#tldr: i think it's a case by case situation

[blackjackkent]

So, what Rakha really wants to do right now is go kill the people hunting Karlach, because they don't have anything else that would qualify as a direct plan other than the creche, and the "paladins" are closer. However, I happen to know that the paladins are level five and Rakha is level 2 and could be knocked over by a stiff breeze, so I think a better bet is a more full exploration of the Emerald Grove first.

I'm guessing that this is the result of a concerted effort on Wyll and Shadowheart's part, primarily - Wyll already knows the people of the grove and Shadowheart has fixated on Halsin as a useful lead. Gale doesn't seem to have any specific plan in mind and, left to their own devices, Lae'zel would already be heading for the creche and Rakha and Karlach would be after the paladins. But between them, Shadowheart and Wyll manage to convince everyone that at least TALKING to the healer in the grove would be a useful start before everyone goes off half-cocked.

Amused because I stopped in to talk to Zevlor and got a disapproval from Wyll purely for leaving the conversation without asking the question about whether the ritual could be stopped. XD Sorry, Wyll. I swear we'll get to a point where you like Rakha, somehow, but I doubt sincerely we're there yet.

Speaking of the ritual, down we go to the grove proper - with a quick stop to talk to the teeth-ling kids.

"Whoa. Hey! Can't say I've ever seen someone like you before."

Without preamble, he shows his hands to her, empty. Then a quick flick of the wrist, and suddenly he's holding out a tarnished gold ring between his fingers.

"Go on," he says cheerfully. "Take this ring. It's lucky."

Rakha, who has very little context for anything she experiences, has never seen slight-of-hand magic done before, nor is she familiar with the concept of a con man. So she watches this little display and is immediately fascinated. Magic - but with no surge of that visible tapestry around the boy, the network of power that Gale calls the Weave.

How?

"That was a fancy trick," she says slowly.

His eyes narrow and something subtle shifts in his expression, a flash of interest. "You haven't seen anything yet, lady," he says dryly. "Go on - take the ring and watch your fortune change!"

Take the ring.

She takes it and looks at it carefully. There is no magic on the ring either, nothing that she can sense. But the boy looks up at her earnestly as he draws a coin from his pocket. "Call it! Heads or tails."

She blinks at him, puzzled by the question.

Pocket the ring.

"Hey, hold on!" the boy cries at once. "You gotta pay for that!"

She does? She withdraws the ring out of her pocket again and squints at the boy, incredibly baffled by the entire situation.

("The boy seeks to deceive you," Lae'zel says impatiently under her breath. "His magic is mundanity. The ring likely the same."

Wyll sighs. "Be kind, the both of you. He wants to show you a trick, that's all. Let him flip the coin.")

Rakha's eyes narrow. She stands there with the ring sitting on her palm and feels foolish. "It's only a joke," she says slowly after a long silence and trying to sort through the words from her companions. "Go on... flip your coin." If anything, she is curious to learn what that means.

"Real sweet sense of humor you got there, chum." The boy looks as if he's starting to regret his choice of mark, but he presses on gamely. "Anyway, you gotta call before the flip. Heads or tails."

A long pause. "Heads?" Rakha says cautiously.

The boy grins, tosses the coin in the air, catches it, and then shows her the side with the head facing up. "Heads it is!" he crows. "See? That's the kinda luck you get from just one of my lucky rings! I've got more where that came from. Real cheap, too. Interested?"

Rakha is starting to understand the situation now that she has seen it play out, and her lips twitch with irritation. [SORCERER] "If there was magic in this ring, I'd have felt it," she says bluntly. "It's nothing but junk."

The boy flinches and raises his hands defensively. "Not so loud!" he hisses. "You caught me, all right? They're not lucky rings." His eyes grow wide, his expression twisting with sudden, exaggerated pathos. "I'm just... trying to earn money for my family," he whimpers. "My father left and my mother... she's so sick. I wish I had better things to sell than... trinkets, but it's all I have!"

Rakha squints. The shift in tone is abrupt enough that she is certain it's disingenuous and that Lae'zel is right - the boy is making a fool of her. There is nothing of value here.

Wordlessly she shoves the ring back in the boy's face.

Return the ring and leave.

[supercantaloupe]

was thinking about this in my lesson this morning, how it’s really common for woodwind players to have multiple instruments. like i have two oboes in addition to my english horn but not even including other instruments like EH or d’amore, most oboists i know (especially professionals) will have two or three or more. i know flute and clarinets who’re the same way but i have no idea if it’s A Thing for string or brass players too

[constellationcrowned]

((It's almost funny that the constellation associated with Flynn is a legitimate death trap when he himself is ensnared. Also the fact that both Kariom and Flynn are ensnared (not to mention slowly but surely being destroyed) by both external and internal forces, most of which (but not all) are far beyond their control.))

[sheeezu]

Emergency shift, tonight.

Another step by step guide, but this time it's mainly focused on how to shift when you'd do anything rather than stay in this wicked reality, perfect for permashifters or anyone frustrated with their current living situation in general.

OK, so I made this method in my WR, since I can't possibly "shift" here (I can switch realities on command by intending, so shifting isn't an activity for me anymore, I don't need to do methods), so last night i went to my WR, with as much skills I had before my first shift, I had an infinite time to figure out the perfect I need to get the hell out of here shifting method.

:)

Step 1, Morning: (divide this into four parts, morning, afternoon, evening and night)

Yes, you woke back in your CR, but don't think about that, get into the mindset that you're happy and you'll shift tonight.

First of all, drop all tasks from the CR, stop, don't do assignments or anything, don't focus on your CR.

Afterwards, what you need to do now is relax yourself, go ahead and pick something to do that you enjoy, so you can divert yourself from overthinking about shifting (personal recommendation, Sims 1 :) listens to subliminals in the background, don't worry about them if you think you have a strong enough mindset.

Don't completely abandon your CR body, don't just become a robot, eat, talk with your family (don't if you're not a fan of them). Avoid shifting forums as much as you can, mainly because there is always something irrational on there which could possibly discourage you.

Quick tldr for this step: relax, calm yourself down, listen to subliminals.

Step 2, Afternoon:

If you're developing a headache or feeling light-headedness due to the excessive subliminal listening then that's good, it means your brain is absorbing the affirmations.

Now, trick your human brain by listening to subliminal boosters, but only those ones which repeat playlists by million, billion, trillion, or zillion or something, it won't matter how effective the subliminal is, as long as you believe the title to be truth, then trust me, it'll work like promised.

After you're finished with your subliminal run, top it off with one of wrath's seal and you're good to go, you're now mentally prepared to shift, and you are in a perfect mindset. (wrath, the subliminal creator, in my opinion their subliminals, especially the boosters are the strongest; search wrath's second seal, in my opinion it's the strongest one in the series).

._.

Now you have eye strain or something, get up, go sit outside for a moment, stare at the trees, birds, skies, and start daydreaming-!

(Don't worry, I didn't tell you to touch grass, you can stay indoors, but, daydream :)

Daydream about your sweet sweet DR, if you're going to your WR, just imagine all the fun things you'll get to do there, or visualize your WR (or script; meaning revise how you made your WR to be like)

OK, back to the DR part, daydreaming can be done in many ways, perhaps you'd like to zone out and fall into deep contemplation about your actions in your DR, kind of like a case study (for me, bringing up old events from my teenage years or something, specific memories arise which didn't make sense; like me ignoring someone I like, and try to figure out why I did it, this all strengthens your bond with your DR)

Or you could simply rewind your memories in your DR, or what you've planned for the upcoming days, what you were doing before shifting, my recommendation would be to kind of add lots of "too much information" like, where did you place the honey after you had finished baking that cake? Didn't you had to put a new bar of soap in the bathroom? Didn't you broke the button of your favorite coat yesterday?

Or If you're good at visualising, you can simply live an entire day in your DR (perhaps not an entire day, just visualise your morning routine)

Another good one, if you can't visualise or don't feel like it, open Pinterest, scroll through your home feed, and try to relate the pins you see to your DR (I was just about to buy that shirt; I swear I saw that exact same house somewhere; that cat looks exactly like my sister's cat)

Feel like your DR self now? If not you're definitely getting excited and prepared by now.

Step 3, Evening:

Now it's time to attach yourself firmly to your DR self.

Consume media which remind you of your DR self, try your luck with Character ai, maybe it'll make sense for once (make your own bots, add a little description of your DR self within the character details, the bot will remember your details, ask ill share a template :) your spotify playlist + pinterest, remind yourself, your DR is very much real, if it's possible, close your eyes periodically for a few minutes, imagine making decisions like your DR self, and facing the consequences right after; or you can have a small conversation with your loved ones, keep it related to your DR.

Eventually, you'll be led to nightfall, it's time to go home.

Step 4, Night:

Listen to the subliminals you've listened to during the day, again, for an hour at least, if you're doubting yourself, or feeling like you won't be able to do it, try to distract yourself by a memory from your DR or something, or simply, already get into you're DR self's mindset, say "affirmations" like these:

"What the heck is going on in my mind? Why am I thinking about shifting, I've already got so much work to do." (That was an example, get creative :)

If you're ready to start shifting, lay down in a comfortable position (or sit up but lean back on comfy pillows if you're in fear of falling asleep) take a few deep breaths, if you like meditation then do so, but it's not at all necessary, just relax.

....

Now shift (just kidding, use my method which I've explained thoroughly in my first post, follow it and no doubt you'll shift, you're invincible.)

...

I am very self assured in my method btw. Also I'll try not to be lazy and answer the questions in my inbox dw.

I'll also upload my script, since for once I've finally stopped crying about permashifting in every post.

Good luck, you'll shift tonight, no doubt.

Remember to look at shrimp colors at least once in your waiting room.

[bramblebeau]

Alright I told myself I wouldn't interact with fandom when s2 came out, and I haven't and don't plan to except to say this about people deciding Caitlyn is the Worst or that the writing is OOC.

As someone who has had a family member violently killed, I cannot stress how much it shakes up everything you thought you were and stood for. My beliefs in proportionate compassionate justice and the rights of all human beings are some of the strongest I have (stronger now because of the way that experience affected me personally), but they were pushed to the absolute limit when it came to an individual who had killed my loved one, showed no remorse, and laughed in our faces outside court, among other things.

People generally like to believe it wouldn't be them or their peace-loving family members being talked down from seriously considering violent revenge, consequences be damned. People like to believe they wouldn't lash out at people closest to them under that pressure, that they wouldn't build walls around the kindest and most sensitive parts of themselves because those parts are the ones feeling pain you never thought possible, that they wouldn't stalk the killer, make notes on all their family and friends, and fuck up their hands punching walls in anger wishing so badly it was flesh and bone because they can't handle the fact that there's no way to turn back time to stop it all from happening. People like to think they're "better" than that. But the reality is messy and painful as hell.

With Caitlyn, she has the added guilt of having actually had the opportunity to stop Jinx before she fired the rocket, but she hesitated just long enough for it to result in the deaths of her mother and other councillors and in the cities being plunged into chaos. Not only that, but the person close to her she's lashing out at is the person who caused her to hesitate, and just so happens to be the sister of the killer.

Furthermore, her behaviour is entirely in character. We have seen her set up as someone who becomes obsessed with achieving a goal and will do pretty much anything she wants to get there. In S1, we agreed with her methods because her goal was exposing and taking down Silco, and because it led to Vi being released. In S2, she's doing a similar thing but it's fuelled by fear and a type of pain she doesn't know how to deal with, rather than being fuelled by a need to prove herself and solve a case, and it leads to her making morally questionable decisions and to hurting Vi. She admits herself, albeit privately to Vi, that she does not know what she's doing and doesn't know how to fill this hole in her chest (and the hole in the city leadership). She has been sheltered from the real world for almost all her life, and as a result she has no experience of functioning or making decisions under this kind of pressure. The real world blew up in her face in the worst way and she was given power and a loaded rifle, and then shoved into an even more elevated position by a very experienced warlord who is manipulating the shit out of the whole situation.

I'm not saying that you have free rein to hurt people when you're grieving and facing extreme stress. (If you think that's what I'm saying then idk I'm not sure there's much hope for you in terms of critical thinking skills). What I'm saying is that Caitlyn is exhibiting pretty normal human behaviour that most people would be susceptible to in those circumstances, not the behaviour of someone who is some kind of heartless abusive bastard.

TLDR: Caitlyn is being written in a way that completely makes sense and is also not OOC, and if someone told me there would be no chance of them reacting in similar ways I simply would not believe them.

[cuckoo-on-a-string]

"Appropriate" responses to the Gaiman issue

TLDR: This isn't a Rowling situation, be wary of internalized purity culture.

He's a predator. I'm glad a proper journalist followed up where police have failed (and possibly given victims a better footing for future charges).

But I have a problem with the knee-jerk responses targeting the fandom.

Just to clarify, I'm not talking about insulting The Predator. This is about how you treat people who have/do/will enjoy the stories that unfortunately came into the world through his keyboard.

Fans aren't intrinsically evil/uncaring for continuing to participate in associated fandoms.

This is not another Rowling situation. Why? Let me clarify. The consequences of consumption are very different. Rowling is ACTIVELY using her popularity and income as a creative to target one of the most vulnerable minorities in the world. Buying official merch/books/movie tickets prove to the powers that be that she remains a good investment, so they'll give her even more money. This perpetuates the cycle - new movie/book deals, more income, more hate, rinse and repeat.

The push to avoid Rowling's work in full is driven by the fact that she has FACED NO CONSEQUENCES and is still powered by her creative properties. It's fandom/consumers trying to bring justice.

Gaiman, on the other hand, knew he was doing bad shit on some level because he kept his abuse hidden. His status and reputation let him get close to vulnerable fans and essentially intimidate authorities from going after a celebrity. He is FACING CONSEQUENCES. I would personally like to see criminal charges brought against him, but that's out of the fandom's hands. Things we could've influenced (his Disney deal appears to have gone to shit, he's been booted from the truncated final season of GO, and there's no news on Sandman 3) are already in motion. If his publisher doesn't drop him, I'd say avoiding his future works is beyond valid (I certainly wouldn't buy them). But I'm going to watch the new season of Sandman. And once I've taken time away, I'll probably finish my active fics.

"Judging" people who still enjoy his work stems from good intentions that grew out of the fetid ground of purity culture rhetoric.

Writing fanfic and enjoying shows that are already made do not make people soulless accomplices. The idea that unproblematic stories by saintly creators are the only things you're allowed to enjoy is not only flirting with censorship, but it's also impossible.

If you think people should have nothing to do with Gaiman's works, you better throw out anything Weinstein touched. That includes Jackson's LOTR trilogy, FYI. Also, anything his company officially produced (which still gives him money in some cases) should never, ever grace your screen. That includes some of the better Stephen King adaptations, The Orphanage (which was a breakthrough Spanish-language film in Western markets), The King's Speech, The Imitation Game, Woman in Gold, Paddington, and It Follows.

If you aren't willing to publicly announce your "disappointment" in anyone who continues to enjoy any of those films, then kicking up a fuss over how other people process and interact with problematic content from a fallen celebrity who is in the process of getting his dues is pure hypocrisy.

Personally, I'm maliciously complying with Gaiman's famous quote about how once a story is out there, it doesn't belong to the author anymore. Well said, Predator, these are mine now, and I shall fuck about with them as I see fit.

Attacking or snobbishly looking down your nose at the fandom also erases YEARS of beautiful critique and thoughtful exploration of existing, acknowledged problems in works like The Sandman.

People in these parts already know how to handle complex issues in complex pieces of media. Gaiman isn't our god. His canon is not our bible. He didn't teach us morality, as is apparently the case for a lot of people who grew up reading Rowling's works as a child.

If you have a problem with the censorship comment I made, I'd like to point out at least one writer friend is LEANING INTO the fandom as a way to process their own trauma. Suffice it to say they survived a very similar situation. They see it as empowering to take the stories away from the abuser and use the characters/settings to make something new.

I get the ick. I have it right now. But I'm not burning every copy of his work I own (full disclosure I have... *checks shelves* a copy of Neverwhere and The Sandman series). Doing so is totally valid, and if that helps you process and feel better - go for it!

But this is not the same as Rowling and the only ones you hurt by declaring your "judgement" is a complex group of individuals who are able to enjoy fiction, remain aware of potential social consequences, and found a place that doesn't align with your black/white morality.

With that said, judge away! I better not see any stories from Charles Dickens, anything in anyway associated with the Weinsteins, Nickelodeon shows, Charlie Chaplin references, or Francis Ford Coppola films touch your feed. If you scratch the surface, you'll find more things to judge others for enjoying, and they will inevitably find something to judge you for, too.

[kdinjenzen]

So with all the stuff going on around Nintendo Vs Pocketpair I feel like people are missing the point of what's going on.

And this article actually finally brings up the biggest point: Nintendo has 1000s of patents and chooses not to enforce them all on everyone.

The idea that, quoting the article and Serkan Toto, "Nintendo's sweeping list of patents means it likely "could have sued half of the gaming industry back in 2017," …so like WHY NOT DO THAT?

There's a million reasons to not do it for Nintendo but TLDR is it's just bad business for them to do so.

The real take away is -what has PocketPair/Palworld done- that has brought out Nintendo to start enforcing these things in this particular situation?

A lot if you pay attention to PocketPair/Palworld's marketing and social presence. They threw rocks at Nintendo, so Nintendo is finally pushing back.

Now I'm not going to fully go to bat for Nintendo and say "they are a good company" because there's no such thing truly…

But in most cases with Nintendo, they C&D folks multiple times before even thinking of escalating anything to real legal trouble. Which is kinder than most companies.

The final thought of the article says that Nintendo may feel "threatened" by PalWorld but… I don't buy it.

Pokemon is THE highest grossing franchise in the world… ever… of all time. It's total revenue is around $100 BILLION with a B.

PalWorld, even at it's height, didn't even come close.

The aspects that I think Nintendo decided to act upon in their mind for this is the brazen bold rudeness and shit talking that happened on social media/marketing with PocketPair/Palworld.

PLUS the fact that Pokemon fans were also quick to be like "bruh, even if this isn't stolen it's obviously design lifted" for a lot of Palworld's Pals.

Add in the fact that both Microsoft and now Sony have pulled PalWorld onto their platforms… Nintendo is going to notice and get mad.

The truth is that PocketPair is an indie dev… with major AAA studios behind it now in a lot of ways. Which actually hurts PocketPair in a sense.

Nintendo tends to ignore indie stuff and has actually collabed with many indie studios before in major ways, so they aren't anti-indie.

Nintendo is OLD SCHOOL and expects a little bit of respect.

Nintendo has not taken action against pretty much any of the other true new Tiny Critter Collecting Indie IP that have popped up, a lot of them are ON Nintendo platforms and have had Nintendo feature them in directs…

But PocketPair threw rocks. Nintendo easily saw this as disrespect, but could be ignored.

What CAN'T be is the outcry from their own fanbase to "look into things" with PalWorld to see what, if anything, was lifted from Nintendo directly.

And Nintendo did. They took over a year to look into it.

This isn't Nintendo doing a knee jerk reaction, they went over things and took their time to research what PalWorld and PocketPair were doing.

Nintendo isn't stupid. They don't pick fights for no reason.

Regardless of if you LIKE Nintendo, or your feelings on a big company taking on a little company… Nintendo is very likely on the right side of business, IP, and patent law here.

Nintendo -losing- here would be, actually, really bad for small folks more than big guys in the long run.

Adding in the fact that PocketPair launched a generative Ai art game on top of all that…

This feel like, yes, Nintendo is flexing in a lot of ways but… they chose who to flex on and not to flex on -everyone-… so there seems to be a solid reason as to -why-.

Again the real take away is that IF Nintendo could have sued half of the gaming industry (as of 2017) with all the patents they have … why didn't they and WHY are they choosing to sue PocketPair/Palworld -now-?

Because that's more important than anything else.

[imliterallyf7ckin9crazy]

“𝕴’𝖑𝖑 𝕸𝖆𝖐𝖊 𝖄𝖔𝖚 𝕳𝖆𝖕𝖕𝖞 𝕭𝖆𝖇𝖞, 𝕵𝖚𝖘𝖙 𝖂𝖆𝖎𝖙 𝖆𝖓𝖉 𝕾𝖊𝖊”

Nam gyu (player 124) x fem!reader x thanos (player 230).

Squid game season 2

Warnings: typical cannon violence, descriptions of blood and death, semi toxic lol, this duo doing their things, romantic tension but nothing is verbalized, drug mention ofc

A/N: so I’m brain rotted by these two but I see no poly stuff on here let alone in squid game😭 so here. If you’re uncomfortable with drugs don’t read, sorry :/ I’ll right something more gender neutral soon but I had a vision.

TLDR: post game two. Reader is already decent enough friends with nam gyu and thanos. They want to play another game but reader isn’t so sure and they both try to convince her to play. Sfw sorry gang. Kinda sad but whatever.

—————

You had never felt more overwhelmed in your whole danm life.

You had literal seconds left on the clock as you and your randomly selected teammates gripped tightly to each other and struggle to the finish line.

You couldn’t even hear the cheers of the crowd over your own screams of desperation and terror as you all walked as one. Right at the last minute you closed your eyes, running blindly to death. Ready to face the bullets. But then you felt the snap of the finish line across you and your teams united body. And you opened your eyes. The guard watching formed a big ‘O’ with their arms over their head

The crowd burst into cheers and congratulations. You made it with just 2 seconds on the clock. A unspeakable weight was ripped from your shoulders as you processed your teams victory. You only had time to form a small smile and to turn to congratulate your team before that two was ripped from you. Right before your eyes, the other team that started at the same time as yours was mowed down by an unstoppable line of bullets.

The crowd stopped cheering and watched helplessly as another batch of human beings were slaughtered for failing a stupid kids game. The smiles were wiped clean off your team as you were escorted back to the main holding room. Bottoms of your white shoes stained with the blood of countless people before your team.

You would have preferred to lay in your thin provided bed and force yourself to self. To delude yourself into thinking when you’ll wake up you’ll be home because this was all fake. To wake up at home and not splattered in old dry blood.

But of course, nothing can go as you want these days.

Instead you are greeted by fluorescent lighting and two absolute wackos barreling towards you. Players 124 and 230, seemingly unfazed if not satisfied. You nearly forgot about them between the fighting for your life against time situation.

Oddly enough their excessively jovial attitudes rightfully threw off pretty much everyone else in the games, it brings a sick sense of comfort. They make it seem like they were just kids in a summer camp competing for who gets top bunk. It makes you forget where the hell you were. Though deep down you knew there had to be something very wrong for them to take such joy in watching (and in 230s case causing) the death of their peers.

Which is why when 230, THE thanos, approached you after the first game you with 124 hanging right off his heels, you didn’t really resist. You figured ironically you’d be safest as friends of the danger than against it. And you knew they were dangerous. You saw 230 push people in red light, green light. You saw them popping pills while waiting in line for the marathon. But they were friendly to you and weirdly made you feel safe

“AYYYY! Señorita! You made it!!” 230 exclaimed with excitement, reaching you with his arms out. The quickly had you by the shoulders and shook you slightly “we were so worried about you!” He says. You raised an eyebrow as if to say ‘ok, sure’.

124 rounds from behind 230 to behind you so he can put his arm around your neck and hang there “no seriously we were” he looks at you with a smile “honest”

You sigh lightheartedly “okay okay whatever. Lemme sit down guys I’m tired” you say, pushing them off. Only nam gyu, player 124s actual name, didn’t fully let go. He kept his fingers playing with parts of your jacket as the duo led you to thanos’ bed, where they usually chill out. You sit in the middle of the bed and then they sit, one on either side of you.

“This game was worse than the first…” you start to say but then drift off. You met these two because you agreed that everyone should try another game, and backed them up. Obviously, they liked that. Only now you weren’t so sure anymore. You didn’t know if you can keep watching strangers be torn to shreds by the gunfire of dinky little fucks in pink uniforms. “We barely made it…”

Nam gyu places his hand again on your shoulder and gently rubs it. “Just means you’re fit enough to keep going.”He says with a sickeningly calm and comforting voice. Only slightly stuttery. Clearly still rolling off whatever thanos gave him. Your head turns to look at him “keep going? But I thought-“

“I know what you’re going to say” thanos cuts you off grabbing your hand tightly “we have to play again”

You assume you must have made quite the face because he just sighed and kept talking “look, I know. But we all know the money we will get now will do nothing to help us. We have to play again, you see beautiful?” Thanos said expectingly. You took a moment to think, really think if it was worth it. But it was like trying to think with little devils on your shoulders

“I know you need the money just as much as us. Are you gonna forfeit all of that money just to leave?” Nam gyu coaxes, grabbing your other hand and fidgeting with it. It was very hard to focus like this. But the way they were saying it didn’t sound like there was much room for debate.

“The next games will be worse than these. What good does the money do us if we die” you say, trying to pull your hands back to yourself. Only they both refused to release you, gripping your hand in theirs.

“We won’t die, sweetheart” thanos says nonchalantly, will all the certainty in the world. No doubt from whatever he’s on.

“Maybe you won’t but I totally could. I’m not as good at things like this as you two” you argue back. Thanos gives you almost a look of compassion, something you didn’t think he could muster.

Nam gyu lets your hand go and wrapped his arms around you, leaning his head on your shoulder. “We won’t let that happen then, yeah? We can make sure you live” 124 says smoothly

“You just have to vote ‘O’, yeah?” He says. Again. It didn’t sound like a request. You sigh again and give in, seeking any comfort you can get in a situation like this. You lean back a bit into nam gyus clingy grasp and give thanos a tired smile “alright. Just one more game?”

“Just oneee more” thanos says, forming a little heart with his hands and giving you a little wink. “Promise”

You just laugh a bit with them, choosing to put your trust into two broke druggies who took an odd liking to you.

—————

This is lowkey so ass but these idiots are my world rn. I’ll probably rewrite this later when I get a better handle on how I want to write these guys. I love my evil wives.

[rikusahoge]

"But be safe. No reckless stunts."

On Sora and Riku's respective recklessness as showcased in the series, and what it means for their relationship

Under readmore because i am going to talk a lot

As an aside: Im going to be pulling from the Japanese text, though I am not a native speaker or really any kind of speaker, so take what I say with a decent amount of scrutiny. I'm more than willing to be corrected on these conclusions!

One line that has stood out to me in kingdom hearts is the repetition of "no reckless stunts!" and similar phrases. If you examine the original text, three slightly different words have been used to mean "reckless", which I'll include below (pulled definitions from Jisho, mostly)

無謀 (mubou): reckless, foolhardy, rash, ill-advised, mad (scheme)

無茶 (mucha): reckless, absurd, unreasonable, ridiculous

無理 (muri): impossible, unreasonable, unjustifiable

Importantly for what i want to talk about is how "muri" is used in situations where a character wants to express that something is impossible (think of a character giving up all hope due to an insermountable obstacle in front of them, they may mutter something like "muri da...") keep a pin in this, it will matter toward the end.

Also note that each of these words starts with "無" (mu), which usually means nothingness or absence of something. The definition of this kanji isnt super important, it's more important that its presence ties these three phrases together in a really unique way as i hope to demonstrate.

what i propose is that both Sora and Riku are depicted as reckless characters, albeit in different ways. The established pattern I've noticed is that Sora: "mucha" & Riku: "muri". I will tentatively refer to "mucha" as "rash" and "muri" as "impossible" (despite that it does also mean other things in some cases! bare with me it'll make sense)

Dialing back a bit, we have seen countless moments of Sora acting rashly. It is one of his key character traits and it tends to get him in trouble. He has a big heart, and is quick to anger.

Sora's response to loved ones and helpless innocents that have been put in harm's way is to repetitively bash things with his keyblade (and ask questions later).

It's Sora's rashness that allows Org 13 to use him to complete kingdom hearts. The extreme end of his rashness is showcased when he stabs himself to release Kairi from his heart.

Tldr. I think it's pretty well established and easy to argue that Sora is one to leap before he looks.

Now, Riku might be a little harder to sell as reckless, because of how well he tends to hide it. He carries himself as a role model for Sora, and tries to be the responsible friend. But if we look at his patterns of behavior, despite how he carries himself, he is quite reckless!

Without thinking of the consequences, he rushes the open door when destiny islands falls to darkness, eventually succumbing to it himself. He lashes out several times at Sora, particularly dangerously when he fires off a dark firaga in Hollow Bastion. He closes the door to darkness with Sora without knowing what would happen to him if he was trapped in the realm of darkness. When Sora is asleep, he sacrifices his form to defeat Roxas, without any assurance that he would ever be able to get his old form back.

We see Riku's recklessness too in the fight against Xemnas. He recklessly throws himself in front of Xemnas twice, hurling Sora away from danger and taking a very nasty blow to the hip. I'd count his dive to save Sora in DDD among these, mostly due to his risk taking behavior when it comes to saving Sora. Finally of course we see it in KH3, with his ultimate sacrifice. (but i think importantly, this scene isn't just recklessness, but I'll explain in a bit)

So tldr. Despite Riku's mask of level headedness and resolve, he has been shown over and over to take massive risks without caring for the consequences. Which is pretty reckless, in my opinion!

Sora and Riku's recklessness, mind you, is also called into question by Yen Sid, who tells Riku the reason he kept Aqua's fate a secret was to keep Riku and Sora from staging a "half-baked attempt at rescue"

He says similar in Japanese, but i want to just note the word he uses when he describes the rescue attempt as reckless (highlighted for ur convenience):

(the highlighted word here is "mubou", it will come back later in an Important way, so keep it in mind)

he's *basically* saying that if Riku, or worse, Sora, knew about Aqua, they would have recklessly marched into the realm of darkness to rescue her. Because he knows they are both ... Like that.

I would be remiss to not mention that Sora's impulsivity and recklessness is something Riku admires! After Yen Sid tells riku not to be rash, and Riku excitedly tells Mickey he's ready to help save Aqua, Kairi observes that Riku has changed, and he's more like Sora. Riku asks if that's a compliment, but I think it's clear that he feels it is. He says it's more Fun to just follow his heart, which is sora-esque. (;_;) This is also something he brings up to Sora when they're on the dark margin together, that he's jealous of how Sora can just follow his heart. It's clear Riku has started to embrace his more impulsive side, to follow his heart like sora does. This is important later!

So now that I have my premise Mostly set up, I'd like to highlight a handful of scenes that I thought were really telling about how Sora and Riku relate to the terms "mucha" and "muri", respectively.

Let's start with Sora and "mucha".

The first instance i have found "mucha" used is in Olympus Colliseum.

lets recall How Herc initially loses his power in KH2, and compare it to the movie.

In KH2, Herc is tricked into leaving the colliseum unguarded by capturing Meg and hiding her in the underworld so that Herc and Sora must go to her rescue. Hades sends a hydra in to destroy the colliseum while Sora and Herc are busy fighting heartless and Pete and rescuing Meg.

Upon seeing the destruction in the colliseum, Herc falls to his knees, and you can visibly see his colors fade to a more ashen complexion, similar to his appearance without his powers in the movie. He calls himself a piece of shit basically and Meg helps him up to limp to safety, leaving Sora to defeat the Hydra (ahem sora helping riku walk in twtnw after xemnas fight anyone)

(Herc even has a second journal entry for his Desaturared form.)

You leave the world after defeating the hydra and jumping up on its back a few times, and after sora d & g are named true heros. Yay. But Herc doesn't have his power back yet, which will later be addressed in the second episode.

Herc's loss of power is much different from the movie. In the movie, he agrees to let Hades take his strength for a day in order to keep Meg from harm, and release her from the contract she had entered with Hades (iirc). This was all so Herc wouldn't get the chance to save Olympus from the titans that Hades revives in order to take Zeus' throne for himself.

Herc still tries to wonderboy his way into rescuing the town, and fights a giant cyclops. While he lacks physical strength and gets pretty much Pummeled, he ends up beating the cyclops with his wit - but in doing so, a pillar is knocked over. It is about to crush Herc, but Meg pushes him out of the way, and is crushed to death.

She gives her life to save him, which in turn returns strength to Herc, because the contract was only good if Meg remained unharmed.

What I'm mostly trying to say here on this tangent is Herc's loss of power in KH2 specifically is very reminiscent of Sora losing his keyblade in Hollow Bastion, which is later echoed in the keyblade graveyard when he feels he loses his strength to fight after losing his friends. I bring up the movie to show how bizarrely different it is from the Kh2 plot, perhaps precisely to make the parallel between Sora and Herc stronger (and the parallel between Herc and Riku, by the way - Herc falling to his knees, losing his power, and giving up, only for Meg to walk him to safety, is a parallel to Riku losing his will to fight and press on after the battle with Xemnas - Sora refuses to let him and in the same Exact way he helps Riku walk on)

So Hercules, when faced with the impossible wavers, and loses his strength and will to fight. This is important so keep it in mind. Impossible/Muri isn't stated here as far as i know, but it's important that he is feeling utterly defeated and unable to win.

The second visit to the world is when we first see the term "mucha"/reckless used as far as I was able to find. Hades casts Meg into the Soul Hole and Herc dives in to save her without hesitating (mechanically to write Herc out of the boss fight, but)

We later see Herc emerge with Meg, his godly aura restored (he is Radiant!) something that *should* have killed him. and should have been impossible. But his desire to save her was so great, he recklessly dives in, without knowing that he will succeed. Luckily, all he had to do to prove he was worthy of godhood and power in both the game and the movie was to use the strength of his Heart rather than his fists, as a true hero does:

Sora scolds him and tells him not to do anymore crazy stunts after this reckless dive to save Meg (screenshot makes it look like herc is saying it sorry lol) and that is where we can see the term "mucha" being used in Japanese:

instead of crazy stunts, Sora moreso says "but don't be reckless (mucha)":

to which herc responds:

"people always do stupid things when they're in love" (note he doesn't repeat reckless, he says "baka" lol)

so here we have a direct link between herc's sacrifice when he dove in to save Meg, the restoration of his power/Godhood, and acting recklessly (mucha), without Fear or Doubt, to save someone he is In Love With. put a pin in this because it's all connected.

Now moving onto KH2.9 and KH3. From the start of the game we are told Sora has lost the Power of Waking, and his Entire goal in the game is to regain it, wake Ventus, and prepare for the battle in the KBG with Xehanort.

The Power of Waking is already a very vague, disney-esque power, essentially the power to free sleeping hearts from slumber (and first introduced to us in DDD, particularly in terms of Riku waking Sora up in a sleeping beauty retelling but I'm getting ahead of myself)

Yen Sid suggests that Sora go to Olympus for clues to regain his power, as Just Like Sora, Hercules also lost his power, but was able to regain it.

It's pretty straightforward, but in the interest of not making this post a fucking novel ill try to keep it short. Herc tells Sora he's not sure just *how* he got his powers back, just that he wanted to save Meg with all his heart when he (recklessly) dove in to save her. The game is trying to tell Sora that it's the Power of Love that brought back Herc's strength, and that Love will be key in bringing Sora's PoW back, too.

Specifically, I think that Herc's story and the other worlds Sora visits are saying that it's True Love that will bring Sora's powers back. Acts of true love in KH3 are framed as courageous, selfless, and performed unconditionally.

Despite the visit to see Hercules, Sora still doesn't gain the PoW. He has an idea of what he needs to regain it, but he has to visit multiple Disney worlds to learn more about the power of true love and sacrifice (well also separation but thats not as important to this post) before he's ready to test it out for himself.

After Arendelle (i think) we get to another important cutscene where Riku, Sora, donald, goofy, & mickey meet up with Yen Sid to discuss the progress they've made on their respective journeys. Sora wants to go to the Realm of Darkness with Riku & Mickey because he's worried, but they Won't let him because he doesn't have the PoW. Riku does the fondest laugh known to man, eliciting a bit of anger from Sora, but explains it's because of what Yen Sid had told him earlier - that had Sora or Riku known about Aqua being trapped in the RoD, they would have recklessly gone in to save her.

he's pretty much directly quoting yen sid here, just like he does in English (saying half-baked instead of reckless too). So basically saying here Sora would have marched into (the dark world) recklessly (had he known where Aqua was) - again using "mubou" like master yen sid.

Interestingly, when we get to Sora telling Riku to not be reckless in the dark world to Riku, he's not repeating the same word for Reckless that Riku is using (Now this might be just a flow of the conversation thing, which i certainly cant confirm as a non-native speaker but i think it's still notable)

Sora says something similar to what is said in English; with a few distinctions. A rough translation would be "but don't overdo it, call me if anything happens" (need I gripe one more time that english localization cuts out sora telling Riku to call him; which is why he spends the rest of the time apart from Riku wanting a call, and why its so unhinged that Riku triangles for sora and basically summons him. I DIGRESS)

This line is translated as "but be safe, no reckless stunts" in English, which serves as a callback to what Sora tells to Hercules in KH2, (further solidifying a herc/riku parallel) but IMPORTANTLY, Sora is NOT even saying the same thing he said to Hercules in the Japanese script. He's saying something else - 無理しないで (muri shinai de), which is usually translated as don't overdo it - but literally means "don't do the impossible". This will be important later when I talk more about Riku so keep this in mind.

We immediately get Donald saying "Sora's the reckless (muri) one" (abbreviating for simplicity) but Jiminy disagrees. In English he says "He's not reckless, he just doesn't think!" but in Japanese he says this:

Which i know im going to butcher any translation I do, but Jiminy is basically saying "[Sora's] not muri he's mucha". That distinction is important enough for Jiminy to make a joke about it. That Riku might actually be the one who is overdoing it/trying to do the impossible (muri), while Sora is the one who runs headfirst into danger recklessly (mucha). Which, i think, is quite fitting, given the actions theyve done through the series.

Importantly we get one more instance of "mucha" which I think really ties Sora's trait "recklessness" together nicely, and puts into perspective what the repetition of these phrases is doing from a story telling perspective.

After Sora finishes up the remaining Disney world visits, S, D, & G find out that Chip & Dale have lost contact with Riku & Mickey. Sora is very upset at this, and is Determined to save them (Riku) (with all his heart). Sora has NOT GAINED THE POW at this point, and they don't know how to even get into the RoD, so Sora opts to "let his heart be his guiding key" to find his way to Riku and the RoD. (Recklessly I might add, he hasn't called or talked to Yen Sid or consulted anyone about it lol)

He arrives at Destiny Islands and mysteriously finds Master's Defender which happens to be the key to getting him into the RoD. Right? Well. We know from the glossary that the established method of reaching the RoD is with a keyblade of darkness, through dark corridors, or with the Power of Waking.

Others have argued this (see SRT) but it's heavily implied that Sora regained the PoW on his way to rescue Riku. That he used it explicitly to get into the RoD is where people tend to be a little caught up in the details, because it *does* seem like Master's Defender plays a role, which begs the questions - is it a keyblade of darkness? What the fuck was it doing there? etc. (literally saw on a kh wiki that sora got into the RoD because Masters defender was a keyblade of darkness, which is unconfirmed currently lol) It's also not traditionally what the PoW looks like. There's a huge door that appears, Sora isn't using the kingdom key, he doesn't burst out of Riku's chest. Etc.

HOWEVER. I think with the context of the narrative arc Sora is going through, the foreshadowing present in the game, and The Reckless Rescue angle can at least prove that he DID regain his power here, regardless of whether or not he explicitly used it to get into the RoD. I'll try to briefly summarize the points I've seen made before I add my own.

After the visit to Olympus, Sora explains to Yen sid that he didn't regain his power but he still learned a lot. Yen sid stresses again that sora needs the PoW, Sora gets pouty, and Goofy cheers him up by saying "maybe something will trigger it real soon". Shortly after a bit of banter, there is a knock at the door, and Riku and Mickey walk in. The camera kmakes a point to show Mickey off to the side, then pan up to Riku as he walks in to close the door, who is centered in the view (almost as if we are watching from Sora's POV, who is anticipating Riku's appearance in the door).

Putting this side by side is a little unfair, since it's not an immediate jump from Goofy saying this to Riku's entrance, but it's pretty in your face about just what (or who) might be key to reawakening sora's PoW.

We also get some heavy handed foreshadowing in the next visit to Yen Sid's tower, right before Sora tells Riku to not overdo it:

Yeah. and he does, importantly, get the power of waking, not BEFORE he comes to the rescue, but BECAUSE he comes to the rescue.

Now for my contribution since I stole the last two/three points from other posts. Just before Sora enters the RoD, he tells D & G to stay behind and that he has to go alone. (Sigh, yes, this scene is a parallel to Riku using the PoW to save Sora in DDD - it *has* to be him, and him alone) D& G protest, but eventually relent. But Donald doesn't let Sora go without saying this:

(In English, Donald says "you promise to be good?" inexplicably) but in Japanese he tells sora (basically) "Don't be reckless" - aka. No Reckless Stunts, complete with the use of "mucha" (recall Donald in the previous scene was the one to call Sora "muri" before being corrected by Jiminy). This is similar to what Sora tells to herc, so we are pretty much full circle on this scene being a callback to Herc rescuing Meg in KH2.

Like Herc, Sora does the reckless thing. Like Herc, he heroically dives into the abyss to rescue his loved one with all his heart.

Like Herc, Sora regains his power the moment he resolves to rescue Riku, even if it is not made explicitly clear to Sora OR the audience (perhaps the fact that he regained the PoW is why he is able to save aqua, too)

I could probably go on about this and what it means for Sora for a long time, but I think it's high time I actually wrote about "muri" and Riku's recklessness, so let's rewind a little.

I've already brought up how Riku relates to Herc in terms of his recklessness and heroics, but theres a few more things to add. of course. I'll recap with pictures of one of the parallels i've already discussed:

So here i think at least metaphorically, we can argue that Riku has lost a bit of his "power"- or rather, his drive. After everything is over, he just collapses, ready to die or be left behind. Sora WONT let that happen. So Riku asks Sora to lead. He confesses to some of the jealousy and superiority he'd been feeling over Sora for the past few years, and seems to be trying to find a new direction in his life, having now repented Quite a bit for the sins he committed in KH1.

Riku's entire purpose for fighting after KH CoM and KH2 was to wake Sora up, keep him safe while he does his keyblade weilder duties, reunite him with Kairi, and send him on his merry way. Sora refuses to let him leave, and demands that he comes home with him. So he does. but without his jealousy over his feelings toward Sora, or without his feelings of guilt and feeling he needs to make it up to Sora, what is left to drive him to keep fighting?

DDD gives him a pretty strong answer - it's where he both rediscovers his sense of purpose and gains the Power of Waking in the process. And his dream eater powers too. btw

Riku's journey in DDD is, simply put, not really about passing the mark of mastery exam and becoming a keyblade master. it's about remembering What he lives for. remembering his promise to Terra, and how those feelings have evolved - from wanting strength to protect the Stuff that matters as a child, to, in DDD, discovering that the "stuff that matters, like his friends" was Sora the Whole time, and that Sora is actually a "precious best friend" that he wants to protect. It's About recovering his strength, like Herc needs to do in KH2.

So how does Riku regain his "strength"? By Sora-style taking a reckless dive into the deep abyss of Sora's heart to wake him using the PoW.

(Not once was I able to find any mention of "recklessness" here, or any particular language that ties this moment together cleanly with what happens in Olympus Colliseum in KH2, but the repetition of diving down into an abyss to rescue someone (with all your heart. etc) is Enough of a parallel to make the connection between this scene and Herc's dive to save Meg)

It is within the deepest depth of Sora's heart where Riku is interrogated by three pieces of Sora's heart about what he's afraid of, what he cares about more than anything else, and what he wishes - All canon answers involve the mention of "precious" - "taisetsu" (sorry im not explaining this one im going to just assume you know what im talking about if you are a soriku that reads meta you should know.) - to lose something precious, my precious best friend (fuck da english localization for this one), to recover something precious that I lost. It is here that we see Riku's simple "protecting important stuff" become "protecting something precious/my precious best friend" (note that this hasn't quite become "taisetsu na hito"/precious person but hes getting there)

Ansem the wise is there i guess and he tells Riku that his 3 answers are what were the key to waking sora up, and I think, importantly, are what give Riku his "strength" back. He has rediscovered his purpose, which is, to him, protecting Sora (with all his heart)

Continuing into KH2.9 we have another couple scenes that will both complete Riku's development from protecting stuff that matters to protecting a precious person and also continue to make a strong connection between him and Hercules.

It's been pretty well established that these two scenes are deceptively mistranslated, but i'll go over it again

Herc here is saying "taisetsu na hito" which is translated to "person I love most"

The EXACT phrase Mickey uses to tell Riku why he's feeling more powerful and fearless in the RoD, in the literal next scene in 2.9. They were supposed to be VERY CLEAR hit you over the head parallels but, well. SENA said fuck gay people i guess.

Riku repeats what Mickey says into his hand ("strength to protect my precious person") and recalls his promise to Terra, to protect the things that matter. (again it's implied it's always been about protecting sora, he just didn't have the language or understanding of himself yet to know how to say it)

There is absolutely no room for nuance here. This is explicitly framing Riku's feelings for Sora on par with Herc's feelings for Meg eg. explicitly romantic. And that it's his ROMANTIC LOVE for Sora that is what gives him his strength - not just to protect Sora, but also to do THE IMPOSSIBLE

phase ??? of my argument will now commence hang on to your butts. (i wrote this all in one night im tired)

Now that ive Exhaustively set that up. lets actually get back into discussing what I initially set up - riku doing the impossible "muri" thing.

As a reminder, Sora tells Riku to not "attempt the impossible/overdo it" in the RoD. And to call him if he needs him.

So Riku, instead of attempting the impossible in the RoD by facing the demon tide, does call Sora, which ends up being what saves the day! Yay!

I have bad news though! Riku is terrible at listening to advice when Sora is in trouble.

Now recall what I mentioned earlier about the fall of the guardians in the KBG and Sora's subsequent breakdown being a parallel to Herc losing his power in KH2. Sora *fails* everyone here, and he explicitly states he is worthless, without strength, when he loses them. It's very in line with Herc losing his powers in KH2.

(just putting these in here to hurt you and myself)

So, we get the Herc parallel, but it stops here for Sora. He doesn't do some grand self sacrifice for Riku to prove his heroism and regain his "power", but i think theres a reason for that beyond it just being Riku's time for the spotlight but I am getting there.

In the english localization, Sora says "we've lost, it's over". It's a subtle change from the Japanese, where instead of "it's over", Sora simply utters "muri da--" ("its impossible") (in the wettest saddest voice you can imagine)

It's at this moment where I do truly think we're meant to make the connection between Sora saying "its impossible" and Sora telling Riku to not attempt the impossible. It fits in nicely with Sora telling Herc to not do reckless stunts, with the slight change in language from "reckless" to "impossible", and with the impending self sacrifice. Riku knows that beating back the demon tide is impossible. But he does it anyway (compare to how, when faced with a much smaller demon tide, and he was losing, he listened to Sora's advice and called Sora for help instead of attempting the impossible)

So we have Riku's ultimate true love sacrifice for Sora, which both takes his life and grants him a spot upon an alter in Olympus, perhaps symbolically giving him some sort of ascension for his heroic deed. And again tying his sacrifice intimately to Herc's.

Because Sora and Riku are both "herc" and "meg" here I am going to make a little bit of a reach. Recall that I went through the effort of recapping the climax of the hercules movie. for no reason. There is a connection though even if it's loose, and i would kick myself for not including it.

In the movie, Meg, like Riku, protects a powerless Hercules from impending danger in her own act of true loves sacrifice. Her death gives Hercules his strength back (partly due to contract BS but it's still a romantic moment). And her death is what drives Hercules to dive into the Soul Hole to rescue her soul at a potentially great cost, which is what ultimately restores his godhood (showing his strength of heart). Riku sacrificing himself for Sora can be seen to be more like the events of the Hercules movie, Riku standing in for Meg - Sora does have to restore Riku's heart after it's been taken by the Lich, after all, much like Hercules brings Meg's soul out from the Hole. And Riku's sacrifice is what gives Sora the resolve to keep fighting. (not arguing with anyone who thinks it was only kairi because it wasnt lol)

So Riku attempts the impossible here, and ultimately he is rewarded. An interesting nuance is that the phrase "attempting the impossible" isn't meant to be taken as a challenge. From what ive read from native speakers, the phrase Sora uses really is better translated as "don't overdo it" as it is less about proving yourself to be able to overcome crazy obstacles and more about keeping your expectations in check. But Riku is reckless, and following his heart, which he learned from Sora.

I hope I've properly illustrated how Sora and Riku are both painted as reckless in different ways, and how the language used in KH3 is making direct references to Herc's reckless heroics in KH2 and in the actual Disney movie. And how these reckless acts are showcasing how much these two love each other, because I still have one more point to make. Namely, how this ties into Cinderella, and ultimately KH4.

In Terra's route of Birth By Sleep, he happens upon a distraught Cinderella, who has had her dress torn up by her step sisters. She was planning to go to the ball, but cannot, because it is "impossible" (muri)

Terra tries to console her. It's all very reminiscent of the scenes of Herc's, Sora's, and Riku's defeats.

After Terra fights off the unversed summoned by Cinderella's negativity (toxic much..), Out of the blue, the fairy godmother appears and makes everything better. She fixes up Cinderella with a dress and a ride to the ball, and sends her on her merry way.

She explains to Terra that she appeared to Cinderella to show her that her dreams *can* come true and that she typically appears only to people that have a strong belief in their dreams. Terra says he believes in dreams but you have to work for them, to which FGM responds that simply believing in dreams is already a difficult thing on its own. (Ventus also compares Terra to Cinderella. btw. because of his strong dreams)

Now. Sigh. Im not the only person that has pointed this out. The FGM quite literally appears to Riku, but only after a year has passed and they have no leads on Sora, and after it's implied that Riku is starting to lose hope.

In the limit cut, you can see Riku's sad wet puppy dog face as he talks about how hard everyone is working, and how they haven't found anything at all. He says "if Sora is really out there, don't you think we would have found something by now?" - Again, he's losing faith in his dreams of Sora's return. This is important.

I do not have the strength to go through and find all the times Riku told everyone to believe in Sora in KH3. It's a lot. And the last thing we hear him say Near Sora, is to let him go on his suicide mission to save Kairi - to BELIEVE in Sora (#wish).

So one, we know the dream Riku believes in is Sora, and two, we know he is starting to lose his belief in his dreams, like Cinderella before the ball, when he dress is destroyed.

Right after it's clear their is no lead through the data from Org 13, FGM appears, just like she did for Cinderella. And she tells Riku that His Dreams Are Literally A Key To Find Sora (that hes quite literally been #dream drop distancing into sora's dreams while hes in unreality is already so much without the FGM being there to explain this to him but KH is crazy!)

One last thing to really drive this home. The FGM brings Riku and Kairi to the nameless star to bring the three keys together.

And what does she tell Riku, before he leaves?

"Be careful. Do not attempt to do the impossible."

---------

if you read this whole thing... well... im proud of you. I know i definitely missed stuff, because it would be so hard to go through all the games and really dig for the use of this term especially when I dont speak japanese at all. and because i wrote this all in one night. But dont hesitate to comment or reblog if you have anything to add. I freaking love kingdom hearts

[hotchtits]

hotch and elle and the killing of their respective 'main' unsubs

if i see one more fucking person say

"oh its so unfair that elle got fired for killing a guy when hotch literally did the same thing and everyone praised him for it"

i think i just might lose it

lets break this down and actually think critically about this

when hotch literally did the same thing

wrong!! what did hotch actually do?

hunted down an escaped (after being arrested and identified) and prolific serial killer that had assaulted him in his own home and targeted his family

listened to said serial killer murder his wife over the phone

entered a literal fight to the death with the serial killer where he had to beat him to death with his bare hands because otherwise both him and his son would have been murdered next

it was self defense. pure and simple. he had no gun, no weapon other than his hands and he knew that if he stepped away, it would be over. there is quite literally nothing else could have done.

what did elle do?

hunted down an uncharged and unconfirmed suspect

tried to provoke him into attacking her

when that didn't work, shot him and planted evidence as well as lie about what happened when the police arrived

did the guy deserve it? absolutely. he was a scumbag and a rapist and deserved to die. but the show makes her actions inexcusable for a reason. you cannot do that as a law enforcement officer. you cannot go and shoot someone who is not actively threatening you, especially not without evidence. additionally, the reason he was uncharged was because she panicked during the undercover mission.

i agree that she definitely wasn't ready for it, and that someone else should have been the bait but she was asked and she confirmed that she would be okay.

"but they should have realised that she would have panicked" why? up until that point, she had been a brilliant agent and had never given any indication that she might not be able to do it. again, she told both hotch and gideon that she'd be fine. why would they doubt her? she's good at her job.

everyone praised him for it

also wrong!! emily and rossi look at him in nothing short of horror when they run in to find him beating foyet to a pulp. even morgan, while comforting him, is obviously disturbed by the scene.

hotch and his team also faced a hearing about the aftermath of the case. it didnt matter that foyet had been stopped and that he and his son were safe, he still had to justify every single action he took.

there's another counterargument here that "well they might not have praised him for it but they understood why he did it" and... yeah? again, self defense.

anyway. this is one of those topics that makes my blood boil. i love elle. do i think they way they never brought her up again was unfair? yes. do i think that the way she suffered because of a choice gideon made was unfair? yes. was she wrong for shooting that guy? honestly i'm kind of glad she did.

but im sick of people saying that their circumstances were the same because they weren't.

people also love to cite misogyny here and while CM has a fair amount of it (dont get me started on the treatment of paget and aj) its not fucking misogynistic to recognize that what elle did was illegal and hotch didn't "get a pass" for what he did just because "hes a man"

TLDR: stop comparing elle and hotch's situations with the intention of pointing out the inequality of their treatments because their situations were in no way comparable.

[snakes-in-mirrors]

About fanarts

I started getting more and more questions and that's why I decided to make this post. TLDR: please don't draw fanarts of our characters. I'll explain why below.

In the past, like many artists, I was very happy when I received fanart. Like, REALLY. Unfortunately, that changed after a few cases where some people started to cross the line and blatantly violate our boundaries. Things like NSFW, ships with other characters, attempts to make copies. All of this affected my burnout and deprived me of the desire to share anything at all.

Of course I'm not saying that everyone who draws fanart will do this, no! But every time I see fanart, I can't help but remember all those cases and it makes me nervous. Every time I worry that it will start to happen again. I've received a lot of DMs asking about fanart and when I explain my situation, almost everyone answers me "oh, I understand, I had something similar and that's why I always ask first". So our case is not unique (and honestly, it's very sad). If you ever drew me fanart and now think "I didn't know, now I regret it" - please don't! I'm still very grateful to you for taking the time to make me happy and I really, really appreciate it.

I enjoy sharing my drawings, comics and character stories with you. I am truly pleased that they resonate with many. So if you want to make me happy - just like, comment, reblog my artwork. It always motivates to continue and share more. Maybe over time our view on fanart will change, but for now this is how things are. Thank you very much for understanding. 💛

[lagomorphique]

Mouthwashing and Capitalism - Analysis

this did unexpectedly well on twt so I'm gonna force people on tumblr to endure my takes as well for posterity (plus i can speculate and elaborate a bit more on here without the character limit). disclaimer that this includes untagged spoilers for both the game itself + the how fish is made dlc. I also refer to some of the meta facts from the dev qnas and to the demo version of curly's psych evaluation. Most of this is gonna be under a readmore and I'll elaborate a bit more on each character in reblogs

firstly, let's state the obvious - the working conditions enforced by pony express are atrocious. "do not indulge in over 5 hours of rest, including leisure time. sleeping over the allowed budget will result in disciplinary action."

Compare this to irl guidelines for pilots. Neither Curly or Jimmy are getting anything close to the required amount of rest for such a demanding job. This edges more into headcanon/speculation territory, but I've been trying to figure out how their shift patterns are supposed to work. I'd imagine that both of them don't always need to be on duty at the same time, so their shift patterns are probably more variable than everybody's else's. At the same time, we see them both on shift at the same time multiple times during the game and Curly is the only one with clearance to make certain extremely important navigation decisions (like turning off the autopilot). The tldr is that the crew is extremely overworked and running on dangerously little sleep for extended periods of time. It's enough to make anyone go crazy.

Next, the company routinely engages in collective punishment, as seen in the below screenshots. This is particularly important because I think it directly informs a lot of Curly's decisions in particular, especially with how he reassures Anya that her stealing the gun case will not go on the performance log. Given her precarious financial situation, she literally cannot afford to have her pay docked. I don't think he has any nefarious intentions here about covering up what's happened.

I think it's really interesting that each of the employee ID cards have an EMV chip. This would imply that they also function as payment cards. Perhaps they also have to pay for the food on board. It is possible that the 'credits' they are paid in are not even money per se, but rather a sort of company currency. Company currencies, or 'scrips,' have historically been used to exploit workers by making them solely dependent on company stores and products, enforcing loyalty.

Corporate communicates with Curly using something that looks no more sophisticated than a fax machine. It it also not clear whether this communication channel even goes both ways, which calls into question whether it would have even been possible to send out a distress signal in the event of an emergency (or, for example, a HR report needing to be filed).

The ship is not equipped for 5 people. It's notable here that Curly says "bigger" here, implying he /did/ raise this as a safety issue with corporate, but was shot down.

It's a plot point that there were only 4 cryopods, which meant that one person would always have been left out in the event of an emergency, even if they were all functioning.

I also wonder if this affects the rations available to the crew during the trip. I highly doubt that Pony Express bothered to provide extra food and other essentials to provide for an extra person, which means that the crew are probably dividing rations meant for four people amongst five.

[l3irdl3rain]

Come on, we all know you've gotten attached to The Flat One. I feel trying to argue against her eventual adoption is just gonna make it feel more silly when she does join the fray.

since you all think you're so funny (lighthearted) i suppose i should explain the situation. TLDR: I am planning on keeping The Flat One. It will be a few weeks before she is ready to be separated from her mother so I'm going to foster them all at my house for the time being. In the week we've had her she's continued to put on weight and she feels like maybe her chest is already starting to round out a little.

I'm going to talk more about her medical issues under the cut. I shared an article about FCKS and other thoracic deformities. If you're interested in that here's a link. Please remember I am not a veterinarian so my own explanation may get things wrong.

We did take some radiographs and it definitely appears to just be flat chested kitten syndrome (FCKS) and not pectus excavatum (PE). This sounds like it's the better case scenario, as PE often requires a surgical fix. FCKS on the other hand often resolves itself (if it doesn't end up being fatal). She does have a spinal deformity that is common in kittens with FCKS.

The Flat One is about 5 weeks old, generally if a kitten with FCKS can make it past the 3 week mark that means it will be okay. She's also survived without any veterinary intervention or any specialized care from her previous owner.

That doesn't mean there isn't still risk of something going wrong. Because her chest is so flat it can cause respiratory problems. When she plays hard with her siblings her respiration rate is much higher than that of a normal kitten's. If it gets bad at times she may need medications.

With some time her chest should naturally start to round out on its own. Recovery can take a long time, but usually by the time they're 4-6 months their chest has rounded out to almost normal. On the other hand, her spinal deformity is there to stay.

Even with how attached I've let myself get I probably could have let her go once she was old enough to be away from her mom. However, it's unlikely she'll be "normal" when her siblings are ready to go. We could potentially try to adopt her out anyways and just explain her issues to people. Or we could continue to hang on to her until she is more normal at the 4-6 month mark. I might not be too attached yet, but I definitely would be at that point.

Also, I have the benefit of having so many people who have been so generous in helping myself and my cats. And if this comes down to needing a surgical fix I've already got the funds from Persephone's gofundme.

[dtupdating]

DREAM replied to another Reddit post!

Transcript under the cut!

Ludwig slightly misremembered, and didn't explain in a super fair way imo it makes me sound way worse than what actually happened

tldr;

I dmd ludwig suggesting he make a video, and offering myself for questions

ludwig replied and eventually said that I jokingly called one of his friends a whore

Due to the fact that a friend of Nicolas Cantu's had recently falsely said that "I got slapped at a party for calling a girl a whore", I asked him if that's what it was about.

He said no, and that he can't tell me more information because he doesn't think it's worth resurfacing it for her sake

I replied with a message about that, and then said I'd also provide context to the other situation just in case he was just telling me it's not about that situation (to "protect" the person's identity) even though it was, because I had no idea about any other situation.

Here's the important parts of that message that I sent him:

oh well unfortunately I guess I can't talk about this because I don't know what you're talking about at all, but I will say this as a general statement; A lot of people spread false stuff about me, or exaggerate, and have done it a lot ESPECIALLY during all of this stuff going on, as it's easy to sensationalize things because of how "hated" I seem. Intentionally, OR unintentionally. I have had to clear up so many different false stories of me being weird, or just a total shit bag, because the rumor mill runs super fucking strong when you're getting shit on 24/7. And every time it's just "oh okay that makes sense". It's not always someone lying, but it's almost always someone not realizing that exaggerating and mischaracterizing what they're saying can be a big deal, and isn't something they should do. I have never randomly called someone a whore, I have never called someone a whore derogatorily, and I would never do that.

I will completely and fully say that I have called friends of mine jokingly whore's / sluts / whatever, GUYS ANDS GIRLS, but only with people that joke along with it, or have expressly said they don't care, and again, only with friends of mine. This situation has been a lesson to just never say it at all though, because it's being used to make me out as a bad person. I would never use it that way, never ever meant anything negative when I've ever said it, and never have used it to insult or demean anyone, in any way.

I don't know the situation you're talking about, and obviously it's seemingly a bad look to have "multiple instances" where I called a girl a whore lmao, but I just cannot fathom that I called a stranger a whore, even jokingly, regardless of whether I was drunk or not. If I actually did, I would absolutely want to apologize and clear up anything that I possibly can with them, because it's upsetting to know that I made anyone upset or made them feel badly. I would like to say though, that it's not unreasonable to think that it is a misrepresentation of what actually happened, or is being looked at through a negative tint given recent events, when if this wasn't all going on, it would've been viewed as "oh that's obviously a joke". Given the fact that I have been a bit of a punching bag for a bit online, and you never know what motivations people have to spread things. Idk when this would've been as well, because like I said, the Nicolas stuff was pretty eye opening in a lot of ways, including specifically how people feel about those words in general. Which I never really thought about, and again, I've always been extremely careful and delicate with how I interact with anyone I've just met.

I NEVER would demean or speak down on someone like that. If that did actually happen, it was naivety on my part and not malice, and it's a word I'm removing from my vocabulary, and I hope I get a chance to apologize to them. But again, I have no idea what you're specifically talking about, so I probably won't get a chance, or even confirmation that it happened.

Either way, I understand why he didn't reply (I sent walls of text) and don't fault him for it. Although, the way this was said is annoying!

[jthealien]

I was going to do a quick analysis on the comic’s title in relation to Buddy and uh. here I am now 900 words later. hope at least one person enjoys this,,

TLDR: Maybe the real Cinderella Boy was the weird goth friends we made along the way.

So I was doing my routine pondering of Dreams by Night (because symbolism and parallels are like crack to me) and this line right here might my favorite piece of dialogue in the whole comic:

Really this scene as a whole might be my favorite moment, but that line in particular — and its implications — are so fascinating to me.

Chase yet again breaks the conventions of a story, but this time it's the story of Cinderella Boy itself. In this case, Chase relinquishes his title of The Hero — or more accurately — The Protagonist. I don’t think it’s any coincidence that right after this moment is our first glimpse of Buddy outside of Chase’s perspective. Outside of the narrative up to that point of him being a villain.

I also don’t think it's a coincidence this is something as unreliable as a dream: a (quite literal) look inside Buddy’s head and thought process. Again, further establishing the unreliability of the story’s narrative as we know it.

I’ll stop before I go full blown analysis mode on the comic’s meta themes of narrative and conventions (saving that for another time). But I do bring up all this stuff about changing the view of the narrative, because I want to talk about another implication of ”This can be your story too.”

Which is that the title of Cinderella Boy actually refers to Buddy (or at least also refers to him).

Chase does fit a lot of the qualities of Cinderella and that story. I mean, it’s the very first story we see him in. But, I also think the Cinderella story fits Buddy even more.

List:

—A young person trapped in a horrible situation, stuck wearing rags and being treated as a pawn for a higher authority’s bidding. (Cinderella being a servant for her “family” and Buddy being a servant for Ex Libris).

—Said higher authority being cruel (The Evil Stepmother and the Old Man)

—The young person is assisted by a lady who gives her nice clothes and an avenue to escape reality. (Violet acting as a fairy godmother-like figure).

—Young person falls in love with a man who can rescue them from their troubles (the Prince and Chase), but doesn’t reveal their identity to the man

—Both Cinderella and Buddy are just nicknames, but that’s how everybody refers to them.

So yeah, lots of parallels to Cinderella with Buddy, at least based on the little we know about him.

I also want to bring up something we see in the very beginning of Cinderella Boy. In the first episode, we get a cliff notes version of Cinderella’s story. Colors (especially background colors) are really important in the comic, representing emotions and characters. And what is the main color that reappears again and again in this episode?

Purple.

The petals and roses that surround the snippets of story and the revealing of the main character, all Buddy’s signature color. The petals only turn pink — Chase’s color — when Chase actually appears.

Side note: The inclusion of both purple and pink side by side in this episode also alludes to the fact that, from the start, this is both Buddy and Chase’s story. (Seriously, go check it out, there’s so many instances it’s hard to unsee when looking for them).

Also, where else have we seen purple roses? Oh yeah, Chase’s dream in Dreams by Night. I’ve already rambled about its importance to shifting the narrative. Granted that’s not the only place purple roses appear, but it’s the most relevant.

Beyond just the colors, the actual descriptions of the heroine in the first episode should sound pretty familiar. A person “unknown to all” and “dressed in humble rags.” Sounds a lot like Buddy, from what we see in his dream at least.

Ok, so having discussed all of Buddy’s connections to Cinderella and the comic’s title maybe being about him, this is the part where I start speculating and jumping fifty different sharks. I want to make some predictions about Buddy based on the Cinderella story.

List (the sequel):

1- Buddy is an orphan. (Not far-fetched of an assumption to make about him in general, since in Beach Boys VI he expresses what seems to be confusion about the idea of having a family).

2- The palace’s clock is important in Cinderella, and Buddy’s dream heavily features a clock. So, Buddy’s likely running out of time for something. To find the keys or just being able to see Chase, either/or. What’s going to happen when that time is up? Well…

3- Mimicking Cinderella running away at midnight, Buddy’s going to be forced to leave the stories for good, likely as the season finale.

4- I think Buddy’s going to leave behind a metaphorical glass slipper, an identifier. What do I think it’ll be? His name. (Considering the current relationship between Buddy and Chase. And the fact we’re getting close to the end of the season and therefore a Buddy name reveal, I don’t think this is too improbable).

4.5- This is the most out there one, but Buddy’s name might be related to the name Ella, which is Cinderella’s original name in many interations. Maybe Ellis, Elliot, or Elijah.

It’ll be fun to see if any of these are actually close to what’ll happen. And with that, I’ll end my red string board session for now. :]

[drdemonprince]

Hi Devon, you’ve said in the past that you don’t mind being challenged so I guess I’m going to test that theory.

I totally agree with what you have said re trans men and cis men being Men but just arriving at that place from different routes.

You talk in your latest Insta post about women not seeing trans men as men as the problems with that.

However you in the past have talked openly about not feeling safe with cis women, and in fact have written a whole article on it. Outlining your past bad experiences with cis women. In that you clearly outlined a view that cis women specifically were more dangerous feeling to you, implying more so than trans women.

By your own account then are you not saying that you see trans women and cis woman as different and not as equal “women” because of your own experiences.

If that’s the case why can’t women differentiate between cis men and trans men and also say that they don’t feel safe with cis men because of past bad experiences but are ok with trans men because they haven’t had those same experiences.

For the record I’m a gay man so not coming at this from a defensive point of view but seeking to genuinely understand as there seems to be some possible cognitive dissonance or hypocrisy going on.

I say that with respect. I’m just wondering how you reconcile those two seemingly opposing views.

I think what you may be missing here is a differentiation between the descriptive and the prescriptive. The piece "I Don't Feel Safe Around Cis Women" is descriptive of my experience -- if you read through to the end, you'll see that I affirm that one day I hope that I will feel safe around cis women, and a lengthy exploration of the many many ways in which equating a person's identity to their safeness (or dangerousness) is unhelpful. That piece is far from an argument that cis women are categorically less safe than any other group, or a prescription that anyone's politics should be centered around the idea that cis women are uniquely dangerous. There is a very big difference between describing one's emotional feelings and making political pronouncements about how the world is or how people should be treated.

This same distinction applies in the opposite direction, too -- I think people have reasons for feeling uncomfortable or unsafe around cis men that obviously make a huge amount of sense. Frankly I don't care one way or another what somebody's feelings are. I have no intention of changing those. What I care about is a person's behavior, and the politics they advance -- and a politics that deems cis men as inherently more dangerous as individuals goes down a pretty troubling road when it's divorced from an understanding of structural power dynamics. The same thing is true of the cis woman discussion -- cis women aren't dangerous to me because they're women, or because of any innate quality to who they are; they're only more dangerous within a specific power differential. Similarly, cis men aren't all more dangerous to everyone who isn't a cis man -- we must take into account class, race, immigration status, ability level, and a number of other factors.

tldr; there's a big difference between someone feeling unsafe and someone having a politics that declares members of a group are actually inherently suspect, no matter the situation or their other positionalities.