#tldr: do what you want

[royalarchivist]

Jaiden: Cucurucho, you have a lot of power, right?

Cucurucho: ...I don't know. Maybe.

Roier: Ah... Yes, you know, don't act like a dumbass, you have it. You have it, man. Eh?

Jaiden: Is there a way for us to protect all the Eggs? Do you know? I don't want anything to happen to the Eggs that happened to Bobby.

Cucurucho: Ha ha ha

Roier: WHAT? [Smacks Cucurucho]

Jaiden: [Bops him] Headpats.

Cucurucho: Maybe.

Jaiden: [Continues to bop him] Headpats. C'mon, I can get it out of you! Headpats! Chin scratches! Belly rubs!

Roier: [Joins Jaiden in bopping Cucurucho, chuckling and laughs]

Jaiden: Yeah? He's comin' around!

[Jaiden and Roier both laugh]

[bixels]

So i have a small nicpic i wanted to share with you about your interpretation of spike in the au and i want to make two things clear before i talk

1) i havent watch the series for a little while as of now so i might be misnterpreting a aspect of this chatacter that might have never been there and only apeared in fan content and personal interpretation (since that whats been keeping me on the fandom)

2) this is not a big problem about the au i matured enough to not get angry at a interpretation of a fictional charater

Now here i go

I feel spike being the same race as the rest of his familie makes him lose a part of his character that might have not been central but was still something interesting about him and is the idea of not mayhering how diferent he looked from his adoptive family (and his cominty as a whole) he was he was still seen as part of it

Again this isnt a big problem with the au as a whole its just a small nicpic that i have about the au and its not going to make me hate the au

This was just my opinion that i wanted to share and im interested to know your opinion about what i said

I understand this criticism and agree that having Simon/Spike be a different race than Thea could speak to their relationship in the original show.

My reasoning for designing them both to be African American is this. I believe Simon's adoption is enough to explore the feelings of separation and exclusion he may have with Thea and her family. The original show doesn't bring up Twilight and Spike's racial differences much because they originally didn't consider Spike to be a part of Twilight's family. As far as I know, there's no moment where someone says, "Wow! You're telling me you're related to Twilight Sparkle? But you look nothing alike!" because Spike was more so Twilights... familiar than anything.

Later episodes that explore their familial dynamic poses the conflict through Spike's adoption. There's one episode where Spike's "biological father" returns, and Spike accuses Twilight of not being his real family, which breaks her heart. There's another that delves deep into Spike's feelings of exclusion from Twilight and Shining Armor's siblinghood. Basically, in discussions of family dynamics, the show places more emphasis on Spike's identity as an adopted sibling rather than a dragon.

I really do believe a multiracial family would be good representation, but the racial dynamics would not be something I'd be interested in getting into. That's not to say I find real multiracial families problematic or uninteresting or unappealing or unimportant. I just wouldn't be interested in having to explain in-text that Simon (non-black) and Thea (black) are related over and over; it would grow tedious. It adds an extra level of writing complication and opens up racial discourse (discourse that I feel is unrelated to their relationship in the original show) that I don't want to concern myself with, especially because I have no experience in navigating such discourse.

[psychicdisaster]

Alright then, here is my take on the whole shipping discourse in this fandom.

As someone who headcanons that Saiki is aroace with zero romantic or sexual attraction, I think it’s not my job to police anyone who likes to ship him with other characters. I can respect others who do so (and sometimes I find their ideas to be very interesting), and so can you. It’s not like getting angry over this will fix the problem over night.

I do wish less of the fandom was about shipping, because I think that the platonic relationships are the backbone of the series and are worth exploring. Despite that, I absolutely love seeing what people think about different pairings because the fandom is so creative.

It’s important to note that although Saiki says he has no interest in romance, he is written to be an unreliable narrator, meaning it’s hard to tell whether he is explicitly aroace coded or not. I like to think he is, but I don’t think others are wrong for disagreeing.

However, I do understand why someone would be upset with all of this. It is a bit frustrating to see a character you see as aroace be shipped left and right. In that case, it’s best to block users/tags that you are not interested in. Blocking something really isn’t serious, it’s simply a way to make this platform more enjoyable to you.

Anyway, I think this discourse is a bit useless. Let people see the character how they’d like. There’s no use arguing with each other. I think we can learn to respect different opinions.

[bizlybebo]

not a mockingjay shipper but i support their beliefs cause everyone is so weird about them

[based--ball]

This has been the summer of the weird baseball creations for me and I have been having such a blast. Like who knew that to make me happy all you have to do is sit me down in front of a jays game with craft supplies or a laptop and a snack and a drink. I've made collages and I've written fic and I've written poetry for the first time since probably grade 6? I've started embroidering again? I made a paper doll even though I don't draw? I don't think of myself as a particularly creative person but I guess I have been making things so maybe I'm in my creative period lol

[pianostarinwonderland]

Now it's likely we will enter everyone's dream what do you think azul dream would be?

rubs hands Ohhhh anon, you're in luck because I have so many thoughts.

Since I also have ideas for the tweels, I'll take this time to write what I think all the Octavinelle dreams will be like. Most of these are my own thoughts, but some ideas are from friends. And because I love the trio so much, I'll also write my own ideas of what would possibly get them to wake up and such.

General notes before listing the individual dreams:

May be an obvious point, but I think all 3 of them will have each other in their dreams. Octa trio are very close, and I don't think they can imagine not having each other in their lives. It also matches how their initial dorm card art have each other + how all three of their stories are tied together.

I think that Jade is going to be the Octavinelle dream segment's SSR because of the twins, Kalim and co. will likely have an easier time waking Floyd up. Jade may need some prodding from someone more familiar with him.

However, I do acknowledge the argument made by my friend that it is possible for Floyd to be the SSR as he's the rightmost one in the order you find at the lessons (if you notice, the order goes Ortho > Lilia > Rook > Kalim (though Kalim is an exception) with Sebek in between Lilia and Rook, and they're the rightmost ones in their dorm order seen in lessons. Floyd is the rightmost one in the Octavinelle order). And I wouldn't be surprised if TWST decides to pull that out. But admittedly, I don't know what exactly would make Floyd's dream deep enough that he needs to be woken up by someone more familiar, so I write the dreams with the assumption that Jade will be the SSR.

Though not necessarily going to be important in the following ramble, I have a feeling that they will release Coral Sea's hometown event to be able to use certain assets (i.e. backgrounds, possible official reveal of Azul's merform) in book 7, just like Vil's hometown event was used for the Pomefiore dream segment.

As a disclaimer, I don't have full translations of the last two updates so I may not have the most accurate ideas for how the Octa dream segment can turn out because there are patterns they're following here. Many of these are still brainrot induced (even though I think I make good logic wheezes).

Ok, with all that said, here are my thoughts for the Octa trio's dreams :>>

Floyd Leech: Living underwater with Jade and Azul

It's not a secret that Floyd is at his happiest when he's in his merform. Among the trio, he's the one who transforms the most often into his merform. Some incidents include the time that he transformed during swimming class according to Ruggie (Book 3) and Vargas Camp where he transformed to get fish. Floyd is also the one who tells the most stories of his time under the sea with Jade and Azul. We know about their middle school band because of him (Robe Kalim vignette); we know about Azul's actual size in his octopus form because of him (Beans 2 main story); we know about the music contests they used to join because of him (Portfest Floyd vignette).

So it makes sense that his dream would be in the sea, where he's in his merform. It's also going to be pretty simplistic, depicting a happy life underwater.

TWST tends to be very comedic, especially with the first dream. So my friend suggested it would be fun if there were literal fish versions of the cast in his dream 😂 so we could have live2D assets of a literal goldfish Riddle, crab Ace, sea snake Jamil, etc.

Jade and Azul of course would be in merform along with him. Maybe they might be playing in their middle school band: Floyd on drums, Jade on bass, and Azul on piano (and maybe their audience is composed of the NRC cast as fish).

In this dream, maybe Floyd has no memory of ever being on land with Jade and Azul. So that may be what the others will use to wake him up.

Jamil would probably remind Floyd of basketball club days + dancing, and Ortho would probably remind him of his love for shoes. These could be pretty reasonable as the permanent card vignettes (so SR Robe/Lab, R Uni/PE, SSR Dorm) seem to be compliant with the canon of the main story. Grim would probably remind him as well of Book 3's events and how he'd do fun shit with Azul and Jade at the Mostro Lounge. They would probably remind him as well that Jade and Azul love what they do on land.

I don't know where to insert this, but it's very likely that Azul in this dream does not hate his merform. Floyd talks highly of his merform (whether it looks yummy or very strong), so it's possible that he wishes that Azul loves himself just a little bit more (I really want to say it is hinted at, but at the moment, I have no idea if that's correct, let alone say where it is hinted at, so I won't say it like it's canon). And by extension, this can be Floyd's way of sharing that maybe Azul wouldn't have OB'd if he was more accepting of himself.

Jade Leech: If Azul never overblotted

Jade's dream would take a similar path to Rook's dream, in which the premise for the latter is that Vil never overblotted because he's not in conflict with Neige. And for Rook, that's okay, he just wants Vil to be happy, even if he looks on from afar. Except that for Jade, he wants to be the reason that Azul didn't have to overblot.

See, it's very subtle, but Jade is probably upset or even traumatized from Azul's overblot. While he never shows this (this motherfucker istg) the one small bit of evidence of this is in Book 4. Jamil's hypnotizing everyone, and Kalim, Azul, and the rest are frantic as they don't know what to do. But as Jamil is about to overblot, Jade tells him to stop, or else he will overblot. And that's a very interesting thing: why is it Jade who's the one telling Jamil that he'll overblot at the rate he was going? Why not Azul, who's both fascinated with Jamil and the one who underwent overblot? Or even Grim and Yuu who have 3 experiences of overblots by that time? Of course, that's not necessarily a guaranteed indication that Jade is upset from Azul's overblot, as in general, overblot is very dangerous and could kill a life. Jade may have been saying this to prevent Jamil from entering a life-or-death situation. However, I still find it intriguing that it's Jade who's warning Jamil, especially when another instance of another character trying to stop an OB was Kalim, who followed Vil since he was reminded of Jamil's own OB (and we know Jamil and Kalim have been together since forever).

There's two ways that this can go: either (1) Jade's dream follows like Rook's, or (2) it goes the opposite of Rook's.

In (1), Jade (and consequently, Floyd) would not be friends with Azul, and Azul would continue on as he is, only a lot more independent.

(1) stems from the fact that the plan Yuu hatched to destroy Azul's contracts was hinged on separating the twins from Azul. Jade might have realized this, either in Book 3 or off screen post Book 3. And in a similar fashion to Rook, he might blame himself a little bit for Azul not being able to get the contracts off of Leona on his own due to the fact that he and Floyd are always with him. So in his mind, he thinks he might be dragging Azul's potential down, and he knows how much Azul wants to become the best version of himself. So maybe he looks on from afar as well. Maybe he's still an Octavinelle student, but not the vice leader.

(2) also stems from that same fact, but it also has an additional element: In Book 3, Jade asked Azul if they should do anything about Leona, since it was unexpected for Yuu to stay in Savanaclaw. Azul replied that he probably won't act on anything, so he says not to disturb him. What if Jade might have been hooked onto this? That maybe he should have acted more upon his suspicions? That maybe he should have been more attentive when spying on Yuu and co to find out when they hatched this plan? So maybe in dream (2), he had a countermeasure or he just knew when to nudge Floyd to go back to the dorm before Leona destroyed the contracts. Then once that was dealt with, they deal with the photo and bam, Azul wins and they get the Ramshackle branch.

Both (1) and (2) are connected by Jade's wish in the Dances and Wishes event, where he expresses that his wish is for Azul's and Floyd's wishes to come true. In a sense, (1) fits this a bit better than (2). There's also the idea that moray eels have a cowardly nature, according to Floyd. (1) could be an expression of said nature within Jade.

But if you ask me, I think (2) is a bit more in line with Jade. Firstly because I doubt he can imagine not being close to Azul, secondly because I think in his ideal world, I think he'd wish he had more control over what happened (and Jade has a thing for control).

Thirdly, it matches in terms of how his dorm card and Rook's dorm card are both same and different. The gameplay of TWST tends to be intermingled with the story and characters at times. Dorm Jade and Rook both have first spells where they boost their ATK stat for 3 turns, with fire as their duo element. The differences between them are (a) card typing (Rook Attack vs. Jade Defense) and (b) M1/M3 elements (Flora/Water Rook vs. Water/Flora for Jade). This parallel can be reflected in their dreams vs. the reality of their situations. Rook dreamt of never being involved with Vil, but in real life he was in time to intervene and save Neige. Meanwhile, Jade would dream of being on time to stop Leona, while in real life, he was too late and only in time to kick Azul's ass out of his overblot.

And fourth, this is where you may wonder: Isn't Azul's second dream going to be the Book 3 AU, based on the patterns with Idia, Vil, and Jamil? To which I answer: yes! Definitely! But here's where I'm going to point out something: Jade and Azul not only have similar ish mindsets but also have the same paintings in their initial Platinum card art, just with flipped positions. I like to think that this is reflective of their dreams, where both of them wish to change the same events of Book 3, except that they'd go about it differently.

Jade would definitely be woken up by Floyd, who would remind him that what happened has already happened. (On this note, I wonder if we'll get to see one of their vicious sibling fights so Jade can wake up, but I'm just dreaming at this point)

By virtue of him being the SSR, we gotta think of what's the scenario that would make Jade cry! Him having to fight the fake Azul and Floyd might break him. Yeah, he's fought Floyd and all, probably dueled with Azul too, but it could be different when he has to be 100% serious about it. Either that or, there might be some part of him that hates the fact that it was a dream. And Floyd would have to snap him out of it, saying that everything is okay.

Azul Ashengrotto: Ultimate business owner + Book 3 AU

The first dream we enter, in typical Azul fashion, we're likely going to see him owning a whole chain of Mostro Lounge restaurants! And maybe not only that: he's probably running a hotel or two, he's got a delivery service going, he probably has a monopoly running while we're at it. Basically, it's all the stuff that he lists down in Book 6 before he sleeps on Riddle's shoulder.

His businesses expand over both land and sea. Since Azul prefers being on land, we may see him on land first before diving to the sea to check on business there. And that's where the first confrontation happens.

I think Azul would feel practically invincible by this point! And by invincible, he not only has everything he wants, but there's not a trace of his past to be discovered, so people think he's always been this intelligent and strong. So when he's confronted by Jade and Floyd, who share memories of his past (his shared past with them, from middle school to NRC), that's the first instance of Azul slowly starting to wake up and him panicking about his perfect world being fake. And it almost works until the dream versions of Jade and Floyd come in and remind Azul of the kind of invincible person he is.

Then they descend to the second dream, which is the Book 3 AU where Azul got his contracts from Leona and probably beat his ass. Except that the difference between this and Jade's dream is that Azul does this all by himself. When dream Jade and Floyd get back to him with the photo, they're praising him, all like, "Good job Azul! You're so strong and powerful! I'm glad I get to hang out with someone as awesome as you are!"

But the real Jade and Floyd would try to stop him from destroying the photo and tell him that it's a reminder of who he was, and how much he's grown. And if Azul succeeds in destroying that photo, Jade and Floyd would pull out the photos that they carry with them (think the album from the opening). They want him to accept the person that he was, and realize the person he is now is someone who's grown stronger. He has become better.

On how his dream would collapse, this is tricky. I would want that Azul destroys his contracts (thereby breaking the deal he made with Yuu, which would entail that his happy end has been broken), but him not destroying the photo would also cause the dream to collapse since the way to his happy end involves removing all ties to his past, namely the photos. He could do both. However, the trend so far is that foreign influence affecting the happy ending is what would break the dream. If anything, if Jade and Floyd do have their own copies of Azul's past photos, that means that the presence of those indicates that Azul's ties to his past are not broken at all, and therefore they would break the dream.

Then as per pattern, the others leave while Azul sinks deeper to try and wake himself up. He meets his OB self, who's steeped in his insecurities and is very unaccepting of his past. And this is where Azul accepts those insecurities and accepts his past but will continue to move forward with his life and grow to be a person he can be proud of, and fight his OB self. Then he faces his first dream and dream Jade and Floyd, and then he wakes up eventually.

[silentreigns]

I have been reading too much of what people have been saying about Lewis's move to Ferrari recently. And I can't take this honeymoon phase seeiously at all. I genuinely like both Lewis and Charles but I am gonna root for Lewis first and foremost. He needs to take back his 8th championship more than Charles needing to get his maiden F1 championship. I feel like there's going to be a lot of the Lecfosi who are praising LH now will turn against him next year, regardless of if he outperforms Charles or not.

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[starleska]

OKAY NOW IT'S AIRED I CAN SHARE SOME INCOHERENT FIFTEEN-CENTRIC RAMBLINGS ABOUT THE NEW EPISODE

spoilers for the Doctor Who episode Boom! 👀🔥

Ncuti Gatwa you absolute LEGEND oh my godddd????? can we TALK about the range of emotion this man managed to show while standing in one place for almost an entire episode?! the tears running down his cheeks, the trembling, the determination, the self-soothing to keep his adrenaline down...it was all so amazingly acted. honestly Fifteen has quickly jumped up to one of my favourite Doctor incarnations but ohhhh this cemented it 😳😳😳 i think most intriguing were those little pockets of rage, the clenched-jaw, 'i could say something much worse but i am holding myself back' moments. that is what i love in a Doctor (looking at my favourites - Six and Eleven - it's no surprise 🙈) and i am delighted to see it in Fifteen, who so far has been deliriously sweet and charming and fluffy. yesssss let's give our favourite Time Lord a touch of that trademark anger 😉 just, oooooh. every Doctor has some level of cockiness, arrogance, superiority, but the ways in which each incarnation shows it makes for hugely differing personalities...and these little moments of nastiness (the 'do you get-get-get it?' and 'faith gyal' to Mundy) have killed me dead. after The Church on Ruby Road, Space Babies and The Devil's Chord i would never have expected that Fifteen could be a scathing incarnation...but i'm loving it. more please 😳💖

[eeveekitti]

day 9: filtration system

are you sure this is your fate, little survivor?

[detectiveneve]

speaking strictly from a plot & writing perspective here, not a commentary on characters or who or who is not my favorite blorbo (they all are). it's gale time and I wanted to get down everything I thought about this go around with his romance & the writing before it escapes me.

so I once again had a ton of fun of course, the game is still a blast, and several arcs were way more satisfying this time around simply because I ... did not skip the creche, unlike my very first run (I was an idiot) (I didnt think it would be that important) (it really really was). love it 10/10. I cannot WAIT to do my gith run & really focus in on that because the lore there is just, so cool, and that subplot was really rich & rewarding this time around since I had someone who was not orpheus become a mindflayer instead.

as for Gale, Thank Fuck I started before they bugged him up again too much. but let's deep dive into The Material.

shoutout to Tim first of all, he's a legend, dreamboat, superstar. there are so many lines delivered so effortlessly when they would sound ridiculous in anyone else's mouth. he gives gale so much soulful intensity and subtle, nuanced gravitas befitting someone like gale; with enough of Gale's own moments of silliness, cheekiness, wry wit & understated sarcasm, to outright flabbergasted at times, I was Giggling every conversation fr. I'm not usually prone to the "I LOVE YOU" Romances that come earlier rather than later, but ohhhhhhh tim gives each line with all the weight & agony that you can feel inside Gale when it comes (the looming death; not knowing what the end may bring; not wanting to leave any regrets behind) so like. MWAH to him. MWAH MWAH. all the kisses in the world.

okay mandatory compliments to the actor aside. I came out of the whole thing with breadth of new appreciation for Gale as a character in terms of the... concepts, threads, that make him up, and act 2 is where he REALLY shines overall.

I didn't necessarily come away from it with the same... weepy...... done-no-wrong? interpretation of Gale that I've seen floating about. he's lovely. he's intense. he's got soul-crushing devotion on his mind, no doubt. but for every fracture of tenderness, raw sincerity, & off the cuff soliloquy, he's got a lot of interesting flaws/characteristics I'd love to unpick with a fine-toothed comb on some replays or rewatches. Still trying to turn over in my brain exactly what that is, but it's there, and I love it. will say I'm really glad I played it mostly in a vacuum rather than getting too into others' thoughts on him, because What I Had Seen on the Webbed Site had near put me off entire (seeing someone say he's not prideful or pompous at all... when he self-describes as pompous?) -- maybe it's my tendency to focus in on what makes a character tick, when are they sharper, or harder, or meaner, and I enjoy watching that play out a lot, but? yeah. I didn't come away thinking him a super soft mushy mwahmwah -- ROMANTIC, yes, but overall as a character not nearly so lovesick and in desperate need of some protector. in fact when you tell him you don't want to be his crutch, he says as much too -- you've helped him, but you're not the sole focus of his person or the only thing keeping him alive.

there's enough of the humanity in his cheekier moments (stop licking the damn thing!!) and plenty of tear-jerking aside all of that. gale my canon-depressive-episode, mildly suicidal, chronic pained up, still-kind-of-full-of-yourself king. I adore you I love you I cradle you softly in my arms. he charmed me entire! I think that the themes hey were trying to tackle are really interesting and nuanced and I do have some thoughts on the success of the game in actually tackling those, what is there is really wonderful. some gorgeous writing in act 2, especially, and it was sold so well by the voice acting & sincerity in the writing I was just like. PERFECT. 10/10. NEED TO WRITE 98 FLUFF PIECES RN. which does not happen often, to me, as a person.

with. some exceptions, going back to critiquing act 3 as a whole.

act 1 & 2 are both strong, really nice. however this romance definitely needed at least one or two more scenes in act 2 to pad out the space between awkward flirting at the party to "I like it when you're sweaty and bloody-- sorry who said that" to "I LOVE YOU. I LOVE YOU." -- these scenes should've elaborated on Gale's personal feelings; of mystra, of what's been asked of him, of Tav. they should've set in threads of Gale's anger earlier, rather than the jarring shift from late act 2 "yeah I'll kill myself" to "actually... mystra fucking sucks! lol!" in act 3 at sorcerer sundries. yeah babygirl, mystra DOES fucking suck, wish I could've listened to you as you arrived to these conclusions rather than connecting empty character lines between act 2 and 3. and act 3 desperately needed more space to talk gale in or out of the crown. because by the time we get to the end, if he's really into the crown, he's into it beyond the focus of all else. but in the scenes where you talk him off that particular ledge, it doesn't even take very long to do so, and leaves kind of a weird... gap of intention.

I feel like they wrote themselves into a bit of a corner, honestly. because Gale's personal quest literally cannot be resolved until 5 minutes before the end, any climax wouldn't have much space afterward to pad the aftermath. so the solution to that would've been more character focus scenes, more flavor text depending on how you've influenced gale, something that actually makes the choices feel rewarding -- some hurdles to cross too, checks of some kind. but there really isn't any of that, and so the conflict is almost nonexistent. you squirt gale with a water bottle and he gives up the crown with no real additional dialogue. or you tell him "ma...maybe???" and he's suddenly a power obsessed little freak (complimentary) with no recourse, and in either case, we never got much dialogue to get some insight into his personal thoughts on it. this doesn't make Gale a bad character, but it does leave the narrative to be lacking in some regard.

like, for example. Astarion gets dialogue changes depending on the quest outside of character-specific moments (such as a spawn Astarion changing his dialogue after you help Aylin with Lorroakan), post-quest conversations, PRE-quest conversations with his siblings, moments where he reveals more of what he thinks (such as "You're... you. no one is like that.") etc., Gale gets None of that. the only other characters who really do are Lae'zel and Shadowheart; everyone else is either shafted or resolved in the last few minutes too. I came out of this most satisfied as a player overall with LAE'ZEL'S conclusion (also at the end of the game!!) because we had gotten a few more moments where her focus is obvious and her motivations are clear.

anyways, those are just general writing issues. Act 3 overall is the weakest, most agree, and that's still true here. Sadly it kind of takes some of Gale down with it in this case, because his personal quest is both so removed from the overall plot (despite him being a literal fixture as the only character who knows anything about the crown & was decreed by a literal god to take out the absolute).

however none of this is related to Gale as a guy. as a guy I'm Fucking Obsessed With Him. taking him with me everywhere was so rewarding especially in act 1 / 2. his commentary & insights, when they were there, ranged from funny as fuck to genuinely insightful & interesting for the overall plot. the ideas behind him, the glimpses we get of the life he led before, and the life he wants to lead after with Tav -- or what he alludes to wanting to lead with Tav, thinking that he'll still probably die at the end of this -- are lovely, interesting, TOUCHED MY SPIRIT. he's such a neat version of how to do a character that is as endearing as he can be foot-in-mouth, and as intelligent as he can be a little belligerent. I looooved every moment I could talk with him about magic in act 1, see his passions (beyond mystra), argue with him about how to do something (I'M the magical wonder here actually and I get to make the shadowlantern), all of that really MADE the romance for me in the lulls where his Silence or the gaps in his writing were more clear. 10/10 would kiss that fucking wizard again and cry a little bit thinking about exploding with him aboard a giant alien brain while one of those "ITS YOUUU I LIE WITH" songs plays in the bg

[royalarchivist]

[A sad violin song plays over an image of a sad hamster]

Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?

[ Transcript continued ↓ ]*

–

Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.

Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!

Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.

* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.

[carefulfears]

And my girl Scully figured out that Diana and Phoebe were abusive to him and that’s why she was ready to disintegrate them with whenever they breathed Mulder’s air iktr. (Also to me that’s part of the reason Mulder was oblivious and defended them, people who are in abusive relationships are not always aware of it)

YUPP you’re literally dead right, anon, in my opinion. it really bugs me when people talk shit about mulder for “trusting” both phoebe and diana, as though that’s not like…the only thing he’s been taught to do.

i’ve been thinking a lot about the difference between scully’s reactions to phoebe vs. diana. when phoebe showed up, scully had only known mulder for a few weeks. and still she knew almost instantly that something wasn’t right.

i didn’t notice until i rewatched fire the way that she never leaves him alone with her. if mulder and phoebe are working on something, you can see scully. against the wall, peeking around the door, pacing in the hallway. he tells her that she’s “off the hook,” that he’s not going to “put her through this” with “phoebe’s little mind games,” and she takes it upon herself to investigate phoebe’s case herself, until she solves it and phoebe can go the fuck home.

girlbosses catch serial murderers singlehandedly to get their best friend’s shitty ex away from them.

when phoebe was around, scully is passive aggressive as hell. constantly hanging around and making little quips and mocking her accent.

when diana shows up? five years later? she’s just aggressive.

she said nah, we aren’t doing this again 😭😭

(one of my favorite scully moments is when she snaps “and not just because i think that woman is a….well, you know what i think that woman is” and mulder is just like “no you hide your feelings sooo well” lmfao)

i really do think meeting phoebe so early in their partnership informs a lot about the way scully reacts to his exposure and relationship to other people throughout the series. she really doesn’t trust a soul around him.

i always think of this line from madness by kittenscully (a post-syzygy fic, addressing the detective white incident):

“A surge of righteous indignation at the notion makes her sit up straighter, and she bites her tongue to avoid a very unpleasant comment from slipping out. As always, she thinks of Phoebe, of his wide, trusting eyes.”

diana was scary levels of manipulative and violating. but diana loved mulder, scully knew that and used that to plead with her in the end.

phoebe didn’t care about anything but playing with fire. she got off on scaring him, crossed state lines just to fuck with his head and hurt him, just like in their relationship a decade earlier. mulder knew this, he knew from the start what she was doing and what she wanted, and he helped her anyway. he praised her anyway. he connected with her and invested in her anyway.

y’all know i’m always thinking about the script note about phoebe’s coldness “eliciting some old need in him to have her affection.”

by the time diana came back around, scully had sat on the floor of a hotel and watched phoebe smile and shake hands with bureaucrats while mulder couldn’t breathe.

scully had stood in the next room when his questions to his mother got him little more than a slap to the face.

it’s different with diana because there’s a lot more history and connection there, and because at that point there is heartbreak and jealousy on scully’s side (when phoebe was in town, she hung around in doorways. when diana reaches for mulder’s hand, she turns around and holds back tears in the car.)

it’s a difficult position for both of them. he doesn’t know how to do anything but appease and trust and be loyal, to help whoever asks. he doesn’t care if it hurts him, he’s been groomed his whole life for that, to feel like he deserves it.

it makes scully crazy. he’s her best friend. she can’t believe anyone would look at that kind of softhearted hope and want to exploit it or crush it, rather than look up to it, follow it, nurture it.

and it hurts!! it hurts to watch him fall back into these traps, and especially with diana, it hurts to feel that your input and relationship doesn’t matter enough to have influence. to not be listened to, to feel like you’re not being chosen.

she doesn’t know that he went to search diana’s apartment after she told him not to trust her. she just heard, “i know her. you don’t. scully, you’re reaching.” and watched him leave.

it’s just this perfect crossroads of each of their most vulnerable spots. scully wants to protect him, always, and she also wants to be chosen.

mulder has to stand by his allegiances, to seek ‘affection’ in cruelty, to play his role in the larger scheme. this is what CSM knew when he recruited diana into the conspiracy, and he knows because he “created” it.

you can’t judge either of them, they’re both following their natures, and furthering the narrative they were chosen for.

(until scully stands in front of diana and begs, “i just want you to think…stand there in front of me, look me in the eye”…and breaks the whole thing down.)

[bams-2]

One of my ocs cosplaying as Siffrin from In Stars And Time, since I thought it would be fun to draw

[strangefable]

i have some strong feelings about nanowrimo. (edit: and i'm putting it all under a readmore now, since I had a lot to say actually.)

i was there in the early years. i was an ML for a few years. i had a very strong community, and many friendships, and even one of the most important romantic relationships of my life, (as well as one of the worst) because of the community i found there. it fueled so much of my creativity while i was in college and in the confusing years afterward. i wrote SO MUCH because of nanowrimo. i found a home among other weird writers.

then baty stepped away. others stepped forward, and i watched year after year, as the entire organization slowly shifted to... something else. something without the heart or purpose or vigor or soul that the was the whole point of the exercise. some were good things, at first. attempts to expand spaces for younger writers. outreach with schools and libraries. and some things were never good. there became more and more focus on SPONSORS and 'prizes' in the form of endless adverts for said sponsors as 'coupons' for their products. some of this was good, actually, i got scrivener because of one of those early deals, and it changed how i wrote significantly for the better. but that was when there was only two or three 'sponsors' involved, and they were very much also indie projects at the time.

then things started getting sketchy with how MLs were treated and community functions were mishandled. then there were rumors and whispers about things being a bit... off in the YWP. and the sponsors were everywhere. tons of them. constantly. the people i'd known forever started to leave in trickles and then in droves. the community was gone. the MLs left were unsupported and struggling to get communication from hq. it was readily apparent that the head office had become a fucking shitshow.

then came the truth about what was going on in YWP. which was horrifying. and yet. they did nothing. tried to sweep it under the rug. pretended it was just a misunderstanding, same old bullshit. and i cried, because i saw what had become of a once wholesome beautiful thing, now marred by greed and people with ill intent and no interest in the craft whatsoever.

and now everyone is talking about this AI touting from them as if it's a shock. a surprise. it's not. this has been the path chosen for years. by people who took over a nonprofit that was never meant to be a large unwieldy organization in the first place. they treated it like a business. they're running it like a corporation. they have been for a while now.

those of us who were there, we know this. we watched it happen, year after year. this isn't a surprise. it is a betrayal, but it's not a surprise. this was never the spirit of nanowrimo, that was lost long, long ago.

the spirit was always the mad, unfettered joy in the act of creating. of shutting out the world, of shutting out all the voices in your own head telling you you couldn't do this, and just. doing it anyway. for the joy of it. for the challenge and love of it. and you can still do that. any damn time you want. with any people you wish to include. you don't need corporate overlords for that.

baty started this whole thing by getting a bunch of friends together, and essentially double-dog daring each other into 'we're each going to write a whole novel in 50k words in this month, and we're gonna cheer each other on as we do it'. and they just did that. at coffee shops and bookstores and each other's dining rooms all over san fransico.

so. like. just do that. fuck whatever those chucklefucks are doing with the name on it. they're not necessary. they never were. just do it. make it your own. that was always the point anyway.

[monstersinthecosmos]

As a fellow Marius lover, I always find it kind of disheartening how most of the content/fandom talk about him (meta, fic, fanart, etc.) revolves around m/m ships (Marius/Armand in particular but I’d even go as far to include Marius/Daniel here) when, in my opinion, Marius is like the one male character in the VC universe whose relationships with women are far more interesting than his relationships with other men (the only other character might be Lestat but even then it’s pretty 50/50). They’re so monumental and so full of complexities and pain and so much love and they define him and inform his character in ways that I think, his relationships with men simply do not. Interesting/hot under the right circumstances? Sure but like ARE YOU GUYS SEEING THIS MAN??? AND HOW HE RELATES TO WOMEN??? It’s one of the best things Anne ever wrote and I can never get enough of it and it makes me sad how little content there is of it and I feel I can never say this out loud because I would never want to make people feel bad about what they ship (truly not my intention here) but ugh SO MUCH potential there for life changing discourse and meta about Marius and the women he’s loved and lost and have shaped who he is and there’s like… nothing.

Tl;dr the reason I’m sending this ask is because I’m a firm believer that you must be the change you want to see in this world and because YOU get it! And every time you post or write about Marius/Pandora (or Marius/Akasha! Or talk about Marius/Bianca) an angel gets its (black) wings. You are seen, you are loved and appreciated tysm <3

OKAY FIRST OF ALL THIS WAS SUCH A DELIGHT TO GET IN MY INBOX, SECOND IM GOING TO BE COMPLETELY HONEST AND ADMIT I FEEL TOO INCOHERENT TO TACKLE THIS TOPIC HAHA. I don’t feel articulate enough to do it justice. And I don’t say that to be obnoxious and self deprecating but like in all honesty idk how to synthesize it neatly but I think you’re sharing some GREAT IDEAS. 

I have to say this in bullet points because I don’t feel equipped to string this into a cohesive post:

Marius was based on Anne’s husband, and Marius/Pandora was based on their marriage!!!!! And I think it explains a lot about why their relationship feels so fuckin POTENT to me, like it’s so genuine!!!!!!! And like knowing that I think it makes sense why she wrote him so HOT lol. Like she’s just writing thirsty stuff about her husband right? LOL

Also like insofar as there’s a lot of genderfluidity in VC there’s also something vaguely misogynist about it at times. And Anne Rice was a mega feminist and her work had so much womens lib in it!!!!! So I don’t think it’s intended as misogyny at all vs. Anne having conversations about gender and maybe her own relationship to gender. I think enough characters have said vaguely misogynist stuff that it makes me think it’s an Anne Problem vs being Watsonian. (This is also a historical/time period issue and we can discuss another time if and when vampires are supposed to break out of that when they transcend humanity and social constructs even when they’re still saying weird sexist shit at their big ages.) But I say that to say all VC characters are a tad sexist, even if perhaps she was writing with the intention of her own male power fantasy/male superiority/penis envy. AND THAT MAKES MARIUS VERY INTERESTING. 

Cause like really the three main ladies in his life (Akasha, Pandora, Bianca) DO define him so much! And we don’t see him pine for Armand the way he did for any of them! Why!!!

Like there’s that aspect of sexism where women can be infantilized by men who don’t think they’re being unkind and it makes me wonder, especially when the author is a boomer, like where is that line between condescension and respect? I don’t have an answer here, this is too big-brained for me LOL but like he is SO devoted to the women in his life and I just wonder like if he sees them as creatures unlike himself, you know? 

This is headcanon territory but I bet he’s such a fucking sub to Pandora lol and it just thrills me that he spent 2000 years begging Akasha for affection and she ignored him the whole damn time wow. And he continued to simp!

AND ALSO LIKE, I think people DO NOT DISCUSS THIS OFTEN ENOUGH, but did we forget that he chose Armand because he needed a Bianca rebound? He was absolutely TORTURED by his love for Bianca and picked Armand because he didn’t want to kill her oh my god. Oh my god!!! HE KEPT HER LETTER IN HIS POCKET OVER HIS HEART OKAY??? HE DIDN’T WANT TO DRAG HER INTO HIS COLD AND FATAL DOMAIN????? Fuck lol

It’s so fucked up that he didn’t go after Armand but spent like actual fucking millennia trying to find Pandora. HE KNEW EXACTLY WHERE ARMAND WAS AND LEFT HIM THERE LOL BUT PANDORA HAUNTED HIM EVERY NIGHT OF HIS LIFE FOR CENTURIES.

After everything he wound up spending like 200 years with Bianca or something and ?????? CORRECT because Bianca was the fledgling he actually wanted!!!!!!!!!!!!!!!!!!!!!!!!

But it’s odd, I know I’ve said this 337589235 times, but Marius like. Has an idea of the person he wants to be and he tries SO HARD to live by logic & reason and he just can’t reconcile with the fact that he has EMOTIONS. And so like part of the person he wants to be like, open/empathetic/wise and he begs his lovers/students/fledglings to CHALLENGE HIM when he’s not actually healed enough to be challenged? And to me there’s something kinda like, extra spicy about it when you’re in Rice World and you’re a lil sexist; how much that burns EXTRA when it’s Pandora or Bianca sticking up to you or AKASHA FUCKIN IGNORING YOU. 

Just really incredible that this person who is like the epitome of a patriarch has such fucked up relationships with all the women in his life. And like he underestimates these women, like the way he tries to manipulate Bianca and she leaves him! PANDORA AND AKASHA ARE UNAVAILABLE TO HIM AND BIANCA FUCKIN LEAVES.

akasSHA JUST IGNROING HIM!! JUST STRAIGHT UP FUCKIN IGNORING HIM FOR 2,000 YEARS!!!! HE'S OBSESSED WITH HER!

Anyway Enkil is ignoring him too but he doesn’t give a shit about that guy tbh lol 

Also the amount of space he gives Eudoxia and Zenobia in his book like there’s more here too but tbh it’s midnight and I can’t start unpacking. I just think like, in 2000 years it’s interesting how Eudoxia wound up having such a lasting impact on his life. 

I did just peek at the Eudoxia part and I’m dying, he goes “Her face was small, oval, and as close to perfection as anything I've ever beheld, even though she bore no resemblance to Pandora who was for me perfection itself.” CERTIFIED WIFE GUY.

What kinda mommy issues are we dealing with here? HIS MOTHER WAS A SLAVE THAT DIED IN CHILDBIRTH AND HE INHERITED HER GENES AND LOOKED LIKE HER AND DIDN’T LOOK LIKE HIS FATHER & BROTHERS? AND HE’S SORT OF AN OUTCAST AS A HUMAN LIKE ? THE STIGMA HERE? AND THEN HE SPENDS 2000 YEARS WORSHIPPING HIS NEW MOTHER??? PERHAPS YOU COULD SAY ENSLAVED TO HER? IDK MAN. 

IS THIS ALSO WHY HE WAS SO OBSESSED WITH LOSING PANDORA?

The irony too, and something I think a lot of people miss, is that he DIDN’T WANT TO MARRY PANDORA LOL. He wanted to be betrothed to a child so that he could FUCK OFF and NOT get married because she wasn’t old enough to get married! He fucked off! He went exploring! He said this is not for me! 

AND TO GO OUT INTO THE WORLD AND BE MURDERED BY HIS MOTHERS PEOPLE???? IDK. 

I’m not sure how these last two points tie into anything but I just wanted to mention his complicated relationship with Pandora and his own heritage lol. And then Akasha like DELIVERS Pandora to him because she’s like “wow this guy needs somebody lol and I am not emotionally available” — Akasha who was famously a violent genocidal radfem and who would not approve of his relationship with Armand but explicitly allowed him to have Pandora and Bianca. IDK WHAT DOES IT ALL MEAN! 

Did Akasha approve of these women because she knew Marius was completely pussywhipped and would worship them and she wanted to see someone mommydom the fuck out of him and she knew that Armand would never be that person? 🫢

And again I want to say like, taking the author into consideration!! Anne Rice had a HORRIFIC relationship with her mom so you see these themes pop up occasionally in her work. DESPITE ALL OF THAT SHE IS STILL A FEMINIST AND WRITES ABOUT MATRILINEAR FAMILIES like The Great Family or the Mayfairs. But thinking about Mothers in Anne Rice Works makes me think a lot about this like, the damage they can do and the voids they can leave even when you’re a feminist and love women! You see a TON of this with Gabrielle and I always think that Lestat & Marius are such similar characters that you can do a lot of extrapolating or backwards engineering to ask questions about them and how they work, since we get SO MUCH Lestat POV in this series to work with and how we can zoom out sometimes and ask like, what is common across her entire body of work and what is more specifically common between Lestat & Marius and WHAT EVEN MORE INTERESTINGLY is a result that they were both based on her husband in their inceptions. 

Like how much of this has to do with Marius’s actual feelings towards men vs women on purpose, or how much was subconscious author bias, how much was simply that Anne Rice based him on her husband and she was THIRSTY, idk. It’s always hard to say in VC because Anne was such an intuitive and self-indulgent author and the stories are so weird!!! So your mileage may vary!

But I agree with you that these are FASCINATING relationships!!!!!!!!!!!!!!!!!!!!!!! And I like Marius/Armand too (I recently made a post about how I didn’t “””””ship”””” them but then I spent 2 months working on a M/A fic every day and now I think I’ve corrupted and converted myself LMAO) but yeah like. There’s such a lack of substance between them in the end. He treats Armand like he’s temporary, fucks up and moves on, and it’s such a departure from how DEVOTED he was with all his other partners. 

Wow I didn’t think I had a lot to say, sorry about that. !!! EVERY TIME I BROUGHT A POINT UP I THOUGHT OF 5 MORE POINTS GOSH I COULD TALK ABOUT MARIUS ALL DAY.