#to draw a snow-mie was a need not a want for me
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💖💙Happy Holidays!! 🎄✨
#my art#fire emblem#fire emblem fanart#fire emblem engage#alear fire emblem#alfred fire emblem#sommie#snow-mie#winter scene#obligatory i'm not dead post of the year#i haven't felt great about posting anymore but i'm proud of this one#wanted to do a more detailed background but i also wanted to be done by today so the winter void instead#happy holidays to those who celebrate#and merry monday to those who don't#to draw a snow-mie was a need not a want for me#also i love these two (three - sommie too) so much!#also thats supposed to be a Sommie snow angel at the bottom#dose it come across that i wished it snowed on the somniel#because i know why it didn't but still yearned you know#well anyway#merry engagemas#ok i'll shut up now#see you next year i guess#merry xmas
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We Are, We Aren't
By Connor Gibson
02:51 PM
Dirty piles of slush litter the ground of the Public Garden. The ice on the pond is melting in the sun. Kids scoop up the last traces of snow, melted and hardened and melted into chunks of ice, to throw at each other. The Garden is full of people, tourists and natives alike taking advantage of the 42-degree weather— which, for a Boston February, is “warm”. I’m bundled in my wool coat and hat; others’ Patriots tees show under unzipped hoodies. The blindingly white neck of my Tatte shirt peeks out above my scarf. As always, I’m running early, but I speed-walk anyway.
Google tells me that Back Bay, the neighborhood home to the Tatte where I work, is one of the wealthiest places in the Boston area. It tells me that the bay on which the neighborhood sits was drained in the 1800s, uncovering foul-smelling fens and swamps. Developers poured cement on top of it and chopped it up into rectangles. There’s something there, some cute metaphor comparing designer stores atop a concrete-covered swamp to glossing over the issue of gentrification in favor of a new Sweetgreen.
I’ll write about that later, I think. I exit the Garden at Newbury and Arlington and cross the street. A high-cheekboned model, face blown up to the size of my entire body, peers down at me from the Burberry store window. Her eyelashes are lowered seductively under her huge sunglasses. Excuse me, I hear in my head. A posh British accent. Excuse me, why are you looking at me? I look away.
Letters barrage me as I turn onto Boylston. MK MK MK MK on clutches and purses. Chanel on a storefront. HOMELESS VETERAN PLEASE HELP GOD BLESS, scrawled on torn cardboard with a marker.
I walk into Tatte and take off my coat. VIBE CHECKER blares at me from the temperature gun, neon pink Sharpie on white.
Sarah, the mid manager, points the VIBE CHECKER at my forehead.
How’s my vibe? I ask.
She chuckles. Fine. Symptoms?
All of ‘em, at once.
Go grab an apron and we can talk about the new dinner menu. Her sweatshirt says BREAKFAST SANDWICH. I know that our BREAKFAST SANDWICH sweatshirts retail for $35. I wonder which Michael Kors clutch goes best with a BREAKFAST SANDWICH sweatshirt.
I step into Tatte Connor with his pristine white shirt and bandana and sickly sweet voice— a voice both Connor and not Connor, a voice that is mine and isn’t. Tatte Connor doesn’t create witty metaphors about systemic problems, he fires off meaningless platitudes: I like your outfit, cold out there, isn’t it? I know, I don’t know how I don’t eat them all. He grabs an apron, clocks in, and listens intently as Sarah explains chraimeh sauce.
03:14 PM
I’m at the register today, standing in one place for over five hours. It means hi, welcome in! to everyone who enters. It means my voice will stay in its customer service pitch for long after I leave, and when I walk around a person at Target while picking up yogurt that night, I will automatically announce BEHIND! and scare the shit out of them.
A woman walks in, several shopping bags swinging from her arms. Hi, welcome in! She nods acknowledgement. She wants a medium latte, almond milk and vanilla. We only have a small and a large. She asks to see the large. She’s fine with a large.
I take her phone number. All right! Will that be all for you? And would you like to leave a tip today?
She would not. She announces this so happily that I’m forced to match her tone. All right! I hope it sounds authentic. She takes her card.
I do NOT need a receipt, she proclaims, and walks out the door, bags bumping against the doorframe. The bags are massive, stiff, and glossy. They look expensive, down to the heavy serif font. My stained apron feels incredibly out of place. I wonder if it would be stupid to go get a new apron.
Caleb, the barista, waves his hand. He’s made my drink— it’s on the bar. I nod and ring up three more people before I get enough of a break to go grab it. He’s written my name on the cup and drawn little hearts for the O’s. My heart swells. I take half a sip, and then someone else walks in the door. Hi, welcome in!
03:32 PM
It’s a full-on late-lunch rush. The morning shift has just left, and the crowd hits us in the middle of a change. I’ve been moved off register and over to expo, where I’m doing three people’s jobs at once. Picking up? Todd? Would you mind waiting outside for a few minutes? Hi, Doordash? Do you need a menu? Take care! Thank you so much. Hi, welcome in!
A couple enters. They wear matching black puffy jackets with faux fur hoods and matching black sunglasses, similar in size and shape to the glasses on the Burberry model. They don’t remove their hoods or their sunglasses when they step inside. Picking up? Favio? I hand them their drinks. They are not happy.
You should be more thoughtful of your customers, I am told. It’s cold outside, and you shouldn’t keep people waiting. You need to be thinking about that.
I’m so sorry, sir.
I am reprimanded.
You need to move faster,
I’m sorry, sir. We’re doing our best.
I am told that maybe, that is not good enough, eh? And Favio and his girlfriend leave.
Have a good one! Take care! I imagine labels on their backs, as bold and shiny as the ones on their jackets and sunglasses: ASSHOLES.
03:42 PM
I am back on the register. The late-lunch rush has died down. In eighteen minutes, dinner will open up, and we’ll get slammed again— but for now I get to rest. I stack pistachio croissants in a delicate, buttery pyramid, coating my gloves with green dust and oil. Once I’m pretty sure they won’t fall, I head back to the register to count my tips.
Most people tip, but off-handedly, trying not to sound eager or generous. Sure, throw a dollar on there— “there” being a $12 sandwich. I wonder what kind of life they lead where dollars are something they throw. I notice that those thrown dollars never fall into the HOMELESS VETERAN’s plastic cup.
05:08 PM
An older woman enters and beelines for the Grab-and-Go case. She wears a brightly patterned scarf over her hair and carries an enormous H&M bag, full to bursting. She swings the bag onto one shoulder and holds up a small container of chicken salad. How much is it?, she asks. Maybe six or seven dollars, I reply.
She is surprised that I don’t know the exact price. She asks, don’t you work here? She asks, again, how much it is.
Give me one minute to check. It is seven dollars.
She complains that nobody here ever knows anything. She explains to me that it’s just one item, and you should know how much it costs. She tells me, I asked a girl a similar question, just the other day, and she didn’t know either.
I’m sorry about that. Will that be all?
She doesn’t want anything else, and pays with cash. She counts what I give back to her. She drops the chicken salad in her H&M bag, and then she leaves.
Have a great day! In my mind, I replace the H&M on her bag with BOOMER.
I remind myself that I am not an idiot, and that I deal with a lot, all day, and that I am good at my job. I remind myself that I am a human who makes mistakes. I remind myself to smile.
Another woman walks into the store. Hi, welcome in!
06:26 PM
I’m back from break, during which I inhaled a breakfast sandwich and submitted two
discussion posts on my phone. Apparently we have only made $96 so far from the dinner menu. The store is dark. Half of the patio is empty, and the people walking by, bundled up in winter coats, lean against the wind.
I’m sent over to the pass to bag food while my coworker Ayad takes his break. The dinner items come with a side salad and a little bag of pistachio cranberry cookies. Between orders, I stuff napkins into sandwich bags and draw hearts with a Sharpie on the cookie bags. I think of the people receiving them, in brownstones around Boston, living alone, living with girlfriends, living with husbands, living with tiny yappy dogs.
A woman comes in. I walk over to the register. Her hair is dark, curly, and pulled back in a tight ponytail. She carries a WHOLE FOODS canvas bag. She reminds me of my mother. She’s been thinking about getting a challah all day, but now she’s not so sure about the challah versus the pain de mie, and do I have a suggestion for her?
I bake challah at home, I say, but our challah is delicious.
She asks excitedly what recipe I use— I use Smitten Kitchen’s fig and sea salt challah, without the figs. I can’t find another good recipe for just one challah. She uses the New York Times recipe, makes two and freezes one. Smart, I say.
She decides on the pain de mie. She asks how long I’ve been making challah.
When I was at home, I made it every Friday since the start of the pandemic. I wanted to do that here, but I live alone and I can’t eat that much bread.
She’s sure my friends would be glad to eat it, and I agree. I ring up the pain de mie and an orange juice, and she tucks them into her WHOLE FOODS bag. Happy baking, she tells me, and leaves, pulling her hood up to block the wind.
08:32 PM
The close went quickly. Caleb, Ayad, and I walk out the door. Our manager stays behind, counting money, shutting everything down for the night. Lights flick off one by one. The wind bites my skin and whips my hair off my forehead. I button up my coat. Caleb and Ayad walk down the steps of the Arlington stop, waving goodbye, and I start the cold walk home.
Google tells me that the drought of the summer of 2016 brought many Back Bay buildings dangerously close to rotting and crumbling. Their foundations sit on man-made land, supported by wooden pilings. The drought brought the water table close to the pilings, putting them at risk for decay.
There’s something there, something about how the tiniest bit of stress can expose the problems lurking below a neighborhood so put-together and pristine on the surface. I’ll write about that later, I think.
It’s hard to put how I feel right now into words. I feel homesick. I feel happy. I feel tired. I want to collapse onto my sofa and pass out. I want to eat way too much cheesecake. I want to feel, just for a few minutes, like the people I welcome into Tatte.
I want to roll out dough on the dining room table, showing my mother how much it’s risen when she walks through the door with a WHOLE FOODS canvas bag full of groceries. I want to keep talking about bread. I want to work at a job where everyone who comes in asks me about recipes; where nobody plops their Chanel bags on the counter, knocking dinner menus left and right while digging in their MK MK MK clutch for their platinum VISA; where Favio and his girlfriend realize that the people bringing them their soy macchiatos are people; where older women understand that I have to remember three thousand things a day and sometimes none of those things are the price of chicken salad. I want to thank the New York Times Challah Lady for making my day a little less shit and reminding me why I even.
I could work at Starbucks, or Caffe Nero, or JAHO Coffee Roaster & Wine Bar. Sometimes, when people take their masks off inside to snap pictures of them biting into donuts for their Instagrams, I think about working at Target.
Then I bring home a whole cake, or I get handed a free iced latte with my name written on the top and little hearts drawn around it, or I talk about Boston winters with a customer excited to learn I’ve also moved from the Bay Area. I strike up a conversation with a man waiting for the restroom— he wants to know about the history of Tatte in Boston, and I tell him what I can.
I pet a very small dog. I hand the last almond croissant to a woman who tells me she is overjoyed that we have one left. She tells me that she stops by after work every day to try and buy an almond croissant. More often than not, we’re sold out.
I’m happy I could get you one today, I say, and I mean it.
I want to think that Back Bay is this woman— Almond Croissant Woman— or the New York Times Challah Lady. At times I think Back Bay is Favio and his girlfriend, MK MK MK clutches, $7 chicken salads, the Burberry model’s poster-sized glare. I want to think these things, but I know that Back Bay is none of them.
I know that Tatte Back Bay is just a coffee shop. I want to call it a microcosm of humanity, a shiny white petri dish for me to peer into. I want to claim that I know these people, that Favio and his girlfriend are selfish assholes, that the boomer really does value chicken salad over basic kindness and gratitude. I want to slap labels on them, thick-serif RICH KID, glossy embossed DADDY’S MONEY, CHALLAH LADY (GOOD PERSON?) in cursive scrawl. The truth is that I don’t know them, and I will never know them. Maybe Favio and his girlfriend were fighting that day. Maybe the boomer’s husband had just died. Maybe Challah Lady ran over a cat with her Subaru on the way home. Maybe maybe maybe.
Google tells me that Back Bay has a population of 16,427. The median age of those people is 35.3 years. Over nine thousand of them are white-collar workers. Their average household income is over $127k. Most of them are women. Most of them walk to work.
Google doesn’t tell me what challah recipe they use. It doesn’t tell me whether they feed the cookies that come with their cod in chraimeh sauce to their small, yappy dogs. It doesn’t tell me whether they notice the hearts I drew on their bags, or whether they smile before throwing those bags away.
We are what we say to customer service workers, and we aren’t. We are our jobs, our genders, our hobbies, our incomes, and we aren’t. We are the hi, welcome in and the thanks, take care and all the other facades we present to people, and we aren’t.
I walk up the steps of my apartment building, unlock and open the door, then close it behind me. Tatte Connor— the Connor I am and am not— stays out in the cold, perched on a wooden patio chair, shivering in his perfectly white work shirt: ready for me to step into him tomorrow.
Acknowledgements:
My inspiration for this essay came from working at Tatte and getting to know, through the lens of customer service, the people of Boston’s Back Bay neighborhood. As anybody who has ever worked in customer service will know, working with people is the best and worst part of the job. I’ve had some truly frustrating interactions, and I’ve also met some people that brightened up the rest of my day. When I’ve been on my feet for five hours, maintaining a customer service persona, and dealing with everything else that customer service entails, it’s easy to assign labels to people and make snap judgements about them based on a one-minute interaction.
My goal for this essay was to go deeper than that. The assignment that prompted this essay was to compose a profile, creating— in the words of my WR 121 E47 professor Stephen Shane— a “dominant impression that captures the complexity of your subject”. While I wanted to profile the people of Back Bay, I’m aware that I will never be able to understand their complexity through these tiny snapshots, and I tried to convey that struggle in this essay. I’d like to thank Prof. Shane for assigning this essay, and I’d like to thank the customers of Tatte Back Bay for their inspiration.
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