#to me writing stories is an example of making art

[thyinum]

I have a lot of outdated art and writing about my OCs and sometimes it bothers me but then I remember about the things called "continuity drift", "early-installment weirdness" and "characterization marches on". Practically every story goes through it and there are literally published things that became outdated because the creators decided to change things. Like for example the first Discworld books where Terry Pratchett was still exploring his ideas and characters. Some characters' personalities and worldbuilding concepts are a bit different there from what he established later. Basically the same goes with Star Wars canon. It's evolving, there are new concepts developed while the old ones get outdated and are not considered canon by some people anymore.

Knowing that there are literally huge franchises with inconsistencies in their canon makes me much less anxious about my own stories. After all, it's all about the creative process and having fun, and it's okay to abandon or change some things along the way. For me as a viewer, it's also sometimes interesting to have a glimpse into the creative process of other people.

So go with the flow! Drawing your characters and writing about them are also great ways to explore them and establish their designs and personalities.

I have a question for people with ocs cause I have this weird thing that’s blocking me from creating any art with mine, that if I don’t have their story finished then I’m afraid to draw anything related to the current story cause what if I change it? what if I change the characters designs again and then all the previous art is outdated? so the question is — does it bother you too or do you just go with the flow and draw them regardless? it might be a stupid thing really but it’s always in the back of my head when I think about my characters and universe that if it’s not finished then it’s not worth sharing with others

[raven-at-the-writing-desk]

I always repeat it but I truly love the way you write Leona ☹️ you portray not only his personality but also his inner thoughts and how he processes information around him so well... I love all your writings but specially your Leona related works (sorry for being very much biased)

I hold your Leona interpretation so close to my heart 🤲💛 I often see a lot of mischaracterization (and I kind of get it- he's hard to decipher sometimes), so seeing such a good portrayal that I feel encapsulates his whole being is so important to me ☹️☹️

[Not sure if this is feedback in response to a particular writing piece I did, but just in case, this Leona interaction was the most recent one before receiving this ask.]

cbjddbwkkeoqhd Thank you!! I try to do the same thing Yana did when first conceptualizing the Twst characters… I try to put myself in their shoes and wonder what it must be like to be them in a given situation. The example Yana provided in one interview was something along the lines of, The poison apple didn’t want to be poisonous, but the Evil Queen forced it to. How did that make the apple feel? I want to think about not only how someone would speak, but also about their body language, their thoughts, their emotions, previous interactions in similar scenarios, their life experiences, their goals, their strengths and their flaws, how those can color their perception of others and the world--everything that makes up a character! I also aim to make my dialogue distinguishable, even if there's no name attached to it. If you can swap out several other character's names and the dialogue still works, then the intended character's voice isn't coming through strong enough and I rewrite it from scratch. If I write "You've earned my brother's respect," that's not good enough for me. It has to be “Oh, would you look at that. You’ve gone and earned my dear onii-sama’s respect and admiration. How good for you," to properly convey Leona's sarcasm and haughtiness.

The Twst characters are all very complex and multifaceted (particularly those we're given the most detailed backstories about *stares at the OB boys*), and there's also tons of content to comb through between the all the characters, main story, vignettes, events, and additional materials (interviews, art books, mangas, light novel, etc.). As a result, it can be easy to overlook elements of a particular character or to simplify/condense characters--either making them the extreme of being too cruel or the other extreme of being too kind--to make them easier to write. It takes time to nail that characterization, so I encourage my fellow writers to keep trying ^^

To speak a little more about writing Leona! It's honestly hard because you have to balance his arrogance with his lack of motivation and his depression-like beliefs about himself without whiplashing between those components. He's also very intelligent, and those kinds of characters can be difficult to do, especially for inexperienced writers. Leona works in subtle ways to get what he wants, and you have to find a way to communicate that between himself and the reader, but not give away what he's scheming to the other characters involved, who are not in his headspace. Then, of course, there's that whole ongoing debate about whether Leona would treat women significantly "better" than men (which is a topic worthy of a whole separate discussion post; I won't get into that here since it would elongate this post by a ton)... There's several things to consider when writing him. If you enjoy my interpretation of Leona, then that makes me happy ^^ I genuinely do put forth a lot of effort to capture the characters in my writing, so it's nice when those efforts are recognized.

[crescentfool]

🍊🫐 throughout time!

[hearts401]

We need to start treating bad writing like bad art and im not kidding

[foulfeast]

Ohhhh i now remember why i got shy about talking abt ocs

24/7 fear that someone will tell me my ideas are cliche/stupid/bad in some other and it will hurt more bc these are my own creations and not just fun and play

[polysyndetonaddictsupportgroup]

🌟

I reblogged this ask game and then failed to finish the answers to any of the asks i got. whoopsie. better late than never.

Anyway let's try the director's commentary of the train king scene from pez dispenser debris.

I love the train king intro. it's so fun and goofy. it's just got some really fun humor to it in my mind. I had so much fun writing it.

it is a completely pointless scene.

It has no plot relevance. Train king is not the chekov's gun hanging bravely on the wall of that fic. It will have no overarching effect on the plot. So why the fuck is it there?

Well, because it was fun.

Pez dispenser debris has lived in my head for at least two or three years now. Not in the exact form it is now, but it's a very old and much-adored story of mine. I was incredibly fond of it. I tried to write it years ago, and got as far as the first scene, which was originally Izuku and Mirio walking along the street and running into the bus hijacking, which led to the rogue quirk.

It was a good starting point. It's where the action actually started. But it just didn't feel right to me.

So it sat in my drafts for a long time, collected dust, and I spun my wheels on other projects for a while. I went back to it, and tried again, and the new first scene was Izuku rushing in late for the meeting with the realtor. It still didn't feel right. it gave more development to Izuku and Mirio's relationship before we hit action, but something just wasn't right.

Train King was just a silly reason i made up for why he was late. The scene originally wasn't shown, only mentioned in a single sentence. And then I decided--fuck it, it would make for a fun scene. just do it for shits and giggles.

And I had fun writing it. Which means it's probably the only reason why i hit publish on pez dispenser debris to begin with instead of leaving it in my drafts. Because I was in a state of extreme burn out when i started writing that fic, and the train king scene led me to realize what that fic needed to be for me: just something fun and silly to write.

Technically speaking, pez dispenser debris is very sloppy. There's a huge amount of pointless asides and flashbacks that don't contribute to the plot in any way. the entirety of chapter four could be deleted and it would be the exact same fic if i just slightly edited the conversation between aizawa and izuku in chapter six. I legitmately wrote chapter four, said "wow, that was pointless," and hit publish

because I liked it anyway. Like, what the fuck is the point of the backflip treaty? Dabi's extremely reluctant semi-redemption? Absolutely nothing. I just had a good time writing it and thought other people would have a good time reading it.

it wasn't meant to be """"good"""" art. it was meant to be fun, and that's what it was. I had so much fun writing my silly little flashbacks and asides. All of my fics have those kinds of background stories and scenes that exist in their "universe," and most of them never make it into the fics because it wouldn't be plot relevant and it wouldn't make for """"good""" art. With pez dispenser debris, I wanted to just give myself permission to write something fun and silly with as many pointless scenes as i wanted. And train king started that.

[emily-mooon]

Just a heads up that I’m going to be taking a break from making fandom content.

I’m at a point now where I want to express myself and fanart just doesn’t seem to cut it. At one point I’ll come back to doing it but as of right now, I can’t give a time frame for when that will be.

Be patient cause I know when ST5 comes out the Jancy brainrot will return, Trust me on this.

Idk about Scott Pilgrim stuff cause I’m very invested in two characters only and they aren’t very popular (ok Neil’s kinda in the middle tbh, Stacey though no). Also I feel kinda alone in my rarepair. I know there are others but even then I still feel lonely in it. It’s difficult making rarepair stuff and atm I don’t have the energy to continue doing it. Very sorry about that!

I will sometimes make text posts about random headcanons in relation to my ships if I have any cause it’s bound to happen. So fandom stuff won’t be completely gone.

Anyways expect to see some poetry and more original illustrations coming from me. Heck my ocs may end up becoming a big part of my art who knows!

I hope you all can understand. I must let my creative voice scream and give me a chance to figure out who I am more. This is something extremely important to me as a soon to be art major.

I do hope you will all support me in this new era of my blog. Original content isn’t as big as say fandom stuff I know but I do hope you’ll enjoy whatever I make :]

Ok bye! Hope you all have a wonderful weekend!

Sending hugs if you need one <333333

[pythoria]

hello everyone! a quick break from your scheduled art posting to talk about this incredible fic i think ever bloodweave enjoyer should read.

i know it'a already very popular, but imo it's a must-read. i could not praise this fic enough for what it is, the amazing ideas it brings to the table, the incredible execution of the timeloop trope. it's by far the fic i look forward to seeing in my inbox the most (not that other fics aren't absolutely gorgeous), because every chapter is just. a delight to read. it's got angst, fluff, and an amazing romance, but the plot is what really makes it stand out. it's tight, packed with great characterisation and has perfect pacing. please give it a shot if that sounds at all interesting to you. oh yeah, and did i mention that it's got art for every single chapter? yeah, read it. bask in its genius.

[yellowocaballero]

Are there any fic ideas that you'd want to see but don't want to write?

Oh boy! Of course!

To be honest, the Green Lantern story is one of the big ones lmfao. It would be a massive undertaking for an audience of maybe five people. A niche audience normally doesn't stop me, but for such a long story, there's other uses of my time. There is also the fact that it just feels made for television. Same with my Legion of Superheroes Zoobomafoo thing - it just doesn't feel right in a text format. It's webcomic coded. I wish I could draw sometimes!

Then there's the story ideas for my AUs and other fandoms I've moved on from. There's still a few ideas for the No Chip AU in my back pocket (Cody redemption feat. Boba Fett following him around Tatooine yelling at him; Fox as the vigilante sidekick to his insane PA) and my normal Roleswap (Luke & Leia embark on a Great Father Mystery Hunt and bother Fox in the woods). There's also the continuation stories/sequels I've started but haven't finished and don't know if they will get finished (Roleswap Obi-Wan meets his birth family; my Buffy fic Angel and Cordelia through the years). There's other unfinished stories there (the Frenchie story which is literally only missing the final scene, the Heroes For Hire meeting story which is literally only missing the final scene) which I'm pretty sure I'll finish when I feel like it. I don't consider those WIPs so much as 'when I care again I'll go finish them'.

Then there's the stories that I just couldn't make into a decent story (the Naruto fix-it; the roleswap(ish?) story with adult bounty hunters Boba and Omega teaching runaway clones Luke and Leia the power of family and incredible violence). Not every idea is good outside of concept lol.

TL;DR: If I have a fic idea but haven't written it, it's because of one or more reasons: a) the idea itself is too big, b) the idea just doesn't seem right for fic, c) I've moved on from the fandom and don't want to work on it at this moment anymore, d) it just wouldn't make a good story.

If you notice, these are all active choices on my part. I only mention this because a lot of my friends can't relate, so I don't know how common it is even though I assumed it was common, and it's kind of hard to describe: there's no barrier between me having an idea and writing it. Does that make sense? If I have an idea and it'll make a good story and I want to write it I'll write it, at least until I realize that it wouldn't make a good story and I scrap it. If I think about something for too long I write it [this is why I am easily egged on][this is also why I write things I swore never to write very frequently].

Writing is like. It's easy. You just write stuff. You just think something and then you write it. It's uncomplicated.

If it's bad. Writing is easy if what you're writing is bad. It's easy to write 100k if the 100k is bad. There's a ton of shortcuts you can take, which are really useful for beginning writers and was really useful for me a few years ago. I can describe those if you'd like. It's much, much, much harder to write something good. It's hardest when you need something to be good. Writing a good 100k is really hard. I am constantly telling people not to jump into the novels kjlsdf.

Double TL;DR that has nothing to do with the topic: You can write whatever you want if you're okay with it being bad. Making bad art rocks and is a lot of fun and completely necessary towards my emotional well-being. I highly recommend it.

[mortalityplays]

This is a dangerous sentiment for me to express, as an editor who spends most of my working life telling writers to knock it off with the 45-word sentences and the adverbs and tortured metaphors, but I do think we're living through a period of weird pragmatic puritanism in mainstream literary taste.

e.g. I keep seeing people talk about 'purple prose' when they actually mean 'the writer uses vivid and/or metaphorical descriptive language'. I've seen people who present themselves as educators offer some of the best genre writing in western canon as examples of 'purple prose' because it engages strategically in prose-poetry to evoke mood and I guess that's sheer decadence when you could instead say "it was dark and scary outside". But that's not what purple prose means. Purple means the construction of the prose itself gets in the way of conveying meaning. mid-00s horse RPers know what I'm talking about. Cerulean orbs flash'd fire as they turn'd 'pon rollforth land, yonder horizonways. <= if I had to read this when I was 12, you don't get to call Ray Bradbury's prose 'purple'.

I griped on here recently about the prepossession with fictional characters in fictional narratives behaving 'rationally' and 'realistically' as if the sole purpose of a made-up story is to convince you it could have happened. No wonder the epistolary form is having a tumblr renaissance. One million billion arguments and thought experiments about The Ones Who Walk Away From Omelas that almost all evade the point of the story: that you can't wriggle out of it. The narrator is telling you how it was, is and will be, and you must confront the dissonances it evokes and digest your discomfort. 'Realistic' begins on the author's terms, that's what gives them the power to reach into your brain and fiddle about until sparks happen. You kind of have to trust the process a little bit.

This ultra-orthodox attitude to writing shares a lot of common ground with the tight, tight commodification of art in online spaces. And I mean commodification in the truest sense - the reconstruction of the thing to maximise its capacity to interface with markets. Form and function are overwhelmingly privileged over cloudy ideas like meaning, intent and possibility, because you can apply a sliding value scale to the material aspects of a work. But you can't charge extra for 'more challenging conceptual response to the milieu' in a commission drive. So that shit becomes vestigial. It isn't valued, it isn't taught, so eventually it isn't sought out. At best it's mystified as part of a given writer/artist's 'talent', but either way it grows incumbent on the individual to care enough about that kind of skill to cultivate it.

And it's risky, because unmeasurables come with the possibility of rejection or failure. Drop in too many allegorical descriptions of the rose garden and someone will decide your prose is 'purple' and unserious. A lot of online audiences seem to be terrified of being considered pretentious in their tastes. That creates a real unwillingness to step out into discursive spaces where you 🫵 are expected to develop and explore a personal relationship with each element of a work. No guard rails, no right answers. Word of god is shit to us out here. But fear of getting that kind of analysis wrong makes people hove to work that slavishly explains itself on every page. And I'm left wondering, what's the point of art that leads every single participant to the same conclusion? See Spot run. Run, Spot, run. Down the rollforth land, yonder horizonways. I just want to read more weird stuff.

[desertskiespodcast]

I tried to write a novel. Not once. Not twice. But about 12 times. Here's how that would play out: 1. I sit down and knock out 10 pages 2. I share it with someone 3. They say "It's goooood" like it's not good 4. I ask for critical feedback 5. They say, "Well....the plot just moves so quickly. So much happens in the first few pages it doesn't feel natural." So I'd write more drafts. I'd try to stretch out the story. I would add dialogue that I tried to make interesting but thought was boring. I would try including environment and character descriptions that felt unnecessary, (why not just let people imagine what they want?) Anyways, I gave up trying to write because in my mind, I wasn't a fiction writer. Maybe I could write a phonebook or something. But then I made a fiction podcast, and I waited for the same feedback about the fast moving plot, but guess what??? Podcasts aren't novels. The thing that made my novels suck became one of the things that made Desert Skies work. I've received some criticism since the show started, but one thing I don't receive regular complaints about is being overly-descriptive or longwinded. In fact, the opposite. It moves fast enough that it keeps peoples attention. I always felt I had a knack for telling stories but spent years beating myself up because I couldn't put those stories into novel form. The problem wasn't me. The problem was the tool I was trying to use. All that to say: If, in your innermost parts you may know that you're a storyteller but you just can't write a book, don't give up right away. You can always do things to get better and there's a lot of good resources. But if you do that for a while and novel writing just isn't your thing, try making a podcast, or creating a comic, or a poem, or a play, or a tv script. You might know you're an artist but suck at painting. Try making a glass mosaic, or miniatures, or try charcoal portraits, or embroider or collage. You might know you're a singer, but opera just isn't working out. Why not yodel? I could keep listing out examples, but the point is this. Trust your intuitions when it comes to your creative abilities, but don't inhibit yourself by becoming dogmatic about which medium you can use to express that creativity. Don't be afraid to try something new. Don't be afraid to make something new. You might just find the art form that fits the gift you knew you always had, and what it is might surprise you

[occudo]

An incomplete list of TMA fics I adore

-beacuse of this ask

(If you liked the fics I previously recommended/made fanart for, I think you'll gonna like these as well, but you know, read the tags, know what you are going into)

Yesterday is Here by CirrusGrey @cirrus-grey

Time Travel Fix-it! Slow burn! So good! So much sass from future!Jon- I doubt I have to introduce anyone this amazing author, but if you somehow missed them till now, this is your time! I highly recommend all of their other fics as well, for example one of a more recent one, The Stranger I Know Best is also a lovely read.

enthralling by Prim_the_Amazing @primtheamazing

Vampire!Martin!! I have no words of how much I love this concept, this story, everything about this. I think I'm going to repeat myself through this list, but I also recommend everything else they've written!

to fill... my heart with music? by godshaper @godshaper so their Martin and Jon design are different from mine, also they made a way better art for this- but still, I wanted to include this really good fic in this list.

Do It All Anew by inkfingers_mcgee or @crit20art

You know the feeling when you read a book that makes you cry, and after that you recommend it to your friend? Well- there is no reason I mentioned this, I'm just so normal about this fic. Or any other fic from inkfingers_mcgee... like Strange Manner of what I made another fanart way back. Also, check out their art!

Anyway, here is Aamal- she is not going to cause emotional damage.

And they were sidekicks (oh my god, they were sidekicks) by arthureameslove @arthureameslove

A lighthearted series where Jon and Martin are sidekicks of supervillains- it's just a really fun fic, also recommend everyting from this author - I previously draw fanart here for an other fic of theirs Like a Lighthouse, Call Me Home

neither sad, nor sick, nor merry, nor well by saintbleeding @saintbleeding

To quote the aurthour: "Post-divorce Jon and Martin in a wedding-based romcom" It's such a comfort read, also has a Tim/Sasha wedding, and lots of cameos! I realised most of these authors I made fanarts for before- like this one for some kind of miraculous bind, this one is oneshot and a bit more serious in tone.

Give Me the Words by rakel @rakel-on-ao3

"Jon and Martin try to make the most of a bad situation in the Scottish Highlands. The situation is worse than they realised." You know that one post about wanting to write PWP, but it keeps turning into character study? Well, this one comes to my mind each time I see that.

i wanna find a home (i wanna share it with you) by heartshapedguy @transgenderboobs

So what would have happened if instead of the cot (tm), Jon offered Martin his own flat to stay? There is no way it's going to change their relationship, right? Such a good read, if you want some fluff, I highly recommend it!

Lucky Stars by magnetarmadda @magnetarmadda

Martin has a lovely family (except his mother) but still, he needs a fake boyfriend, and Jon comes to the rescue. It's one of the first fics I remember reading after I finished the series. It is such a comfort read of mine~

(+enjoy a rare tall Jon from me)

There are so many more fics that also deserve the spotlight, these are just the ones I read multiple times and/or didn't made fanarts for before. If you find something here you like, give them some love! Kudos and comments! They deserve it. (Also, just an extra disclamier some of these are PWP or rated T- just mind the tags)

I tried to link and tag everything, I hope it works.

[renthony]

In Defense of Shitty Queer Art

Queer art has a long history of being censored and sidelined. In 1895, Oscar Wilde’s novel The Picture of Dorian Gray was used as evidence in the author’s sodomy trials. From the 1930s to the 1960s, the American Hays Code prohibited depictions of queerness in film, defining it as “sex perversion.” In 2020, the book Steven Universe: End of an Era by Chris McDonnell confirmed that Rebecca Sugar’s insistence on including a sapphic wedding in the show is what triggered its cancellation by Cartoon Network. According to the American Library Association, of the top ten most challenged books in 2023, seven were targeted for their queer content. Across time, place, and medium, queer art has been ruthlessly targeted by censors and protesters, and at times it seems there might be no end in sight.

So why, then, are queer spaces so viciously critical of queer art?

Name any piece of moderately-well-known queer media, and you can find immense, vitriolic discourse surrounding it. Audiences debate whether queer media is good representation, bad representation, or whether it’s otherwise too problematic to engage with. Artists are picked apart under a microscope to make sure their morals are pure enough and their identities queer enough. Every minor fault—real or perceived—is compiled in discourse dossiers and spread around online. Lines are drawn, and callout posts are made against those who get too close to “problematic art.”

Modern examples abound, such as the TV show Steven Universe, the video game Dream Daddy, or the webcomic Boyfriends, but it’s far from a new phenomenon. In his book Hi Honey, I’m Homo!, queer pop culture analyst Matt Baume writes about an example from the 1970s, where the ABC sitcom titled Soap was protested by homophobes and queer audiences alike—before a single episode of the show ever aired. Audiences didn’t wait to actually watch the show before passing judgment and writing protest letters.

After so many years starved for positive representation, it’s understandable for queer audiences to crave depictions where we’re treated well. It’s exhausting to only ever see the same tired gay tropes and subtext, and queer audiences deserve more. Yet the way to more, better, varied representation is not to insist on perfection. The pursuit of perfection is poison in art, and it’s no different when that art happens to be queer.

When the pool of queer art is so limited, it feels horrible when a piece of queer art doesn’t live up to expectations. Even if the representation is technically good, it’s disappointing to get excited for a queer story only for that story to underwhelm and frustrate you.

But the world needs that disappointing art. It needs mediocre art. It even needs the bad art. The world needs to reach a point where queer artists can fearlessly make a mess, because if queer artists can only strive for perfection, the less art they can make. They may eventually produce a masterpiece, but a single masterpiece is still a drop in the bucket compared to the oceans of censorship. The only way to drown out bigotry and offensive stereotypes created by bigots is to allow queer artists the ability to experiment, learn through making mistakes, and represent their queer truth even if it clashes with someone else’s.

If queer artists aren’t allowed to make garbage, we can never make those masterpieces everyone craves. If queer artists are terrified at all times that their art will be targeted both by bigots and their own queer communities, queer art cannot thrive.

Let queer artists make shitty art. Let allies to queer people try their hand at representation, even if they miss the mark. Let queer art be messy, and let the artists screw up without fear of overblown retribution.

It’s the only way we’ll ever get more queer art.

_

Like this essay? Tip me on Ko-Fi, pledge to my Patreon, or commission an essay on the topic of your choice!

[femboty2k]

The Great Trans Girl Exodus Commission Post

Hello once again! To make a long story short: My darling wife and I are trying very hard to be able to move from Texas to Colorado ahead of how bad legislature is getting here. We have savings and a plan but its shaping up to be a very expensive and stressful finding a place to actually move in to. Our lease here is up at the end of June so we're starting to really crack down on trying to find places to apply to. I'm making this post because we would really appreciate some extra funds to add to what we have saved to make this move possible and if its an option: comfortable. We're a pair of trans lesbians trying so very very hard to make a life for ourselves in this country that hates us. Below I've attached some basic pricing and examples of the type of pixel art I do as well as some of my writing as I'm A-Okay writing for other folks if you like my prose or brand of article jank. If you have any questions about anything here please feel free to send me a DM on here and we can talk more about what you want and what I can do for you. Thank you so much if you end up commissioning anything or even if you just share this post. Examples and pricing below the cut:

Y2K Stylized Piece: $50+ (Price can range based on piece complexity desired)

Flat colour piece w. basic detailing: $60+ (Price can range based on number of characters desired and background complexity, basic BG is included in piece)

Detailed/Low-Poly Style piece: $75+ (These ones take the longest due to the by-hand editing needed to ensure the style is cohesive or detailing is done on the whole piece. Price can range based on complexity desired.)

Pixel Chibi: $20 (Pixel Chibi pricing is locked at $20)

Emote Suite: $35 (Price covers up to 9 custom emotes sized for usage in Discord and other messaging use cases)

Doodle: $25 (A flat simple piece with a simple concept done on a small canvas)

WRITING EXAMPLES:

Fiction: Tactile Sensations, a Sci-Fi short story Article Writing: Bloodborne PXS: One of the best fanworks on the web Writing prices start at $30 and can fluctuate upwards based on piece length. Thank you so much for checking out my work and/or sharing it. We're trying to start a new life for ourselves in a safer place, and we really do appreciate any help. Thank you!

[4dbeingguide]

there is only one sentence you need to know as a manifestor:

the 3D/physical world isn’t real. only the mind is.

disclaimers:

this is slightly rant-y though i don’t attack you, i uplift you

excuse any grammar errors!

credit to all the artists whose art was used!

let’s get into it.

you do not exist/live in the 3D, you simply perceive your own mind and assumptions in three dimensions. the 3D is an illusion. it isn’t real. the phone you’re reading this on, your surroundings, me writing this post, “other” people, they’re not real.

this will literally answer all the questions you have about LOA. examples include:

“what if what i’m doing won’t make anything manifest in the 3D?” then boo-fucking-hoo? it wouldn’t even matter because that’s not where you live. you’re 4-dimensional. if it’s happened in the 4D, it’s fucking happened! put it in your success story list. rejoice now that it’s happened. because it has! the 3D is NOT real, the 4D is so you should be checking the 4D! think about this question: “what if it doesn’t manifest in the 2D (a world of only length and width)?” i bet you’re like “womp womp? the fuck would that have to do with me? it’s not real and i don’t live there!” give that SAME energy to the 3D. you live in the 4D.

“where is it in the 3D?” why do you care? it’s not where you live. CONSCIOUSNESS is the only reality. you heard me. you shouldn’t give a fuck about whether it will manifest in the 3D or not because the 3D doesn’t determine reality, YOU do. why do you want confirmation from an illusion when you can have confirmation from what’s actually real (the mind)?

“but if i stop caring about whether it’ll manifest in the 3D or not, it might not manifest in the 3D!” first of all, womp womp then? you don’t live in the 3D. second of all, that’s literally impossible unless you directly/intentionally assume that it’s the case. the 3D literally EXISTS as a reflection/limited perception of the mind. it’s LAW that it will come. and the last time i checked, “i don’t care whether it comes or not” and “it won’t come” are different statements. but what i just find so hilarious about this one specific doubt is that you’ve literally just PROVEN your THOUGHTS create the 3D.

“i can’t manifest abc! it goes against the laws of physics/circumstances etc” lemme just get this straight. the MIND is the only reality yet you are lying and saying it has limits based off of 3D “law”? and the 3D is not real meaning the “laws” of the 3D aren’t either? the 3D doesn’t and will never be able to tell the mind what to do. that being said, you can manifest pissing a million bucks, teleporting into a villa in italy or becoming wanda fucking maximoff and developing superpowers. you can manifest hulk hogan flying across the pacific to your door and proposing to you, hell, you can even manifest BECOMING hulk hogan. you can manifest your SPs buying you three million bentleys then making out with you in each of them. you can manifest going back in time. you. can. manifest. ANYTHING. you. can. manifest. anything. you. can. imagine. you’re OMNIPOTENT.

this one is very interesting cause it’s a response to doubts! “if i keep doubting, it won’t show up in the 3D!” the reason your doubts persist is because your mind thinks they actually mean shit and are an issue worth addressing. so what if it doesn’t show up in the 3D? it’s already happened.

“but what if im one of the odd ones out? what if i can’t manifest?” despite the fact that it’s scientific law, the rebuttal for this doubt is very simple. you wouldn’t be alive lmao. being alive is a constant act of the 3D reflecting your mind, that’s literally its only purpose. it’s an inanimate, mindless, limited perception of your mind that instantly conforms to your beliefs. you are CONSTANTLY manifesting. what you’re doing is just learning how to control WHAT you manifest. (just to set the record straight. this doesn’t mean you are to blame for your problems since you didn’t consciously choose them).

“the 3D isn’t showing me what i want!” well it isn’t real lmao? why the fuck would that matter?

one of the WORST beliefs you can have as a manifestor is that the goal of manifesting is changing the 3D. i know you (probably) came in thinking that but i want you to shed that belief. the 3D is not real. the goal is to get it in the 4D, where you live. to fully experience something, all you have to do is change your mind as that’s the the only reality. when you accomplish that goal, rejoice and move on.

this is why i very, VERY heavily dislike the statement that “an assumption persisted in will harden into fact”. no, an assumption IS a fact. only regarding something as real when it manifests in the 3D (which isn’t real) is fallacious.

“thoughts create reality” i bet you’ve heard this before in this community but i don’t like this either for this simple reason: thoughts (that you accept) ARE reality.

my biggest piece of advice to you as a manifestor is this: realize that the 3D doesn’t mean shit.

when you DO get your manifestation in the 3D, it’s perfectly fine to be happy but don’t jump up and down saying “it’s finally happened (in reality)!”. NO. it happened in reality ages ago, the 3D just caught up.

i’m gonna link some really sexy posts that will help you understand this better. most of these are scientific.

https://www.reddit.com/r/NevilleGoddard/s/AmlHe5oipA (the post is up, i don’t understand why tumblr won’t embed it)

if you liked this post, leave a like, reblog, engage, follow, let me know if this helped 🫶😭

[trafficblrpositivityproject]

some people on here don't need positivity asks. popular artists and writers for example. they get enough love, show love to smaller creators instead

Hello anon! You seem confused about how this blog works. Since it seems you are not aware, this is a submission-based blog! (✨0✨) Any person can submit anyone else, regardless of how "popular" that person is. The submission button is in fact the same button you hit to send me this unfortunate and rude ask!

I assume you are not aware of this, as this ask is the only ask you sent me. No other asks, on or off anon, came in alongside this ask. Especially not any asks sending in positivity for small creators, who you claim to be concerned about. But that cannot be right, because if that were true, I would have to conclude you do not actually care about small creators at all, and only want to complain about popular creators getting positivity, which would be not very nice!

Oh, and another thing. One of this blog's only rules is to not put down one member of this fandom in order to uplift another. I assume you did not read the rules in my description, since you did not know I am submission based, so I thought I would let you know!

Ah, but actually though.

"Popular" writers and artists are in fact also people who work hard and provide the fandom with amazing works. There are a lot of popular artists and writers whose work I genuinely admire, and I am happy to use this space to express this admiration. They deserve appreciation for what they do, and as long as people are willing to submit them, I am going to post them.

(Additionally, on an entirely practical level, who am I to decide when someone is "too popular" to be posted? I cannot see anyone's follower counts. This is in fact a main feature of tumblr. Would I just be going by guess? This seems an inefficient system.) (Not that I think you care about this. I assume you have a specific list of users in your head that you, personally, subjectively, do not like, and you want me to adhere to it for your petty grudge.)

One of the many, many reasons I started this blog was in response to how certain people use confessions blogs, where I saw space for people to post anons about how they disliked popular artists and writers, such as how they hated a certain person's art or writing style, often specifying those people by name on anon to a blog with many many followers, where that person will unfortunately see it.

Another of the many, many reasons I started this blog is for my friends who are on the more popular end of the fandom, and how people treat them directly. What they have shown me of their inboxes is nightmarish, with people being rude, entitled, or cruel, simply because they assume that people's humanity does not count after a certain amount of followers. And, in the interest of full disclosure, though I am not extraordinarily popular on my main account, I have gotten my own share of nightmare anons as well.

A third of the many, many reasons I started this blog is because I have seen tumblr users post about other tumblr users by name and how they do not like their art/writing/creations, do not think they deserve their success or support, or simply do not like them without ever even meeting them. They will then post those uncaring words in those user's tumblr tags, again where those people will see them.

All of this made me very sad, because it seemed like somewhere along the way, people seemed to forget those artists and writers are people. Being popular (or perceived as popular) in fandom comes with many benefits, this is true, but it also emboldens the absolute worst members of fandom to be cruel to people they think are an acceptable target.

None of this sort of attitude makes fandom a fun place to be. Fandom is meant to be a community, based in mutual love for the same story. It is meant for making art, or writing, or cosplay, or songs, or other creations. It is made for sharing those creations with strangers who love the same thing you do, and sharing excitement and passion with other fans. It is meant for making friends. It is made out of, and meant for, love. Fandom is not only made worthwhile, but kept alive, through our support for one another.

You may think me a popular artist/writer dick-rider for acknowledging the humanity and fandom contributions of popular creators. I do not mind. I am sorry for you that simply believing people should be kind to one another, or that artists and writers should be recognized for their hard work, is so skewed in your head. I will not apologize for being kind to people, or for providing a space for kindness.

Do not mistake my existence as a positivity blog for me being a pushover. I will absolutely not tolerate any of this sort of attitude on this blog. This is a blog based in kindness, and I will shut down any asks which aim to sow any sort of rudeness.

If you actually care about small creators, be the change you want to see. Submit small creators. I am literally constantly begging for submissions, and I would love for people to submit any and all creators, big or small. I myself have submitted plenty of anons about small creators to my own blog. One of the best parts of this blog is learning about lots of creators I would not have known about before because you all submit small folks. Our support for each other is not just fandom at its best. It is what fandom is for.

All this said. Do not be hateful slime in my inbox again. I do not want to block you, because I think you, too, deserve positivity, if you receive it. But I will block you if you persist. Thank you.