#to have someone UNDERSTAND WHY I LOVE THESE CHARACTERS SO MUCH

[kbwrites]

Breaking up is hard to do!

synopsis: breaking up with the jjk men.

⚝characters: Gojo, Geto, Nanami

⚝content: heavy angst, gaslighting(Gojo's), depression (Suguru's), mutual breakup(Nanami's)

⚝wc: 3.5k

Satoru Gojo

“Yeah so then Yuji popped out of the crate and surprised them all! You should’ve seen it baby!” Satoru wheezes holding his stomach as he recalls the event from the day.

No matter how hard you try though, you can only muster a small smile.

It had become really hard to do much else recently. With the weight of the hundreds of tasks at work taking its toll. Satoru looks over at you, waiting for a laugh—but it doesn’t come.

“Hellooo? Everything alright princess?” He questions giving your hand a gentle squeeze.

“Mhmm!” You nod.

He looks at you for another moment, unreadable expression on his face. Satoru shifts, clearly expecting more from you. “You sure? You’ve been quiet tonight. That’s not like you,” he says, his voice still light, but there’s a hint of curiosity now.

You try to hold back the frustration, but it bubbles up anyway. “I’m just tired, Satoru.”

“Tired? Seriously?” he mutters, pulling his hand away. “You work, what, a nine-to-five? You act like you’re running yourself into the ground.”

You blink, taken aback by his dismissive tone. “Satoru, it’s not just about the hours. It’s everything piling up, and—”

“Piling up?” He cuts you off with a scoff, already reaching for his phone. “Why didn’t you just say something sooner? You know I could’ve hired someone to handle that for you. I’ve got the money. You shouldn’t be stressing over... whatever this is.”

The words sting. You knew his mind would go there. It always does—like money could just make the exhaustion disappear, like hiring someone to take care of the smaller details would magically solve everything.

“It’s not about the money, Satoru.” you snap, trying to hold onto your patience. “I don’t need someone else doing my job for me. I just... I need you to listen.”

He raises an eyebrow, clearly unimpressed. “Listen? What do you expect me to say? You’re tired. I get it. But don’t act like you’re drowning when I could have fixed this a long time ago. Hell, I could’ve bought you time off or flown you somewhere. You're sittin' here sulking like I can’t take care of things.”

You clench your fists, the exhaustion now compounded by frustration. “It’s not about you fixing things, Satoru. Sometimes I just need support—not your money.”

He stares at you, eyes narrowing. “Right. So you want to feel miserable instead of letting me help. That’s real smart, princess.”

Your heart pounds in your chest as you shove clothes into your bag, the sound of zippers and drawers slamming echoing through the room. You can feel Satoru’s presence behind you, hovering, but you don’t stop. You can’t. Not after that.

“C'mon, princess.” he says, his voice exasperated, like he’s the one who's supposed to be annoyed. “What are you doing? Where do you think you’re going?”

You don’t answer, your hands moving faster, yanking more clothes off hangers, ignoring the sting behind your eyes. You’re so angry you can barely breathe.

“I’ll book us a trip,” Satoru tries again, a hint of desperation creeping into his usually arrogant tone. “How about Paris? We’ll stay at that five-star hotel you like, the one with the private balcony. You love that place.”

Your jaw clenches. “This isn’t about a vacation, Satoru,” you snap, stuffing the last of your things into the bag. “It’s not about your money or your fancy hotels.”

“Then what is it about?” he shoots back, his voice rising with frustration. “You’re acting like I haven’t given you everything. "What more do you want?"

You freeze, bag halfway zipped, your body trembling as you turn to face him. His icy blue eyes are wide, confused, and maybe even a little hurt, but you’re beyond caring. “I want you to see me!” you shout, the words tearing out of you, louder than you intended. “I don’t need you to throw money at the problem! I need you to actually understand what I’m going through!”

Satoru stares at you, speechless for once. His mouth opens, but no words come out. He looks almost... shocked, like he can’t comprehend that his money, his status, can’t fix this. That he can’t fix this.

“Do you even care?” you ask, your voice quieter now, but no less angry. “Do you care about how I feel? Or is it just easier for you to throw cash at me until I stop complaining?”

He’s silent, his gaze hardening as he crosses his arms. “I’m trying to help. What else do you want me to do?”

“I want you to listen!” You throw your hands up in frustration, feeling more alone than ever. “I don’t want your money. I don’t want trips or fancy dinners. I want you to care about me, Satoru. Not just the idea of me.”

His lips press into a thin line, but he says nothing. The silence is louder than any of his words.

As your hand grips the doorknob, ready to leave, Satoru’s voice cuts through the silence, sharp and bitter.

“Right, run off to Shoko’s.” he scoffs, his arms crossed defensively. “You always do this, don’t you? The moment things get tough, you bolt. Guess it’s easier to complain to her than actually deal with me.”

His words hit you like a punch to the gut, stopping you in your tracks. You turn slowly to face him, disbelief clouding your vision. He’s standing there, arms folded, arrogance in his posture.

“I always do this?” you repeat, your voice trembling with anger. “I’ve stayed through everything, Satoru!"

“You’re just like Suguru.” Satoru spits out, the words dripping with bitterness and desperation.

Your hand freezes on the handle. You weren’t expecting that. Slowly, you turn to look at him, and the mask of arrogance has cracked. His eyes are wild, wide with something close to panic. “Running away the moment things get hard,” he continues, his voice shaking slightly. “Is that it? Just gonna leave like he did?”

Your heart skips a beat, anger fading for a moment as something else stirs inside you. You’ve seen Satoru angry before, frustrated, even cold—but this? This is different.

“That’s not fair.” you say quietly, though the anger still simmers beneath the surface. “I’m not leaving because things are hard. I’m leaving because you’re not listening.”

Satoru’s eyes narrow, his lips pressing into a hard line. Then he snaps, his voice cutting through the tension like a blade, sharp and cold. “Well, fine. Go. I survived him abandoning me, I’ll survive you too.”

His words sting, burning through the air with a finality that makes your breath hitch. It’s a challenge, a defense—his way of masking the fear that’s clawing at him from the inside out. He’s pushing you away before you can leave, just like he’s done with everything else that’s threatened to crack his carefully controlled world.

You stand there, frozen for a moment, staring at him as his walls rise higher, shutting you out. This is what it’s come to. He’s too scared to let you in, too scared to admit that you leaving isn’t something he can just survive—that it’s something that terrifies him.

But he won’t say it. He won’t ask you to stay.

And that’s when you know.

Suguru Geto

You rest under the comfort of your blanket. How many days have you been in this bed? Three days? Four? 

The world was just too much right now, and your room was the only security available. It had been a week since Suguru vanished without a word, leaving behind nothing but unanswered questions and broken trust. Principal Yaga’s words still echoed in your mind—a whole village slaughtered, his parents among the dead. 

And not even a text.

You weren’t sure if he was even alive, maybe it would be better if he wasn’t. At least then you wouldn’t have to come to terms with the fact that the love of your life was now a wanted killer.

You took another tissue from the box, blowing into it and tossing the crumpled mess into the garbage can.

Satoru hadn’t responded either, was he okay? Did he know?

Your mind screamed for silence, for the thoughts to stop, but they kept coming, relentless.

“Angel?”

That voice… no it couldn’t be. You lower the covers from your face.

It was

“Hi baby...” his normally soothing voice does little to alleviate the ache in your chest.

“You…” your voice barely a whisper, threatening to break. “I thought you were dead.”

He moves closer, his footsteps barely making a sound on the floor, and you finally take him in. Despite everything, despite the horrors you’ve been told, he looks… normal.

How could he look so much like the Suguru you knew, the Suguru you loved, when everything inside of you was shattered?

Was this the same man who held you close? Whispered sweet nothings in your ear—promised to protect you with his life? 

“It’s me, (Y/N).”  he says softly, his voice cutting through the silence as if he had read your thoughts.

The tenderness in his tone feels like a knife twisting in your chest. How could he say that—so casually, so easily? Like everything was normal, like your world hadn’t come crashing down around you. You blink, trying to force the tears back, trying to find the right words, but nothing comes.

“Are you?” your voice is small, barely more than a whisper. Doubt lingers in every syllable.

He doesn’t respond to your question. Instead, his gaze softens, and without a word, he pulls the covers off of you. The cold air rushes over your skin, a stark contrast to the warmth you had buried yourself in, and for a moment you flinch, instinctively clutching the blanket before you let it slip from your fingers.

His eyes trace over your fragile form, and there’s something in them—a flicker of sympathy, regret, even—but it doesn’t change the fact that he’s the reason for your downward spiral. He knows it too. The weight of it presses on him, though he doesn’t say a word. Instead, he moves with a gentleness you hadn’t expected, sliding his arms under you and lifting you up as if you weighed nothing.

You want to protest, want to ask what he thinks he’s doing, but you’re too tired, too drained to fight. So you let him carry you. His arms are steady, and despite everything, you can’t help but melt in his embrace.

He takes you into the bathroom, the sound of running water filling the space as he sets you down gently. You can feel the cool tile under your feet as he kneels in front of the tub, turning the faucet on and testing the temperature.

You had so many things you wanted to say. You wanted to yell at him, curse him, ask him why. But you couldn’t.

He dips his hand under the stream, adjusting the temperature until it’s just right. His movements are deliberate, methodical, as if this is the only way he knows how to show you any kind of care right now.

You stand there, numb and silent, watching him. The man who destroyed your world, now kneeling before you, acting as though he can piece it back together with something as simple as a bath. It feels absurd, almost cruel, but at the same time, you don’t have the strength to stop him.

Suguru rises to his feet, his presence towering yet calm as he began to undress you. Gentle hands pulling his t-shirt off of you, the one you had been clinging onto for days.

His hands brush lightly against your skin as he lifts the shirt over your head, sending a shiver down your spine.

He had seen you in this state before, many times. But this….this was different.

Suguru guides you to the shower, washing your body with a gentleness you missed so deeply.

You close your eyes, letting him take care of you, even though you don’t understand why or how he can. The silence between you grows heavier with every passing second, filled with words unspoken and emotions too tangled to sort out.

Finally, you speak, your voice barely audible over the sound of the water. “Why are you here, Suguru?”

His hand pauses for a moment, the washcloth resting against your skin. You can feel the weight of his gaze on you, but when he answers, his voice is low, steady, like he’s speaking more to himself than to you.

“Because I….I love you” His voice almost too quiet, as if he’s afraid to say the words out loud.

“Then why, Suguru?” your voice trembles, almost breaking under the weight of your next words. “Is it true? You killed those people?”

The washcloth falls from his hand, splashing into the water as the silence between you deepens. He doesn’t speak right away, and the hesitation in his silence is an answer in itself.

You swallow hard, the air thick with the weight of the truth you already know but can’t bear to accept.

“They were… in the way,” he finally admits, his voice low, almost hollow.

You step out of the shower, the warm water sliding off your skin in slow rivulets. Without thinking, you reach for the towel, wrapping it tightly around yourself like armor.

This isn’t the man you loved, the one who spoke of protecting the weak, of valuing life. Yet, there’s something so heartbreakingly familiar in the way he says it—like a twisted version of the Suguru you knew, now wrapped in darkness.

“But those were people, Suguru,” you say, your voice fragile, as if you’re trying to reach the man you once knew beneath the monster he’s become. “Innocent people. How could you…?”

He takes a deep breath, stepping closer to you, his hand brushing against your skin, cold and distant. “Because this world is broken.” he murmurs. “And I need to fix it. I had to do it. Can’t you see that? We—sorcerers—we’re meant for something greater. And they… they were holding us back.”

You shake your head, tears brimming in your eyes. “I don’t understand, Suguru. I don’t understand any of this.”

He steps closer, his hand cupping your face gently, as though trying to reassure you with his touch. "Come with me." he whispers, his voice softer now, pleading. “Run away with me. Together, we can build something new. You don’t have to be a part of this broken world anymore. We can leave it all behind.”

Before you can respond, his lips press against yours, a kiss that’s both gentle and urgent, as though he’s trying to pour every unsaid word, every plea, into this one moment. It’s the Suguru you remember—the Suguru who once made you feel safe, loved.

But the reality of who he’s become crashes down on you.

You pull away, your hands pressed firmly against his chest, creating a wall between you. “No.” you whisper, your voice breaking. “I can’t.”

For a moment, Suguru just stands there, staring at you, his dark eyes searching yours for something—some kind of understanding, some sign that you’ll change your mind. His hand lingers on your cheek, his touch softer now, almost hesitant, as though he’s trying to hold on to whatever connection is left.

But then, slowly, he withdraws, his hand falling back to his side. He straightens up, his expression hardening as he steps away from you, giving you the space you so desperately need. The softness in his eyes fades, replaced by the cold determination you’ve seen before.

“You’ll see,” he says, his voice quiet, but there’s a sharp edge to it now. “One day, you’ll understand. When you see what I’ve seen, when you finally understand the truth about this world—you’ll come around. I know you will.”

His words hang heavy in the air, and without another glance, he turns and walks toward the door, leaving you standing alone, trembling in the silence.

Nanami Kento

Kento was an honest man. There was nothing he ever kept from you. Other people might view him as a hard shell, but you could read him like a book.

So when he came to bed that night, holding you just a little tighter than usual—you knew something was up.

You shifted slightly in his embrace, his grip tightening instinctively as if he feared you might slip away.

“Kento?” you asked softly, your voice breaking the stillness of the room. 

“I’ve decided to talk to Gojo tomorrow.” he said quietly, his voice steady but with a hint of resolve. “I want to return to being a sorcerer.”

The words hung in the air, sinking into you like lead. You stiffened, a sharp sting blooming in your chest as you processed his decision.

“Are you seriously considering this?” Your voice trembled with a mix of hurt and disbelief. “You know what that life entails. You’ve seen the consequences. Are you really willing to go back to that danger?”

Kento’s silence was heavier than any response he could have given. His arms, though still holding you close, seemed distant now, as if they were reaching out from across a chasm of uncertainty.

“I’ve thought it through,” he said finally, though his tone lacked the conviction he tried to project. “I need to do this for myself. I can’t keep pretending I’m satisfied with where I am.”

The last words echoed in your ears their weight sinking deep into your heart. “So you’re not satisfied with me?” you whispered, barely able to speak past the knot forming in your throat.

Kento’s eyes widened in shock. “No, that’s not what I meant—”

“Then what is it, Kento?” you demanded, frustration and hurt sharpening your words. “We have something good here. You have a good job. You left Jujustu High for a reason! What about Haibara—”

At the mention of Haibara, Kento’s face hardened. His eyes, which had been searching for the right words, now burned with anger and frustration. “Don’t.”

Your eyes widen at his tone. He sighs, trying to catch himself. “This…isn’t about him, or his fate. It’s about my own path, my own choices. You think I’m risking everything without knowing the cost?”

 “And what do you expect me to do, Kento?” Your voice cracked, raw emotion rising as you slid out of bed, unable to lie still any longer. “Sit at home and worry about you? Not knowing if you’re going to come back in one piece? I can’t live like that! I can’t live every day with the fear that you might not come back, that you might be hurt or worse?”

The silence that followed was suffocating. You paced the room, your emotions boiling over, while Kento sat still, his gaze following you but offering no solace.

“You’re asking me to accept a life where every day is a gamble with your safety!” You stopped, turning to face him, your chest heaving with emotion. “How am I supposed to do that? How am I supposed to pretend everything’s okay when the reality is that you might not come back to me? This isn’t just about you, Kento. It’s about us, our future!”

Kento ran a hand through his blond locks, frustration etched into every line of his face. “I’m not asking you to pretend it’s okay. I’m asking you to understand that this is something I need to do for myself, even if it means risking everything.”

You blinked, tears blurring your vision as his words sank in. “And what if everything we have is the cost?”

The question lingered, echoing in the space between you. Kento rose from the bed, standing tall before you, but the weight of the moment seemed to bow his shoulders.

He stepped closer, his hands trembling slightly as they cupped your face. His eyes, filled with a deep sadness, searched yours, looking for understanding that he knew might never come. “I love you,” he said, his voice thick with emotion. “You need to know that.”

You shook your head, your voice breaking. “But that isn’t enough… is it? It never will be…”

There was a heavy silence between you, the weight of your words pressing down on both of you.

“I… can’t watch you throw your life away, Kento.”

He took a deep breath, the sound heavy with resignation. "Then… we’ve both made our decision."

His hands, which had held you with such tenderness, felt distant as you pulled away. You took a step back, a sob catching in your throat.

He opens his mouth, but no words come out with a trembling breath, he stepped forward and gently pulled you into his arms. The embrace was tender, filled with the weight of finality.

He buried his face in the curve of your neck, inhaling your scent one last time as if trying to imprint it into his memory. The warmth of his body, once a comfort, now felt like a dagger in your chest.

“I’m sorry.” he whispered, his voice strained. The words were barely audible, but the sentiment hung heavy in the air.

Kento lingered for a moment, his hand sliding from your back to gently cup your face. His thumb brushed away the tear you hadn’t realized had fallen, and his expression softened with a promise you weren’t sure either of you could believe.

“I’ll come back,” he whispered, his voice strained but resolute. “Somehow… I’ll find my way back to you. One day.”

You clung to him for a moment longer, feeling the ache of goodbye in every fiber of your being, before he slowly pulled away. Leaving you.

[thestrangesthell]

he doesn't love Lydia he flirts with the secretary he went to that place created by Juno

Ok, let's talk about it.

"Secretary" - You mean Janet? He just looks at her, never flirts. A key component of BJ's character in Beetlejuice Beetlejuice is that he hasn't been sprayed down with overly sanitised 'political correctness' to appeal to wider-audiences. He's just as gross as he always has been.

He states that himself and Lydia "have a definite psychic connection" but they're not actually together. He knows this and probably knows Lydia doesn't feel for him in the same way he does. That's why he pulls out all the stops at the end.

Checking out Janet is harmless and just a reminder to the audience that he's still the same gross guy. Besides, Lydia's had a whole child off-screen with Richard and later wound up in Rory's snare. She's done plenty more than check someone out - and you don't see BJ complaining.

(Well, except for Rory. And it's canon that BJ hates him for how he uses Lydia.)

The Whore House (Dante's Inferno) is used as a distraction. He gets off on scaring people, so Juno uses this to her advantage after the snake incident.

Besides, he'd not properly met Lydia when he went into it; just used her as an empty threat to rile up Barbara (which worked).

"I think she understands me."

He's never spoken to her. By this point, she's only ever seen him in snake form. We have very little evidence as to why he seems so interested in her. That's why we *theorise*.

The second movie is where the presence (and evidence) of love comes into play.

Everything he does for her is pretty much selfless. As I said in my rant, he barely puts up a fight when she tries to send him back. We know from Beetlejuice (1988) that he could stop her if he wanted to. But he lets her send him back. Not even that, he makes a whole joke out of it:

"Shoulda got married in Vegas."

You expect me to believe that this guy, who apparently "doesn't love Lydia" wouldn't be raging about being defeated again? He immediately makes a joke about the whole thing. We know by the end of the movie that he hasn't let her go. It wouldn't be a surprise if this was his plan all along.

He knew, no matter how grandiose the ceremony was, that she wasn't ever going to follow through. It's all fine for Lydia to ask him, "But how do I know that you're gonna keep your word?" when she doesn't even keep hers.

But he gave her that beautiful ceremony regardless.

By the end of Beetlejuice Beetlejuice, he has saved Lydia's daughter, helped Lydia see Rory for who he really is, given her the most beautiful farewell ceremony he could, Lip-synched the entirety of MacArthur's Park to her, physically given her his heart and topped it off by reuniting her deceased family, Charles and Delia.

If that isn't love, I don't know what is.

And if all of that didn't do it for ya, just look at how he looks at her.

[linkspooky]

SUKUNA, YOU ARE ME

Now that we're in the last few chapters of Jujutsu Kaisen it's time to do a deep dive into Yuji and Sukuna's relationship. Is what Yuji showing Sukuna here truly empathy? Does Sukuna's death and Yuji's attempt to reach out mean Sukuna was human all along? We'll discuss that, the parallels between this and Mahito, and what Sukuna's exit means for both himself and Yuji as characters underneath the cut.

I AM YOU

While this post is about the connection between Yuji and Sukuna, I'm going to say the majority of this post will be about Yuji. I stated this in a previous post, I don't believe Yuji's showing Sukuna empathy here. While his offer to let Sukuna live inside of him may be genuine, it doesn't come from a place of genuine understanding. Sukuna himself isn't written as a character to be understood or empathized with.

Look at the words Yuji said. "You are me." He's not saying he's like Sukuna, he's saying Sukuna is like him. He is projecting himself onto Sukuna. Everyone in the story does, even Kashimo and Gojo who both considers themselves the strongest of their time and who naturally should have been able to understand the isolation of being someone as incomprehensibly strong as Sukuna were just projecting their own personal experiences on them in the end.

Of course we could dig a little deeper on the topic.

How much can one person truly understand another? It doesn't have to be a curser, or a borderline incomprehensible deity like Sukuna. How much do you understand your own best friend?

Gojo mentions that he felt loved by everyone, but also that he was so beyond their understanding that they may as well have been plants in comparison to him.

Of course, Shoko herself says that Shoko was always right there next to Gojo trying to offer him support and Gojo just chose to keep her at an arm's length. Gojo also believed that only someone as equally as powerful as him like Sukuna could understand him. Only to find that Sukuna didn't care about Gojo's feelings of isolation at all, nor was he troubled by love in the least.

Gojo makes himself out to be someone so superior to other human beings that he's beyond their comprehension, but that's Sukuna. Gojo did feel understood once, by Geto in his youth. The thing was that Gojo assumed that Geto could understand him because they were both euqal in power level. However, years after the fact when Gojo has long surpassed Geto, their friendship remains exactly the same.

The one that Gojo pictures patting him on the back is adult Geto, not teenage Geto. The one who Gojo truly would have been satisfied by in the end was Geto, not Sukuna.

So maybe what makes Sukuna so impossible to understand by others is that same reason why Shoko can't be close to Geto. Sukuna can't be understood by others because he doesn't care to be understood by them.

Perhaps, understanding isn't the end all be all of human connection. Gojo accepted Geto, and he didn't accept Shoko. Maybe Shoko would have been able to understand Gojo if Gojo ever tried to be emotionally open with her the ever way he was with Geto then he might have felt understood.

Then there's Ryomen Sukuna who rejects love and every notion of humanity along with it.

Therefore empathy means nothing to Sukuna. Yuji's empathy in particular. No, Yuji's attempt to save Sukuna is more about himself than Sukuna. It's a reflection of a change of Yuji's state of mind that he's willing to accept living with a curse like Sukuna. That he'd even try to understand Sukuna. Curses that Yuji previously dismissed as not even being worth understanding.

The first time Yuji said these words was when Yuji tried to make an offer to Sukuna to let him take control of his body in order to heal Junpei, in order to be laughed at by Sukuna. It was the last time Yuji ever asked anything of Sukuna.

Remember, in the very beginning of the manga Sukuna seemed like a standard inner demon character like the nine tails, or hollow ichigo. Yuji even thinks he can use Sukuna to switch out to help fight for him like against the special grade cursed spirit. However, we and the audience quickly learns that not only is Sukuna not just some evil half of Yuji, or a convenient power up, he's an actively malevolent entity with a will that will do anything to escape.

When Yuji realizes that Mahito and Sukuna are both curses, he starts to see Sukuna as an enemy trapped within him. Something he's reminded of again and again, especially after the Shibuya Massacre. From that moment Sukuna and Mahito become like villainous foils to Yuji, the dark to his light, the enemy for him to kill.

Yuji defines Mahito and Sukuna as his opposites and his enemies By killing them, he also gives himself a role. It's Sukuna and Mahito's actions in taunting is the first time Yuji uses the language "kill" when dealing with curses.

Mahito compared himself to Yuji and by saying as a curse he mindlessly kills humans. The same way that Yuji as a sorcerer, mindlessly kills curses. They are on the opposite side of the same cycle with no end in sight.

Yuji decides to embrace this violent cycle because it at least gives him a role to play. If curses are the shadow of humanity, if they're a reflection of humanity then what exactly is you saying here?

Yuji says he is Mahito, and then immediately that he's going to kill Mahito. It's not a statement of self acceptance, or accepting your shadow, but rather a statement of self destruction. Even though Mahito is a chaotic evil curse who enjoys killing humans, Yuji's decision to throw away his humanity just for the sake of killing him isn't a healthy way.

When Mahito said "You are me" he was attempting to drag Yuji down to his level. Yuji then willfully descends to Mahito's level as long as it gives him the strength to kill Mahito. It's character regression on his part. Yuji once said he didn't want to kill because then the value of life might become vague to him.

In a way it did, because Yuji began to devalue his own life. Yuji wasn't able to see any meaning in his life besides a "role' that someone else assigned him. Not only was he willing to throw it away at the drop of a hat, but he also didn't feel like he had permission to live.

Unlike Yuta who actively sought affirmation from others, Yuji rejected that affirmation and tried to push everyone including people like Megumi and Choso away. They were right next to him, but Yuji became unable to accept their love and support.

Yuji is a strange paradox because he presents himself as an all-loving hero who just wants to save as many people as possible, but then you read his dialogue and he's like "I'm just a cog in the machine, I will continue to kill curses until one day I die. Then I'll just be replaced by another cog. There's no meaning at all to this sequence. Life is an endless nightmare."

I'm exaggerating, but underneath Yuji's sweet nature and goofing around, there's this very bleak attitude that his life means nothing except for the labor that he produces, and one day he'll be tossed aside and that's fine because it's what he deserves.

If Yuta seeks self-affirmation, then Yuji is seeking self-destruction. His self-loathing leads him to practically lay his head down on the chopping block and offer his neck up for execution by Higuruma's domain during the fight with Higuruma, even when Higuruma himself points out that Yuji isn't the one at fault because he wans't in control of his own body. Yuji will still take the blame, anything to punish himself further.

So, the words Yuji uses in his triumph against Mahito also signify the destruction of his own ego. That is what Yuji does when he adapts his cog mentality, he denies his own sense of self.

What Yuji experiences is basically a prolonged ego-death.

Ego death is a "complete loss of subjective self-identity".[1] The term is used in various intertwined contexts, with related meanings. The 19th-century philosopher and psychologist William James uses the synonymous term "self-surrender" and Jungian psychology uses the synonymous term psychic death, referring to a fundamental transformation of the psyche.

I brung up Ego-Death in the Jungian context, but in Yuji's case, resigning himself to being a cog is also an act of self-surrender. Yuji basically moves away from all of his previous ideals. He only sees himself as a tool to kill curses. Saving others, or helping guide others to a natural death, those things get put on the back burner as a tool doesn't need ideals.

He's abandoned all kinds of idealism and higher reasoning. In fact that is what Mahito wanted him to do, to abandon the higher reasoning that belongs to human beings and act on instinct like a curse. Mahito successfully pushed Yuji to abandon human reason and become an unthinking cog.

Jung defines the Ego-Death as the stripping away of everything else to revert to your natural self. According to Ventegodt and Merrick, the Jungian term "psychic death" is a synonym for "ego death":

In order to radically improve global quality of life, it seems necessary to have a fundamental transformation of the psyche. Such a shift in personality has been labeled an "ego death" in Buddhism or a psychic death by Jung, because it implies a shift back to the existential position of the natural self, i.e., living the true purpose of life. 

Megumi also experiences an ego-death over the course of the manga that mirrors Yuji's own when Sukuna takes over his body, soaks his soul to bring Megumi near evil, and then kills Tsumiki. At this point both Yuji and Megumi both lose what were their reasons for fighting. The so-called "dignity obtained by human reason" is lost. After having those reasons stripped away from them and experiencing their ego-deaths both of them surrender control. Megumi becomes helpless and stops trying to fight Sukuna. While Yuji may not seem like he's given up on anything since he keeps trucking along, he too has given up on thinking for himself. Yuji has essentially given up as much as Megumi has, there's just less plot consequences for it.

Either way they are both brought to their lowest point by ego-death, in order to bring them to their lowest point, and make them experience a rebirth of sorts.

The persona in Jung is the face you show the outside world. it's one part of personality, with the other being the shadow. The shadow is the repressed part of peresonality. Just like curses are made up of repressed human emotions that leak out from our collective subconscious. Curses serve as the shadow of humanity collectively, especially Mahito who is made up of everything humans hate and fear about other humans. The physical embodiment of human cruelty.

However, a person can't live without their shadow. There's no such thing as a human without flaws after all, and you don't become a better person just by ignoring your own flaws. The kinds of people who are unaware of their own flaws tend to unconsciously repeat the same mistakes again and again and again.

Yuji despises curses as inhuman monsters that he can slaughter like they're enemies in a video game, but they're like... made of human vices. They are the product of humanity's emotions. Yuji's habit of only looking at the good makes him unaware of both his own shadow, his own shortcomings, and also the darker shades of grey in the world around him.

Megumi and Yuji both are characters who, need to be dragged down to the darkest point of the shadow and forced to confront their own flaws in order to learn about themselves. It's not a coincidence thaT Yuji who puts humanity on such a pedestal is a human and curse hybrid. That his older brother who's shown to be a source of overflowing unconditional love is also a human / curse hybrid, and who Yuji nearly killed because he blindly, obediently decided to kill curses. That Yuji killed two of his other curse / human hybrid brothers in spite of noticing they were different from other curses and had a family bond with each other.

It's not a coincidence that Yuji who puts humanity on such a pedestal devoured the corpses of all of his other brothers the same way that Sukuna ate his own twin in the womb to gain the power to defeat Sukuna.

Yuiji lacks a lot of self-awareness. That's why I've always said he doesn't quite live up to the "all-loving hero" he sees himself as. Savior is just a role that Yuji has adopted in order to give himself a purpose in life, but he falls short of that. The reason that he falls short is ironically that Yuji tries so hard to be superhuman, that he can't forgive himself for having basic human flaws.

It's why "Being a child is not a sin" is such a meaningful line coming from Nanami. In Yuji's eyes being a child is a sin. He constantly blames himself for not being able to hold the weight of the world on his shoulders, for not being able to save everyone by himself even though he's only been a jujutsu sorcerer for a few months.

It's why Yuji gets excited for a moment when Kusakabe mentions that Yuji is developing very fast by sorcerer standards, because he wants to be someone monstrously talented like Higuruma or Gojo - and why he immediately looks so disappointed when Kusakabe says it's not because Yuji is talented it's just because of Sukuna.

Yuji feels an overwhelming amount of responsibility and wants to be a special person who is strong enough to actually carry all that responsibility on his shoulders. That's why I say Yuji isn't a true all-loving hero, because it's more about Yuji's own feelings than the act of saving others. His guilt complex over Sukuna.

His desires to be someone special and meaningful. Yuji wants to be a good person who saves others because it gives YUJI and purpose and it gives YUJI a sense of fulfillment. If you've read Tokyo Ghoul it's like Kaneki's reason for participating in the Anteiku Raid. Not because he genuinely wanted to save others, but because he "was tired of not being able to do a thing."

(I'm keeping the meme panel because it's funny)-

Yuji wants to be strong and wants to be a savior because Yuji feels insecure in himself and loathes himself for his own weakness. However, this pushes Yuji farther away from his goal of saving others and making connections with other people so he can die surrounded by people BECAUSE people empathize with each other over their weaknesses.

Yuji wants to become someone strong and unbreakable who will never falter, never feel pain, and most of all never lose. He basically wants to become Satoru Gojo, but if Yuji were to ever rise to Gojo's level like that just by getting rid of all of his weaknesses he'd fundamentally lose his ability to connect with people the way Gojo and Sukuna have.

Yuji defines himself in strength, and suffering, and always overcoming, but then what is his heart for? He strives to become someone stronger than Gojo or Sukuna to protect his friends, but if he loses his heart that loves and cherishes those friends in the process then what even is the point?

Yuji walks a dangerous road from the culling games up until the Shinjuku incident, into nearly becoming like Mahito or Sukuna in his attempts to be stronger than them. I don't think he was ever in danger of going on a murder spree, but I do think he was risking becoming someone like Gojo.

Gojo made himself a tool for Jujutsu Society for the greater good and look what happened to him in the end. Not only did he die in the line of duty, his corpse was turned into a puppet to use as a weapon against the enemy. He made himself into a monster even when people like Yuta were begging Gojo not to. Yuji was on a similiar path of cutting off all the people who loved him and just becoming a person exploited in both life and death for the greater good.

So what stopped him?

Megumi.

YOU ARE ME.

A few people said that Yuji's abandoning the cog mentality suddenly happened too fast, or felt unearned but I think if you look at the culling games arc from higiruma's fight onwards as a whole it's actually a natural progression.

It all starts with Higuruma and Yuji's conversation:

Higuruma: "You're innocent. You didn't commit that crime." Yuji: "Even so, it's my fault." Higuruma: "Why?" Yuji: "...I see. Itaodri, there still may be a lot of people who are weak like you."

Yuji is someone who loevs humans, but puts humanity as a whole on a pedestal. He loves humanity but hates human weakness, especially his own weakness. Ironic because Higuruma is also someone who became jaded by having to work in the corrupt justice system and was forced to look at human ugliness day after day after day even though he wanted to be someone who valued people for their weaknesses.

Yuji doesn't learn to empathize with human weakness until Megumi's weaknesses are the one he's forced to confront. He doesn't abandon his notion of roles until he's robbed of his roles by Sukuna when Megumi becomes the possessed one instead of him.

Yuji is fine with being a sacrifice for the greater good, but he is not fine with sacrificing Megumi. By knowing exactly what Megumi is going through and wanting to save Megumi from Sukuna's possession, Yuji is in an odd way forced to empathize with himself. Like, it's a double standard on his part that's being challenged. Yuji blames himself for all the people he hurt as Sukuna, but he'd never blame Megumi for letting Sukuna kill tsumuki while possessing his body.

In his refusal to sacrifice Megumi for the greater good, even when Megumi is begging him to do so he rejects the common Ethos that sorcerer's are expendable cogs who are expected to sacrifice themselves and their comrades in the eternal fight against curses for the sake of public safety.

Yuji carries with him this grandiose notion of saving as many people as possible. However, when the option comes to make a sacrifice that would save hundreds of thousands of people from the merger by fighting to kill Megumi instead of save him from Sukuna's clutches Yuji can't do it. Even though Megumi at that point would be a completely willing sacrifice.

Yuji has to abandon his cog mentality to save Megumi, because an unthinking cog wouldn't put Megumi's life over the lives of everyone in Shibuya. A cog, especially a sorcerer would kill that one kid in order to save thousands of lives. Heck, Kusakabe more conservative sorcerer even brings up that argument that everything would have been avoided if Yuji was executed to begin with.

In order to save Megumi, Yuji must also reclaim his own humanity. There's a reason that Nanami, and Nobara, die right before Yuji adopts his cog mentality. Nanami, the most ethical of the first grade sorcerers who tried to teach Yuji to value his own life because he was a child, and Nobara the only kid in the main trio who was a normal person are both representatives of Yuji's humanity.

After losing both Yuji becomes reckless, he stops valuing his own life. As I said far, far bove, Yuji never listened to the advice Nanami gave him that it wasn't a sin to be a child. Yuji has this entire time thought it was a sin just to be weak, just to need the help of other people, just to not be able to accomplish everything on his own.

After Yuji starts reconciling with his own humanity though, he regains his connections to both Nanami and Nobara. Nanami comes back symbolically in the form of Higuruma, someone Yuji tries to encourage to live instead of taking the same suicidal path that Yuji was bent on. Whereas, Nobara herself actually comes back from the dead in time to land the final blow, the same way she reminded Yuji of her presence and that she wasn't alone in the Mahito fight.

Yuji also regains these connections when he's processed the grief for both people. He remembers Nanami and what Nanami left him in a more positive light. In my interpretation the line "I am a sorcerer" refers to Yuji developing a more healthy version of being a sorcerer. That instead of Yuji seeing sorcerers as slaves who have to sacrifice themselves for the greater good like Geto did, Yuji can see the camraderie between sorcerers who fight and put their lives on the line together.

Either way, I think the moment Yuji truly reconciled with the grief of death is sadly enough with Choso's death. If you want proof that Yuji's revelation wasn't rushed, that he didn't skip from point a to point b, then it's right here.

Choso apologizes to Yuji for leaving him ahead of time, and Yuji tells him not to, because Choso was always by his side when he was at his lowest point and that brief time they had together was enough for him.

Yuji's relationships so far have been defined by his fear of losing people. He wants to have a natural death, he wants the other people around him to have good deaths, he doesn't want people to die too early. By focusing on the fear of losing people, he hasn't yet been able to enjoy the time that they were around. However, in this moment he realizes how much Choso meant to him, even if their relationship was brief, and even if it came to an end. Yuji learned you can still love someone even if you inevitably lose them.

This is when Yuji finally accepts mortality and fragility as a part of life.

This is also what Sukuna can't accept. That life is fragile. That life is weak. That life comes to an end. Sukuna's entire goal is to maximize pleasure and live as long as possible, and therefore he's rejected all of the unpleasant parts of reality. Sukuna doesn't want to live in the real world like a human being, he wants to exist only in the world of Jujutsu where he's a god.

This is what Yuji represents to Sukuna, The human vulnerability, and mundanity that he threw away, by literally cannabilizing his own twin and throwing away part of his soul. The part of his soul that Sukuna threw away was taken by Kenjaku, and used as a science experiment to create Yuji. Technically, Sukuna is Yuji's uncle but symbolically Yuji is the twin that Sukuna cast aside. Especially since in this world cursed energy treats identical twins like they are the same person.

Yuji for the longest time tried to do what Sukuna did. Tried to throw his own humanity away so he could be as strong as Sukuna. He literally even ate the corpses of his own brothers.

Yuji and Sukuna are symbolically twins, but Yuji learns to embrace the things that Sukuna threw away. Sukuna threw away his own soul's twin in order to grow strong. He became all powerful in the jujutsu world because he ate his twin and gained an extra pair of arms and a mouth. He's like if Maki chose to kill Mai instead of Mai sacrificing herself for Maki's sake.

Yuji chose companionship with others over power. Sukuna doesn't need others people to satisfy him, and Yuji begs Megumi to come back from the dead because his life would be lonely without him. Yuji doesn't have some noble reason for going this far for Megumi's sake. He's not saving Megumi for the greater good, but because his connection to Megumi is important to him. Because he doesn't want to go through life without Megumi.

Yuji loathes weakness like Sukuna. Yuji desires to be someone special like Sukuna. Yuji has a grandiose sense of self importance like Sukuna. Yuji desires power like Sukuna. Yuji looks down on weak people like Sukuna does, he just condescendingly wants to save them instead of Sukuna who just wants to stomp on them like ants.

Yuji is also literally Sukuna. He was created by an offshoot of his soul. The same way that Sukuna was born with a body perfect for Jujutsu, Yuji was born stronger than anyone his age, and develops at an extreme rate as a sorcerer BECAUSE he was Kenjaku's science project to make the perfect vessel for Sukuna.

They are totally twinsies in so many ways, the only difference in the end is that Yuji learns to value human connection. In Sukuna's book there is no meaning to life, except for the pleasures he pursues as an individual. Therefore Sukuna is the only real person that matters or even exists. The narrator says as much he alone is the honored one, all that exists is his pleasures and displeasures.

In Buberian terms Sukuna only experiences existence and I and It relationships.

Buber's main proposition is that we may address existence in two ways:

The attitude of the "I" towards an "It", towards an object that is separate in itself, which we either use or experience.

The attitude of the "I" towards "Thou", in a relationship in which the other is not separated by discrete bounds.

Sukuna is the "i" and everyone else is an "it." Sukuna is the only real person who exists, and everyone else is just an object for their amusement.

Whereas, Yuji experiences "I" and "Thou" relationships. Yuji learns to see other people as different from himself. Yuji appreciates people as separate entities. While Sukuna gets amusement from his life by treating other people like toys, for Yuji the value in his life comes from the people who have entered into his life in some form. He appreciates the relationships he's formed with people and the memories they've left behind, no matter how brief the time they spent together was.

This is why Yuji's words reach Megumi, because he respects that Megumi feels differently than he does. He doesn't tell Megumi to just suck it up and keep fighting because that's what Yuji would do. He understands that he's a different person than Megumi, and he can't say he understands the grief and pain Megumi is going through right now.

That's Yuji's big revelation, in just a few short months as a sorcerer he's met so many people who left an impact on him. Some of those relationships came to an end early, but that painful ending doesn't negate what they meant to him.

The few months he spent with Choso have value even if it's not the same as the one hudnred and fifty years Choso spent with the rest of his brothers, because Choso supported Yuji when he was at his lowest point. Yuji finally sees that what gave his life meaning was the memories he made with other people while they were alive together. Not the way that they died.

So Yuji is finally willing to let himself exist outside of a role.

That's what he's offering to Sukuna as well. Maybe not empathy or understanding, because if Yuji had truly learned empathy maybe Sukuna might have accepted his offer. No, Yuji is simply willing to offer Sukuna the chance to live alongside him.

Sukuna rejects bonds of all kinds and Yuji is now embracing them. Yuji no longer seeks to annihilate curses because they're a fundamental part of life. Yuji wants to live on with his curses and burdens. He's also willing to give Sukuna a chance to keep living too.

Even Yuji points out that both of them are totally twinsies. Sukuna was born as a curse because he devoured his twin brother in the womb. Yuji was born as a curse because he was created to be Sukuna's vessel. The only way that Yuji is the way that he is is because he was raised as a normal child by his grandfather. If Yuji hadn't then he would have turned out entirely different. It's the same way that Choso became human because of his love for his brothers, even though he was born as a curse human hybrid and tossed aside by Kenjaku as a failed experience.

Yuji acknowledges both his capacity to have turned out like Sukuna if not for his grandfather's sake. This time when he says You are me, he's not saying it to threaten and destroy the person he sees as his shadow. This time Yuji is trying to reconcile with his shadow. He's looking at the person who represents the absolute worst of humanity, and the things he hates about himself and is still willing to give them the chance to keep on living together with him.

When Yuji says "I am you, so I'll kill you" to Mahito, that signals his first step on the road to self destruction.

When Yuji says, "I am you, so I'll save you" to Sukuna, that signals his first step on the road to self-acceptance.

It's Yuji allowing himself for the first time to just exist as a normal person not as the hero of some epic story. He even gave Sukuna that chance too, to just continue living alongisde him, but sukuna rejected it to keep on living as a curse until the end.

So, while Yuji saying "You are me" to Sukuna isn't true empathy, it is Yuji learning to accept himself and his flaws. . Because if Yuji is willing to forgive someone like Sukuna, then perhaps he might just learn to forgive himself.

[what-have-i-unleashed]

player!killer and anomaly!dust

since these ideas have been invading my brain lately, i feel like i need to ramble about the toxic (doomed) kist potential they have.

imagine the game world of dusttale trying to correct itself ever since the anomaly/virus that is killer entered it. so things in the world start to glitch and don't make sense. a character repeats their lines over and over without stopping. shortcuts stop working properly. character stats inexplicably get messed up. goners start appearing to warn dust and killer about the end of the world. it's nearing its doomed timeline trajectory, and yet dust will not give up trying to salvage his universe. in his mind, there's one surefire way to get everything back to normal: exterminate the virus that is killer.

dust and killer (and the goners and the almagamates) are not affected by the glitches because they are anomalies, glitches detached from the world already. to killer, this means enlightenment and freedom. he doesn't understand dust's attachment to the underground, his dogmatic beliefs about justice and the greater good for the monsters. doesn't dust want to ascend to be something "real", rather than the npcs that the rest of the monsters are? doesn't he want to escape from the control of the player? why would he want to obey to the whims of a dying, boring, constricting world anyway? if dust can't see it, then killer will make him see.

the thing is, dust is a difficult monster to persuade. sure, killer can kill him again and again (chances are 50/50 on who will win anyway). but dust always bounces back, more vindicated in his retaliation and belief that killer needs to be gone. the thing is, when you want to break someone down, you need to be the thing they fear the most. killer is already that, isn't he? he's a future of a sans, of dust's own past. this is what dust could have become. killer is what dust has become - a sans doing the work of the no-mercy player.

"aren't you bored of doing the same thing over and over again? aren't you crazy from repeating all these useless cycles only to reach the same conclusion again and again?... oh wait, you already are!"

and dust - what can he say to all that? is it true? is it not? who cares - the only satisfaction he can have is wiping that smirk off that face. killer knows intimately beings like dust - not only because they were the same person at some point, but also because dust is a control freak with a savior complex as well as survivor's guilt. deep down inside, dust cannot fathom losing. he has poured too much, sacrificed too much, to get this far. and he won't stop - not until he reaches his happy ending, which will never come. so he'll forever be stuck down here, repeating his worst nightmares again and again in a hell of his own making.

the only variable in dust's life is killer. gradually, dust treats killing other monsters as a job - an important yet thankless job that someone has to do. the only kill in which he feels something is of his brother... and killer. with killer, dust is filled with something - maybe it's joy, maybe it's hate, it's hard to tell when apathy is his usual state.

and the thing is, the opposite of love isn't hate. it's the lack of love - it's apathy. he feels something for killer - an attachment, an obsession, a possessiveness. "only i get to kill him", "he's my kill", that's what dust thinks. he rationalizes that thinking of course - killer reminds of him too much of himself, the person he hates the most. but there's that fear every time he kills killer - fear that killer will never come back, leaving dust with his empty broken world and voices in his head. and he fears killer will know it, somehow.

for killer, it's always a game to see who's the winner and who's the loser. it's a struggle for control, with the controller and the controlled. and with the player gone, dust should belong to him now. an eternal playmate, after everyone else has disappeared from his life. and like, it's totally therapeutic to beat up and mess with the guy who reminds you of yourself, right? totally not a self-esteem issue waiting to be explored or anything at all. it's funny how much they match. "look, we both wear red!" exclaims killer as he points to his own red soul and dust's red iris. determination pulls them together, and determination will break one of them in the end, and it's not going to be him. he'll persevere once this world rots away, while dust will be trapped by his own volition.

maybe, just maybe, he'll whisk dust away once the end comes. and they'll find another playground to re-enact their play again. killer will take and take and take, until all they are is dust.

Oh, I will ruin you It's a habit - I can't help it

I will only break your pretty things I will only wring you dry of everything And if you're fine with that If you're fine with that

[the-magpie-collective]

I've been struggling to articulate why people conflating Wyll's desire for emotional fidelity with no sex until marriage bothers me so much. I think this is the fifth or sixth time I've rewritten this post. So I'm giving up. Here are some bullet points in no particular order:

Waiting to have sex until marriage is inherently tied to purity culture. I hope I don't have to articulate why this is a bad thing. Making the worth of someone dependent on their perceived purity/virginity is not at all in line with Wyll's character.

Please stop getting sucked into the lie of purity culture being a show of dedication/restraint/true love. Please stop painting it as a good thing. Please fandom I am begging you.

Marriage is inherently a religious (and sometimes legal) institution. Wyll is canonically dismissive of the gods and they do not hold a great importance in his life ('The only thing a god's ever given me is a cold shoulder') And Wyll is not filing paperwork in triplicate with the city of Baldur's Gate before getting down and dirty with his love. No.

It takes what is a grand romantic gesture—a desire to know and understand his Love Interest and truly dedicate himself to them before sex—and turns it into a checklist. 'Gotta get married fast so we can fuck'.

I have seen a few individuals veer straight into aphobia with this. They'll give Wyll the strawman position of wanting to wait to have sex until marriage, so that when they criticize Wyll wanting to wait, make him out to appear "broken" for applying a different priority on sex than other characters, and then proceed to "fix" him, they're painted in a better light. The reality is they're just perpetuating the same tired old aphobic bullshit that people on the asexual spectrum must just be prudes/religious nuts/broken/sheltered/'one good fuck would fix them' instead of acknowledging that it's a valid orientation.

I don't personally headcanon Wyll as asexual—but there are definitely parallels in how some people in fandom treat Wyll's wanting to wait and how people treat asexuality

You don't have to justify why Wyll is having sex in your fanfic. These are fictional characters. Do what you want with them. Just stop it with the aphobia

[shan-yee]

𝙳𝚊𝚛𝚔 𝚑𝚎𝚊𝚛𝚝

Daryl Dixon x younger!fem!reader ๏𝚆𝚘𝚛𝚍𝚜 = 950 ๏𝚆𝚊𝚛𝚗𝚒𝚗𝚐𝚜 = death, gun, reader lost her sibling and her parents, reader lost her sanity, age gap, Daryl saw the reader grow up. ๏𝚂𝚞𝚖𝚖𝚊𝚛𝚢 = Sometimes you have to do things that you don’t want to for the sake of your loved ones. ๏𝙰/𝙽 = I KNOW I HAVE REQUESTS TO DO, but i rewatched TWD and damn Daryl… ๏𝙰/𝙽 2 = English is not my first language, please let me know if you see any mistakes ! Enjoy ✨

Save me from the nothing i’ve become

Daryl had never believed in love, that is, if this « love » concerned him directly. He had always been happy for his people when they found the boot that fit them. But the idea that he could one day find someone who would accept him for who he was despite his damn character and his many emotional wounds, still open, was inconceivable to him.

And if one day someone had told him that he would indeed find love in a young woman whom he had watched grow up and protected for a good part of his life, he would have laughed out loud. Even more so if this said person had told him that he would also be the one to take the young woman’s life.

He didn't understand how everything could have taken such a turn, was it too much to ask to have a happy and simple life, in a house with blue walls and a garden, with his family.

Accepting the fact that he loved someone much younger than him took courage but he did it. And when he was finally living a somewhat normal life in this apocalyptic world, he now had to take the life of the woman he loved to protect his found family.

When Rick told him about it, he refused, he even got angry and shoved his friend before storming off. Then he thought, really thought, about what Rick had said to him.

Looking at [Y/N], sitting towards the many graves that the inhabitants had dug, with a blank look and the skin of her lips bleeding from the many open wounds they had, he realized that maybe, maybe it was the best solution.

Daryl understood that after losing the only living member of her family the young woman might be devastated and need time. But there was something else behind this sadness, a feeling that Daryl had only seen in his father. Such destructive hatred that he came to shiver every time his gaze met that of his beloved.

She had never been the type to always be full of energy or cheerful, how could you be when death lurks near your house every day, but this look had nothing to do with her usual detached and grumpy morning look.

So finally, he accepted. It was out of the question that anyone other than him would do it. He had gripped the grip of his gun with a trembling hand and that same evening he had found the young woman in the garden, where she spent most of her time, looking at the flowers that Carol was growing with disinterest.

When he got close enough to clearly see the outline of her body, he stopped abruptly, like a stake. And the [H/C] haired woman seemed to know he was there, why he was there.

He saw her turn her head slightly and glance at his weapon before turning it around and returning her attention to the many flowers.

—I’m tired. She whispered, her voice raspy, as if she hadn't slept for several days.

—I know. He answered her, his eyebrows furrowing as he felt like he had never blinked so much in his entire life.

—I’m sorry.

—I know. he repeated.

The young woman's shoulders sagged before she slowly stood up, Daryl's gaze following her every movement with an eagle eye. He knew she wouldn't try to run away and deep down he hoped she would, that she would hit him before running away at full speed. But she wouldn't do it, even if he asked her.

She approached slowly and Daryl was able to admire her one last time, she didn't smile at him, she hadn't done so for a while, but he saw a certain tenderness in her eyes, a tenderness that she always reserved for him and their friends.

Decided, the man took her in his arms, her head against his chest and she let him do without saying anything, her eyes closing.

—You’re not going to kiss me one last time ? She asked him with a touch of humor in her voice.

But he didn't answer her. She knew that her question was selfish, she was going to rest forever but he would have to live with that, live with the act he was going to commit and the distant memory of a woman he had loved but could not save.

—Will it hurt ? Her voice resonated like a sweet melody in the older 's ear.

—I don’t know.

—That’s the only thing you didn’t know tonight. The young woman laughed without any real amusement.

He wanted to tell her that she was wrong, that he didn’t know what he was doing right now, that his action was surely going to be the biggest mistake of his life, but he didn’t. He decided to keep his feelings to himself, tonight was not about him but about her and for his peace of mind he was ready to bury everything.

She finally felt the soft coldness of the muzzle against her temple before taking a deep breath, she felt ready, ready to finally find her family in the afterlife and stop this infinite race against death.

—I love you Daryl, i really do.

The corners of his mouth twitched and he held her a little closer to his chest as if to reassure himself.

—I love you. He murmured in the corner of her ear, leaving aside his usual disinterested tone before pressing the trigger.

Daryl never spoke of that night again, refusing even to pronounce the first name of his former lover and no one ever found the young woman's body.

[thecomfywriter]

one day, someone is going to simp for my favourite oc harder than me, and i will no longer be a one-woman act in this fanclub

[ruporas]

green haired guy that has haunted my character types for 10+ years

[puppyeared]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[isp-annafer]

Hey guys Hephaestus has glasses in the livestream animatic. I know its just for funsies (and also probably based on Jorge's dad, who was the singer), but you guys know what this means????

A possible canon explanation for Polites having glasses CAN be a 'gift of the gods' now, except not from Athena as some people have jokingly suggested. It can be from Hephaestus instead, lol.

(ALSO, recall how Hephaestus's brief argument was 'trust isn't given, it has to be forged', which can be an echo of Polites's philosophy, which was something like 'show trust, and be trusted in return'.

There's SOMETHING there that can be played with between two characters that didn't show up much in the musical. One more than the other.)

[wickmitz]

I decided to start talking about Wick and Rocky's relationship because I like their dynamics too, I like seeing Wick scared of Rocky and Rocky being aggressive with him, which is unusual because Rocky is rarely aggressive with anyone, but of course Wick is an exception to rule

Also my mini opinion about their possible relationship, I think that if Rocky didn't have to fight for his place, then he and Wick could become friends, or at least tolerate each other a little, I also see some superficial similarities, their gentlemanly and romantic natures, and their common love for explosions (remembering the quarrymen chapter), but this is my assumption, I think that I don't understand the characters' personalities well, so I can be wrong in this assumption, something like that. So, what do you think about their relationship?

for starters, i cannot thank you enough for this ask! as i’ve said previously, i have many thoughts on these two, so it’s nice to finally be able to share some of them. although given the extent to which i think about them, i apologize in advance if this is sloppy and sort of everywhere … while i’ll try to structure things the best i can, i cannot promise i’ll succeed! but hopefully this is an enjoyable reply nonetheless.

one of my favorite things about rocky and wick’s relationship is absolutely how aggressive rocky is towards the aristocrat ; he is prone to glares and cruel jokes and borderline hissing whenever the man is within his line of sight, or can be brought to a wailing-fit over the mere mention of his name from miss m’s mouth. there is a childishness to it, but a very prominent threat as well in spite of rocky’s usual incompetence. so he goes out of his way to posture around wick, readily lying and adorning himself with the gangster drapes he so badly wants to wear, in the hopes that it intimidates … will even badmouth wick’s family and make fun of his name and rock related obsession to mitzi, and so on so forth! yet all of this is very reminiscent of schoolyard bullying rather than anything too severe, though we as the audience understand rather quickly that rocky would bash wick’s head in with a tire iron if he could. ( translation : if it wouldn’t earn the tears or hate of a certain beloved mitzi may ) and it’s all very intense despite the absence of actual violence! and i understand why many fans see this as unusual for rocky and believe that it’s only wick who makes him act so aggressively, but i’d argue it isn’t really wick at all that prompts such scary reactions from him … and that rocky is a deeply angry character who’s a.) been boiling quietly for a long, long time and b.) has turned wick into a punching bag of sorts for this inner world of resentment and hurt. basically, when he’s judging the well-to-do or poking fun, his eyes don’t look at wick and actually acknowledge him as sedgewick sable ; instead this is a being, something vague and metaphorical, who threatens to upseat rocky’s permanence in the lackadaisy and steal away his savior, and he’s had a hand in the violinist’s misfortune for a long time.

obviously, rocky doesn’t think wick robbed him of his family twice over and made him homeless, but he is channeling the fear and anguish of those events into his loathing for wick, if that makes sense? it’s easier that way -- to finally have an outlet for everything bleeding inside of you, to be able to bite and claw at something without feeling conflicted or having to take personal accountability for your own mistakes … which is something that i think rocky does struggle with to a degree. he is sort of a finger pointer! his pain has to be worth something, it has to be for someone else ; spending years homeless and losing his last bit of family was for freckle, and the scrambling of his literal brain was for mitzi, and that means he can’t ever be angry with them! well, except that he is, somewhat, but he buries it deep down instead of feeling it. with freckle there is a sense of strain between them -- an air of ‘you owe me’ from rocky to freckle as he uses freckle to appease miss m, and he constantly pokes fun at his cousin too. it’s lighter than his jabs at wick, but there’s a constant pestering, a reminder of how good freckle has it : how he’s got the mom and the house and the job and the girl most notably. i don’t think rocky is intending to come across as mean, and to his credit he hardly does! but it’s rather clear to me that some part of him, some hidden and deeply hurt part, is rather indignant about taking the fall for freckle all those years ago. which he can’t understand, because how could he? he made that choice, he decided to take accountability for something he didn’t do because he loves freckle and knows it’d be so easy to believe this family tragedy was roark’s fault ; the devilish child he was, all troublesome and too broken to properly fit anywhere. so there is a disconnect born here, where rocky can’t comprehend that he’d be angry at freckle, so instead these not so great feelings are placed elsewhere and silently boil over time. and with mitzi … i don’t think he’s angry at her per se, but there is a frustrated and desperate chorus of : why him and why not me, when i’m the one out here dying for you? which is certainly unpleasant. of course, rather than allowing those feelings to be more aimed at miss m, whom he feels unloved by, he ( again! ) represses these emotions and allows them to fester into his greatest fears and fantastical complexes. i think there is a lot of other miscellaneous anger he could have towards others too … perhaps some part of him is sore upon seeing ivy’s normal lifestyle, watching her go to university and knowing that’s been taken from him. or an ache felt when hearing stories from zib and the band and how they used to travel successfully, living as nomads, and rocky is all too reminded of his similar lifestyle and how he couldn’t make it work as effortlessly. people with immense trauma are more prone to irrational anger and jealousy, to viewing everything around them as unfair and believing it’s even more unjust that so many people get to live comfortably while they’ve suffered. a situation that gets more messy when you’re someone like rocky, a man who’s willingly made choices that have harmed himself and wants to continue on with his smiling, bumbling fool of an act. he does not want to be angry, does not want to see it within himself, i think, which leads to an accidental increase of it.

all of this is to reiterate that wick is a scapegoat for rocky and nothing more. it’s why he’s rather hypocritical whenever it concerns the man. for example, it was stated by tracy that he looks down upon wick for his excessive presence at the bar, yet he appears to enjoy hanging out with zib -- who drinks just as often! he makes fun of how all wick ever talks about is rocks, when he himself is prone to poetry rambles that people find irritating or boring, and etc etc. this is also just a human nature thing, to critique someone you heavily dislike and even going as far as to belittle things you love or do in your own day to day because you just hate them that bad! but given rocky’s willingness to befriend anyone, it more so reeks of a dehumanization element. wick is every obstacle in his way, every divine force that threatens to send him packing again, so he is equal parts unnerved by wick’s presence and angry about it. it is mostly a fear response we are seeing, an emotion that’s morphed into long held resentment and anger. so his actions are extremely defensive, with him trying to push wick far away and keep him and mitzi separate, like some sort of animal attempting to ward off a threat that’s come too close to their home. despite the loaded animosity there, this hate has hardly reached its peak … but it shall only grow more intense as things continue onward i’m afraid, since as it stands ( in the comic at least ) rocky is at an all time low … and is ten times more desperate. i’d honestly say wick has become so warped in his mind’s eye that he can only strive towards ‘winning’ over the other man, because that’s all he can see anymore. i think mitzi implying that wick willingly helped her out, the intense head injury, and rocky’s fragile emotional state is exactly what pushes him towards premeditated murder in look-see. i don’t know how people perceive that arc, but to me it’s very clear that rocky actively sought to see the deaths of wes and fish that night. going as far as to lament that he’d be, “very disappointed if ( he ) dreamed them,” and purposefully luring the marigold duo away to have freckle pick them off. while you could argue that this was a smart move, in a gangster sort of sense, there’s still no denying that rocky is oddly chipper about the whole thing and is now seeking death out ; whereas before his methods of vengeance were just, well, ruining people’s livelihood but ultimately leaving them alive. this isn’t to discredit the fact that rocky is going through something! he is in a very muddled and dark place, mentally and physically, but even tracy has said that the head injury hasn’t changed rocky’s personality -- it’s only brought things to the surface.

source : q&a with tracy .

which, yeah! makes sense! head trauma can cause a person to become a wreck emotionally ( think mood swings, irritability, etc ) but it doesn’t completely morph someone either. personality changes may occur, but it’s not like you’re being rewritten entirely, you know? and given tracy’s old statement, it’s clear that ‘personality changes’ aren’t a side effect he’s suffering from. something that adds to my beginning statement, which is that rocky is a deeply angry and troubled person, more so than fans give him any credit for.

however, to touch upon your mini opinion about these two, i actually wholeheartedly agree that rocky and wick could become friends if circumstances were different. they do in fact have many superficial similarities, but one of the more prominent things they deeply share is never really belonging in the groups they frequent. this is more overt with rocky’s character, yet wick faces it too in subtle ways. the well-to-do crowd, seen through the investors, find the gentleman to be lacking in about every place imaginable ; to them he is an obsessive freak who cares too deeply for meager rocks, something they constantly mock him for, while he’s also being noticeably set apart from the rest of them … he seems younger than the investors, more excitable, passionate, and a little less experienced, and doesn’t seem to care for money or reputation as much as them either. there is a constant rubbing between him and them, where what he enjoys is seen as wrong, such as his love for the lackadaisy and his choice in paramor, a grieving widow with extremely dangerous ties. we also know that wick doesn’t have many friends at all, with the only two he has being lacy and church ( church is listed as such on his character profile, in a sort of tongue-in-cheek way ), both of whom work for or with him. they are obliged to hang around, and while they care in varying ways, they are prone to judging him just as much. honestly, it’s not shocking that wick seeks refuge at his chosen speakeasy! but even there he is rather distant from everyone else. he doesn’t speak to zib ever in the comics, nor seems all too close with viktor, ivy, or horatio … it is merely mitzi he is close to, even if he knows of the other people who work there. and, once again, wick very obviously doesn’t fit in. he is not gangster material, could never be an atlas may replacement, much less someone who could get his paws dirty in such an active way. so he has his feet in two different worlds and doesn’t know how to fit into either of them, or which one he actually wants to fit into more. i think in many ways rocky could relate -- these are two very lonely people who wish to belong somewhere and be accepted by some group or another but go about it in all the wrong ways. wick, who is too hesitant to fully commit to what he wants and is worse off for it, and then rocky, who obsessively throws himself against what he wants until he breaks every bone in his body. they also have explosives to bond over, lol, and other miscellaneous things like their taste in women i suppose … but this potential bond adds to the tragedy of lackadaisy, where we see two people who on every level should get along but we’re burdened with the knowledge that it’s an impossibility anyway, because there’s no removing the circumstance of which they’re in.

though i like to believe that despite wick’s fear of rocky, he maintains a kindness towards him regardless. i think his worries about rocky are rather surface level … he doesn’t know the boy at all, really, and thus can’t make heads or tails of him, hence him believing the lie in balderdash. so when i’m feeling particularly self indulgent, i like imagining a world where they’re forced together and sort of ‘stuck’ together ; to which rocky finally breaks and exposes his wounds to wick, in every sense of the word, and wick finally gets him. the aggression, the possessiveness of mitzi … it is all fear and desperation and a profound sadness, things he’d sympathize with. if rocky was able to explain that he loathes wick because if he saves the lackadaisy then mitzi won’t need him anymore and that it’s not fair that wick gets to so easily fix things when rocky would give his soul for his home, for her, and how wick could render every sacrifice he’s already made for naught by smoothing things over with some greenbacks and he can’t lose this, he just can’t --! … which, well, wick is too kind of a man to be able to do anything except feel awful, even though it’s not his fault at all. here we have two people who could coexist! and they should, since rocky logically can’t do every speakeasy job ( band member, rumrunner, mitzi’s shadow, also the guy who gets the money for the hooch ) by himself, just like how wick can’t save the lackadaisy with only his cash and limited booze stash. it’d be a joint cooperation, a collaboration between them, both equally important in the grand scheme of crime’s every turning wheel … but rocky’s rage and fear won’t let him see that, and likely never will. still, in scenarios where everything ends up alright for the lackadaisy and the people involved in it ( which is not how canon will go, by the way ), i fancy wick and rocky getting better within their relationship. rocky will always be prickly and quick to upset around the other man sadly, but perhaps he could see wick in a softer kind of light. or at least understand vaguely enough that he isn’t out to get rocky, so to speak. and then maybe wick learns that pancakes soothe rocky’s ire and poorly makes them anytime he wishes to talk to the man, and other fun things like that! but you should have more confidence in your character analysis skills, because you were spot on ( at least in my eyes ) about them potentially getting along if things were different. it’s certainly a fun aspect to play around with, and is important to note when discussing their relationship so you can fully understand just how warped rocky’s perspective on things are. and how unstable and traumatized he is too, of course </3 sidenote, but i also hope that throughout everything i’ve said here, or anything i’ve said before on my blog, that my love for rocky and my own sympathy for him comes across well enough. while he’s deeply flawed and i have no qualms discussing said flaws in depth, i also don’t think of him as some insane freak who’s evil at his core or anything like that. honestly, i adore analyzing him so much as a character because of how far down his issues go! he’s very well written, i’ll say, as is wick and many of the other characters, but i digress.

once more, thank you for the ask! i’ll end this here because i fear if i don’t i’ll start going in circles, since their relationship is so vast and very important for rocky in a character sense. hopefully i shed some more light on it though! i love these two to bits and pieces and i wouldn’t be half as invested in lackadaisy if their dynamic wasn’t so monumental -- at least to me.

[beanghostprincess]

Sorry I really didn’t mean I’m attacking you or your ship. I also don’t think it’s a red flag, most gay men I saw don’t really like shuggy either. I mean, probably the entire world prefers any other shanks ships? On almost every site, con or store there’s always tons of mishanks and Bennshanks and never shuggy. I get it’s also about dynamic and connection those two pairs have, like with the parallels to other ships the base for them is extremely strong. But the minimal shuggy does speak volumes. I genuinely wonder about this. Shuggy is unpopular and again while I do agree there’s strong connection between “rival ships” I don’t think that’s the only reason… and like…. Buggy is ugly, isn’t he? He doesn’t have cool style, doesn’t look cool, makes ugly faces all the time, also is a coward. I like him as comedy character and shanks brother though!

I understand where you're coming from when you say Shuggy is unpopular amongst some people (actually, before anyone says anything. It IS an extremely popular ship in Japan but I have seen A LOT of hatred towards it in this side of the fandom, so that's what I'm talking about when I say it's unpopular). I have talked about this before. And I have said a lot of times that the reason why is often because people only focus on looks and Buggy is not conventionally attractive for the fangirly twinkified sexualized gaze numerous sides of the fandom and the general audience seek. Like, I am not forcing people to ship them, but I have had people admitting the only reason they don't is because of the looks, and I personally believe that is a very (despite valid, of course) dull way of seeing ships. And respectfully, I don't care that other gay dudes or all the people in the world agree with you. It's not a red flag to not like Shuggy, what it is a red flag, though, is to come into people's inboxes to do what you're doing!

I know you don't mean to attack me or anybody who ships them but your tone does wonders showing otherwise. Your perception of shipping is just based on looks and the fact that you came here, to a blog that explicitly ships these characters and is fond of Buggy, talking shit about one of the characters' looks... Is just straight-up mean and not following the social etiquette this site should follow, which is "let people do whatever the fuck they want".

So with all due respect, what makes you think I won't find your questions offensive in any way? Because you keep talking bad about a character I like in my inbox for literally no reason. Do you expect me to admit that the ship is unpopular because Buggy is ugly and boring? Well, I do admit people view him as ugly and only a comedy relief, but I don't. Expecting others to find beautiful and interesting the same things you do is having a very close-minded vision that One Piece's plot itself is against.

By the way, you're showing that you clearly don't like Buggy in the slightest because you're only talking about the traits that you find negative about him. But of course, you like him as comedy relief. Of course, you like him as a character in Shanks' story and not as a character himself. Despite Buggy having lots of depth. Your perception of these characters seems, in my opinion, extremely empty and, as I said, only based on looks. And you're free of shipping whatever you want however you want! But please, please, don't do this anymore. This is just petty high school mean girl behavior. Even Regina George would word this in a more polite way.

So, as a little advice for you, let people ship whatever they want without questioning their favorite characters! I am sure you will live a more peaceful life!

[hopeswriting]

imagine you're luce, and you're born the heir to a mafia family. you're mafia-born, and so of course also mafia-raised, and then also a donna-to-be. you're raised to be able to take on the role, to be good and capable at it, are taught to make one of your core beliefs about how the many must come before the few, because the family must always come first. you're going to be the donna, of course you must always prioritize the family above all else, it's your foremost and most important duty.

if caring about the few too comes at the price of the many, comes at the price of the family, is it even worth it? if the happiness gained from it comes at the price of a greater suffering for others, is there even any meaning to it, even if it's your happiness we're talking about? you understand, don't you?

you're not sure if you do, but you care about your family, love it, want to do right by it once you become their donna, so you nod, listen and learn.

(you don't have to be taught the pain and loss and guilt and anger and bitterness is a fair price to pay for the pain you decide has to be inflicted and the sacrifices you decide must be made, including by yourself. it's the least you could do, even.)

imagine you're luce, and the gift of foresight runs through your blood.

you would not call it a gift. you did not ask for it either. and you'll never come to see it as something wanted by you.

you can see the future, and it happened exactly as you saw it would, so of course it's exactly the way you wanted it to go. you can see the future, and it happened exactly as you saw it would, so of course you didn't care to try hard enough to change it. you saw the future before the shape of it had yet to be breathed into existence, and who's to say it didn't come into existence only because you saw it happen? you saw the future, and it happened worse than it had to for it.

you can see the future, but you still can't make it anything else than what it was always going to be. you can even make the visions happen at your will, but you still have no say on what you see or how much you see. you still can only be the witness of it before anyone else can.

it does mean double and longer the happiness sometimes, means relief and gratefulness and hope beyond words, and it'd be cruel of you to voice out loud your feelings for others to hear the many more times it means something else.

you can see the future, and it doesn't make it any kinder on you than on anyone else, does not give you any more power or control over it than anyone else, but at least you can see the future. you're given the time to make peace with it, to brace yourself for it, to bargain with it, to plead and beg and fight against it however desperately and hopelessly, even if in the end it still happens exactly as you saw it would.

(you can see the future, and it still doesn't hurt you any less than anyone else when it happens, but you don't expect anymore for anyone to hold you any less responsible for it anyway. it would be nice for someone to do it one day, but you understand.)

you can see the future, and you decide it's a kindness to both yourself and others to keep it for yourself as much as possible whenever you can.

imagine you're luce, and your family has this set of rings they've looked after and protected for as long as your family has existed. they're one set of three of the most important artifacts in the world, ones that help in safeguarding its existence and balance. they're duty, the very first one and the most important one your family was created for.

the pacifier around your mother's neck is duty too, and the most important and powerful artifact among twenty-one in safeguarding the world and its balance. it's been passed down in your family too, from mother to daughter. it's duty, but less tied to your family and much more to the blood running through your veins. it's a curse, in fact, as it demands heavy sacrifices the rings don't, and one that can only be tied to the blood running through your veins.

(your mother looks at you as if expecting some kind of reaction from you, and you can only wonder at which point you weren't supposed to see it as a given. duty and sacrifices have been one and the same for you for a long time now. is it even duty if it doesn't require any sacrifices from you?)

imagine you're luce, and your mother dies for duty. she's the donna, and so she dies for your family. she's the sky arcobaleno, and so she dies for the world. she's your mother, but she dies anyway, doesn't fight it either, even knowing she will leave you behind, even knowing she won't ever get to see what you look like all grown-up.

everywhere you look, duty stares back at you, from your mother and the pacifier around her neck, her love for your family and the life she gives up for it, her love for you and how she dies anyway while you're still only a child. duty, from your family members and how they die for you and kill for you, how they do both at your command, how their lives are in the palms of your hands and how they weigh only as much as you allow them to at a time. duty, from the knowledge your foresight gives you and the shackles tied to the blood running through your veins.

your mother's only duty while she lives too. she loves you, but she'd have had to give birth to you anyway even if she didn't. she loves you, but she still gave birth to you even knowing the kind of life you'd have to live, the kind of hands you'd inevitably end up with, the burdens she'd have to lay on your shoulders, passing them down from her own. because she loves you, she finds the resolve to raise you to be able to face all of it head-on and come out on top, but she'd have had to raise you much the same way anyway even if she didn't.

(she doesn't die for you, doesn't fight to be able to keep living with you, and this, too, is your mother surrendering to duty one last time.)

(you're so sick of it, so angry at it, so hateful and resentful against it. you're so stifled by it to the point you've stopped being able to breathe for a long time now. or you would have been if they had taught you how to face duty in this way too.

it's for the better they didn't. a silver lining, sparing you pain that isn't necessary for you to go through. everyone you turn to only teaches you how to keep holding your breath longer, and you listen and learn, obedient and dutiful as you've ever been.

you're grateful for it too. really, you are.)

everywhere you look, there's no room for you to so much as question any of it, let alone anything more. duty is commendable, something you ought to look up to and strive towards, strive to achieve. duty is the right thing to do. of course it is.

(you exhale a breath of relief that shakes you down to your very core.

thank god, it's at least the right thing to do.

you're grateful for it beyond words. really, you are.)

imagine you're luce, and before it even happens, you know the choice you'll make when climbing that mountain, when standing on top of it, when waiting for a bright light to shine down on you from above. you know the choice you'll make then, even when pregnant with your daughter.

it doesn't matter since how long you knew, be it years, months, days, hours or minutes before. all that matters is that before you can even contemplate the idea of making another choice and all its implications and possible consequences, before the thought can even come alive in your mind, you already know the choice you'll make.

(you can see the future, but just because you already saw it, it doesn't mean it's now set in stone.

you can see the future, but just because you're given the chance to fight to change it, it doesn't mean it still won't happen every bit like you saw it.

it doesn't mean it can't still happen even worse than how you first saw it happen because you fought to change it, no matter how already dreadful it originally was.)

imagine you're luce, and before it even happens, you know they'll be others with you standing on top of that mountain. you're the only one who'll know it before it happens.

(because you can see the future.

and oh, you did not ask for it.)

they're strangers, people you don't owe anything to. adults who choose to show up at the first meeting, and to show up to every following mission after that. the chosen seven, whose ambitions and prides lead them to walk the path of the seven strongest too once laid down in front of them.

you don't force their hands in making any of those choices for them. you're not responsible for any of them.

you become coworkers then, accomplices, your hands stained in blood to various extent, but now dipping in the same pool of blood as you strive towards the same goal together. you have each other's backs, learn each other's strengths and weaknesses, learn each other's personalities, likes and dislikes. you keep having to spend more time together as the missions keep coming your way.

inevitably, you come to care about them. even more damning, they come to care about you in return. enough so they'll look after your daughter even after what'll happen on top of that mountain. enough so they'll look after your granddaughter too, warmly and fondly enough she'll call one of them uncle.

you're still the only one who knows they'll stand together with you on top of that mountain, not knowing what'll happen on it like you do.

and you do care about them, you swear you do. really, you do.

(you care about them the same way your mother cared about you, and how she still raised you to have steel in you and be made of sharp edges you know how to use. you care about them the same way you care about your family, and how you still send them to their deaths as needed so the rest of your family you care about just the same can keep on living longer and safely. this is the only way you've had the chance to learn how to care and love.

duty and sacrifices have been one and the same for you for as long as you can remember. it doesn't matter at which point sacrifices came to mean love to you too.

and most of all, you love your daughter more than anything else in the world.)

imagine you're luce, and this is who you are. this is who you've been raised to be, the only way you've been given room to grow up to be. this is the life you've lived and the kind of life that has shaped you as the person you are now. this is what you've been taught and told is the best version of yourself you could have grown up to be. this is who you ended up being by what you've been taught and told are all the right choices to make.

you're still the only one who knows what is about to happen on top of that mountain. it hasn't happened yet. the fate of the world hangs on what'll happen on top of that mountain, the same world you'll have to give birth to your daughter in. the same daughter you're currently pregnant with.

now imagine you're luce, look me in the eye and tell me you'd know how to even form the thought of the possibility of there being any other choice to make. look me in the eye and tell me you wouldn't look at the only choice in front of you, and know deep in your bones it's the only right choice to make. that it is right of you to make it. because it simply has to be.

(imagine you're luce, and you're not doomed by the narrative. of course, you're not.

why would you need to be when the narrative has painstakingly shaped you all your life to become its perfect, faithful and dutiful sacrificial lamb?

and then, imagine you're luce, and you're even grateful for it, so, so very grateful it held up its end of the bargain too.

truly, you are.)

[moeblob]

Brent doesn't have a huge family. He in fact only has two cousins. Who are twins. And they're invested in making sure they're the favorite cousin since Brent's their favorite cousin (by default since he's their only cousin).

[piko-power]

My Personal Headcanon On Why Amy's Love For Sonic Died Down Lately (and their dynamic)

When they were younger, Amy's love for Sonic was pretty extreme, and Sonic was, understandable, uncomfortable for the most part. He knows she means well, but that girl needs to calm down.

She can fight, but sometimes her hammer could only stun her enemies for a while. (It took her a long time to get rid of that robot that has been chasing her around Station Square.) She wasn't fully independent yet, even if she fought on her own a couple of times.

She often follows Sonic and his friends around. She is part of the team, but she was not a strong as she is now at the time yet.

She admires Sonic. A LOT. And Sonic knows that. Obviously, he could only run away from something like that, since he is NOT ready for that kind of thing, and whether Amy takes the hint or stop, she still loves him.

...BUT, I think things were slightly starting to change between her and Sonic after Lost World.

Remember this line?

You remember that? Okay, okay. Here's another totally unrelated question:

Before the events of Lost World, when was the last time Amy said "I love you" to Sonic out loud?

...YEP. 😈 (Unless I'm missing something, let me know lmao)

As more games and adventures come out, the characters get slightly older, and Amy is 12 to 13 now, and she is most certainly at that age where her body starts to change, but especially on how she views Sonic.

She knows she loves Sonic, but it was this moment during her change where she actually wanted to admit that she loves him.

I believe that Amy was all about sharing her affection to him not through confessions, but through obvious hints. Sonic totally got it, and there was no need to confess. Sonic knows she loves her.

...But she never said it. And she almost did, but she never did again for a while.

I think this was the moment in her life where, oh, God, she actually loves Sonic. SHE LOVES HIM, WHAT.

And she was looking back at all the times she had with Sonic that she can now see were unpleasant to Sonic (At least that's what she thinks) and that's probably why she isn't so expressive about her love to him than how she used to back then.

She wasn't sure what to do with this realization, and sets aside it for a while, and nearly stayed as her casual, peppy self... until the Eggman War happened.

During the 6 months of being with the Resistance, fighting Eggman's army all day and all night, all she can think of was Sonic.

She dreams that he still with not just her, but with her friends. She just wanted to see Sonic again, she just wants to be with her hero again.

But I'd like to think that she was also thinking about how she used to treat Sonic back when they were younger, how Sonic would almost always run away from her whenever she asks him out, or always look so uncomfortable whenever she gets so close to him.

Cringing at those memories big time, she wanted to change and hopefully when Sonic is okay and comes back, she can be better for him.

...Or will he still find her uncomfortable regardless? Would he even be happy to see her at all if he did survive?

But, hold on! She can't just give up her love for Sonic! He made her who she is today! A peppy, nature-loving, hammer-swinging, confident, brave... loud-mouth... annoying... Sonic obsessed... weak... pathetic... lonely little girl.

If she gives up on Sonic, it'll be like she gave up on the one hedgehog who saved her life. If she didn't she'll still be the same ol' Amy.

I also like to think she had parents a long while before she met Sonic, and was even expecting a little sister, but a robot invasion happened from where she was and attacked her parents and instead of trying to save them, after getting hurt, she ran away, hoping that they'll come back okay. But they never did.

She was all alone, and needed someone, a friend, a new family, someone who will hold her hand, anyone, to be there for her. But she was ignored by lots, and at that point, she's better off by herself, but still longed for company.

Eventually though, her tarot cards told her her future hero, and there might be hope after all. She encountered Sonic, held onto the belief of the cards tight, and the rest is history.

So, with that headcanon in mind, not only did Amy loose her parents that she didn't save because of her cowardliness (she was only so little at the time that happened) and also Sonic, who she thought will be her only hope, but now gone.

She doesn't even care if he did come back, he'd probably hate her now after everything she did to him, always talking about their "future wedding" or forcing him to go to Twinkle Park.

For the last few months of the war, it was nothing but Amy mentally beating herself up for either refusing to change or moving on, and they are both not fine choices.

She loves Sonic, but he does not love her, and she finally, finally realized it. And it's probably for the best if no body loved her at all.

But of course Sonic did survive and all of her worries wash away in an instant, she's just not expressive about her love for Sonic AT ALL now, since she's still worried about it but rather not mention it to Sonic because it doesn't matter.

If Sonic doesn't love her, then her feelings don't matter to him, and according to Amy herself, that is okay.

But also, I'd like to think that Sonic was thinking about his friends a lot up in the Death Egg for the past months, sometimes it's Tails (worried for his safety), sometimes it's Shadow (because he's wondering why he would join Eggman.) At some point, for a few days, Amy was in his mind the longest, and he felt bad about how he thought he was rude and pushy to her.

He wondered if she's not thinking about it too much, and if she is, will she give up on him? Yeah, he doesn't feel the same and still not looking for a relationship, but it's so strange but interesting how anyone could ever like someone like Sonic the Hedgehog. Amy was never afraid to show that, and she probably might be now.

He couldn't help but feel guilty. They were kids when she was like this, but he was so... arrogant at the time too. Not a lot happened at the time yet. He'd always have trouble expressing how much he value his friends, until he shattered the Paradox Prism. (I'd like to think Prime took place before Forces. It makes sense.)

She is such a sweet girl, and he probably made her believe that he didn't care for her. Just because he doesn't feel the same, that doesn't mean he hates her at all.

He wished he never ran away from Amy... Worrying for his little bro and wishing to be a good person for Amy was when Sonic cried in the Death Egg for the first and only time.

Frontiers, in my opinion, is kind of confirming their dynamic now. Sonic is a lot more sincere and kinder to Amy and she is not all hyperactive and lovey to Sonic. There is probably a real reason for this now.

They are both hiding their feelings from them, and they are both unaware of this. Amy, hiding her mental issues from Sonic, and Sonic, hiding his guilt away from Amy.

None of those things are important now. Sonic is with Amy and Amy is with Sonic. They are here with each other. They can be finally be better for each other now.

They don't care if they'll ever be something more when they get older. None of that matters anymore. They are here with each other. They can be finally be better for each other now.

Maybe someday they'll both talk about it, but for now, the present is important. They care about each other too much to think about it right now.

It's the kind of love that is unbreakable. It doesn't even have to be romantic. It's just love. Love is important for everyone, in any form. It's something Sonic and his friends need. And especially Sonic and Amy.

Amy Rose is the living embodiment of love, and without her, a lot would go downhill for Sonic and co. Heck, if it weren't for her, Shadow wouldn't have never remembered Maria's promise, which lead him to save the world with Sonic, before he temporarily disappeared from their lives for a while.

She is always there to lend a helping hand for anybody, even bad guys like Metal Sonic, and despite what she had been through, both in Forces and headcanon wise, she still fights back, even without her hammer.

She will pick you back up on your feet, reminding you that you are important and that you are loved, and that you should never give up. It's pretty much the words of encouragement she herself needed also...

She is still the happy, hyper, butt-kicking hedgehog we all know and love, but she still need someone to pick her back up on her feet after so long. Thankfully, she has her friends and her blue hero. The hero who made her who she is today.

I think Amy has no idea how important she thought she is, but Sonic does. Sonic knows fully well how important she is to a lot of people. It's about time he returns the favor to her. It's his turn to remind her how much a lot of people love her.

How much he loves her.

And I feel like The Murder of Sonic the Hedgehog was the moment where their dynamic really shined, but also the starting point of their relationship not only healing, but also the next chapter of what's to come for them.

Everyone, friends old and new, gathered around for a special birthday. A birthday for the confident, unshakable, and radiant Amy Rose.

It was such a special moment in Amy's life. After years of chasing and following the people she look up to, she is part of the team, but most importantly, she is part of the family.

She is fully realized as someone more than just a fangirl, but someone strong, courageous, creative, kind and a big inspiration for others.

I feel like this moment here...

-is where Amy is eternally grateful to call her friends her family. A family she thought she'll never have again. She's not alone anymore, and as long as they're by her side, she'll never will be again.

Her chasing days are over. She's finally caught up to them. She's finally home.

And it's all thanks to Sonic.

If it weren't for him, she'd probably be alone forever. Her past moments with Sonic might be embarrassing to look back on for a while, but they are good memories regardless, because they involve him.

Sonic saved her life in more ways than one, and despite everything, he's grateful to have her too.

He cares about her. He really does... And in her eyes, that all she needed to know. As long as Sonic loves her in his own way, she'll be happy.

Amy hasn't given up on Sonic. As long as Amy always supports him, he'll be happy.

Maybe sometime in the future, they can talk about their problems, but that's a story for another time. At this point, they need to. Right now, they are happy. They are okay.

They are here for each other. They are finally better for each other now.

"You guys won't ever leave me, right?"

"Wouldn't dream of it."

[adahlenan]

        “ what you are, I was; what I am, you will be ”