came across a very strange and misinformed video about Black Butler.
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It’s not good. Don’t watch it. Unless you wanna ruin your day, in which case have fun.
Despite it all, I watched it. What left me wondering, however, was how off the mark the person who made the video was on, well, everything.
From their insistence that the Book of Circus Arc theme or point is non existent, to reading Ciel’s character so badly they genuinely thought the Green Witch Arc did nothing for his character development.
While baffled, it also made me think on how someone could read Black Butler so badly.
Sure, you can say that there’s no real way to read or interpret something “in the wrong way” but interpreting The Hunger Games as a pure battle-royale action story would make you believe it’s bad.
“Why are we focusing so much on how the capitol preps them?” Or “Why isn’t Katniss winning everything?” Or “I wanna know more about the rebellion” All questions that miss the actual point of the story - which is criticizing (not solving or ignoring) the way that media distracts us from violence via spectacle.
The same thing applies here. While there is no “right” way to consume media, there’s things that the author makes clear they wanna focus when creating a story. Things that, if you understand, make the story you’re reading actually make sense.
And in Black Butler there’s three things that you have to understand to properly get what Yana is saying.
Sebastian is the protagonist
Ciel and Sebastian’s relationship IS the story.
And that relationship is, fundamentally, a positive one.
A quicker version of it would be:
Black Butler is a love story from the POV of Sebastian, and you have to ship it to get it
- but that’s not entirely true.
You can still look at it as a complex but ultimately positive rship and get in broad strokes of what it’s conveying. It doesn’t have to be romantic. Although, it helps much more than a platonic framing.
(That said, interpreting their rship as father and son, still isn’t the best way to go about it. Mostly because by its very nature of “soul consuming” their relationship is extremely sexually charged. And hey, if you’re into that I don’t judge. However, if you’re desperately trying to interpret their rship as NOT romantic to the point you fall back on heteronormative patriarchal ideals of nuclear familiar as framing device, I don’t think this interpretation bodes with you)
Now, having all that ground work:
Why do I say these are the key components to understand BB?
Okay so, first,
1. Sebastian is the Main Character. The protagonist.
There’s a lot of people who wanna argue against it, claiming he’s either the villain or the antagonist. Both wrong.
He does not function as an antagonist. Even if, and an emphasis on if, you consider Ciel to the protagonist, Sebastian isn’t a narrative antagonist.
If you wanna go back to Creative Writing 101, be my guest. An antagonist is directly defined by the protagonist. It’s the opposing force. If the protagonist wants A, the antagonist wants to stop them from getting A.
Sebastian’s catchphrase is “Yes, my Lord”. He never opposes Ciel, in fact quite the contrary. By the mere fact they’ve created contract, it means that they’ve both agreed in the inevitable outcome.
People want to frame Sebastian as the villain, because Ciel having his soul taken by a demon, would be a BAD END in the context of their moral compass. They see Ciel as a frail victim of abuse, who’s being tricked by Sebastian, who wants Ciel’s soul.
Which is an. Interpretation. A bad one. But still one.
The narrative (and whether the narrative fits your personal moral compass and lack of critical thinking is irrelevant) treats Ciel as an agent in his own destiny. The abuse he suffered was the moment in which he had no control. It’s only after he meets Sebastian that he can rid of both his guilt and his despair, and do what he wants.
In this case though, it’s revenge.
The famous “Asthma” scene shows this. If Ciel is taken back to his past, he becomes helpless. Swarmed with pain and memories that make it so that he can’t even react. Sebastian is his saving grace. If Ciel didn’t have him, and the power he wields to rebuilt what’s broken, he would crumble once more.
If Ciel has a panic attack, because of all the pain he has, Sebastian picks him up and says “you are not a helpless child anymore, you are not a victim anymore, you have the power to do anything. So, what do you wanna do?”
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Ciel’s answer is to kill them.
A proper analogy would be to say that, if Sebastian offers a gun, Ciel pulls the trigger. They are both at fault. Sebastian, strictly speaking, is not here to directly cause Ciel’s downfall, but as a tool Ciel uses to plunge into the abyss.
If, again if, you were to frame Ciel as a protagonist, Sebastian falls closer to the “Voice of reason” character. Not a literal voice of reason, but a literary one. If you have a protagonist and an antagonist exchanging ideals, the Voice of Reason serves to engage with the protagonist on their own ideals.
That said, Ciel isn’t the protagonist. The story quickly falls apart if you interpret it as such.
Things such as Ciel’s character arc being…shall I say odd?
It’s not that his character arc isn’t there, but it’s never lineal. His goals stay the same, the only thing that happens is that we start to peel back the “why”s of his goals. Throughout the series it’s never about Ciel understanding himself better, he knows who he is, he knows what he wants, he knows why he wants it. He doesn’t ever need to uncover these, but simply remember them. Because it’s always about the audience understanding Ciel.
He knows he wants revenge.
In the Circus Arc: He knows that he needs Sebastian because without him, the pain of the abuse he suffered would be too much to bear. But WE are introduced to it.
In the Book of Atlantis: He knows that with this new lease he does not want happiness and peace, he wants revenge. The one being told this is the audience.
In Green Witch Arc: He knows that their revenge isn’t for his family, the real Ciel or guilt. It’s because he wants it. He’s angry, he’s upset, and this is entirely for him. The one being told this is the audience.
Except. Not really. The one either discovering or remembering these key moments - is always Sebastian.
Sebastian is the one who reassures him that he now holds the power of a demon to override the pain. Sebastian is the one who remembers that to override that pain, Ciel wants revenge. And Sebastian is the one who discovers that that revenge isn’t built out of grief or guilt, but for himself.
We are witnessing it all, through the eyes of Sebastian.
This is why we have an extremely vague idea of who Ciel is, Sebastian does not have the whole picture.
If you haven’t been reading this manga with your eyes closed, you’ll realize we have a better grasp at Sebastian’s character than that of Ciel. We get a lot of insight on how he thinks and what he values through light hearted dialogue he has with the servants. You even see the character development in these little interactions.
Think about how when he first arrived to the mansion he magically created food with no regards to taste, but when he meets Bard he states that food is created to see whoever will eat it, smile.
That is character development, more than you will be able to see from Ciel.
Because Ciel’s character, while not static, doesn’t go from point A to point B. Mostly, cause it doesn’t need to. He went through that when he lost the real Ciel and got Sebastian. Everything we are watching is the falling out.
Now, given the fact that I’ve told you that it makes more sense for Sebastian to be the protagonist/main character, and that he 100% isn’t either a villain or antagonist in ANY of the interpretations you can get:
Do you believe me?
If you don’t, you’ll probably believe Yana herself.
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This is from the first Volume, where Yana herself describes the process of making Black Butler. The primary idea behind the creation of BB was a butler as a “hero”.
If you go back to the introductory chapter, you notice that Ciel is barely mentioned. He’s simply the one to give Sebastian impossible tasks and standards that Sebastian must find how to overcome.
Ciel is properly introduced until the NEXT chapter. The second chapter has this formula too, introducing Lizzie as a problem to overcome. Although, to Sebastian the best way to “get rid of the problem” is simply to indulge her.
The issue here being that the problem isn’t as simple as a business meeting but something directly tied to Ciel and Ciel’s past. Each time that Sebastian has to solve a problem, it chips away at Ciel. While with Lizzie he shows a persona, once he’s alone with Sebastian he acknowledges the toll it took on him. It serves to build Ciel as Sebastian’s master, and how some problems aren’t as simple as discarding a tablecloth.
The third and the fourth, are a unified narrative, with a similar premise to the first chapter. Ciel gets kidnapped and Sebastian must find a way to retrieve him without raising suspicions.
If the first chapter is to set up what Sebastian must do as a butler, the third and the fourth serve to set up what he must do as a demon.
The entirety of the volume, and up to Book of Circus Arc, is about how Sebastian tries to follow the increasingly absurd orders that Ciel has - it is not about Ciel trying to solve them.
That’s how they work, we follow Sebastian for the most part, because he’s the one having to come up with the solutions.
If anything, in early Kuro, where the emphasis was more on a slice of life conflict, Ciel is the antagonist. He’s the one creating problems for Sebastian to solve.
What’s more, in the second volume, the very first chapter is one from Sebastian’s POV. So far, we hadn’t gotten an entire chapter from Ciel’s POV. In fact, I would find it hard to point to a single chapter where Ciel is the POV throughout. The reveal of real Ciel and the flashback is the closest contender.
But once we move past early Kuro, and into Book of Circus, this set up changes.
It’s fairly easy to assume that Ciel is the main character, because from this point on the conflict of the plot sorta surrounded him. We spend a lot of time with him and with his story. The enemies start being people directly tied to Ciel and Ciel’s trauma. Rarely, if at all, we get to see Sebastian before he met Ciel.The framing device for the story, is Ciel.
This is where point 2 gets intertwined.
2.- Sebastian and Ciel’s relationship IS the story.
The story begins at the point where Sebastian and Ciel met. Who Ciel was before he met Sebastian, informs why he’s the way he is when he does. You have to know all he went through to understand why he’s a brat, why he lashes out. However Sebastian’s past doesn’t matter…because Sebastian himself doesn’t care much for who he was, before he was “Sebastian”. That’s also part of the narrative.
Unlike Ciel, he doesn’t seem opposed to revealing information from before the contract. He talks about how pets from where he is from are gross, he talks about how he knows how to dance because of other places he’s been to, and alludes to the life he's lived before.
Just that, to him, they're footnotes.
He makes allusions to a very bland, uninteresting life, up to the point he meets Ciel.
That’s why we don’t know more about his past.
As for why we focus on Ciel’s story…okay maybe we need Creative Writing lessons 102
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I studied Dramaturgy for about 3 to 4 years. And something you notice is how play-writing is the quintessential story telling. It’s making it work with the bare bones of a story.
Some other mediums have more finesse, more depth, or more spectacle - all amazing things that work for whatever they’re created for. But understanding a play, how and why it works, helps understand the fundamentals of any derivative story telling medium.
Particularly, conflict.
Conflict is dialogue and dialogue can take many forms. A story, in its essence, is a dialogue between two opposing ideas.
Take Batman, for example, who embodies the ideas of justice and order. On his own, he’s not a well rounded character.
If you ONLY present him, in a vaccum with nothing else, you don’t have a character. You have a list of characteristics that you’re supposed to know.
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You only know who he is when you have dialogue with another character.
I say Dialogue, but it doesn’t necessarily mean spoken language at one another. Dialogue can mean fist fighting, playing tabletop games, talking to other people about the other, or even just a competition. The idea is to simply to compare and contrast both ideas.
If you want an example on how tabletop games serve as dialogue, watch the video “Well, Someone Had to Explain the Liar’s Dice Scene” by Lord Ravecraft
Another example, were we to retake Batman, you have him fight Joker. Who’s the embodiment of chaos and randomness.
In the following picture, you get far more information than the one previously shown. While the Joke fights with daggers and fake guns, Batman only uses his fists. He doesn’t use the tricks that Joker does. His serious demeanor, contrasted with Joker’s glee at the dangerous situation. The fact that Batman has a deathly grip on Joker’s shirt, while the Joker doesn’t, which shows a desperation to catch him.
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You are being shown, through a dialogue, who Batman is.
It’s so much easier and much more effective to explore a character through another character.
This is the reason why Shonen has a tendency to make incredibly good gay ships. If you want to explore Naruto’s personality, and his feelings of inferiority, you HAVE to have him interact with Sasuke.
If you wanna understand Hinata’s passion for volleyball, you have him enjoy himself the most with the only other crazy motherfucker who’s as obsessed with volleyball - Kageyama.
And I think that originally, Yana had this problem.
Sebastian was the protagonist, but she had little room to develop him as a character in the confines of the manor, dealing with random enemies.
She likely tried to create Grell as someone of the same stature as Sebastian. Someone who could be this other person to engage dialogue with and show or allude to his past a bit more.
The problem being that Sebastian didn’t care for his past. Or really, engaging with anyone. He sees everyone as below him, but when confronted with Grell who isn’t below him, he doesn’t wanna talk to her.
So you’re stuck in conundrum.
How do you have dialogue with a character, that as a character trait, doesn’t really wanna have dialogue?
Well, Grell also solves the problem. Because only the moment she gets him to start any semblance of a dialogue - is questioning why he’s serving Ciel.
And this is the moment when it’s perfectly cemented that the focus of the story is their relationship.
Why is Sebastian here? Why does he stay? What did he see in Ciel that made him want this extremely convoluted contract?
THATS the dialogue.
THATS the conversation we’re having in Black Butler.
We need to know Ciel because understanding who he is, let’s us know WHY /Sebastian/ is here.
Then slowly, with the introduction with the Undertaker, we find out Sebastian’s conflict.
Which is…
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He’s scared of losing Ciel. It becomes apparent with the constant imagery of the Undertaker taking away Ciel and at some point even obtaining r!Ciel’s body, that he’s worried it might happen.
But he can only be worried that Ciel might be taken away if he wants to stay near Ciel.
And that’s his character arc.
Realizing that he actually likes Ciel, cares for him and the role he plays a butler that he doesn’t want this to end.
In the first chapters, he doesn’t feel a need to protect Ciel anymore than what’s strictly necessary. Just don’t die, that’s about as deep as his involvement in chapter 4 gets.
But by the Green Witch Arc, he feels a need to protect Ciel from ANY harm.
This is why I also said
3.- Their relationship is fundamentally a positive one.
In broad strokes, Sebastian to Ciel is the person who allows him to survive. He’s not worried about giving up his soul since he’s already dead. While Ciel to Sebastian, is someone who’s making him have fun. He’s slowly becoming more and more attached to Ciel and the life he has with Ciel.
Their relationship is not that of just a predator and prey, but also of master and pet.
In the terms that Black Butler itself would call: Sebastian is a wild wolf acting like a collared dog.
Ciel is aware that the wild beast will eat him at the end of the day, but if he clings hard to leash for now, he might just be able to have Sebastian maul his abusers.
Sebastian as a dog, currently finds that he enjoys being a chained dog.
(This is demonstrated in the Green Witch arc where he quite literally says, he doesn’t wanna be a wild beast and prefers to be a butler)
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And much like the actual DOG Sebastian, Ciel constantly interprets his attempts to get close and protect him, as an act of aggression.
This push and pull of Ciel’s perception of Sebastian and Sebastian’s true motives is what feeds the story.
And the briefs interludes were that isn’t the case (what other people call the “plot”, but I would refer to as the connective tissue) such as Sullivan and Wolfram, the other servant’s past, the grim reapers and the like, serve as a parallel to Ciel and Sebastian relationship. Either to signify how they care for each other, highlight their weaknesses or fears, or explore how they feel.
It’s no surprise that Sullivan and Wolfram are parallels to Ciel and Sebastian. A sheltered sickly child who seeks the protection of a cold hearted machine that only knew how to kill, but who eventually found he cared for her genuinely.
Undertaker and Claudia’s relationship being heavily paralleled with them, even though we aren’t 109% sure what they had but heavily implied it was a romantic attraction from the undead supernatural creature and a Phantomhive.
Everything is a parallel.
That’s why, like the approach of the terrible original video, is flawed.
Trying to interpret Black Butler as action scene after action scene, with mystery after mystery with the only connective tissue being the mystery of who burned down the mansion - is missing the trees for the forest.
That’s not the point.
And if you’re too much of a prude to engage with gothic horror in its gothic horror game, I see little point as to why you even bother to engage with it at all.
A lot of people, including the person who create the video, simply refuse to acknowledge Black Butler IS the story of Sebastian and Ciel as a close and positive relationship, romantically and sexually charged. The reason for it being that they’re “put off” by it.
Part of me wonders how much that is genuinely true, and how much is just performative outrage. It’s like ignoring the fact that Cersei and Jami are in an incestous relationship and try to frame it as “platonic love”, because the idea of it is THAT off putting.
But regardless of that, if you don’t like the fact that it’s as canon as canon can get, I would reccomend you don’t engage with the story at all.
As I’ve explained, the entirety of the series is about them. If you refuse to see Sebastian and Ciel as, at the very least, a duo that cares deeply for the other - you aren’t reading Black Butler.
I have no idea what you’re reading.Perhaps your own biases and subconscious stigma with British aesthetic. At that point, watch the fucking British Royalty Gossip Magazine. You’d find more substance there.
Just don’t be like the person in the video, please? Don’t play dumb. Don’t ignore the fact that Yana is a Shotacon, don’t ignore the fact Sebastian is a hero, don’t ignore the fact that the entirety of the story is based on Sebastian and Ciel’s dynamic.
Because if you do, you are ashamed. You are ashamed of what this story is about. You don’t wanna engage with the text, you want to engage with yourself. You wanna project into Ciel whatever traumas and experiences you have, for the sake a vanity project, where you come out as the morally superior.
You don’t wanna talk about Black Butler, you wanna talk about how good YOU are. How you “don’t sin” by watching it “without all the gross unholy stuff”.
Which is the exact opposite of what BB is about.
So, if you don’t want to, save us all the humiliation fetish and leave.
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coraniaid · 5 months
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It’s always very odd to me when I read criticism of A Song Of Ice And Fire online (by which I mainly mean: on Tumblr) which takes for granted that this is some sort of obsessively dark and edgy and mean-spirited fantasy, because ... that's not what the series is actually like at all?  
I mean, yes, some awful (and graphically described) stuff happens in these books, but this is at heart a deeply optimistic and almost embarrassingly romantic story, full of a very obvious sympathy and tenderness for the unhappy and the hurt and the powerless.  The weird gritty-for-the-sake-of-it books that the series's detractors describe wouldn't have recurring POV characters like Sansa Stark or Tyrion Lannister or Davos Seaworth or Samwell Tarly or Brienne of Tarth.  They certainly wouldn't obviously empathize with and respect these characters to the extent the actual books do.  They wouldn't be so obsessive about the importance of hope and kindness and understanding in an otherwise uncaring world.  Whenever the text suggests the world isn't fair or kind there's always an unspoken "but it should be,and I wish it was". You are clearly not meant to think that characters like Roose Bolton or Twyin Lannister are being held up as role models to emulate!
I mean, maybe the TV show is more like that -- I gave up on the show after only a couple of seasons, it was a terrible adaptation of the source material, even before the final season that everyone apparently hated -- but so much of the open disdain for ASOIAF I come across on here reads like the people writing the posts haven't even read a single one of the books. Yes, the popularity of ASOIAF inspired a lot of "dark" fantasy novels that actually are bleakly nihilistic and seem to revel in their characters meeting pointlessly sad and violent ends, but Martin's books are just not like that.
Yes, lots of the world-building for ASOIAF is patently ridiculous, and yes, key parts of the plot are just cribbed from the War of the Roses (or, rather, from historical novels like Sharon Penman's The Sunne in Splendour)  and yes, Martin has said some very stupid things in interviews while busy not writing the series.  And no, I'm not sure I could actually bring myself to recommend the books to anyone who's not read them before (especially when it's so unlikely that the series will ever be finished, let alone in a satisfying way).  I haven’t reread them myself in years.
But honestly, back when I was a quietly miserable teenager these books really meant a lot to me, in part because they are the opposite of the caricature often discussed online.  Yes, they acknowledged that sometimes the world was awful and unbearable.  It is!  But they also suggested that it was still important to try to be fair and kind and to appreciate the moments when things were better.  They are books about trying to do the right thing even when it’s so hard as to seem impossible and nobody else will even know that you tried, written in a way that takes for granted that “the right thing” is also the just and the optimistic and the quietly heroic thing; that doing the right thing when you afraid is more praiseworthy than never being afraid at all. And it is baffling to me how often I see people talking about them now who don't actually seem to have ever even skimmed them but are still vocally passionate in their hatred of something that, as they describe it, simply doesn't exist.
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