#to all the artists out there: just use a shape. next time

[lenzoli]

phishychedelia

[ckret2]

I might tweak some details later (jewelry? take the ribbon off the bow?) but I've about got a Scalene design I like. The lipstick is really the centerpiece of the design. Now let's infodump! With more art!

🔺 Notice her lines are a a little curvy. It's not for artistic effect. She's got a Fictional Polygon Physical Disorder that makes her bendier than she should be—meaning, among other things, sides that curve and flex.

🔺 It's also the kind of condition with symptoms that are romanticized by people who don't grok that it's a debilitating medical condition. Sides that curve and flex? How exotic! This went to her head in the wrong ways.

🔺 Bill was born with the same condition. You know how squishy and blobby he was as a baby? Thaaat's genetic! He was a lot squishier than most babies! And, consequently, more adorable.

🔺Scalene dreamed of being a famous super model. Was actually a teen beauty queen at mid-tier beauty pageants. She thinks it's always somebody else's fault she wasn't more successful.

🔺 She took Bill to his first baby beauty pageant the day he was born. He did, in fact, have a Best Baby Ever award presented to him by the mayor, but to be fair he was only competing against like 6 other babies and who's going to withhold a trophy from a newborn on his birthday? Anyway the 6-12 month group and 12-24 month groups also each had a Best Baby Ever award.

🔺 This was an absolutely bonkers thing for Scalene to do.

🔺 What's that small scrunkly thing doing at a pageant, he can't even see color yet.

🔺 Their fictional squishy medical condition doesn't just accidentally make shapes cute. It's the kind of condition that affects just about all parts of the body: sides won't stay straight, poor muscle tone resulting in instability & weakness, poor motor coordination & clumsiness, back aches & pains (well, triangles don't have "backs." side aches?), easily dislocated joints, and increasingly skewed sides with age. Just about everyone in Scalene's family is born equilateral and ends up extremely scalene after young adulthood. The rest of her family have normal relationships with their condition, she's the only one who's weird about it

🔺 She was very rough on her body in pursuit of pageantry success, but her physical symptoms & associated chronic pain got a lot worse due to having a kid; she had to retire from pageantry for good. She doesn't blame Bill for this at all. Out loud, to his face. (If she hadn't been so rough on herself in pageants, having a kid probably wouldn't have impacted her health this much. She doesn't consider this.)

🔺 She's weirdly intent on seeing Bill become the success she wasn't. He's her little golden child, he deserves to be seen as the greatest! He'll show them how great he is for mommy, won't he? He won't let mommy down, will he? When he's very young, she takes him to child pageants—he'll appreciate the lessons they taught him when he's older—and this lasts until he finds out he can get out of it by pyrokinetically setting the stage on fire.

🔺 She jokes ("jokes") that she didn't realize that when she was having a kid, she was firing herself from the pageant circuit so she could hire & train her own replacement. These jokes had no long-term impact on Bill at all!!!

(Compare/contrast: how we're told Stan's "You watch the movie, you scare the girl, the girl snuggles up next to you, next thing you know you gotta raise a kid, your life falls apart" is repeating something he heard his dad say.)

🔺 Did you know that squeaky baby shoes are sometimes medical devices? Squeakers help children with poor muscle tone and delayed motor skills learn how to walk correctly: it makes them want to walk on their heels instead of their toes so they can hear the squeak. Did you know sometimes oversized squeaky baby shoes are worn by young kids who need ankle braces? Did you know that kids with poor motor coordination can take a longer time to learn complicated motor skills like tying shoelaces rather than using shoes with velcro straps? It sure is interesting that baby Bill's most defining visual feature is oversized squeaky sneakers with velcro straps and that he kept wearing velcro shoes until he was 16!

🔺 As a baby, Bill's angles were technically supposed to be equilateral,* but thanks to his inherited condition, his angles were so loose his top corner practically formed a right angle. Not good: the closer a triangle creeps to being obtuse, the more likely he'll have muscle strain and medical issues from his organs being squished out of place by his own exoskeleton.

(*supposed to be equilateral: but after receiving treatment, they discovered his angles were still 60º, 60º, and 60.1º, which is mathematically impossible for a triangle... on a euclidean plane. But on a non-euclidean 3D plane, such as in spherical geometry, a triangle's angles can add up to more than 180º... and it's this slight 3D flex to Bill's body that lets him see up into the third dimension.)

🔺 For his first few years of life he actually had a hypotenuse, until physical therapy and side braces helped him improve his muscle tone. Sometimes he still reflexively refers to his base as his hypotenuse. It's fine, sweetie, it's nothing to be embarrassed about, mommy had a hypotenuse too. Don't tell anyone.

🔺 Scalene took baby Billy to a lot of doctors as a kid, just like how she was taken to a lot of doctors! Doctor for his side braces, doctor for his physical therapy, doctor for his shoes... doctor for his eye when he started talking about seeing white glitter at the edge of his vision. Scalene didn't have that symptom, but the eye doc said their condition does occasionally come with visual problems—blurred vision, lazy eye, visual field defects... It sounds like Bill's main field of vision is unobstructed, but if the visual snow he's getting in his peripheral vision is distracting him and confusing his little toddler mind into thinking it's something real, they can give him a medication that'll narrow his field of view. From the sound of it, he's not seeing anything important at the edge of his vision, anyway.

And she only wants what's best for her golden child.

🔺 Scalene's "bow" is actually a medical device: sort of like a medical corset, it helps tug and press her anatomy into place to reduce pain. Bill started wearing one preventatively—if he can keep everything in place when he's young, it'll take longer for his angles to skew when he's older. Like wearing a retainer when you get your braces out.

🔺 He has a cane for the same reason—he doesn't need it NOW when he's young, but he might as well keep it on hand, by age 35 he'll probably want to stand more often than float and when he's standing he'll probably want the extra support! Even if he doesn't need it by 35, he will eventually!!

🔺 Bill doesn't medically need a bow tie in the third dimension either; but he adapted it to help tie his 3D exoskeleton on.

🔺 A trillion years later, Bill suspects that his mutation to see the third dimension came, at least in part, from his mom's medical condition. Except, she didn't have that vision. Nobody else with the condition on her side of the family had that vision. It's not a known symptom of the condition. His dad had stuff going on with his eye too, did he get it from his dad's side? A mix of both? Just a standalone random mutation? He doesn't know; and with the rest of his species dead, there's no way for him to find out.

But back to Scalene!

🔺 She's not quite red, she's rose gold. However she doesn't like it. She thinks it's a sort of pinkish brown and very dull. She uses makeup to make herself look redder. Note how bright red her sides are: in a species where only your edges are visible, body paint is the most common form of makeup+fashion. She's pleased her baby came out gold-gold, it's much cuter. Bill knows she's rose gold, but he only saw her with her makeup off when she was tired or sick; he remembers her painted red.

🔺 She adores her Billy; but she somewhat sees him as an extension of her will. She thinks he's just perfect and will tell anyone who asks; but she also demands he be perfect and is furious when he isn't. She'll protect him from ANY perceived external threat; but she'll tough love him into being the kind of success she thinks he should be. He learns early that when he screws up, he can often redirect his mother's anger by pointing his finger and saying it's someone else's fault, and she'll bring the wrath of heaven down on them. Woe to the teacher who gives Bill an F on a test.

🔺 I'm on a quest to write Bill as a foil to the entire cast of Gravity Falls, and that extends to writing his family as a foil to the entire cast's families. Scalene's a blend of Pacifica's mom and Caryn: beautiful, proud of her beauty, afraid of losing her youth, self-aggrandizing, quick to lie about her & her family's (false/exaggerated) accomplishments—and very aware of the fact that you can say anything about woo-woo mystical matters and nobody can prove you wrong.

🔺 So she takes it great when they figure out Bill is, like, legit psychic. And by "takes it great" I mean "starts a cult."

There's what I've got on Scalene. Fortunately, I got to keep all my pre-TBOB headcanons about Bill's mom, I only had to change her shape & color. I already had medical trauma baked right into the family!

(Preemptive disclaimer before I get any "but she doesn't look 2D" comments: we all understand that the baby Bill picture we see in the book is a psychically-generated 3D approximation of Bill's 2D Euclidean form, right? And that drawing a 3D baby Bill design alongside rigidly 2D parent designs would make it look like even in the second dimension Bill already had a 3D body, right? So, if we're drawing a 3D baby Bill and want to convey that they looked similar to him, we have to draw his parents in a similar art style, right? Okay, great.)

[inkskinned]

most writing advice is good as long as you know why it is good, at which point it is also bad. the hardest thing (and most precious thing) about being an artist is that you gotta learn how to take critique. i don't mean "just shut up and accept that people hate your work," i mean you need to learn what the critique is saying and then figure out if it actually helps.

i usually tell people reading my work: "i'm collecting data, so everything is useful." i ask them where they put the book down, even though it's too long for most people to read in 1 sitting. i ask them what they thought of certain characters. i let them tell me it was really good but i like it more when they look a little stunned and say i forgot i was reading your book, which means they forgot i exist, which is very good news.

sometimes people i didn't ask will read my work and tell me i don't like it. and that is okay, you don't have to like it. but i look at the thing that they don't like and try to figure out if i care. i don't like that you don't capitalize. this one is common, and i have already thought about it. i do not care, it's because of chronic pain and frankly i like the little shape of small letters. you use teeth and ribs in all your work. actually that is very true. i don't know what's up with that. next time i will work to figure out a different word, thank you. you're whiny, go outside. someone said that to me recently and it made me laugh. i am on the whine-about-it website as an internet poet. you are in my native habitat, watching me perform a natural enrichment behavior. but i like the dip of whiny, how the word itself does "whine" (up/down, the sound out your nose on the y), but i don't know if i want to feel whiny. maybe next time i will work on it being melancholy, like what you would call a male writer's poetry.

repeated "good" advice clangs in a bell and doesn't hold a real shape, dilutes in the water. like sometimes you will hear "don't use said." you turn that around in your head and it bounces off the edges of your brain like it is a dvd screensaver. it isn't bad advice, but it feels wrong somehow, like saying easy choices are illegal! sometimes i will only use "said." sometimes i will just kick dialogue tags out to the trash. sometimes i make little love poems where the fact that i do not say "said" is very bad, and makes you feel bad in your body, because someone didn't say something. i am a contrary little shitbird, i guess.

but it is also good advice, actually. it is trying to say that "said" sometimes is clutter. it makes new writers think about the very-small words and very-small choices, because actually your work matters and wordchoice matters. "i know," you said. "i know," you sighed. "i know." we both know but neither of us use a dialogue tag, because we are in a contemporary lit piece.

it is too-small to say don't use said. but it is a big command, so it gets your attention. what are you relying on? what easy choices do you make? when you edit, do you choose the same thing? can you make a different choice? sometimes we need the blankness of said, how it slides into the background. sometimes we don't.

i usually say best advice is to read, but i also mean read books you don't like, because that will make you angry enough to write your own book. i also mean read good books, which will break your heart and remind you that you are a very small person and your voice is a seashell. i also mean you need to eat books because reading a book is a writer's version of studying.

my creative writing teacher in the 7th grade had a big red list of no! words and on it was SUNSET. RAZORS. LOVE. GALAXY. DEATH. BLOOD. PAIN. I liked that razor and love were tucked next to each other like birds, and found it funny that he believed we were too young to know the weight of razor in the context of pain. i hated him and his Grateful Dead belt, where the colored teddy bears held up his appraisal of us. i hated his no list. it is very good/bad advice. i wasn't old enough yet to know that when you are writing about death you are also writing about sunsets and when you write about love you are tucking yourself into a napkin that never stops folding.

back then my poetry was all bloody, dripped with agony when you picked it up. i didn't know there is nothing beautiful about a razor, nothing exciting about pain. i just understood sharpness, which he took to mean i understood nothing. i wrote the razor down and it wasn't easy, but it was necessary. that's what i'm saying - sometimes it's good advice, because it's not always necessary. and sometimes it is very bad advice, because writing about it is lifesaving.

hang on my dog was just having a nightmare. i heard that it is a rule not to write about dogs - in my creative writing mfa, my teacher rolled her eyes and said everyone writes a dead dog. the literature streets are littered in canine bodies. i watched the rise and fall of his ribs (there is that word again) and had to reach out and stop the bad dream. when he woke up he didn't recognize me, and he was afraid.

it is good/bad advice to say that poems and writing have to mean something. it is bad/good advice to say they're big feelings in small packages. it is better advice to say that when my dog saw where he was, he relaxed immediately, rubbed his face against me. someone on instagram would make fun of that moment by writing their "internet poetry" as a sentence that tumbles across a white page: outside it is sunset and my dog is still in a gutter, bleeding a galaxy out of his left paw. or maybe it would be: i woke the dog up/the dog forgot i loved him/and i saw the shape of a senseless/and impossible pain.

the dog is alive in this one, and he is happy. when i tell you i love you, i know what i said. write what you need to write, be gentle to yourself about it. the advice is only as good as far as it helps. the rest is just fencing. take stock of the boundaries, and then break them. there's always somewhere else you could be growing.

i love you, keep going.

[finelinefae]

rose [tattooH x innocenty/n]

synopsis: Harry's a tattoo artist who can't figure out the best way to say how in love he is with the flower shop owner next door

word count: 10.5k

content warnings: smut (first time oral f recieving, daddy kink, praise kink, virgin Y/N), brief mentions of violence

read part 1 here

this is a lot !! like a lot happens !! also everyone smiles a lot,, i can't help it they're happy

. . .

Harry had come to the conclusion that of all the things he had had to do in his twenty-six years of life - all the things he had to do and say to get where he was today - saying I love you to his girlfriend was proving to be one of the most intricate tasks he had encountered.

And it wasn't because he didn't love her. From the moment she stepped into his tattoo shop with determination and fear all intertwined into one expression right up until now, he was pretty sure his relationship with Y/N was the physical embodiment of what it meant to be loved and to love in return.

He had learnt so much about the sweet, pretty girl next door. From her little habits and small quirks that she didn't think he ever noticed.

Y/N loved wearing Harry's clothes. He had bought a new band tee from an online shop one of his friends had recommended to him. When the parcel hadn't arrived on time, he wondered if it had gotten lost in transit or they'd delivered it to the wrong address. He had emailed them once or twice to see its whereabouts only to find the Fleetwood Mac t-shirt on the body of his girlfriend asleep on his sofa when he came home from work. "But Harry, they're so soft and comfy!" She argued when he accused her the next morning. "Know that baby but I need clothes to wear." He was trying not to smile and pinch her cheeks when he caught a glimpse of her pouty lips. "But Harry-" He couldn't help but interrupt her with a quick kiss to her lips, "Can use some of my old shirts flower, y' can pick them out. C'mon sweet girl," He led her to his wardrobe and let her scramble through the box of his old shirts.

She loved being praised. Harry thought it was the cutest thing ever when he'd compliment her or tell her how good she was for him and her cheeks would turn a dusky pink colour. He'd often find himself kissing the crescent moon-shaped dimples on her cheeks whenever she'd beam up at him after he mumbled sweet praises into her ear, "M' good girl," He'd say, "Best girl, m' favourite flower."

She loved physical touch from him and him only. His favourite time of day was coming home after a busy day of working and finding his darling girl sitting up in bed, either reading or watching TV, waiting for him in his favourite soft, satin pyjamas she wears (he loved the feel of them under his hands whenever he held her). She'd make grabby hands for him as soon as she saw him walk through the door of her bedroom, wanting to touch him almost immediately. He'd kiss her a few times, run his fingers through her hair, stroke her cheek and brush his fingers over her arm. Even when they were walking through the streets of the town, Y/N would often cling to Harry - feeling anxious being around too many people. He'd comfort her with soothing touches, rubbing circles on the pulse point on her wrist to make sure she was okay.

There were so many things Harry had come to adore about his favourite girl in the entire world. From the way she'd look at him with big rounded eyes as though he hung up the moon and stars in the sky or knew the answer to everything she asked, to the way she'd melt under his touch whenever they'd do something even slightly intimate. He was so in love... He just didn't know how to tell her that.

Harry had never been in a serious relationship before so the idea of love didn't come easy to him. He had spent the majority of his life believing he was destined to be lonely, finding himself in one-night stands and never getting past the first date for lack of connection. He didn't know what romantic love looked like, felt like or even if it existed at all until he met his favourite flower. 

Moments would crop up where he could feel the first syllable spike the tip of his tongue but invisible hands wrapped themself around his neck as he tried to let the words out. Y/N would sit patiently, waiting for him to continue speaking, but he'd just end up kissing her, hoping he could communicate his words without saying them.

He wasn't quite sure what he was expecting when it came to saying those three simple words, words that carried so much weight between them. Maybe it was because he wanted the moment to be special and memorable for her, so he waited for the perfect opportunity to confess. But the anticipation was driving him a bit crazy.

It was very early Wednesday morning. Y/N was cutting up sheets of tissue paper since it was nearing winter and people would be out buying gifts soon for their loved ones. She had ordered a bunch of new seed packets and planned to make little gift sets to sell.

Harry was sitting at the workshop table in the middle of the shop. He was wearing his shorts and a black hoodie with the hood pulled over his head. He wore his worn-out, white Vans as if they were slippers, with the left shoe dangling precariously from his toes, threatening to slide off at any moment. His tired eyes tried to remain focused on counting the coins for Y/N's till since she always miscalculated and would have to go visit him for more money even though his shop was cashless which he reminded her every time as he slipped her a five-pound note from his own back pocket.

The shop was silent in the early hours of the morning as the two worked separately. Y/N enjoyed that she didn't constantly have to make conversation with her boyfriend for him to be interested. They were happy to just be in each other's company for as long as possible.

"Baby," Harry's raspy voice broke the comfortable silence between them. Y/N's head lifted naturally in response, "C'mere." He opened his arm out but his eyes were still trained on counting the coins.

Y/N smiled tiredly and walked over to him, tucking herself into his side and holding onto the arm that wrapped around her. He kissed the top of her head, "Didn't get to hold y' this morning, left me cold." He murmured against her.

"M sorry, H. It's always stressful when the season changes." She sighed, thinking about all the work she still had yet to do before autumn passed.

"S okay, just missed you is all." He hummed. Y/N turned herself so she was pressed against the worktop and looking up at him. She loved every version of Harry at all times of day but something about Harry in the morning made her swoon. He was so soft and cuddly, needy and grabby, she'd always have to pry his hands off of her in the morning so she could get to work on time.

Y/N grinned and leaned her head forward, past the hood of his sweatshirt, to kiss him. "Wanted to ask you if y’ would come on a date with me this Saturday.” He whispered, eyes still closed from kissing her.

Every eight weeks, Y/N’s shop would close for the entire weekend. Since her shop was open most days, she wanted to give herself at least some time off to look forward to. Harry knew that particular weekend was coming up because of how much she was looking forward to it so he made sure to free up his weekend too so he could take her out for the day. 

They had been on dinner dates and done a few other things here and there but there was only so much they could do in their small town. So as soon as he thought of the idea, he booked train tickets to take Y/N to the coast for the day. 

“Hmmm,” Y/N sighed, reaching into his hood to wrap her arms around his neck, his skin warm against her touch. “Where would we go?”

“S a surprise,” He whispered into her ear, his breath warm. 

“I’d love to go on a date with you Harry,” She replied, voice soft. 

“Yeah? It’ll be cold so you’ll need to wear a sweater.” He told her. 

"I only own sweaters," She rolled her eyes, pushing away from him so she could get back to work.

"Yeah, my sweaters." Harry teased.

Y/N narrowed her eyes, "Get back to counting those coins or you'll be fired."

"Yes ma'am," He couldn't stop smiling to himself as he carried on counting each penny.

. . .

The small train was busy on the way to the coast on Saturday morning but luckily they had managed to grab two seats next to each other by the window. Y/N insisted that they listened to one of the very many playlists she had curated for them both to listen to. It wasn’t long into their relationship that Harry had come to realise that music was one of Y/N’s love languages. 

He remembered when he first moved in and heard her music through the walls of her apartment as he bought his food shopping up the stairs his first night. The music played well into the night and he had planned to knock on her door and ask her to turn it down like she had done to him the day they had first met, but his ears caught onto her singing. He pressed his ear up against the door and listened as she sang to herself whilst dishes clinked together. She wasn’t the best singer he had ever heard but something about her soft voice soothed him, so he turned around and went about his night with the girl singing next door. 

Y/N pulled out her wired earbuds not long after they’d sat down and gave one of them to Harry. After Hours by The Velvet Underground started playing and Harry smiled to himself as he watched Y/N gaze out the window of the train. He reached for her hand which was covered by her fingerless gloves she had crocheted herself and intertwined their fingers together. 

The train pulled into the final station an hour later. Harry held tightly onto Y/N as people bustled to get on and off the train at the same time. The weather wasn’t perfect when they had arrived - slightly overcast and grey - but it didn’t stop Y/N from gasping at the sight of the ocean in front of her. 

“Harry look!” She pointed as the waves rolled into the shore. She looked adorable in her white hat and earmuffs, her white puffer coat made her look like a giant marshmallow. She was almost matching Harry, in his black puffer coat and green bobble hat. 

“Y/N! Slow down baby,” He called for her as he ran to catch up with her. 

They walked down the steps and onto the beach which was practically void of any people other than a few dog walkers. He was thankful he had told her to wear a thick coat since the wind was bitter and cold. Harry’s smile was so wide, that his dimples pierced each one of his cheeks as he watched her run around in her UGG boots and leggings. 

“Beautiful,” Harry whispered, hoping the words would get caught in the wind and blow straight to her so she could hear them. 

“It’s been so long since I’ve seen the sea,” She closed her eyes and inhaled the fresh sea air. Harry came up behind her and wrapped his arms around her waist. 

They walked side by side with each other. Harry held Y/N’s hand inside the pocket of his coat and every once in a while, she would stop to pick up a shell which she would pass to him to put in his other coat pocket. At some point, it started to drizzle down with rain but they carried on walking and talking along the beach. 

Harry would watch as Y/N ran up to the sea to pick up bits of sea glass and try to not get caught by the water. She looked adorable as she ran up the beach looking back at him with her woolly hat and giant coat swamping her. Strands of hair stuck to her damp, rosy cheeks as rain dripped from her coat since they had been out so long. He pulled out his phone and snapped a picture of her as she crouched down to look at something she’d found in the sand. He made a mental note to share it on everything he possibly could so everyone in his life would know how much he loved her, even if she didn’t know just yet. 

Harry swore he was going to tell her he was in love with her right there and then but his heart fell out of his chest when he watched her trip and stumble back onto the sand. “Y/N,” He rushed over, immediately wanting to check if she was okay, only to be met with her giggling and laying back on the sand like a starfish on land. 

“Lay here with me,” She patted the spot next to her. 

The last thing Harry wanted to do was get his new black trousers wet and dirty from the sand but he would do anything and everything she asked him to do so he fell onto the sand and laid right next to her. 

His pinky finger hooked with hers as they both looked up at the sky, “Are you happy flower?” He asked.

“I think this is the happiest I’ve ever been in my life,” She confesses and the words make Harry’s heart grow ten times the size. “I think spending time with you is when I’m the happiest Harry.”

When it reached past midday, Harry took Y/N to grab something to eat before they had to take the train home again. Their coats were dripping when they stepped inside the small cafe Harry had picked out for them. The kind owner had even offered to dry them both for them before they had to leave again. 

“Harry,” She gasped, “They do blueberry pancakes!” 

Harry smirked, not wanting to tell her that he had picked this cafe specifically because they made one of Y/N’s favourite foods, “Really? Tha’s your favourite right baby?”

She nods, “I’m gonna get that- ooo it even comes with the option of honey or syrup!” Y/N beams. 

By the time their food had arrived, they were well invested in conversation, “Was thinking of getting my ear pierced next weekend. One of my mates has free space and thought it would be fun to get a hoop or something.” Harry tells her. 

Y/N paused on chewing her pancake as she pictured her boyfriend with a hoop earring. She swallowed down her food before getting out, “That would be hot.”

Harry laughs at her bluntness, “Yeah?” He smirked, “You think so?” Y/N nodded, her cheeks tinged pink. 

Although they kissed and made out at any spare moment they could, they hadn’t really branched out from the time Harry had touched her for the first time. Y/N knew Harry was trying to be patient about it - he was a gentleman like that - but she was going crazy not having his ring-clad hands touching her skin, providing that ecstasy he had given her a glimpse of for the first time.  

“Y alright there flower?” Harry crooned, “Anything on your mind you’d care to share.”

Y/N shook her head, ridding them of her dirty thoughts, “M okay, H.” 

“Alright,” His eyes twinkled as he smiled at her, “You look beautiful by the way.”

“Thank you, Harry,” Her eyes softened, “And thank you for bringing me here today, I’ve loved being here with you.”

Harry parted his lips as if to respond, but found himself speechless, the words trapped somewhere in his throat. Y/N looked at him expectantly, her eyes silently urging him to express whatever was on his mind. With a sigh, his shoulders slumped, and he finally spoke, "I've loved being here with you too. I love every moment I get to be with you." Y/N beamed as Harry inwardly cursed himself for being unable to articulate the depth of his feelings. Yet, as he saw the radiant smile spread across Y/N's face, he couldn't help but feel a surge of warmth and contentment wash over him, knowing that his words were enough to reach her for now. 

After the train journey home, which took slightly longer than anticipated, Harry carried Y/N up to her apartment and into her bedroom where he slumped her down on her bed. Y/N hummed at the feeling of her warm, cosy sheets beneath her. “Comfy m’love?” He grinned, tugging the sleeves of his coat off so he was just in his white t-shirt and black trousers. 

“I’m so sleepy,” Y/N sighed, eyes closed whilst Harry tugged her shoes off as her feet dangled over the edge of the bed.

“Cause you’ve been running around all day huh? Could barely keep up with you half the time.” Harry briefly massages the souls of her feet after taking both her shoes off, knowing they were probably aching from running on the beach all day.

“But it was sooo much fun,” Y/N whined, her tired eyes peering down at Harry.

“Yeah, yeah, I know that lovie. Need to get y’ out of these clothes so I can put them in the wash.” He tugs on her leggings.

“Can you do it?” Y/N asks, “M too tired.”

Harry pauses, “Y’ sure baby? Don’t want y’ to be uncomfortable.” 

“M sure Harry, I trust you.” She tells him.

He smiles to himself as her words settle in the space between them. A smile curves his lips almost involuntarily, reflecting the quiet gratitude he feels towards her trust.  “Alright, lift y’ hips for me, flower.” He instructs and Y/N does as she’s told, lifting her hips so he can pull down her leggings leaving her in her pink lacey panties. 

Harry swallows as he sees the apex of her thighs. He hadn’t seen this much of her before and he could already feel himself harden in his jeans at the sight of her. “Think y’ can sit up for me flower? Jus’ so I can’t take your sweater off?” He tries to stop staring at her bare legs but he can’t seem to take his eyes away.

Y/N groans but does as she’s told, sitting up and putting her arms up so Harry can remove the sweater from her torso. Her eyes are still shut and Harry gently pulls the soft sweater over her head. 

When her eyes open, the first thing Y/N sees is Harry standing above her with his gaze fixed on her figure and she realizes this is the most he's ever seen of her yet. She had nothing but a vest and underwear to cover her body. Y/N was pretty sure he could see the curve of her breasts and the outline of her nipples through the thin, white material. 

“Harry…” she whispers, suddenly realising what was happening, how the temperature in the room had suddenly shifted.

Y/N shivered as Harry cupped her cheek and bent forward to kiss her. She leaned backwards onto the bed, resting on her elbows as Harry kept his hold on her cheek, using his other hand to place on her hip as he crawled on top of her. His hand was warm and big and his fingertips pressed into her skin sending a joint of electricity down through her body. 

They kissed and Harry groaned as Y/N uncontrollably rolled her hips into him, “Harry,” Y/N repeated, placing her hands on his chest.

“What baby?” He asks.

“I-I feel strange,” She confesses, not really knowing how to go about telling him what was on her mind.

Harry furrowed his eyebrows, “What’s wrong?”

Y/N shook her head immediately, “N-no nothing’s wrong. It’s just… Remember last time? When you…” she couldn’t seem to finish her sentence, too embarrassed to describe what Harry had done when he taught her how to touch herself.

“What about it?” He wonders, patience and curiosity on his face.

“I-I want to do it again but different.” She cringed at her words, “I mean, I want to try something new. L-like I want you to show me something new I mean.” 

Harry’s features softened, “Yeah? You want me to take care of you huh?”

Y/N nodded, relieved he understood what she was hinting at without her having to admit it herself, “Yes.”

“What do you want me to do baby?” He kisses down the side of her neck, Y/N’s head rolling to the side to give him more room to explore her skin.

“I-I don’t know,” 

“Oh I think you do flower otherwise you wouldn’t be asking for something new to try would you?” He sucks on the skin of her neck and she whines at the feeling. His green eyes meet hers as he lifts his head up, “C’mon sweet girl, tell daddy what you want from him.” 

Her mouth fell open and her heart beat erratically in her chest, “I-I need you down there daddy.” 

“Yeah? You want daddy to touch you down there baby?” 

“Y-yes daddy please.”

“Still so polite.” Y/N seemed to melt as he crawled down her placid form, he could do anything to her and she wouldn't mind as long as he was touching her in some way.

She suddenly gasped when she felt him blow warm air onto her nipple beneath her vest. “Can I lift your vest baby? Can you let daddy see these cute tits?” 

“Mhm,” She hummed, her body vibrating with excitement and nerves. Harry’s fingertips brushed the skin of her tummy as he pulled her vest up to reveal her breasts. 

“Fuck baby,” Harry groaned. “You’re so beautiful.” 

“Your shirt too!” Y/N insisted, feeling a little insecure as Harry was still in his white shirt.

Harry was quick to pull off his shirt to reveal his tattooed torso that Y/N had traced and slept on almost every night since they had met. Her hands were immediately on his warm skin as he kissed down the swell of her breasts. Y/N gasped as Harry gently pressed a kiss to her left nipple, sliding his other hand up to cup her other one, “See that? Y’ were made for daddy.” He said as her breast fit perfectly in his hand. 

“Daddy I need you,” Y/N whispered.

“Such a greedy girl.” He tuts, “Trying to worship you ‘n you’re just begging me to make you cum.” 

“N-no-” Y/N wanted to argue but Harry quickly kissed her lips before moving down her body. 

“Look at these pretty panties. Can already see you’re all soaked through them.” Y/N could practically hear the smile on his face. “Can I see baby?” 

“Y-Yes, daddy.” She swallowed back her nerves, even though Harry had already seen her down there, it was her first time experiencing someone be so up close. Y/N felt his fingers hook around the waistband of her panties until they were halfway down her thighs and waited for him to react.

“Fuck me,” Harry hisses. “Won’t ever get over the sight of this pretty pussy. Always manage to live up to y’ nickname, don’t y’ flower?” 

Y/N’s cheeks heat but before she has time to protest Harry leans forward and presses a kiss to her throbbing pussy. She snaps her thighs shut tightly and gasps, “W-what-“

“Shhh flower,” Harry kisses her knee and then gently hooks both her legs over either of his shoulders so she can’t close her thighs to hide away from him, “Daddy’s gonna take the ache away okay? Know you’ve been feeling all needy for daddy. Gonna do something that’ll help and put you right to sleep m’kay?”

Y/N swallows harshly and fists the fabric of the blanket beneath her. Her heart was racing and her belly was swirling with need and desire as she waited for Harry to do something.

He kissed the inside of her thighs, “You trust me?” He asked, waiting for her approval, “Because I’ll stop as soon as you say so, promise y’ that.” 

“Yes, daddy.” She said because she did trust him, wholeheartedly, “I trust you.”

“That’s m’ girl.” Y/N waited until she felt his warm breath blow over her pussy. His mouth pressed another kiss to her before she felt his tongue swipe across her slit. Y/N gasped at the unfamiliarity of it as he flicked his tongue softly over her to get her accustomed to it. His eyes looked up to see Y/N’s reaction at the first touch of his mouth. He smirked to himself as her breasts heaved cutely and her cheeks were flushed pink. 

“Harry,” she whimpered.

“S not my name flower.” He murmured against her. 

She tried to close her thighs but Harry’s head lay buried between them, licking and stroking his tongue against her. He wrapped both his tattooed hands around her thighs to keep them open, pressing his fingertips into her plushy skin. “Daddy,” she whined.

He licks up her wet cunt once more until he finds her clit. Y/N jolts at the sudden attention to her sensitive bundle of nerves. His lips pucker against her tiny, pink clit glistening with arousal, a whimper eliciting from Y/N’s lip. He moves his tongue in circles around it before gently sucking on the small bud.

Y/N’s a writhing, whimpering mess beneath him as he licks and sucks on her clit, her wetness coating his chin. She bucks her hips against his mouth and quickly removes one hand from the bed to weave into his hair. Harry groans as she tugs on his curls, his cock leaking precum in his trousers, the vibrations going straight to Y/N’s clit. 

“Daddy, f-feels so good,” She mewls, continuing to tug on his hair. Harry ruts his hips against the mattress, in hopes he could get some relief as he continues his assault on her pussy. 

“Y' so fucking sexy Y/N.” He grumbled, unable to stop his attention from her weeping, little cunt.

Her thighs began to tremble as she felt the coil tighten in her belly. Harry’s hand removed itself from her thigh and slid up the bed to reach for her hand that wasn’t already in his hair. He intertwined their fingers as if comforting her without saying anything. 

He paused his assault on her clit, Y/N whimpering at the sudden loss. Instead, he flattened his tongue against her once more before dipping his tongue into her hole a little as if testing the waters to see whether she’d like it. Y/N’s back arched and Harry’s hand left hers to place itself flat against her tummy to hold her still, the cool metal of his rings made her shiver as they touched her skin. His tongue delved in and out of her, using his other hand to rub circles on her clit with his thumb.

Y/N’s mouth fell open, her head fell back and her legs turned to jelly. “Y close angel girl?” Harry murmured, peeking up at her to see her blissfully zoned out from his touch. 

“Feels s’ good daddy, s-so so so good,” She babbled her head lolling from side to side. 

“Wanna cum baby? Wanna make a mess on daddy?” He urged her, feeling her core clench. 

She jerkily nodded, “Mhmmm,” She hummed. 

“Lemme have it, baby, daddy worked so hard, lemme taste y’ cum.” He hastened his movements on her clit and continued to lick and suck at her pussy, “Cum f’ me baby.” He coaxed. "Can't wait to feel y' round my cock someday, practically begging to feel y' tight, little hole. 'm gonna be the first and only one to fill y' up, isn't that right? Gonna let daddy stretch you out and fill y' up. You're all mine, 'm favourite flower."

His filthy words set Y/N alight. She felt the coil snap as pleasure rushed through her entire body and filled all of her senses. Harry groaned, continuing to press himself up against the bed until he felt his own orgasm building too, his lips staying on Y/N as she came. He lapped up her juices, riding her through her orgasm and tasting all she had to offer for the first time. “That’s my girl baby, so good.” He cooed. 

Harry’s eyes rolled back as his cock released inside of his boxers, his head falling to the side and resting on the inside of her thigh as he breathed heavily, “Fuck,” He groaned, eyes rolling to the ceiling. 

The room was quiet other than the sounds of them trying to catch their breath. Harry kissed the inside of Y/N’s thigh and worked his way up her body, placing soft, spongy kisses on her bare skin until he was face-to-face with her. 

Harry grinned lazily, his eyes tired as he brushed the hair off her face. His heart stuttered; he felt himself losing his breath all over again despite having just come down from the high of his release as he looked down at his girlfriend. Her cheeks were flushed and her skin was glowing from the afterglow, tendrils of baby hairs framed her face and her eyes were hazy and soft as she looked into his own. 

“Thank you daddy,” She whispered to him. 

Harry pressed a kiss to her lips. Her legs hooked around his waist as he circled his arms around her to pull her in tighter, “You okay? Was that good? Not too much?” He wanted to make sure she was okay before anything else. He’d hate himself if he did something she didn’t like or didn’t want to do. 

“M okay,” She smiled, her voice tired. He kissed her once more knowing she could probably taste herself on his lips. “It felt good.” 

“Y’ made me cum,” He admits, feeling the discomfort of his own release in his boxers. 

“I did?” Y/N’s eyes widened, her lips parting in surprise. 

“Yeah, flower. That was so fucking sexy.” Y/N whined and tried to hide herself behind her hands. Harry chuckled at her reaction, grabbing her wrists to move her hand away and kissing her forehead before lifting himself from her. “Let’s get y’cleaned up.” 

Harry walked over to Y/N’s dresser to grab himself some clean boxers from the drawer he had curated from the nights he had spent with her. He also grabbed her some clean underwear and one of his shirts to wear to bed. 

In the bathroom, he got himself cleaned up and grabbed a cloth dampening it under the running water in the sink for his love who was waiting for him in bed. Harry paused at the door when he entered her room after he was met with a sight he longed to treasure in his mind forever. Y/N was lying completely bare on her bed. Her eyes were shut, her chest moving up and down and her hair was sprawled out around her. He didn’t know how he got so lucky with her, she was a living angel.

“C’mere flower,” He murmured, spreading her legs apart slightly and trying not to react to the sticky, glistening mess between her thighs. He placed the dampened cloth against her and calmed her down as she jolted beneath his touch from how sensitive she was. 

Once they were all cleaned up, Harry climbed under the blankets with Y/N half asleep against his chest. He pressed a kiss to the top of her head and ran a finger up and down the length of her spine beneath her shirt.  "Sleep now, flower," he whispered his voice a gentle caress in the quiet of the night. The warmth of his presence soothed Y/N to fall asleep. 

In the hazy blur of her consciousness, she murmured, words slipping from her lips without thought. "Love you," she breathed, the three words escaping her lips as effortlessly as a sigh, yet she remained unaware of what they meant. 

Harry stilled, his breath catching in his throat, “W-what?” But Y/N didn’t reply, instead, soft snores left her lips as she fell asleep beside him. 

. . .

It was the Friday after Harry had taken Y/N to the beach. Fridays were always busy at the tattoo shop so Harry was working away until the late hours of the evening. Y/N sat on a chair, her legs swinging backwards and forward as she played a game on Harry's phone. The sound of the tattoo gun hummed in the air whilst a bossa nova played over the Bluetooth speaker. Harry was still working despite the fact it was nearly time for Y/N to go to bed (She had a strict regime before bed which gave her exactly eight hours of sleep each night). He had promised her this would be his last customer as she waltzed into his tattoo shop, ready to go to his apartment together.

Harry hadn't mentioned to Y/N what she had unknowingly said in her sleep. When they woke up the next morning, he gently broached the subject, asking, "Hey, do you remember anything you said last night while you were asleep?"

Y/N, still rubbing the sleep from her eyes, just shrugged in response. "Not really," she mumbled, her voice heavy with drowsiness. "Did I say something strange?"

"No, not at all," Harry assured her, though inwardly, he couldn't shake off the weight of her words. "Just thought you might've had a dream or something." But even as he spoke, he couldn't shake off the lingering memory of her whispered confession, playing over and over in his mind like a sweet melody. 

"Y' holding up okay there m'love?" Harry checked in, working on the final few finishing touches of the tattoo he had been working on.

"Mhm," She smiled but Harry could tell she was getting sleepy from the way he'd caught her eyes fluttering shut when he glanced over at her.

"Can go sleep on the couch out front if you're feeling sleepy." He offered, wanting to make sure his girl was okay before he finished off the tattoo for his customer. He knew first-hand how grouchy she got when she didn't get her sleep.

"M okay here Harry," She insisted, thinking she was lying to him well enough over how tired she was. "Can I watch?" She strained her neck to get a better look at what Harry was doing.

"Course flower, c'mere," Harry pushed his chair forward to give Y/N space to stand behind him so she could watch over his shoulder. He pushed down on the peddle and continued the tattoo as Y/N watched over him.

"Does it hurt?" She wondered, watching the needle press ink into the customer's skin.

"Jus' a little sting but when you've had so many it's not so bad," Harry replied.

Y/N watched in fascination. She was not only impressed by the design Harry had drawn out and tattooed to the customer so effortlessly but also how brave people must be to have such a permanent mark on their skin. She tilted her head to the side, "I want one," She mumbled.

Harry paused, "What?"

"Nothing," She replied, quickly.

Harry had heard what she said but decided he'd bring it up when there wasn't another person in the room, knowing how shy she got around people she didn't know.

After completing the tattoo, he wrapped it up and chatted with the customer for a little bit. Meanwhile, Y/N browsed through his tattoo design sketchbook with a furrowed brow. Once the conversation was done, he shut the door behind the customer and turned the sign to 'closed.'

He walked over to his seemingly overthinking flower and kissed the top of her head, "Wha's wrong m'love?" He smiled softly, wrapping both arms around her and pulling her into his chest.

"Jus' looking H," She tilted her head back to look up at him, kissing his chin in the process.

"Didn't know we were telling fibs tonight flower," He teased, spinning her around in his embrace.

"M not lying," She hid her face in his chest because he always knew when she was lying and she was most definitely lying.

"Can you look up f'me baby just f' a sec," He murmured and looked down to see the prettiest eyes he'd ever seen, round and sparkling under the blue lights of his shop. "Woah," He whispered to himself.

"What's wrong?" A crease appeared in between her brows.

"Nothin' just...you're so pretty," She whined, nuzzling her face into his neck to hide her very red face. Even though it was hard to tell under the blue lights, he knew she was blushing. "Hey, no, can I have a kiss please?" He cupped the back of her head and pulled her away from the comfortable spot in his neck.

Y/N stood on her toes to kiss him, tasting the tinge of eucalyptus lip balm she had given him when he had complained of having sore lips from kissing her too much in the colder weather. "So y' want a tattoo?" He murmured against her lips.

Y/N pulled away, "I-I was just thinking but-"

"You're not sure?" She nods. "Don't have to get a tattoo today m'love, especially if you're not sure." Harry comforted her, seeing the uncertainty on her face. He kissed the crease between her eyebrows but her eyes were fixed on a tattoo on his upper arm.

"Where'd you get that?" She asked, her fingers skimming over the small design. It was a fine line drawing of a pair of angel wings with a flower in the centre between each wing. Harry had designed it not long after meeting Y/N and had only tattooed the design onto himself a few days ago.

"Jus' a little something I drew 's all." He shrugged, "Reminded me of you."

Y/N's lips parted like she couldn't believe what he had just said, "For me?"

He nods, "Wanted to have you somewhere on me at all times."

Y/N goes quiet and Harry gives her the time to think as he packs away his things to head upstairs. By the time he's finished, Y/N's tugging on his sleeve and looking up at him with rounded eyes, "I think I'd like a tattoo, Harry."

Harry bit back a smile, "You do?"

"Mhm," She nodded, seeming sure of herself, "But I want you to do it."

"Wouldn't let anyone else do it anyways flower." He pulled out the kit he had just put away, not feeling annoyed in the slightest because he loved this girl and would set up his equipment all over again even if she decided she no longer wanted the tattoo anymore.

Y/N shimmied up onto the chair and glanced over at him, "What are you wanting on you baby?" He asked.

"I want the same one as you please Harry," She says, referring to the tattoo of the angel wings.

He smiles, "Wanna match with me, sweet girl?" He kisses her lips quickly.

Y/N nods, beaming up at him, "Yes please."

"So polite," He taps her cheek before going to his worktop and drawing out a stencil with a careful hand.  Y/N sat in the chair with her feet hovering above the ground. She was fiddling with her fingers in her lap as she glanced around at the designs she had admired many times before when she'd sit and wait for Harry whilst he worked.

"M'kay lovie, where'd you want it?" Harry asked.

"Oh," She pursed her lips, "I didn't think that far."

"Didn't think that far?" Harry chortled, "How about on your arm?” He squeezed her arm softly above the crease of her elbow, "Won't hurt too bad if we do it here."

"Okay Harry," She nodded, trusting him implicitly. Harry wanted to smother her in kisses with the way she was looking at him like she would do anything he said without even questioning it.

Harry prepped everything, making sure he had all he needed to start the tattoo. He went a little slower than he normally would, wanting to give her enough time to make sure she was certain about getting the tattoo. He mixed up the ink and switched on the tattoo gun as Y/N lay back against the leather chair.

"Y' okay flower?" Harry checked again, expecting to get the same answer he had already gotten only for her to chew on her lip and scrunch up the fabric of the skirt she was wearing.

"M a little nervous," She admitted, blushing.

"Hey it's okay to be nervous," He cooed, dropping the equipment and rolling over to her on his chair. He leaned against the seat she was lying in so his face was up close to hers, he brushed a few strands of hair from her face and the feeling of his hands calmed the nerves Y/N was feeling. "It'll hurt a little bit. Some people say it feels like a little like a tiny scratch but you get used to the feeling."

"But what if you start and then I don't want it anymore because it hurts?" She realises she should have asked these questions before they had gotten this far.

"Tha's why you need to be sure you want it sweet girl. Don't wanna see you in pain either but it's a small tattoo so won't take long and it's on your arm which means it hurts a little bit less." Harry explained.

"Okay," She nodded, "B-but can you distract me a little? It'll help if you distract me."

Harry smiled, kissing her lips, "Can distract you any way you want, baby. Here," He removed the dog tag necklace he wore all the time without failure and handed it to her, "Can fiddle with this while I draw on you."

Y/N felt her shoulders relax a little as she felt the cool metal in her hands, "Okay Harry." His lips pressed against her forehead, "Okay Y/N." He grinned.

Harry pulled on some gloves and got the tattoo gun running. Y/N went stiff as the humming sound filled the room but she reminded herself of Harry's words and continued to play with his necklace. "Okay, ready baby?" He gave her one last kiss for comfort and then, when she nodded her head, the needle made contact with her skin.

She gasped as the tiny needle pricked at her skin. It wasn't as painful as she thought it was going to be but it wasn't comfortable either. She tried to relax but her muscles were all tensed up.

Harry tried to comfort her as best as she could. Whispering words of encouragement, "So good baby, y' so brave." He'd say and tell her it would be over in a moment even though a moment felt like an eternity in her mind.

"Is it over yet?" She was starting to feel the discomfort and was already waiting for it to finish.

"Almost angel," He cooed and finished up the final lines of the drawing. "There we go, all finished."

Y/N let out a long breath she didn't know she was holding and immediately her eyes flickered down to the tattoo Harry had drawn on her. She was in awe of how beautiful and intricate the design was and how quickly Harry had managed to draw it so perfectly. It was a perfect size on her arm, the angel wings matched exactly the same as the ones Harry had done on himself. She almost squealed with how happy she was with her first ever tattoo and how it was a permanent reminder of her sweet and loving boyfriend.

Harry grinned as he watched her face light up when she saw the tattoo, "'Y like it?" He asked, preparing the cream and wrap to put on it before she did something that would get it infected - they both knew she would do that if he wasn't careful.

"I love it, Harry!" She grinned, her smile lighting up the whole room.

Harry laughed at her happiness, "You're welcome baby." He applied the cream and wrapped it up before she could move anywhere. Instead of leaping out of the chair, she wrapped her arms around Harry and pressed her lips to his. He hummed, "Best tip I've ever gotten." He murmured.

"I kinda want another one," She couldn't stop looking down at her tattoo and taking in how pretty it was.

"Woah, slow down there flower, think you should wait a while until the next one." He repressed a smile. "But I'll happily draw up another one f'you."

"Okay Harry," She said, not really paying much attention to him.

"Alright c'mon, le's go upstairs. Wanna kiss you in bed if tha's okay." He quickly put all of his equipment away as Y/N gawked at her tattoo.

"I think I'd love that more than the tattoo," She sighed. Harry decided not to pull her up on the fact she was probably telling another fib. 

. . .

"Y/N is that a tattoo!" One of her friends, Shakira, spoke out.

It had been two weeks since Y/N had gotten her first tattoo and she still wasn't over how pretty it was. Every morning she'd wake up and look at her arm and tell Harry how good of a job he did.

"No wonder you're a tattoo artist Harry!" She'd say, to which he'd just smile and sit patiently as she rambled about how much she loved her tattoo and how she wanted him to draw her another one.

"Oh yes!" Y/N rolled up the sleeve of her pyjama shirt so her friends could get a better look, "Harry did it. Isn't it pretty?" She sighed, thinking of her boyfriend who she hadn't seen since this morning.

Y/N had planned a slumber party at her place a few weeks ago since she hadn't seen her two friends, Shakira and Layla, in forever. She'd known them since high school and were the only two friends she really had other than Harry who was also her best friend. 

Harry had promised he'd stay away and give her some much needed girly time. Although Y/N didn't like the idea of being away from Harry, she knew it was needed. He had some things he needed to do anyway and she wanted to give him space to do that too.

"Do you think he could do one for me?" Layla asked, her arm already littered with small tattoos.

"I can ask him for you if you'd like," Y/N offered, receiving a nod from Layla.

"What's it like being in a relationship?" Shakira asked, "I mean Harry seems the complete opposite of you, I'd never have pictured you together."

Y/N smiles, thinking back to their first interaction and how intimidated she was by him. Now she couldn't get enough of him, wanting to be with him and touch him whenever she could. "I know but Harry's... I don't know, he's not like how people assume. He's kind, caring and lovable. We have a lot more in common than most people think and even the things we don't have in common, Harry always listens to the things I have to say even when he doesn't completely understand."

"Awwww!" Y/N blushed when she realised she had been rambling too much again.

"You're so cute Y/N," Layla grinned. "And we're so happy for you. Harry seems like a great guy."

"He is," Y/N agreed, shyly.

"Have you said I love you yet?" Shakira smirked.

Y/N's smile faltered, "N-not yet..." She looked away from their gazes, "But I think I'm just waiting for the right time. Harry always has these moments where I think he's going to say it but he never does and part of me thinks he's still questioning it." Y/N admits.

Layla offers her a sympathetic gaze, "I'm sure he's just waiting for the perfect moment to tell you Y/N. Saying I love you can be a pretty big deal for some people."

"I know," Y/N nods in agreement, "And I'll wait for him, however long it takes."

Y/N spent the remainder of the evening gossiping and watching movies with her two best friends. Now and then, she would look down at her phone just in case Harry had sent her anything but nothing appeared other than a blank screen. She couldn't help but feel a little bit deflated that he hadn't checked in on her like he usually would but she quickly pushed the feeling away. Harry had other things he was doing, she'd see him later.

"Thank you for having us Y/N! It was so good to see you, we need to do it again sometime," Y/N stood at the door to say goodbye to her friends. It was nearing midnight and she wondered if Harry was in his apartment waiting for her.

"Thank you for coming! I missed you guys," Y/N chirped, she really did miss having her girlfriends around. She was so busy with work and spending time with Harry, that she rarely had time outside of those things. But after today, she was going to make it a priority to see her friends again.

"See you later Y/N!" Her friends waved as they walked down the steps from her apartment. Y/N smiled and waved until they were out of sight. She planned on calling Harry to check in on him and see if he was alright but a crash from his apartment halted her steps.

She paused, stilling herself so she could hear a little better. Another thud came from his apartment followed by a string of curses and something that sounded like a clutter of things falling on the floor.

"Harry?" Y/N called through the door but received no response. "Harry, are you okay? It's me, it's Y/N."

"Y/N," Harry's voice murmured through the door. Y/N relaxed a little at the sound of his voice but she was still worried about him. It wasn't normal for him to keep his distance from her like this.

"Harry, are you okay?" She rested her hand on the doorknob, preparing to open it so she could see him with her own eyes.

"I-I'm fine baby. Go t' sleep m'love. I'll be there in a little while," Y/N frowned when she heard him wheezing a little as he breathed between words. He spoke much too slowly compared to his usual drawl as though it was too much work for him to speak.

"Harry please, jus' wanna see you." She tries again, hoping he'll open the door.

"Promise I'll be there t' give you your kisses baby but I jus' need... a moment," Y/N's face fell.

"H-Harry you're scaring me," She said, quietly.

Harry was on the other side of the door, clutching onto his side. He was already hurting but hearing his angel begging to come in was killing him. He couldn't leave her out there. She looked the perfect remedy to his currently aching body when he looked through the peephole of his door and saw her already in her pyjamas, looking all snuggly and cute.

"Not tryin' t' scare you, dove. Please I'll be out in a minute." He hoped she would listen like she normally would. He needed enough time to clean up as best as he could so he could return to her- looking like the Harry she knew- but she wasn't having it, reminding him of just how stubborn she could be when she wanted to. 

"Harry, I-I'm gonna open the d-door. I have to see if you're okay," She spoke, clearly and carefully.

Harry looked down as the doorknob twisted. He wanted to twist the key and lock it to keep her out but he lost control of his own mind as he stepped back and allowed her to push the front door open.

He stood under the dim light of his living room. He had been meaning to get the lightbulb fixed but he'd been spending too much time at Y/N's apartment to remember.

Her eyes went from his feet all the way up to meet his face. Her lips parted and her eyes started to water, his heart ached at the sight. "No baby," He stepped forward, pulling her into him and holding her to his chest even though it ached to do so.

"H-Harry," She whispered, her voice cracking, "What happened?"

She pulled back and cupped one of his cheeks in her small hand. Harry's eyes fluttered shut at the sensation, he could have sworn every ounce of pain lifted from her touch alone. "Was out with a friend, you know, the one who deals," He explained, referring to Mike who Y/N had met. He didn't want to hide from her and she already knew he smoked weed regularly so it was no surprise to her when he told her he'd been smoking, "We pulled over so he could drop something off but I guess the customer got a little aggressive. He was probably on something but he was refusing to pay I think Mike said. I was in the car and all I saw was this guy trying to swing at him. I ran out to help him and we managed to get away before he had the chance to do anything worse but he obviously managed to get a good few hits in before."

Harry hadn’t remembered the last time he had gotten into a fight other than when he was a teenager just after his parents got divorced. He had managed to get a few punches in, making his knuckles all red and cut up, but he'd also been the victim of a few hits too. He had a black eye, a busted lip and a pounding headache from the impact of the punch he had received.

"Harry," Y/N choked on a sob, "Y-you could have been seriously h-hurt,"

"I know baby, I know." He cradled her head in his arms as she wrapped her arms around him, not squeezing too tight because she knew he was in pain. "But 'm here now."

Her eyes were red-rimmed as she looked at him, "You were helping Mike?" She asked.

"'s all I was doing baby, promise." He hated how worried she looked so he was willing to do anything to comfort her until she knew he was okay.

She pulled away, "W-where are you hurting?" She looks down as if checking him for any more bruising. He could see her visibly starting to panic, her hands shaking and her chest moving up and down rapidly.

"Hey, c'mere, c'mon now." He picked her up and brought her over to the couch, "M okay sweet girl, nothing to worry about anymore. Calm down f' me, please. Hate seeing you in a panic." He uttered to her, rocking her back and forth with her face buried in his neck. 

"You're all b-bruised," She whimpered, "Y-you must be in so much pain."

"Not anymore my love. Hmmm, my flower is here, takin' all m' pain away aren't you dove?" He kissed her shoulder.

"C-can I help you?" She whispered, eyes blotchy and red from crying a little.

"Wanna patch up m' bruises love?" She nods as if there was nothing else she'd rather do than be there for him. "Alright, le's go to the bathroom and y' can help me." He carried her to the bathroom and placed her on the counter near the sink. He grabbed a first aid kit from the cabinet under the sink and handed it to her. "Didn't know m' girlfriend was a little nurse." He smirked, a blush covering her cheeks.

Harry stood between her legs with his hands on the counter on either side of her. He watched her as she cleaned the cuts and treated the bruise covering his eye. He smiled when the tip of her tongue stuck out between her lips, "Be careful, I'll bite that tongue." He teased.

Y/N squeaked hiding her tongue away, but quickly composed herself, "You're not getting anywhere near my tongue mister." She sasses and Harry grins so wide, his cheeks hurt.

"No? You don't think I deserve a kiss baby? M in so much pain." He hides his face in her neck and presses spongy kisses on her soft skin.

Y/N giggles at the ticklish sensation, trying to push him away, "No, you can't, not until I patch you up and you stop getting into fights."

"Actin' like I get into fights every other weekend baby," He smirks, "Only f' you."

Her mouth opens and closes as she tries to figure out what to say in such a flustered state from his words. He takes the opportunity to kiss her, their lips pressing together under the low light of the bathroom. He hadn't seen her since this morning and had been missing her all day but knew she needed some time with her girlfriends without him smothering her. It didn't stop him from glancing at his phone now and then to see if she'd called him, just like she had done.

The small time they spent away from each other during the day made him all the more desperate to kiss her. He cradled both her cheeks in his hand, brushing his thumb over her cheekbones. She wrapped her arms around his neck and played with the baby strands of hair on the nape of his neck. "Missed you," She murmured when their lips parted.

"Missed y' too flower." He hummed, "Don't know what's wrong w' me to want you this bad." His hands travelled down her arms, his fingers brushing over her tattoo as he slid past it before he intertwined their fingers together. “Think m just a teeny bit in love with y’ to be honest.” He confessed. 

And suddenly they were both existing outside of their own bodies.

"W-what?" Y/N's eyes glazed over.

“Oh shit.” Harry cusses, squeezing his eyes shut, his face scrunching in frustration, “Wasn’t meant to be this way flower.” 

“Y-you love me?” Her bottom lip quivered, her brain not quite believing what she was hearing. 

Harry's heart was racing as he looked her in the eyes, "I love you." The words left his mouth and had never felt so right or so freeing. He couldn't understand why now of all moments was the time to finally say it but a piece of himself felt whole and all the pain from his body had left as he told her the three words that had been trapped in his throat for so long.

Y/N's mind whirred as she processed Harry's words. The air seemed to thicken around them, and for a moment, time hung suspended. She searched his eyes for any sign of hesitation, but all she found was sincerity and vulnerability. "You do?" She whimpered.

"Oh no flower, don't cry. Hate seeing tears in those pretty eyes," He began to wipe them away as soon as they fell from her eyes.

"I'm sorry," She blubbered, "I never imagined... I never imagined someone could feel this way about me," she admitted, her voice barely above a whisper.

"Never thought I'd be in love either but here we are," He chuckled, "Love you so much, m'favourite flower." He rubbed their noses together.

Y/N's pouty lips sprouted into a beautiful smile, "I love you too Harry, more than anyone in the whole world."

"Y’ already told me that once before." He smiled, a mixture of adoration and a touch of amusement dancing in his eyes. 

“I did?” She frowned. 

“Mhm,” Harry nodded, “Before you fell asleep, you mumbled it and told me you loved me and when you woke up y’ didn’t remember.” 

“Really?” She couldn’t help but feel embarrassed knowing she admitted something so big in her sleep.

“Honestly,” Harry told her, “Think y’ were probably dreaming or something.”

“Is this a dream? Feels like it,” Y/N whispers. 

“S most certainly not a dream m’love.” Harry kissed her quickly, “Gonna love you forever I think.” 

She leant forward, running her fingers through his hair as his head fell back. He hummed at the feeling, biting on his lip to stop himself from smiling so much before burying his face in the crook of her neck - in the place he loved so much. "Promise." He whispered, lips ghosting her skin.

Their fingers traced lazy patterns on each other's skin, a silent communication between them. The room was filled with the hushed whispers of their love, as if time had slowed down so they could savour the sweetness of this very moment.

Y/N yawned which made the corner of Harry's lips turn upwards, "Y' done fixing me up now? Wanna go t' bed love?" She nodded, wrapping herself around him. He reminded himself to clean away the first aid kit in the morning, his priority was getting his girl some much-needed sleep.

She curled into him when they lay in his small bed, her head resting on his chest right where her heart was. She played with his hair and he ran a hand up and down her bare back underneath her pyjama shirt, "I love you," She murmured into the quiet.

He hoped she could hear his heart beat a little faster at her words, "I love you s' much, flower. With everything in me, gonna be mine forever y'are." He mumbled the words into her ear. 

Harry cupped the side of her face as her tired, glossy eyes looked at him with so much love and adoration, that he didn’t know what to do with it all. In the dimly lit room, they leaned in close, their breath mingling as their lips met in a gentle, passionate kiss. His hands found her waist, pulling her closer, while hers tangled in his hair. They explored each other's mouths, lost in the heat of the moment, their bodies pressed together. Each kiss was filled with longing and desire, igniting a fire between them that burned brighter with every touch.

“I’ve never loved anyone before,” Y/N whispered to him. 

“Really?” Harry smiled. 

“You’re my first love.” Y/N has to bite her lip to stop herself from smiling so wildly but Harry tugs her lip with his thumb and suddenly her smile is so wide her cheeks turn pink.

“You’re my first and only love.” He murmured. 

She liked that and she loved him. 

This was exactly where they were both meant to be —with the person who had become not only their first love but their forever love too. 

A flower tattooed to his heart.

[supershot73199]

Ok I'm back with another dcxdp overprotective Danny fic/prompt. No specific ship for this one.

Though Barbara is there this time.

Barbara couldn't help but smile as she looked at all the little kids in the library doing arts and crafts. She loved seeing all the kids different art projects though if she had to be honest she had a favorite little artist.

"Ms Barbara look look! I drew the Signal he looked so cool on his motorcycle!"

Speak of the devil, the little girl proudly running up to show of her art was named Dawn Nightingale a precious four year old who had mistaken Barbara for her Auntie Jazz the first time they met. (Not that Barbara blamed her she had seen a picture of the girls Aunt and they looked almost identical.)

"That looks wonderful why don't you go pin it to the art wall by the door so everyone can see it?" Barbara said as she looked at the surprisingly well done drawing.

As the four year old ran to do so with a cheer Barbara took a quick look over at the girls father, Danny Nightingale was a single father who from what conversations Barbara had with him had his daughter thrust upon him as a teen and was forced to leave home because of prejudiced parents. Despite this he was a natural father and was doing well to care for her even going so far as to be enrolled in engineering courses at Gotham U even while working full time to support his kid.

The single father was helping some of the younger kids while ignoring the single mothers trying to flirt with him with either practiced grace, or density befitting a black hole.

Before she could go to scare off the more persistent women (for Christs sake some of these women were over a decade older than him) there was a sudden bang as the doors to the library burst open revealed the Joker in all his pasty faced glory.

"Well well what fun! A group art project! It's a good thing I was in the area because now you kiddos get to help with Uncle Jokers art. C'mere brat."

Barbara had hit the panic button on her wheelchair the moment the Joker came through the door but she is not too proud to admit that she froze the moment he reached out and grabbed Dawn who had still been near the door hanging up her picture.

She could see the fear on the child she considered an honorary niece and found it hard to listen to what the demented clown was saying. Not that it mattered as before the Joker finished demanding the library patrons do what he said or else he was suddenly stepping back from the heavy blow that an enraged Danny had dealt.

The Joker having let go of Dawn, who ran to Barbara as soon as she was free, could not even seem to muster a defense as Danny beat him right out the door. Every weapon or gag he tried to pull out was either knocked aside or grabbed and used on him. The last thing Barbara saw before the door swung shut was Danny taking the flag gun the Joker tried to pull out and breaking it on the Jokers face.

With her arms now full of crying toddler Barbara did her best to comfort her and just as soon as she managed to calm her the door opening made her look up only to see Danny walking back in.

"Daddy!" The ballistic missile shaped like a toddler leapt into her fathers arms as he held her close.

"It's OK. It's all good. Daddy won't ever let anyone hurt you OK? There isn't anything in this world or the next that will keep me from you."

Barbara turned from the heartwarming display but only because she heard the door opening again thankfully this time it was Signal walking in Barbara figured he must have already secured the Joker since he didn't seem to be in a rush.

"Hey is everyone OK in here? Any injuries? No ok then I'm going to ask you all to stay in here and stay calm until the GCPD can take statements and get done scraping the Joker off the curb." The nervous undercurrent to Dukes voice should have clued Barbara that something was different but then that last statement hit her. Danny must have knocked the Joker out before coming back inside.

Speaking of Danny he was walking over with a Dawn who had fallen asleep in his arms after crying herself out.

"Hey I wanted to thank you for comforting Dawn. This situation was not something she should have been exposed to and I'm glad that she had someone trustworthy nearby to go to. And I am sorry buy I need to ask you one more favor... do you think you could watch Dawn until my sister gets off work if the cops detain me?"

Barbara couldn't help but double take at that.

"I don't mind but I doubt that will happen." She assured.

"Maybe but I did just stain the street with Jokers brain matter. So it's definitely a non zero chance."

Barbara couldn't help it, she was dumbfounded clearly she was mishearing.

"I'm sorry I must be hearing things, it sounded like you said you killed the Joker."

"Yeah I did. I won't let anyone hurt my family especially not that Steven King reject."

The next couple hours passed in a haze of reassuring parents and answering questions from the police for Barbara.

Thankfully Danny was not detained and was allowed to take Dawn home. Though he did ask Detective Bullock if he needed to be worried about and charges being pressed.

"Haha kid your more likely to get a medal or a holiday for this. Everyone has been hurt by that clown in some way.

Later when she was finally able to get the the clock tower she was unsurprised to find Jason waiting for her there. Clearly he had the same idea that she had, that is using her camera outside the library so that she could see what happened for closure.

The pair watched as this young man beat the Joker back at a different angle than when she saw it earlier that day. But shortly after the door shut she saw it happen so fast a trip over the step with Joker having the wind knocked out of him throwing a loose piece of concrete at the single father who caught it and the proceeded to bash the failed jester until he was unrecognizable.

Jason was the first to break the silence.

"I'm going to need a copy of that video and I suggest you make another one to give to Harley at your next girls night with the sirens."

"Deal but only if you get Alfred to help me cook him thank you meal."

[local-dragon-haunt]

hey! i’m an artist and i was wondering what about the httyd crossover art made it obviously AI. i’m trying to get better at recognizing AI versus real art and i totally would have just not clocked that.

Hey! This is TOTALLY okay to not have recognized it, because I DIDN'T AT FIRST, EITHER. Unfortunately there’s no real foolproof way to distinguish real art from the fake stuff. However I have noticed a general rule of thumb while browsing these last few months.

So this is the AI generated image I used as inspiration. I will not be tagging the account that posted it because I do not condone bullying of any type, but it’s important to mention that this was part of a set of images:

This is important because one of the BIGGEST things you can use to your advantage is context clues. This is the thing that clued me in: right off the bat we can see that there is NO consistency between these three images. The art style and outfits change with every generated image. They're vaguely related (I.E. characters that resemble the Big Four are on some sort of adventure?) and that's about it. Going to the account in question proved that all they posted were AI generated images. All of which have many red flags, but for clarity's sake we'll stick with the one that I used.

The first thing that caught my eye was this???? Amorphous Blob in the background. Which is obviously supposed to be knights or a dragon or something.

Again, context clues come into play here. Artists will draw everything With A Purpose. And if what they're drawing is fanart, you are going to recognize most of what you see in the image. Even if there are mistakes.

In the context of this image, it looks like the Four are supposed to be running from these people. The thing that drew my attention to it was the fact that I Didn't Recognize The Villains, and this is because there is nothing to recognize. These shapes aren't Drago, or Grimmel, or Pitch, or any other villain we usually associate with ROTBTD. They're just Amorphous Blobs that are vaguely villain shaped.

Which brings me to my second point:

Do you see the way they're standing? There is no purpose to this. It throws the entire image off. Your eye is drawn to the Amorphous Villain Blobs in the background, and these characters are not reacting to them one bit.

Now I'm not saying that all images have to have a story behind them, but if this were created by a person, it clearly would have had one. Our group here is not telling a story, they are posing.

This is because the AI does not see the image as a whole, but as two separate components: the setting, and the description of the characters that the prompter dictates. I.E. "Merida from Brave, Jack Frost from ROTG, Rapunzel from Tangled, and Hiccup from HTTYD standing next to each other"

Now obviously the most pressing part of this prompt are the characters themselves. So the AI prioritizes that and tries to spit out something that WE recognize as "Merida from Brave, Jack Frost from ROTG, Rapunzel from Tangled, and Hiccup from HTTYD standing next to each other".

This, more times than not, is going to end up with this stagnant posing. Because AI cannot create, it can only emulate. And even then, it still can't do it right. Case in point:

This is not Hiccup. The AI totally thinks this is Eugene Fitzherbert. Look at the pose. The facial structure. The goatee. The smirk. The outfits. He's always next to Raps. Why does he have a quiver? Where's Toothless? His braids? His scar??

HE HAS BOTH OF HIS LEGS.

The AI. Cannot even get the most important part of it's prompt correct.

And that's just the beginning. Here:

More amorphous shapes.

So these are obviously supposed to be utility belts, but I mean. Look at them. The perspective is all off. There are useless straps. I don't even know what that cluster behind Jack's left arm is supposed to be.

This is a prime example of AI emulating without understanding structure.

You can see this particularly in Jack, between his hands, the "tassels" of his tunic, and the odd wrinkles of his boots. There's just not any structure here whatsoever.

Lastly, AI CANNOT CREATE PATTERNS.

Here are the side-by-sides of the shit I had to deal with when redesigning their outfits. Please someone acknowledge this. This killed me inside. THIS is most recognizable to me, and usually what I look for first if I'm wary about an art piece. These clusterfuck bunches of color. I hate them. I hate them so. much.

Anyways here's some other miscellaneous things I've noticed:

Danny Phantom Eyes

???? Thumb? (and random sword sheath)

Collarbone Necklace (corset from hell)

No Staff :( No Bow :(

What is that.

So yeah. Truly the best thing to do is to just. study it. A lot of times you aren't gonna notice anything just looking at the big picture, you need to zoom in and focus on the little details. Obviously I'm not like an expert in AI or anything, but I do have a degree in animation practices and I'm. You know. A human being. So.

In conclusion:

(Y'all should totally reblog my redesign of this btw)

[melancholyhigh]

ARTWORK

ft. leon x artist!reader

synopsis. you're an artist, and leon's your muse.

content. 1.5k words. fluff, smut. nude painting, leon's pov, needy leon, praise kink, masturbation, handjob.

note. this was j supposed to be fluff but i got ahead of myself.

masterlist. i love your guy's feedback :3

“Paint me like one of your French girls.”

You laugh at Leon’s statement. He’s perched on the small, green couch in your home art studio, wearing nothing but his pink, fluffy robe as you prepare your oil paints. 

“You’re my first French girl, Leon.”

–-

You had suggested painting him nude while you were both in bed, lazing around. You’re in each other’s hold, Leon’s arms around your waist and face on your chest when he asks about any new projects you had in mind. 

He loves hearing about what art piece you were doing or planned to do. It was how you expressed yourself, whether there was a deeper meaning or none at all. He found it beautiful. Every work you do it had a bit of your personality in it. He could tell your work from thousands by the intricate details they carry. 

When you told Leon you wanted to paint him, he wasn’t too surprised. You mentioned he was your favourite thing to draw or think of when you had art block. The admission had left him sputtering, his face red as he tried to get his words out.

On the third date, you showed him your sketchbook, pages littered with drawings and portraits of him. Some were quick sketches, while other’s looked like you took time to get every detail of him. 

You’re always on my mind, Leon. You had confessed. Was it a little creepy? At that moment, flipping through the drawings of him, the attention to detail they held, he’d say it was romantic.

People have always said he was pretty as a picture, yet you’re the only one that makes his heart beat faster and his tummy fill with butterflies when you say he’s the type of gorgeous you’d find in a painting. 

“A nude painting,” you specify. It was as if you told Leon he was the object of your affection for the first time again. His head buries into your chest, trying to hide his flushed face. You smile at his sudden bashfulness. 

“It’s nothing I haven’t seen before, baby.” You run your fingers through his soft hair. “I want to try something new, but it’s okay. I don’t want to make you uncomfortable.”

“‘S fine, angel. But can’t you use a picture?”

“Where’s the fun in that, pretty boy.”

He groans, muffled by your shirt, and you giggle. 

He loves to please you — in more ways than one — and nothing compares to the smile that graces your face, so he agrees. It’s not like Leon’s uncomfortable with you looking at him bare and vulnerable. There were other problems he was worried would interrupt your craftwork. 

–-

Leon leans back into the couch, doing just as you instructed. His bare back hits the soft cushioning, and it’s surprisingly comfortable. 

His robe is off, on the floor next to your easel. He rests his chin on his hand, supported on the arm of the couch.

He’s nervous. You said it’s nothing you haven’t seen before, but this almost feels more intimate than being intertwined with you in bed.

Maybe it’s the gaze you hold when you’re analysing him, grasping the compositions and layering basic shapes onto the canvas. 

He can’t help but think of when you told him he’s your favourite canvas to mark up. Sucking the reddish marks into his skin which turn the prettiest shade of purple, as you like to put it. Or when you said the colour on his cheek was your favourite shade of pink.

You always did like to rile him up, muttering the filthiest things to him in the most mundane setting, just like right now. 

“Spread your legs wider, Leon.” You mumble in a casual tone as if you don’t know the implications of your own words. You’re so engrossed with getting your work right you probably don’t.

It’s so fucking sexy seeing you in your element. Your brows pinched together, and your face serious with concentration. 

He obediently listens to you, parting his legs wide, and the problem he wishes wouldn’t happen is currently hardening between his thighs. You don’t notice, mixing paints to ensure it's the correct shade. 

You’re probably 30 minutes into painting, and he’s already hard. You said you’d take a while to finish, and he could tap out whenever he wants to, but he doesn’t want to disappoint. 

Finally, you’re looking up from the canvas and towards Leon. Your brows quirked up in surprise when trying to examine his features, studying the curve of his nose and the sharpness of his jawline to imitate on the canvas. His face is pink, the shade you know and adore so much. 

Your eyes trail down his body, his dick fully erect, slapping against his stomach. Your gaze is on his face again with a smirk on your lips.

He knows, you know, he’s rock-hard simply from the glances you take at him and the words you mutter. His lashes flutter, and he moves his hand to cover his face while the other is shamefully obscuring his cock.

“Be a good boy, and don’t move, Leon. I want to make sure everything looks good.” You say, and he thinks you aren’t going to acknowledge his 7-inch problem.  

“Oh, and make sure your pretty dick is hard for me, okay, baby?” You go back to your painting, trying to hide your smug expression.  

His adam’s apple bobs as he swallows his nerves, but he relents, going into position, not before giving his cock a firm squeeze. 

“Don’t cum too, okay? I want to be the one making you cry.”

A few hours pass, and Leon is on the verge of tears. He listened to what you said, only providing himself with enough stimulation to keep his cock hard but not enough to tip him over the edge into bliss. 

Precum leaks from the head down to the shaft. His dick is red and spent. He wants nothing more than for you to stop painting and make him cum.

“I’m almost done. You’ve been such a good boy for me, baby.” 

Your words are almost enough to make him spill his cum over the expensive fabric of your eccentric couch. 

You’re adding the finishing touches to the painting with each stroke, making sure you get the placement of each mole or freckle correct and each vein of his cock following to the tip right. 

You swear he belongs in a museum. No art can replicate how beautiful he truly is.

“I’m done.” You sigh, moving to get up to rid your skin of paint. 

After rinsing yourself off the paint, you make your way to Leon. You get comfortable in a seat on the couch right next to him. He’s breathing heavily in anticipation, looking up at you through his long lashes. Pretty, pink lips parted as pretty gasps left him. 

You cup his face, pressing your lips to his. The kiss is soft as you move your lips slowly in unison. He breathes out your name when you pull away. One of your hands moves to his throat, softly squeezing. Leon whimpers, his hands moving to hold your waist.

“Good job, baby. You didn’t cum once. I know it hurts, but I'm going to make you feel better,” you whisper, softly kissing his flushed forehead. 

Your hand moves to his pulsing cock, and gives it a soft squeeze, relishing the whine Leon lets out. Your touch sends goosebumps along his skin, and he plants his head into the crook of your neck. 

His hips eagerly buck into your hold. He’s practically sobbing into your neck, his soft hair tickling the underside of your jaw. You rest your chin on top of his head, smelling the fragrance of his shampoo. 

You thumb the slit on the tip of his cock, using his precum as a lubricant to start moving your hand back and forth on his shaft. 

You start at a slow pace. You don’t want Leon cumming quickly, wanting to enjoy every cry and whimper. 

The soft shlick noise of you jerking Leon’s cock fills the room with his desperate cries. He pulls back away from the crook of your neck, tears flowing down his blushing face.

“Please, please, please, g– go faster, angel. I’ve been such a good boy for you. Let me cum, please.”  He pleads, looking at you with those puppy dog eyes. His hips rutted frantically into your palm. How could you deny your boy?

“Okay, pretty baby. Cum for me.” You say softly, picking up the pace of jerking him off.

He whimpers loudly, thighs quivering lightly as his orgasm crashes and hot spurts of his cum spill onto your hand. He’s panting, dazed with lust and staring at you with what seems like hearts in his eyes. 

“T- thank you, thank you, s’much.” Leon gasps like a broken record, and you think he’s fucked himself dumb with your hand.

You peck his lips, effectively shutting him up.

“Let’s get you cleaned up so I can show you my favourite artwork yet.”

[heartfullofleeches]

[18+, Amab Reader in the latter half]

Brie [Yan 🌽star] with a Reader who makes adult toys for a living. The two meet online with Brie having purchased from their website a handful of times before they began chatting officially - Brie expressing his interest in Reader under a post they made posing with a new item in their shop.

Reader's small business took off overnight with the up and coming streamer endorsing their products. It's a mutually benefiting transaction as with Reader's help Brie warks up to the idea of exploring toys of different shapes and varieties. He started out relatively vanilla when it came to dildos using toys modeled after the human phallus, but when Reader came around things took a turn for the exciting. He'll never forget the twinkle in Reader's eye as they showed him their newest project. Reader is an artist before everything else, and at the time that tentacle was the pinnacle of their work.

Brie's always had plans of venturing into other territories someday, but something about his partner being the one who makes products for him makes him all the more eager. Brie is both the best and worst person for Reader to test their toys on. On plua side he loves everything they create, on the downside - he loves everything they create. Brie feels like the worst boyfriend in the world if he ever finds faults in their toys which is rare to begin with. It's hard for him to give reviews of any kind some days since Reader insists on getting his thoughts minutes after they've fucked his brain empty of anything he might have to say.

It isn't long before Brie has multiple shelf's full of fun items, but his favorite overall by a longshot is the replica of Amab Reader's penis they gift him one year as an anniversary present. The hunk of plastic will never compare to the real thing, but it's the next best thing to it. Every bump and ridge rubbing against his walls the same way Reader's cock does whenever Brie can drag them away from their workstation. Reader has returned home several nights to a sad Brie in bed holding the thing that reminds him of Reader most. Many viewers have asked if that specific toy will ever be in Reader's shop seeing how much of a slut Brie becomes when he fucks himself with his favorite toy like there's no tomorrow.

It takes all of Brie's heart and soul to not be petty and block them. Just the thought of someone else having what's his pisses him off to no end.

"S-sorry, everyone... This one's all mine."

[hotvintagepoll]

Do you have any opinions on modern (post-1970s) movies that you feel capture the essence (in a good way) of Old Movies?

No, unfortunately. That doesn't mean I don't like modern movies or that modern movies aren't good, but modern movies—and here I'm really using modern to mean post-2010, so contemporary movies—have different standards for pacing, characterization, budget, and production that make it harder (or impossible) to capture some of the magic of old movies. Even when modern movies clearly try to emulate that old-movie feeling—I'm thinking of La La Land, The Artist, The Shape of Water, In the Heights—they play the homage too broadly, or they ignore crucial components that make the original films work.

There's kind of too much to go into here without writing a full essay, but essentially, the Old Hollywood system—ugly, failed beast as she was—made some movies simply more accessible to make, due to the ongoing storage of props, sets, master craftsmen, crew, and onscreen talent that could move from one movie to the next without pause. If you needed a dancer, he was already on staff. If you needed a fancy bed, it was already in the warehouse. That kind of longterm storage is invaluable if you want to crank out movies quickly and cheaply because it saves so much time on individual negotiation and sourcing. Modern production companies have to work out individual contracts for every actor on every film; crew members have to negotiate rental contracts and source pieces from scratch; if you need someone with specialist skills, you have to contract them specially at a high rate, which a lot of small companies can't (or won't) budget to do. There's sand in the wheels where there needn't be any. It's wasteful, and costly, but that's the system modern movies are made with.

Which all means that even if the modern movie system wanted to make a classic movie musical just like the old ones, they couldn't, because the talent isn't already there—it hasn't been trained up enough, and there's not that breadth of knowledge you can only get from people who have been allowed to work in the same department in the same place for decades. Movies like La La Land fail, for me, because they present themselves as descendants of Fred Astaire or Busby Berkley movies, while missing the bit where Fred Astaire was a master of his craft. When you watch Fred Astaire dance—or Moira Shearer, or the Nicholas Brothers, or Ann Miller—you are watching a true artist at work, purposely showcased by the studios because they already have them on contract. Modern movies, on the other hand, tend to take people who already have star talent (as actors) and try to convert them into dancers/singers—or they pull dancers/singers off of Broadway, but then they don't have the star power built in. You end up with lackluster musicals where no one truly knows what they're doing, or they do but they're not built up enough by the studios to sell. And that's me discussing just on-screen talent for musicals—there is a huge loss behind the scenes, as well, for all kinds of movies, where roles that would have been filled by union crew who moved continuously from one job to the next have been swapped for freelance labor who live with immense turnover, financial insecurity, and knowledge loss. You could hand me the budget and I could try to make an old movie, but the industry itself has changed so much it's impossible to recapture that charm of steady, niche talent, the amazing possibilities of bonkers set design, and the ability to take a risk on a smaller movie because the other films being produced by the same studio can help balance the budget.

I've talked way, way too much about all of this! Sorry, I just have a lot of thoughts—and the one above is just one of them; the talent loss and storage issues are only facets of a much bigger problem that extends to how we watch movies today, how we market them, what we expect of them, and what's allowed in them. It's a crying shame because the talent is still there, but times change and so does the industry, for better or for worse. (And, just again to clarify, I don't think modern movies are bad—they're just missing a lot of the juice old movies got to play with, even if there's more talent available than ever before.)

[darantha]

How to Spot AI images (Hopefully)

So, I did see GailyNovelry's excellent post on this (Link here), but saw that there also were some confusion and they were using a environment image as their example, so I thought I'd do a breakdown that was more character centric.

The key thing with AI images is that the program does not know what it is making. And, arguably, they thrive on that we are currently conditioned to not really look at things for too long before we hit that engagement button and/or just scroll onwards to whatever next the algorithm feeds us.

It's hard to fight that urge, I know, but if you just pause and look, you'll soon start spotting things that just do not make sense, and I don't just mean that the pretty booby elven fighter is sporting seven fingers on one hand. Those are the obvious things. I'll try to cover the general sort of artefacts that tend to tip me off to the fact that a image is generated rather than actually hand-made by someone making informed design decisions as opposed to trust what amounts to RNG. I think this is important as there's those who do not tag their images as AI generated, and try to scam people with commissions.

And, as the saying goes... The devil is in the details.

To start with I picked this image from deviantuser CeiEllem. At first glance, it looks... very impressive. Sharp looking elf lady with killer hair. 10/10 wish I could rock that haircolour.

But, it is AI generated. Aside from the general tell that is this hyper rendered, near photorealistic style that AI images often have, there's a lot of details that tips it off to just not having been made by a human who actually made the decisions.

Since AI is just working off patterns and not actual decisions, things like hair is a immediate giveaway that you're looking at a AI image.

(Deviantart users: daralyth, DavidZarn and lunayokai)

In all these three images you can see just how hair whisps off into weird nonsense shapes or even meld into the background or clothing. Because, again, the AI doesn't know what its doing, just working with shapes. Similarly, background elements that just stop and start randomly is a dead giveaway, like the tail in the first image.

As I've said, details is the key to spotting these images, and another giveaway is the sheer density of details that is just noise.

This is from users Rigtorok7, and the details are so noisy, absolutely miniscule in scale, and hypersharp, yet have no actual design to them. Artists imply details all the time. We don't render out every single nook and crevice, and since we actually know what we want the viewer to look at, we'll pull back and simplify things so you don't want to look at the big chunk of very noisy hair ornament or necklace instead of the face of the character.

For comparison, this is how it looks when I, personally, indulge in doing 'overdetailing' of something (because I am forever weak for painting jewelry).

BUT I want to stress that the key here isn't that detailing equals AI generated. The key is the lack of design choices IN the details. There's a lot of artists out there, and someone painting out all those nooks and crannies in something doesn't mean they are a AI user. This painting by Leighton is super detailed but you see the intent with all the details. You have a focus with the people in the boat and secondary read of the figure in the door, where the details are a lot more implied and less sharp.

AI can't do that, because AI isn't making any decisions.

I couldn't find any good example once I went looking, but if you're into fantasy art: look for people just holding weird 'swords'.

AI is rapidly evolving, so who knows how much this'll help in 3 months, but for now, this is how I spot things.

But, in the end, the biggest giveaway that someone is using an AI generator is that they've filled up page after page on deviantart/artstation/wherever in the past like... six to nine months, and often swing between wildly different styles. If you're unsure, look up the source of a image. Another clue can be generic 'untitled' or just 'elf lady' sort of titles, since someone uploading 30 images a week isn't going to make unique titles for each image.

Also, commissioners. ... you should ALWAYS get a sketch and progress image from a artist that you hire. My art directors would have my head on a plate if I didn't send them a rough sketch and progress shot before finalising the image.

[peaktora]

𝐈𝐓𝐒 𝐀 𝐅𝐀𝐌𝐈𝐋𝐘 𝐓𝐇𝐈𝐍𝐆 ˚◞♡ ⃗ dad!satoru gojo

𝙧𝙚𝙫𝙞𝙚𝙬 ┊ when gojo comes home, he’s delighted to see his daughter applying makeup to his wife's face.

𝙘𝙤𝙣𝙩𝙚𝙣𝙩 ┊0.9k words. you & gojo have a daughter (obviously). established relationship (married). the reader is referred as “mommy” by the kid but other than that there’s no use of fem terms.

𝙖𝙪𝙩𝙝𝙤𝙧𝙨 𝙣𝙤𝙩𝙚.┊i completelyy overdid it, this was supposed to be under six hundred words but oh well

late at night, with the moon casting a soft glow, gojo wearily steps into his home. all he wanted now was to unwind. his body was sore and he craved food, a hot shower, and then sleep. as fast as possible. which he was sure would be put on hold because of you and his daughter. two people he trusted were still awake — who always stayed up just to see him.

he laughs to himself, remembering the countless times he scolded you and your daughter for sacrificing your sleep. but in truth, he loved the surprises he came home to. whether it was you two baking together, with him joining in, or watching a movie where he'd have to catch up on the first 30 minutes, he cherished those moments spent with you and your daughter. it was a family thing.

he quietly slips off his shoes and places them on the wooden rack, the only sound in the house. "they must be sleep," he reasons. he couldn't help but frown. carefully tiptoeing to the kitchen, he heads straight to the fridge, first thing on the list of unwinding being food.

just as he's about to open the fridge, a symphony of giggles dances down from upstairs.

his brows furrowed, hand hesitating on the fridge handle, and glancing towards the stairway. after about thirty seconds of silence, he's convinced that he must've misheard it. but to his surprise, he hears it again.

a smile spreads across his face, knowing his girls were indeed awake and waiting for him.

his mind races as he weighs the options: dinner or investigate the source of the giggles? though deep down, he knows it's a pointless battle. especially when without a second thought, he finds himself practically skipping upstairs. anticipation intertwines with exhaustion, knowing that his loved ones awaits, ready to embrace him in their hold.

thankfully, the sound was so loud that it led him straight to the room where the laughter was coming from. as he approached his bedroom door, voices began to replace the laughter, growing louder and more distinct.

“hmm…what should we do now?”

“well, you’ve got a lot of options.”

his curiosity piqued, he tiptoed closer, skillfully avoiding the creaky floorboards he knew so well. with a gentle touch, he pushed the door open just enough to create a small crack, allowing him to catch a glimpse of the scene inside.

there, in the softly lit room, his daughter sat cross-legged on the floor, surrounded by an array of colorful makeup. the girl’s tiny fingers carefully picked up an eyeliner pencil, her brows furrowing in concentration.

"okay, eyeliner is next mommy!" she declared.

you chuckled softly, leaning closer to her. "alright, my little artist, show me what you've got.”

sitting face to face, eyes locked in a shared moment of love and trust, she delicately traced the pencil along your eyelids. her movements were a mix of focus and excitement, her small hands guided by an invisible artistic instinct. as the lines took shape, her face brightened more and more.

"you're doing great, my little artist," you whispered, voice filled with pride.

she just poked her tongue out from the corner of her lips.

even by only looking through the door, gojo’s heart swelled with a mixture of pride and tenderness watching the scene unfold. it was a simple moment, yet it held so much love. and he loved that.

just as he started to close the door, a sudden creak reverberated through the room. damn it. he stands frozen, desperately hoping that neither of you had noticed. but his hopes were dashed when his daughter's voice rang out, "daddy, is that you?"

his nerves tingled, and he hesitated for a moment, gathering his courage before finally responding, "yes, sweetheart, it's me."

he slowly pushes the door open, finally revealing his presence. your eyes lock, and a silent conversation unfolds, filled with unspoken words and understanding. it was as if he wanted to say he should've let you know he was here, but before he could speak, the girl infront of you interrupted.

"daddy, come join us!" she exclaimed.

he quickly took a seat beside you, watching as his daughter moved from you to him with the eyeliner in hand.

gojo playfully shook his head, teasing his kid, "no way, kiddo. eyeliner isn’t my style." though once she pouted, he couldn't resist her charm, and with a smile, he relented, "alright, just this once."

"maybe twice," she added, dragging the pencil gently along his eyelid.

“maybe twice.” in his head, he was more than happy to let her do it as many times as she wanted.

groaning, you stood up. “well, you two have fun."

gojo shut his eyes, "hey, how ‘bout a little photoshoot after this?" he suggests.

you place a kiss on his head, "yeah, no, tough pass." and with that, you retreated into the bathroom.

soon as gojo heard the bathroom light flicker on, he peaked open an eye, a playful grin on his face. "looks like it's just me and you now, kiddo.”

“close your eyes!” she huffed.

he obediently replied, "yes ma'am," as she closed his eyes for him.

it didn't matter to him if his eyeliner was smudged or if he hadn't done his nightly routine as planned. what mattered was him getting to add another midnight memory to his collection of family moments.

for the most part, he didn't really care if you three stayed up late if it meant he could add more. actually, scratch that — and put an emphasis on "the most part" because he is fucking exhausted.

[artfromsaturn]

Collection of Free Art Tutorials

I don't usually make text post on this blog, but a nice artist I know was asking for tutorials a while back and I forgot to send some to them while in school. So here's a post on it since it's easiest to grab and go this way. :)

This list focuses on the basics. I'm focusing on the foundations of art, so medium is generally irrelevant and you can use physical or digital with these. You'll have to google more specific tutorials on things like character design and such.

One of the biggest pieces of advice I can give to you is strangely, introduce things to yourself one at a time. In art class, we took whole topics week by week. For high school, we did a few exercises then spent a week drawing/painting and doing your piece(s). For basic art 1 & 2 in college, we did 1-2 exercises and then did 1-2 drawings, followed by HW (which we turned in next week) and sketchbook practice (which she'd check at midpoints). For basic art lessons with a tutor, we did practice then our own art. You can see the pattern here - the point is don't be distressed if you don't get everything at once, or the lesson in 2 weeks, or the lesson in 3 years - we practice and do a lot over time, and you'll pick up on things you need to improve naturally and through help with others. Take time to be proud of your art in mini steps too, even if it's not the best! You tried and attempting to climb an obstacle over and over again before finally leapfrogging it is still progress to it.

Overall tutorials:

DrawABox.com is a site that's dedicated to art exercises and practicing when you can. They talk about the basics of art as well as how practice is important. It can get tough at times and it's ok to stop and do a balance of say those practices and doodles if you choose to try and do all of it's stuff - but you don't have to either. It's just a nice basic education done by some art nerds who like going hard.

Ethering Brothers - these guys are famous for their 40billion tutorials. If you need help on a specific idea, search their gallery and you'll likely find something.

Thundercluck's Art Fundamentals - She did a good huge ass tutorials on how things work, and it's the least overwhelming of the 3 I got in this section, so I suggest it as one of the first to look at for digital stuff.

Art Instructions Blog - Another good & simpler website that goes great into fundamentals. They focus more on traditional art but if you're digital, you can replicate most of the techniques - art fundamentals and subjects cover all mediums. Very important

Drawsh - Particularly notes on Construction: construction is the basics of building an illusion of a 3D image on a page. Figuring out how to build shape gives depth to your work, and learning how to see in 3D lets you be able to draw an item then move it around in your head (sometimes, when you're good enough, don't be afraid to pull out a reference or use live subjects). Construction is how to figure out the foundation of your drawing, and good planning = better picture! This link starts at the back, hit newer post to go forward.

There's a lot on anatomy and other nitty gritty details for when you want to practice those as well.

Griz and Norm's Assorted tips - Long time artist talk about various tips and tricks they use in art and how to avoid certain pitfalls. It's eclectic but great to look through.

James Gurney's Blog - He's got a lot of thoughts, a lot of tips, and a lot of adventures he catalogues. It's the least organized out of these but fortunately he has plenty of tags and most post have something neat going on. He's fantastic!🥰

BEFORE ALL OTHER BASICS….

How to Make Your Art Look Nice: Mindset

There's a lot of artist with different perspectives on how to approach art and your mindset while doing it, but the general consensus is that it's a process and sometimes you have to remind yourself to enjoy art!

Line

How to draw straight lines without a ruler. …but for the love of all that's good do NOT feel bad about using one! This talks about how to hold your pencil and how to do some good freehand stuff, some good practice.

5 grips for holding a Pencil for Drawing - This goes for pencil, pen, tablet, etc.. Get comfortable and figure out what's right for you and your pictures. I'd like to note that paintbrush holding will overlap, but some will differ.

A few line drawing exercises that help with line confidence.

Types of line drawings & what they are.

Contour Line & exercises with Mrs. Cook - Contour lines are one of the first art exercises I do in all the drawing classes I've taken. The good news is that they're surprisingly fun & look neat, even the blind contours!

Good deep thoughts on lines and how to use them.

Line Weight Tutorial

Lineart Weight Tips!

How to show variation in your line art: part 1 & part 2.

Some teacher's Drawing 1 & 2 lessons put online.

Light, Shadow, & Value

An introduction to tonal values.

Why values are important. The main reasons are that they give depth to a piece, and values literally shape our world.

Tonal Values: Everything you need to know

How does light work & the basics on Light

Light & Shadow in Art - much more in depth of the above! Highly recommended if you have time to spare.

Understanding grayscale/monochrome art. Great for shading & planning.

A guide to Cross Hatching (and hatching in general) - As a side note, crosshatching is one of the early things taught as it marries Line + Value into a nice neat package and helps add form with just a pen.

Crosshatching for Comics

Learn more about coloring by working in grayscale

How to Make Your Art Look Nice - Contrast!

Using lighting to make your art look nice.

Some light & shadow classifications.

Edges - notes on how they work in shading.

Color

A side note - color theory doesn't differ much, but color MIXING will change between mediums. If you're doing traditional colored pencil, you're overlapping 2 or more pigments on top of each other. If you're doing traditional paint, you're mixing & creating a solution/emulsion (depends on the pigment and binding) of pigments with the particles reflecting light in different ways. In digital, overlapping colors & blending colors depend on how the program you use calculates it if you're not just putting 2 color side by side. This just means you have to adjust your mixing when you switch between them. :)

Slawek Fedorczuk's Light & Color Tips - also shows how to guide through a scene.

The Color Tutorial Part 1 & 2 by Sashas - A personal favorite.

Color Studies 1-6 by Sheri Doty Amazingly nice breakdown on how color works in simple terms.

Sarah Culture's Tips on Color

The value of underpainting

A few notes on reflective light.

Experimental color techniques with Alai Ganuza: first post, second, & third.

Color zones of the face charts

Composition

Good Tips on Composition

Here's an example of how you can search the Etherington Brothers' stuff and get like 10 tutorials and tips on one subject. Composition & Cover Design, Shadow Composition, Two Line Composition - plus more.

How to make your art look nice: Thumbnailing!

And don't be afraid to make silly thumbnails or sketches.

Composition Examples - charts like these are great when you can't think of something yourself. There's no shame in using them.

Flow and Rhythm

Formulas for landscape composition.

Perspective

Perspective Drawing Tutorial by Julie Duell

Linear & Atmospheric Perspective Guide

One Point Perspective City Tut by Swingerzetta

Niso Explains Perspective - these are great for drawing figures in perspective!

Putting characters into scenes and drawing backgrounds

Backgrounds that make your character stand out!

Using background detail to guide the eye.

Odds and Ends

I shit you not, probably 1/3rd of my color, value, & structure knowledge comes from pixel art since I've done so much of it and it is all about challenging yourself to do the most you can with limitations. Check out lospec's tutorial database for fun and see how it compares to art techniques you're doing - even if you never try a medium, it's always interesting to see how it works. :D

How to Make Your Art Look Nice: Reference Images & Style, Pushing Proportions, and developing style.

Foervraengd talks about how he expanded his comfort zone with concept art & landscape drawing.

Luna Art talks about what they're thinking when doing concept art.

Repeating visual motifs in character design looks cool.

Eric's Thoughts on Drawing Backgrounds and Props.

Show vs. Tell: Why Visual is Not Optional in comics.

The Lost Vocabulary of Visual Story Telling Day 1, Day 2, Day 3, & Day 4.

Traditional Animation's 2 Digital Library books, The Know-How of Cartooning by Ken Hultgren & Advanced Animation by Preston Blair are two books from the golden age of animation they have up on their site for free viewing!

Animation resources dot org has a lot of cool stuff. Here's Nat Falk's How to Make Animated Cartoons (part 1). Their pages on Instruction & Theory are a good start.

Books

Good news: the internet archive has a TON of resources. Make sure to check around and toggle filters, it's a bit weird with organization. For example, a book can be under art or drawing - techniques, depending on who catalogues it.

Andrew Loomis is someone artist tend to die-hard reccomend. His work is collected here & here on the internet archive (one is Andrew Loomis, the other is Loomis, Andrew - thanks). I own Figure Drawing for All It's Worth and I recommend checking all of his stuff out, especially if you're having trouble with bodies and hands.

The Animator's Survival Guide by Richard Williams is mandatory in animation classes for good reason - it's fantastic!

Perspective for Comic Book Artist by David Chelsea is great for any type of artist. So is Extreme Perspective & Perspective in Action.

Scott McCloud's Understanding Comics, Reinventing Comics, & Making Comics. The first one is on the internet archive, the second two are likely avaliable at your library or at a bookstore as they're pretty popular.

Speaking of comics, Drawing Comics the Marvel Way has been a favorite of comic artist for years no matter what comic book companies and artist you like, it's a good introduction.

Anything by or endorsed by James Gurney, Color and Light: A Guide for the Realistic Painter is one of my favorites (this is his official page but you can get them elsewhere for cheaper too).

Art resource blogs with good tagging systems: @artist-refs , @help-me-draw , @helpfulharrie , @art-res , @drawingden , & @how-to-art

Lastly, I suggest if you find something you like online for free, SAVE IT! Whether it is through the Wayback Machine, screenshotting a whole webpage, reblogging/retweeting something, or putting it on pinterest, digital media is fickle and tends to go up in smoke when you least expect it. I have a partially organized Pinterest board that helped me find most of the stuff I wanted to keep. Figure out what works for you and save what you can.

[nu1lst4rs]

doodled human designs for a few neutral aus! (pt.1)

(click for better quality)

can you tell i lost motivation... thank you to chandr for doing the last 3's lineart for me. legit couldn't get freshs colours to fit with the rest. eugh. its the best you're going to get out of us for these guys.

Nightmares gang, star sanses, neu au pt.2, extras

COLOUR, CLASSIC, PAPYRUS, EPIC and ANY REQUESTS will be in the next neu au post 3_^ so please please request me to draw neutral peoples... gonna open general requests in a separate post.

some hcs under the cut!

warning for alot... i mean.. alot of text..

> Ccino (he/they)

indian... ccino... mbghbgb. MAINLY BECAUSE I WAS EATING GULAB JAMUNS AND I WAS LIKE "huh this reminds me of ccino."

trans masc! you should be more surprised if someone wasn't trans at this point

just for individuality, i feel like he'd have cat features. toe beans, tail, but no ears. personal preference.

hopeless romantic. wants to fall in love so bad, like so bad. but doesn't have anyone to fall in love with.

his AU is a neutral where the player killed all bosses. because of this, ink had offered them a pocket AU with just their cafè. ccino still visits their old au from time to time, but otherwise lives in the cafè.

one of the youngest AU's/sanses, only a few hundred years old

> error (he/they/xe)

spanish + colombian

as a divergence from classic, he maintains a similar body shape. also the fact he eats nothing but chocolate.

^ similarly, his eye is covered by a star glitch. xe never equates this to the fact they were geno, and just see it as some weird cool glitch.

rocks an alliance with both NM and dream, so wears both the stars pin and gangs patch. he always choses the side of who benefits him the most in that moment. neither of the groups are happy about it, but see error as too valuable to deny.

has arthritis and bad joints. his strings usually dig into his fingers, causing scaring and pain. (bsp related: he gets taught how to relieve these pains by nms gang because they all have chronic pains of some kind)

taking strings from his eyes is PAINFUL. its basically his unraveled code and magic combined, glitching and stuttering.

illiterate. he cannot read anything but code.

brother of ink. annoying brothers that HATE eachother. but love eachother at the same time.

> cross (they/he)

spanish. it fits him. and its relatively canon.

cross is indecisive. they've jumped between nightmares gang and the stars several times, easily being swayed. as of my AU right now, they're with the stars.

they're colourblind! their AU was monochrome, and thats how they see everything. everything is just a shade of purple. he's never told people about it, but most people catch onto ir.

autism. cross has horrible sensory issues, and gets overwhelmed easily. also bad at social queues.

THIS MAN IS THE DEFINITION OF DOG POETRY. they would go on pinterest daily and cry about it.

is a great artist. ink taught him the basics when they were stuck in the void, so they built on it. they're really self conscious about it, and keep their sketchbook locked away tightly. (in their bedside drawer)

> reaper (he/him)

egytpian. i feel like he'd embody their idea of dying.

bird claws. bird wings. everything bird.

seen as a parental figure to dream and nightmare because of his extensive knowledge of the universe and balance n all that.

(THE GAY FLAG WAS A MISTAKE) he's bi. and loves his wife. (life)

aroace spec! completely ace, and demiromantic.

sorry guys i dont have the best hcs for him 💔

> geno (he/they)

spanish + colombian

needs a portable oxygen tube to breath. he can live without it, but its really painful to not have it.

some parts of his body are decomposed, while others are held together through determination. practically constant agony.

same reasoning as error for body shape.

> fresh (they/it)

parasite. its ass doesn't have a race nor nationality.

not the hotest with a few sanses. dream and nightmare don't like someone demeanour not being affected in the slightest by the amount of pain and agony they're in. error hates how the code overlaps and glitches. and overall they're just a bit crazy.

wears either heelies or rollerskates. refuses to EVER walk anywhere, and always rolls.

i don't got much for him.

eugh. i am so sorry if the hcs are lazy, i am not good hcing with aus im not familiar with. if anyone wants to input please do! i'd love to learn about them. <3 anyways i am sleeping because i need to stop staying up till 4am..

[kozachenko]

Here's a digital sketch dump of some pose/anatomy practices and some 2hu doodles, I think from now on if I don't have any big final piece to post, I'll just post sketches I liked that I did digitally (might also reblog some drawings of mine that I want more people to see, maybe idk).

Artist's Notes:

Ok so after the recent Hifuu fanart I did, I've been hoping to experiment more with how I draw faces, how I render, as well as how I stylize things. In some of the earlier sketches I did, I had an idea for a pose that I wanted to try drawing, so I took a ref pic of myself doing said pose (the leaning one btw) and then did a sketch over top of it just to get an idea for the shapes, negative space, and silhouette. After that, I wanted to do some simpler breakdowns of the shapes so I can get better at simplifying the body (these ended up being the bottom right sketches in the post). I also did some experimenting with how to push certain parts of said sketches to create a different body type (via liquify and then a more refined version based on that sketch), as well as figuring out what makes a pose feel natural and not stiff. This was also a bit of a foreshortening practice just so I can get more confident with it, and I ended up using the arms from the liquified version for the coloured Zanmu sketch I did since I liked them so much (dw I'll get to that).

The next thing I wanted to try and draw was Hisami, mainly because.... I am very bad at drawing her in my style. Last time I drew her I made her look really creepy and spindly, and it is my headcanon now that she can switch between a more human, and more creepy look whenever she wants. I'm liking where the face is going a lot, might have to refine a few things about it in the future, but it's cute (I also made the blush purple which I think is what I'm gonna do with her face from now on). I also like how her hair in the sketch turned out a lot, but the outfit..... not as much... Ever since I started changing my style to something less cartoony, I've had a hard time drawing her outfit in my style. Especially the flower veil thing she has on, which, I did try to find a way to draw, but I ended up deleting that sketch because I didn't like it. I'm also not a fan of using the colour purple, like, pure purple, magentas are fine, indigos are fine, but not strict purple. I also have a hard time with drawing all the little pattern details on her dress. I also need to find a way to draw the flower veil in a way that looks good because everytime I try it ends up just looking off (very similar to whenever I try to draw Zanmu's blue spears). I think the only solution to this problem is to do what I normally do and make my own version of the outfit, but with adjustments to suit my style while still trying to keep core elements from the original design intact (like I do with Zanmu and Keiki, and yes I am going to get to that Zanmu drawing just gimme a minute).

Ok next up is Keiki, my favourite Touhou character who I haven't drawn since the beginning of the year. Since my style has changed a lot, I wanted to just do a face sketch of her to get a hang of drawing her again, and I..... really really like how it turned out! When I drew her eyes, I realized that a good way of keeping faces too same facey can be via varying the sizes of their pupils, so that's an idea I'm gonna keep in mind from now on. I had a lot of fun with her hair, I initially was gonna do it like how it is in the official art, but I ended up not liking it, so now I'm gonna draw Keiki with wavy heir like this because it's fun and it looks nice. I also included my base sketch for Keiki's face since I was initially struggling with drawing her bandanna, and in the coloured sketch I added some more detail into her hair.

Now to finally talk about the sketches for Zanmu. Good lord was I having a tough time with her face. I also did this sketch before I figured out how I wanted to draw hair, so that's why the rendering on her hair is different (I did this soon after the Hisami sketch actually). Since I changed my art style a lot, I had to find a way to translate her face from my more cartoony style to my more detailed style, so while the face shape, nose shape and mouth was fine, I was really struggling with the eyes. I did get somewhere eventually though, and I am super happy with how it turned out. I wanted to lean more towards the androgynous side of the gender presentation spectrum, mainly because I think that makes sense for her character. Also made sure to include the silver hairs and some wrinkles just to bring some signs of her aging into her face because those are just staple features of how I draw Zanmu at this point lol. You will also notice that I gave her some scars on the right side of her face, and that's because I am a Zanmu-with-scars truther, I fucking love it whenever I see someone give Zanmu visible scars like that it just adds so much omg (I also tried to put a wolf bite mark on her arm in the full body drawing but idk if it reads well). While you can argue that her not having scars sells the idea of her being this "powerful, untouchable mastermind who is impossible to defeat," I'd say that instead of those scars representing times she got injured, they represent everyone who has failed to defeat her.

As I was drawing Zanmu's face, I referenced my sketch of to help with contrasting their features since I made Keiki's face more traditionally feminine. I also didn't mention this in my commentary on Keiki's face because I wanted to save it for here, but giving Zanmu scars also plays into the fact that she used to be human, wheras Keiki doesn't have any scars because she's a god who doesn't follow the rules of normal human biology. Plus I'm thinking about the two of them interacting again (return of Zan/Keik??? (I'm a multishipper btw) maybe???) so drawing their faces together will definitely help me in the future if I wanna draw them together (again, maybe as a ship? I've kinda been ironing out the kinks in their potential interactions (romantic and non-romantic) for a while now so idk maybe expect that in the future lol).

And now for the full body drawing, when I was doing the face sketch I did this little snippet of an outfit, had a vision, and the made it into a reality. I'll admit, part of me was worried that it would end up looking too much like Yuugi's outfits in the spinoffs and mangas, but I feel like I made enough changes to differentiate them. I tried to keep a few of the major details in Zanmu's design (i.e. the red tassles and yellow lining on her shirt) while putting a new spin on it. I also dialed up the scars to 11 since without them the whole thing kinda looked incomplete. Also, while I could say that the leaves on her kimono are "a nod to the fact that technically she should be a tengu because back then people belived that corrupt monks would turn into tengu but no Zanmu is an oni and they're maple leaves because...tengu...ahahahaha" what really ended up happening was that I looked up clothing patterns from Sengoku era Japan, liked the leaves the most because the red picked up on the red from the rest of her design and just ran with it. I also always had the idea to put Zanmu in men's clothing from Sengoku era Japan and while the accurate thing to do would be to put her in a Buddhist's clothes from that era.... from a character standpoint, I don't think Zanmu is pious enough to strictly wear the proper monk uniform, and also since she's basically the king of Hell, she would probably dress herself like royalty from that era. TBH, I probably could've been a bit more historically accurate, but again, this was mainly for conceptual purposes because I had a vision and I needed to see it through.

If I were to draw her in this sort of outfit again, I should probably try and use more references, although now that I look at it, if she were to wear it properly this would maybe, probably look a bit closer to a Kyūtai sugata (a very huge stretch, but it just kinda reminds me of that) just without the layers under and over the main piece of clothing (In the website that I searched up to try and compare the outfit in my sketch to, they name the outfit pieces but don't label them on the image, so I don't know 100% what everything is called) so I will definitely have to use that style of clothing as a reference going forward.

Also, I was kind of inspired by the ToTK design for Ganondorf since I have finished the game a while ago and I absolutely love what they did with his design (it's just so fucking cool omg) and I thought that sort of look would look good on Zanmu, so yeah got some inspo from that.

And those were all the notes for each of the sketches, I'm motivated to draw rn but kinda art blocked, so doing these little coloured sketches helps a lot.

[gloomwitchwrites]

Tattoo Artist Simon "Ghost" Riley x Female Reader

Chapter Specific Warnings: oral sex (male receiving), unprotected piv (wrap it up irl), cowgirl position, sex over a motorcycle, creampie, brief angst, fluff

Word Count: 5.5k

A/N: Part Eighteen of Ink & Needle

You and Simon enjoy your time alone in Scotland. A week after returning, Simon receives a cryptic text from Johnny.

Chapter Seventeen // Chapter Nineteen

ao3 // taglist // main masterlist // ink & needle masterlist

Dreamless.

How long has it been? How long since Simon can recall a night where his dreams were not dark figments?

Years, maybe.

But that is his first thought upon waking. His sleep is a blank, endless nothing. A far cry from the violence Simon often has to sit with in his head. He blinks slowly, the edges of his vision still laced with a sleepiness that clings to him like honey. In his chest is a calmness that is foreign to him.

It is unknown. And it is strange.

The fire in the hearth is out, leaving behind the faintest scent of burnt wood. From the window next to the bed, morning light filters in through the flimsy curtain. It’s not enough to brighten the room but it does dig into Simon’s senses, drawing him further away from rest.

Simon blinks again. Yawns. Turns his head.

His chin brushes against hair, and you stir in his arms, tucking closer against him. Your hand rests on his chest, and your head uses his shoulder as a pillow. Every breath you take is slow and deep.

Reaching out, Simon brushes your hair out of your face. The small touch makes your nose twitch but you do not stir. His arm that rests against your back rises, and Simon places his hand against your bare hip.

There is no reason to wake you even though his dick is aching something fierce. The fucker can wait until you’re awake and ready for him. There are so many positions Simon wants to put you in, and the bed is just the start. There’s the couch, the dining table, the shower—fuck. Simon will even take you on the floor.

It’s three years of smothered desire all coming up at once.

Simon stares at the ceiling. He breathes in and exhales slowly, attempting to think of nothing with the hope that he might drift off again. But try as he might, there are deeper things lurking in the recesses of his mind. That shadow of a man—the familiar shape that Simon spent years stalking—still sits unsteady. Trying to shut it out is impossible. It keeps creeping back.

And it hardly scratches the surface.

British Intelligence might come knocking, and Price went out of his fucking way not once but twice just to talk to Simon about Kit Walsh’s reemergence. Simon shouldn’t worry about any of it. He’s not in the field anymore. He has his shop now. He’s retired.

Sighing, Simon closes his eyes, breathing deep again in an attempt to silent those anxieties from slipping in where they aren’t wanted. Repeating the process, Simon falls back into calm. He thinks of you during his meditation, and that does it, shifting him into a safer space.

Your hand on his chest twitches, fingers curling slightly before relaxing. It pulls Simon back to the cottage, his eyelids opening, the ceiling greeting him in his return. He reaches for your hand, clasping it in his own. Turning your wrist, he gazes on your palm, admiring the lines. Even here you are beautiful.

Simon brings your palm to his lips. The kiss is gentle. A whisper. It’s not much of anything, but you make a noise anyway. Shifting in his arms, you start to awaken, yawning widely before your eyelids blink slowly.

He turns his head, and his gaze falls on your smile.

“Morning,” you murmur.

Simon brings your hand back to his chest but he does not let go. “Morning, love.”

You snuggle against his side, face turned into his ribs. You place a couple of kisses there, and Simon resists the urge to laugh. Apparently, he’s fucking ticklish there.

“Sleep okay?” you ask, resting your chin on his pectoral.

“I did. You?”

You hum in agreement, eyelids closing as Simon’s thumb strokes over the back of your hand. “What’s the plan for today?”

Simon grins. “Thought we talked about this last night?”

“That’s right. How could I forget,” you reply, eyelids still shut, warding off wakefulness. “Your plan is to fuck me senseless.”

“You’re not senseless,” muses Simon.

“No. I am not.”

Simon slides up your arm and grasps your bicep, drawing you on top of him. You giggle, and playfully slap at him. Simon wraps his arms around your back and traps you there.

“Kiss me,” he says.

You’re still smiling, still a bit giggly when you quickly peck him on the mouth.

“More,” he coos.

“Simon.”

“More,” he demands.

Simon needs you like tree roots need the earth. You ground him somehow, and though he does not entirely understand, it’s the only thing bringing him peace.

Your smile shifts from a playful tease to one of sultry softness. Leaning forward, you place both hands firmly on Simon’s chest. Closing the distance is agony. Simon wants your mouth on his now, but you’re fine with taking your time. With teasing.

When your lips finally touch his, it is gentle. Not a peck or a brush of the lips, but a lovely little kiss that is full of warmth and sends Simon’s heart hammering. His arms ease from around your back and slide downward to grasp your ass before settling on your hips.

You push up so that you’re over him, and then the kisses come like a waterfall. The two of you push and pull, drawing close until one of you needs air. It is a dance. A tangle. Simon’s hands are everywhere. He cannot settle.

He is desperate. Hungry.

Simon is so focused on your mouth that he doesn’t notice your hand until your fingers wrap around him. You squeeze lightly, the tips of your fingernails scratching against the base.

Simon groans against your mouth. Breaking the kiss, he grabs your throat, halting any forward movement on your end.

“Don’t like it when I touch you?” you tease.

“I like it,” he rasps, thumb brushing over your bottom lip.

“Then let me touch you,” you sigh, eyelids a bit heavy, gaze focused on his mouth.

Simon’s need for control is like breathing to him. From his military career to how he runs his shop, Simon is deliberate with his choices. But this is not the battlefield. You are not a customer.

You are so much more.

You are everything.

And fuck it—this trip is about the two of you. Simon can relax. He can hand you control for a minute.

Slowly, Simon releases your throat and crosses his arms behind his head.

“Touch me,” he says, settling into the bed.

Simon might appear calm on the outside but his stomach is a knot. Tension sits tight in his abdomen. Anticipation is like a hot knife scorching his skin.

Your hand around his cock strokes up, and then you descend, leaving a trail of soft kisses behind. You’re gentle with him, and it only reminds Simon of how soft he is with you.

It is surprising. Breath-stealing.

You squeeze his muscled thigh, trace the v of his pelvis of your tongue, and lazily pump his cock like you have all the time in the world. Simon’s fingers itch. He wants to touch you back and tangle his fingers in your hair.

Further you descend, and then your tongue is on him. Just the tip across the head. Over the slit. Swiping up the precum that blooms there. The muscles in Simon’s stomach clench and release. You do it again, and they spasm.

Simon swallows down the groan forming in his throat.

If you’re going to tease him like this, Simon won’t be able to control himself. He’ll slip, and you’ll end up on your back with your legs spread.

You settle between his legs, one hand wrapped around the base and the other resting on the top of his thigh. You pump him a few times before leaning in to kiss the tip. A spasm blooms in Simon’s back, everything tightening with the anticipation.

A pearly bead of precum blooms in the slit, followed by another. You eagerly lick it up with the tip of your tongue, and then swirl around the head before licking his entire length from base to tip.

Simon hisses, hands clenching into fists. Fuck, he wants to touch you. He also wants to draw you back up his body and kiss you until you’re breathless.

And you’re teasing him, working between soft, open-mouthed kisses and slow licks of your tongue. Simon is trying hard not to fidget and squirm, but it’s difficult, especially with his arms crossed behind his head.

When you finally take him into your mouth, Simon’s eyes nearly roll to the back of his head. You hold him there, the saliva collecting, some of it even passes from your lips. Simon inhales, and you swallow him down, your lips touching your hand.

Simon is fucking gone. Done. He planned on finishing inside of your perfect fucking pussy every time during this trip but he might blow right here and now if you keep this up.

Hollowing your cheeks, you slide back up, and then repeat the process, bringing in your hand to pump him in time with your upward passes.

Simon can hardly focus. You are messy. Eager. Enthusiastic. He groans loudly, nearly choking on the end of it when you completely throat him. Every instinct is telling him to tangle his fingers in your hair, to seize control and make you squirm.

You suck hard, and Simon’s hips jerk without warning.

No. He’s still going to finish in your pussy. Fuck it.

Uncrossing his arms, Simon reaches out and forces your mouth from his cock. It falls from your lips with a wet pop. There is saliva on your lips, and a lusty haze over your eyes.

You’ve touched him, and now Simon wants his control back.

“Staddle me.” Simon almost doesn’t recognize how raspy his voice is. He sounds like a rabid animal. “Fuck yourself on my cock until you come.”

Your answering whimper is sweet, and the way your crawl up his body even sweeter.

With palms flat against his chest, you push back into a seated position. You reach down between your bodies and wrap your fingers around his cock, flexing your hips upward. With just the slightest shift of your hips, the head of Simon’s cock presses to your pussy.

This time Simon touches. His hands dart out to grab hold of your hips. You’re sinking down on him. Parting. Opening. Welcoming him inside. You’re tight and wet and fucking perfect as more of him disappears.

“Fuck,” Simons groans loudly as you push down on his chest to flex your hips up and back down on him.

You lift, roll, go back down. Again. Again. And again, until you’ve taken every fucking inch of him. You’re doing exactly as instructed, fucking yourself on his cock. Watching you is just as wanton.

Simon could get used to this. You in his bed, and greeting the day with you on top of him.

One hand slides up to your waist and then shifts to your stomach, traveling up between your breasts. Simon wraps his hand around your throat, and you instinctually bend into the touch.

“Say my name,” growls Simon, his fingers digging into your flesh. “Say it.”

Your lips part with a shaky breath. “Simon.”

His cock is glossy, disappearing and reappearing with every bounce and roll of your hips. Simon’s gaze locks on to the spot, of your pussy taking him entirely. Fuck, you’re absolute gorgeous.

“Again, love. Say my name again.”

Simon finds your clit, rubbing circles there. Your pussy clenches around him, squeezing so hard that Simon starts silently listing things on 141 Ink’s nightly checklist to keep himself from finishing.

Your head falls back, exposing your neck. “Simon,” you moan.

You shudder, body clenching. Simon watches it all, absorbing all the little details from how your chest heaves and your thighs quiver.

His resolve shatters. Breaks.

Simon sits up and wraps his arms around your waist, rolling you onto your back. He keeps himself inside, and once you’re flat, he starts to thrust with abandon, seeking his own end.

It comes fast. And Simon smothers his groan by claiming your mouth in a fierce kiss. Your arms drape over the back of his neck, and your thighs tighten around his hips. He pumps shallowly, savoring the feel of your cum-filled pussy.

You’re his. Fucking his.

Simon’s hips still, and the kisses slow.

“That’s one way to start the morning,” you murmur against his mouth.

Simon grins and kisses you again. “Could be every morning.”

“Promise,” you reply, nipping at his bottom lip.

Simon groans and draws back, playfully thrusting into you even as his cock softens. You burst out laughing, one hand covering his face as Simon makes smooching noises.

“You’re a menace, Simon,” you giggle, trying to wiggle away from him.

Scooping you up in his arms, Simon brings the two of you to a seated position. “Let’s get you showered and fed.”

You arch an eyebrow, grasping the sides of his face. “Are you joining me?”

Simon does join you, and even in the shower he cannot keep his hands off your body. You are an addiction. A deep craving. A never-ending sweet tooth that cannot be satisfied. The shower is large enough to fit both of you, and Simon takes every advantage, filling the steamy room with your moans.

At breakfast, Simon places a black helmet on the table.

“What’s this?” you ask.

“Yours.”

“Mine?”

Simon nods. “You said you wanted some fresh highland air.”

You pop your spoon into your mouth, and then remove it slowly. “You told me that you’d open a window.”

Simon did say that, but he was also lost in a haze, the lust in his bones animalistic in its need for you. Last night he needed to possess. That’s all.

“I did,” he agrees. “But I also want to show you something. Take the afternoon.”

Your gaze shifts from Simon to the helmet and then back to him. “I should change.”

“You should.”

At the main house, Simon uncovers the sport bike. It’s Johnny’s, the one he purchased before joining the military. It’s old. Dirty. But it’ll do the job. Simon doesn’t want to take the SUV for this. It might be the middle of November, but the weather is decent, if a bit overcast.

You stand off to the side, clutching the helmet in front of you. Even from where Simon examines the bike, he can see how eager you are. You’re nearly on your toes, bouncing with excitement.

It pleases Simon to know he’s about to make you happy in a different way. Sex is nice, but your smile upon seeing the sport bike twists his heart. He wants you to smile like that all time, not just when he has his cock inside you.

Simon kicks the stand up and wheels it out into the open, bringing the stand back down once the bike meets gravel.

“You’ve ever been on one before?”

You shake your head. “No. But I’ve always wanted to.”

A new memory then. Good.

Simon pats the seat. “Need to talk safety.”

You nod and step up to Simon, staring down at the bike.

Simon points with the tip of his shoe. “These are your footpegs.” He catches it, and then pulls it out on one side before reaching over and doing the same for the other. “You’ll rest your feet here when you’re on the back.”

He then points to the exhaust. “Careful your heels don’t touch this. It will melt your fucking shoes.”

Again, you nod, but you don’t interrupt. Simon can’t gauge whether or not you’re picking it all up.

“You’ll sit here.” He pats the passenger seat. “I’ll get on. And then you will.”

Simon steps away from the sport bike and glances down at you. Your gaze lingers on the bike before it shifts to him. “Hold on to me at all times. Around the waist is best.” He points to the gas tank. “Place your hands against that when we’re slowing down or coming to a stop if you think you need it.”

“Will I fall off if I don’t?”

The question startles him. The very idea of you falling off the bike while he’s driving makes a small part of his brain reconsider even taking this short trip in the first place.

“Not necessarily. Just make sure you’re moving with me.”

You frown. “What do you mean?”

“If we’re going around a curve, lean into it like I do. Don’t try to remain upright or lean too far. Might throw us off balance.”

“That’s it?”

Simon shrugs. “It’s the basics.”

You straighten your shoulders, determination on your face. “I can handle it.”

Simon cups your cheek and steps into your space. Leaning forward, he places a quick kiss on your forehead.

“You’ll do fine,” he says, pulling away. “Let’s get that helmet on.”

Simon watches as you struggle to put it on. You make a weird face and then it’s sliding into place. The straps dangle and you stand there with arms out like you’re ready to go.

“Good?” you ask, voice a bit muffled.

“Fucking hell,” mutters Simon, reaching for the straps.

With one hand, he flips up the visor, revealing your eyes. Simon secures the snaps into place and then he tugs on them, causing you to stumble into his arms.

“Simon!” you gasp, grabbing onto his forearms to keep yourself from smacking into his chest.

“Can’t even put a helmet on properly,” he tuts. “What am I going to do with you?”

You groan like you’re overly annoyed with him and Simon grins, squeezing your waist before smacking your ass. You swipe out at him but completely miss. With a grin, Simon saunters backward and retrieves his own helmet.

Usually, Simon wears a balaclava underneath, but without one, all he has is a covering for his mouth and nose. He secures it in place before putting on his own helmet.

“Ready?” he asks.

“Ready!” you exclaim, hands clasped in front of you.

Reaching out, Simon snags your arm and draws you in. He lightly taps the front of his helmet against yours. Your answering giggle and the crinkling in the corner of your eyes pleases him. Simon wants to bottle up your happiness and keep it forever.

He taps the top of your helmet before heading for the bike. Simon kicks up the stand and tosses his leg over the side of the bike. Reaching out, Simon offers you his left hand. You take it and put one foot on the footpeg, pushing yourself up and onto the seat.

Your hands slide over his waist and come to a rest on his stomach. Simon answers by reaching back and squeezing your thigh.

The bike flares to life, the engine roaring before mellowing out. Simon brings his feet up, and then the two of you are off, leaving gravel for paved road. You’re perfection the whole way, leaning with him during turns, and keeping your arms around him.

Driving is calming for Simon. It doesn’t matter if he’s behind the wheel of a car or on a bike. It’s all soothing to him. Ever since his injury and retirement, Simon’s excursions on the back of his sport bike have dwindled. He does own one, but he hasn’t brought the thing out in months.

This is almost cathartic. Completely natural.

As Simon approaches their destination, he turns off onto a gravel path that gives way to dirt. There are no trees this way, and there are no cars. It’s likely illegal to be driving over unpaved road like this, but Simon doesn’t give a fuck about the risk. What he cares about is giving you a view, and making new memories with the woman he cares about most.

Ascending a ridge, Simon comes to a stop, turning the bike and shutting it off.

To the left is the open sea.

There is no one around. No cars or noise. Just the view. And fresh highland air.

Simon twists a bit and offers you his arm Your dismount isn’t graceful but you don’t stumble. Instead, you’re hastily pulling on the straps in your eagerness to remove the helmet. When you have it off, Simon is just getting off the bike.

Your smile is so wide and fierce. He’s never seen you like this. There is a sense of adventure he didn’t realize was there this whole time. Simon removes his helmet and face covering. Holding his helmet in one hand, he walks up behind you, wrapping one arm around your waist to hold you close.

You sink against him, your hand covering his. “Thank you, Simon.”

He can hardly hear you over the crashing waves below, but he does, and his answer is a soft kiss to the top of your head.

The two of you stand there, gazing out at the ocean. Neither of you speaks, and Simon doesn’t mind. It’s peaceful simply existing in your presence. Simon doesn’t need to think about anything. He can hold you close to him, and that’s enough.

You twist in his arm and glance up at him. Your eyes are soft and full of an emotion that Simon first registers as love. Yet that can’t be right. You haven’t said that word to him, but neither as he.

Affection, yes. But love? Not yet.

Not yet.

Simon’s gaze drops to those luscious lips and he cannot resist. He meets them with his own, and you greet him eagerly. It is a slow dance of self-control. Simon wants to consume as much as he wants to savor. But he’s not the one seeking more. You’re ravenous, deepening each kiss until Simon swears he can taste the salt of the sea on his tongue.

Drawing back is torture, but he manages. “What are you doing, love?”

Your lips part. There is an answer forming there, but you aren’t saying anything. Simon wants to coax it from, for you to speak your mind, to say whatever it is you’re struggling to communicate.

But he also can’t force. He can’t take what you do not freely give.

If words cannot be spoken, Simon can give you something else.

“Come here,” he says, turning you around. “Give me your helmet.”

You offer it to him and he takes it. Simon strides over to the bike and hangs a helmet on each of the handlebars. He gestures to you, one hand extended. You come to him immediately, and Simon draws you close, wrapping his arms around your waist.

These kisses are not slow. They are deep. Consuming. Simon’s dick is hardening in his pants with each one. His hands roam over your body, grabbing at whatever they can. You groan into his open mouth, and Simon knows exactly what he wants.

He pulls back and grasps your chin. “Can I fuck you?”

Your eyes widen. “Out here?”

“There’s no one around,” he says, stealing another kiss. “And I want you.”

You grin sheepishly, shying away from him slightly. “What did you have in mind?”

Simon has plenty of ideas, but there’s only one he really wants to try. “Do I have your permission?”

“Yes,” you breathe.

With his hands on your hips, Simon guides you over to the sport bike. Sliding inward, Simon goes for the front of your jeans. The button first. Then the zipper. Slipping his hands underneath the band, he shoves your jeans and underwear down to your thighs, revealing your ass to the cool air.

“Bend over the bike.”

“Over the bike?”

“Over the bike,” repeats Simon.

You place both hands on the seat. Glancing over your shoulder, Simon sees the hesitation.

“We can stop,” he says, because he can. This never has to go further unless you want it to.

“That’s not it,” you reply softly.

Simon walks up behind you, brushing some of your hair behind your ear. “Think we’ll get caught?”

You shake your head.

“I won’t let you fall.”

“I know. I trust you, Simon.”

Simon grabs your neck and pulls you in, claiming your mouth. Your lips part and Simon slips his tongue inside.

“Bend over that fucking bike, love. I need to be inside you.”

The heat in your cheeks stirs Simon’s groin to attention. You obediently bend over, presenting your gorgeous ass to him. With your jeans around your thighs, you cannot spread wide. It’ll be a tight fucking fit, but Simon doesn’t care.

What he’d like to do is lick your clit until you’re dripping, but this will have to do.

Simon is quick with the front of his pants. The urge to be inside you burns in his bones, and when his cock is free, Simon feels like he can suddenly breathe. He rubs the head against your pussy, and he’s greeted with your slickness.

“Fucking hell,” he murmurs. You’re ready for him, and he’s hardly touched you.

Simon finds what he’s after, and starts to sink in.

You gasp aloud, the sound of it cut off by a crashing wave. Simon grasps your hips, sinking in further until he’s seated entirely inside.

“Fuck,” he mutters under his breath, composing himself.

The fit is tight, and you’re completely grasping him as if you don’t want him to retreat or move at all. Simon needs to get his shit together fast. He’s been inside of you for only a few seconds and he’s ready to blow.

You have one hand on the gas tank and the other on the footpeg. You’re too far forward to glance back at him. Simon would like to see your face, but this position is fucking sexy. You’re at his mercy, presented to him like an indulgent treat.

With his hands on your waist, Simon rolls his hips, slowly working his cock in and out of your pussy. It’s a slow drag, and Simon feels every single part of you. It’s heaven. Paradise.

Every stroke draws forth a moan from you. Even with the waves crashing against the cliff, Simon can hear each sound you make. Each one drifts up and curl around his head, penetrating his senses.

This is fucking perfect to him.

Your pussy clenches, and Simon’s hips stutter, wobbling the bike.

Fuck.

If Simon is too rough, he might send the two of you toppling over. He needs to be fucking careful. Sure, he wants to fuck you, but this is mostly about you, and making you feel good.

Digging deep, Simon drags up a morsal of control. Finding a better grip on you, he sets a steady, rolling pace.

Simon keeps rhythm until you groan and your pussy clenches hard around him. He’s not far behind, staying in to the hilt as he fills your pussy for the fourth time today.

Every exhalation brings steam, and Simon suddenly realizes how cold its become. Slowly, he slips from your body, cock softening as he stuffs himself back inside his pants.

He helps you unbend, returning you to an upright position. You turn around with a dazed but pleased look on your face. Simon eases your jeans over your ass, closing the zipper and securing the button for you as you fix your hair.

“Want to stick around for a bit?” asks Simon.

“Could we go for a ride instead?”

“Sure, love. Whatever you want.”

After the ride, you and Simon rarely leave the cottage. Simon wants you in every position and on every surface. He got exactly that and so much more. Simon forgets about everything and spends each moment with you present and happy.

Which makes the return that much harder.

It’s a slow tearing of flesh with nothing to staunch the pain. Simon drags his feet returning to London. You’re a dead brick the whole drive, snoozing softly in the passenger seat. Simon doesn’t disturb you. In fact, he drives slower, reaching out to you on occasion just to reassure himself that you’re real and close.

When Simon pulls into Amelia’s drive, he almost backs right out and takes you home with him. Simon sits in the driver seat and stares as your sleeping form.

Reality isn’t always nice. It isn’t always fun.

These last five days have been some of the best of Simon’s life. He doesn’t want to return to anything. He only wants you, and the rest of the world can just fuck off for a while.

He hates what he does next, but he does it.

Simon unloads the car, and carries your bag to the front door. He doesn’t have to knock. Amelia is there to greet him.

“She’s asleep in the car,” says Simon automatically.

Amelia shrugs. “Room is upstairs and to the left.”

Simon silently ascends. The door is open and the light is on. He knocks softly and pushes it open. Evie reclines on the bed with a book in hand. Bravo is on the very edge, facing the door. His head perks up at Simon’s entrance.

His tail smack smack smack’s against the comforter.

“Sorry,” he murmurs, dropping the bag just inside the door. “Come on, Bravo.”

At the car, Simon opens the passenger door. He stares at you a moment before gently shaking you awake. You twist toward him, rubbing at your eyes. When you notice it’s Simon, you smile, and it hurts him somewhere deep.

“We’re here,” he says, almost raspy.

“Already?” you yawn.

He clears his throat. “Afraid so.”

You slip out of the car and Bravo comes forward, pressing his nose into your head. Simon grabs your other hand and pulls you close. “Let me walk you to the door.”

“I need my bag.”

“Already took it upstairs.”

You squeeze his hand and go up on your toes to kiss his cheek. “Thank you.”

Simon steps back and opens the rear passenger door. “Inside, Bravo.”

The German Shepard obediently hops in. Simon shuts the door, still holding your hand, and walks you to the front door. He doesn’t want to let go, but it’s cold out, and you need rest.

“I had fun,” you say.

“Just fun?” teases Simon.

You shake your head. “I liked getting away for a bit.” You reach up and rest your hand against Simon’s cheek. “And being with you.”

Simon turns into the touch and presses his lips to your palm. “When can I see you again?”

Your face falls, and Simon’s heart drops into his stomach. “I don’t know. Can I call you tomorrow?”

“Of course, love.”

You do call him the next day, and Simon can hear the quiet anxiety in your voice. The two of you were gone for almost a week, and anything could have happened during that time. While Simon isn’t particularly happy that he cannot see you, he understands. He also has his own shit to take care of.

Because he rearranged his schedule to take you away for a few days, Simon rebooked appointments almost on top of each other to make it happen. That isn’t ideal either, but he did it for you, and that makes it worth it for him.

It’s an entire week without you, and the days of November are starting to creep towards the cold of December. He hasn’t even asked you about coming with him back to Johnny’s family farm for Christmas. It’ll be expected that he goes, and he’s already blocked off his schedule, but he needs to convince you to come.

After the last client leaves for the evening, Simon closes up shop. It’s routine at this point, and he’s upstairs pouring himself a whiskey in a matter of minutes. Bravo pads over to his bed, turning three times before digging at it and then flopping down with a huff.

“Hard day?” asks Simon and Bravo grumbles at him.

Simon snorts into his whiskey glass. He shoots it back and then reaches for the bottle.

A chime goes off in the kitchen. Simon freezes.

He knows that sound. It’s not his personal phone or one of the many appliances. It’s one that he never wants to hear. Ever.

Simon turns in his chair, staring into the dark kitchen. He waits, thinking that he might not have heard the sound after all.

The chime comes again and Simon shoots up out of his chair. Simon flips on the kitchen light and strides toward the phone. He always keeps it on. Always keeps it plugged in.

Simon had it during his time in the military, and Price told him to keep it in case they ever needed him. It’s encrypted. And its sole purpose is for secure communication.

It hasn’t gone off since his retirement.

Simon snatches up the phone, removing it from its charger. He’s not sure what he’ll find.

Taking a deep breath, Simon logs on, and a message stares back at him.

It’s not Price. Or Gaz. Or even Laswell.

It’s fucking Johnny.

It’s Walsh, Lt.

Of course it fucking is.

Expect me Friday.

taglist:

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@sapphichotmess @saoirse06 @ferns-fics @lialacleaf @unhinged-reader-36

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@sammysinger04 @dakotakazansky @suhmie @cinnabeanz @rogerrhqpsody

[charcoaldustonmyfingers]

Kinda oddly embarrassed to send this but oh my god your art is so pleasing to look at for some reason

I think it's just the soft shapes you use and how amazingly 3D everything tends to look?? Like the angles and proportions are just so perfect that I find it easy to imagine most of what you draw as a 3D model or something

And like I don't think I could nail it like you (maybe with time!!) But I am definitely taking inspiration from it because it DOES get me thinking about how you use shapes and angles and wonder if I could practice that because oh my god I wish I could absorb your art

Do you have methods or techniques to make it look so 3D? if you know what I mean? I tend to use grids to try and map out the shapes in a vaguely 3D plane, so I was wondering if you had tips kinda like that to share with the class? or if you're just winging it and it's a lot of practice?

Thank you so much!!! It really means a lot to me when others take inspiration from my art, it reminds me of all the artists I used to look up to and emulate when I was first starting out on MSPaint with a broken trackpad for a pen, you don’t have to be embarrassed! You’ll definitely be able to harness 3D space and create fantastic work, you’re already well on your way! Having passion and a desire to learn will take you far :)

My biggest focus whenever I draw is to make the characters feel real, as though you could reach out and enter the space they’re in to sit next to them on the couch. I’m so glad that I’m able to pull it off! Thanks for the rose, I’ll be sure to cherish it :)

As for my methods and techniques…

Drawing on a 3D grid plane is definitely something I do! Its perfect for comic panels or storyboards, to set the scene and ground characters or props to their environment.

I did a lot of classical study, that is life drawing and still life drawing, but simply using reference for buildings and anatomy also helps a lot and is a lot easier to find. I’d also sketch my hands, plastic animals, and my surroundings, as well as people watch for inspiration for character mannerisms or fashion. It’s useful to know a little bit about the inner workings of anatomy, as there are places were bone makes a person inflexible, while places with more muscle or fat are affected by things like gravity or pressure that change their shape. Drawing a flour sac to act out different emotions is a great way to practice weight and character acting!

Having studied animation, I did a lot of turnarounds to get characters consistent and able to be rotated in 3D space. It can be pretty tedious for some people, but it really does help solidify the characters’ shapes and design, and serves as great reference to look back on if you need it! If you don’t want to do something so stiff as a turnaround, simply drawing expressions and poses from dynamic angles helps too. I’ve found that breaking a character down into basic shapes that are easy to draw in a 3D plane also can help my anatomy and foreshortening be more accurate.

Most importantly, find something that brings you joy to draw! Every “traditional” method of study can be applied to things you like, so don’t feel the need to burn out thinking you can only draw the Mona Lisa or whatever. I’ve done anatomy studies on the Rise turtles to figure out their skeletal structure, and friends of mine have painted some mind blowing concept art inspired by Sonic and D&D!

I hope this helps some? Best of luck, and have fun! :D

Below are a couple of examples of some of my studies: