#to hear as many possible perspectives as we can manage

[kaycynyrs]

Let's talk about Christopher Diaz in fanfic

I want to preface this by saying I'm pretty new to the fandom. I joined a few months or so before season 7 started dropping. So I'm probably not the best source for information when it comes to the show, but I definitely wanted to throw my hat into the ring. I'm aware that Chris is aging during the course of the show, and that he was much younger when he was first introduced, but it seems to me that a lot of fanfic writers and/or people in this fandom kinda struggle to realistically write and/or portray accurate representation of a preteen/early teenager as Chris is now.

I have absolutely no idea if maybe it's some kinda weird way of seemingly (kinda horribly) trying to portray disability, or maybe people in the 911 fandom just do not spend time around pre-teens, but as someone who does spend a lot of time with a pre-teen (specifically my 12 y/o brother) I definitely figured I could give some insight into this topic.

Now I do want to clarify before I begin, that in no way shape or form am I talking about the disabled portion of Chris' experience. I don't have the knowledge or firsthand experience or anything like that to even begin to try and be a voice on that topic, and if anyone else could give insight into that portion of Chris' experience, I welcome it gladly. Especially because it's an integral part of him and introduces some experiences that other pre-teens won't have to deal with which can change how Chris reacts/deals with situations.

What I can accurately talk about though is the things I've noticed in my brother as he goes through this phase of his life. I can also compare his experiences to what I remember from when I was his age, and I'm noticing he's going through certain things that I went through too. I know everyone is different, but hopefully this insight can help some people begin to understand Chris as he is now.

Now, on top of all the slow but noticeable bodily changes, these little sass masters are emotionally volatile. As in, the littlest things seem to be the end of the world. Especially if he's (my brother) is overtired. He tends to have tunnel vision, and he wants things to go his way. If it doesn't immediately go as planned, he tends to get very very frustrated. When that happens, he tends to blow up then go into his room until he's calmed down. After he's calm, then productive conversation can happen.

Kids Chris' age also tend to enjoy video games (like Roblox, or console games) more than they do coloring or legos or any physical toy. Not saying my brother has stopped playing with them all together, but it's definitely slowed down. If he were to play with legos, it'd more likely be a complicated lego set. Or complicated arts and crafts. His most recent projects being origami swords and origami paper dragons. Like, please don't forget that Chris is a good artist and is capable of drawing accurate human hearts.

I've also noticed that kids will go through a collecting phase. They'll collect anything and everything and it'll be the weirdest shit you could never predict. My brother when he was a bit younger literally stole every single sock in the house for his "sock collection" and stuffed an entire drawer full of them. Now he's moved on to collecting golf balls.

And, whether we like it or not, these kids are on the internet. My brother at least is very very influenced by online trends. Half the things he's interested in he saw on social media first. But that means that these kids have a rich meme culture. They have their own in jokes and concepts, same as we did growing up. And sure, some of the jokes are the same. I mean heck, my brother won't shut up with the "your mom" jokes, but they also have things like skibbidy toilet, chippi chippi choppa choppa, and other memes. (I have a list of current tween memes in my notes, but that can be a separate post if people truly want it)

Like it's such a missed funny opportunity! To have Chris reference current memes or current sayings like "gyot, what the sigma, and womp womp," and just having every single adult within the immediate vicinity be confused as fuck, and of course the kids won't explain, because why would they. It's funny to them that the adults are confused. Which also pairs with the amount of sass contained in their tiny orifices. Their come backs are insane and not to be trifled with. My brother has burned me so many times and so well that for all intents and purposes I should be a pile of ash on floor, honestly and truly.

Now, when it comes to romance, I have no idea when that changes. I think Chris is around 14 in the most recent season? And he's gone through a little heartbreaker phase, but currently, my brother at 12 is absolutely disgusted by romance. I myself am demisexual so I'm not a good reference for that, and can't really comment on when people start feeling attraction for others. But considering it's being portrayed in the show, I think it could be something to lean into as well.

All of this to say, Chris won't be this picture perfect baby all of the time. He'll get angry, frustrated, sad. Give people the silent treatment. He'll be weird and strange and say stupid shit. He'll also probably occasionally get confused over certain sayings he's never heard before. (E.g similes commonly used in writing) He'll try to get out of chores, and homework, and he'll whine and complain. His body is changing, he's probably experiencing growing pains, and he's probably starting to discover more adult things. But he'll also have his moments of insightfulness and humor. He's a little adult! And he should be allowed to be portrayed that way! Let Chris be a multidimensional character! It's what he deserves! And just to make it clear, this goes for every pre-teen on 911. I've just noticed the infantilisation of Chris a lot more than say Denny.

Please let me know your thoughts on this matter! I'd love to hear them! Have a wonderful day!

[trans-axolotl]

idk i think a lot of people sort of build up schizo-spec diagnoses in their head as this example of a "clearly biomedical disease that is the scariest possible example of mental illness that is always a crisis no matter what." and i'm not going to sit here and say that schizoaffective is always pleasant to live with, or pretend that it's something that I can manage perfectly-it does cause me distress a lot of the time, and makes some things very difficult. but for me, psychosis is by far not the most difficult symptom i have to deal with, compared to some of the other things that have brought me distress. And yet it's always the symptom that is reacted to with the most fear, confusion, and disgust by other people. I hate it when people generalize psychosis as always and inherently and forever a crisis, and ignore the fact that everyone who experiences psychosis is going to have their own experiences, perspectives on how it impacts them, and that treating psychosis as a super scary, inherently dangerous symptom is incredibly stigmatizing and prevents us from receiving support and care from our communities.

idk. i just really wish people would realize that for some people, psychosis can sometimes be a neutral or even positive experience (i've had some incredibly lovely psychosis experiences), and that by positioning psychosis as a "super scary disease that has no quality of life" and only offering carceral solutions, it perpetuates a pattern where we get continually pushed into harmful treatments. Instead of a situation where our autonomy is respected, where we're offered a wide variety of treatments from meds to therapies to peer support like Hearing Voices Network to material community based support and where we're allowed to define our own experience of psychosis based on how it actually affects us. like, i don't want to deny that psychosis is often distressing for many of us--but I do think we have the responsibility to evaluate where we've learned about psychosis, what societal messages we've internalized about psychosis, what kinds of knowledge about psychosis do we not have access to, and just actually think in depth about how our biases impact how we communicate about psychosis.

[knightyoomyoui]

[SMUT] TWICE Mina x Male Reader - "House Of Balloons"

Requested by my buddy and fellow author @mintchoccy, I'm really sorry again if I haven't been able to write it for months, man. I had to focus on other works. Hope this would be fine enough to be worth the wait. TRIGGER WARNING: Aside from mature content, this contains drugs, violence, non-con ( I really didn't want to write with this theme but since it's my second attempt of writing a yandere Mina fic and for the sake of the plot, I had to give what the previous is lacking) and other uncomfortable parts. WORD COUNT: 5700+ TAGS: yandere, obssession, aphrodisiacs, viagra, rough sex, edging, dominant, worship, non-con element, torture, angst, smut Here's my Ko-fi account where you can drop your donations or ask for a commission. You can check it out on my Tumblr profile too!  Buy knightyoomyoui a Coffee. ko-fi.com/knightyoomyoui - Ko-fi ❤️ Where creators get support from fans through donations, memberships, shop sales and more! The original 'Buy Me a Coffee' Page.

"That fucking snake again."

Mina has had enough.

She calmly watches such an atrocity of a view, her hands fumbling vigorously within the curves of the wineglass, her fingernails scraping in time with the pattern of her gritting teeth covered through her tight-lipped lips.

The one that she likes- no, she loves - a lot legitimately is talking to somebody. It's their friend but in her perspective, she felt like she could just erase her existence and remove any identification of her being into her whole life.

That one and only man she's head over heels for quite a long time now is YN, unbeknowst to him that girl she's with, named Sana turns out to be one of his secret admirers in disguise.

And what's even worse, Sana doesn't even know that there's one more person who is impatient to fall in line just to snatch YN's heart from everybody else who wanted it, and that is none other than Mina herself.

She tried to hold it in for months, but with how many times she encountered that almost sucked the soul out of her with the tiny possibility remaining to complete for others to win over YN, she has now on her breaking point.

Every day and night passes, her craving, her longing, her desperation is going stronger and higher, and Mina felt like she'll gone out of her mind if she wouldn't do anything about it.

Just like today, it seems like Sana is going for the final blow to attract YN and possibly the worst case scenario might happen, and that is the confession part where Mina doesn't want to witness or hear it to happen.

She doesn't fall in the line, she made the line and she's the most deserving out of them all.

That why it came to this moment that Mina finally pronounces something that will guarantee her victory, a fight where she doesn't have to lose.

She doesn't give a damn if they want YN's love, she's the one who needs it the most.

"I'm going to make you mine, YN. Not even that flirty bitch or anyone could take you from me. We'll go blood for blood just for them to dare." Mina snarled with annoyance and a poisonous glare at the two. "We're going to be together, because we have to and I love you."

Mina first met YN when he brought his childhood bestfriend Sana to their group after Sana found out that her car isn't working properly. He got introduced to the group and with his kind-hearted and humorous personality, he managed to build a strong closeness with the girls.

Until that closeness turns into attraction for one of them aside from Sana.

YN was closest to the J-Line because he is Japanese, and even though he knows Sana a lot, he tried to spend time with Mina and Momo, and Mina was the one he focused more onto.

To be honest, Momo's personality was already fine but there's something that YN observed on Mina that made him check up on her all the time. She is mostly quiet, soft, and meek because of her introvert and elegant attribute, and YN always make sure that whenever he's hanging along with the girls, he wanted to feel that Mina always belongs to them to have fun.

Until suddenly, that fun had Mina searching for all the time, and she became selective only for him.

Mina's fond over YN grew from time to time. There has been instances where she would just start to look for YN, mention him, miss him, hear him. Just everything to feel his presence.

And that, turned Mina's obsession over YN inside out.

Her infatuation bloomed into an excessive devotion fueled by interest where she felt like not having any trace or signs of YN on her would have her less enthusiastic and stable.

The first time she did something very strange was back when Mina sat on YN's chair and muzzled her face around the cushion to inhale every scent he left there.

It leveled up to her stalking him wherever he go, memorizing the directions and time he appears and departs. She also tried to snatch and collect straws and cups that he used, wiping it around his lips then compressing it like as if she's engaging a make out with him.

Until it developed into something that easily malfunctions and thrives her horniness and perverted minds. She had many prints of her pictures with him and to aid her thirst for YN, she even bought a dildo for the first time and imagine it as his dick impaling her pussy by riding it while staring at YN's printed face on the pillow.

And now that she always gets to caught numerous almost close calls of Sana and other girls trying to take her away from her, it prompted her to finally step away from the shadows and make her move that will not require any further attempts.

YN is hers and hers only. As Sana went to the bathroom for a break, Mina came up to YN who is watching their other friends dancing to the floor while sipping on his wine.

"How's the night so far?" Mina talked to him and laid her hands on his shoulder.

"Doing good, but I starting to feel sleepy." YN chuckled. "I mean, I did everything I wanted now here, and now I don't know what else to do than empty these drinks and foods I have."

"Shall we get out of here and you know..." Mina started to move her hand, caressing his shoulder while it slowly lowers through his left pec. "Find something entertaining, make ourselves have some fun~"

She slightly presses her body, her breasts almost pushes through his arm. Her voice starts to become rougher and closer to his ears, making YN blush and feel a bit tensed up.

"I feel a bit bored now. My phone is now out, I hate that I forgot my powerbank."

"You wanted to play games, huh."

"Yeah, and I would really love to do it only with you, if you don't mind~", Mina smirked and squeezed her embrace on his side.

"You're lucky, I can feel my inner gamer loading up-"

"Hey guys!" Sana interrupted their conversation after returning from the bathroom. Mina cursed under her breath and her grip tightened on YN. "Sorry I had to take a break, YN."

"No it's fine, I had to say goodbye to everyone now anyway." YN chuckled. "I'm now tired and done for the night."

"Awwww already?" Sana pouted. "You can join us for one more-"

"Uhm, I think I'll be off now too, Sana." Mina cuts her out. She doesn't want his man to get anything involved with them until they get drunk. Their time is up and her turn is now. "I have low alcohol tolerance and I still have to visit my dad on the hospital tomorrow. Gotta sleep early."

"Not you too, Mina?!" Sana whined. Mina found it adorable but deep inside she's smirking mockingly at her for not being able to get through their zone anymore. "Okay, if that so then let's just catch up at the next party." Sana shrugged. "Be safe on your way home okay?

Mina just nodded and elicited a fake smile while YN smiled. He got surprised when Sana quickly hugged him tight and Mina sweared that she's doing her best at all to control herself from grabbing her arm and slamming her through the table.

"Say our goodbyes to the girls, okay?" YN said to Sana who gave her a cheeky smile while raising her thumbs up.

"Cmon, let's go." Mina swiftly tugs his hands and wrapped it around with hers. She hoped he wouldn't noticed her arms twitching at how good it feels to touch his soft skin.

As they exit the building, she halted and proposed an invitation to him. "Wanna go play with me at my place? I have a newly bought God of War: Ragnarok that I haven't been able to try yet."

"Wait what?! You already got it?!" YN reacted in awe. She knew he'll go hysterical since that is his favorite video game of all time. "No way, we better do it right now. Let's go!"

Mina escorted YN to enter her car and they drove straight to her mansion. They greeted the guard before he opened the gates for them. As Mina parked the car on her garage, they entered the mansion and YN was astounded at how great and rich Mina's family are.

"This is your first time here, right?"

"Yeah, and wow it does feels awesome and honored to be here." YN said as he travelled his eyes around here. "It's like stepping in here should be a priviledge because you'll never get an easy chance to experience this."

"Don't worry, you can stay here as much as you like. Treat this as your home now." Mina said as she walked through the kitchen before eyeing a sinister smirk on him who is still busy checking out the decorations around the place, too oblivious to notice the double meaning on her words.

She walked out of the kitchen with a bottle of alcohol and some cups with her. "Just thought of something to make this even more fun. Shall we do a drunk gameplay?"

"But you said you have to visit-"

"I lied." Mina said sternly. "I did that to make myself more convincing, so don't worry about me because I want us to spend more time together. I want to stay with you alone for now so don't go, please?"

YN nodded and smiled. "Sure. If that's what you want Mina, I'll be joining you."

Mina giggled and felt overwhelmed at his words. "Cmon, let's head upstairs."

They climbed and reached the second floor where Mina's guest room at. YN opened to room in assistance since Mina has her hands full with bottle and glass and they entered at Mina's private space.

Mina slightly got anxious when they passed her bedroom because little does YN know what would greet him once he saw what's in store there.

"I'll be right back, I'm going to get it." Mina said as she dashed through her forbidden area and hurriedly grabbed the cd and controllers.

As she heads back to the room, she found YN conversing through the phone. The call was in speaker and she heard Sana's voice that made her a bit fumed up.

"Yeah, I already got home. Thank you for asking, Sana." He said before bouncing his eyebrows on Mina who remained silent and just walked behind at him.

"Ohwww okayyy, gowd nightt okayyy, sleep and dream ahbout mewh, i- i lhove youuu!" Sana said with a husky, blabberish tone behind the call. YN was shocked to hear the last words she said to him while Mina... well she didn't took it that well at all.

She was about to pop off the cap on the bottle she heard Sana's "I love you" to him. Something just cracked open inside her mind and all she knew after is that she couldn't control herself anymore. She's moving away from her sanity now.

"W-wait, Sana are you drunk? You should go home now. It's already late." YN said, stuttering and made a chuckle as he is still processing what Sana just told him.

Mina on the other hand, placed the alcohol back on the table and went through her cabinet to open a drawer. She grabbed a bottle of viagra and aphrodisiac that she bought just in case the perfect has come where she will need it, and that finally happened tonight. She smashed it into pieces before mixing both of it to his drink and hers.

YN couldn't understand what Sana is saying now so he bid goodbye and wished her well before dropping the call. "Sorry, Mina I didn't know that she'll-"

"Scratch it. I know. Let me just set up the game." Mina didn't want to hear it no more. She starts to set things up until they are now allowed and ready to play. "Every minutes, we'll drink. Okay?"

"Noted."

As they started the game, Mina was quite hesitant at that rule because she couldn't endure longer the need and the crave increasing through her insides. Throughout the game she starts to rub her thighs and feel her panties getting soaked with her juices. She stares at the TV while biting her lip just to avoid moaning early.

The timer beeped for 10 minutes and finally Mina released a long sigh before beaming broadly  in excitement. "Time to take a shot."

They both hold the cup and they faced at each other. Mina eyed YN and looked at his last innocence for tonight before they counted the three and simulteanously gulped all the drink. They both exhaled a refreshed huff before continuing to play the game.

7 minutes has only passed and they haven't been reached the next turn to drink but both of them can feel the effects now. While YN is playing, Mina started to became handsy on him, touching him all around his body and teasing his crotch by tapping his thighs and pretend to press his fists on it while she cuddled herself beside her.

Mina then balled her fists and cupped YN where she was shocked and impressed to discover how huge and heavy it felt around her touch. YN started to sigh heavily and look down on Mina's playful hand as his eyes starts to get cloudy.

"M-Mina, stop... i'm getting distracted." YN said between his sighs but Mina didn't listen.

"Ssshhh... just focus on playing. Don't fight it, you'll want it soon." Mina whispered in his ear before she bit his earlobe and licked the side of his neck and sucked on his skin to leave enough hickeys.

Mina's massage over his crotch became even more relaxing and enticing. "F-fuck.. w-what are you doing to me, Mina?"

"It's okay, baby~" Mina said as she peppers his cheek with kisses. Nobody could interrupt us, it's just and me... so get naughty if you want..."

YN has finally snapped and his stability has completely covered by the drugs he didn't knew he intake. Mina rotated his head and they went on for a sloppy kiss. YN's hand crawled through the back of her head where she pulled her face closer to his, their french kiss became even more rougher where their nose and their faces starts to rub altogether.

Mina took her place and bent down on YN's lap, where they resumed their kiss. He got to his feet, backed away, and grabbed Mina by the underside of her thighs, cradling her around his body.

They collapsed on the bed together where they had their freedom to make out as much as the drugs consuming their conscience could take. Mina removed his clothes and fiercely showered his body starting from his neck, to his chest down to his abs with licks and kisses.

Mina unbuckled his belt and dragged his pants and boxers down to expose his hardened cock already leaking with impressive amount of pre-cum, a proof that the drugs effectively had YN lusting as much as Mina would want him to feel as hers.

"I- I don't know what's happening to me, but Mina is making me feel good..." YN tries to shake his head but the substances are too strong for him to fight for control.

He surrendered on being overpowered and now he had to just watch Mina quickly stripping her dress, leaving her on her black lingerie with thigh-length stockings and suspenders. She slowly crawled to his legs and stared at him with pure seduction her hand slid through the base of his cock to grip while the other went on to cup his heavy full testicles.

"You don't know how much I've been wanting to taste you, YN. I'm glad I'm going to be the first one to do this, and no one will come after that... because this cock is only mine for me to devour." Mina said through her slow pumpings on his cock before starting to drag her tongue through the length of his shaft.

"Fuccckkk mhmph~" YN moaned as Mina circled the tip of his cock head, creating a tickling yet satisfying sensation. Her hand also began to massage her balls as she placed her cock inside her mouth to suck him off.

Mina's loud gargles and chokes around his cock adds an unbelievable sensation to YN. She tried to press his cock through her throat where her face is now almost touching his crotch. Her eyes starts to get watery until more than 10 seconds she released and went pumping on his dick.

She stood up for a while to remove her black panties before laying down on top of him in reverse, her legs wide open flailed each beside YN's head and for him to witness her dripping wet pussy presented to him in full clarity while her head is now beside her erected cock.

Mina tilted her head to direct his length back into his mouth to suck him off, poking her cheek enough to create a bulge while YN began to play with her clit and flicker his tongue around her walls.

They continue to taste each other until they reached their peak, with YN cumming first by spurting a big load on Mina's mouth, with the rest spilling on her face due to the excessive amount to contain before she followed by squirting her juices around YN's face.

YN opened his mouth to savor Mina's sweet nectar before both humping on their breaths to ride out their post orgasms and release their pleasure.

Mina rolled away from the top of YN's body to straddle him on his lap. She grinded her pussy back and forth on his cock before inserting it inside, creating a loud moan from her.

She started to bounce, fucking her tight cunt on her cock before YN joins her in sync by gripping her waist and starts drilling her upwards, causing Mina to scream and shriek.

The claps became louder and Mina's head rolled up at the intensity of the fucking YN is giving him. This is it, this is the exact feeling that Mina used to imagine having with YN and now, her fantasies has been fulfilled to end her long curiousity and anticipation.

"OHHH YESSS FUCK FUCK FUCK THAT'S IT YN MNGGGHHH HARDER! POUND ME FASTER AND DON'T STOP!!!" Mina cursed and murmured unknown words into his shrinking breath. She started to roll her hips to add more rhythm on YN's cock impaling her walls.

YN pulled her arm to press her upper body on her chest. They kissed again before Mina lets go to release a deep moan as she felt the bed creaking and her body bouncing at the full force of his cock drilling upwards to her abused pussy.

"I'M GONNA CUM I'M GONNA CUM DON'T STOP!" Mina's eyes starts to roll as her pupils were almost absent. Her mouth gaped open, spilling her tongue that is now savoring the heavenly pleasure of his girthy meat ramming through her womb.

"ME TOO! FUCK, NO I CAN'T TAKE IT ANYMORE!"

"FILL ME UP, I BEG YOU!"

With last strong thrusts remaining, YN and Mina came together, their own fluid mixed and bursted at the same time to intensify the sensation. YN carefully raised Mina up to slide off his slimy cock out of her dripping pussy.

He turned around and grabbed a handful of her perky tits to suck on them one by one. His gnawing and suckle on her nipples were strong and shallow which made Mina whimper in pleasure.

She turned her body to the side and YN raised one of her leg to the air. He rubbed his cock through her soaked lips before inserting it back again, and he didn't went too soft on Mina as he got way rough again on her treatment to the highly obsessed and sex-driven woman.

"ANNGGGHHH YES YES OH IT FEELS SO BETTER, OOOH FUCK I LOVE YOUR THICK COCK SO MUCH YN YEAHHHH UGHHH~ Mina said as she spammed praises again straight to YN's face before giving her again another kiss to shut her up and focus on the wild action they're having on her bed.

YN gets up and lifted Mina with him, not taking out his cock to switch positions. Mina balanced himself on fours and arched her back to raise her huge appetizing ass.

YN thunderously slapped it and takes off his cock for a while to bury his face on his and add stimulation on Mina's puckered hole before reinserting and proceeding to pound Mina just as harder as she wants.

Due to the combination of the viagra and aphrodisiacs they swallowed, the effects of it became multiple for them to go on lengthy fucking sessions for hours, almost emptying the night by trying many different positions.

They fucked on the window with Mina pressed on the glass, exposing theirselves to the outside world where many of the people in the neighborhood are asleep and unable to view to sinful act they're committing.

Mina was even taken through the wall, sandwiched by YN's body while hammering her pussy from below and kneading on her pair of tits bouncing hypnotizingly.

Then they went on a stand and deliver just beside the cabinet for Mina to hold on to, with his cock now demolishing her plump ass before he filled it up with another load of hot creamy cum.

Their wild night was so active, heated and intense that Mina slept through the dawn filled with cum on her holes and some scattered around his body. She looked at YN who is now asleep beside him, she kissed her on the head and grinned in lust and satisfaction for the last time before she succumb into slumber.

The morning arrived, YN woke up groggily and horrifyingly found himself naked on Mina's bed. As he sat up, he saw Mina appearing at the door, with a radiant smile on her face.

"YN! You're awake!" Mina lunges onto him and she showered him again with kisses while hugging her. YN became irritated and pushed her away, dropping her on the floor.

"W-what is this, Mina? What did you do to me, WHY AM I NAKED IN YOUR HOUSE?!", he panickedly asked the suspect.

"Oh, yeah. The after effects of the viagra and the aphrosidiac I put onto your drink are now gone so you couldn't remember." Mina sighed and shook her head in dismay.

"WHAT HAPPENED LAST NIGHT THAT I DON'T REMEMBER?"

"I know, I know it's sad that you don't remember, you would've recall how much we had fun last night." Mina giggled as she slowly stood up.

"What the fuck? D-did I... no, no way." YN denied his guess. "No, I couldn't remember anything now after we played, y-you... drugged me Mina..."

His voice shifted into disbelief and he placed his hands beside her head, his fingers clawing on his hair. "Oh my god... w-what did you do to me, Mina? ARE YOU INSANE?!"

Mina just laughed at his agony. "You were the one who made me like this, I just did what I have to do, YN. You keep on involving yourself with Sana too much, how could you be so dumb that she likes you!"

"And what does it matter to you?"

"BECAUSE I LOVE YOU, YN!" Mina confessed. YN just stared at her in surprise. "I COULDN'T STAND SEEING THAT SLUT OR OTHER GIRLS LAYING THEIR HANDS ON YOU. YOU SHOULD BE MINE! I HAVE TO MAKE YOU MY PROPERTY BECAUSE I-IF I DON'T... WHAT WOULD HAPPEN TO ME?! I... I COULDN'T LIVE IN PEACE WITHOUT HAVING YOU NEAR ME."

Mina kneeled in front of him and looked at him with pleading eyes. "That's why I did what I had to do last night. If I claim you, no one would have the rights to steal what's mine. I get what I deserve to have, you're the one I pick YN! Nothing would stop me and not even you to say that you don't want to be with me."

"You have to love me, YN. I can give you everything you want. This place, it could be your home. We'll turn this into a happy house of balloons, and we'll always gonna have fun as much as you want!" She said as she crazily giggled with her tears flowing through her eyes.

"No... fuck this. You're out of your mind, Mina. I'm leaving." YN quickly stood up and snatched all of his clothes on the floor as he left Mina alone in the room.

Mina's expression changed from odd into a complete unhinged seriousness. She slowly stood up and took out something from her pocket.

YN was about to dress up on his boxers when he noticed something at first before feeling a sudden tingling cursed through his body.

"OH... AGH SHIT!" He shivered and turned to look at the eyes of Mina wearing an unrecognizable face while pressing something like a remote on her hands.

She activated the cock ring she placed in his cock to the full volume after she woke up to make her avoid escaping in case he attempts to, and she called exactly what's going to happen.

YN's moaning goes louder as he witnessed his cock now leaking already with pre-cum. "S-STOP... PLEASE!"

Mina stopped pressing the remote and walked at him. She stomped on his crotch, making the exhausted YN unable to move more.

"You're in my world now, YN. Whether you like it or not, you're staying with me. You belong to me now and nobody else's." Mina intimidatingly declared. "No matter how your mind wants to leave, you can't go and I will never let you go. We will be together forever from now on, do you understand?"

YN started to tear up at the sight of this new darker side of Mina he never thought he would be introduced into. "W-why are you doing this to me?"

"Because I love you, and you will learn someday that loving me too is the best decision you'll ever have." Mina cupped his cheeks and pinched on it. "By the way, the breakfast's ready. Don't you dare do something stupid or else, I'll punish you. Understand?" "Y-yes..."

"Good. For now, let me get my own protein to start this morning." Mina smirked and cackled as she jerked his cock again with her fist again and also through tugging the cock ring back and forth with her fingers.

YN had to endure letting Mina edging his cock for minutes until she decided to release his cum on her glass, tapping her reddened cock head on it and slurping it with her warm mouth to ensure not even a drop would get wasted. YN then disgustingly watched Mina drink his cum through the glass like it's a milk.

YN has been imprisoned by Mina's so-called paradise for 2 months. He tried many attempts to escape and nothing worked. Instead, he just got caught by Mina repeatedly and in result, he had to suffer on the consequences.

When YN got caught by Mina looking for some keys in her room, his hands were smashed by a screwdriver 20 times then commanded him to finger her pussy until she cums. He even tried to peek from some of the windows and shout for help, and Mina blocked all of his sense of sight and ability to speak later that night by muffing him with a scarf and tying his arms on each side of the bed, where Mina would play all over his body and drain his energy afterwards.

Due to that incident, Mina also began placing more cameras around the house to keep a closer look on him. That didn't made YN to stop though as his desperation for freedom still motivates him to keep on looking for other ways.

He attempted to look for his phones but all of it are gone. Even he pleaded at the guard to let him borrow his own but the guard refused for his own sake, stating that if Mina finds out he might get punished and fired for the only job that's keeping him on living.

The more security devices Mina keep on placing around the house as days passes unfortunately made YN to began losing hope on escaping this hell hole. Even his chances for Mina to change her heart for him already ran out, as he has now finally accepted that this isn't the same Mina he once met.

He became Mina's personal slave, pet and a fucktoy, not being able to let him rest even for a day.

Through every corner of the house, Mina would find a way to force him provide the pleasure she seeks by having sex with her through multiple angles and tasks. Doggy at the shower, blowjob while washing dishes, rimming while in laundry or even a 69 during massage.

On the other hand, the girls began to suspect something strange on the disappearance of YN, especially Sana. They all know that Mina was the last person YN has been with, and Sana is monitoring Mina since she have this weird gut that Mina is hiding something from them.

And she was right. One day while she tried to visit Mina's house, the guard didn't let him in. Instead she took a photo of the mansion and informed it to the girls. Dahyun who has a sharp locating skills, found something shocking.

"Unnie, did you notice this?" Dahyun sent a message to Sana before replying it with a cropped photo. Sana stared at it for a second before her mind processed a frightening revelation.

"Isn't this oppa?"

Dahyun discovered a blurred reflection of YN's face screaming at the window.

1 year later, YN visited a psychiatric hospital in Seoul. After meeting a doctor in his office, they walked through the hallway and passed through some nurses, patients and guests to reach the visitation room.

The doctor returned and this time, he brought the person YN came for has entered the room on the opposite side behind the glass.

Mina is wearing a white patient attire with handcuffs removed on her hands for a while. She was arrested when her former friends reported her crime and was sent through at herapy when they discovered that Mina has been diagnozed with psychological and mental disorder.

Her eyes widened at the sight of YN looking at him with poker face.

She remained silent and lowered her head in guilt and shame for more than a minute before YN cuts it off to avoid wasting time.

"How are you?"

Mina was shocked to hear him checking up on her. "W-Why did you come here?"

"Just answer my question." He remained deadpanned.

She gulped and nodded. "I'm fine."

"Good, I guess." He struggled on looking for other words to say to her but Mina went different than him.

"I'm sorry."

He looked at Mina staring at him awfully. "For everything that I've done to you. I know it's not enough for me to redeem my sins but I just want to apologize to you because you deserve it."

"A year has passed Mina, but I had to admit that I'm still trying to recover from what you did to me." YN said to her. "It was a nightmare that always keep me up at night. You scarred my life, took my virginity away without consent, y-you... you violated me, Mina."

His tears started to drop on his cheek. Mina's heart shattered at the aftermath of what she had done. "For the first time in my life, I've never felt so frightened and worried for my state, not even I would expect from the one I admire."

"W-what?" Mina muttered at the phone. She leaned her head closer. "What did you just said?"

"It's true, I did loved you, Mina. It was always you, but I don't think I could tell the same anymore after what you did to me."

"You didn't know, and sometimes I have this guilt and regret with these what ifs of my mind that... if I confessed to you earlier, would you not turn out into someone I never wanted you to be?" YN continued.

Mina started to sob in devastation. She buried her face in embarrassment as she cried harder, hearing all the confession and scolding from the man she thought she would never had a chance at, that's why she did the unthinkable.

Little did she knew that she was actually winning already right from the start. She was the one YN already prefer the moment he met her and how his fond for her developed.

"I should've been patient. Oh God, I'm so sorry..." Mina said. "I could've waited for you, but I never did. I became so desperate, selfish, obsessive, and too greedy on you that I let myself gone crazy when I thought I would be losing you."

"I love you, YN and I meant that... but I understand now that you won't feel the same for me anymore. You don't deserve a psychopath who will make your life a living hell and traumatize you in any ways possible."

YN now felt a glimpse of pity and distress for Mina. The girl just became too attached and mentally unstable caused by the power of love she received that she couldn't contain, and now she fell in victim for it.

This is why he couldn't help but to blame himself believing he has also have a fault that if he didn't became too coward on his feelings, he could've saved Mina and immediately introduce her the adoration she was hoping to receive from him.

"Did I made you scared?"

"Always." Mina whispered. "I was always alone, my parents always abandon me in our house, I know I have my friends with me but... there's something that you did to me. You're the one who cures my loneliness. I thought that if there was a chance that I could make you love me back, you will stay with me all time like you always do and we'll grow together until the end. "

"And I could've done it to you without hesitation, Mina." YN disappointingly stated. His face twitched as another stream of tears escaped in his eyes. "I forgive you, but I will never condone what you did to me. Goodbye, Mina."

Mina smiled at his remark before he stood from his seat. About to walk away, Mina shouted his name for the last time.

"YN!"

He looked back.

"Thank you and don't desert yourself in love because of me, please. Sana likes you, she'll need you and I think you're better off with her. Atleast for her, she could make you happy unlike me who couldn't give it to you in return."

He slightly smiled and remembered that reminder. "I'll ask her later."

He walks out of the room just as the time runs out for his visit. Mina surrendered herself to the doctor and to the police who handcuffed and escorted her out. Mina carried a mix of lingering sorrow and relief, realizing that her mistake cost her to manifest her fears in full reality, that she'll be alone forever but what mattered more for her now is that she'll continue living knowing that YN is now is in good hands.

[tang0soda]

I haven't seen a lot of discussion about RSD when it comes to ADHD discussions, so I thought I would do the honors since it's been affecting me for many years and I'd like people to know more about it!

I have had a diagnosis for ADHD but was never told- instead learning I had autism through therapy but still having some behaviors that I could never explain that just Happened.

I learned I had ADHD over the summer, and with that, severe rejection sensitive dysphoria.

before reading, please keep in mind that this is mostly talking from personal experience and some skimmed research! not experiencing RSD doesn't mean you do/don't have ADHD, and it may not appear like how it appeared for me. I don't only have autism + adhd either, so those may also contribute to any differences! ^^

RSD is the immense emotional pain after being criticized, rejected, or even teased (ignore my misspell in the panel). This rejection can be real or perceived, and we react like this because it hurts.

The pain can manifest as aggression, bringing on symptoms of depression (thoughts of s/h, isolation, demotivation, etc) and anxiety/panic attacks.

it can cause physical aliments like the above. For me, it causes my heartrate to skyrocket, heart palpitations, the feeling of being in a crisis, and extreme shaking to occur along with stomach pain.

(In fact, right now I'm going through it because making a post talking about this, despite having & dealing with it, makes me scared of other's opinions on it.)

RSD can also take the form of avoiding situations, people, or conversations where rejection or criticism is very possible.

Like other types of dysphoria, it is out of our control and hard to manage. It can last from days to weeks to months, all depending on both the trigger* and the individual.

I had a RSD episode that was on-and-off for a little over a year or two; getting more tame and bearable as it slowly drifted and stopped haunting my mind with the incident.

Compared to the other times my RSD was set off, this moment was a rather big moment in my life and ended up permanently changing me moving forward - which can be the reason why it lasted so long.

Despite how unbearable it can get, there are some ways to cope with it & lessen the effect it has.

Communicate - If you need time to process something that's told to you, you should say so (as difficult as it is). Tell the person(s) involved about your RSD, how you need time to digest information like this and take some time to relax. Trying to respond to the information while going through the head of the dysphoria will be very rough and might not be what you truly want to say.

Distract - This is really useful for me personally! Do something that grabs your attention or occupies your mind. One of RSD's main symptoms is rumination, thinking of something over and over again. I usually listen to music, draw, or play a game that won't frustrate me - like minecraft! (i'd say rain world but some of you would call me a maniac /lhj)

Perspective - This may require some communication, but it can really help and connect with others. See what the involved people thought / perceived, explain, talk. This doesn't always have the chance to end in rainbows and rekindling but at least you understand. Sometimes simply hearing the person explain their own side is enough to ease my RSD, being able to have someone explain themselves to me so i can understand them better.

I also wanna point out the "don't take it personally" thing that people try to use to deal with it isn't something i agree with since we're going to take it personally at first regardless. Later on, not really, but you're trying to cope with the symptoms... telling someone (or yourself) that they're too sensitive & over-reacting is the worse thing you could do.

With time, you can even begin to build up your 'armor' and be able to sustain yourself in situations you might get hurt in. Of course, some things may be able to sneak past and hurt you more than you expect, but at the end of the day, you're trying your best to go about it the best you can while taking so many blows. you're doing great.

OK i dont have a lot more to add so if anyone else would like to talk about their experiences, please feel free! Character showcased here was my beloved fursona Shiki! i'm just a little neurodivergent + black artist from new york :]

hope you enjoyed it! sorry for the long post </3

[antianakin]

@theneutralmime

I guess that depends on what you mean by weird or difficult to understand.

I think the dialogue is sometimes pretty clunky, I think it's aged really badly in some places, I think sometimes Lucas didn't explain things as well as maybe needed to for a primarily Western audience. But I don't think it's IMPOSSIBLE to understand, either. It's made for children to be able to understand the story and I think he managed that perfectly fine. I think by and large that the intended audience of the Prequel films understood what the story was. They know that the Jedi are the good guys and Anakin's the bad guy even if he seems nicer at the start. It's mostly adults who pick apart the Prequels and find it too clunky to be understood.

I think that Lucas's writing strength is not necessarily in his dialogue, but I also think he WAS intentional with what dialogue he chose and that there's reasons for why characters speak the way they do or say the things they do. Anakin is bad at flirting and awkward because he wanted Anakin to come off as a whiny teenager. This was entirely intentional. You can discuss whether making Anakin a whiny teenager was a good choice or not, but I think he succeeds at making Anakin feel like a whiny, bratty nineteen year old with like little to no ability to be suave.

I think it's possible that popular fandom interpretations of the Prequels have made it difficult to view them the way Lucas intended. It became SO widely accepted that the Prequels were about the Jedi being corrupt that it was nearly impossible to understand them any other way, and it DID take reading several essays on the dialogue and the different interviews Lucas had where he explained some of it for me to change my perspective on it. But that might be less of a problem of the film and its dialogue being weird on its own and more of a problem of fandom interpretations becoming so popular that they manage to overwrite my own understanding of the films. Also, if you're a more casual fan of the films, like I was before a couple of years ago, you're not necessarily looking up interviews where Lucas discusses these things or watching the films with his audio commentary on to hear him talk about certain scenes, so if a certain fandom interpretation is accepted as the truth and starts to spread, you might end up more familiar with THAT than you are with the things Lucas has said that counteract it.

One of the things I needed essays to help me with was attachment, because I DO think that Lucas failed to make sure that his definition of it was made clear to an audience that would've had a very different association with the word already. That being said, I think he DOES make the THEME clear within the story, about selfishness and greed and an inability to let go and how burning the world for the people you love is bad and how you can always choose to be bad but you can always choose to be good again too. I don't think the themes that Lucas was going for in his films are honestly that weird or different from what we OFTEN see in films in Hollywood. The concept of "letting go" is literally everywhere. It crops up in SO MANY films, especially in films aimed at the same demographic, but even films aimed at a more adult audience, too. It's an incredibly basic and popular theme and it's not hard to pick up in his films.

But I think people heard the word "attachment" and it flipped them out because the word attachment is basically equivalent to "relationship" or "love" most of the time in more Western media (see literally any Jane Austen film, they use the word a lot in there) and so they came to the conclusion that the Jedi forbid relationships and love entirely and then it led them to the conclusion that the Jedi were corrupt and THAT'S why Anakin fell to the dark side. That one word being tossed into the dialogue without adequate clarification on how Lucas was defining it had a cascade effect on people's ability to understand the story within the Prequels.

For example, there IS a parallel between Anakin's fall and the corruption of an institution in the Prequels, so people are picking up on something that DOES EXIST in the films, they're just applying it to the wrong institution. It's not the Jedi Order that parallels Anakin's corruption, it's the SENATE. But because people applied the corruption thing to the Jedi, they ended up dismissing the Senate as just already evil because it became the Empire later and it just becomes yet another way to blame the Jedi for things because they were working for an inherently evil organization and either didn't care or were too blind to realize it. So you can see how a misunderstanding of one word in one line of dialogue in one film ended up changing the entire understanding of the films.

But to a kid watching the movies, the word attachment might not yet be something they're familiar enough with to misunderstand. They might just gloss over that line of dialogue the way they would anything that involved a word they didn't totally understand and just rely on the visuals and music and other dialogue to lead them to the correct conclusions. Kids watching these films are capable of picking up that OF COURSE the Jedi are the good guys the whole time, of course they're not corrupt monsters, everything in the films made it very clear that they're the good guys. And it's a lot easier to pick up on the real themes of the story and the way the films are telling it when you start from that conclusion.

So, for me, when I was first reading those essays about what attachment meant in Star Wars and what Lucas had said about it, it didn't feel like I was getting a whole new understanding of the story so much as things were FINALLY slotting into place with what I'd understood as a child. My feelings about the Prequels and the story I'd gotten from them had never really aligned with what everyone else seemed convinced was true, but I'd never met anyone else who saw them positively before, so I'd just assumed if I liked them then it was because I'd watched them incorrectly, that I only liked them because I'd been shown the Prequels first when I was really young whereas everyone else had watched the Original Trilogy first. For me, reading these different interpretations of the Prequels that showcased a very different story than the one most people knew about wasn't NEW (not precisely anyway), it was just VALIDATING. There was a REASON I'd liked them before, a reason I still DID like them as an adult, even though everyone around me seemed to hate them and believe unequivocally that they were terrible films.

So is some of the dialogue weird? Sure, it's clunky sometimes, and there are things that aren't made clear enough, but I don't think Lucas was RELYING on his dialogue to get his story across. He's said before that in some ways he views Star Wars as silent films and the dialogue that's in it is more like music. The story isn't told through the dialogue for him, it's told through the visuals and the dialogue itself is secondary. And this works out fine when you're a kid who's used to dialogue sometimes not being understandable anyway and so you're more reliant on visuals and music to help you figure out the story, but the adults who were watching it were more used to relying on the dialogue to tell them everything they needed to know and so these films fell short. So while I do think the dialogue was flawed, I don't think it really hinders understanding of the story Lucas was trying to tell, but popular fandom interpretations of the films becoming the ONLY interpretation of the films DOES hinder understanding of that story.

[lucabyte]

Your gender thought type essays have made me curious about what your oc creation/development process is like! It seems to be something you put a lot of thought into and that’s very interesting (especially cause my circles don’t often go into detail in that area)

I'm delighted to hear you're curious!! I'll give as thorough an answer as I can manage, though it'll likely be a bit disorganised. Okay, so... I'm gonna use a couple examples for this, and since you specified gender stuff I'm gonna go for some where gender/sexuality are integral, even if in seemingly counterproducive ways (but that'll be the last few...)

So. The first character that comes to mind here for me in terms of like... A lot of thought going into their gender is Lavender.

So going all the way back... Lavender was made in 2015.

Spreadsheet puts her at the 13th character in the setting, creation-date ways! So she's Been around a while.

Part 1: A Core Idea

Now, why was Lavender made? This is the first step of character creation. Well, she was made to tick a bit of a box. I realised my only girls at the time were all tomboyish so I needed a cute girl. And this was 2015, so she arose in the form of a Waifu Joke. She was intended to be a side-character with no real plot ties, so I just designed a character as cute as possible, named her simply (Lavender Wafeu == literally Colour and Waifu) and was basically done? 7 months later I would make Mafioso to slightly further the joke, in that giving Lavender a girlfriend makes her unpursuable* as a waifu. This also gave me a stark butch/femme pair, and I recall around this era there was a joke going around on tumblr of 'Indestructable Lesbians' as opposed to buried gays. This kinda became their thing. Two lesbians the plot wouldn't touch and they wouldn't be endangered.

.... And then that was kinda it. She was a cute girl who was fun to draw, shy, and reserved in nature. An opposition to Mafioso's brash (but secretly a little nervous) demeanor. I would literally just liken this to flutterdash outright. I was basically just doing flutterdash in terms of their personalities.

SO: This is the first step to all my characters. Find a core concept, or more likely, a core joke. Lavender's core joke is a very rough and (frankly unfunny) "your waifu isn't going to fuck you" joke. But you can see how she was built out of it. And we'll get to how that building happened next.

(^ Weird 2015 era lavender with her total lack of emotive range and flat characterisation)

Part 2: Dormancy

Lavender stayed unchanged for quite a while, in this flat state. She picked up a few things, mostly little 'twists' to her character. ie. she could hold her own in a fight, is surprisingly quick to jump to (cartoonish) violence, and likes a good steak. All very basic little things, obvious "oh bet you didn't expect That" contradictions.

She didn't recieve much attention during this time despite me really liking her design still. Mafioso languished even worse in this era, with her mother Omerta picking up most of the development instead. Overall, these two were very, very boring. No amount of little superficial additions could save them from this.

But it... hints at something, right? It hints that maybe there's a facade somewhere, that maybe the perfect-cute-girl thing might actually take a little bit of effort to upkeep...? Hrm...

Part 3: A Fresh Perspective

So, sometime in 2020, I was finally remaking my 2016-era spreadsheet of all my characters from the ground up, since I needed to remove a lot of ms excel specific formatting it had in it.

And while going through, I was being helped by @samhainian, who I had befriended in the years between. And they remarked that I didn't have enough directly trans characters in the cast, to which I agreed. I had a handful of tokens at the time (Adder and Angel spring to mind?) but not many more, so we literally just went down the list with suggestions. And when Sam suggested Lavender, I reacted with confusion. Because... Wait. Is she not trans? But she's so feminine? All of my characters lean extremely gender-neutral in presentation unless they're trying to do gender on purpose...?

And this just, unlocked her whole character like a skeleton key.

I was making her do her gender on purpose. The reason she had those contradictions is because she's putting in the effort to appear like this perfect, girl-next-door, waifu type. Something that doesn't really work if she doesn't have girlhood to prove.

From here, her coy 'maybe she has more to her than cute girl' hints were instantly recontextualised as a thing She was Doing. And instead of being random superficial tidbits, they were Depth. And her cartoonish 'extremely mild-mannered and polite persona' suddenly became a very human facade.

So, she had a new core to build around. And her lack of anything going on before in terms of backstory suddenly felt contextual? She's clearly fresh new to this. She had already had the backstory of being a very young (about 19~21) person who had moved to a new town to live on her own-- Suddenly that makes sense. She's forging a whole new identity. Her polite 'never really talking about herself because she's an object for the audience to desire' quietness becomes intentional evasion. She doesn't have a backstory, because she doesn't want it to be any of your business.

And ironically, this immediately Gave Her the backstory she had been missing. Her wiles and hidden 'smarter than she looks' becomes so relevant as to be real character traits...

I already somewhat went over this (and a number of other gender thoughts, including my thoughts on my myriad 'cis but not' or 'nb in a specific direction') in a thing I wrote, woof, 2 years ago: (LINK) which was a ramble about a lot of my character's genders... In that I summarised Lavender's gender as such:

Part 4: In practice

Okay so it's all well and good that I realised Lavender is Trans Gemder. But that's not where it ends, because she finally became refined and polished to the point of um. Quadrupling her image count on toyhouse. because of Purrgatorio.

See, the other reason I was getting my spreadsheets in order was for Purrgatorio (the original flavour of it, the visual novel) and I needed to just do some general housekeeping.

Lavender, Mafioso and Ess shared a route in VN!Purrgatorio, being that I saw them as a triad of characters. While this characterisation of her basically did nothing interesting, aside from showing her fiery side, this would later become the basis for her being one of the first characters met in actual purrgatorio, where she, being polite and nice, and established back in 2016ish to be one of the few characters Chrome isn't a total asshole to--- She gets to meet Ali.

Now this is where I would say a lot of the real development happened. Right there, in action, in putting her to the test of real writing. All of her characterisation stops being hypothetical, and instead something I have to portray. And I found as I wrote, she grew more deep simply by giving her such an odd situation to be in. And of note, by having Ali be intimidated by talking to cute girls, it gave her the upper hand in the dynamic-- Really allowing me to show off her ability to lead a conversation, and her quiet confidence in herself-- as well as hinting at the thing she isn't quite so confident with.

It's also allowed me to start thinking about her sexuality, too. This is another thing that goes back to her flimsy core concept. The Waifu is generally a sexless being in their own right, having sexuality projected onto them by the narrative or audience. In fact, a lot of shounen girls don't get to be romantically forward-- both because it risks alienating the intended selfshipper-audience, and also because showing too much confidence and autonomy in their sexuality can be too threatening for the chuunibyo audience, who aren't yet comfortable with their own sexuality and-- wait! Look at that! Another part of the core concept I can toy with! Wouldn't it make sense, if she's meant to be a deconstruction of The Waifu Archetype, for her to have that confidence and autonomy? This is what 2015-me was clumsily trying to grasp with the whole lesbian thing... So why not just re-angle that into her being confident and forward. It fits with her new personality, so it works!

*oh hey there's that asterisk. I also realised she had chemistry with Ali! Given the way she is level-headed and rather logical deep down, her curiosity drives this. She's not going to pass up a chance to know a literal Alien... But it also further illustrates how badly Mafioso has been left in the dust by her. (She's been quietly tinkered with behind the scenes ready for her reintrodcution, but for a while, I was really struggling!! Like, considering overhauling her character levels of struggling!! But, we managed, I think. She's yet to be introduced and put into practice yet, but it's upcoming.) To the point where I've broken them up! At least for now. Mafioso needs to prove herself I think, since now she can't rely on Lavender being waifish and easily won over.

TO SUMMARISE THE MAJOR POINTS THERE:

Any joke/idea can be a suitable core, even if flimsy, you just need to find which parts are interesting to either double down on or deconstruct

It's okay for characters to take a long time to form! If you don't feel connected to a character they might need a shake up, but also YOU might need a shake up. Lavender needed a new perspective from someone with a different approach to gender as me, and for I myself to become more comfortable with Real Sexuality (ive literally just aged nearly 10 years itll happen) before she could really shine.

Following on from the above you basically never need to throw a character out completely. You should try and find what it is you like about them, or consider core, and perhaps try and reframe or refract those elements. A character might get demoted to non-main status sometimes, but why throw away that depth? They can hang out on the sidelines if that's better for them.

Sometimes a character won't feel done until you write them! You can do this with RP if you have the ability, but I wrote Purrgatorio instead, which is intentionally low-stakes and non-canon so I don't get too freaked out about writing it. It's a playground for testing characterisaton, and putting characters in weird pairings they otherwise wouldn't to see if something interesting arises.

SOME OTHER EXAMPLES FROM MY BACK CATALOGUE:

Lavender is a bit of a daunting pick, given that she's spent nearly 10 years slowly rotating in my brain, only to finally become realised in the last 3-4 or so. But I do have some more recent quick examples, as well as another giant thing you can read if you want to.

GIANT THING TO READ IF YOU WANT IT: I've posted abt this before way ages ago but I wrote up a whole gigantic thing on my probably 2 most in depth characters. It can be found here (LINK) and also has a longass diatribe about their genders, sexualities, and the core thing they were originally riffing on. (Which was like. a specific type of anime boy ship i was a sucker for, that I eventually realised I was making way more interesting than most anime i was into was bothered to do)

It's a very thorough look into my thought process, including ANOTHER diatribe on purrgatorio granting me some good boons of character.

OTHER EXAMPLE 1: ALI

Okay Ali is too complicated to get into thoroughly here, but they're another good example of a core idea spiralling out.

Core idea: Blank slate visual novel protagonist, so gender neutral and a bit of a flimsy everyman. No real name, only a default name if you left the entry blank. (Ali, a shortening of the canon surname). #FFFFFF skin to keep the jokey ambiguity and pink hair to reference Dante's silly red hat.

Twists: Canon assigned surname of Alighieri, implying them to be some descendent of The Real Dante. And they're in a VN so there's a spooky easter egg where you can roll a death screen that shows them as an ominous demonic Thing instead of a regular human.

The, VN!Purrgatorio got shelved, and because they were human instead of a furry they got shuffled into other projects. A furry version of them showed up in a different project riffing on the demon thing, making them a child-friendly antichrist with 2 siblings based on the tragicomedy masks. Then that furry version's stuff got shoved onto the human version who was just a half-demon kid in Creature Feature. THEN we decided they'd be half-succubus to keep the ability to shift between the sexes (referencing the blank slate gender ambiguity of the VN). THEN that became 'nerd who is freaked out by being a sex demon and doesn't like the ethical implications of their existance but is still kinda miffed that they arent Getting Any' who STILL HAD the antichrist stuff from the furry version....

(^ technically a completely seperate ali ive not done anything with in years lol)

Like you get it. It's a giant katamari of STUFF from all different settings. This is what I mean by 'you never really need to scrap a character'. Because after all this shoving them around into different projects and them accruing things (the 'guy who is really concerned with informed consent is a succubus/incubus' angle really informed them here, as well as deciding that they're apathetic about the magic sex characteristic changes.) we threw them right back into the original setting of Purrgatorio and it went WAY BETTER once they actually had some character traits!

But that core idea still stands a little. Not in them being an everyman, but in prompting them to become an altersex character when fleshed out, and in the way that they're distinctly still tied to that second-person-narration that VNs have, and the eventual 4th wall break they got in the VN informed their powerset as 'narrative manipulator'.

also as a note here: DON'T BE AFRAID TO PLAY WHILE YOUR SETTING ISN'T DONE!

VN!Purrgatorio got shelved because I redid a bunch of MYMK's setting when I was finishing it up. But It was worth it even unfinished.

Ali themselves when in Current!Purrgatorio has spent, up until very recently, their whole time with their home setting (Creature Feature) in a state of being deeply unfinished and in need of a reshake. It's finally getting that now, but it was still fine for me to reference what I knew likely wouldn't be changing! They were able to function just fine without their home setting being solid for upwards of 2-3 years. Obviously this shouldn't be done for *finished* works, but when you're just playing, like I am with Purrgatorio, it's okay to keep things fluid and effectively quietly retcon things later.

OTHER EXAMPLE 2: PEACH TRACY

Peach tracy is an actually recent character, and is under @samhainian's purview, as with the rest of Moraine. Now, she was made with a very distinct gender/sexuality in mind, unlike a lot of my characters who stumble ass-backwards into one.

Peach is the 'token girl' of her group (the other two being Red, a closeted and unaware transfem, and Toyon a he/him butch.) and well, her gender is basically "tik tok girlie", as is her core concept. She only works if she's a pampered cisgender straight girl from a rich background. She's nice! But she's privileged.

Her twist however, is that she is wracked by the guilt of her and her group letting a friend take the fall for an Illegal Youtube Prank to save their own skin, and as such her entire character unravels from there.

Because she has all this guilt, it stands that her Girliepop Persona must be somewhat constructed. She's leaning in to the femininity as a shield and a deflector. She's, y'know, a white girl.

So her gender ends up being overperformed, and she's petrified of expressing her sexuality due to it being tied up in this image of purity. She's the exact type of person to psyche herself out into believing those 'having a crush on your friend is problematic' tumblr posts.

But none of this would really work if she did not start as a (white) girl, able to use that shield. If she were a dude or nonwhite-coded she would not have the ability to react to her situation that way. Ergo, she is actually built out of her identity this way.

(As for her sexuality, she is unhealthily self-flagellating about it, so it ends up just being unpleasant. This was a genuine surprise to myself and @samhainian when we were discussing it. We hadn't thought about it prior to starting some lighthearted riffing about assigning characters kinks literally bc we were bored when we had the horrifying realisation that Peach would not be safe about this shit AT ALL due to a lack of self preservation and way more ambient suicidality than we realised she had until we dug here. We quickly resurfaced from the joke conversation into an actual deconstruction of how she's internalised a lot of blame and decided to go distinctly carceral with it for herself. so there's another tip: Even if you aren't making nsfw content, poking around a character's sexuality will sometimes reveal raw truths that come from sexuality being very vulnerable by default.)

Peach is overall an interesting contrast to Lavender, since they're both Girls Being Feminine On Purpose, but one is transfem and one is. Well god idk what peach will end up but she'll need to unpack it.

(I note that peach is white also, since while I rarely intentionally racially code my characters, sometimes i SUPER do.)

OTHER EXAMPLE 3: VIRGIL MALACODA

Okay because I've talked about a number of girls so far lets be brief about a fuckin Dude.

Virgil is like, some real toxic masculinity shit. He would probably be fucked up in some different way if he were born a girl, but he's distinctly falling into a lot of traps due to his upbringing as "A dude who was promised he'd get power when he grew up".

His dude-ness is a very flat fact to me in that way, and he's similar to Tabitha in that regard since it's one of the ways they're meant to reflect each other. Dudes who's place as patriarch-to-be saved them from being pawned off as a wife, but is still responsible for a lot of their misery. Certainly the better of the two options, but could still be better!

Virgil's themes of masculinity being a simultaneous shield and blinder is a simple one but I go back to it a lot because it can be true a lot of the time in antiquated social situations like, say, the upper class. So, being a villain, he does end up being a condemnation of the structures that disincentivise healthy masculinity. He's necessarily amab because he is the result of how particularly regressive views of masculinity can shape a child into a repressed and miserable adult.

Whether or not virgil stays a dude or not if he ever figures out his way of viewing power structures was Fucked Up and Bad is anybody's guess. It's not really Masculinity that was hurting him, so much as a rich asshole's narrow view of it. So there's no real reason for him to reject a healthier version of it outright, it's just whether he'll ever get there...

CLOSING REMARKS:

Okay writing in the tumblr post editor is starting to scare me with errors so I should probably close this out. But yeah this is a little bit of a run down of where my head is usually at when making characters. A lot of it is just batting jokes back and forth until they become something more solid, which I don't know that I really got across here.

Like, a lot a lot of my characters are built around a core joke. Usually what-ifs like.

"What if a shounen-type card game anime protagonist was just as brash and head-full-of-air as the rest of the, but a girl"

"What if Ed Sheeran had a cheating scandal with two tboys and it made the radio fucking horrible to listen to"

"What if a wrestler was really, really wide and also clearly into rubber"

"What if somebody took the 'blonde anime boy who barely shows emotion' trope seriously because that kind of repression can't be good"

"What if a guy was specifically interested in becoming a Soil Scientist from like, age 4, and never gave up that dream"

^ If you can figure out who's who then you win a prize (a kiss)

But yeah. Jokes upon jokes upon jokes. Assign them classpects and pokemon and put them into speed/power/fly formation and just joke for as long as you possibly can until you hit on something. And if a joke feels really right, or completely off the mark, try and dig in and find why.

Like. I joke about the sexuality thing but it does help since it's so disarming and immediately a bit childishly funny often. Sometimes you'll end up with say, something as serious as "Despite being friends with The Fence, Selene probably shouldn't be left unsupurvised in kink spaces because she ABSOLUTELY does not have the ability to restrain herself and not take her anger issues out on strangers" and sometimes its as silly as "even outside of being asexual, ess is never jackin that shit because if he got caught in any kind of mildly embarrasing scenario it'd ruin his whole year so the cost/benefit analysis of that really doesn't work out"

Because like. both tell you about the characters, and you can also read them more broadly now. Selene ruins relationships by letting anger at unrelated things get in the way, Ess keeps himself from doing even utterly harmless things out of deep social anxiety.

Like yeah, i got to them via goofing about sex but it's still character analysis at the end of the day so long as you put The Reading first*

*DISCLAIMER: im asexual im only ever doing stuff for the read lol . it might be more difficult if youre allosexual . or maybe itll be easier. i dont know just dont get too lost in the sauce. think with ur brain not ur other parts

ALSO gender and sexualty often end up linked so it makes sense to end up at one from the other a lot of the time. It happens.

And as an addendum if you wonder where i tend to literally Design characters? Like visually? It's usually at some point between the first few jokes and before naming them. Though sometimes names come first.

OVERALL: A character should have a core concept to them to start with. This core concept CAN SUCK and be flimsy, or a joke, or even a joke you no longer find funny. But you can always refer back to it when building a character up. If you want to capture the concept, work toward it, if you want to deconstruct or mock the concept, then do that instead. If you sour on a joke, maybe find a way to satirise or deconstruct what you're no longer finding funny.

Sometimes this core concept is steeped in a specific cultural thing, be it race, gender, sexuality, ect, and those necessitate thinking about. Sometimes it's not and those things can practically be an afterthought, but once you lock it in it's likely to begin informing the later choices as it becomes part of the scaffolding.

(To hop back to why you even asked this Q: I so thoroughly read Siffrin as amab BECAUSE they had so many themes about Not Having Changed and clinging to what they knew, and so working backwards from that it only made sense to me that they mustn't've done a big overhaul YET or made any big decisions about that YET by the time we see them in game, because that's what gels best with their themes of being Too Afraid To Change and being a contrast to Isa who has changed a bunch, and a comfort to Mira who hasn't changed at all in their gender. Then it was a case of looking through the game for more evidence either for or against this reading, and I found a lot of evidence for it, in my opinion. But I did so Because I noticed that the themes were Stronger if read this way, and because I conceptualise characters as themes and concepts FIRST it made sense to try and work back to those themes.)

But yeah. TL;DR:

Ground yourself with a Hook for the character, sometimes making it sillier makes it easier to think about.

Try and think about how they would be formed by the world around them, or what their behaviour says about how they must've been formed

Don't worry about things taking a long time. Sometimes a character needs someone else to make a suggestion, or for you to grow and change a little before they click

Putting it into action helps a lot, even if its just roleplay or short snippets. If you can't 'feel out' what a character would do in a situation, that's when it's time to think about their goals for how they want to be seen as a person (including, if they don't want to be seen at all...!) and what hard boundaries they have say, morally.

I am by no means a like. Expert on any of this. I'm fumbling through it all just as much as the next guy (AND... I'M ACTUALLY SOMEWHAT OF A HYPOCRITE. I THINK CHARACTERS ARE BEST SEEN AS 'NARRATIVE CONSTRUCTS' RATHER THAN 'PEOPLE', SO ALL THIS ADVICE BEING SO CHARACTER FOCUSED RATHER THAN NARRATIVE FOCUSED IS MISSING THE FOREST FOR THE TREES LOL....) but apparently people do Like my characters? So, what do I know i suppose LMAO

[goingbuggy]

When you have time I would LOVE to hear your thoughts about post time skip buggy!!

Hi, anon! Sorry for the late-ish reply. I thought carefully about how I wanted to reply, but alas, here I am again, starting my metas in the strangest places. Anyways, here’s a seemingly unimportant question: Why is it funny that Buggy keeps failing upwards?

My answer also happens to be one of Pixar's 22 Rules of Storytelling:

"Coincidences to get characters into trouble are great; coincidences to get them out of it are cheating."

You might be wondering why I chose this quote -- after all, Buggy manages to escape most conflicts by sheer coincidence. Take the canon-filler episode(s) “Little Buggy's Big Adventure,” for example; coincidence is the sole reason why he ends up on Gaimon’s island and eventually finds Alvida, one of his future allies. But for as much as Oda is guilty of using coincidences to benefit Buggy, he also creates coincidences to get Buggy into trouble. Sure, Buggy left on good terms with Gaimon/found Alvida, but only after:

Suffering a humiliating defeat at the hands of Luffy

Losing most of his body

Being chased by killer fish/eaten by a ginormous bird

Nearly getting shot in the head by Gaimon over a misunderstanding

Being chased AGAIN by a deadly crab???? LMAO???

Buggy’s “luck” functions like a pendulum -- for every good thing that happens to him, horrible things are guaranteed to follow. This core aspect of his character is what keeps the gag afloat. Buggy is never rewarded by the narrative without experiencing consequences. In order to earn moments of respite, he has to suffer.

I find it hilarious when people argue that Buggy doesn’t deserve to have good things happen to him. Because, yeah? Duh. Oda loves having his cake and eating it too. It’s not necessarily good to play both sides with the audience when it can cheapen emotional impact, but Oda will absolutely continue to make Buggy both a complete joke and a genuine character. He has fun that way. However, he’s not going to help Buggy without hurting him first.

But that's a very meta perspective. How does Buggy view his own beneficial coincidences? He’s now an emperor, and extremely close to the One Piece/Pirate King title that he so desperately wants. But why does he think he’s being rewarded, in-universe?

His facade.

His devoted followers, his influence, that billion-berry bounty, his emperor status -- all of it stems from his fake persona and its snowball effect. He’s well aware of this. In fact, I think it’s likely that he hates himself for being such a coward and hiding behind lies. But when he sees his true self as worthless, what else can he do except dig himself into a deeper hole?

Look at 1082. Buggy finally stands up for himself, claiming that wealth and power come from chasing after your dreams -- not grand schemes. Here, he’s talking to himself as much as he’s talking to Crocodile and Mihawk.

“This is wrong… This isn’t how I wanted my life to go…”

It’s a very depressing peek at the man behind the curtain. Buggy only ever wanted to follow his dreams, but he uses schemes to get ahead instead, because they're all he thinks he has. His lies are a crutch to depend on, so he doesn't have to face the truth: he doesn't believe in himself. 

To me, 1082 reads as a "Hail Mary" moment from a character at an emotional low. Buggy still doesn't believe in himself, but he is saying: Fuck it. If Shanks and I finally have an equal chance at becoming Pirate King, I at least have to try... Right? We can confirm his lack of self-confidence, because Buggy even admits he got here by “luck or chance or whatever."

He cannot entertain the possibility that he'd get this far any other way. Of course he doesn't see himself as Shanks' equal. It’s one of many reasons he didn’t want to go with Shanks at Loguetown; he assumed he’d be working “under” Shanks (even though Shanks only said “Come with me!"), because he truly believes he is lesser in terms of potential/greatness. ("You coward!" can also be interpreted as Buggy projecting his own insecurities onto Shanks.) Buggy's decision in 1082 is a desperate leap of faith. "Go for broke," "shoot for the moon," etc.

Post-Timeskip Buggy may appear more dangerous than ever before, but in reality, he’s just a small fish in a big pond. The farther he crawls his way up the ladder of success, the worse he feels, because the life he has built is not how he wanted to live at all. Based on everything we've known about Pre-Timeskip Buggy, we should expect him to be happier than ever. He has influence. Power. His monetary value in the eyes of the World Government has shot up exponentially. But look at the poor guy. He's miserable.

If you've ever seen Better Call Saul, I think this scene from S4E9 is very similar to how I feel about Buggy:

JIMMY: There you go! Kick a man when he’s down! KIM: Jimmy, you are always down.

Buggy is a character who is always down, even when you think he might be up. Until he stops maintaining that false image, he will always be punished by the narrative pendulum he's trapped himself in.

Unfortunately, change is hard, especially with the stakes he’s currently facing. If Buggy actually has to fight Blackbeard, Luffy, or Shanks... he can’t. Not alone. He needs people to believe the facade, because that's what got him here in the first place. He may look invincible, but he is quite possibly the most vulnerable character right now.

Crocodile and Mihawk would sell him to Satan for one corn chip (especially after that stunt he pulled in 1082). We haven't seen him improve his physical abilities (unless Oda pulls some off-screen bullshit). As an emperor, he has more people gunning for his head than ever before. Buggy’s last line of defense is his long-running gag -- if Oda decides to subvert our expectations, he’s a dead man walking.

And who would he have to blame but himself? He built his image on smoke and mirrors. Eventually, he's going to have to pay the price.

If Pre-Timeskip Buggy is a man defined by coincidence, then Post-Timeskip Buggy is defined by consequence.

[tehamelie]

Various fine opinions on the meaning of life contained in Monty Python's The Meaning of Life:

*Unionize your workplace, alternatively turn it into a pirate ship and take to the high seas. It'll piss off management either way.

*Question everything.

*Look at what you think you know from a different perspective.

*The pursuit of profit at all costs can and will ruin the meaning of any work and also make you worse at it.

*Gender roles are not necessarily assigned at birth.

*The Catholic church is not well.

"God has blessed us so much I can't afford to feed you all any longer."

*Just because you're allowed doesn't mean you should.

*You should not, and will not, die to "keep China British."

*God has many ways to cook you to death, if He wants to.

*Straight sex is so damn boring.

*Don't just stampede towards the clitoris, Watson.

*Sport, like sex, only works between equal parties. Any other way and you invite horror and depravity. (That kid is definitely dead and the upperclassmen are just stomping on him anyway.)

*Actually, getting murdered playing rugby against adults two or three times your size is an excellent way to prepare you for fighting in a war.

*Even a good captain will be hated by their subordinates. This is the burden of command.

"We'll always need an army, and may God strike me down were it to be otherwise." *is immediately struck down by literal the hand of God*

*A fighting force is better served by a single soldier who actually wants to be there than twenty men who doesn't.

*There's a fine line between keeping one's cool in a heated situation and acting like you're on a bloody different planet when people are dying in front of you.

There are less than 4500 wild tigers left in the world. The "A tiger? In Africa?!" bit is less of a joke every year.

*In less than surprising news, killing people is bad for you. (It turns out, for psychologically healthy people, doing violence really hurts you as much as the victim.)

*Where is that fish?

*Theme restaurants could do with a bit of randomly mixed themes.

*Don't be afraid to ask the most idiotic questions about things you don't understand. That's how we learn.

*Oh ho it's the meaning of liver donation I get it now.

*The Galaxy Song is fun and all but don't give in to misanthropy.

*Matter is energy, the human soul grows with care and attention, and people aren't wearing enough hats.

*Actually, the movie makes a staggering point here and buries it with distracting nonsense jokes, while also making the point that we get sidetracked from self-actualization by distracting nonsense jokes. It's a point sandwich with joke filling.

Isn't it awfully nice to have a penis? Shout out to happy penis havers, though I'm not one myself.

*M Creosote shows us that single-minded devotion to one's mission in life (eating an entire upscale French restaurant in one sitting, for example) will leave you unhappy and alone.

*Dunk antisemites in buckets of vomit.

*Gaston, the middle aged waiter, delivers a coherent personal philosophy as he walks us to the cottage where he was born. The significance of this cannot be overestimated. He decided to be a waiter, you see. Because he believes in something. It's a simple belief of giving, of loving people and bringing them joy. But be believes it with all his heart and he'll fight for the right to live the life he chose.

*If you have to die, but can choose the manner of your execution, try being hounded to death by naked women.

*See the world in a grain of sand, or a maple leaf as it were.

*Terry Pratchett was a great man and a great writer, but he's wrong about one thing: Death is relative. No, no, you can't argue away Death or shoot him, but he is subject to the laws of relativity. Consider the stars in the sky; at least one star that's visible to the naked eye I hear may be dead right now - it's 500 light years away and they think it may go supernova at any point within 500 years from now. But here, locally, the star still lives; there's no possible reality where it's gone until the light of its explosion reaches us.

*Heaven is a fantastically cheesy musical theater performance with angel santa claus strippers and a lead singer you just want to punch. Clearly we need to build something better here on Earth.

*Be nice, read books, take a walk sometimes, and try to live together in peace and harmony with people of all creeds and nations. Obviously.

*[The producers] hope that other fish will follow [the example of the movie] so that, in future, fish all over the world will live together in harmony and understanding, and put aside their petty differences, stop hunting and eating each other and live for a brighter, better future for all fish and those who love them. Yes, clearly this is about fish.

[groovyfrog420]

Finished the show, time for a mini theory. (keep in mind that it's late and I'm in no way a poet. just letting the brainrot out of da brain)

Scarab's Voice and what it could mean for possible future character development

long post be warned. DOES contain spoilers!

I had a weird feeling about his human design.

No, not because he doesn't look like a hot magazine-cover model, but because it's a completely different vibe than what his voice & personality have been giving off so far. Why would Scarab choose to present himself as a more scrawny-looking weird little guy, instead of someone who looks perfect, strong, and exhibits fear and respect just from one look at his face? (this isn't a roast I swear just stay with me on this one)

Well, maybe he didn't.

His voice is so grandiose and full of self-confidence, all high and mighty like he owns the world. Even from character design perspective, his human form just doesn't match this vibe. When I saw his human face, I've expected a matching voice, fit for a scrawny character like that, not a bossy boasting man.

Except he does have a scratchy weird voice too

We only get to hear it a few times - mostly, in ep 9 from his little bug-selves, or in the finale, when his mask fully comes off, or during the final fight in more feral, buggier form.

All moments when he's completely out of his depth or loses all self-control.

(Here, around the 6th minute of the episode, he's even more distressed because of losing hold on the crystal. You can hear the difference from his usual voice a bit clearer at this point)

So, here's my mini crack-theory - Scarab fakes his voice.

Or, at the very least, has trained himself to make it sound like that.

Scarab hides a lot of stuff. His face, behind a literal mask, for once. That in itself could be symbolism that there's more to this guy than what meets the eye.

We've got a good look at his obsession with rules and control already. Everything has to be perfect, has to work exactly as expected, as planned. If it doesn't, it must be changed. So, if he himself doesn't meet this standard in his eyes? Well, he'd change that too. He'd make himself fit his standards of perfection, mold himself into a person that's as rule-abiding as possible. Even if that doesn't bring him happiness and he's stuck always chasing smth he can't get, even if everyone hates him for it, it must be the right way, right?

There's also of course, the red-blue dynamic - both his human form and the new shape he has in 2D-dimension are blue and not red as his outer shell. An interesting pattern, as many people have pointed out already.

I don't feel super confident in getting into that part, but, I think it can connect to my previous point - this little guy has layers. They're better reflective of who he is on the inside. That's why neither of those forms is super scary or menacing, softer at the edges.

And I really think that's why his 'punishment' is perfect. Yes, he's stuck with the one guy he hates the most, but it's also the one guy who can show him that following the rules isn't always needed. Therapy by exposure, and all that. Hopefully, that will help him open up and be more honest to himself as well.

TLDR: I theorize that because of Scarab's obsession with rules, he forces himself into brackets and roles he can't find happiness in. He's got a lot of potential for character development if he manages to work this out (likely with the help of Prismo) and accept himself as he is.

I believe that this lil guy WILL be redeemed. Give him time, he's just warming up. He just needs to come out his shell more.

...get it?

ok I'll go

[victoriadallonfan]

I had this whole thing written out but it's honestly not worth getting into all the weeds. I'll try to keep it short.

I do apologize for phrasing, but it's like someone getting punched, another person saying they got stabbed, and then that person saying you're "trying to justify what the 'stabber' did" when you say it's not stabbing. So you up try to head that off by saying that punching is still *not good* but it just doesn't help.

You are the one saying "Closure" means "rape". I mean, I guess I can see how you could interpret it that way. But that's in no way explicitly stated anywhere in Worm (never managed to finish Ward and Worm is where you are claiming the rape was stated). I personally interpret it as being able to openly express her feelings without being met with disgust/getting to hear Victoria say she returns those feelings (obviously while knowing it's not real, but just getting to hear her say it)/getting a hug/saying goodbye. And that her "break" was just to have Victoria hug her/reassure her again.

And hey, it's fine if you interpret it the way you do. But people who don't aren't "rape deniers" or "canon ignorers". They just don't read it that way /shrug

It's completely possible to interpret what happened as not rape, but still very bad, and think that Victoria didn't deserve it (i.e. not demonizing her).

See, I feel that you might misremembering what went down with Amy. I made a big post about it here on the Victoria and Amy Timeline.

To summarize the events:

- Amy mind rapes Victoria into loving/being attracted to her

- 4 days later, Amy paralyzes and operates on Victoria without her consent

- Amy mind controls and kidnaps Victoria, refusing to undo the mind rape despite TT, Taylor, and Regent telling her to do so (TT even mentions that Amy’s doing this for her own selfish desires)

- Amy creates the cocoon shaped in Victoria image using stray animals, the cocoon healing Victoria in Arcadia.

- Amy tells Jack she’ll do whatever she wants to Victoria, in order to “trick him” into leaving

- Amy heals Taylor and refuses to remove the mind rape from Victoria, with Taylor realizing that Amy is going to do something bad, but she has to chase after Jack

- Amy kidnaps Victoria again and takes her to an abandoned home, so no one can find them

- 3ish days pass before Carol and Sarah are told by TT where Amy and Victoria are. Amy admits to Carol that Victoria was just “lying there” (remember, the pod was what was healing her, not Amy), and Amy realized she really could do what she told Jack.

- Amy then admits to using Victoria for “closure” and that she would wipe Victoria’s memories of what she did, so Victoria wouldn’t have to remember what that “closure” entailed.

- She also explains that it was during this “closure” that she would add things to Victoria, then go to change her back to normal, then take “breaks” to use Victoria again to make more changes to Victoria, and then repeat for several days

Even without Ward, it’s really clear that Amy used Victoria as a sex doll once the healing pod fixed her up.

Why do you think Victoria has so many hands? So many heads and faces? Multiple sets of tits and vaginas?

Do you really think Amy needed Victoria to have 4 pairs of tits and 3 vaginas to get Victoria to “hug” and say “I love you” (which is still molestation btw)?

Why do you think Amy not once fixed Victoria mind rape, but had no issue mind controlling her and altering Victoria’s memories to suit Amy’s needs?

Amy’s closure was to turn Victoria into her own person toy, a living fantasy, and it’s a scenario we see play out in Ward proper. Where Victoria is forced to watch herself from the perspective of a different head as Amy molests her.

Anything else is just denial, unfortunately.

[butchpeace]

love ur blog! i'm curious to read what you have to say about circumstances where transsexualism exists without transgenderism or vice versa--for example, a butch woman who takes testosterone (making her cisgender and transsexual), or a butch who identifies as a trans man but has no intention of medical transition (making him transgender and cissexual). do you believe that there's any merit in distinguishing these people from transgender transsexuals?

Thanks for reading, and for being open to hearing my viewpoint!

Long answer: While I have many trans friends, and I respect their identities and pronouns, I found myself in a position where I can no longer support medical transition. Because I believe medical transition to be inherently harmful to the body, due to my own experience and the experiences of many others, I don’t believe that transsexualism really exists. How can something harmful to the body, which only became widely available 10 years ago, be the only possible way of dealing with our issues?

I do believe that gender dysphoria exists - I had it my whole life until relatively recently. But I don’t believe that dysphoria is a life sentence, and I don’t believe that the proper treatment for those feelings is to medicalize us.

I believe the proper treatment is to understand the root cause of the diverse group of feelings that we lump under the category of “dysphoria”, and to manage them with options like therapy, feminist education and self-acceptance work, and alternative methods such as meditation and yoga.

So yeah, after 10 years of medicalization and being an active member of the trans community, I don’t believe there is any real difference between butches who take T to become more masculine and “true transsexuals”, other than the mindset you come at it from. I’m against all of it from a medical perspective, and from what I’ve learned so far, I anticipate the medical community will be catching up to the harms of this treatment and making big changes within the decade.

[tiredmoonslut]

The fish wives are fine! Either that ending did not happen or it was all a planned thing for everyone to get stuck in THEIR nets. Whatever. Those are the only 2 options.

Still in all seriousness it was a planned thing between Moiraine and Siuan IMO for too many reasons. The delusion is real

Oh I have no doubt they'll be alright, nonny! Rafe Judkins is smart enough to know that if he was going to canonize Siuanraine, we wouldn't accept its mishandling. We're gonna be fine.

Personally though I do think that conflict was real, not planned. Of course, I do love the idea of them orchestrating a fake falling out! But it just doesn't peg me as something that wins them anything.

I think Siuan is so used to her and Moiraine being in agreement about how to handle the Dragon prophecies that she truly didn't expect for Moiraine to go rogue. The way I see it, Siuan sees two things: for one, Mo has been stilled. That is agony no matter how you slice it, and she's deadset on taking as much of the Dragon burden off of Moiraine's shoulders as she can so Mo has more of a chance to heal (remember, there's been a whopping two Aes Sedai who ever managed not to kill themselves after being stilled in the Tower's known history).

Secondly, she sees that the time of the Last Battle draws near, and Moiraine has been withholding information for the past six months and also very pointedly not tried to prepare Rand at all. Siuan is the Amyrlin Seat. She's made of strategy, and that is a bad one, whether it was her lover's choice or not. I think Siuan was certain that if she made a point of taking the burden off Moiraine's shoulders, she'd be met with acquiescence---perhaps even appreciation.

Watching the episode, I took Siuan's reaction to Rand having been released to be one of complete shock. I'm sure she expected stubbornness, but not outright double-crossing. That's why she made a point of chasing after them alone, with no guard. She felt betrayed.

Then she runs in to see Moiraine channeling. I'm sure she was floored, and this is why I think the theory that she suspected Moiraine of joining the Dark to hold weight. I mean, how bizarre from her perspective. Six months of correspondence, and Rand hasn't been trained even a little, and this alleged stilling was kept from her completely until Lan tattle-taled. That's outrageous, especially since it doesn't seem like Moiraine has ever been that dishonest with her before. And now it was apparently a complete lie? It shouldn't be possible. Unless of course Moiraine made an oath that supersedes her previous ones...

Which is why she forced her to close the Waygate. Twas a test. Once Moiraine obeys, you can see just how much Siuan regretted doing it. Her eyes well up immediately, like all she wants to do is apologize. Had Lanfear not walked in that very second, I'm sure she would have.

So, we'll just have to see how Siuan feels once she hears about the events of Falme, that Ishamael is dead, and that Alanna and Verin were Mo's accomplices. Hopefully she reacts well, or at least well enough to still want to talk it out with Moiraine when she gets the chance---and I think she will. This has been the burden that's ruined their lives for 20 years. She's not just gonna let that go.

So yeah, we'll be okay. We're just gonna need some medicine, perhaps an emergency operation. 😭

[xerith-42]

vylad headcanonssss?

You guys are really pushing me to make more of these (this is not a problem)

If it wasn't obvious I've been letting some ideas for my new rewrite to leak out into some of my posts here, but this is where I switch things up and make this distinctly mcd Vylad headcanons for one simple reason:

Vylad Ro'maeve of Ru'aun is Aromantic Asexual. You cannot change my mind on this.

Also Vylad uses he/they pronouns (I feel like we as a fandom can agree on this)

Vylad's favorite animal is a hawk or a mouse

While he doesn't know for sure, Vylad is fairly confident he knows who killed them. He learns to come to terms with the fact that vengeance simply isn't possible and therefore not worth going after. And by the time it is possible, he's spent so long not thinking of it that it really just isn't an interest anymore.

Canonically Vylad can play the ocarina and I will never not be upset that we weren't given more of this. Aaron forces everyone to take a day off from building the settlement, and yet we don't see Vylad sitting in a tree playing his ocarina.

He got it and theoretically learned to play it from his mother, so why don't we ever see the two of them playing it together, or just Vylad playing a song for their mother? (this is a whole thing I could go into abt mcd characters and instruments)

Needless to say Vylad isn't particularly fond of verbal forms of expression, but I can totally see him playing different songs or melodies based on different moods or feelings. Aph asks him what song he's playing and Vylad will very honestly answer her or anyone who asks. "It was a lullaby my mother taught me. I worry about her sometimes, but this song always reminds me of when she looked happiest."

Vylad is a mama's boy.

Vylad doesn't really like talking much, he tends to prefer lingering in the background and not really saying much when he's in the foreground. The only exception to this is Garroth after he comes back from the Irene Dimension. Vylad has missed his brother so much, they have spent so much time worrying about him and trying to find a way to bring him back, that once he actually has Garroth around, it's honestly like he's been brought back to life a bit.

It's slow and steady, but Garroth manages to get his brother out of their shell. Vylad doesn't talk to many people, but he talks to Garroth a LOT, like constantly. People don't believe it until they hear/see it because Vylad can literally go back and forth with Garroth about literally whatever until the end of time. Like if you asked Vylad what his ideal life would be, it would just be to grab like five people and get to spend the rest of his life having long conversations with them.

Vylad really likes talking to the right people. He's just gotten so good at closing people off it's hard to show the kind of vulnerability he's capable of in said talks. I said five people but it would probably just be Garroth, Aph, and Laurance. Probably his mother, maybe Hyria, but that's it. Vylad keeps most people at arms length or further, but he's willing to open up to them because they understand him on some level most people can't.

Irene help me I just want to write scenes of Vylad talking to people now. Vylad has been around for so long, seen so much, and has some very fascinating perspective on life and the fratility of the human spirit. I know he's not one of Vylad's people, but I would love to just listen to him and Vincent talk. Throw Laurance in there and you have a podcast I will literally not stop listening to.

[beaisdifferent]

ADHD: How Did I know?

About a year ago now, I was in my kitchen with my then boyfriend.  I don’t remember what we were talking about as I cooked dinner, just that we were talking as we always did, with me jumping between points of conversation that were very obviously connected for me, but that he needed a roadmap to follow. 

Eventually he stopped me.  “Have you ever considered you have ADHD?”

I laughed and brushed him off.  Obviously I didn’t have ADHD.  I could sometimes sit still doing the same thing for hours.  In fact sometimes it was like I couldn’t do anything else!  And I got good grades in school.  So obviously I didn’t have ADHD.

Those two factors were literally my only defense against the idea.  If anything, it was probably just my probably-autism.  Later that week I brought the conversation up with my therapist, probably rolling my eyes like I knew what I was talking about.  She frowned thoughtfully, and I watched her think back on all our sessions.  Pshh, come on.  I could hear my father in the back of my mind, everyone has ADHD these days, nobody had it when I was a kid, maybe they need a good spanking to sit still, its just a way to make money by drugging up kids.  Then her voice cut overtop my dad’s.  “We should look into this.”  She sent me a few forms, pre-assessment questionnaires to determine if getting officially tested would be worth it.

I read the questions for ADHD.

Uh oh.

Uh oh.

UH OH.

It’s all very me.

It had already figured I had autism spectrum disorder for a while, did I actually have ADHD?  Did I have both?  Was that even possible?

It had me nervous and curious, so I went deep diving.  I read on the experiences of people with ADHD, particularly adult women, and found discomforting relatability.  Then it became comforting relatability.  Could it be that all these things I hate about myself are actually symptoms of some funky wiring in my brain rather than personality flaws?  I also learned that while the topic is still being researched (thank goodness, don’t ever let the research stop), it is very possible to have both ADHD and autism.  It’s not even that uncommon.

So, I went and officially got tested, and received Autism and ADHD stamp of authenticity.

I was a month away from turning twenty-four, finally given an answer an answer to a lifetime of questions.  Questions I had stopped asking.  Questions like, why is it so hard to make friends?  Why can’t I remember to do simple things?  Why does life seem so overwhelming for me when everyone else seems to manage it just fine?  Why do my emotions feel so overwhelming and uncontrollable.  Why do I feel paralyzed in the face of things I know I can do?  I had accepted the answer I was given by people who didn’t know any better than I did.  I was lazy, clearly didn’t care, was just anxious, etc., etc., bullshit.

I’ve spent a lot of time this year looking back on my life, reframing things with this new understanding.  I had a label, I had an answer, I had a community.  I was neurodivergent.  I connected with a friend with ADHD and found we had even more in common than I thought we did.  So many things that had been a target of self-loathing for me were now a target of understanding, things that could be helped with the right supports in place.

It changed everything.  And it has continued to change everything.  And that super smart boyfriend became my super smart husband a few weeks ago, so the changes have been for the better.

Visit my blog at beaisdifferent.wordpress.com for a neurodivergent perspective every Tuesday at 9:00 am EST.

[izunias-meme-hole]

One Villainous Scene - “I’m Proud of You… My Son”

The Fire Emblem series has had many different archetypes and many different antagonists as well, but one of the most well received archetypes, for the antagonists, are the big bad emperors, otherwise known as “Rudolfs.” However if you truly want to understand what this archetype is comprised of, you’ll have to take a look at Emperor Rudolf himself, specifically in the Remake of Fire Emblem Gaiden, or as the new school fans know it as, Shadows of Valentia.

Emperor Rudolf is the emperor of the cold, and merciless Rigelian Empire. A man who is infamous for his cold exterior and great ambition, or at least that’s what he was built up as. We all hear his name during the first act and know that he’s basically conquering the land of Zofia, but when the player first sees him, it’s when Celica has a nightmare about the possibility of him killing Alm, and when we see him again, he’s with his nephew, Berkut, who had recently challenged The Deliverance for sport and lost, giving his nephew a chance to redeem himself. He rarely appears in the game, but when he does he certainly makes a statement, like when we finally see HOW he managed to take over Zofia by basically killing the Earth Mother, Mila with the Falchion. So yeah, he’s certainly made a name for himself so far. Then we get to Chapter 4: The Land of Sorrow.

The Deliverance has began to assult Rigel Castle, and Rudolf plans to confront them. Berkut goes up to his uncle to ask him why he hasn’t requested him to go on the front lines, basically begging Rudolf to give him another chance. However the old man just tells him to stay behind in the most asshole way he could say it, yet… you can tell something is different about Rudolf. You don’t exactly know what it is yet, but you can obviously tell that there’s something running through his head.

Once he enters the battlefield, he tells his men that should he be killed, that they should lay down their arms, and this just adds to feeling that something is up. Then you actually go ahead and fight him with Alm, and… he doesn’t attack. This is Emperor Rudolf, right? The Rigelian Emperor, right? The man who kicked Mila’s ass, right? One of the biggest villains in this game, RIGHT? Well… once Alm beats him, he drops this revealation.

“You’ve… done well… I’m proud of you… my son.”

This. Changes. Everything.

Rudolf, with his last few minutes of life, then explains some of the details to his son, including the fact that he entrusted him to his good friend, Mycen. He then informs Alm about that the God of Strength, Duma has indeed gone mad, and since Alm was indeed one of the children of prophecy that are meant to slay Duma, he basically begs Alm to finish the mad god off. Then when life leaves the emperor’s eyes, Alm lets out a gut-wrenching scream upon the realization of what had just transpired.

This one scene, this one fricken scene changes your perspective on Rudolf, while showcasing just how screwed up the situation is. This man basically hid his son away from Duma and his worshippers, turned himself into a tyrant, had a small hand in the many insecurities his nephew has, CONQUERED THE NATION HIS SON AND BEST FRIEND WERE HIDING IN, and well… just let his own son kill him, all so a hero could rise to slay Duma and give Valentia a brighter future. This wasn’t a well thought together master plan, this was a coin flip that required a lot of unnecessary suffering to land on the right side!

There is extra stuff in this game that expand upon this old windbag, but if you want a summary of Emperor Rudolf, especially SoV!Rudolf, watch this scene, and you’ll see a man with an endgoal that isn’t inherently bad, but said endgoal relyed on a gambit that required 15 different levels of mass suffering, including his own, to reach the good ending. That is what the Rudolf Archetype was built on, and Jesus Christ, it doesn’t matter if you love him, hate him, or love to hate him, I think we can all agree he’s pretty much caused a crapton of unnecessary suffering without trying that hard.

[ihatethiswebsite77]

So I was wondering if you could talk about the Kyle/cartman and batman/joker parallels because there is a LOT. Im considering doing my own analysis but I wanted to hear another perspective, if possible?

This is an Interesting topic.

I think it would be an understatement to call Cartman anything but an agent of chaos. The Joker believes that everyone around him is no different than himself, and he seeks to expose that. While Cartman doesn't really want to expose everyone for being just as bad as he is, as that would require admitting he is bad in the first place, that is still definitely a belief he holds deep down. With Joker this belief culminates into an obsession with Batman, someone who operates by a strict moral code, someone Joker believes is SO similar to him, whose attention he is constantly seeking while trying to get him to basically "admit" that they are the same by killing him. The Joker finds great amusement in his altercations with Batman. In a very similar way, which I'm sure you've already picked up, Cartman feels and behaves when it comes to Kyle. If there is on person in south park Cartman truly considers on his level it is Kyle. And in a similar vein to the Joker he find great amusement in his and Kyle's arguments.

Neither Batman nor the Joker can ever truly win against eachother tho. Due to their unchanging nature and beliefs they can never cross that bridge. The only way for Batman to truly beat the Joker is to kill him (aka become him), which goes against all his morals, and the Joker could never kill Batman.

“You just couldn’t let me go, could you? This is what happens when an unstoppable force meets an immovable object. You truly are incorruptible, aren’t you? You won’t kill me out of some misplaced sense of self-righteousness, and I won’t kill you because you’re just too much fun. I think you and I are destined to do this forever”, a quote of Jokers from the Dark Knight.

(This quote is literally such a good description for Cartman and Kyle overall)

Just like these two Kyle and Cartman can never truly win against eachother. Kyle could never let himself stoop down to Cartman's level, and Cartman even tho he has attempted to "kill Kyle" many times, could never truly do it for the fact that his life would just be dull without him around to fight with.

There is a good chunk of works that depict that relationship between Joker and Batman as "friendly" (take that with like a grain of salt) in a way. The very fact that Batman refuses to kill him, even going so far as continually saving The Joker. Essentially allowing him to roam free again and again, simply because he believes that there is something worth saving there.

“Do you understand? I don’t want to hurt you. I don’t want either of us to end up killing the other. But we’re running out of alternatives and we both know it”, Batman in The Killing Joke.

In a similar manner Kyle is continuously trying to see something good in Cartman, even against his better judgement. Constantly saving him from trouble, from a sense of moral obligation and maybe even one of genuine friendships. There is a part of Kyle that genuinely believes that Cartman can change.

The same comic ends with the two characters realizing that they can never truly trust eachother (told to us through a metaphor in a joke The Joker tells to Batman). They both start cackling at the ridiculousness of their situation, almost as if they were two friends having a laugh.

We are shown so many times in this show that Cartman and Kyle could be genuinely good friends, there are multiple instances of them acting so. But their antagonistic relationship towards eachother is something Kyle and Cartman can never manage to escape, even after 40 years they seem to regress at the first look they have of eachother. In a way that's similar to the Joker and Batman they need eachother. Their characters linger on each other. They justify eachothers existence by being eachothers narrative foils. Which kinda dooms them to a life of fighting.