#to a lore text dump straight out of a horror game

[lumen-tellus]

how did we go from this

to fucking This

[ily-tomura]

Tomura’s Love

Autistic!Tomura, GN!Reader, QPR

Tomura thinks that the idea of love languages and classifying people based on them is weird. It’s much easier for him to work with if you don’t use a bunch of labels and instead explain things in clear language for him.

He doesn’t pick up on subtle hints at wanting affection. The whole idea of intimacy is very scary for him but he not only trusts you, but also that you will say when you need something.

Keeping things at a pace and level of intensity that he likes takes a bit of accommodating, but you’re more than willing to give him time and space when he needs it.

He loves listening to you talk. He also asks you questions about the things you’ve been reading because he knows how good it feels when someone pays attention to something you care a lot about.

Tomura will sometimes bring you things and ask you to read them to him because he’s very soothed by the sound of your voice. It’s something he learned he liked while checking out guided meditation type things. His favorite thing to have you read is fanfiction based off of his favorite video games.

He also loves info-dumping. He’s learned to ask before he starts doing it most of the time, but you’ll listen either way. He’s always going down YouTube rabbit holes and he wants to tell you about the things that he’s learned.

His special interest range wildly, from PC building to cryptozoology, horror literature and photography, but video game lore has always and will always be a mainstay. He loves going through interwoven timelines with you. It’s a lot to keep straight, but if you don’t get it all the first time, he’s happy to go through it again.

He’ll give you the floor to talk about the things that really interest you. It’s really nice just to talk and Tomura sits at attention, really listening to what you say.

Tomura’s favorite way to spend time with you is the two of you sitting together but doing your own things. He likes to be around you while you watch TV or YouTube because he can wear his headphones and play on one of his many handheld gaming consoles. Sometimes when he’s reading, he’ll laugh and get your attention to have you read a snippet of fanfiction he finds interesting or funny.

He struggles with big transitions and coming out of his head when he’s been focused for a long time, but you learn to give him a bit of time to adjust between activities.

He really isn’t a fan of being touched, but very occasionally, he’ll ask to hug you to help ground him. This picks up in frequency if he’s having bad days or a lot of stuff is going on at once.

He’ll also ask if you need a hug when you seem stressed out. It was a lot for him to ask that in the beginning, but it’s getting easier and easier for him to do.

He loves to send you things that made him think of you. Text chains between the two of you are sprinkled with pictures and links to things he thought you’d like. It’s fan art of your favorite media, songs he’d thought you’d like, or little things that reference the inside jokes you have together.

[mischievouswritingblog]

Meta Essay: Medivh The Bisexual Icon

As of the time of this post, there’s going to be an update coming to World of Warcraft where the once all female ghosts in Karazhan will be changed to include male varieties as well.

Full details on the update can be found here: https://www.wowhead.com/news/female-only-ghosts-in-karazhan-updated-to-include-male-versions-324371

This has caused a lot of fun posts and people to take this as an ‘accidental confirmation’ by Blizzard that the character Medivh is bisexual. Pair this along with how some of his portrayal in Hearthstone was made into Warcraft canon, and in my opinion, it’s an excellent update to his character.

It’s no secret that Blizzard’s had a massive lack in LBGTQ+ representation for the longest time. Often when such subject matter did show up it was treated more as a punchline in some quests or was kept conveniently to the sidelines, with nonconsequential, blink and you miss it text, side characters, moments. It’s insulting, to say the least, and is the source of a growing frustration from the LBGTQ+ members of the audience. What’s more, whenever this frustration gets voiced it’s always talked down to. We are told that to ‘keep politics out of gaming’ and that we are too sensitive, when these are the same people that get bent out of shape when even a single thing changes or is called out in their game. It’s bullshit. LBGTQ+ people exist and the act of existing isn’t a political issue.

But of course, with people even making lighthearted jokes or posts of Medivh being a ‘Bisexual Icon’, there’s folks crawling out of the woodwork with reasons from “But the loooooooore!” (as if the lore isn’t constantly changing and being retconned from one expansion to the next) to “Well A-C-T-U-A-L-L-Y, those male guests were just for the female nobles that visited and attended his parties, Medivh was very straight”. To that, I’m going to say: “Nah, Medivh is a bisexual icon, deal with it”.

In my personal opinion, Medivh is an excellent character to explore queerness  with. He’s a character that’s been around since Warcraft 1 and the effects and ties from his story are still felt throughout World of Warcraft in various ways. Medivh is also a character that’s gone through a large amount of evolution and various portrayals. My personal favorite being the One Night in Karazhan take on him because it’s so different from the usual ‘brooding, grand powerful hermit-mage’ that his type of character usually is. Medivh in One Night in Karazhan is instead, vibrant and is a thriving social butterfly that loves to have and treat people to a good time. His reasonings for being this way make a lot more sense when you really think about what Medivh’s situation was.

Now, I have to mention that I do a much deeper dive and deconstruction of Medivh’s circumstances and just how messed up they were in this self indulgent essay/headcanon dump: ‘My Completely Self-indulgent Medivh Essay’. Feel free to give it a read but here is the basic gist for this essay:

Yes, Medivh was the Guardian, one of the most powerful mages to exist at the time. He was also possessed by Sargeras and was the one that created and opened the Dark Portal that brought the Orcs to Azaroth and changed Azeroth forever. But here’s the thing, Medivh had no choice in any of it.

To be the Guardian means you have to put your life on the line for Azeroth’s sake. This is a role that had to be kept to secrecy, people had to make a lot of sacrifices to be the Guardian. You gain phenomenal powers and it is a great honor but none of this was anything that Medivh ever asked for. He was literally born to become the Guardian, there was no other choice for his own future. 

Then you have Sargeras, he had his plans in play long before Medivh was even a thought. A sliver of Sargeras had entered Aegwynn (Med’s mother and the Guardian before him) from a battle between Aegwynn and his avatar. This influence hid within her and made its move when she decided that she wasn’t going to allow the Council of Tirisfal to choose her heir for her title and powers for her. Ignoring Chronicle’s softening of her, she used Medivh’s father, Neilas Aran, the court magician of Stormwind to sire a child. In TLG she let him know she flat out used him and felt nothing for him then came back later and tossed baby Medivh to him for free childcare. What neither of them knew at the time was that Medivh was possessed by Sargeras while he was in the womb. Sargeras would then screw him over even further by causing his powers to lash out when he was fourteen, causing him to accidentally kill his father and fall into a near 10 year coma, and wake up mentally and emotionally fourteen in a twenty-three-year-old’s body. So from the very beginning Medivh was always set up for failure.

So with this summary out of the way, the point of the matter is that Medivh is a character that had little autonomy for most of his life. His career and his fate were chosen for him from the start. Sargeras was in his head messing with him throughout his life, in TLG Medivh even tells Khadgar that he tried to fight it as much as he could. His story is a tragic one but with his reappearance in Legion there’s potentially a ray of hope.

I think there’s a lot of aspects in Medivh’s story that can tie well with the feelings and experiences of queerness. Not so much the being possessed by discount space Satan, but more so the struggle of trying to have autonomy and hanging onto who you are as a person. Being queer myself and looking at it through that lens, I see Medivh being vibrant and throwing parties as an attempt for him to seize what autonomy he could for himself. To exist, to be seen, and to have an identity of his own that had nothing to do with being the Guardian of Tirisfal. I think that it’s also something that separates Medivh from Sargeras. There were likely times where Sargeras may have forced the lines between them to blur as he gradually poisoned Medivh’s thoughts and twisted his soul throughout the years. Medivh likely had to struggle a lot with separating who he truly was from Sargeras. This being inside him, who wasn’t him but would at times take over his body suppressing Medivh’s true self. It’s a horror story where some elements can really hit close to home.

Medivh I believe surrounded himself with like minded, free spirited people like Barnes and the theater troupe (while there’s the joke Medivh’s only seen three plays, I choose to headcanon he’s a theater kid, given how he has a theater to begin with and his own love for theatrics). Whether you picture Medivh as aro, ace, gay, bi, pan, or trans, with the upcoming changes he clearly accepts many kinds of people into his home.

This also has the interesting effect of changing some of the tones for some events in his lore. One example being the titans sending down the Maiden of Virtue to punish Medivh and make him live a more ‘pure’ life. The Titans are Azeroth’s closest thing to a pantheon of gods. They are beings of order, having taken Azeroth in her rawest form and molding her into something they saw fit. Apparently, Medivh’s parties and behavior was seen as something that required ‘correcting’.

On one hand, it’s really easy to read it simply as Medivh being a selfish, spoiled brat. But with looking at it through a queer lens one can put a more positive spin on the situation. The Maiden of Virtue was sent to shame and punish him into conforming into something the Titans believe someone like Medivh should behave. It clearly didn’t work. Looking at this situation, one can read it as Medivh refusing to relinquish his identity because a ‘higher power’ wanted him to. In the real world there are so many that have to hide their orientation and gender thanks to people using religion and belief as a cudgel. So having a character like Medivh as queer, with the power and willfulness to flat out refuse and shut it down is a refreshing power move.

Medivh’s story and the way he is in general has elements that I believe many people of the LBGTQ+ can relate with. He’s a complicated character that has dealt with abuse and being forced into roles without his consent, he made identity for himself and it was stripped away by an oppressor (Sargeras), and, depending on if Blizzard decides he’s actually resurrected/alive instead of being a ghost, is a survivor.

So to me, I love the idea of Medivh being a queer icon in Warcraft. It hasn’t been officially stated by Blizzard at the time this essay was posted but it has started a fun conversation. There are and will be the haters who will scream and tantrum about the LBGTQ+ touching their precious (when convenient) lore with their filthy paws and tarnishing ‘their game’. But in the meantime, I’m going to continue having a blast with the idea and enjoy working the story potential it gives into fanfics, speculations, and essays.

If you enjoyed this essay, I did a few other bits of meta, headcanons, and speculation for fun: My Completely Self-indulgent Medivh Essay

A Bit About Wizards and Sorcerers

Headcanons: Medivh is Alive and Currently Uses ‘The Guardian’s Study’ as his Home

[bestworstcase]

🎥 and i know you already answered this buuuut just in case u have something else big lying around 💥

ask game

🎥- Favorite Season (1/2/3)?

vbhgfhjdfshjd you know. i rag on it constantly but 3. like, flawed as it is– the essentials of it, the broad strokes of the plot arc and lore and cass breaking away from rapunzel and of course demon hours, that’s... what i wanted out of the show, ultimately. and the poor execution is just an opportunity for me to tear it apart and put it back together again the way i like, which is not... a downside, in my mind, because that’s pretty integral to how i enjoy things. 

that being said 2 gets points for having RATGT in it

💥- A big a opinion you have related to the Tangled movie/series?

i mean u know me i hoard opinions like a dragon hoards treasure but one i don’t think i’ve fully voiced on here before is that i actually like where rapunzel’s characterization goes in s3. the frustration for me is that it doesn’t feel like it was intentional, and that’s a problem of poor writing that creates an annoying tonal dissonance.

but like, if we look at rapunzel’s behavior in s3 and take that at face value... like you said here rapunzel kind of does this weird swerve where despite her refusal to give up on cass she also feels much quicker to anger, quicker to judgment, quicker to making snap decisions. she stops accepting blame for things that aren’t her fault and she also becomes more forceful about trying to get her way (e.g. in KAQOH). she verbalizes care and concern for cass without proactively doing...anything about the situation. she meets the mind trap theft with a shrug, meets zhan tiri’s gloating with a shrug, and appears to only care about varian’s kidnapping because it ruins eugene’s birthday and her planned proposal. 

and like, much as i get the impulse to read that as rapunzel repressing her true feelings and putting on a happy front so solid she even starts to believe it... i don’t think there’s a lot of textual evidence for that reading, in the end, just as there isn’t a lot of textual evidence for the reading that cass is using the gothel thing as an easy focal point for all her other issues with rapunzel; because in both cases, there’s never any narrative payoff for these supposed acts of repression. the deeper truth never comes out, is never mentioned or even hinted out. 

and that doesn’t make them bad readings per se but it does make them... not super interesting to me, because damn it if characters are hardcore repressing their feelings i want that to MATTER and i want to see the CONSEQUENCES for that. 

conversely

even though i know it wasn’t the intention, i like reading rapunzel as genuinely growing into a more selfish, more callous person in response to all the shit that happens in s2. i think that makes sense! and i think it is a really fascinating avenue for her character! and i think it opens up a lot of really interesting and complicated options for further growth–like

1) for eighteen years, rapunzel grows up sheltered and inculcated with terror regarding everything outside her tower. then she learns that her “mother” is actually her kidnapper, goes through a harrowing experience that ends in gothel dying pretty horribly right before her eyes, and then goes straight to her real parents in corona

2) where she is then immediately thrust into a position of enormous authority and responsibility and expected to get up to speed on how to be a competent princess in, like, six months

3) then at the six month mark she gets a whole bunch of magic destiny bullshit dumped in her lap on top of everything else

4) she tries so hard to break herself free of the psychological chains gothel left her with, to see the goodness in the world and trust people and embrace the world outside the tower... and then the QFAD stuff happens, and she’s traumatized, and the fallout of that traumatizes her more so she sort of snaps herself back into Repression Mode and pretending everything is fine, and that leads indirectly to varian, her friend, snapping and assaulting the kingdom and kidnapping her mom and trying to kill her mom and best friend.

5) so she Immediately Leaves corona to deal with the magic destiny bullshit but that’s scary so she treats it more like a vacation than a serious quest but that causes friction between her and her best friend and she’s just coping! not very well but she’s trying her best!

6) but her best isn’t good enough and things with cass keep getting more and more tense and the magic bullshit destiny keeps getting more and more real as they get closer to the DK and more information comes to light... and then the great tree happens, and rapunzel makes a choice that leads directly to cassandra getting horrifically injured

7) and this is not a situation that rapunzel is equipped to handle AT ALL so she dumps whatever guilt and shame she feels onto cass as anger and blame and gets extremely anxious and pushy about trying to make cass apologize/accept this narrative that the injury was cass’s fault and not rapunzel’s, and it even seems to work for a while because cass ends up being the one who apologizes at the end of RDO...

8) ...but at this point like, the whole friendship has broken down, right? cass is so shut down and alienated that after RDO imo it was only a matter of time before cass left altogether, and it’s just rapunzel’s bad luck that zhan tiri stepped in to be that final trigger to make that happen. but like from rapunzel’s perspective, everything was fine after RDO until cass just. suddenly. lashed out at her and stole the moonstone and ran away to do lord knows what. 

9) and to make matters worse the only explanation cass offers is that she’s mad at rapunzel because gothel was cass’s mom and abandoned her, something that obviously is not rapunzel’s fault. and rapunzel at this point has PLENTY of experience being blamed for shit that isn’t her fault, and very little experience dealing with guilt for things that are her fault in a healthy way (in fact RDO ended up rewarding rapunzel for refusing to deal with her guilt in a healthy way) so... she has very little incentive to take cassandra’s betrayal as a reason to introspect on her own behavior, right? she has no reason to stop and think well what did i do to make her feel like she had to do that instead of talking to me about it? 

10) and the rest of the friend group likes raps better than cass so they also don’t have any reason to be like hey, rapunzel, we didn’t treat her very well, did we? 

11) and then she returns to an environment where she is effectively the acting queen, and her friend group has this narrative that rapunzel is a kind and compassionate person almost to a fault (because she is) so she is constantly having this idea that she didn’t do anything wrong, this was all cass reinforced. [remember how in DC eugene implicitly agrees with rapunzel’s sentiment that cass, not rapunzel, is to blame for cass’s injury? “that’s how cass hurt her hand”] 

12) and frankly all this seems to me like a PERFECT storm for some of the behaviors rapunzel observed/inherited from gothel to float to the surface. she has always been a little pushy, a little prone to not accepting culpability, a little inclined toward black-and-white thinking. right? so for those things to, in the wake of this traumatic betrayal by her best friend, coagulate together into rapunzel being more forceful, more confident, more focused on her own happiness rather than trying to please other people, all while still giving lip service to being compassionate and refusing to ever give up on anyone and missing cassandra... like, that makes sense as a character development for her to undergo, i think. 

and i LIKE that. the only problem is that it goes unremarked upon and it’s clearly not intended for rapunzel to be this way, which means that the narrative ends up sort of presenting all this as ~positive~ character development when it’s... really... not. and that creates that tonal dissonance that i mentioned.

but like, character development does not always need to be positive and it does not always need to be linear. people can get better then worse then better again and that’s fine, and i think there’s just... so much mileage to be gotten, in fanworks, out of taking this negative character development in s3 at face value and then running with it to the logical consequences thereof: i want to see rapunzel’s friends slowly realizing that she has changed in the aftermath of s3, once they don’t literally have a demon waging war on the kingdom to deal with; i want to see rapunzel getting called out, i want to see her struggle as she learns how to deal with guilt and accept blame for her actual mistakes; i want to see rapunzel wrestle with the personality traits she learned from gothel and figuring out who she is and who she wants to be; i want to see her slowly-dawning horror as she realizes how she’s overcorrected from “people-pleaser” and become callous to other people’s feelings, and the work she does to pull herself back onto a healthy middle ground instead. 

like!! i get, i totally get, the impulse in fanworks to just kinda put all this down to poor writing (because that’s what it is) and take the obvious intentions of s3 (that rapunzel has come into her own and found a good, healthy place for herself and does truly care for cass and want to help her etc etc) and roll with that. that’s a totally valid way to read the text esp for the purpose of creating fanworks

but i just think it’s neat and fun to take it at face value and then try to like, work through the consequences of that. let rapunzel have serious flaws 2k20

[carabas]

So I’ve just finished reading the Dragon Age Tevinter Nights anthology, and short reaction: enjoyably hit and miss right up until that final extremely thorough direct hit, thank you Patrick Weekes.

Much, much longer version:

1. I don’t know how reasonable it is to try to extrapolate about what’s going to be in the next game based on a random short story collection, but hey, the novels that came out before DAI were about the mage rebellion, the Orlesian civil war, and eluvians, so.

So things I’m now expecting to see in the next game, aside from the Tevinter-Qunari conflict and Solas of course: Nevarran necromancy, Antivan Crows, Wardens who are struggling with decimated numbers after DAO and DAI (would be the perfect time for Razikale and Lusacan to both wake up at once really), and the Lords of Fortune, a never-before-mentioned Rivaini treasure hunting organization which appeared in I think three different stories here. 

Plus a few stories were very much signalling This Specific New Character Will Be Showing Up Again, whether in the games or elsewhere; I'll be shocked if Lucanis the “Demon,” reluctant heir apparent of the Antivan Crows who just got into a cliffhanger conflict with a Tevinter magister, doesn’t have more to do.

2. THERE IS A MAP, there is a great big fantasy map surrounded by nifty little illustrative details to poke at.

There’s a label reading “White Spire,” not in Val Royeaux, but on a mountain beyond the Arlathan Forest. Is that an error or is there really a White Spire mountain? If not an error, has it always been named that or is that new, possibly a new center for the mages after the war, after the original Spire fell? At no point is either Spire mentioned in this book aside from this map.

Lots of astrological sun and moon patterns prominently featured around the edges. Is that one moon chart depicting moon phases or an eclipse? Is it too conspiracy theory of me to be counting the nine dark moons (or spheres? like in that DA4 idol illustration’s seven slots?) on the dragon’s wing? Probably. Or are those spheres a reference to the second moon that never seems to actually be visible, is that missing moon actually deliberate. 

Most of the astrological charts are fairly straightforwardly showing sun/moon phases but what is the crowned figure in the one on the lower right meant to represent? The Maker? What’s going on with the horizontal lines passing through it/behind it? The two moons beneath it - is that an illustration of the moon in two phases or being separated into two (metaphorical moon in that case, presumably), do those horizontal lines also indicate separation, do I need to move on from the astrological depictions here, definitely.

Love the big horseshoe crab sea monster.

3. Patrick Weekes’s first story in the collection: halla shapeshifting! An elf named Strife who I fully expected to be revealed as an agent of Fen’harel mimicking ancient elven names like Sorrow and Pride, though I was wrong - would it be charming or just annoyingly unsubtle if that became a thing among his agents. An ancient forest guardian with lyrium blades who hunts magic in a way that struck me an awful lot like a forest-themed equivalent of a golem, though I may be wildly off base with that one.

4. Nevarran necromancy story. An odd bit of the chant to highlight for a funeral: “And the Maker, clad in the majesty of the sky, set foot to earth, and at His touch all warring ceased.” I continue to squint suspiciously at overlaps between Maker and elven god imagery. Also, evidently mortalitasi believe that when someone dies, an inhuman spirit is pushed out from the Fade into the physical world, and that’s part of the reason behind their housing spirits in bodies - neat! The existence of Curiosity spirits, also neat!

5. Is Ghilan’nain’s horrible body horror place supposed to be spelled Hormak like in the title and previous canon references, or Hormok like throughout the text here? I know this was just a mistake but maybe I’ll use this to say that in-world there’s multiple ways of transliterating Dwarven.

6. Lukas Kristjanson story #1, the one featuring approximately a million minor Inquisition character cameos and a meditation on Solas’s regrets, introduces a character with the phrase “free mage by special commendation,” and I was briefly thrown by that little signal that we are Not In My Worldstate, that the mages aren’t all free by default - except then the story went on to destroy Solas’s fresco so I wound up quite grateful for that little heads up that this isn’t my worldstate actually.

(Unfortunately I can’t get into this guy’s writing style at all, which is a shame because it’s one of the big Solas stories in the book.)

7. There’s a little plot point in the Wigmaker Job story that demonstrates those elven artifacts Solas had us activate all over Thedas do indeed strengthen the Veil - like, he wasn’t lying to us about what those orbs do, that is how they work, here we see a Crow stab one in order to deactivate it, weaken the Veil and unleash a horde of vengeful demons. Nice confirmation.

8. Genitivi is the Randy Dowager. (Possibly. At least, Philliam wrote a scene in which Genitivi alludes to being the Randy Dowager. I do appreciate an unreliable narrator but after a certain point it does make the lore hard to keep straight.)

9. By the time we got to the story about adventurers stealing an incredibly powerful healing amulet just to donate it to a mysterious contact at a makeshift hospital trying to help people where the Qunari-Tevinter war has spilled over, I knew better than to expect any cameos from DAO/DA2 characters. And with the mention of the squire, I was pretty sure the mysterious contact was going to be Vaea, and it was. Still. Anders would approve. And for a moment I was fantasizing that it would turn out to be him, or connected to him. A new mental setting for him and Hawke post-mage-freedom - makeshift hospitals at the edge of the invasion, secretly sponsored by a certain pair of absurdly overpowered, dungeon-crawling, treasure-hunting fugitives.

Yes, my Dragon Age interpreting is still all about Anders even when he’s not remotely present.

10. You know, I really expected the leaders of the Crows to be a bit more ruthlessly competent than this. Someone is setting up a grand demonstration, recreating infamous historical assassinations carried out by the Crows but now with the leaders of the Crows themselves as the victims, incredibly flashy, incredibly clearly sending a message, and yet not one of the characters trying to figure out whodunit is speculating about the meaning behind that message??? the motive in going to all that trouble??? it’s all, hm, perhaps it’s the qunari invaders. hm, this one was posed with a pearl necklace just like the one in the historical murder it’s recreating, i bet the culprit owns a pearl-fishing business! I know they’re assassins not detectives but at least show the professional courtesy of paying attention to the message in the show your fellow assassin is putting on for you, geez.

Anyway. Interesting Crow details: they talked about neutral ground and territories divided between the Crow households here, does that just apply to Antiva or like, does Arainai have claim to all jobs in Ferelden? 

And the line “Teia's back was bare except for a tattoo marking her as a member of House Cantori” puts Zevran’s tattoos in a slightly different light for me - he’s mentioned that some symbols are sacred to the Crows, and logically it follows that having that symbol tattooed on him would indeed mark him as a Crow to other people in the know, but that his tattoos mark him as belonging to House Arainai is a thing that did not hit me from that.

11. An agent of Fen’harel muttering “Felassan” to activate a rune. In memoriam? Charming. I mean it’s a rune that’s intended to kill an entire city, so possibly the more literal slow arrow is meant, but I’m still charmed.

12. PATRICK WEEKES CLOSING OUT THE BOOK BY JUST DUMPING THE CONTINUING DREAD WOLF HUNT PLOT ON US. 

So much. 

An actual giant wolf in the Fade, I’m so happy for tumblr user corseque. 

A character again raising the possibility that Solas is not an ancient elf but rather a young elf who stumbled onto old magic, a theory I thought debunked by Trespasser but here we are considering it again. 

A minor side note that a lot of Kirkwall’s templars went rogue after the explosion - that’s not relevant to the post-DAI plot really, I’m just noting it for my generally-DA2-focused fanfic purposes. 

The possibility that somniari (presumably) can kill even dwarves who don’t dream in their sleep. Somniari in general or did Solas personally step in here?

A ritual involving the red lyrium idol resulting in the phrase “As if we were the blood and the cavern the body through which it flowed” right before the POV character enters the Fade, which is a rather Titan-esque turn of phrase. 

The Dread Wolf again asserting that all creation is in danger and he’s trying to fix that. A biased POV character recognizing that, huh, funny how those spirits around the Dread Wolf which surely must be demons actually look an awful lot like Justice and Valor. 

And Charter’s notes at the end, so direct, not only spelling out the new details on the idol for us (that the figure represents a crowned figure comforting another) but thoroughly hitting us over the head with Solas’s essential characterization in his own words, as if Weekes is still trying to clear up any possible lingering misinterpretations there. (Prideful, hotheaded, foolish. Doing what he must. Sympathetic to elves. Said that he was sorry.)

And the quiet simplicity of Solas coming to this meeting of spies in person because, pause, “...the Inquisition was involved,” written in such a way that you could read all sorts of things into that pause, whatever the Inquisition and the Inquisitor might mean to him.

The book would have been worth reading for this last story alone, what a note to end on.